alternative music

Coachella Band Preview: Bob Moses

We’ve made it through another month! One more to go before April arrives and everyone ventures out to the Coachella Valley for the 20th Coachella Valley Arts & Music Festival. I can hardly wait! I hope you’re as hyped as me. Since the lineup dropped, I’ve been purposefully holding off on previewing this band because they’re one of the top acts I’d like to see this year and I wanted to save some of those acts for the coming weeks.

Bob Moses is comprised of Canadian duo Tim Howie and Jimmy Valance. The band formed in 2012 in New York City though. Both band members are from the same area of Vancouver, BC. They went to the same middle school and high school, but never really hung out much during that time. They were both into similar styles of music too. It took a fortuitous random meet up while both lived in NYC to bring together what is now known as Bob Moses. The band was named after Robert Moses, who was a prominent figure in NYC history involved in the building of Shea Stadium and the Brooklyn-Queens Expressway.

The duo released their debut EP Hand to Hold in 2012 when their group was still playing warehouse shows in NYC. They signed to Domino Records in 2014 and released their debut album Days Gone By the following year. Their song “Tearing Me Up” gave the band some notable status earning the group a Grammy nomination for Best Dance Recording, while the remixed version of the song by RAC won the Grammy for Best Remixed Record, Non-Classical. The song also reached number 16 on Billboard’s Alternative Songs chart. The group was hand-picked to play on the Ellen Degeneres Show in 2016 and also played the music festival circuit that year which included appearances at SXSW, Ultra, Coachella, Gov Ball, Bonnaroo, Glastonbury, Lollapalooza, and Austin City Limits among many others. After touring and playing festivals through 2018, the group released their second album Battle Lines in September 2018.

Their music style combines electronic and indie/alternative music. That style seems to be a theme with a lot of Coachella acts I’m previewing/interested in this year. Although the electronic/dance sound in their music is  certainly evident, I feel like the rock beats are very heavy in their songs. Their music blends both genres so well that it, much like Mansionair’s sound, creates a sensual, low-key style of club music.

I started to pay attention to Bob Moses when my friend Noah mentioned his interest in them after they were announced as an artist at a music festival run by a company we both work for. I heard their song “Back Down” and liked it in the fall without knowing it was their song. When I realized it was a Bob Moses track, I decided to download the song and add it to my fall work out playlist. Since they were announced as a Coachella artist, I’ve been listening to them much more. I even considered buying their latest album, but have not yet made that purchase.

2019 will be the group’s second Coachella performance. They played a late afternoon set at the Gobi Stage in 2016 and a surprise Do Lab set during Weekend 1. I expect they’ll play a similar size stage this year but at a later set time or a similar set time on the Main or Outdoor stage. I’m not sure how crowded their set will be, but I’m sure the draw will be bigger than their last time at Coachella.  If you’re into electronic indie style music or even just electronic or indie music, you should check them out. Here’s some songs you should listen to before heading to their set:

  1. Tearing Me Up
  2. Back Down
  3. Nothing But You
  4. Too Much Is Never Enough
  5. All I Want
  6. Heaven Only Knows
  7. Enough to Believe
  8. Before I Fall
  9. Selling Me Sympathy
  10. Talk
Advertisements

Coachella Band Preview: Mansionair

Hola! I’m back in Mexico this week, but still bringing you another Coachella band preview because we officially have 2 months to go. This week I’ve got a band for you that I first found out about during Coachella 2018! They’re due to release their debut album in 2 weeks, but they’ve been putting out jams for the past 5 years.

Mansionair was formed in 2014 in Australia when singer Jack Froggatt was invited to join producers Lachlan Bostock and Alex Nicholls on music they had been making. They released the song “Hold Me Down” in early 2014. It hit two million views in 2 months. The trio then signed to Glassnote Records and were asked to join CHVRCHES on tour.

