all time low

The Return of Live Music and the Top Tunes of 2021

I came into this year believing it would be a transition. I knew it wouldn’t be the best year ever, but I truly believed we were going to transition back into some weird period of normalcy that wasn’t quite exactly normal yet. Sure enough after 15 long months, we did and live music came back into our lives. I went back to work. I saw my friends again, made new ones, and got closer to others, which is something I’m so grateful as someone who works in live events. Usually at the end of the year, I recap some of my favorite music, but this year, after talking to a friend of mine, I’ve decided to include something extra. This was the first year in a while that I didn’t have a stand out favorite song of the year. For me, this year was a comeback to music I know and love with a few new faves along the way. You’ll see what I mean. So let’s get to it, here are my 2021 favorites in music:

Torches X -Foster the People

I knew going into 2021 that Torches, one of my all time favorite albums by my favorite band Foster the People, would be turning 10. Last fall, I was hoping they would play a drive-in show in May in honor of the 10th anniversary. Needless to say I never expected I would get to see them play a 10th anniversary show in LA in November nor did I expect a deluxe edition of the album with some of my favorite early Foster the People songs. That’s what I got though and I’m more stoked about it than you know. Plus after years of hoping and wishing, “Broken Jaw” is now on Spotify. It can’t get any better than that.

30 -Adele

After 6 years, Adele finally put out new music in 2021. As I wrote recently, 30 hasn’t been my favorite Adele album, but it was still something I anticipated for quite a while. It deserves recognition for that, especially after the endless amount of Twitter teases over the past 2 years. It’s still one of my favorite albums of 2021 and has several great tracks that I love. I’m stoked Adele is finally back.

Decco

Decco was a huge discovery for me this past spring. I spent a good amount of time listening to their songs after finding them because of a Kygo song on my Release Radar Spotify playlist. I’m actually surprised their song “I Didn’t Know” wasn’t my most listened to song of 2021 because I surely spent a lot of time listening to that track this past spring and summer. I’m hoping there are more solid Decco songs released in the future and maybe even a festival set or two. They’re great and I’m glad I found them.

“Chapstick” -COIN

I added this song to my work out playlist in mid-October after returning home from ACL and it’s been a song that I haven’t been able to get enough of since. I’ve been listening to COIN here and there for the last few years, but this song just hits different for me. It’s got such a great edgy, rock feel. I’ve kept it on repeat for the past 2 months and I’ll likely be keeping it that way into the new year.

“Dissolve” -Absofacto

My friend Hailey told me about this song during Lollapalooza because Absofacto played the festival. She said the song was a big hit, but I hadn’t heard it. She played it for me and I was hooked. I added it to my summer work out playlist and much like “Chapstick” it was a song I kept playing on repeat. In fact, I even extended the listening period by putting it on my fall work out playlist too. It’s been a song I’ve loved since the summer and one of my favorites of 2021.

“Low Rider” -War

This 1975 classic has been the official/unofficial song of the year for me. What started as a joke over the radio at Peach just carried on for the rest of the year. I kept hearing this song at random times after that and it’s always a jam. I even bought the single on vinyl 2 weeks ago. Glad this song made a comeback this year for me and the festie pals because it’s truly the best.

Loving in Stereo -Jungle

Jungle’s Loving in Stereo was another one of my favorite albums of the year. It has such a complete track-listing with so many songs I enjoy. I had it playing in my car for months too. I’ve been listening to Jungle since their debut album was released in 2014 and caught them at Coachella in 2015 and Lollapalooza in 2018. This is definitely my favorite album of theirs so far and I’m disappointed I didn’t see them on their tour this fall in support of it. I’m hoping for some festival appearances next year that I’ll be able to catch because this album made me love Jungle even more.

“Sweet Talk” -Fitz Leland

In early 2021, I discovered this jam by independent artist Fitz Leland. It was one of my favorites to listen to last winter, especially during my weekly adventures on the slopes. It was always such a vibe hearing it while on the lift or while lifting (you know it was on the work out playlist too!). This one definitely helped carry me through a winter I tried to make the best of. It’s such a mood.

