Hold Tight You’re Slowly Coming Back to Life

Back in 2011 when my music tastes veered towards the indie/indie rock/hipster scene, I continually looked for new music and had no problem finding it. I discovered plenty of bands/artists for the first time like Foster the People, Matt & Kim, Peter, Bjorn & John, The Naked and Famous, Young the Giant, Bon Iver, The Kooks, etc. (the list could go on because I shortened it while typing this). While searching for music during this time, I came across an artist that really intrigued me, but that I also, in a way, overlooked. She sang this incredible cover of Bon Iver’s “Skinny Love”, as well as other indie songs, which I listened to several times over a month to two month period. The coolest part was that she was only 15! I never downloaded any of her songs though and with time I found other music to listen to. Over the past few years I would see her name pop up here and there, but I didn’t pay much attention until about two weeks ago. I heard a new single of hers while listening to a playlist on Spotify and fell in love all over again.

Jasmine Lucilla Elizabeth Jennifer van den Bogaerde, more commonly known to the music world as Birdy, is a 19 year old British singer/songwriter who hails from Lymington, Hampshire in the UK. She began her music career at the age of 7 when she started taking piano lessons. By age 8, she was writing her own music. In 2008 at age 12, she won the talent competition Open Mic UK where she competed against 10,000 others. In January 2011, she released her first single, which was the “Skinny Love” cover. It was her break-out single as the song became a hit on the UK Singles Chart reaching the 17th spot and was the third biggest selling rock single in the UK in 2011. She also released her debut self-titled album in November 2011 which was a compilation of various covers and one original song. The album was a huge success in Europe and Australia.

In 2012 she released an EP of live songs which included her original song “Just A Game” from The Hunger Games soundtrack. The same year she also contributed to the soundtrack of the film Brave with Mumford & Sons, which earned her a Grammy nomination in 2013. Her second full length album Fire Within was released in September 2013. She also contributed 3 songs to The Fault in Our Stars soundtrack which came out in 2014. Most recently, she released the singles “Keeping Your Head Up” and “Beautiful Lies” from her third album, Beautiful Lies,which is slated for a March 25th release date.

Birdy’s music is in the indie pop/indie rock genre. In fact her debut album features mostly indie covers. Along with the Bon Iver cover hit, she covers Phoenix’s “1901”, Fleet Foxes’ “White Winter Hymnal”, The Postal Service’s “The District Sleeps Alone Tonight”, The Naked and Famous’s “Young Blood”, The xx’s “Shelter”, and Cherry Ghost’s “People Help the People” among other songs. Following her debut, her music hasn’t changed much. Of course she’s releasing original music now, but the indie vibe to her tracks still exists. Her voice has a young feel to it as well. It hasn’t changed much through the years either despite getting her braces off which created a distinct sound on the Bon Iver cover.

Although Birdy’s success has mainly been overseas, I have a feeling she may get a bigger following in the U.S. soon for two reasons. First, her two singles from Beautiful Lies are off the hook, especially “Keeping Your Head Up”. That’s the song I heard that made me fall in love again and catch up with what Birdy’s been up to over the past few years. Second, Birdy’s getting older. She’s done shows in America before and toured playing small venues as a guest for Christina Perri, but she predominantly does shows in Europe. Her scheduled dates so far in support of her new album are in Europe. However, she’ll be 20 in May and I have a feeling at some point she’ll want to spread her wings across the pond. Her new album might just give her some leverage to do that too. While we’re waiting to see what else Birdy has to offer with this upcoming third album, here’s some songs you should hear by this talented young artist:

1. “Skinny Love”
2. “1901”
3. “Wings”
4. “People Help the People”
5. “Tee Shirt”
6. “Not About Angels”
7. “Keeping Your Head Up”
8. “Beautiful Lies”

Road To Rio: CONCACAF Qualifiers

Last year I chronicled the United States Women’s National Team’s 2015 Women’s World Cup journey from qualifiers in the fall of 2014 to July 5, 2015 where “The Gals” dominated Japan in a 5-2 victory to secure the U.S.’s first World Cup victory in 16 years. Fortunately for the USWNT, there’s another major tournament this summer, the 2016 Rio Olympics. Unlike in men’s soccer where the U-23 national teams compete in the games, the women send their senior national teams to battle for Olympic gold. You see, in soccer, the Olympics aren’t as important as the World Cup, which is the reason the men only send their U-23 squads. Of course, the men in general have more tournaments to compete in, and like in most sports, men have more opportunities financially and physically (but hopefully that begins to change). Nonetheless, women’s soccer has and will be a bright spot for the United States in the Olympics this summer as the U.S. punched their ticket to Rio Friday night with a 5-0 win against Trinidad & Tobago.

