all time low

Cover Songs

Yesterday my friend Bev and I got into a deep discussion about music covers. It was prompted by a video I shared with her where the background music was a cover of Talking Head’s “This Must Be The Place” by jam band, The String Cheese Incident. We delved into a deep discussion about her particular taste in covers, my taste in covers, and covers that would never do justice to the original artist or bands. I’m assuming everyone knows what a cover is but just in case you don’t, when someone says a song is a cover it means that the song is a recording or performance by someone who is not the original artist.

There have been plenty of cover songs throughout history that have become more successful than the original. A great example of this comes from legendary rock n’ roll singer Elvis Presley. “Blue Suede Shoes” was originally a song by Carl Perkins. Elvis also did plenty of Chuck Berry covers. Then of course there’s some controversy surrounding the song “Hound Dog”. Some claim that Elvis stole the song from Big Mama Thornton. Truth be told though when Elvis rose to fame racial prejudices were much greater than they are today. As a white singer, he brought many songs that may have been sung by or written by black musicians to fame. Hence, all of Elvis’s music being written by someone other than Elvis, which isn’t uncommon even today, but still.

Another example of this is “Twist and Shout” by The Beatles. The original song was by The Isley Brothers who are also famed for their song “Shout”. To be honest, I didn’t realize until today that “Twist and Shout” was a cover. I was looking for some covers on Spotify and saw it on one of their playlists. Part of me believes I knew this at one point and just forgot but the other part of me is kind of shocked.

Besides these songs a few other famous covers are Otis Redding’s “Respect” covered by Aretha Franklin, Bob Dylan’s “All Along The Watchtower” covered by Jimi Hendrix (Dave Matthews Band also frequents this cover too), Dolly Parton’s “I Will Always Love You” covered by Whitney Houston, Fleetwood Mac’s “Landslide” covered by The Chicks (formerly The Dixie Chicks), Leonard Cohen’s “Hallelujah” covered by Jeff Buckley, The Guess Who’s “American Woman” covered by Lenny Kravitz, Robert Hazard’s “Girls Just Wanna Have Fun” covered by Cyndi Lauper, and Stevie Wonder’s “Higher Ground” covered by the Red Hot Chili Peppers. There’s also been some recent covers in the spotlight. Two years ago Weezer got some airplay from covering Toto’s “Africa” and lately an indie artist named Ritt Momney is getting some huge hype over his cover of “Put Your Records On” by Corinne Bailey Rae. The list goes way beyond this too. I’m sure you’d be surprised to know just how many famous songs are actually covers. I know I was.

My friend Bev seems to love covers that capture the essence of the original song especially when the original was by a well-known band or artist. What I think makes a great cover is when the song is given a new “spin” or feel like when an artist known for a certain genre of music covers a song of another genre. This is why I was always a fan of the Punk Goes… album series growing up.

These albums started in 2000 with Punk Goes Metal and by 2002 the first Punk Goes Pop album was released. Most of the Punk Goes… albums are cover songs aside from Punk Goes Acoustic which are just acoustic recordings of original songs. While hosting my own radio show in college, I would occasionally do cover shows where I played a lot of covers from these albums.

Although I don’t really listen to punk/pop-punk/alternative music these days, I’m always looking out for a great cover whether it does the original justice or not. I still love and appreciate hearing unique covers. However, strangely enough, I don’t usually love remixes, which I feel are electronic music’s version of a cover song. I have a few I enjoy, but in this instance I seem to enjoy the original version of the song more. I’m not sure if we could even consider these “covers”, but unless a deejay has someone else singing the track, how would they cover the song? I definitely think a remix is “sub-genre” or so of a cover for this reason.

If you’ve ever played an instrument or sang a song, you’ve probably played someone else’s music or sang someone else’s lyrics. It’s a pretty standard practice in music. But just be careful if you ever plan on officially releasing covers. There are copyright laws surrounding music, but thanks to the Copyright Act of 1909 we’re able to create covers (usually with some negotiations between the artists involved and ASCAP or BMI…I linked the act for more info). No matter what your preference is on cover songs, I bet you’ve heard plenty and even have a few favorites. I obviously do so I figured I’d share some of mine to end this post.

