Entertainment

Legendary Venues: Radio City Music Hall

It’s been a while since I wrote about a legendary music venue, but there are still a few more I want to write about. One of them is another New York City venue. I already wrote about Madison Square Garden a when I first started this series, but now it’s time to talk about Radio City Music Hall. I’ve worked a few shows at Radio City Music Hall over the last two years, including two in September, and it’s always special when I get to be inside this legendary theatre.

Radio City Music Hall’s claim to fame is its annual Christmas Spectacular featuring the world famous dance troupe, The Rockettes, but the fame goes way beyond this annual show. The venue has hosted movie premieres, award shows, television shows, and even the NFL Draft. It’s also hosted plenty of concerts and continues to be a hot spot for bands and artists to this day. Some notable artists to play the venue are the Grateful Dead, Lady Gaga & Tony Bennett, Adele, Sting, Coldplay, Dave Matthews Band, Aretha Franklin, and Paul Simon.

Radio City Music Hall opened in 1932 thanks to the work of John D. Rockefeller Jr. and designers Edward Durell Stone and Donald Deskey. Through the 70’s the venue’s primary function was hosting stage shows. It faced financial decline in the 60’s and 70’s and ultimately was scheduled to close for good in April 1978. Fortunately a committee was formed to try to save Radio City and ended up being successful. On March 29, 1978 the interior of the building was named a city landmark and by May 12th Radio City Music Hall was listed on the National Register of Historic Places. The venue went through renovations over the next two years and reopened to the public in 1980, where it began primarily hosting concerts along with the annual holiday shows.

Radio City is also the largest indoor theatre in the world. It is 160 feet from the back of the theatre to the stage and the ceilings reach a height of 84 feet. There are also three mezzanines which are shallow in size and no pillars or columns that could obstruct views, which is usually a familiar setback in older theatres. Being inside Radio City Music Hall is definitely like stepping back in time. The lobby, foyers, and even bathrooms create a vintage atmosphere. The theatre itself is as grand as described, but also feels less aged than the rest of the venue. Maybe it’s because it just feels so timeless.

One of my favorite things about working shows at Radio City Music Hall is that any band, artist, or tour that comes to the venue needs to receive special credentials for the day. All Access tour laminates don’t fly at Radio City. Everyone that works on the show receives a unique credit card shaped credential with a picture of the artist, artist’s name, date, and “Radio City Music Hall” on it. For someone who usually keeps their working credentials, it’s definitely a solid collector’s item.

Although I’ve worked about 5 shows at Radio City, I’ve never attended a concert there. I’ve also never stuck around after working to watch the show that I worked, mostly because I had to travel home or elsewhere or because the venue is fully seated and if I sat somewhere I might be taking someone’s seat. I would love to catch a concert at Radio City Music Hall sometime and since the venue isn’t far from where I live, there’s a pretty good chance that I do. If you’re ever in New York, or live nearby, you should check out this legendary venue. It would be special to see a concert or show there, but you’re even able to tour the venue on a regular basis. One way or another this is a legendary venue that you need to check out.

Coachella Band Preview: Lizzo

I might be in Miami this week to work Ultra, but there’s no blog breaks during the Coachella countdown, especially when Weekend 1 is 2 weeks away! After I return from Miami, I have a full 5 days at home then I leave for what becomes my Coachella workcation. It’s about 3 1/2 weeks this year, but Coachella is worth it. I’ll also be working Stagecoach, hence the extra week away. We’ll see how that goes. Coachella is definitely what it’s all about. Enough about me though, I’m wasting valuable time that you could be listening to tunes. This week I’m previewing a Coachella artist full of female empowerment.

Melissa Jefferson, aka Lizzo, got involved with rap music in high school while growing up in Texas. As the years went on, she took it to the next level and joined two rap/R&B groups, Lizzo & the Larva Ink and The Chalice. She moved to Minnesota while in her 20’s which is when she started rapping as a career. She released her debut album on October 15, 2013. It received some local and national success earning her a spot opening for Har Mar Superstar. She was named the Twin Cities Best New Artist by Minneapolis-St. Paul alternative newspaper City Pages. She was also named to Time’s 2014 music artists to watch.

