Music

Sacred Hearts Club: Album Review

July 21st was a big day. I worked Check-In for travel packages for a Phish show and two of my favorite music artists released their new albums. I didn’t have much of a chance to listen to both because of work, but I got on it this morning. I figured I’d start with a review of Foster the People’s latest work Sacred Hearts Club because I’ll be seeing them in two weeks when I head to Chicago for my second Lollapalooza. At this point, binging on their new album is necessary.

Stylistically, their new album has a much different feel than their last two. There are songs that have the classic Foster the People sound like “Doing It For the Money” and “SHC”, which were both released in April as part of their 3 song EP entitled III and others that add elements from other styles of music. “III” sounds like a deep house track. If it wasn’t for Mark Foster’s signature vocals, I’d think I was listening to a Flume song. There’s more electronic influence in songs like “Loyal Like Sid & Nancy” and “Harden” too. Foster the People has always used synth in their music but these songs just sound more electronic. Maybe it’s me and how my listening style has developed, but I’d argue regardless. I even feel like there’s a jazz influence in some of their songs, particularly in “Static Space Lover”.

As I said before, I believe this album sounds different to me, but Foster the People has been blending genres since their first record. There’s dance, punk, and hip-hop blended into their previous albums. There’s just something about this one that stands out though. The band wanted this record to be a uniting voice amongst a world filled with negativity too. I think it has the potential to be just that as many songs express camaraderie lyrically. I believe listeners will be able to relate and use this music to rise above the hate in the world.

If you asked me who my top 5 favorite bands are at this point in my life, the first band I’d name would be Foster the People. Torches is still one of my favorite albums of all time. So for me, buying this album was a no-brainer. I would have even bought it blindly. Therefore, it might be hard to believe my opinion is unbiased when I say that I think this album would appeal to more than just Foster the People fans because of the development of their music style. I promise it’s worth checking out though so do yourself a favor and pick-up a copy.

Ultralife: Album Review

Another week. Another new album. This time it’s alt-pop duo Oh Wonder. Yesterday they released the follow-up to their debut self-titled album entitled Ultralife. Unlike the year long, monthly song release project that culminated in their first album, the band released a few singles from their sophomore record over the past few months.

After getting into Oh Wonder over the past year and even more-so after Coachella, I was highly anticipating this new album. “Ultralife”, the first single from the album with the same name, which debuted in March, was a fun and instant hit in my book. The new album offers much of what their first album did, which is catchy, melodic alternative pop jams. The album fluctuates from soft, slower tunes like “My Friends”, “Bigger Than Love”, and “All About You” to songs that will make you want to get up and dance like “Ultralife” and “High on Humans”. If I had to name any difference in sound between the first two albums, it’s that I think the first album had more of an R&B feel versus the electronic/digital type of sound heard more prominently in the second album. Even so, I think my opinion might be a bit of a stretch.

I have a feeling that once I purchase this album and listen to it on repeat in my car, I’ll have a few undeniable favorites. “Overgrown” is already taking a commanding lead in that category. I give this album another high purchasing recommendation, especially if you already know and like Oh Wonder. You’ll easily be hooked on Ultralife after listening a few times. In addition to the release of their new album, Oh Wonder will be embarking on a world tour in support of the album. They’ll be in North America beginning in September so it might be worth it to catch them live too. I know I’ll be headed to a show after missing them at Coachella. In the mean time though, pick up a copy of the new album and “live ultralife.”

Something To Tell You: Album Review

I have some amazing news! Haim released their new album today! Can I get a hell yeah?! (Hell YEAH!) Something To Tell You, Haim’s latest release, is their second full length album and first in 3 years since 2014’s Days Are Gone. In the months leading up to the release, the sister trio debuted a few singles from the album with “Want You Back”, “Right Now”, and “Little of Your Love”.

Based on my first listen to the album, it seems like a quality follow-up to Days. The thing I love about Something To Tell You is that it incorporates sound from different genres and decades of music. To me, Haim’s vocals have given their music an 80’s type of sound, but on this new record I feel like their vocals create a 90’s to modern day feel along with that go-to 80’s vibe. The music itself takes pieces from different genres to give the band a unique sound on each track too. There were moments where I thought to myself, “this song sounds like an 80’s song (“Nothing’s Wrong”) to this song has a rockabilly thing going on (“Little of Your Love”), or this one has a sort of R&B/deep house/electronic feel (“Walking Away”).” There are many instances of this on the album and if you sit down and really listen to the songs, you’ll hear them. Their songs are just as catchy as the ones on Days too. It’s only a matter of time and repetition before I’m singing along to this album.