In 2015 the band released the EP Pick Me Up which featured their hit single “Hold Me Down”, a remix of the song, and 2 other tracks. They were also asked to join alt-J and Florence and the Machine on tour. They released the single “Easier” in 2016 followed by the hit single “Astronaut – Something About Your Love” in 2017. The 2017 hit reached number 44 on the Billboard Rock Airplay chart. The band also collaborated with electronic artists Odesza on their song “Line of Sight” also featuring WYNNE, which peaked at number 23 on Billboard’s Alternative Chart and number 37 on its Dance/Electronic Songs chart. Last year Mansionair dropped 3 more singles which will all be on their debut album Shadowboxer along with their latest single “Shadows”.

Mansionair’s sound is a perfect blend of alternative/indie rock and electronic music. Although their sound is definitely different, their style is similar to fellow Australians and Coachella 2019 performers RÜFÜS DU SOL. Their music has a darker, sensual feel to it though. It’s such a vibe to be honest.

As I mentioned, I first heard of Mansionair during Coachella 2018. We constantly listened to Alt Nation on Sirius XM on our drives to and from site each day and Mansionair’s “Astronaut – Something About Your Love” was part of the rotation during that time. There were several other songs that were continuously played on that station last spring and will always remind me of Coachella in some way. Mansionair was a part of that. It’s pretty cool that Mansionair already has that Coachella association for me since they’re actually playing the festival this year.

Coachella 2019 marks Mansionair’s first Coachella appearance. With their first album being released March 1st, the group will be touring and undoubtedly playing some of the festival circuit in the U.S. this summer. They’re already booked for Firefly as well. Mansionair plays Sunday at Coachella. I doubt they’ll be playing one of the main stages unless it’s an early afternoon set time. My guess is that they play Gobi or Mojave. The timing is in question though. They could easily play at any time of the day. Since Mansionair doesn’t have a huge discography yet, listening to all their tunes should easily prep you to see them. I guarantee it’ll be worth it too as these guys seem to be rising in their respective music scene. Before heading to see them at Coachella you should check out:

  1. Astronaut – Something About Your Love
  2. Shadows
  3. Easier
  4. Speak Easy
  5. Hold Me Down
  6. Technicolour
  7. Falling
  8. Violet City
  9. Pick Me Up
  10. The rest of their debut album!

Coachella Band Preview: Weezer

January is quickly wrapping up and Coachella 2019 will be here before you know it. After spending 10 days in the humid air of Riviera Maya, Mexico, I’m counting down the days until my two (possibly three) week stretch in the dry Indio desert. I can’t wait to be there and I’m sure you’re feeling the same way. This week I decided to preview a well known alternative rock band playing the festival this year.

Weezer was formed around 1992 in Los Angeles, California. The band is comprised of Rivers Cuomo (lead vocals, lead guitar, keyboards), Patrick Wilson (drums), Brian Bell (guitar, backing vocals, keyboards), and Scott Shriner (bass, backing vocals). The band signed a deal to Geffen Records in 1993 and released their debut self-titled album (Blue Album) the following year. The album, which has since gone on to go 3x platinum, features notable hits “Buddy Holly”, “Undone – The Sweater Song”, and “Say It Ain’t So”.

Weezer’s second album Pinkerton was released in 1996, but the album wasn’t received as well due to the darker and more abrasive sound compared to their first album. The album has since gone on to critical acclaim, but initially it was considered a flop. The band went on hiatus between 1997 and 2000, which created a 5 year gap in album releases. Weezer released their third album in 2001 (Green Album). The album had a more pop sound than their sophomore release and created hits like “Island in the Sun” and “Hash Pipe”.

Since 2001 Weezer has released 7 more albums, which have contained hits like “Beverly Hills”, “Pork and Beans”, and “Feels Like Summer”. Just last week Weezer released their 11th full-length album to date the self-titled Teal Album. Their most recent release is a cover album containing their 2018 hit cover of Toto’s “Africa” and others including Radiohead’s “Paranoid” and TLC’s “No Scrubs”. The band also has a new album due out March 1st, the self-titled Black Album, making Coachella a perfect stop for the band who will be touring to promote their latest work.