Her second album Big Grrrl Small World was released in December 2015. She eventually signed with Atlantic Records and released her first major label EP Coconut Oil in 2016. Through 2017 and 2018 Lizzo dropped a few more singles like “Water Me”, “Truth Hurts”, and “Fitness”. She also joined Haim and Florence and the Machine on tour in 2018 as an opener. Her third studio album and major label debut album Cuz I Love You will be released on April 19th, which is Friday of Weekend 2.

Lizzo has always been first and foremost a rap and R&B artist, but I feel like her latest album might sway towards a pop sound at times if her singles “Cuz I Love You” and “Juice”are any indication. I might be totally off, because the rap/R&B sound is there too. Her music also represents diversity with songs about positive body image, sexuality, and race.

I first found out about Lizzo last spring when I saw her open for Haim on their Sister Sister Sister Tour. She definitely made a statement as an opener. I wasn’t into her music when I saw her perform because rap music doesn’t usually appeal to me. Then I kept hearing about her from a lot of my friends, until finally I hopped on the Lizzo train this past winter after she was announced as a Coachella artist. “Good As Hell” became my “start the day” anthem for a while. In fact, it still is if I remember to ask Alexa to play it.

Lizzo plays Sunday at Coachella. Lizzo’s live performance claim to fame is her flute solos with the legendary Sasha Flute (you can look at the instagram page for more info on this flute naming). You can be sure there will be one or more flute solos at Coachella, especially during “Coconut Oil”. This year will be Lizzo’s first Coachella and she’s definitely gonna bring it. I can’t see her playing a main stage this year, but regardless of where she plays her fanbase has grown and it’s sure to be crowded. This is a set you’re not gonna want to miss. Here’s what you need to know to be ready for it:

  1. Good as Hell
  2. Juice
  3. Water Me
  4. Coconut Oil
  5. Cuz I Love You
  6. Fitness
  7. Truth Hurts
  8. Boys
  9. Phone
  10. Scuse Me

The Film Playlist: Bohemian Rhapsody

Obviously a film title that is also a song title would have no trouble making The Film Playlist. In fact, it’s been a while since I’ve been able to write about a film for the playlist. The latest Freddie Mercury biopic released on November 2nd in the U.S.  happens to be too good not to include.

The film stars Rami Malek as the late great Freddie Mercury, frontman for the legendary British rock and roll band Queen. Bohemian Rhapsody tells the story of Freddie Mercury and Queen from their founding until their performance at Live Aid in 1985. It also stars Gwilym Lee as Brian May, Ben Hardy as Roger Taylor, Joe Mazzello as John Deacon and Lucy Boynton as Mary Austin. The screenplay was written by Anthony McCarten and was directed by Bryan Singer and Dexter Fletcher (Singer was fired half-way through production and was replaced by Fletcher, though Singer received full directing credit based on DGA guidelines. Fletcher is listed as an executive producer.)

The film begins with showing the formation of Queen and Freddie’s transformation into the group’s lead singer. It shows how much Freddie loved and was inspired by Mary Austin. It also shows how the band landed a record deal with EMI Records and makes reference to the many hit songs Queen is still famous for today. The film also touches on Freddie Mercury’s struggle with his family, his sexuality, and his battle with AIDS, the disease that ultimately lead to his death in 1991.

After researching the film, I learned that there were many historical inaccuracies depicted in the movie. I would start listing them, but there are more than enough that I would recommend reading this article after seeing the film. I’ve also heard about a few more beyond that article as well.