  1. “I Can’t Make You Love Me” by Bon Iver (Bonnie Raitt cover)
  2. “99 Red Balloons” by Goldfinger (Nena cover)
  3. “Everywhere” by Yellowcard (Michelle Branch cover)
  4. “Umbrella” by All Time Low (Rihanna cover)
  5. “Megan” by Bayside (Smoking Popes cover)
  6. “Blitzkreig Bop” by Foster the People (Ramones cover) (performed live only, not recorded so check out a live version on Youtube)
  7. “That Don’t Impress Me Much” by HAIM (Shania Twain cover)
  8. “Skinny Love” by Birdy (Bon Iver cover)
  9. “Walking On A Dream” by Andrew McMahon in the Wilderness (Empire of the Sun cover)
  10. “Over My Head (Cable Car)” by A Day to Remember (The Fray cover)
  11. “Start Today” by Fall Out Boy (Gorilla Biscuits cover)
  12. “Mad World” by Gary Jules (Tears for Fears cover)
  13. “A Thousand Miles” by Mac DeMarco (Vanessa Carlton cover) (performed live only, not recorded so again check Youtube)
  14. “What I Like About You” by The Suicide Machines (The Romantics cover)
  15. “Hospital Beds” by Florence and the Machine (Cold War Kids cover)

Coachella Band Preview: Emo Nite

So January is almost over. Just like that, there’s 1 month down and 2 to go until Coachella. I hope you’ve been listening to your favorite artists or maybe some new ones you want to check out. There’s a handful of artists I’m pretty stoked to see this year, but I’m also pretty excited about checking out an act that I might not have to do much preparation for. That act is Emo Nite.

Emo Nite started in LA in late 2014. It began when friends Babs Szabo, T.J. Petracca, and Morgan Freed wanted to host an emo themed bar party with their friends. The friends initially met and bonded over their love of emo music and growing up in the emo/pop-punk scene. They made a facebook group for their event and 500 people showed up. They tried again and the same thing happened. A lot of people love emo music so Emo Nite became a thing.

Over the past 5 years it has began touring around the country and playing other festivals like Life Is Beautiful and Firefly to name a few. The group has recruited guest DJs from emo and pop punk bands to come to Emo Nite like Blink-182’s Travis Barker, All Time Low, Good Charlotte, The All-American Rejects, Circa Survive’s Anthony Green, and Andrew McMahon of Something Corporate, Jack’s Mannequin, and Andrew McMahon and the Wilderness. They’ve even had non-emo artists like Halsey and Post Malone come out.

I’ve been to emo nights before (I’ve actually gone to 3 over the last year!), but never the official Emo Nite. I’m stoked to go at Coachella though. After the hype and rumors surrounding My Chemical Romance playing Coachella this year and then ultimately the band not being on the lineup, I think Emo Nite will help fulfill that void for everyone who expected to sing “Welcome to the Black Parade” with Gerard Way. Also this is Emo Nite at Coachella, a festival synonymous with epic guest appearances. I think we’ll be in for some great surprises at their set. Maybe a member or two of My Chemical Romance shows up? Or who knows who could be there? It’s definitely not worth it to sleep on Emo Nite though, especially if you were ever a fan of emo music.

I can’t even come up with a great guess on when or where Emo Nite will be. I would guess either Gobi or Mojave. I would also hope in the evening, but I think set time/stage possibilities really depend on what’s going to happen at Emo Nite and that we won’t know until the schedule comes out in the days before Weekend 1. Emo Nite is a tough one to prep for because let’s be honest, you’re only going to Emo Nite if you like/liked emo music and if you do or did, you’ve probably spent most of your teenage years prepping. Instead of giving you a bunch of songs to listen to, I’m gonna leave you with some bands you’ll probably hear at Emo Nite. Prep if you want, re-visit some of your favorite songs, or show up and have all the old lyrics come rushing back to you. Do whatever you want except don’t sleep on Emo Nite!

  1. Dashboard Confessional
  2. Brand New
  3. Taking Back Sunday
  4. Fall Out Boy
  5. Panic! At the Disco
  6. My Chemical Romance
  7. All Time Low
  8. Something Corporate
  9. Green Day
  10. Blink-182
  11. Good Charlotte
  12. Simple Plan
  13. The Starting Line
  14. Forever the Sickest Kids
  15. Bayside
  16. Jimmy Eat World
  17. Saves the Day
  18. Say Anything
  19. The Get Up Kids
  20. Death Cab For Cutie

 

Coachella 2019 Recap

I never got a chance to post about the set times. As soon as I arrived in Indio, I got down to business and before we all knew it Weekend 1 began. I haven’t posted a Coachella recap since I attended because I really didn’t get much free time working the festival the last two years. This year that changed a bit. I took a new position about 2 weeks before I flew to California and the rest is history.