Weezer has always been an iconic alternative rock band since the early 90’s. They span generations of fans as well because those of us who discovered alt-rock at some point have heard of Weezer, know Weezer songs, and/or have become fans ourselves. I’m totally including myself in this mix too. I first heard of Weezer when I was in high school. “Island in the Sun” was one of the first songs I had to practice when I began taking drum lessons on a full kit. While I was in a band in high school, we used to jam at our band practices by playing “Say It Ain’t So”. Throughout the years, the band has maintained the same quality of alternative rock sound too, which is always impressive and aids in keeping their dedicated fan base.

Weezer will be playing their 3rd Coachella this year. The band first debuted at the festival in 2001. They also played in 2005. They’re now back for the 20th anniversary of the festival and their first appearance there in 14 years. It should be a fun, well-attended set given Weezer’s iconic status. They play Saturday and there’s no doubt in my mind that they’ll either be playing the Main Stage or the Outdoor Stage. Weezer has a huge discography so here’s several of their hits that you should know before heading to their performance:

  1. Buddy Holly
  2. Undone – The Sweater Song
  3. Say It Ain’t So
  4. Island in the Sun
  5. Beverly Hills
  6. Hash Pipe
  7. Africa (Toto Cover)
  8. Feels Like Summer
  9. Thank God For Girls
  10. (If You’re Wondering if I Want You To) I Want You To
  11. Pork and Beans
  12. Tired of Sex
  13. Back to the Shack
  14. King of the World
  15. My Name Is Jonas

Coachella Band Preview: RÜFÜS DU SOL

It’s been about 3 weeks since the lineup dropped for Coachella 2019. Since then, I’ve been doing a lot of listening to bands on this year’s lineup even with working in Mexico for the last week. It definitely gets me more hype. I hope you’ve been doing the same for the same reasons. This week I’m previewing a band that is at the top of my list for bands I’m most excited for/want to see this year.

RÜFÜS DU SOL was formed in Sydney, Australia in 2010. The indie electronic group is comprised of Jon George, Tyrone Lindqvist, and James Hunt. The group was formerly known as just RÜFÜS but changed their name to RÜFÜS DU SOL because of trademark issues in the United States in 2014. The group continued to be known as RÜFÜS in their home country of Australia until recently (May 2018).

They released their debut EP RÜFÜS EP in 2011. It received some attention from music blog aggregator Hype Machine as two tracks from the EP made charts on the website. Their second EP RÜFÜS Blue was released in April 2012. Their debut album Atlas was released the following year. It debuted at number 1 on the Australian Albums Chart and created 4 singles for the band in the process. The band spent their first few years touring and playing festivals in Australia, but the end of 2013 gave the group a chance to play a few shows in Europe as well. In early 2014 the group brought their talents to the U.S. playing a small tour in the spring.

In June 2015, they released the debut single “You Were Right” from their upcoming sophomore album Bloom. It reached number 22 on the ARIA Singles Chart and went double platinum. The group played Camp Bisco in 2015 which was their first U.S. festival performance. Bloom was released in January 2016. It was RÜFÜS DU SOL’s second number one charted album and has since gone platinum in Australia. They embarked on a world tour in 2016 in support of their album that lasted until early 2017. Stops on the tour included Coachella, Firefly, Electric Forest, Panorama, Lollapalooza, and Outside Lands amongst other festivals. The group continued to tour and play festivals throughout 2017 which included another stop at Coachella, but this time the group wasn’t listed on the bill. They closed out Coachella 2017 at an unannounced set at the DoLab during Weekend 2.

RÜFÜS DU SOL released their third and most recent album Solace in October 2018. The single “No Place” preceded the album release in May 2018. This album peaked at number 2 in Australia. The group is currently on tour in support of the new album.

RÜFÜS DU SOL’s style of music is a combination of electronic music and alternative music. They’re truly on the indie electronic spectrum because they are a band (not DJs) that plays electronic music. They incorporate live instrumentation at their sets and in their recordings. That being said their electronic sound does have a house music type of feel.

