Month: November 2016

When I Say Shotgun, You Say Wedding

I’m always surprised when I hear about bands that I liked in high school still being relevant in the music world. I know most of those bands are still out there making music. Just because I don’t listen to their music or follow them anymore doesn’t mean they cease to exist. What really surprises me though is when those bands reach a level of success greater than the level I knew them at. For instance, take Andrew McMahon in the Wilderness. Sure, I guess I can argue that the band is new, but Andrew McMahon is no stranger to music. He was the front man for indie punk band Something Corporate and then for Jack’s Mannequin. He even sang about his SoCo life (“been around the world in a punk rock band”) in the Andrew McMahon in the Wilderness hit “Cecilia and the Satellite”. Despite ventures with two different bands who were well-known in their respective scenes, he never bridged the mainstream gap until Andrew McMahon in the Wilderness. Now another band from my high school years has my attention.

I first heard about this band, by the name of Panic! at the Disco when I was a junior in high school. I got their debut album A Fever You Can’t Sweat Out, which was released in September 2005, around the time I got my driver’s license. Their debut was the soundtrack to my early driving days where I gained and maintained the independence a driver’s license offers. It played as I drove to pick up friends, grab some Burger King, or take drives on a long strip of road in a nearby town known as The Ave.The first song of theirs that caught my attention was “Time to Dance”. I downloaded a demo version of the song that was different from the album version and received some attention from friends who recognized the distinction. I listened to both versions anyway and loved the rest of the songs too.

Panic! at the Disco was founded in 2004 by childhood friends, Ryan Ross and Spencer Smith, while they were still in high school in a suburb of Las Vegas, Nevada. They recruited friend, Brent Wilson to join and Wilson encouraged his classmate, Brendon Urie to join the band as well. Initially the group started out as a blink-182 cover band, but then they recorded three original songs. They decided to send Fall Out Boy bassist Pete Wentz a link to their Purevolume account just for the hell of it, but the tables turned in their favor. Wentz liked what he heard. He met the band and asked them to sign with his very own Decaydence Records (now known as DCD2), an imprint of Fueled By Ramen, which Fall Out Boy was signed with. They signed with Wentz before even playing a live show, which came a few month before their first album was released.

Their debut album had a slow rise to the top, but in a way Panic! at the Disco needed that. They needed to learn how to be a band. They all recently graduated high school (aside from Ross who dropped out of college to focus on music) and were still young kids. In March of 2006, the band announced a headlining tour and by August of that year the album was certified platinum and their single “I Write Sins Not Tragedies” won Video of the Year at the 2006 MTV Video Music Awards. Pretty amazing for a bunch of teenagers right? However the Panic! at the Disco who had that crazy rise to fame isn’t the same Panic! at the Disco that exists today.

Over the past 11 years the band has had plenty of turnover. Lead vocalist, Brendon Urie is the only founding member still in the band. There’s various reasons for that though. Creative differences was one of the reasons. I totally understand this because the band’s sound has changed drastically from its debut album.

Their first record has an electronic dance punk sound. Their second record Pretty Odd, released on March 21, 2008, sounds like something you’d hear from the Beatles. It was a drastic change in sound. It was one that I, as a huge fan of their first album, wasn’t happy about. I remember looking forward to their sophomore album, but while listening to it for the first time I was confused as to who I was actually listening to because it didn’t sound like them at all. It resulted in my disinterest in the band from then on.

The band released 3 more albums since Pretty. Odd.: Vices & Virtues (2011), Too Weird to Live, Too Rare to Die! (2013), and most recently Death of a Bachelor, which came out in January of 2016. Now Panic! at the Disco’s sound falls into the pop rock genre. I have to admit as a fan of early Panic! at the Disco, their most recent album sounds more like their debut than the second album did. The only consistent thing throughout their five albums is Urie’s signature vocals.

Now back to the first paragraph of this blog when I was saying how it surprises me when bands I used to listen to in high school reach a level of success greater than the one I knew them at. Yesterday I was looking at upcoming concerts on the Bandsintown app, my go-to app for upcoming concerts and music events. I was looking into Saint Motel’s future shows as an idea for a Christmas present for my mom who happens to be a Saint Motel fan. I saw they were playing a few shows next year nearby, but the shows were in arenas. For a band like Saint Motel, that’s not the norm. I figured they must be opening for someone so I did some research to see who they were opening for. Turns out they’re opening for Panic! at the Disco on their Death of a Bachelor Tour. I couldn’t believe it. Only a few of the shows are sold out (who knows if they’re true sell outs or not) as of right now, but it still floored me that this band is currently able to play arena sized venues especially since I haven’t heard of Panic! at the Disco making much noise since “I Write Sins Not Tragedies”. Actually, the last time Brendon Urie came into my life was over the past year at Coachella 2016 when he joined Halsey on stage as part of her set. Panic! at the Disco must be doing something right though, even if I haven’t noticed it.