I will say a noticeable difference between Something To Tell You and Days Are Gone is that I think there are more songs that are more mellow and chill on the new album, which I feel like is a natural progression. The debut album was full of some great jams. The new one is too but also calms it down a bit. It seems fitting as well since the band has said this album’s lyrical content is full of highs and lows.

For all the Haim fans out there, you’re definitely gonna want to hit up a record store this weekend to pick-up the new album (or online store, or iTunes, or whatever you use). I’ll probably do the same. Haim has already started to post a few tour dates in support of this new record, but I’ll be damned if they don’t add more in the coming days, weeks, or months. Until then, listen to Something To Tell You on repeat! The Haim sisters created some incredible combinations of sound and it’s worthy of your ears.

Melodrama: Album Review

Last Friday Lorde released her highly anticipated second full length album, Melodrama. The announcement of the album came in March shortly after she released the album’s debut single “Green Light”. In the mean time she also released two other singles, “Liability” and “Perfect Places”.

So far the album has been received with high praise and it’s only been out for a week. I was away for a work trip last weekend so I first listened to the album last Thursday night/Friday morning on Spotify. I loved it. I knew I was gonna head out immediately once I got home to purchase it. I bought it Wednesday. It’s a fantastic album. It’s everything you could ever want from Lorde, especially as a follow-up to Pure Heroine. The songs are emotional, catchy, and have that edgy sound Lorde is so well known for.  It takes listeners on an emotional roller coaster from start to finish. It will have you dancing with songs like “Green Light” and “Supercut”, singing to “Perfect Places” and “Homemade Dynamite”, crying while listening to “Liability”, and loving everything else in between.

Lorde created the album with well-known producer/musician, Jack Antonoff. He has production credits on almost every song on the album. I’d be surprised if this album doesn’t earn the Lorde/Antonoff duo a few Grammy nods. I highly recommend purchasing it as soon as possible. Make it one of the soundtracks to your summer. It’s that good so stop reading, go listen, and fall in love with Melodrama.

hopeless fountain kingdom: Album Review

As you know, all-new albums from some of my favorite artists will be dropping throughout the summer. The album releases began over the weekend. I’m going to try to review as many of them as I can, especially because I’ll be busy traveling and it will at least give me a few planned topics to write about.

On Friday, along with alt-J’s Relaxer, Halsey released her sophomore album hopeless fountain kingdom. Although it’s currently #1 on iTunes, it’s a disappointment for me. I’ve always liked Halsey’s darkness and edge that she brought to her music. Her new album seems generic. She tried to bring in this artsy, creative aspect to it by having it reflect a Romeo & Juliet type of scenario, but instead I feel like she’s trying too hard. I previously compared her styles and sound to a mix of Lana Del Rey and Lorde. Although this album brings in some of that Lana Del Rey creativeness, she’s strayed from the Lorde-ish type of sound and Lana-ish lyrical content heard on Badlands. If there are any songs that I enjoy/appreciate from this new album, it’s “Bad at Love” and “Eyes Closed”. “Eyes Closed” was released as a single a few weeks ago and I liked it initially. There’s really nothing more to it than that for me. Upon listening to the album though, “Bad at Love” was the song that stood out to me in sound and lyrics. It’s catchy, but the lyrics also give representation to Halsey’s bi-sexuality, which she’s been open about in the past. Sure the lyrics aren’t genius. They’re kind of just average pop lyrics. It’s definitely no “New Americana”, but I like the fact that the song reflects Halsey as an LGBT artist, which is something you don’t always get in music.

The new album also features a few collaborations. Quavo from the hip-hop group Migos, Lauren Jauregui from girl band Fifth Harmony, and Norwegian DJ Cashmere Cat all make appearances on hopeless fountain kingdom.