I found out about RÜFÜS DU SOL about a year and a half ago from a friend who introduced me to the song “You Were Right”. Aside from that song I didn’t really get into them until last summer after seeing part of their Weekend 2 set at Electric Forest. I decided to cut my night short that night because their set began at 11:45 p.m., ended at 1 a.m., I was tired, and I had to get up early for work the next morning. I stayed until around 12:15-12:20, but what I saw was incredible. Coachella 2019 gives me another chance to make up for what I missed at Electric Forest last summer. It’ll even be better for me this year too because I’m more into their music than I was at Electric Forest last summer. I’ll appreciate their Coachella set more, if I get to see it.

This year is RÜFÜS DU SOL plays Friday. It is their third Coachella appearance, but only the second announced one. They’re also much higher billed this time around than they were in 2016. In 2016 they played on the Gobi Stage. I’m expecting a late Main Stage or Outdoor Stage performance. There’s also a possibility that they headline the Sahara Tent Friday night because Diplo and DJ Snake are also big stage performers. Whatever the case may be, I’m sure it’ll be an epic set with a large crowd regardless of stage and timing. Honestly there’s no place I’d rather be than at the RÜFÜS DU SOL set Friday at Coachella so here’s a solid mix of what songs you need to know to enjoy all the band has to offer:

  1. You Were Right
  2. No Place
  3. Like An Animal
  4. Treat You Better
  5. Underwater
  6. Sunbeam
  7. Innerbloom
  8. Say a Prayer for Me
  9. Take Me
  10. Desert Night

(That’s What I Call A) Rally Cry: Album Review

During Weekend 1 of Coachella 2017, I worked the late shift. I was on from 4 p.m. until midnight, which meant I got to check out the festival earlier in the day. Most of you who attend festivals know that a lot of the hyped acts play later timeslots. With that in mind, there weren’t many bands I went to check out before my shift started each day. However, on Saturday afternoon I decided to check out Arkells set on the Outdoor Stage. I knew one of their songs at the time, “Leather Jacket”, from doing some browsing on Spotify. Since the set was in the middle of the afternoon when the desert heat is at its prime, there weren’t many people in attendance, especially in the guest viewing area. I was essentially front and center for the set. That afternoon Arkells played one of my favorite sets that I saw at Coachella last year. They had great energy. I enjoyed their music without knowing much of it. They even brought a random festival-goer onstage with them to play guitar during one of their songs. It was so cool! I’m surprised I didn’t write about them sooner.

On Friday Arkells released their fifth studio album Rally Cry so I figured it was appropriate to do an Arkells post along with an album review. Arkells is a Canadian alternative rock band from Hamilton, Ontario that formed in 2006. The band is named after a street in the Westdale neighborhood of Hamilton where they used to live and practice together. Max Kerman (lead vocals, guitar), Mike DeAngelis (vocals, guitar), Nick Dika (bass), Tim Oxford (drums), and Anthony Carone (vocals, keyboard, guitar) comprise the band. Kerman and DeAngelis met while in college at McMaster University and discovered their similar taste in music. The rest is history.

Arkells released their first album Jackson Square in October 2008. They received some media attention in 2010 when Kesha and rap singer Shad joined them on stage for a cover of Outkast’s “Ms. Jackson” while performing at a small venue show after the 2010 Much Music Awards. In October 2011, they released their second album Michigan Left. That year the band also announced the departure of original member Dan Griffin (he was replaced by Carone). In the next few years the band continued to tour and received a few notable accolades, mostly in Canada. One of those was Group of the Year at the 2012 Juno Awards.

Their third record High Noon was released in August 2014. The album earned them Group of the Year and Rock Album of the Year at the 2015 Juno Awards. They also released the self-produced EP Study Music. While on tour in spring 2016, they teased a new record. That record, Morning Report, was released in August 2016. It was their fourth full length. In 2017 along with playing Coachella on the festival circuit they also played Osheaga Festival and Sasquatch! Music Festival. Their song “Knocking at the Door” peaked at #1 on the Canadian alternative rock charts. It was also their first track to reach US Alternative Charts where it peaked at #39.