Like I said, the Olympics aren’t as big of a deal as the World Cup so I’m not going to hype this summer tournament like I did last year. Before the U.S. women won the World Cup, they hadn’t won it since 1999, whereas the U.S. has won gold at the past 3 Olympic games. However, that being said, no women’s team has ever won a World Cup and then won gold at the Olympics the following year. If the U.S. wins gold in Rio, they will be the first team to do it. So if you’re looking for any story lines, there’s that.

Since the World Cup victory though, the roster has changed greatly for the USWNT. Shannon Boxx, Lori Chalupny, Lauren Holiday, and Abby Wambach have all retired. Sydney Leroux and Amy Rodriguez will be skipping the Olympics this summer due to the births of their first and second children, respectively. Then there’s Christie Rampone and Megan Rapinoe whose Olympic roster statuses are in question due to injury. Through 2015 Rampone dealt with nagging knee and back injuries that paved way for defender Julie Johnston to take center stage in Canada last summer. Since December, she has been out with a bone bruise in her left knee. Megan Rapinoe tore her ACL during training in December before a match between the USA and Trinidad & Tobago that was ultimately cancelled because of poor field conditions at Hawaii’s Aloha Stadium. Rapinoe had surgery back in December and has been in rehab mode since to hopefully be well enough to earn a spot on the Rio 2016 roster and play in the games. In total though, 8 out of 23 players from the WWC roster are either out for the Olympics or in question. The Olympics has a catch though. Only 18 players are allowed on the official roster (with 3 alternates available). Despite the smaller roster number, U.S. Coach Jill Ellis brought a few new players into the mix during January camp. She also opted for many fresh faces to compete in the qualifying tournament in favor of active and healthy veterans Heather O’Reilly and Whitney Engen (both part of the World Cup winning team) and there’s a few you should watch out for leading up to the Olympics.

17 year old Mallory Pugh earned her first senior national team call-up during January camp and was subsequently named to the CONCACAF Qualifying Tournament roster. She got her first cap when the USA played the Republic of Ireland in a friendly on January 23rd in front of 23,000+ at San Diego’s Qualcomm Stadium. She entered the game in the 58th minute for Alex Morgan who earned her 100th cap that day. In a passing of the torch moment, the future UCLA Bruin became the youngest player to debut for the USWNT since 2005. She also scored a goal during the 83rd minute to put the USA up 5-0. During qualifying, Pugh played in all 5 matches and settled into the level of play. Her speed and play-making ability sparked the U.S. offensive attack on several occasions. She even earned 3 assists throughout the tournament. By the end of the tournament, Pugh played as a starter. If she makes the Olympic roster, she’ll definitely be a name to watch out for in Rio.

Lindsey Horan is another name to pay attention to as time progresses. Horan, only 21 years of age, opted to forego college at women’s soccer powerhouse, UNC, to play professionally for the past 3 years in France for Paris-Saint Germain. She saw time with the USWNT during camps in the past and earned her first cap back in 2013 at the Algarve Cup. Playing her whole life as a forward, Horan has recently stepped into the defensive center mid spot left vacant by retiree Lauren Holiday. At first with Holiday’s, retirement I was a little concerned because of the tough shoes to fill, but I’ve been incredibly impressed with Horan’s play. She’s created a chemistry on the pitch with fellow center-mid Morgan Brian, who played her way into a starting role during the World Cup last summer. She’s also maintained possession, created offense, and quarterbacked the best team in the world throughout her time on the field. Not to mention, her 5’9 frame and goal-scoring/heading capabilities create an offense threat on the attack and set pieces. At this point I would be shocked if Horan didn’t make the Olympic roster because she seems to have the defensive center mid position on lock and as recent camp call-up Rose Lavelle would say, she’s “The Great Horan”.

Massachusetts born Stephanie McCaffrey and Samantha Mewis were also two new additions to the CONCACAF Qualifying Tournament roster. Both players saw limited time during tournament play but made an impact on the national team leading up to Olympic qualifying. McCaffrey earned her first cap in October during the Victory Tour where she also notched her first goal during the final minute of stoppage time in the match against Brazil in Orlando. For the national team, most of McCaffrey’s appearances have been as a forward/mid on the wings, predominantly the right side. She makes great runs and expands the width of the offense, while aiding in the attack. Mewis has played a center mid role in her recent national team appearances. It seems like she’s been in a competition for that center mid field role along with Lindsey Horan and Morgan Brian. At 6’0 tall, Mewis has a height advantage much like Horan when it comes to set pieces, but Horan has been crushing any competition she has for the position, including Mewis. Unlike her fellow “masshole”, Steph McCaffrey, Mewis’s first cap came in December 2014, but during qualifying last week, she finally scored her first goal against Puerto Rico.