So I know I usually do a top 10 followed by some runners up, but this year wasn’t about music I listened to. It was about music I saw. Being sidelined for 15 months from shows and work made me want to see music as much as I could as soon as I was able to. I also appreciated seeing live music much more. After thinking about it and looking back on my calendar, I’ve seen 39 full and partial sets this year since June, when I saw my first concert since Dermot Kennedy back in February 2020. So instead of just songs, albums, or artists, here’s something extra that I’ve never done yet. Here are my favorite sets from concerts and festivals (in the order in which I saw them) once live music came back this year:

The Suicide Machines & Less Than Jake

This was my first concert in 15 months. I saw both bands play AC Beer Fest on the first weekend of June at a time when everything was starting to transition into a normal-ish time again. AC Beer Fest was an outdoor festival that we tailgated on a beautiful Saturday. I can’t even express what it felt like in that moment to be together with my friends at a ska punk show again. Tears were had. Songs were sung. We skanked and I got beer accidentally dumped on me on the way out to the parking lot. It was the best day with my pals.

Carrie Underwood at Country Jam

Country Jam was my first big gig/festival that I worked since Mexico in the winter of 2020. I also got to work a role that I wanted to try to get involved in on my next festival season, credentials. The last night of the festival Carrie Underwood headlined. I’m not a country fan but of course I know Carrie Underwood, even if it’s only like 2-3 songs. So I anticipated her set all weekend. After a successful week on the Jam Ranch, I watched her Saturday night set with my co-worker friends. Again, it was an incredible feeling to be back to work and back at a music festival and that realization set in while taking in Carrie Underwood. The set culminated in “Before He Cheats.” We went so hard that we probably could have taken a Louisville slugger to both head lights in that moment that truly felt like live music was back.

Miley Cyrus at Lollapalooza

Lollapalooza has always been one of my favorite festivals. Unlike other festivals, I didn’t get to work Lolla in 2019 so it made the return to Lollapalooza this year even more special for me. I actually felt an excitement coming into work the first show day that I hadn’t felt at all yet despite working 2 festivals at that point. It was a different feeling that comes with working my favorite festivals though so that’s probably why. Miley Cyrus headlined the first day of Lollapalooza this year and I figured once I closed up my ticket help I would catch the end of her set. I met up with a girl on my team who I had met 2 days prior and that I clicked with instantly along with my VIP one-off turned festival worker homie Finnerty. Two of our other friends popped out of the VIP area that we were standing next to when Miley went into “7 Things.” We all went so hard. I kind of forgot the song existed until that moment. After that, she just kept playing all the hits. I couldn’t believe how many Miley songs I actually knew. She killed it too. I loved watching everyone get emotional during “The Climb.” The production during “Can’t Be Tamed” was fantastic. Then she closed with “Party in the USA” a half hour after her set was supposed to end which felt like a true party with people being together, dancing, and singing in the heart of downtown Chicago at the first major music festival since the panny d began. It was a special moment, granted some news about new variants and such changed everything the next day. That first night was a true celebration though and I was grateful to take it in from the crowd.

Green Day at Hella Mega

When the Hella Mega Tour was announced in 2019, I knew I wanted to work it. I even got to the point this year thinking I might attend if I didn’t get the chance to work. Fortunately though, I was able to work two dates on the tour and it was the coolest VIP event I worked all year. It was a no stress, low energy type of work day that ended as soon as the headliner, Green Day, took the stage. Green Day is such an iconic band and anyone who has ever listened to alternative/punk music has listened to Green Day. The first date I worked was in Hershey in August. I was entranced when I walked in the venue and I saw Bille Joe Armstrong strumming hard to “Holiday.” Green Day played all their hits on the tour from “Boulevard of Broken Dreams” to “Basket Case” to “21 Guns.” It was all around awesome. They were so entertaining to see live and that was my first time ever seeing them. I, of course, popped in the venue for one or two Fall Out Boy songs earlier and heard their entire set along with Weezer and the Interrupters’ from the VIP check-in spot too. We were set up right near the stage. It was a great day overall and I felt so lucky to have experienced it.