Now Arkells are back with Rally Cry. I’ve listened to a few songs from their other albums and I have to say from their first album to their most recent, their sound has remained consistent. It’s pure alternative rock. Kerman has such powerful and somewhat distinct vocals. I feel like their music and even the lead vocals are a similar sound to that of Cold War Kids. I’ve been listening to their single “Relentless” for a few weeks now. It’s a jam and currently on my workout playlist. “People’s Champ” is a protest anthem of U.S. President Donald Trump, which isn’t the first time the band has taken a political stance with their music. “Whistleblower”, “The Ballad of Hugo Chavez”, and “Knocking at the Door” have political meaning as well. Another track on the new record “Saturday Night” gives off a Bruce Springsteen-esque vibe. Overall though, every song has that same alt-rock sound that has gained the band recognition in Canada over the years.

If you’re already a fan of Arkells, you should be stoked about this album. I definitely think they’re an underrated band in the U.S. Their music is great and after seeing them at Coachella, I can attest that their live performances are great too. I might be seeing them play again in two weeks too! They’ll be joining St. Lucia on their current headlining tour and I have plans to check out one of the shows. They’ll also be headlining a Canada tour in February 2019. It’ll be one of their biggest headlining tours to date as they play arenas across the “True North Strong and Free.” I feel like they have the potential to make a name for themselves in the U.S. at some point soon as well too. Definitely check them out sooner rather than later by giving both their newest album and older albums a listen. All five of their albums certainly have “gas in the tank to go all night long” on whatever medium you’re listening on!

Church of Scars: Album Review

It’s been close to 2 months since I last posted, so let me update you on what’s been going on.

 I planned to post after I returned from Coachella, but honestly I had 2 1/2 weeks before I left to go to Las Vegas for EDC and I got busy. I worked. I traveled to NYC and Washington, D.C. Then, I prepped for one of the biggest music festivals in the country (EDC Las Vegas) and for being away for another week and a half.

EDC was a roller coaster. It’s a chaotic mess of a festival and nothing compared to the glory that is Coachella. Our ticketing team had great moments and terrible ones. I’ve never seen my best friend feel so stressed at times. On a personal level, I made things happen, had some amazing times, and a lot of laughs, but there were other moments that made me feel unwanted, unnecessary and useless. It truly was a roller coaster. After I returned, the aftermath of EDC spilled over and this blog got pushed to the back burner. 

I leave for another festival in 2 weeks, so again there’s gonna be more posting delays. I’m trying to catch up on what I missed posting since Coachella though, which are a lot of new album reviews. Sure the 2018 hype isn’t as high as it was last year for me when it comes to new music, but a lot that I like has been released in the past 2 months.

One of those is the debut album from Bishop Briggs, Church of Scars. Church of Scars was released on April 20th. I was still at Coachella. I didn’t even go out to buy it until 2 weeks after I returned. When I first discovered Bishop Briggs last year, I was excited to know that she hadn’t released a full length album yet. It felt like I could still be part of the anticipation for that. Plus, I knew after the music high of 2017, it was something I could look forward to this year. 

Three tracks from the debut album were also part of her self-titled EP, which was released in full in April 2017. Two other tracks “Dream” and “White Flag” were released in the build up to the album release date. Fans (me included) were already familiar with half of the album upon its release because of that. The other tracks follow suit to her dark, soulful, indie/alternative pop/rock style and provide you with more of what you already love from Bishop Briggs.

Out of the completely new songs, I really enjoy “Tempt My Trouble”. It’s a jam for sure. The other previously unreleased tracks are a little slower and a lot more soulful, but they’re still everything you’d hope for from her full length debut. 