I worked a lot during the days leading up to the festival. I also worked Thursday and Friday, Day 1, but by Saturday I was free to have fun and prepped at my leisure for the following week. I worked offsite at the Renaissance Hotel in Indian Wells doing check-in for the campground I work at. On Thursday we were open from 12 p.m. until 2 a.m. and Friday from 9 a.m. until 9 p.m., which changed to 8 p.m. during Weekend 2 because of the road closures happening around 9. We also opened for an extra 6 hours on Saturday morning-early afternoon of Weekend 1 because more people than expected did not check in. However our check-in manager released me around 7 p.m. Friday night of Weekend 1 so I went to the festival and was able to see every Friday night act I wanted to see.

The 1975 set was my favorite of the festival. It was crazy because I walked into Coachella and went straight to the Main Stage for the set. I didn’t stop to take Coachella in like I normally do when I get in the festival for the first time. There was barely time to look at the art or anything else. It was worth it though for the set I was about to see. Matt Healy brought it, from cool visuals to a moving platform onstage that Healy walked and danced on. I also stood next to two members of the band All Time Low, which made for an added bonus to the set. I danced my face off and had the best time. As soon as the 1975 ended we went straight to Outdoor for the end of RÜFÜS DU SOL. I tried not to prioritize RÜFÜS because I’ll be seeing them in August, but I was happy to catch some of their set. They killed it as usual. Once they ended, it was back to Main Stage for Janelle Monaé. She was a lot of fun and brought tons of female fire power to the Main Stage. She even brought out Lizzo during her set.

Throughout the two weeks I was able to see all of if not part of almost every artist I wrote about. I saw Turnover, Bob Moses, part of Maggie Rogers, part of Gryffin, part of Tame Impala, Mansionair, Lizzo, Zedd, and Ariana Grande Weekend 1. Maggie Rogers played at the Gobi tent which was way too small for the masses that she brought to her set. That was the only reason I went to Gryffin instead during Weekend 1 since their sets overlapped. I stayed for her entire set Weekend 2 since it was slightly less crowded. During Weekend 2 I saw ARIZONA, all of Maggie Rogers, Weezer, part of Billie Eilish, part of Lizzo, Dermot Kennedy, most of Zedd, CHVRCHES, and NGHTMRE. I also attended Kanye’s Sunday Service, which was a once in a lifetime experience. I skipped Mac DeMarco overall. I feel like I really attended Coachella this year, but worked at the same time. Dermot Kennedy was really the surprise set for me this year. He was incredible and made me a fan. His style is very Bon Iver-esque, but Irish. CHVRCHES was also an incredible set. It was definitely my second favorite, which worked out to be the second to the last Coachella set I saw Weekend 2. My favorite set, The 1975, was the first set I saw Weekend 1. I definitely started and ended Coachella strong.

Once Saturday hit, I had time to take in the art, which payed homage to art of the past 20 years, and enjoyed plenty of ice cream in the festival as well. The astronaut from 2014 came back with a new design, as well as the hippos from 2015. The Spectra tower will be there for a few more years and was also back. The event also had several more pieces for Coachella fans to take in. The antarctic dome became one of my favorite attractions on the final day since it featured a RÜFÜS DU SOL theme this year. I went inside 3 times. I was also inside the festival for the ideal sunset hours and fully immersed myself in the Coachella vibe.

I love Coachella so much as you all know, and I’ve loved working it and attending it. This year held a special place in my heart though. I met new people, got closer with people I knew before, and got to hang out with so many of my friends over the 3 weeks I spent in the desert (Stagecoach included as Week 3). I felt a happiness that made me appreciate music, my life, my job, and the people I’m surrounded with. I don’t really have the appropriate words to describe it. It was beyond words for me this year, and I hope next year can compete.

Thanks again Coachella for all the big moods, good vibes, and sick times. There’s no place I’d rather be.