Overall though, I think this is one album I’m going to bypass on purchasing. It was a disappointment for me after such quality work with Badlands. I feel like Halsey is just falling into the main stream pop, where she had potential to be more than that. I’m going to just blame “Closer” and The Chainsmokers for this one. Hopefully her follow-up delivers in a big way. For those of you who really like this album, I’m sorry I don’t agree with you. I was hoping for this album to be just as good as Halsey’s debut. Unfortunately that’s not always the case and I’ll just hope for something better next time.

Relaxer: Album Review

Yesterday alt-J released Relaxer, their 3rd studio album. Today I’m giving you my take on it.

Relaxer is shorter than the first two alt-J albums. It only consists of 8 songs and 39 minutes of play time making it alt-J’s shortest album thus far. However what it lacks in size, it makes up for in content. It’s a perfect combination of the alt-J music you know and love.

I’ve always found alt-J’s sound to be so original. At least none of the other bands I listen to sound similar to them. Some of their earlier music had an Arabic/Middle Eastern sound to it. “3WW” and “Deadcrush” have a bit of that sound, but each song’s sound goes beyond that too. “3WW” has this Egyptian-like sound, while “Deadcrush” incorporates an electronic/deep house type sound. “Hit Me Like That Snare” has an indie rock feel and “In Cold Blood” has the sound of a classic alt-J hit similar to “Breezeblocks”.  “Adeline” and “Last Year” are both soft and mellow. They’re comparable to “Warm Foothills” and “Pusher” from This Is All Yours or “Matilda” from An Awesome Wave. Finally, the intros of “Pleader” and “House of the Rising Sun” remind me of something I’d hear from a movie score.

Relaxer is the new album you’ve been waiting to hear from alt-J. It’s got everything you’d want from the indie rock band and it’s the perfect addition to your alt-J album collection. I will say though, alt-J isn’t for everyone. Their sound is unique no matter how you look at it so if you’re going to listen to them for the first time with this album, don’t expect your typical indie rock. It’s a bit beyond that. If you love alt-J though, you’ll definitely love or at least like this new album.

A R I Z O N A the band, not the state

It’s been two weeks since I last posted, but to be fair I had a show to work and I was sidelined with a sprained ankle (a “sprankle” if you will). I was also out of ideas for new topics. I want to be excited about everything I write here so I didn’t want to just pick something and give you a lackluster effort. The end of last week finally gave me a topic though. I saw that a band I’ve been following for the last year or so released their debut album on May 19th.

A R I Z O N A is an alternative electro-pop band from Glen Rock, New Jersey (no, not Arizona). The band is comprised of members Zach Hannah (vocals), Nathan Esquite (guitar), and David Labuguen (keyboard). The trio all attended college in Boston and initially went their separate ways before reuniting in their home state to form A R I Z O N A. The band’s name stems from a hat Dave was wearing during a random Facetime call with his bandmates.

A R I Z O N A started releasing music on streaming platforms in 2015. They’ve periodically released singles from then on. Their major breakthrough came when German electronic DJ Robin Schulz released a remix of their song “I Was Wrong” last summer. Originally the group thought of releasing an EP first, but then they realized they had enough songs to put out a full length album. Their debut album, Gallery, was released a few days ago. It contains all the music they’ve released so far plus a few new jams. The group is also playing the festival circuit this summer and embarking on their first headlining tour.

Back in November, on the night I saw Tegan and Sara, my friend and I bought tickets to the Hayley Kiyoko show that was happening in another room at the same venue. A R I Z O N A was the opener that night. I didn’t even realize they were the opener until I recognized the second song they played. It was a spontaneously awesome moment of the evening. I first started listening to them the previous winter when I heard the song “Where I Wanna Be” off a twitter recommendation and since that time I followed up with the group any time they released new music.

A R I Z O N A’s music style combines indie/alternative music with electronic music. When I first heard them I was slowly getting into electronic music. I liked an occasional song here and there (Let’s be honest, I still do). “Where I Wanna Be” was one of those songs. During the time I listened to that song frequently, I figured A R I Z O N A was probably the name of some DJ. I don’t think I even fully realized that the group was a band until I saw them perform live. It was good to know that a band like A R I Z O N A existed because most of the time electronic music to me was DJ’s. A R I Z O N A is a band. They have a lead singer (Zach). They have a guitarist (Nate), but they also have someone who plays the keyboard/synth elements of their songs (Dave) that gives their music its electronic feel.