Regardless of the historical inaccuracy of the Bohemian Rhapsody, I thought it put Queen’s music first, which is what I loved about it. Any time a scene regarding Freddie’s life happened, it seemed like the next scene would circle back to music. There were scenes showing the band creating songs like “Bohemian Rhapsody”, “We Will Rock You”, “Love of My Life”, and many others. There were also scenes showing the band playing many of their songs live including the final scenes of the film at their Live Aid performance, which had me singing along to “We Are the Champions”.

The funny thing about Bohemian Rhapsody is that I never planned on seeing the film. I didn’t even realize it was actually a movie until it was already in theaters. In the first few weeks after its release though I heard a lot about it from many people. I decided I should see it after spending the Thanksgiving holiday with my little cousin building Spotify playlists that had tons of Queen songs on them. I’m glad I did because the film was incredible. Malek kills it as Freddie Mercury and it made me appreciate how many Queen songs I knew and how many of their songs are still hits today.

I knew after I saw Bohemian Rhapsody that I needed to write about it and promptly add it to The Film Playlist. It’s focus on music is special and makes the audience appreciate just how legendary Queen and Freddie Mercury are to rock and roll history.

Queer Eye

It’s been a minute since I made a post that has to do with something other than music. For the last week I’ve been on a Netflix binge though so I figured it was the perfect time to change that up. Cue Queer Eye.

In the summer while at Electric Forest one of my suite-mates was in the midst of a Queer Eye binge. The second season had just come out. I decided to watch with her because I used to watch Queer Eye when the show was first on. The new Netflix series is a reboot of the show that first aired in 2003, if you didn’t already know. When I watched the new series, I liked the show but there was a lot going on at Electric Forest that took my attention away from a Netflix binge while I was there. Last week I decided it was finally time to watch the show and much like so many others my Queer Eye love grew.

For those who don’t know the basis of Queer Eye, it’s a reality tv show where 5 gay men makeover someone, typically a straight man. The original series used to be called Queer Eye For the Straight Guy but was eventually shortened to Queer Eye to broaden the makeover pool. The new show broadens that pool as well by making over a woman, a gay man, and a transgender man so far. The makeover involves more than just style and grooming. Usually there’s a home transformation and lifestyle changes involved as well. Each of the 5 gay men, known more affectionately as The Fab 5, specialize in their own areas of expertise.

Antoni Porowski stars as the Food and Wine Expert. He usually shows the makeover subject how to cook a simple meal and gives tips on food, cooking, and of course drinks. Tan France is the new Fashion Expert. He’s the one who goes through the subject’s wardrobe, takes them shopping, and creates he or she a personal style that reflects who they are. Karamo Brown plays the Culture Expert. He usually helps the subject in a motivational way to better their life. He also spends time getting to know the subject on a personal level. Bobby Berk is the Design Expert. He remodels the home or apartment of the subject into a modern and useful living space. Lastly, Jonathan Van Ness is the expert in Grooming. He gives each subject a hair cut and beard trim or shave as well as teaches he or she about personal care and grooming.

The first two seasons of Queer Eye are already out on Netflix. Season 1 premiered last February and Season 2 came in June. Both seasons are 8 episodes that were filmed in the Atlanta, Georgia area. The third season is slated for release in 2019 and will take place in the Kansas City area.

With all the hype Queer Eye has received in the last year, hopefully the show lasts for several more years/seasons. It recently won three Primetime Emmys for Outstanding Structured Reality Program, Outstanding Casting for a Structured Reality Program, and Outstanding Picture Editing for a Structured or Competition Reality Program. The show really is more than just a reality TV series. It brings to light issues in today’s society through each transformation performed by The Fab 5. I don’t remember the original Queer Eye doing as much and I think that’s what makes this reboot really special.

If you’re looking for a show to binge on Netflix, you won’t be disappointed if you decide to watch Queer Eye. I think the show has a little something for everyone and it might even teach you some tips too. With this new Fab 5, all things definitely do just keep getting better.