Lizzo at Firefly

Firefly was a rough week and half for me due to some personal feelings and such, but being able to actually be at the festival is always a rarity these days and one I cherished about my time in the Woodlands. After the Lizzo hype of 2019, I was so stoked to see her Sunday night set in one of her first performances back since early 2020. I got to see it from the VIP area with several of my friends who were working in VIP that weekend. It was a nonstop hour and a half dance party filled with endless joy that felt “good as hell!”

Glass Animals

After Firefly ended, I had 2 days before flying out to Austin for ACL. I was home for a total of 26 hours because the night before flying out I saw Glass Animals with my friend Amanda. We bought the tickets when the tour was announced back in May cause I anticipated being able to make the Tuesday night date. I made it happen and it was another night of nonstop dancing. Before I got into Glass Animals, I saw bits and pieces of their July 2017 Panorama set. That following fall I started listening to Glass Animals and felt bummed when I missed the call on them earlier that year. Dreamland was one of my favorite albums of 2020. I spent so much time at home listening to them last year that finally getting to see them perform in late September after all that time felt so satisfying. We had such a good time that we’re even thinking about seeing them again next year at Red Rocks because we don’t wanna talk we just wanna dance to Glass Animals again and again.

Dermot Kennedy at ACL

I made my return to ACL this year after working my first one ever in 2019. It was always a festival that I wanted to work but couldn’t figure out an in for. I was asked at Lolla if I wanted to do it again and I immediately said yes to spending two weeks in Austin. ACL brought a ton of great times and reunions with my ticketing fam and Austin friends, but none was more special than my reunion with my friend Danny, who I lovingly refer to as the Danimal. It had been just over 2 years since we last saw each other and after taking a full time role with a major event company he came to the 2nd weekend of ACL for fun. Thanks to my amazing team I was able to take some time to see all of Dermot Kennedy’s set with Danny. Danny was with me at Coachella 2019 when I first discovered Dermot. I caught Dermot’s set at Lolla, but seeing his ACL set with my favorite festival buddy was more special. We sang along to everything and danced harder than one would expect at a Dermot Kennedy set to the point that we created a mini mosh pit with two strangers during “Giants.” It was one of the most fun live music moments I experienced all year.

Foster the People (Torches X Show)

I already dedicated a whole blog to this show, so please check it out for all the detail. Just to reiterate though, I can’t believe I got to experience this show. It still feels surreal. Favorite band, favorite album, in one of my favorite places. Surreal.

LCD Soundsystem

When I wrote my end of 2020 music recap, I wrote about hoping to hear from LCD Soundsystem again in 2021. Well they came back. They announced a 20 show residency in NYC in November and December in early October and I spent one morning before heading to site at ACL struggling to get tickets. I managed to secure tickets to one of the early December shows with plans to see them again with my friends at their final date of the residency. The residency got cut short due to the unrelenting panny d, but I was still able to go to the show I purchased tickets for in the beginning of December. It became a whole weekend of shows with my friend Hailey who flew in to hang with me and to see James, Nancy, Pat and the rest of the crew. We spent some time hanging in NYC too. LCD Soundsystem always gets me hyped since I never thought I would get to see them after getting into them in 2012 post-break up. This time was no different as I planned to dance myself clean for the third time. We heard, in my opinion, one of the best set lists of the residency too. I danced myself clean with all my friends as daft punk played at my house and New York, which I love brought me down. It was so good that I could do it on repeat.

Streetlight Manifesto

The day after LCD Soundsystem Hailey and I made our way to Philly to attend mine and my friends’ annual Christmas celebration at Streetlight Manifesto. Usually it happens in central Jersey with just me and my two friends Ashley and Noah, but this year with an announced Philly date, we decided to do it there with a bunch of other pals. I convinced Hailey to come even though she wasn’t into Streetlight with the promise that she would get to experience this incredible tradition we started in 2018. Despite not playing “Point/Counterpoint” into “Keasbey Nights” back into “Point/Counterpoint,” we had the best time singing along with our arms around each other to the uptempo ska songs we loved listening to in high school after a year not being able to see Streetlight. It was another one of my favorite concert moments of the year.

