Coachella Band Preview: YUNGBLUD

I can’t believe it’s already the last week of March. I leave next Friday for the Coachella Valley, but I’ve been spending this last month since I got home from Mexico listening to as much of my 2023 Coachella playlist as possible. I hope you’ve been doing the same and that all your plans for the desert, aside from knowing the set times, are solidified. This week I’m previewing someone who, like several other artists, was supposed to play in 2020, alternative rock artist YUNGBLUD.

YUNGBLUD, better known as Dominic Richard Harrison, who hails from Doncaster, South Yorkshire, England, first started releasing music in 2017. Before that he was an actor who appeared on two British TV series, Emmerdale and The Lodge. In early 2018, he released a self-titled EP that contained all of his early singles. His debut album 21st Century Liability came later that year. He also began touring that year as support for K. Flay and played several dates on the final installment of the Vans Warped Tour, before going on a headlining tour in support of his first album. The Underrated Youth EP was released in 2019 and included one of his biggest songs to date, “parents.” He has also collaborated with several artists including Machine Gun Kelly, blackbear, Travis Barker, Dan Reynolds of Imagine Dragons, and Marshmello. He released his second album Weird! in 2020 after some delays and his third self-titled album was released this past September.

YUNGBLUD’s style of music is modern alternative rock and pop punk. He’s exactly the kind of artist who would be playing Warped Tour if it still existed. I think he is a mainstream version of alternative rock. However, he is also one of the few bigger rock artists playing Coachella this year. I always think it’s crazy how Coachella went from being one of the premier alternative/indie rock festivals to barely having many of those acts at all. Yet, here we are. YUNGBLUD plays Friday. I would imagine he has a late day-early evening set on either the main stage or Outdoor Theatre. With all of his collaborations, I would bet he brings out some special guests too. It’s TBD on if I’ll catch his set or not. I saw a brief bit (one song) of his set at ACL last fall, but not enough that I can say I actually saw him perform. It would be nice to be able to watch more of his performance at Coachella this year for that reason. These are the YUNGBLUD songs you should know if you plan on trying to catch him as well:

1. parents
2. 11 Minutes (w/ Halsey ft. Travis Barker)
3. acting like that (ft. Machine Gun Kelly)
4. Tissues
5. mars
6. Anarchist
7. I Love You, Will You Marry Me
8. cotton candy
9. original me (ft. dan reynolds of imagine dragons)
10. hope for the underrated youth

Coachella Band Preview: Gorillaz

The first weekend of Coachella 2023 is officially 5 weeks away. I’ve been doing my part and listening to my personal Coachella playlist as much as possible lately, but I know it’s probably still not enough. I feel like there are so many bands playing this year that I’m trying to get into compared to years past. One of those bands is a group I’ve known of since high school! I never sought interest in them much growing up, but since they’re one of the big alternative rock acts playing this year (and I love alternative/indie rock), I figured it was time I gave them a chance. Needless to say, Gorillaz are growing on me!

Gorillaz are an English virtual alternative rock band created in 1998 by Blur frontman Damon Albarn and artist Jamie Hewlett. The fictional members consist of 2-D (vocals, keyboard, voiced by Albarn), Murdoc Niccals (bass), Noodle (guitar, keyboard, vocals), and Russel Hobbs (drums). Gorillaz first album (self-titled) was released in 2001. It has since gone triple platinum in the UK, 2x platinum in Europe and New Zealand, and platinum in many other countries including the U.S. The follow-up to their debut album Demon Days was released in 2005 and included one of their most successful singles to date, the Grammy winning track, “Feel Good Inc.” featuring hip-hop group De La Soul. Since then Albarn and his virtual group have released 5 full length albums, Plastic Beach (2010), The Fall (2010), Humanz (2017), The Now Now (2018), and Song Machine, Season One: Strange Timez (2020). Two weeks ago they released their seventh studio album Cracker Island. They recently wrapped up a world tour and now plan on bringing Cracker Island to the desert come mid-April.