I highly recommend checking these guys out if you’re into indie music, electronic music, or both. Even if you’re not, check this band out anyway because they have a pop element to their music as well. As I mentioned before, you can also catch them this summer. They’re playing a few big festivals (Gov Ball, Firefly, and Lollapalooza) and of course they’re touring all over too. Here’s a few songs that will make you fall for this band as much as I have:

  1. Where I Wanna Be
  2. I Was Wrong
  3. Electric Touch
  4. Cross My Mind
  5. Oceans Away

 

2017….The Best Year of Music?

Coming back from two weeks in So Cal has been a bummer to say the least. With Coachella, sunshine, warmth, palm trees, new friends, old friends, etc., I’ve been in a withdrawal. It’s also tough to come up with weekly blog topics because I feel like I gave it my all for the past 3 months writing about Coachella bands. However, there’s one thing that’s helped with all of the sad feelings recently. It’s the constant stream of new music flooding in from a bunch of my favorite bands and artists. Over the last 2 weeks, I’ve lost count of how many of my faves have released new tunes. I had a realization this past week that 2017 is shaping up to be the best year for music, or at least new music so I figured I’d write about it and give you a little preview of what’s to come.

Obviously there’s a ton of bands and artists releasing new music this year, way more than I plan to write about. The acts I’m mentioning are some of my favorites. Some I’ve written about in the past already. Actually that’s a lie. I’ve written about almost all of them before. The first is someone who I haven’t talked about for a while, but she’s one of my all-time favorites of the past 6 years, Lana Del Rey.

Lana Del Rey released a new single in February called “Love”. Upon its release, she said her upcoming new music was inspired by her fans and the people who supported her throughout the years. “Love” was the first of the new releases to give back to them. Until February, Lana hadn’t released new music since 2015’s Honeymoon. Then while I was at Coachella she released another new single, “Lust for Life” featuring The Weeknd. She also confirmed a few weeks before the single’s release that her new album would also be entitled Lust for Life. Although no release date has been confirmed for the new album (EDIT: The new album will be out July 21st.), there’s rumors that it will feature a few other collaborations with the likes of Stevie Nicks and Sean Lennon, son of John Lennon.

Another artist with new music out this year is Lorde. I, of course, wrote about her as a Coachella preview, but it was before she put out her new material. Along with Lana Del Rey, Lorde was one of the first to put out music this year. In early March she dropped her single “Green Light”. Then a little over a week after that she performed another new single when she appeared on SNL, “Liability”. I loved “Green Light” the first time I heard it. It’s the kind of song that makes you want to get up and dance. It’s the Pure Heroine follow up hit that I was looking for from Lorde. It got me so hyped for her new album Melodrama, which I thought may come out before Coachella, but isn’t going to be released until June 16th. “Liability” is the complete opposite. The song is so raw and emotional. It’s not something I’ve ever heard from Lorde. It sounds more like something Adele would sing. I denounced the song immediately after I heard it, but then I heard it again live at Coachella. It was incredible. Not just the song, but the entire moment surrounding the festival and the two weeks I spent in California.

She performed Sunday night and I was only able to see her performance on Weekend 2, the final night of what was the most incredible festival-working experience I’ve had thus far. Lorde spoke to the crowd of probably close to 100,000 people as if she were in a tiny dive bar and explained how much the song meant to her. Then she went on to sing her newest piece of music with everyone who cared to join her amongst the beautiful night scene at Coachella with the cool breeze blowing and lit up palm trees swaying as the ferris wheel glowed in the background. I took in the moment with two new friends I met while working the festival focusing on Lorde, the entire setting, and my one friend almost in tears because the song affected her that much. It was epic enough to force me to give “Liability” a second chance and I haven’t stopped listening to it since.

Then I came back from California and within days there was new music from my favorite band, Foster the People. I’ve liked Foster the People for 6 years now. They were one of the first bands that I liked when I started getting into the indie rock scene (See here for the story). They haven’t released new music since 2014 and I’ve been craving something new from them for the last 2 years. On April 27th, the indie rock trio released III, a three song EP with songs from their upcoming album. I listened immediately and have been listening to the songs non-stop ever since, “Doing It For the Money” in particular. I feel like the new music combines that old Torches sound with the newer Supermodel sound to create this in-between to both albums giving fans the best of both worlds. For me, it’s almost impossible to top Torches. I still keep the album in my car and pop it into my CD player on occasion. It’s one of my favorite records of the modern era, but this new album (at least indicated by the EP) has shades of Torches that gets me hyped for its release. As of today, the title and release date have yet to be announced, but I read that it should be out in June or July (EDIT: Foster the People’s new album, Sacred Hearts Club, will be July 21st).