Runners-Up:

All Time Low

Thanks to my friend Emily and her homie at the Bottom Lounge in Chicago I was able to attend All Time Low’s Lollapalooza aftershow during Lolla week (the show was Wednesday before the festival started). After Hailey hooked it up with providing a place to stay, we both started talking about attending a show the night before Day 1 of the festival. We both had an interest in All Time Low and it just happened to work out that Emily had connections at the venue when I told her we wanted to attend. The only problem was I worked onsite until 7 PM the day of the show which was when it started. There was an opener though so I figured ATL wouldn’t hit the stage til 8:30 or show and we would be fine. We were not, in fact, fine. All Time Low came on at 8 and we got to the venue around 8:40 by the time I left work, moved my stuff to the place we were staying, quickly changed, and ubered there. We saw the last 4-5 songs though. They were all bangers and it was enjoyable for the brief time we were there. I got to hear “Dear Maria…” their most iconic song, which was really cool because I’ve known that song since high school and I had never seen All Time Low before that night. Overall, it was fun to take in a show with Hailey since we were getting to know each other and realized we had similar music tastes. It really kicked off my return to Lollapalooza too and I knew it would be a great week.

The Killers at Firefly

As I mentioned before, I was able to see a bunch of music at Firefly given my role and hours for the week. I was able to see everything I wanted to see on Friday and Sunday at the festival, which included Friday night’s headliner, The Killers. Both times I saw the Killers previously were with my mom, so this was the first time seeing them without her. I was sure to record her favorite song though and send it to her as I took in the set with some of my festie friends. It was another set of the weekend that included tons of dancing as I sang along to mostly every song. The Killers always put on a good show and this was no different even if they didn’t end with “Mr. Brightside.”

Nelly at Firefly

My inner middle school self was so excited to see Nelly at Firefly. That’s the great thing about festivals, being able to see music you wouldn’t normally buy a concert ticket to. I took advantage of the opportunity and it was such a fun set. Nelly was so big during my middle school and high school years that I knew almost every song he performed. There was a huge crowd for his set and almost everyone was singing/rapping along to hits like “Ride Wit Me”, “Hot in Herre”, “Air Force Ones”, and “Grillz.” As a former fan, it was definitely a highlight to be able to see Nelly this year.

Now that I did a double review for the year that brought live music back into our lives, what’s next? Well there’s still plenty of concerts and events that didn’t get to happen this year so next year the comeback is still on. I’m highly anticipating new Arctic Monkeys next year and a Foster the People tour that they mentioned at their Torches X show. I’m also still hoping for new music from LCD Soundsystem. At least they came back to play shows these past 2 months. I’m also excited for new alt-J and Bastille. Both have new albums dropping in February. I’m still hoping for more Florence and the Machine as I was last year, but it would also be great to add Tegan & Sara to that list too.

If all goes well, in a few days there should be a certain well-known festival that will be dropping a lineup. I have my fingers crossed that all goes accordingly with it this year since it’s been 3 years since the last one. I know so many others are hopeful as well. In any event, once that lineup drops there will be several blog posts coming straight from the marathon month I’ll be spending in Mexico, since those events are back as well. 2021 will definitely go down as a return to live music and I hope it all keeps going smoothly into the next year. Until then, don’t stop listening and buying tickets!

Damned if I Write This, Damned if I Don’t

I’m sorry to say, but it’s been another long amount of time I’ve gone without writing a blog post. It was a busy a fall with not much time at home and not much time to focus on the blog, which is a huge shame on me. As a quick update, up until last week, I only had 6 full days at home over the last 6 weeks. I spent mid-late September and much of October working 3 different music festivals (Firefly, Austin City Limits, and EDC Las Vegas). Then, I spent Halloween weekend with my family out-of-state. At this point though, I’ve finally been back for a week straight and thought it was time to make a post.