Over the last 25 years, Gorillaz have collaborated with a multitude of artists and bands which is why despite the fact that they are primarily an alternative rock group, their music spans different genres. Their songs include art pop, electronic, and hip hop elements amongst others. Some of the acts they’ve worked with include Snoop Dogg, Lou Reed, Stevie Nicks, Vince Staples, Kali Uchis, Robert Smith, Elton John, Beck, Bad Bunny, Tame Impala, and St. Vincent.

Coachella 2023 will mark the band’s second performance at the festival. Their first was 13 years ago in 2010 when they headlined the festival on Sunday night. In a brief teaser of what was to come for 2023, Damon Albarn appeared with Billie Eilish during her Weekend 1 headlining set last year for a performance of “Feel Good Inc.” What’s interesting about Gorillaz is that they’re primarily a virtual band and performances are a mix of virtual and real life with Albarn at the helm. So we’ll never know what this year’s Coachella performance will bring. There will undoubtedly be guest appearances though. I hope we see the likes of Tame Impala and Stevie Nicks who are featured on Cracker Island. Their Tame Impala collab song “New Gold” was a favorite of mine this past fall. My biggest hope spans beyond Gorillaz however. I hope Blur guitarist Graham Coxon makes another appearance with the group prompting a “Song 2” cover. It happened once in 2018 so I’m holding on to the very slim chance that it happens again. I expect to see Gorillaz on the main stage Friday night before Bad Bunny’s headlining performance, which means there’s a very high likelihood I’ll be able to catch their set. Here’s a few of their many songs I’ve been listening to in preparation:

1. Feel Good Inc.
2. Clint Eastwood
3. New Gold (ft. Tame Impala and Bootie Brown)
4. On Melancholy Hill
5. DARE
6. Rhinestone Eyes
7. Cracker Island (ft. Thundercat)
8. She’s My Collar (ft. Kali Uchis)
9. Dirty Harry (ft. Bootie Brown)
10. Oil (ft. Stevie Nicks)

Coachella Band Preview: Two Friends

I just finished up my 2023 Mexico run, and that means my entire focus shifts to Coachella. Although I’m usually thinking about Coachella year round, it really ramps up as soon as Mexico ends because it’s usually my next big event on the horizon and per usual I can’t wait! Now that it’s March, we also only have a few more weeks left to prepare for our annual descent into the Coachella Valley. This week I’m previewing a DJ duo who have been making music since the early 2010’s.

Two Friends formed when Matthew Halper and Eli Jones decided to create music together during their senior year of high school. The first few years of making music together was through long distance collaboration though as both attended their respective colleges. They have yet to release their debut album, but have released 4 EPs and a multitude of singles and remixes. Their music is a combination of house and dance pop, but given their backgrounds, it contains elements of many other genres like alternative rock and hip-hop.

They have toured over the last few years and played major music festivals like Electric Forest and Firefly amongst several other smaller festivals. I was first introduced to them in 2018. I don’t remember how or why, but I found one of their songs on one of my early 2018 playlists while researching for this blog. This is their first time at Coachella and it’ll certainly be a career highlight for the LA-based duo. They were first inspired to start focusing on making electronic music after attending Coachella and spending some time in the Sahara tent. You won’t want to miss their Friday Sahara (likely) set for this reason. Here’s the songs you should be listening to in anticipation of it:

1. Just A Kid (ft. Kevin Writer)
2. Take It Off
3. Looking At You (ft. Sam Vesso)
4. Life’s Too Short (ft. FITZ)
5. Emily (ft. James Delaney)
6. Out of Love (ft. Cosmos & Creature)
7. Hell
8. Pacific Coast Highway (ft. MAX)
9. Last Day (ft. Josie Dunne)
10. This Will Be My Year (ft. Point North)

Coachella 2023 Lineup Review

10 days into January and the Coachella lineup has dropped. After balloons in the sky showed up in LA and NY and Coachella billboards popped up in cities worldwide last week, we knew the drop was coming at any moment. Shortly after 3 PM EST/12 PM PST yesterday, the 2023 Coachella lineup dropped. At the moment of the release, I was about to start a team meeting and I dropped to my knee with joy exclaiming, “The Coachella lineup just dropped!” I can’t say I remember much from our meeting as I was distracted the entire time. I also can’t say I’m surprised or impressed with this year’s mix of artists.