“Call Me By Your Name and I’ll Call You By Mine”

Several months ago while watching movie previews before a picture I was seeing, I saw the preview for a film that really piqued my interest. When that movie, Call Me By Your Name, came out on November 24th, I anticipated the time when I’d finally be able to see it in theaters. It was only released in major cities initially before making its way to this armpit of a place that I live in. I saw it about two weeks ago and it was one of the most beautiful films I’ve seen in a while.

Call Me By Your Name stars Timothée Chalamet as Elio, an artfully precocious 17 year old and Armie Hammer as Oliver, a 24 year old doctoral student who joins Elio’s family at their summer home in Italy for a 6 week period. The film was adapted from the novel of the same name by André Aciman. It depicts the love affair that develops that summer between Elio and Oliver. The screenplay was adapted by James Ivory and the film was directed by Luca Guadagnino.

The film begins at Elio’s family’s Italian countryside home in the summer of 1983 where Elio, his mother (Amira Casar), and father (Michael Stuhlbarg) anticipate the arrival of their summer guest, Oliver. Since Oliver is new in town, Elio takes Oliver on a tour of the area later that day. Elio also explains how he spends his summers. It’s not long before Oliver begins to partake in the summer activities of swimming in the river, hanging out with friends, and going out at night, and their love for each other begins to blossom.

Since being released in November, the film has received an assortment of critical acclaim and accolades. It was recently nominated for 4 Academy Awards for Best Picture, Best Actor (Chalamet), Best Adapted Screenplay (Ivory), and Best Original Song (“Mystery of Love” by Sufjan Stevens). It received nominations at the British Academy Film Awards (4), the Critics’ Choice Awards (8), the Independent Spirit Awards (6), the Golden Globe Awards (3), and the Screen Actors Guild Awards (1). James Ivory received a Critics’ Choice Award for Best Adapted Screenplay and Chalamet received Breakout Actor Awards from the National Board of Review, the Gotham Independent Film Awards, and the Hollywood Film Awards.

Like I said, I saw the film two weeks ago after anticipating seeing it for about two months. I was captivated by its beauty. Being set and filmed in Italy definitely adds to that. The story itself is special though. It’s almost a coming of age type of love for Elio as a teenager. He has such a strong infatuated love for Oliver throughout the film. Oliver subtly shows his interest for Elio as well, when finally they take the next step. Plus I wasn’t sure how that peach scene would play out, but now I totally get it! Since seeing the film, I’ve also begun to read the novel. My friend told me that there are many parts in the novel that were cut out of the film so I’m eager to compare them.

I highly recommend checking out this film. It’s such a great and powerful love story that isn’t a cliché romantic film or romantic comedy love story. It’s been in and out of theaters all over the country for the last 2 months. I’m sure it won’t be long before the film is released on streaming and DVD/Blu-ray too. If you wanted to see if before the Academy Awards airs though, I would make plans to see it as soon as possible because it seems to only stay in theaters for a few short weeks.

Lady Bird

“Anybody who talks about California hedonism has never spent a Christmas in Sacramento.” -Joan Didion, Lady Bird

On Monday I had the pleasure of seeing a film that’s been generating a ton of hype, Greta Gerwig’s coming of age film, Lady Bird. Just the other day it broke the record for positive reviews with 100% positive on movie review website, Rotten Tomatoes. It’s also been receiving some Oscar buzz since award season predictions have begun.

The comedy-drama film is set in Sacramento, California in the early 00’s and explores the relationship between a mother (Laurie Metcalf) and her teenage daughter (Saoirse Ronan) who renames herself, Lady Bird. The movie spans a year through the ups and downs of Lady Bird’s senior year of high school at a Catholic high school into the beginning of her freshman year of college. It was both written and directed by Gerwig. Lady Bird also stars Tracy Letts as Lady Bird’s father Larry McPherson, Beanie Feldstein as Lady Bird’s best friend Julianne “Julie” Steffans, Lucas Hedges as one of Lady Bird’s love interests/friends Danny O’Neill, Timothée Chalamet as another one of Lady Bird’s love interests Kyle Scheible, and Lois Smith as Lady Bird’s teacher/principal Sister Sarah Joan.