During Lolla week back in late July, I finally made it to my first Lolla after show. I saw pop punk band All Time Low at the Bottom Lounge (shoutout to my friend Emily for making it possible). Since then, I got back in touch with All Time Low, a band whose handful of songs I listened to at the end of high school/beginning of college. I can’t say I really went all in to All Time Low in the past few months, but I definitely started listening to a few more of their songs than “Dear Maria Count Me In” and “Coffee Shop Soundtrack.”

All Time Low, from Towson, Maryland (Baltimore suburb), formed in 2003 while still in high school. The group got their name from the lyrics of New Found Glory’s song “Head on Collision” (“And it feels like I’m at an all time low.”). Plenty of bands have gone through lineup changes over the years but All Time Low has remained consistent since their very early days with Alex Gaskarth on guitar and lead vocals, Jack Barakat on guitar, Zack Merrick on bass and backing vocals, and Rian Dawson on drums. In their very early days, Chris Cortilello and TJ Ihle were part of the group, but left before the band made a name for themselves.

The group released their first two EPs in 2004 before their debut album The Party Scene was released in 2005. The band signed with Hopeless Records in 2006 and released the EP Put Up or Shut Up that summer after graduating from high school. After joining the Vans Warped Tour in the summer of 2007, they released their second studio album So Wrong, It’s Right. This album peaked at 62 on the Billboard Top 200 and 6 on the Alternative Albums chart. Ultimately it lead to their rise in the alternative music scene. Their third album Nothing Personal debuted in July 2009. It reached number 4 on the Billboard Top 200 in it’s first week. By 2009 they became a headlining act at Warped Tour and had also been headlining their own national and international tours.

Since 2009, the band has been continually touring and releasing albums every few years. The most notable of those was Future Hearts in 2014 which debuted at number 2 on the Billboard Top 200, their highest charting album thus far. The most recent album they released was Wake Up, Sunshine in 2020. Other albums released include Dirty Work (2011), Don’t Panic (2013), and Last Young Renegade (2017).

All Time Low’s music style is classified as pop punk, pop rock, emo pop, and alternative, which is pretty spot on. They’ve stayed true to their genre throughout their time in existence, but I always think of them and their music style as something else, “scene” music. In the late 2000’s the “scene” subculture became a thing for alternative music fans. It developed from emo music/emo subculture. Now over 10 years later, All Time Low is a staple at emo nights around the country, where emo and other alternative music from the scene days is played for hours as millennials re-embrace super tight skinny jeans and heavy eyeliner while belting out anthems from their youth. “Dear Maria Count Me In” is one of those hits, as well as other pop punk, emo, alternative songs from that early scene era.

Despite knowing All Time Low for years, and even seeing the 1975 with them at Coachella (I happened to stand next to them), I had never seen them perform live until July. If it wasn’t for my friend Hailey, I’m not sure I would have even pushed as hard to see them either, but I’m glad we did, even if we only saw the last 4 songs. Hailey reintroduced me All Time Low as well as the Maine around that time and I’ve gotten into a few more of their songs since then including “Monsters”, “Damned if I Do Ya, Damned if I Don’t”, “Clumsy”, and “Weightless”. I’ve also re-sparked my interest in songs by several other bands I used to listen to this year including Fall Out Boy, Green Day, and Motion City Soundtrack. It’s definitely been a year of second-comings for alternative music for me.

Speaking of this year, we’re only weeks away from 2022 and for the first time in 2 years, there’s going to be a Coachella lineup drop, which means band previews and polo field hype will be back soon enough! Until then, I challenge you to get into a new old song by a band you listened to years ago. You just might be surprised how it could hit different especially if you’re over getting old.

Cover Songs

Yesterday my friend Bev and I got into a deep discussion about music covers. It was prompted by a video I shared with her where the background music was a cover of Talking Head’s “This Must Be The Place” by jam band, The String Cheese Incident. We delved into a deep discussion about her particular taste in covers, my taste in covers, and covers that would never do justice to the original artist or bands. I’m assuming everyone knows what a cover is but just in case you don’t, when someone says a song is a cover it means that the song is a recording or performance by someone who is not the original artist.