I feel like every year since I’ve started this blog has been an ongoing trend of the lineup getting worse and worse. This year feels like it takes the trash cake for me. For the first time since I started being interested in Coachella, there’s no standout act for me. There’s no top artist. It’s just a handful of artists I barely listen to. I could go on about it generally or talk about it in depth so here it is, the Coachella 2023 Lineup:

The Headliners: Bad Bunny, BLACKPINK, Frank Ocean, Calvin Harris

The true headliners based on the poster are Bad Bunny, BLACKPINK, and Frank Ocean. I included Calvin Harris based on his solo poster spot because we all know he’s going to be a headliner. Frank Ocean was scheduled to play in 2020 and of course the covo ruined it all. In the months that followed the inevitable 2020 cancellation, news of Frank skipping 2022 and playing 2023 circulated. Frank Ocean last played Coachella in 2012 so his highly anticipated return is very overdue. Calvin Harris was also scheduled to play 2020 as the first name under Friday night headliner Rage Against the Machine. His last time playing the festival was 2016. Meanwhile both Bad Bunny and BLACKPINK played in 2019 as highly billed acts with BLACKPINK playing an 8:00 p.m. set at Sahara on Friday night and Bad Bunny playing the main stage at sunset Sunday. These headlining performances for both acts will mark Coachella firsts as BLACKPINK will be the first K-pop group to headline the festival and Bad Bunny will be the first Latin artist to headline.

Am I excited? Not really. If I see anyone, it’ll be Calvin Harris. I don’t know a single song by any of the other artists. I’m not into Latin music. I may or may not enjoy some K-pop because I had a friend obsessed with BTS a few years ago and Frank Ocean just hasn’t ever hit for me. However, I might give him a second chance because he doesn’t often perform. Generally though, I’m disappointed with this selection, but it seems to be what’s in right now and Coachella has always set the bar with that.

The Other Highly Billed Performers: Despacio, Gorillaz, Burna Boy, the Chemical Brothers, Kaytranada, Blondie, Becky G, Metro Boomin, FKJ, Pusha T, Tobe Nwigwe, Wet Leg, SG Lewis, Yves Tumor, the Garden, TESTPILOT, Angèle, MUNA, Maceo Plex, ROSALÍA, Eric Pyrdz presents HOLO, boygenius, $uicideboy$, the Kid LAROI, Charli XCX, Labrinth, Underworld, Diljit Dosanjh, Eladio Carrión, SOFI TUKKER, Remi Wolf, Chromeo, Tale Of Us, Yung Lean, Mura Masa, Yaeji, 070 Shake, Björk, Kali Uchis, Porter Robinson, Fisher + Chris Lake, A Boogie, Dominic Fike, Jai Paul, Jackson Wang, Latto, the Blaze, Willow, GloRilla, Jai Wolf, Boris Brejcha, 2manydjs, Christine and the Queens, Rae Sremmurd

This mix of big names is where you’ll find all the legacy acts with names like the Chemical Brothers, who last played in 1999, the first year of the festival, Blondie, and Björk, who was the first female artist to headline Coachella. There’s a few names in this list that I listen to occasionally who I plan to check out at the festival. I can’t help but be excited about this small group of legendary artists, but I can’t hype myself too much because Blondie and the Chemical Brothers both play Friday night and I work until 8 p.m. From this list, I’m most excited that LCD Soundsystem frontman, James Murphy, will be playing with his side project Despacio all weekend according to the poster. Another notable from this mix for me is indie rock supergroup, boygenius, composed of Phoebe Bridgers, Julien Baker, and Lucy Dacus. They don’t often perform together so this should be a special one in Indio. Alternative rock band Gorillaz, who last played the festival when they headlined in 2010, will be fun to check out as well. I’ll also probably want to check out Wet Leg, MUNA, Chromeo, Remi Wolf, Porter Robinson, and Jai Wolf if I get the chance too. I’m sure I’ll discover other indie/alternative rock or electronic artists to listen to in this mix but for now, these are the names that stick out.