On the same day that the world was blessed with three new Foster the People songs, Haim announced their upcoming sophomore album Something To Tell You and released a preview of the track “Right Now”. They also announced they would release a single from their upcoming album on May 3rd. Last summer when I saw Haim play at Lollapalooza they played a few of their new songs. I don’t remember what songs they played, but I do remember liking each one I heard. Each new song still maintained their signature sound. It got me excited for their new record and I’ve been anticipating it ever since. The album comes out July 7th, but until then we have the song “Want You Back” (the May 3rd single) to hold us over and any other new songs the sisters Haim decide to drop along the way.

alt-J is another band with a new album out this year. I really got into alt-J after seeing them perform at Coachella in 2015. My friends and I then saw them while they toured a few months later. Both shows were fantastic. alt-J released the first single, “3WW”, from their new record in the beginning of March. Then a few weeks later they released “In Cold Blood”. alt-J has always had this unique style of indie music and it’s again evident in their new music so far. Their new record Relaxer comes out on June 2nd.

If you thought five new records were enough, you haven’t been paying attention to music news because there’s a few more to be excited for. One of those is a record that doesn’t have a title or release date yet, but I expect it to be out later than the rest. I’m guessing it could be out any time between late summer and winter (EDIT: The new album, American Dream, comes out September 1st.), but I’m so grateful for the two new songs that were just released this past Friday at midnight in anticipation of it. After announcing their reunion last winter and headlining festivals throughout 2016, LCD Soundsystem finally released new music! They played several shows at the opening of the new venue, Brooklyn Steel, in New York City last month and debuted both songs there. The songs “call the police” and “american dream” were also just performed by the band on SNL over the weekend. I haven’t had much of a chance to binge listen to the songs yet, but I can’t wait to listen on my road trips I have coming up this month. Both songs are different and yet so good. At this point, I think I’d feel that way about anything LCD Soundsystem puts out.

So those are all my favorites that have new albums coming out soon, but there’s also a few other good music acts that I like with new tunes on the way too. Halsey just released two singles over the last month from her new album Hopeless Fountain Kingdom due out in June. So far from the new releases, her album seems like it’ll be less dark than Badlands. Phoenix will be releasing their sixth album and first since 2013, Ti Amo, on June 9th. They just dropped the first single from the new record, “J-Boy”, on April 27th. Finally a band I recently previewed before Coachella, Oh Wonder, will be releasing their second album, Ultralife, on June 16th. Over my two weeks spent in Indio, my love for and desire to see Oh Wonder grew a little more (I couldn’t see them at Coachella). Now I’m definitely stoked for their follow-up to 2015’s debut self-titled masterpiece.

Along with all that’s to come this summer, several great bands that I like have already released new music this year. The xx just released I See You on January 13th. I missed them at Coachella, but I’ll be seeing them live next week! Andrew McMahon in the Wilderness released Zombies on Broadway on February 10th and his new record has some great jams that give off a brand new electronic feel not usually heard in Andrew McMahon music. Lastly and most recently, Cold War Kids just dropped their newest album L.A. Divine on April 7th.

In total that’s 12 new albums from bands I like, about half of those being my favorites. I’ve said recently that all I need is for Florence and the Machine to release a new album this year to really put that final piece in the puzzle. Even without them this year is shaping up to be one of if not the best in music! I’m stoked so you guys better get stoked too because there’s so much to listen to!

Local Natives

It’s crazy to think, but it’s been almost a month since my last blog post and yet it honestly doesn’t feel like it was that long ago. I guess that’s what happens when you spend the fastest two weeks in the Coachella Valley working at your favorite and one of the most well-known music festivals in the world.

So yeah, I did it. I worked Coachella. It was amazing, special, wild, epic, unreal, and all sorts of other positive adjectives that you can think of. It was mostly indescribable though. I knew what to expect, but at the same time I didn’t at all. I can say though that experiencing Coachella in an entirely different way made me appreciate it so much more because it’s a first class, well-run music festival. I’m not gonna go into deep detail about my trip here. I will say that out of the bands I previewed I was able to see Kungs, Grouplove, Lorde, and Lady Gaga. If you wanna know more about my experience though, just ask.