There have been plenty of cover songs throughout history that have become more successful than the original. A great example of this comes from legendary rock n’ roll singer Elvis Presley. “Blue Suede Shoes” was originally a song by Carl Perkins. Elvis also did plenty of Chuck Berry covers. Then of course there’s some controversy surrounding the song “Hound Dog”. Some claim that Elvis stole the song from Big Mama Thornton. Truth be told though when Elvis rose to fame racial prejudices were much greater than they are today. As a white singer, he brought many songs that may have been sung by or written by black musicians to fame. Hence, all of Elvis’s music being written by someone other than Elvis, which isn’t uncommon even today, but still.

Another example of this is “Twist and Shout” by The Beatles. The original song was by The Isley Brothers who are also famed for their song “Shout”. To be honest, I didn’t realize until today that “Twist and Shout” was a cover. I was looking for some covers on Spotify and saw it on one of their playlists. Part of me believes I knew this at one point and just forgot but the other part of me is kind of shocked.

Besides these songs a few other famous covers are Otis Redding’s “Respect” covered by Aretha Franklin, Bob Dylan’s “All Along The Watchtower” covered by Jimi Hendrix (Dave Matthews Band also frequents this cover too), Dolly Parton’s “I Will Always Love You” covered by Whitney Houston, Fleetwood Mac’s “Landslide” covered by The Chicks (formerly The Dixie Chicks), Leonard Cohen’s “Hallelujah” covered by Jeff Buckley, The Guess Who’s “American Woman” covered by Lenny Kravitz, Robert Hazard’s “Girls Just Wanna Have Fun” covered by Cyndi Lauper, and Stevie Wonder’s “Higher Ground” covered by the Red Hot Chili Peppers. There’s also been some recent covers in the spotlight. Two years ago Weezer got some airplay from covering Toto’s “Africa” and lately an indie artist named Ritt Momney is getting some huge hype over his cover of “Put Your Records On” by Corinne Bailey Rae. The list goes way beyond this too. I’m sure you’d be surprised to know just how many famous songs are actually covers. I know I was.

My friend Bev seems to love covers that capture the essence of the original song especially when the original was by a well-known band or artist. What I think makes a great cover is when the song is given a new “spin” or feel like when an artist known for a certain genre of music covers a song of another genre. This is why I was always a fan of the Punk Goes… album series growing up.

These albums started in 2000 with Punk Goes Metal and by 2002 the first Punk Goes Pop album was released. Most of the Punk Goes… albums are cover songs aside from Punk Goes Acoustic which are just acoustic recordings of original songs. While hosting my own radio show in college, I would occasionally do cover shows where I played a lot of covers from these albums.

Although I don’t really listen to punk/pop-punk/alternative music these days, I’m always looking out for a great cover whether it does the original justice or not. I still love and appreciate hearing unique covers. However, strangely enough, I don’t usually love remixes, which I feel are electronic music’s version of a cover song. I have a few I enjoy, but in this instance I seem to enjoy the original version of the song more. I’m not sure if we could even consider these “covers”, but unless a deejay has someone else singing the track, how would they cover the song? I definitely think a remix is “sub-genre” or so of a cover for this reason.

If you’ve ever played an instrument or sang a song, you’ve probably played someone else’s music or sang someone else’s lyrics. It’s a pretty standard practice in music. But just be careful if you ever plan on officially releasing covers. There are copyright laws surrounding music, but thanks to the Copyright Act of 1909 we’re able to create covers (usually with some negotiations between the artists involved and ASCAP or BMI…I linked the act for more info). No matter what your preference is on cover songs, I bet you’ve heard plenty and even have a few favorites. I obviously do so I figured I’d share some of mine to end this post.