The Undercards: Two Friends, YUNGBLUD, Jamie Jones, Ashnikko, Malaa, TV Girl, Whyte Fang, Doechii, BENEE, Idris Elba, Magdalena Bay, Vintage Culture, Domi & JD Beck, Dombresky, DannyLux, Nora En Pure, Overmono, Uncle Waffles, ¿Téo?, Mochakk, Gabriels, Saba, Dennis Cruz + PAWSA, Soul Glo, Lava La Rue, Sleaford Mods, the Comet is Coming, Oliver Koletzki, Kyle Watson, the Murder Capital, Chris Stussy, Jupiter & Okwess, Lewis OfMan, Juliet Mendoza, Desert Cahuilla Bird Singers, Marc Rebillet, Hiatus Kaiyote, Dinner Party, Los Fabulosos Cadillacs, Elderbrook, Kenny Beats, Flo Milli, Keinemusik, Snail Mail, Rebelution, Hot Since 82, EARTHGANG, UMI, Shenseea, the Breeders, Monolink, Ethel Cain, Bakar, Donavan’s Yard, the Linda Lindas, Sunset Rollercoaster, NIA ARCHIVES, Jan Blomqvist, DRAMA, WhoMadeWho, Destroy Boys, Elyanna, DJ Tennis, Carlita, AG Club, Mathame, BRATTY, Horsegirl, Colyn, Chloé Caillet, Scowl, Francis Mercier, Weyes Blood, Alex G, DPR LIVE + DPR IAN, Stick Figure, Adam Beyer, Big Wild, MK, Cannons, Romy, Gordo, Fousheé, Noname, Sasha & John Digweed, Sudan Archives, Knocked Loose, Camelphat, IDK, Sasha Alex Sloan, Mareux, 1999.ODDS, Pi’erre Bourne, Cassian, Joy Crookes, TSHA, El Michels Affair, Paris Texas, LP Giobbi, Momma, Ali Sethi, Minus the Light, Los Bitchos, Conexión Divina, Airrica

The undercards this year have a handful of names I’d like to see, such as YUNGBLUD, who was scheduled to play in 2020. I missed him at ACL this past fall and I like a few of his songs so I would love to check out his Coachella set. I’ve listened to electronic artists, Two Friends, here and there as well and hope I can catch their performance. However, it’s another Friday set and everything Friday will be TBD for me until the set times get released. I think out of all the artists playing this year I actually listen to Elderbrook the most. I’ll likely want to check out Alex G too. I started getting in to him in anticipation of his 2020 appearance, but that was short lived. Big Wild, MK, and Sasha Alex Sloan are a few other artists I’d like to catch as well.

Coachella has always been ahead of the game when it comes to new music and pushing a multitude of genres. Unfortunately for me, the kind of music I listen to isn’t what’s hot these days. Like I’ve mentioned in years past, Coachella has become a place of music discovery for me. I wish I could hear a ton of bands I already love and listen to, but this does help me stay fresh. I usually have a few acts that I love. This year though Paul missed the mark for me. I’m still incredibly excited. Even when the lineup isn’t great, it’s still great. It’s Coachella. It can’t be bad. The vibes are always immaculate. There will be surprises, guest appearances, and celebs for days. I think the fashion faded away from flower crowns, but we’ll certainly see the finest in festival fashion come April. I can’t wait to be out there. Until then, look forward to weekly blog posts previewing all these bands I just mentioned. Happy Coachella season everyone! Let’s get back to the desert!

The Car: Album Review

It’s been a big fall for new album releases and a comeback of sorts for several artists, including the Arctic Monkeys, who released their seventh studio album, The Car on October 21st. The last Monkeys release came in 2018 with Tranquility Base Hotel & Casino. Throughout the last 9 years, since the release of their most successful album to date, AM, their sound faded from alternative/indie rock to lounge music.

Alex Turner’s voice has always been that of a crooner, but earlier Arctic Monkeys music feels like a full band experience from Turner’s vocals to Matt Helders’ drum beats to Nick O’Malley’s bass lines and especially to the unique and edgy riffs from Jamie Cook and Turner, himself. The Arctic Monkeys had such an established alternative/indie rock sound that has depleted over the last several years. According to Turner, it isn’t changing either. That being said for someone like me who found a great enjoyment in the Arctic Monkeys’ earlier records, this album is tough to get into.