Defenders Jaelene Hinkle and Emily Sonnett made the qualifying tournament roster as well. Like McCaffrey and Mewis, both saw limited action in the tournament since the USWNT already has a strong defensive core with Ali Krieger, Kelley O’Hara, Julie Johnston, Becky Sauerbrunn, and Meghan Klingenberg getting much of the defensive playing time. Both players did earn starts in the match against Puerto Rico, which saw a much different back line than in prior matches. Hinkle, an outside back, earned her first cap during the Victory Tour and has been a call-up ever since. With Chalupny retiring, the USWNT seems to be looking to fill a void left by the former outside back, which is where Hinkle fits into the mix. Sonnett also earned her first cap during the Victory Tour and was recently drafted first overall in the 2016 NWSL Draft to the Portland Thorns. It seems the center back made the Olympic qualifying roster in favor of Whitney Engen who has been in the national team system for a while and was on the 2015 WWC roster. She has a ways to go before she replaces Johnston and Sauerbrunn, but she gained experience during the tournament and played solid throughout.

Lastly, the  new additions to the tournament roster wouldn’t have been complete without the familiar face of Crystal Dunn. As the final cut from the 2015 WWC roster, the UNC grad seems to have finally guaranteed her place on the national team. Dunn’s ride on the team so far has been bumpy. She received her first cap in 2013 and primarily played in the outside back position. She experienced some injuries during 2014 which slightly set her back and was left off the World Cup roster in favor of several veterans. Her response was one of the most inspiring efforts of the past year. Instead of defense, she played in the forward position for her NWSL team, the Washington Spirit, during the 2015 season and lead the league in scoring with 15 goals earning her the 2015 NWSL Golden Boot and MVP awards. Dunn was called up to the national team as a mid/forward during the Victory Tour in September and had a goal and 2 assists in her first game back after being left off the World Cup roster. Since being left off the roster, Dunn has appeared in every match the USWNT has played since September and has scored 10 goals and 4 assists in that time. During qualifying, Dunn recorded a five goal performance against Puerto Rico becoming the third player to achieve that mark on the USWNT and winning her the Golden Boot Award for the tournament. As you can see, she’s back with fire and she’s here to stay. Like Horan, there’s no question in my mind about Dunn making the Olympic roster, so keep your eye out for her and an abundance of puns using her last name.

With the mix of old and new at the CONCACAF Olympic Qualifying Tournament the USWNT not only guaranteed their spot at the Olympics but also won in the final 2-0 yesterday against a gritty Canadian team, who will also appear in Rio. The goals came from former PSG teammates Lindsey Horan and Tobin Heath during the second half of play. Becky Sauerbrunn also received her 100th cap by playing in the match.

Unlike last year, I won’t be summarizing each match leading up to Rio, but I will be posting here and there with news and developments on the team, especially once the roster is released. In the following months USWNT fans can look forward to the She Believes Cup, which will take the place of the USWNT’s typical beginning of March trip to the Algarve Cup in Portugal. It starts next week. The She Believes Cup takes place Stateside and will feature matches against three of the world’s top ten teams, Germany (March 9th), France (March 6th), and England (March 3rd). It should be a great test for the USWNT leading up to Rio. Both France and Germany will be at the Olympics as well (England cannot compete in the Olympics because England competes under the name of Great Britain during the games which also includes Scotland and Wales, two countries with separate national women’s soccer teams). The USWNT also has a friendly scheduled for April 6th. The Olympic roster is expected to be announced in May. I’m sure there will be matches between then and the Olympics, which take place August 3-20, as well. The Road to Rio should be fun, new, and exciting so follow the World Champs on their journey to see if they can win the gold once again and become the first women’s national team to win a World Cup and Olympic gold back to back.