After seeing the film on Monday, I thought it was such a great depiction of the relationship between Lady Bird and her mother, Marion. Both characters are so much alike that they constantly butt heads despite caring for each other tremendously. I also thought the movie was a great ode to the city of Sacramento. The city holds a special place in my hearty because I spent 6 days there for work this past June and they were some of my favorite of the year. So seeing this movie about 6 months later filled my heart with joy. I also thought it was cool to see the capital of California get some recognition in the entertainment industry because usually if a California city is the setting for a television show or a movie, it’s Los Angeles or San Francisco. The movie was also filmed on location in Sacramento which made for accurate visuals of the city.

I’m definitely a huge fan of coming of age films and this one was no different. The story was so raw and real as well which allows viewers to have a special connection with it. As award season approaches, there will be many films being talk about and many you’ll want to see. I feel like Lady Bird is one that can resonate with almost anyone though, making it a must-see this year. The acting and cinematography are just as brilliant as the story too. I’m not saying this movie will be the best picture of 2017 but it will definitely be high on the list.

 

 

The Film Playlist: We Are Your Friends

While at my cousin’s house over the weekend, we watched another movie that easily makes The Film Playlist. It’s been a while since I wrote about a movie for this series so let me explain. The Film Playlist is a blog series I started about movies that are about music. It’s been about a year since I added anything to it, but as soon as we started watching We Are Your Friends this past weekend, I knew I had to write about it this week.

The 2015 drama stars Zac Efron, Wes Bentley, Emily Ratajkowski, Shiloh Fernandez, Alex Shaffer, and Jonny Weston. It was written by Max Joseph and Meaghan Oppenheimer based off a story by Richard Silverman. Joseph also directed the film which marked his directorial debut. The movie is about an electronic music DJ named Cole Carter (Efron) who is trying to work his way up in the music industry. It’s also partly a coming of age story because Cole and his friends are young adults trying to figure out their lives in the midst of partying at night clubs, selling drugs, and being part of the electronic music scene. While booked to play a gig at a club one night, Cole meets the headliner, who was once a hot commodity in the electronic music world, James Reed (Bentley). Reed in a way becomes a mentor for Cole once he realizes his talent and helps Cole to understand how to create music that doesn’t sound like every other electronic song.

As soon as we started watching this film Friday night, I knew I would love it. The plot is average though. It’s nothing out of the ordinary or exceptional. I strictly loved it for the fact that it was about music and electronic music in particular. I’ve never seen another film that surrounds the electronic music scene. It was cool to see scenes about creating electronic music and also scenes featuring EDC Vegas, which is an electronic music festival done by one of the leading electronic festival promoters Insomniac Events. The soundtrack for the film was excellent. Its feature track “We Are Your Friends” by Justice featuring Simian is where the film got its title from. It also features songs by Years and Years with Gryffin, AlunaGeorge with Tchami, Seinabo Sey with Kygo and Deorro ft. Erin McCarley.

If you’re expecting an award winning film, that’s not what We Are Your Friends is. It’s really just a fictional coming of age film that surrounds the electronic music industry. If you’re at all into electronic music, I suggest you check it out. It’s a film you don’t have to think much about and can purely enjoy, especially if you have a love for music, especially electronic music.

She’s Our Friend And She’s Crazy

Last summer, Netflix released a series that transported viewers back to the 1980’s as part of a sci-fi drama set in the fictional town of Hawkins, Indiana. The series, Stranger Things, was an immediate hit and rightfully so. The attention to cinematic detail and inspired story line is an ode to 80’s horror and science fiction films. Today Netflix released the second season of the Emmy-winning series.