I think you have to be in a certain type of chill space to take in so many of these lounge pop tracks that sound straight out of a 1960’s speakeasy. The music has such a dark, dreamy, and nostalgic feel, which isn’t something that hits for me. If there was any stand out song on this record I really like, it’s “Body Paint,” from the lyrical references of deception to the faint remnants of old Arctic Monkeys songs.

The Arctic Monkeys are currently playing some international fall dates and festivals in support of The Car with worldwide dates planned for 2023. Thankfully with seven studio albums, their set lists span across the last 20 years of their existence so we’ll likely be hearing all the hits, both new and old. And yes I do plan on seeing them play a full set this time around, compared to my brief Arctic Monkeys experience while working their show at Forest Hills in 2018. As for this new record, unfortunately, this is an album you might want to skip unless you’re a big Monkeys fan or prefer the style of music they’ve grown into.

The Dream: Album Review

When I was in the midst of previewing Coachella and almost ready to head out for the second leg of my Mexico adventure in February, alt-J dropped their fourth full length album The Dream. The band also recently embarked on a North American tour with Portugal. The Man in support of their latest with more dates planned for this year worldwide. The Dream is their first album in five years since 2017’s Relaxer. Overall, alt-j’s latest album maintains their unique indie rock style of sound that is prevalent throughout their first three records with a slightly more Americanized rock sound.

The album much like it’s title is very dreamy. It’s very chill and sometimes somber indie rock with minimal bops. It’s the perfect soundtrack for a long scenic drive in my opinion. “Hard Drive Gold” is the “Left Hand Free”, “Breezeblocks”, or “In Cold Blood” of The Dream. I feel like each alt-j album so far has one of those and “Hard Drive Gold”, the song about crypto, is that hit of their latest release. “U&Me”, “Get Better”, & “Happier When You’re Gone” are solid tracks reminiscent of that classic alt-J sound as well. The main difference from this album compared to their first three is that alt-j’s sound has steered from the Middle Eastern sounds found in their earlier music. It’s more rock heavy yet the vocals are still smooth and distinguishable as alt-J tracks.

I don’t think this is alt-J’s best work, but the album does have a good handful of quality tracks that will stick around on set lists in the future. I feel like any time a band slightly strays from their original sound this tends to happen. It’s worth listening to as an alt-J fan though and is probably worth adding to your music collection too. I added it to mine on vinyl yesterday and I’m stoked to listen to it on this rainy spring weekend. If you haven’t already, check it out on a chill day or when you need a good soundtrack for a long drive. It’s quality new alt-J ∆.

Raise Up to Your Ability

It’s rare that I write a specific post dedicated to a personal music experience outside of Coachella especially with the amount of music I see, but I recently had a worthy one. About two weeks ago I traveled to LA to see my favorite band, Foster the People. They played a 3 night run at the Wiltern. Aside from a gig in Mexico a few days prior, it was their first live performances since 2018 (understandably so given the live music shutdown for over a year). This stint wasn’t just regular shows though. It was a 10 year celebration of the release of their first album, Torches. The band played the entire album in order during their sets each night.

A year ago, when I stayed home most of the time and spent my days working out, looking forward to meals and the occasional visits with friends, and missing live music, I started thinking about the fact that Torches would be turning 10 in 2021. I thought to myself then that Foster the People would be the only band I would compromise my feelings about drive-in shows for (I thought they were dumb), if they played a 10 year Torches anniversary show in May (Torches came out in May 2011). I didn’t know what the status of regular shows would be at the time and I wasn’t trying to jump the gun either. Then in August, after almost 2 months of a close to normal return of live music, Foster the People announced their 3 night run of Torches anniversary shows in LA. I had no choice but to maintain that promise I made to myself last fall and go.

So on a chilly LA evening in late November, I ubered to the Wiltern from my hotel in Venice. I met friends in a line that wrapped around the block upon arrival. That was followed by another wait in an extensive merchandise line so I could buy the special poster for the anniversary shows. Thank god for drinks and my pals. We secured a spot relatively close to the stage, house right after I secured the commemorative poster.