Another thing I will mention is that I had a realization while at the festival during Saturday of Weekend 1. I definitely should have previewed Local Natives in the build-up to Coachella 2017. I was able to catch part of their set that Saturday before my shift started and I knew about 4 of the 5 songs I heard. I didn’t realize how many Local Natives songs I knew, but apparently I know a lot. I know enough that I feel like I need to go to one of their shows sometime. So I figured it was better late than never to write about them, so here goes…

Local Natives is an indie rock band from Los Angeles, CA. Members Kelcey Ayer, Ryan Hahn, and Taylor Rice all met while in high school together in neighboring Orange County, but it was after graduating college from UCLA that the group really started to focus on music. Along with Matt Frazier and former member Andy Hamm (replaced by Nik Ewing in 2012), the group moved into a house together in the Silver Lake section of Los Angeles and began working on their first record, Gorilla Manor. The album was released in November 2009 in the UK and then in the U.S. in February 2010.

The band began generating some hype before the album’s release though. They played SXSW in 2009 which garnered attention from music critics. They received comparisons to well known indie bands, Arcade Fire, Fleet Foxes, and Vampire Weekend, making them a new notable act on the indie scene.

On January 29, 2013 the band released their second album, Hummingbird. The album was produced by guitarist Aaron Dessner of The National and featured a darker lyrical turn due to life events, such as the departure of Andy Hamm and the death of Kelcey Ayer’s mother, that had influenced the band’s writing process. The album also received generally positive reviews.

Last year the band released their third and most recent album, Sunlit Youth, in September. The first single for the album, “Past Lives”, was released a few months before the album drop. The album, like it’s predecessor, received similarly favorable reviews.

Local Natives is your standard indie rock band. There’s no other genre that their music fits into. I can see why they were initially compared to the likes of those other well-known indie bands. Out of the three I mentioned above, their music sounds most similar to a combination of Arcade Fire and Fleet Foxes. I think Vampire Weekend has more of an indie pop feel to their songs that isn’t heard as much with Local Natives. Another reassuring fact about Local Natives’ music is that the sound hasn’t changed much through three albums. Maybe the lyrical content has developed and changed, but you’re still getting that familiar Gorilla Manor sound on Sunlit Youth.

I first heard of Local Natives in the prime of my indie/hipster music transition phase in the spring of 2011. From then on, every so often I would add a new Local Natives song to my iTunes and playlist rotation. While on my first trip to California in 2013, I made it a point to go to Amoeba Music. Amoeba is the world’s largest independent record store. They have three locations in California, one in Berkeley (the original), one in San Francisco, and one in Hollywood, which is the one I went to. I, of course, wanted to get something at Amoeba, but traveling by plane made it difficult to purchase any vinyl so I opted for a CD. The CD I purchased was Hummingbird. Despite all this evidence, it never occurred to me that Local Natives should be a must-see for me at Coachella this year and a must among the list of bands I previewed. I didn’t even realize it after catching the end of their set at Lollapalooza last summer and realizing I knew every song I heard them play. I do now though and I won’t disregard them anymore. I plan on going to one of their shows next time they tour near me. They crushed it at Coachella and I don’t want to miss out anymore.

If you’re a big indie music follower and you don’t know of Local Natives, it’s time you do. They’re a great band to listen to if you’re just relaxing on quiet evening or if you’re driving on a road trip. It’s time to make these guys known or recognized whatever the case may be. Here’s a few songs you should check out.

  1. Airplanes
  2. Who Knows Who Cares
  3. Ceilings
  4. Heavy Feet
  5. Mt. Washington
  6. Past Lives
  7. Wide Eyes
  8. Dark Days
  9. We Come Back
  10. Sun Hands

Coachella Band Preview: Tove Lo

This is it. The final blog post before the big first weekend. I make my journey out there in two days and I can’t wait to be among that festival atmosphere. Hopefully I get a chance to see one or two of these amazing bands or artists I’ve previewed, but I keep my expectations low to avoid disappointment just in case. The final artist I decided to preview is a Swedish singer/songwriter known as Tove Lo.