The setting of Stranger Things begins when a young boy, Will Byers (Noah Schnapp), disappears through supernatural means to another dimension, “The Upside Down”, and follows the journey of the Will’s friends’ and mother Joyce’s (Winona Ryder) quest to find him again. Will’s friends, Mike (Finn Wolfhard), Lucas (Caleb McLaughlin), and Dustin (Gaten Matarazzo), also receive help in finding him from a mysterious girl they encounter with psychokinetic abilities who goes by the name, Eleven (Millie Bobby Brown). The cast also includes David Harbour as police chief Jim Hopper, Cara Buono as Mike’s mother Karen Wheeler, Natalia Dyer as Mike’s sister Nancy Wheeler, Charlie Heaton as Will’s brother Jonathan Byers, Joe Keery as Nancy’s boyfriend Steve Harrington, Shannon Purser as Nancy’s best friend Barbara “Barb” Holland, and Matthew Modine as scientist Martin Brenner. The series was created by twin brothers, Matt and Ross Duffer, known professionally as “The Duffer Brothers”.

When creating the series, The Duffers used influences from other science fiction and horror films as well as from Stephen King novels. In fact the name “Stranger Things” was similar to the name of King’s novel “Needful Things”. The brothers also used influence from King’s novel “Firestarter” for the name as well. While filming the series, it was the Duffers’ intention to pay homage to as many 1980’s films as they could by creating similarities to the films like using every day objects and turning them into supernatural means of communication (the Christmas lights), using similar film shots, and using a Leica lens and 6K Red Scarlet Dragon (80’s film equipment) to shoot. The head of props also used eBay, flea markets, and estate sales to find as many 1980’s artifacts as possible to use for props for the series. Almost all of the props were authentic, aside from some pieces, like the Dungeons & Dragons books, that needed to be replicated for the show.

I began hearing about the show some time in late August-September of 2016, but I didn’t watch it for another 3 months. I started watching it in mid-December. I wasn’t sure if I’d be into it, but I decided to give it a chance because there was a lot of hype surrounding the series. It definitely hooked me, although I wouldn’t claim to be a super fan. I still don’t understand the hype over, “Barb” (to be honest, not even The Duffer Brothers anticipated that). The series is entertaining though and highly reminiscent of 80’s films. Honestly, it really isn’t something I’d normally watch, but I like the fact that the kids in the series play leading roles. I think that’s what attracted me to it, if anything. I like a good coming of age story. This definitely isn’t coming of age, but I attributed the kids as leads to that.

As I mentioned, the second season of Stranger Things, titled Stranger Things 2, released today on Netflix. The second season begins close to a year after the first season began as it approaches the anniversary of Will’s disappearance. The characters are still dealing with the aftermath of what went down a year ago. The new season also sees some new faces join the cast with Sadie Sink as new girl Max, Dacre Montgomery as Max’s older stepbrother Billy, Sean Astin as Joyce’s new boyfriend Bob Newby, and Paul Reiser as Department of Energy executive Owens. I began watching it this morning. I’ve already watched the first two episodes. I love a good binge, but I’m going to try to savor these 9 episodes as much as I can, which is why I took a break to write this blog post. If you’re reading this, I guess you’re probably taking a break too, but if you’re not and you’re now interested in the series, log on to your Netflix account and give the acclaimed series Stranger Things a chance, mouth-breather.

Music is Sacred

I honestly don’t know or remember what I wanted to write about this week. All I’ve been able to think about since waking up Monday morning is what happened in Las Vegas Sunday night.

There are tragedies that happen every day. Some are uncontrollable like natural disasters. Some could be prevented if the proper procedures and legislation are in place.

Since last November, I’ve been deeply upset about the state of our nation. I never cared as much, but leading up to the 2016 Presidential Election, my support for a certain democratic candidate was stronger than ever. I actually began to follow some politics. So naturally, when favored candidate (and of course my favorite candidate), Hilary Clinton, lost the election to become the first female President of the U.S., I was crushed. The only good that came out of it was that I became more in tune with political issues.