Foster the People came on around 9 PM. I attended the Friday night show and for the first time in a very long time, I had not looked at the set lists from the previous two nights. Other than a spoiler of “Lamb’s Wool” I saw as I scrolled through Twitter two days before, I knew nothing about their sets. They opened with “Style”, a song released in 2019 on the Pick U UP EP and proceeded to play a mix of old songs and new songs, including one of their earliest songs “Chin Music For the Unsuspecting Hero”, before that all too familiar drum and synth intro of “Helena Beat” began.

By this point, I had not stopped dancing or singing along to every song. Thankfully one of my friends went on a bathroom run and grabbed us some waters. After “Helena Beat”, I knew what was coming, Foster the People’s most famous song “Pumped Up Kicks.” The cheers were loud when that bass line started. It’s the song that everyone knows, but given all the controversy, I tried to take it in as much as possible because I wasn’t sure if it would be the last time I hear it live. It felt amazing knowing I had one last time hearing the hit song live though in case they don’t play it anymore.

“Call It What You Want” and “Don’t Stop (Color on the Walls)” were next. I didn’t chug my water until after “Houdini”, which featured an appearance of blow up Torches album art creatures that flailed along as we rose up to our ability. When Mark and the boys (without Mark Pontius for the first time since his departure from the group in mid-October) finished “Warrant,” the applause and cheers lasted for at least a minute. I couldn’t even believe I had just heard one of my all time favorite albums played live front to back. It was a special feeling. I was sweaty and so ready for more.

The band played five more songs after that. It was another mix of new and old with live debuts of “Cadillac” and “Walk With a Big Stick” amongst “Ruby”, the cult favorite “Broken Jaw”, and Sacred Hearts Club hit “Sit Next to Me”, which featured the Sacred Hearts Club tour neon light dropping into the background. After a brief departure from the stage, Foster the People returned to encore with 3 more songs, “Under the Moon”, “Lotus Eater” sans cover of “Blitzkrieg Bop” by the Ramones that they played during their last tour, and finally ended the night with Supermodel jam “Pseudologia Fantastica.”

When the house lights returned, it was 11 PM. Foster the People played a 2 hour long set, longer than any other night during their brief run at the Wiltern. It was the second time I heard them play that long. The other was the last time I had seen them, September 18th, 2017 at the Fillmore in Philly. That was the best concert I’ve ever been to. They played countless hits from every album released until that point. I was up against the bar watching every movement and action on stage. I even caught the set list. This was just as special in a different way.

It was an incredible night that reminded me about the importance of live music. Last year I spent so much time wondering when I would get to go to another show. I felt frustrated in losing so much of what I loved. My only consolation was to tell myself that we would be back soon enough. Although I didn’t know it at the time, this concert was one of the reasons I got through last year. It was my favorite band, playing my favorite album in one of my favorite places (California) and I felt beyond grateful to experience it.

Damned if I Write This, Damned if I Don’t

I’m sorry to say, but it’s been another long amount of time I’ve gone without writing a blog post. It was a busy a fall with not much time at home and not much time to focus on the blog, which is a huge shame on me. As a quick update, up until last week, I only had 6 full days at home over the last 6 weeks. I spent mid-late September and much of October working 3 different music festivals (Firefly, Austin City Limits, and EDC Las Vegas). Then, I spent Halloween weekend with my family out-of-state. At this point though, I’ve finally been back for a week straight and thought it was time to make a post.

During Lolla week back in late July, I finally made it to my first Lolla after show. I saw pop punk band All Time Low at the Bottom Lounge (shoutout to my friend Emily for making it possible). Since then, I got back in touch with All Time Low, a band whose handful of songs I listened to at the end of high school/beginning of college. I can’t say I really went all in to All Time Low in the past few months, but I definitely started listening to a few more of their songs than “Dear Maria Count Me In” and “Coffee Shop Soundtrack.”

All Time Low, from Towson, Maryland (Baltimore suburb), formed in 2003 while still in high school. The group got their name from the lyrics of New Found Glory’s song “Head on Collision” (“And it feels like I’m at an all time low.”). Plenty of bands have gone through lineup changes over the years but All Time Low has remained consistent since their very early days with Alex Gaskarth on guitar and lead vocals, Jack Barakat on guitar, Zack Merrick on bass and backing vocals, and Rian Dawson on drums. In their very early days, Chris Cortilello and TJ Ihle were part of the group, but left before the band made a name for themselves.