If you’re interested in listening to this band, here are some of my favorite songs and a few other good ones by the band who got their name from The Smiths’ song “Panic”:

  1. Time to Dance
  2. The Only Difference Between Martydom and Suicide is Press Coverage
  3. I Write Sins Not Tragedies
  4. Lying is the Most Fun a Girl Can Have Without Taking Her Clothes Off
  5. Victorious
  6. But It’s Better If You Do
  7. Nine in the Afternoon
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I Won’t Treat You Like You’re Typical

I’ve always liked alternative styles of music. I’ve listened to alternative rock, indie rock, indie pop, emo, screamo, pop punk, punk rock, ska, hardcore, and lately even some of that mainstream EDM stuff. After I graduated from college, my music interests started to shift a bit towards the indie music genre. I wrote about it once and refer to it as my second musical enlightenment. Since then, I’ve been into the indie rock/indie pop scene. However, there were times during high school and college where I’ve been interested in indie artists. I think my first interest in indie bands came from watching The OC. Bands like Death Cab For Cute, Band of Horses, Spoon, Rooney, and Nada Surf had musical influence on the show. Indie music was a huge part of the series due to Seth Cohen’s (one of the main characters) interest in the indie scene. After the OC went off the air in 2007, I had interests in indie bands here and there before my main indie phase took over in 2011. One of those bands was the indie pop/rock duo, Tegan and Sara.

Identical twin sisters, Tegan Rain Quin and Sara Keirsten Quin formed their band in the late 90’s while still in high school. The Canadian duo, who hail from Calgary, Alberta, recorded their first demos in high school and began touring shortly after graduation. They released their first album, Under Feet Like Ours, in 1999. Since then, the band has released 7 other records. Their latest and eighth album, Love You to Death, was released June 3, 2016. They’ve also toured numerous times worldwide on both headlining tours and in support of many well-known acts and have played countless music festivals. Their seventh album, Heartthrob, released in 2013 is their highest charting album to date (number 3 on Billboard’s Top 200) and sold 49,000 copies in its first week. The album earned them more attention in the music world as well as a growth in their dedicated fan base.

Tegan and Sara’s sound has progressed since their debut in 1999. They went from folk/alternative rock to indie rock to indie pop and now to more of a straight pop sound. Their ability to grow musically along with having a devout following has allowed them to continue to make music for 20 years, even though the sisters are only in their mid-30’s.

Tegan and Sara have used their platform beyond the music world too. As out lesbians, both are huge advocates for LGBT equality, thus gaining a large following from the LGBT community. They’ve also advocated in support of other causes but their strong involvement in LGBT rights is well known and has made them a favorite act of community members.

I first heard of Tegan and Sara through a friend who had lyrics from their song “Take Me Anywhere” on her MySpace profile. At the time, I always confused Tegan and Sara and fellow girl duo Meg & Dia. Eventually Tegan and Sara won my heart over once I became interested in their music during my sophomore and junior year of college. I don’t remember how, why, or exactly when my interest started, but I do remember listening to their music while driving to class during the winter. I can honestly say they’ve never been my favorite band. I’ve only been a casual listener since around 2009 while in college. In fact, I purchased my first Tegan and Sara album in 2014 on a Black Friday deal. A few months prior I got into the song “Closer”, a year after it was all over mainstream radio, so a $7 copy of Heartthrob was a great deal in my mind. I had the album on repeat during my Christmas trip to visit family and Busch Gardens Williamsburg’s Christmas Town. It was one of my favorite Black Friday CD purchases and was my go to album of the time.

A few weeks ago, my friend told me she had tickets for a Tegan and Sara show in the beginning of November. She planned on attending with her roommate and her roommate’s girlfriend. When she told me, I expressed interest in going and she said I should join them. I decided to go for it, purchasing my tickets a solid three weeks before the show. Last Thursday night was the night. I saw Tegan and Sara live for the first time (along with Hayley Kiyoko and ARIZONA, but that’s another show and another story). As a casual fan, I wasn’t as stoked for the show as I’ve been for others, but it surely exceeded my expectations. I had the best time. Tegan and Sara played a variety of songs from older albums along with ones from their newer releases. They also took the time to tell stories in between songs and advocate for the upcoming Presidential election. Even as Canadians they let us know they had our backs no matter the results. It was evident that the crowd was made up of plenty of longtime fans who knew the words to every song and created an energy difficult to replicate by singing a-long and dancing for the entirety of their set. There was something special about the atmosphere at the show that made it unlike other shows I’ve been to. Not to mention, I also attended with a great group of people who appreciate the twins’ music and music in general.

I feel like Tegan and Sara’s music can appeal to so many people because of how their music has grown and changed through the years. If you’ve never heard of them, please check them out soon. They’re good. If you have, you can totally vouch for me and if you ever have a chance to see them live in a smaller venue, go for it. It’s better than you know. Here’s some of my favorite Tegan and Sara songs, but there’s plenty to pick from with 8 albums so feel free to scan through all their tunes:

  1. Nineteen
  2. Walking With the Ghost
  3. The Con
  4. Closer
  5. Hell
  6. I Couldn’t Be Your Friend
  7. I Was A Fool
  8. Boyfriend
  9. Goodbye, Goodbye
  10. Stop Desire