Coachella Band Preview: Sia

As I say almost every time I post a Coachella Band Preview, the days keep dwindling until the epic festival in the desert. At this point, less than 2 months remain until Coachella Weekend 1. This week I’m actually not previewing any band though. I’m previewing a singer who’s been active since the mid-90’s, but has only received great acclaim in the last 2 years. I’m not sure if you’d be able to recognize her if you saw her out on the streets somewhere due to her somewhat recent decision to not show her face when she performs. You may however know her from her over-sized platinum blonde wigs that cover most of her face. If that rings a bell, then yes it’s Sia and she’ll be performing at Coachella this year for the first time (sort of, but I’ll explain later).

Australian singer-songwriter, Sia Furler, known to the world as Sia, began her singing career shortly after she graduated high school in 1994 as a singer for acid jazz band, Crisp. By 1997 the band broke up and Sia released her debut solo album, OnlySee, but the album didn’t receive much success. Sia then moved to London where she performed as a background singer for the band Jamiroquai and lead vocalist for the band Zero 7. During the time she fronted Zero 7, she released her second and third solo albums entitled Hearing is Difficult (2001) and Colour the Small One (2004), respectively. The single “Breathe Me” off Colour the Small One received commercial success throughout several countries in Europe and even gained Sia some attention in America as the track was featured in the final episode of the HBO series Six Feet Under. By 2005, Sia decided to make the move to America in an effort to further her music career.

Between 2007 and 2010, Sia released three more albums. The first was a live album in 2007, Lady Croissant, which featured songs performed at the Bowery Ballroom in New York City in April 2006 while she was on tour and one studio track, “Pictures”. The following year she released her fourth studio album, Some People Have REAL Problems and in 2010 released her fifth album, We Are Born. Both albums had a few successful singles that were charted in a few European countries and Australia. We Are Born even won the artist two ARIA (Australian Recording Industry Association) Awards in 2010. After touring in North America, Europe, and Australia to promote We Are Born, Sia decided to retire from her career as a recording artist and focus on becoming a pop songwriter. It was at that point that the unexpected happened.

Sia wrote a song for recording artist Alicia Keys. However, the song was sent to French DJ and EDM artist David Guetta. David Guetta ended up using the song with Sia’s original demo vocals without her approval and the song, called “Titanium”, became a worldwide mainstream success. Despite the popularity of the song, Sia wasn’t pleased since she had recently retired and wanted to focus on songwriting. She did co-write songs from 2011-2013 for many artists like Beyonce, Flo Rida, and Rihanna. In a similar situation to the one with David Guetta, Flo Rida used Sia’s vocals on the song “Wild Ones”.

In 2013, Sia came out of retirement, so to speak, and released the single “Elastic Heart” featuring The Weeknd and Diplo as a song on The Hunger Games: Catching Fire soundtrack. In July 2014, she released her sixth album, 1000 Forms of Fear, which she intended to be the last album she needed to release in order to release her from her record deal, but the album became her most successful to date. It debuted in the top spot on the Billboard Top 200 and sold 52,000 copies in the first week. It reached the top ten on numerous European charts and number 1 in Australia. Along with “Elastic Heart”, which she released as a solo version on the album and as a single, the track “Chandelier” received high praise worldwide. Sia even received four Grammy nominations in 2015 for “Chandelier”, Record of the Year, Song of the Year, Best Pop Solo Performance, and Best Music Video. After the Grammys last year, Sia announced she had completed a follow up album to 1000 Forms of Fear because of her success.

Sia’s seventh album This Is Acting was released January 29, 2016. Her first single from the album, “Alive”, which she co-wrote with Adele, debuted prior to the album release in September 2015. In the following months leading up to the album debut, she also released several other singles, “Bird Set Free”, “One Million Bullets”, “Cheap Thrills”, “Reaper”, and “Unstoppable”. I’m not sure if her latest album will achieve the same success as her prior release, but with the quality of the newest album, it may come close.

Sia’s music can be considered pop, indie pop, and electropop, but her vocals incorporate elements of hip-hop, funk, and soul. I feel like her most recent work (1000 Forms of Fear and This Is Acting) exhibits more power in her vocals than in past records as well, especially in the songs “Alive”, “Chandelier”, “Unstoppable”, and “Eye of the Needle”. If you listen to We Are Born the last album before her “retirement”, it has a much more indie pop vibe. Some People Have REAL Problems is more pop with elements of soul included and Colour the Small One is very pop as well. Healing is Difficult has a hip-hop style and almost reminds me of 90’s hip-hop/R&B girl group, TLC. It’s evident that throughout the years of her career Sia’s style has fluctuated, but it seems that she’s finally found her niche with her power pop vocals and pop/indie pop sound.