Flash forward to January. Upon the day of the Women’s March on Washington and the previous day of the Presidential inauguration, I was still ready to fight for my beliefs going forward. Then somewhere along the way I lost my thunder. I got busy. I went to Southern California for two weeks to work at the festival I fell in love with 2 1/2 years ago. Work started to pick up and more opportunities arose. I made new friends. Got closer to others. I worked at concerts, festivals, and a comic con in different cities all over the country all while enjoying one of my lifelong passions, music. I had the time of my life. Then Labor Day came as it does every year. Work began to slow down. I wasn’t traveling as much. Plans for work changed due to uncontrollable circumstances as well. Nevertheless I began to reflect on what an incredible year it’s been, but at the same time I still felt bummed that festival season was coming to a close. I tried to combat those sad feelings though. In the past few weeks I booked new work opportunities, enjoyed some amazing live music experiences as a fan, and planned to attend a few others in the coming months. Then, I woke up Monday morning to news that shattered me.

22,000+ people affected. Several hundred people injured. Over 50 people killed. But it was where it happened that made the biggest difference to me. It happened at a music festival, a type of event where happiness and being carefree is the norm, a type of event that people come together to have a good time and experience the magic of live music, a type of event that I frequent regularly, a type of event that I one day aspire to be in charge of planning.

Music is everything to me. I love it. I’ve loved it since way back. I even wrote a blog about it this past year. It’s important to many others too. It has an ultimate power to cause a range of emotions and feelings. There’s even something more special about hearing the music you listen to being played right in front of your eyes by the musicians and artists who created it. I’ve always felt that. I always found shows, concerts, and festivals to be special places because of that. To have someone destroy those incredible moments that happen at a concert or festival is devastating and infuriating to me. I know it’s happened elsewhere in the past. Paris. Manchester. I definitely was upset about both of those situations too, but this one is different.

It’s different because it happened in the country that I live in and in a city that I’ve visited where I now know someone who lives there. It’s also different because I watched snapchats from the festival throughout the weekend because a friend of mine was working there for the week. That friend of mine was working at the festival Sunday night and had to experience what happened. That friend of mine will have to live with that memory for the rest of their life along with so many other friends of my friends. Not only is it my friends and my friends’ friends, it’s 22,000+ people, who attended, played at, or worked at a music festival, that have to live with it. That’s why it’s different and that’s what hurts the most.

It could have been me working. It could have been more of my friends. And the fact of the matter is that it still could be any of us because in this country our laws indicate that it’s okay for this to happen again and again. But the thing is….it’s really NOT okay. It’s not okay for it to be legal for someone to own weapons that could cause mass casualty or to buy enhancements that would make other weapons capable of the same. It’s not okay for someone to be able to walk into a gun show or go on the internet and purchase a gun without any difficulty. It’s not okay for someone who has a disregard for human life to hurt or kill as many people as possible with a gun because there are poor excuses for human beings in charge of creating legislation, who refuse to do it, that allow this to happen.

I know it’s been a few months since I had a fire in my heart ready to fight the establishment, but it’s back with a vengeance. This was a wake up call for me to get as fired up as I was in January since I was too focused on my work all summer. It’s just unfortunate that it took hurting my office, my work family (because that’s what we are in the music industry), and the music lovers I try to bring joy to on a daily basis for the fire to burn brighter again.

I’m sorry for being a little off topic on my blog this week, but I needed to get it off my chest. It’s been on my mind constantly. If you read this blog and are a music fan, I urge you to find a way to get involved in trying to create change in legislation that lowers the chance for these disasters to happen at concerts and festivals. Whether it be as simple as calling your representatives and demanding change, donating to causes that support gun control, attending a peaceful protest or gathering, or simply joining an organization like Everytown.org that are trying to fight the lack of gun legislation in America. It’s easy to become complacent but we need to keep going and keep fighting to make the places we love as safe and enjoyable as possible because live music events are special and music is scared.

 

A is Everywhere: An Ode to Pretty Little Liars

7 years. 20 days. That’s how long the television show, Pretty Little Liars, which airs its 2 hour series finale tonight at 8 p.m. ET will have been on the air for. I wrote about “PLL” once before, but it didn’t seem right to let today slip away without saying a proper goodbye to a show that has been a part of my life for over the last 6 years.