Although Bishop Briggs played a number of festivals I worked at last year and I even saw part of her set at one of them without really knowing her music, I feel like I’ve never really seen her perform because I wasn’t paying attention to her before last fall. I’ll be working Electric Forest for the last 2 1/2 weeks of June and she’ll be performing both weekends. It’s safe to say that if there’s one performance I’d like to see at Forest, it’s hers. 

I highly recommend picking up her debut or at least listening to it. She’s an artist you don’t want to miss out on because her music is fantastic and she can kill it on vocals. If you’re a fan, I’m sure you already have or you’ve at least listened to it on Spotify. You still have time to hop on her fan train though because Bishop Briggs’ music career is just getting started.

Crooked Shadows: Album Review

Way back when I started this blog, I wrote about my love for Dashboard Confessional. They changed my life in high school and got me into good music (click here for a more detailed description). They were my favorite band back then. For the past 9 years though, they’ve been M.I.A. as far as new music goes. Honestly, if you were to tell me a year ago that I’d buy a new Dashboard album, I wouldn’t have believed you because the style of music Dashboard plays doesn’t match my current interests. Plus their music reminds me of a specific time in my life that I’ve grown past. I still appreciate them for that time though. I’ve just moved on.

A little over a year and a half ago, I worked a Dashboard Confessional show. They were on the Taste of Chaos Tour with Taking Back Sunday, Saosin (with Anthony Green), and The Early November. It was an honor to work and one of my greatest full circle moments to date. I had the opportunity to stay for the show after I finished work and I, of course, took advantage it. I left early to watch the Stanley Cup Final (my team, the Penguins, were on the verge of winning the Cup) but stayed for about 5-6 Dashboard songs. However, I doubt I would have attended if I wasn’t working. That’s the best example I can give you of my recent feelings towards Dashboard Confessional. Three months ago that changed slightly.

Dashboard Confessional released their first single from their new album Crooked Shadows in November (the album was released on Friday). I saw it as a new music release on Spotify and decided to listen because I was curious. The single, “We Fight”, was pretty good. It was better than I expected. I wouldn’t say I was hooked, but I was happy their new song was something I would listen to. I felt the exact same way upon hearing Brand New’s “I Am a Nightmare” in June 2016 and The Movielife’s “Mercy is Asleep at the Wheel” over the summer. At that time, I also saw that Dashboard announced a new show date in my hometown in late January. I thought to myself that I’d definitely go to the show as long as I had nothing else going on. I even tried to see if a few friends were interested, but I delayed getting tickets in case something came up.

I ended up being able to go and took my mom to the show. She was always a fan of Dashboard when I listened to them in high school so I thought she’d appreciate seeing them at least once. The show was fantastic. I loved it, especially lead vocalist/guitarist Chris Carrabba’s stage presence. It definitely evolved over the years. It was fun to stay for the whole thing this time around and sing all my favorite songs again with a few new ones in between. Speaking of new songs, a week before the show they released another single, “Heart Beat Here.” This time upon listening, I was hooked. The song was a perfect blend of something I would listen to now mixed with that classic Dashboard Confessional sound (essentially Chris Carrabba’s voice). At that point, I thought to myself, “I might actually have to get this new album.” On Friday, I did.

Crooked Shadows, Dashboard Confessional’s seventh full length album, was released on Friday. The album is relatively short compared to the others. It’s only 9 songs long. Within those 9 songs though is the complete re-birth of a 2000’s emo band to a 2018 indie/alternative rock band. This album is far from emo. It’s purely indie rock mixed with indie folk, electronic, and alternative rock. It’s such a great blend of my current interests with classic Dashboard that I fell in love with it in a matter of hours. If you want anything reminiscent of old Dashboard, I’d recommend listening to the songs “Open My Eyes” featuring violinist Lindsey Stirling or “Just What to Say” featuring Chrissy Costanza. “Heart Beat Here” has an old Dashboard feel as well. At the Dashboard show I attended two weeks ago, Chris said the song is a continuation of “Hands Down.” I don’t know if I’d agree as far as the sound goes, but it’s definitely a great song. That track along with the other first five are absolute jams. My favorites are “About Us” and “Belong” (with Cash Cash) which I had on repeat Friday afternoon. “We Fight” is included in that bunch as well. I currently have the album in my car and I’m sure I’ll be listening to it on repeat for the next week or more.