I’d be lying if I said I hadn’t heard of Sia before she was featured on “Titanium” and released her latest two albums. I definitely heard of her throughout the 00’s, but never listened to her music because it didn’t fit with what I was listening to at the time and also because she wasn’t a “big deal” musically. Even within the last two years, I didn’t listen to her music. It’s only been during the last few weeks or so that I really started getting to know this talented artist. I added the song “Elastic Heart” to my Spotify playlist of recent music finds after seeing it on my favorite soccer player’s monthly music playlist and liking the song after listening to it a few times. It was recent single “Cheap Thrills”, which again was featured on that player’s monthly playlist, that hooked me on Sia though. I just purchased her latest album on Friday and have been listening to it since. It’s good. She’s good. I may just have to purchased 1000 Forms of Fear as well, except, I definitely want it on vinyl.

As I mentioned before, it will sort of be Sia’s first time performing at Coachella this spring. She appeared during David Guetta’s set in 2012 to perform “Titanium”, but has not ever done a solo set at the annual event. Sia’s Coachella appearance will actually be her first live set in five years, so it should attract a huge audience. Not to mention in the last five years Sia’s popularity has sky rocketed. Sia plays Sunday at Coachella. If I had to make a guess, even though set times won’t be released for weeks, I’ll say she probably plays the main stage before Calvin Harris closes out the weekend. You’re most likely not gonna want to miss her performance, so to get you ready:

1. Chandelier
2. Elastic Heart
3. Cheap Thrills
4. Alive
5. Breathe Me
6. Big Girls Cry
7. Unstoppable
8. Clap Your Hands
9. Bird Set Free
10. Fire Meets Gasoline
11. Eye of the Needle

 

Coachella Band Preview: Matt and Kim

Coachella 2016 is almost 2 months away. I personally can’t believe it’s close to a year since I went out to Indio for my first Coachella experience. It always feels like my trips to California didn’t happen that long ago because I think about them all the time. Truth be told though, it’s 2 months from my 1 year Coachella anniversary. As you know, I’m quite bummed I won’t be returning for 2016, but nonetheless I wish good things for everyone making the journey to Coachella Valley this spring. I also suggest you see the band I’m previewing this week during your weekend. I’ve liked this band for almost 5 years, yet I’ve never seen them live. They’re such a fun duo and among the top of my must-see-live list.

Matt Johnson and Kim Schifino met while attending college at the Pratt Institute in Brooklyn, New York. After they graduated, the duo formed their two member band appropriately called Matt and Kim (not Kim and Matt because Matt and Kim looks better graphically) in 2004. By 2006, they released their self-titled first album in October, Matt & Kim. Their debut album lead to some appearances at a few high profile music festivals like Coney Island’s Siren Music Festival (2001-2010) and Lollapalooza. On January 20, 2009, the group released their second album, Grand, which they recorded in Matt’s childhood bedroom at his parents house in Vermont. The album featured their most popular song to date, “Daylight”, which was featured in a commercial, a movie, TV shows, and video games. The following year the group released the album Sidewalks and played several headlining tours post-release. Lightning, Matt and Kim’s fourth album, was released on October 2, 2012. The group once again toured and played several festivals in support of the album. “Let’s Go”, one of the singles off of Lightning, even reached the number 20 spot on Billboard’s Alternative songs chart. After a three year break from releasing new tunes, Matt and Kim finished their fifth album, New Glow, and released it less than a year ago on April 7, 2015.

In case you were wondering, Matt and Kim are, in fact, a couple. They’ve been together since college and are the definition of relationship goals. However the fact that they have a band together as a couple isn’t reflected in their music. Their songs aren’t about love. They’re enjoyable, simple, and upbeat songs with basic, easy, and relatable themes. Their music is definitely indie pop, but at times their songs draw from hip-hop influences. Their live shows reflect their style as well. They’re high energy, loud, and fun or so I’ve heard. Basically it’s a Matt and Kim live show is like a giant music party.

I was introduced to Matt and Kim almost 5 years ago by a friend who suggested I listen to “Daylight” and “Yea, Yeah”. Although I liked both, “Yea, Yeah” stood out as one of my favorites during the time period where I made the transition to indie music fan/hipster. I even fell in love with the music video for the song which showed Matt and Kim playing the song on their instruments while having a bunch of random food thrown at them. It was a mere two months later that I bought my first Matt and Kim album. The album I purchased, Sidewalks, turned out to be just what I needed in regards to current life events. In particular it was the song “Good For Great” off that album that resonated with me and a huge choice that I made in the coming months. That song might be one of my favorites of all time because of how I related to it. Throughout the last few years, Matt and Kim’s music has come into my life at various times. They’ve provided me with positive and upbeat tunes and I’m forever grateful.

