Sonder: Album Review

After some delays, Dermot Kennedy released his sophomore album Sonder on Friday. It’s been a 3 year wait since Kennedy’s debut album, but not a tough one for fans. Over the last 3 years, he’s released several singles that have made their way on to the new album. Sonder picks up where Without Fear left off musically. It’s got several bops and plenty of songs that are so painstakingly beautiful that may damage you if you’ve ever had feelings.

Sonder is a quality pop record with hints of hip-hop on a few tracks similar to Kennedy’s last release. It’s a style of pop with such powerful vocals where you can hear his Irish accent in every song. Honestly his music hits you deeply to the core and this album has that and everything else you’ve already loved about Dermot Kennedy. “Innocence and Sadness”, “Any Love”, and “Already Gone”, are some of those deeply aching songs for me. I’ve been jamming to hits like “Something to Someone”and “Kiss Me” over the course of this year and then “Divide” and “Homeward” since the album dropped. “Better Days” was released last year as a hopeful song when the world was in such a dark place due to the ever existing panny d. He has even said how much joy it brings him performing that song live now.

Speaking of live shows, Dermot Kennedy will be embarking on the Sonder Tour next year. He has a few shows before the end of this year then starts the European leg of the tour in March. He begins his American dates in May. I already have tickets. This was the first time I was willing to drop significant money on him too. I’ve seen him 4 times and almost all have been for free. Dermot Kennedy was my favorite find of Coachella 2019. His concert in February 2020 ended up being my last show for a good 15 months and I was stoked to be able to see him twice last year at Lollapalooza and ACL after the whole ordeal. Finally though, it was time for me to admit that I’m a fan and go all in on tickets. This Sonder tour is going to be an epic celebration of this beautiful new album.

The Car: Album Review

It’s been a big fall for new album releases and a comeback of sorts for several artists, including the Arctic Monkeys, who released their seventh studio album, The Car on October 21st. The last Monkeys release came in 2018 with Tranquility Base Hotel & Casino. Throughout the last 9 years, since the release of their most successful album to date, AM, their sound faded from alternative/indie rock to lounge music.

Alex Turner’s voice has always been that of a crooner, but earlier Arctic Monkeys music feels like a full band experience from Turner’s vocals to Matt Helders’ drum beats to Nick O’Malley’s bass lines and especially to the unique and edgy riffs from Jamie Cook and Turner, himself. The Arctic Monkeys had such an established alternative/indie rock sound that has depleted over the last several years. According to Turner, it isn’t changing either. That being said for someone like me who found a great enjoyment in the Arctic Monkeys’ earlier records, this album is tough to get into.

I think you have to be in a certain type of chill space to take in so many of these lounge pop tracks that sound straight out of a 1960’s speakeasy. The music has such a dark, dreamy, and nostalgic feel, which isn’t something that hits for me. If there was any stand out song on this record I really like, it’s “Body Paint,” from the lyrical references of deception to the faint remnants of old Arctic Monkeys songs.

The Arctic Monkeys are currently playing some international fall dates and festivals in support of The Car with worldwide dates planned for 2023. Thankfully with seven studio albums, their set lists span across the last 20 years of their existence so we’ll likely be hearing all the hits, both new and old. And yes I do plan on seeing them play a full set this time around, compared to my brief Arctic Monkeys experience while working their show at Forest Hills in 2018. As for this new record, unfortunately, this is an album you might want to skip unless you’re a big Monkeys fan or prefer the style of music they’ve grown into.