ACL

Coacheligible

2019 is almost over. The festival season is surely winding down as well. I consider Austin City Limits as the last major festival of the year even though there’s still several smaller festivals in the weeks following ACL until the holidays. With the end of the year approaching, there’s only 2 months until announcements for the 2020 festival season begin (some like Okeechobee and Stagecoach already have), particularly like Coachella, the first major music festival of the year.

For the last 5 years, I’ve previewed Coachella consistently. As you might have already figured out, and if you didn’t already know, Coachella is my favorite music festival. It’s one of the reasons why I work in music. With that being said, I spent a good portion of last night talking with a coworker friend about potential Coachella 2020 artists. We discussed artists and bands who have dropped or have upcoming new music, who haven’t played Coachella in a while, and who we’d love to see at the festival next year. Playing major music festivals like Coachella also comes with one more component for bands and artists: the radius clause.

Based on some internet finds, what we know about Coachella’s radius clause is that between December 15th prior to Coachella until May 1st after Coachella acts cannot play any festival in North America and cannot play any “hard ticket” concerts in Southern California. In addition, they’re also not allowed to publicize any tour stops in California, Arizona, Oregon, or Washington until after the Coachella lineup is announced, publicize any performances at competing festivals in California, its bordering states, and Washington, or a headlining concert in Southern California, until May 8, or publicize any performances at competing festivals in the remainder of the United States again until the Coachella lineup is announced. Exceptions to this are the New Orleans Jazz & Heritage Festival, South by Southwest, and Ultra Music Festival as well as appearances at Las Vegas casinos, or tour stops in other parts of Nevada minus any Las Vegas festival appearances.

Coachella isn’t the only music festival that imposes these clauses. Most music festivals have some type of radius clause which includes major contenders like Lollapalooza, Bonnaroo, and South by Southwest to name a few. However, Coachella’s clauses are notable as they made news for the 2018 lawsuit imposed by a smaller music festival called Soul’d Out in Oregon. The lawsuit has since been dismissed.

The radius clause was another thing we considered last night when discussing possible Coachella performers. I’m even realizing today the clause throws out Vampire Weekend as one of my Coachella hopefuls since they’re headlining Okeechobee in March. That is unless they negotiated around the clause. This is always a possibility for performers. Sometimes smaller acts get around the clause because it would hurt them financially to not play shows, but other times it’s not always smaller acts. In 2018, top-billed Coachella artist SZA headlined Buku, but her team most likely negotiated and she was given permission to do so. More often than not though, bands and artists abide by the rules. Adding Coachella to your resume is a big deal. It’s one of the most well-known, popular, largest, and most talked about music festivals in the United States, if not the world so playing the festival is always a special accomplishment no matter how many times you do it. The same goes for working and attending the festival!

In the coming weeks I’m sure headliner rumors will start popping up and there will be more speculation over who will play in Indio this spring. Regardless of the lineup, which since 2014 hasn’t entirely impressed me, I’ll be stoked and on high alert for a twitter notification with a new lineup poster come January 2nd. Coachella will always be special for me no matter who plays, but there’s no shame in getting excited for possibility!

 

 

Almost Everyday: Album Review

Another album that was released within the last two months was Matt & Kim’s Almost Everyday. I was also fortunate enough to finally be able to see Matt & Kim perform live at the end of April. It was one of, if not the most fun show I’ve ever been to. I was starting to get tired waiting for them to come on, but as soon as they did it was pure joy for the hour and a half set they performed at Brooklyn Steel complete with blow up dolls, balloons, and a wall of death. After seeing that show, there was no question that I was going to pick up their album that was due out less than a week later.

I was eager to check out this new album because I really liked the single “Forever” that they released in the weeks prior to the album release. Almost Everyday doesn’t stray from the quality indie pop featuring synth and drums that Matt & Kim are known for. I think some of the synth sounds have even grown on this particular record.

After listening to the album, I didn’t feel like any songs jumped out at me in particular. I had a similar feeling when New Glow was released. With that album, I had to listen to it several times for a few songs to really start sticking with me. Eventually I got into a few songs on that record though. As for Almost Everyday, I’ve taken a liking to “Glad I Tried” and “Like I Used To Be”, along with “Forever”, which I already enjoyed before I heard the full length album.

Several of the songs have a lot of meaning and depth. The album was written over a time when Kim was recovering from her ACL injury and the band’s future felt like it was in jeopardy for a brief time. Thankfully Kim made it through! Truly, they both did though and this new album is a reflection of that.

Coachella Band Preview: Tash Sultana

Because I forgot to post last week’s blog after I wrote it and instead posted it this week, you’re getting two band previews this week! We’re almost near the end of January. We’re still a while away from Weekend 1, but I can feel it looming. Can’t you?! Since I already gave you plenty of Kygo to listen to this week, I thought I’d preview an artist who has a little less music to listen to. What she does have out is pretty awesome and original.

Natasha “Tash” Sultana is an Australian musician/singer/songwriter who grew up in Melbourne. She took to music at the age of three when she received a guitar from her grandfather. Now at age 22, she can play over 10 instruments. 2016 was her breakthrough year, but until then Tash struggled to find regular work and used street performing as her way to get by. She was however the lead vocalist of the band Mindpilot from 2008 through 2012.

She started receiving attention in 2016 through social media and the internet. She also released her first EP, Notion on September 16th independently through her own label Lonely Lands Records. The EP peaked at number 4 on ARIA Australian Albums Chart. It included two songs that were voted to Australia’s Triple J Hottest 100, “Jungle” (#3) and “Notion” (#32). She also embarked on a world tour in support of Notion.

In 2017, Tash continued to tour and also announced that her debut album would be released in the spring of 2018. She released the singles “Murder to the Mind” in April and “Mystik” in October along with being nominated for 4 ARIA Awards (Breakthrough Artist, Best Independent Release (Notion), Best Blues and Roots Album (Notion), and Best Australian Live Act).

Her rock music style features elements of reggae and psychedelic music. Her style can also be classified as indie rock. Each of her tracks have a different sound and her vocals are mesmerizing. It’s the kind of music you can just chill to. I love it because the sound meshed with her vocals is unique to my usual listening tastes.

I first found out about her in early October after my friend worked at All Things Go Fall Classic in Washington, DC. A patron at the festival told her about Tash Sultana so she checked out Tash and told me about her as well. Then I checked her out and enjoyed what I heard. My friend then saw her perform a week later at Austin City Limits. I wasn’t so fortunate. She is relatively new to the music scene and is just starting to get some attention in America. She recently performed on Late Night with Seth Meyers in October. That makes me think I’ll have plenty of time to get to see her live, especially if I get to be a part of Coachella this year and can catch her set.

She plays Saturday at Coachella. In my opinion Saturday’s lineup is stacked. I would expect to see Tash play an earlier set on Saturday. You never know though. She might end up with a mid-afternoon spot at the Gobi or Mojave Tent. If you have a chance, I would check her out though. She’s under that “up and coming” title for the festival this year. She’s also got a debut album coming out soon. Here’s what you can check out by her so far though:

  1. Jungle
  2. Mystik
  3. Notion
  4. Gemini
  5. Synergy
  6. Murder to Mind
  7. Big Smoke (Pts. 1 & 2)