Hopefully someday I’ll get to fully immerse myself in the Matt and Kim live show party. Until then, those of you attending Coachella need to do me a solid and see their set. They play Sunday during the festival. If I was going, they would be near the top of my list of sets to see, for sure. How could you not want to see them though? They pretty much embody the positive spirit of the festival. Since I know you’ll want to make me jealous by attending their show, here’s a few songs you should know (droppin’ rhymes like Biggie…say what?!):

1. Daylight
2. Yea, Yeah (I included the link to the music video I love so much for this as well)
3. Good For Great
4. Let’s Go
5. It’s Alright
6. Can You Blame Me
7. Get It
8. World Is Ending
9. Cameras
10. Lessons Learned

 

 

The Film Playlist: Bandslam

So far, every movie that has been a part of The Film Playlist has been an adult movie. By adult movie, I mean a movie that has a PG-13 or an R rating. The latest addition to the playlist is a drug, sex, curse word free coming of age film though. It’s rated PG. The first time I saw this movie was in the summer of 2010. I think I rented it from Blockbuster before all the Blockbusters closed. I decided on the flick because I occasionally enjoy the simple family style movie and this one looked pretty cool. It did have to do with music after all. To my surprise, after seeing it, I can say it’s the most underrated movie I’ve seen in the past 10 years. So if there are any surprises on the playlist, it’s this one, Bandslam.

Bandslam was released in 2009 and stars Aly Michalka, Gaelan Connell, Vanessa Hudgens, and Lisa Kudrow. It was written by Josh A. Cagan and Todd Graff and directed by Todd Graff. The movie also contains one of the final film appearances by the late great David Bowie. Yes, if you read my blog about David Bowie a few weeks ago, this is the film I was talking about. Bowie has a cameo appearance but plays a small role in the story line since the main character frequently writes e-mails to the legendary music artist and claims himself to be Bowie’s biggest fan. The first line of the film is actually “Dear David Bowie,” and then proceeds with a reading of one of the main character’s e-mails with “Rebel, Rebel” playing in the background.

In the film, the main character, Will Burton (Connell) is a new student at his high school after he and his mother (Kudrow) move because of his mother’s new job. Will welcomes the fresh start since he was teased and bullied at his old school. On his first day, he meets a girl named, Sa5m (the 5 is silent) (Hudgens) and discovers the importance of a local Battle of the Bands competition called Bandslam. He also meets a senior named Charlotte (Michalka) who takes him under her wing once she find out about Will’s love and knowledge of music. As a former member of the most popular band at school and Bandslam competitor, Ben Wheatley and the Glory Dogs, Charlotte convinces Will to be the manager of her new band. Charlotte plans on competing with her new band against Ben Wheatley and the Glory Dogs at Bandslam, since she wants to stick it to her ex-boyfriend and Glory Dog’s frontman, Ben Wheatley.

Despite the simple plot line, both Will and Charlotte have more history and depth to them than you initially realize. When I first saw the film, I was impressed at the turns the story takes throughout the film. It goes even deeper than School of Rock‘s plot, which is similar in the fact that it also involves a Battle of the Bands competition. To be honest, I feel like Bandslam is sex, drugs, and language short of what could be a PG-13 film. The movie even received positive critical reception, despite under-performing at the box office. Supposedly, Summit Entertainment, the production company who released the film was criticized for the poor marketing efforts compared to that of the Twilight Saga, which was also released by Summit around the same time as Bandslam.

The music selection featured in the film is also impressive. After I saw the movie, I looked up songs from it and downloaded several of them. The soundtrack/movie features David Bowie, The Velvet Underground, Nick Drake, Wilco, Peter, Bjorn, & John, and several other great indie bands, along with covers of “I Want You To Want Me” and “Everything I Own” by Aly Michalka and Vanessa Hudgens that were featured in the film, respectively.

Much like a hidden gem of a song you find in the middle of a playlist, mixtape, or an album, Bandslam is the hidden gem of The Film Playlist. It’s that movie you may not have heard of but is so essential for any music fan to see. I mean, there’s even a scene where Will and Sa5m visit the closed down version of CBGB’s before the legendary punk rock music club was transformed to a clothing store. Bandslam is more than meets the eye whether you’re looking for a good movie to check out or underrated music movie masterpiece. I would recommend it to huge music fans and casual music listeners alike.