  1. “I Can’t Make You Love Me” by Bon Iver (Bonnie Raitt cover)
  2. “99 Red Balloons” by Goldfinger (Nena cover)
  3. “Everywhere” by Yellowcard (Michelle Branch cover)
  4. “Umbrella” by All Time Low (Rihanna cover)
  5. “Megan” by Bayside (Smoking Popes cover)
  6. “Blitzkreig Bop” by Foster the People (Ramones cover) (performed live only, not recorded so check out a live version on Youtube)
  7. “That Don’t Impress Me Much” by HAIM (Shania Twain cover)
  8. “Skinny Love” by Birdy (Bon Iver cover)
  9. “Walking On A Dream” by Andrew McMahon in the Wilderness (Empire of the Sun cover)
  10. “Over My Head (Cable Car)” by A Day to Remember (The Fray cover)
  11. “Start Today” by Fall Out Boy (Gorilla Biscuits cover)
  12. “Mad World” by Gary Jules (Tears for Fears cover)
  13. “A Thousand Miles” by Mac DeMarco (Vanessa Carlton cover) (performed live only, not recorded so again check Youtube)
  14. “What I Like About You” by The Suicide Machines (The Romantics cover)
  15. “Hospital Beds” by Florence and the Machine (Cold War Kids cover)

Coachella Band Preview: Emo Nite

So January is almost over. Just like that, there’s 1 month down and 2 to go until Coachella. I hope you’ve been listening to your favorite artists or maybe some new ones you want to check out. There’s a handful of artists I’m pretty stoked to see this year, but I’m also pretty excited about checking out an act that I might not have to do much preparation for. That act is Emo Nite.

Emo Nite started in LA in late 2014. It began when friends Babs Szabo, T.J. Petracca, and Morgan Freed wanted to host an emo themed bar party with their friends. The friends initially met and bonded over their love of emo music and growing up in the emo/pop-punk scene. They made a facebook group for their event and 500 people showed up. They tried again and the same thing happened. A lot of people love emo music so Emo Nite became a thing.

Over the past 5 years it has began touring around the country and playing other festivals like Life Is Beautiful and Firefly to name a few. The group has recruited guest DJs from emo and pop punk bands to come to Emo Nite like Blink-182’s Travis Barker, All Time Low, Good Charlotte, The All-American Rejects, Circa Survive’s Anthony Green, and Andrew McMahon of Something Corporate, Jack’s Mannequin, and Andrew McMahon and the Wilderness. They’ve even had non-emo artists like Halsey and Post Malone come out.

I’ve been to emo nights before (I’ve actually gone to 3 over the last year!), but never the official Emo Nite. I’m stoked to go at Coachella though. After the hype and rumors surrounding My Chemical Romance playing Coachella this year and then ultimately the band not being on the lineup, I think Emo Nite will help fulfill that void for everyone who expected to sing “Welcome to the Black Parade” with Gerard Way. Also this is Emo Nite at Coachella, a festival synonymous with epic guest appearances. I think we’ll be in for some great surprises at their set. Maybe a member or two of My Chemical Romance shows up? Or who knows who could be there? It’s definitely not worth it to sleep on Emo Nite though, especially if you were ever a fan of emo music.

I can’t even come up with a great guess on when or where Emo Nite will be. I would guess either Gobi or Mojave. I would also hope in the evening, but I think set time/stage possibilities really depend on what’s going to happen at Emo Nite and that we won’t know until the schedule comes out in the days before Weekend 1. Emo Nite is a tough one to prep for because let’s be honest, you’re only going to Emo Nite if you like/liked emo music and if you do or did, you’ve probably spent most of your teenage years prepping. Instead of giving you a bunch of songs to listen to, I’m gonna leave you with some bands you’ll probably hear at Emo Nite. Prep if you want, re-visit some of your favorite songs, or show up and have all the old lyrics come rushing back to you. Do whatever you want except don’t sleep on Emo Nite!

  1. Dashboard Confessional
  2. Brand New
  3. Taking Back Sunday
  4. Fall Out Boy
  5. Panic! At the Disco
  6. My Chemical Romance
  7. All Time Low
  8. Something Corporate
  9. Green Day
  10. Blink-182
  11. Good Charlotte
  12. Simple Plan
  13. The Starting Line
  14. Forever the Sickest Kids
  15. Bayside
  16. Jimmy Eat World
  17. Saves the Day
  18. Say Anything
  19. The Get Up Kids
  20. Death Cab For Cutie

 

Coachella 2019 Recap

I never got a chance to post about the set times. As soon as I arrived in Indio, I got down to business and before we all knew it Weekend 1 began. I haven’t posted a Coachella recap since I attended because I really didn’t get much free time working the festival the last two years. This year that changed a bit. I took a new position about 2 weeks before I flew to California and the rest is history.