This is the second time in less than a year that I’ve fallen in love all over again with one of my favorites (the first was Foster the People over the summer). Although I think this time, I’ve just fallen in love with new Dashboard so it’s kind of like falling love all over again. I would recommend their new album to anyone at this point, but especially to those whose music interests have grown and changed, much like mine have. Dashboard Confessional is back in the best way possible.

Legendary Venues: Red Rocks Amphitheatre

It’s been over 75 years since Red Rocks Amphitheatre opened in Morrison, Colorado. The venue first opened on June 15, 1941, but had been hosting open-air music performances since the early 1900’s when John Brisben Walker envisioned the geological phenomenon as a place for live music.

Red Rocks Amphitheatre is much different than any other music venue in the world because it’s the only naturally-occurring, acoustically perfect outdoor theater ever. What creates this natural perfection are two 300 foot rock structures known as Ship Rock to the south and Creation Rock to the north. The amphitheater sits between these monoliths that date back 160 million years and contain dinosaur fossil fragments from the Jurassic period. Both are bigger than Niagra Falls. There’s also a rock structure behind the stage (east) known as Stage Rock. Besides the incredible rock formation, the amphitheater overlooks downtown Denver, which creates one of the most beautiful, picturesque views offered at a music venue.

The city of Denver purchased Red Rocks from Walker in 1928 and hired Denver architect, Burnham Hoyt to design the area into a music venue while including the preservation of the land’s natural elements as part of the transformation. The construction took 12 years but was well worth the finished product that has since attracted musical acts from all over the world.

The Beatles concert on August 26, 1964 is considered to be one of the first notable rock concert performances in Red Rocks history. Another notable performance was the Jethro Tull concert in 1971 which resulted in a 5 year ban of rock concerts at the venue. Fans without tickets to the event attempted to barge through police lines and throw rocks at officers resulting in the deployment of tear gas to control the riot, which eventually carried into the venue affecting all in attendance.

The unique venue attracts bands across music genres from rock to pop to electronic to jam bands. Many bands have recorded performances at the famous venue as well. It has also been used in film and television. Then, in 2015, it became a national landmark.

I’ve never had the pleasure of going to Red Rocks. I’ve actually never even been in Colorado. After I began traveling around the country for work though, I learned about Red Rocks and it’s been high on my list of venues to see/work at ever since. I’d be beyond honored to work an event in such a place and I’d even be more awestruck by seeing a concert there. I’m not even sure if I can imagine what it’s like to be there. It sounds like such a spectacular venue. I think it’s one of those places you have to experience to understand how special it is even if pictures and descriptions already convince you. It’s one of those places where a picture really doesn’t do it justice. If Red Rocks isn’t the definition of legendary venue, I don’t know what is. It’s legacy has spanned the test of time and it continues to be a favored venue of many bands and artists. It’s definitely a place that concert and music lovers need to experience at least once or even countless times.

American Dream: Album Review

Summer 2017 has almost reached its conclusion. There’s only a few weeks left, but after Labor Day, pumpkin spice lattes are all the rage, temps start decreasing, and sweaters and flannels cover the upper torsos of most. Summer isn’t officially over until September 22nd, but still we’re less than a month away.

That being said this summer was epic for both me and the rest of the music world. I worked all over the country, had amazing experiences, made new friends, and strengthened relationships with old friends. It was incredible. It was also incredible because a plethora of new albums were released this summer by so many of my favorite bands and artists. Before the end of summer though, there’s one more highly anticipated album that was just released. The album was a long time coming for NYC alternative dance band, LCD Soundsystem. So after 7 long years, an apparent break-up, a final show at Madison Square Garden and a film to tell its tale, a Christmas song, and a comeback no one ever thought was happening, American Dream is here.