I watched Pretty Little Liars for the last 6 years and 3 months. In that time my life has changed tremendously. In a way, I like to think that PLL brought about some of that change. Truly it did though. It brought initial exposure to situations I needed to see to help me accept myself and for that I am eternally grateful. It goes beyond that too. I’m thankful for Pretty Little Liars for a lot of reasons and at this point it’s necessary to share them.

So here goes to the show full of secrets and lies:

Thanks for the laughs. Thanks for the headshakes. Thanks for the eyerolls. Thanks for the screams. Thanks for the scares. Thanks for the shocks. Thanks for the excitement. Thanks for the feels. Thanks for the smiles. Thanks for the crazy. Thanks for the madness. Thanks for pushing boundaries. Thanks for the music. Thanks for the nights spent watching with my two friends and the pizza orders, snacks, Hefty Hanna cookies, “Do you have a fork?”, and numerous other laughs and memories. Thanks for the pumpkin decoration idea. Thanks for the days spent trying to figure out the mystery of A’s identity and who killed who. Thanks to Warner Brothers for housing the show and Rosewood for existing during my first trip to California so I could see where all the magic happened. Thanks to Marlene for your creativity and to the rest of the producers, writers, and directors for making this show possible. Thanks to Troian, Shay, Ashley, Lucy, Sasha, Janel, Ian, Tyler, Keegan, Laura, Holly, Chad, Lesley, Nolan, Nia, Lindsey, Tammin, Andrea, Torrey, Drew, Brendan, Cody, Brant, and all the other stars and guest stars of this show for telling this story so well, for introducing me to cool things along the way like LCD Soundsystem, alt-J, Suits, tumblr, Amoeba Records, Crumbs, “Crave You”, Spring Breakers, Dimepiece, All Saints and the Virginia Beer Company to name a few, and for sharing a small part of your lives along the way. Thanks to the rest of the crew for doing all the small things to make one big incredible thing. Thanks for crazy story lines and hilarious one-liners. Thanks for the memorable scenes. Thanks for the tweets and being a social media game-changer. Thanks for the Season 1 binge watch. Thanks for the Halloween costume. Thanks for the coffee mug and key chain. Thanks for never wearing winter coats except in that one Christmas episode. Speaking of, thanks for the Christmas episode, the Halloween episodes, and the Noir episode. They were all special ones. Thanks for making Toby A so we were able to have the moment where Owen was proud of himself for calling it the first time he watched the show. Thanks for the hashtags. Thanks for the drama. Thanks for creepy Cousin Nate. Thanks for “Bitch can see!”. Thanks for “This next song goes out to Hanna from your best friend A! “I Don’t Need You Anymore””, or something like that (still my favorite moment of the show)? Thanks for the ships like Spoby, Haleb, Ezria, Paily, Emaya, Emison (Emily’s really had the most), and most importantly SPARIA! Also most importantly thanks to Sara Shepherd for your creativity, for your books, and bringing this world of a small town on the Philadelphia Main Line to life. Thanks Spencer Hastings, Hanna Marin, Aria Montgomery, and Emily Fields for being the OG liars through thick and thin from Seasons 1-7. Thanks to Alison DiLaurentis for dying, but not really. And finally, thanks to A and everyone who was A (and A.D.!) because without you none of this craziness would exist even though you’re all creepy stalkers. Most of all thanks for being my favorite TV show for the last 6 years and 3 months.

To quote Spencer, “How lucky am I to have something that makes saying goodbye so hard.” That’s what tonight will be for me, but it’s undoubtedly time to move on for everyone. Yet I know many people out there, fans, cast, crew, and creators alike will always hold a piece of Rosewood in their hearts, me included and we all know that regardless of the show ending, A is everywhere. Goodbye Pretty Little Liars. Thank you for everything.