I worked a lot during the days leading up to the festival. I also worked Thursday and Friday, Day 1, but by Saturday I was free to have fun and prepped at my leisure for the following week. I worked offsite at the Renaissance Hotel in Indian Wells doing check-in for the campground I work at. On Thursday we were open from 12 p.m. until 2 a.m. and Friday from 9 a.m. until 9 p.m., which changed to 8 p.m. during Weekend 2 because of the road closures happening around 9. We also opened for an extra 6 hours on Saturday morning-early afternoon of Weekend 1 because more people than expected did not check in. However our check-in manager released me around 7 p.m. Friday night of Weekend 1 so I went to the festival and was able to see every Friday night act I wanted to see.

The 1975 set was my favorite of the festival. It was crazy because I walked into Coachella and went straight to the Main Stage for the set. I didn’t stop to take Coachella in like I normally do when I get in the festival for the first time. There was barely time to look at the art or anything else. It was worth it though for the set I was about to see. Matt Healy brought it, from cool visuals to a moving platform onstage that Healy walked and danced on. I also stood next to two members of the band All Time Low, which made for an added bonus to the set. I danced my face off and had the best time. As soon as the 1975 ended we went straight to Outdoor for the end of RÜFÜS DU SOL. I tried not to prioritize RÜFÜS because I’ll be seeing them in August, but I was happy to catch some of their set. They killed it as usual. Once they ended, it was back to Main Stage for Janelle Monaé. She was a lot of fun and brought tons of female fire power to the Main Stage. She even brought out Lizzo during her set.

Throughout the two weeks I was able to see all of if not part of almost every artist I wrote about. I saw Turnover, Bob Moses, part of Maggie Rogers, part of Gryffin, part of Tame Impala, Mansionair, Lizzo, Zedd, and Ariana Grande Weekend 1. Maggie Rogers played at the Gobi tent which was way too small for the masses that she brought to her set. That was the only reason I went to Gryffin instead during Weekend 1 since their sets overlapped. I stayed for her entire set Weekend 2 since it was slightly less crowded. During Weekend 2 I saw ARIZONA, all of Maggie Rogers, Weezer, part of Billie Eilish, part of Lizzo, Dermot Kennedy, most of Zedd, CHVRCHES, and NGHTMRE. I also attended Kanye’s Sunday Service, which was a once in a lifetime experience. I skipped Mac DeMarco overall. I feel like I really attended Coachella this year, but worked at the same time. Dermot Kennedy was really the surprise set for me this year. He was incredible and made me a fan. His style is very Bon Iver-esque, but Irish. CHVRCHES was also an incredible set. It was definitely my second favorite, which worked out to be the second to the last Coachella set I saw Weekend 2. My favorite set, The 1975, was the first set I saw Weekend 1. I definitely started and ended Coachella strong.

Once Saturday hit, I had time to take in the art, which payed homage to art of the past 20 years, and enjoyed plenty of ice cream in the festival as well. The astronaut from 2014 came back with a new design, as well as the hippos from 2015. The Spectra tower will be there for a few more years and was also back. The event also had several more pieces for Coachella fans to take in. The antarctic dome became one of my favorite attractions on the final day since it featured a RÜFÜS DU SOL theme this year. I went inside 3 times. I was also inside the festival for the ideal sunset hours and fully immersed myself in the Coachella vibe.

I love Coachella so much as you all know, and I’ve loved working it and attending it. This year held a special place in my heart though. I met new people, got closer with people I knew before, and got to hang out with so many of my friends over the 3 weeks I spent in the desert (Stagecoach included as Week 3). I felt a happiness that made me appreciate music, my life, my job, and the people I’m surrounded with. I don’t really have the appropriate words to describe it. It was beyond words for me this year, and I hope next year can compete.

Thanks again Coachella for all the big moods, good vibes, and sick times. There’s no place I’d rather be.