Tove Lo, whose real name is Ebba Tove Elsa Nilsson, first came on to the music scene in 2014. Her career journey started way before that though. While growing up she went to music school and even became friends with Caroline Hjelt, who went on to form Icona Pop. By the end of her teenage years she formed the rock band Tremblebee. After the band broke up she decided to go after a songwriting career and earned a publishing deal with Warner/Chappell Music in 2011. Through that she often wrote and recorded her own compositions which lead to her eventual record deal.

Her stage name comes from a nickname she had growing up. Tove is part of her real name and Lo is the Swedish word for Lynx, which was her favorite animal growing up. Tove Lo’s first performances were in London and at SXSW in 2014 right around the time she released her first EP Truth Serum. The EP contained one of her most popular hits, “Habits”, which she released independently even before the EP came out. The track was re-titled “Habits (Stay High)” for Truth Serum and earned her breakout success as one of the hottest new artists of 2014. Her debut album Queen of the Clouds was released on September 24, 2014. It had much success making the top 20 on album charts in the U.S., the U.K., and Sweden. In Sweden the album is certified platinum. Towards the end of 2014, Tove Lo joined the third leg of Katy Perry’s Prismatic World Tour as the opening artist.

By early 2015 though, the breakout artist needed to take a little time away from singing as she had to have surgery on her vocal chords to remove cysts that had developed. Near the end of the year she was back at it touring across North America in support of the re-packaged edition of Queen of the Clouds which was released in October of 2015. The year rewarded Tove Lo with two Grammi Awards (Swedish version of the Grammys) and a Grammy nomination for her writing credit on Ellie Goulding’s song “Love Me Like You Do”.

In 2016 the Swedish singer announced she would be releasing her second album later in the year. She toured as the opening act for Maroon 5 to promote the upcoming release. She released the first single from her new album Lady Wood in early August called “Cool Girl”. The album was released on October 28, 2016. Tove Lo recently went on a solo tour in support of Lady Wood and has plans to join Coldplay’s upcoming tour as an opening act this summer.

Along with her own success, Tove Lo has also been involved in many successful collaborations with artists such as Nick Jonas, Coldplay, and Flume, as well as earning songwriting credits for many well known artists such as Ellie Goulding, Hillary Duff, Victoria Justice, Lea Michele, and Icona Pop. One of her most successful collaborations came in 2015 when she sang on Swedish DJ Alesso’s track “Heroes (We Could Be)”. The single had high chart success in Sweden, the U.K., and the U.S.

Tove Lo’s music style is an alternative style of pop music. It might be considered synthpop or electropop. It definitely has an electronic influence and is a bit darker than your standard pop music as well. A lot of her songs have this sexual type of feel and sound. I’m not saying that’s the intention with her music either. Her style is just perfect baby making music.

I don’t remember when I first heard of Tove Lo. I know I knew her song “Habits (Stay High)” before anything else. I didn’t really like the song though, which is probably because I would only ever hear it on mainstream pop radio. Even though I’m not a huge fan of listening to that type of radio, I have a guilty pleasure song or two that gets overplayed. “Habits” was not one of those. “Talking Body” was though. I first heard “Talking Body” on a Spotify playlist and I really liked the song. It was even part of my work out playlist for a while. I never really got hooked on any of her other songs though, but I think at that point I appreciated her as more of an alternative pop artist.

So for the second week in a row why am I previewing this artist that I’ve never gotten into? In fact compared to Two Door Cinema Club, I don’t even own any of Tove Lo’s records. Well it’s pretty simple. Tove Lo plays Sunday at Coachella and I’ve only previewed two other Sunday acts, Lorde and Grouplove. If I had the whole festival to just hang out and see music, there would only be 2 performances that I’d really wanna see on Sunday which frees up a ton of the day. My familiarity with Tove Lo would make me want to check her set out. I think she’ll put on a great set and I definitely suggest you check her out if you have time on Sunday. Here’s a few songs you might want to know first:

  1. Habits (Stay High)
  2. Talking Body
  3. Cool Girl
  4. True Disaster
  5. Influence
  6. Moments
  7. Not On Drugs
  8. Got Love
  9. Heroes (We Could Be) (w/ Alesso)
  10. Say It (w/ Flume)