American Dream is the 4th full length album from James Murphy and his posse. This album is more melodious than their previous works, yet it combines the great electronic/techno indie dance style that LCD Soundsystem is known for. If you’re looking for that classic LCD sound, look to the songs “tonite”, “call the police”, “emotional haircut”, and “other voices”. Songs like “change yr mind” and “how do you sleep?” combine a dance style with more melody, as they both start slow and build to a pace where you’re able to get into the groove.

LCD Soundsystem records have been known to include a slower song or something with more melody on more than one occasion. “New York I Love, But You’re Bringing Me Down” or “All I Want” are perfect examples of this. Each are on separate albums though. The latest from LCD Soundsystem incorporates 4 of these kind of tracks with “oh baby”, “i used to”, “american dream”, and “black screen”. “i used to” and “black screen” remind me of songs I’d hear from bands like Brand New or Circa Survive. They have an alternative rock/post-hardcore feel where all that’s missing is Murphy adding some screaming to his vocals. “oh baby” and “american dream” are filled with love, longing, and nostalgia lyrics reminiscent to the waltz style track “New York I Love You…”.

Normally I hate when bands change their sound, but in this case LCD Soundsystem hasn’t really changed much. They’re still playing the same style of music that made them famous in the mid to late 00’s. They’re just progressing. They got older even though they were never that young to begin with. They’re the same, but new. Anyway, to me, this record is one that no one ever thought they’d hear and LCD Soundsystem is back with a vengeance.

I urge you to check out this album. I first started listening to LCD Soundsystem in 2012 (yes after they broke up!) but fell in love with them all over again last summer after preparing for and seeing them live at Lollapalooza. They’re different than most bands I’m into and most bands you might listen to, but they combine an EDM style of music with an indie style. You just can’t help but want to dance yrself clean when you listen to them.

Almost every show on their upcoming tour is already sold out and they haven’t even begun to play shows yet. There’s no question that the rest of the shows will sell out in due time. So if you plan on seeing the revival of LCD Soundsystem on their touring circuit this time around, you either have to grab a ticket to one of the few remaining shows quickly, buy an overpriced resale ticket, or you’re S.O.L. Fortunately I have tickets to their upcoming tour and plenty of time to indulge in this new masterpiece of an album. Their American shows begin in mid-October so for those looking to see a live performance you have plenty of time as well as long as you start today. Check out American Dream as soon as you can!

Ultralife: Album Review

Another week. Another new album. This time it’s alt-pop duo Oh Wonder. Yesterday they released the follow-up to their debut self-titled album entitled Ultralife. Unlike the year long, monthly song release project that culminated in their first album, the band released a few singles from their sophomore record over the past few months.

After getting into Oh Wonder over the past year and even more-so after Coachella, I was highly anticipating this new album. “Ultralife”, the first single from the album with the same name, which debuted in March, was a fun and instant hit in my book. The new album offers much of what their first album did, which is catchy, melodic alternative pop jams. The album fluctuates from soft, slower tunes like “My Friends”, “Bigger Than Love”, and “All About You” to songs that will make you want to get up and dance like “Ultralife” and “High on Humans”. If I had to name any difference in sound between the first two albums, it’s that I think the first album had more of an R&B feel versus the electronic/digital type of sound heard more prominently in the second album. Even so, I think my opinion might be a bit of a stretch.

I have a feeling that once I purchase this album and listen to it on repeat in my car, I’ll have a few undeniable favorites. “Overgrown” is already taking a commanding lead in that category. I give this album another high purchasing recommendation, especially if you already know and like Oh Wonder. You’ll easily be hooked on Ultralife after listening a few times. In addition to the release of their new album, Oh Wonder will be embarking on a world tour in support of the album. They’ll be in North America beginning in September so it might be worth it to catch them live too. I know I’ll be headed to a show after missing them at Coachella. In the mean time though, pick up a copy of the new album and “live ultralife.”