The group released their first two EPs in 2004 before their debut album The Party Scene was released in 2005. The band signed with Hopeless Records in 2006 and released the EP Put Up or Shut Up that summer after graduating from high school. After joining the Vans Warped Tour in the summer of 2007, they released their second studio album So Wrong, It’s Right. This album peaked at 62 on the Billboard Top 200 and 6 on the Alternative Albums chart. Ultimately it lead to their rise in the alternative music scene. Their third album Nothing Personal debuted in July 2009. It reached number 4 on the Billboard Top 200 in it’s first week. By 2009 they became a headlining act at Warped Tour and had also been headlining their own national and international tours.

Since 2009, the band has been continually touring and releasing albums every few years. The most notable of those was Future Hearts in 2014 which debuted at number 2 on the Billboard Top 200, their highest charting album thus far. The most recent album they released was Wake Up, Sunshine in 2020. Other albums released include Dirty Work (2011), Don’t Panic (2013), and Last Young Renegade (2017).

All Time Low’s music style is classified as pop punk, pop rock, emo pop, and alternative, which is pretty spot on. They’ve stayed true to their genre throughout their time in existence, but I always think of them and their music style as something else, “scene” music. In the late 2000’s the “scene” subculture became a thing for alternative music fans. It developed from emo music/emo subculture. Now over 10 years later, All Time Low is a staple at emo nights around the country, where emo and other alternative music from the scene days is played for hours as millennials re-embrace super tight skinny jeans and heavy eyeliner while belting out anthems from their youth. “Dear Maria Count Me In” is one of those hits, as well as other pop punk, emo, alternative songs from that early scene era.

Despite knowing All Time Low for years, and even seeing the 1975 with them at Coachella (I happened to stand next to them), I had never seen them perform live until July. If it wasn’t for my friend Hailey, I’m not sure I would have even pushed as hard to see them either, but I’m glad we did, even if we only saw the last 4 songs. Hailey reintroduced me All Time Low as well as the Maine around that time and I’ve gotten into a few more of their songs since then including “Monsters”, “Damned if I Do Ya, Damned if I Don’t”, “Clumsy”, and “Weightless”. I’ve also re-sparked my interest in songs by several other bands I used to listen to this year including Fall Out Boy, Green Day, and Motion City Soundtrack. It’s definitely been a year of second-comings for alternative music for me.

Speaking of this year, we’re only weeks away from 2022 and for the first time in 2 years, there’s going to be a Coachella lineup drop, which means band previews and polo field hype will be back soon enough! Until then, I challenge you to get into a new old song by a band you listened to years ago. You just might be surprised how it could hit different especially if you’re over getting old.

CHAMPION: Album Review

A few weeks ago Bishop Briggs released her sophomore album CHAMPION. Her debut came out about a year and a half ago and in that time Briggs has been touring while simultaneously working on new music. Bishop Briggs released the bonus track “Hold On” in 2018 as well as the single “Baby”. Neither made the cut for the new album. In the weeks leading up to the release, Briggs released several new songs featured on the album. One of those singles was the title track “CHAMPION” which has since reached the number 22 position on the Billboard Alternative Songs chart.

CHAMPION picks up right where Church of Scars left off. It’s filled with more soulful alternative/indie rock jams. It’s a great follow up, especially with sure hits like CHAMPION, the break up anthem “TATTOOED ON MY HEART”, and “CAN YOU HEAR ME NOW?”. If anything I think this album differs only slightly stylistically due to the less predominant bass in the tracks. Even with that slight difference, the bass is still there, just a bit less than in Bishop Briggs’ debut.

This album is definitely worthy of a listen for alternative/indie music fans, especially those who love Bishop Briggs and her powerhouse vocals. Bishop Briggs has yet to announce any 2020 tour dates but is currently finishing up this year touring in Europe. I suspect she’ll be going strong into the new year with more shows and festivals after this new release late in 2019. Keep an eye out for her and her tunes in the new year because she’s bound to be on the 2020 concert/festival radar.

When You Say “Best Friends” Means Friends Forever

It started with a girl. Last weekend I went to a punk show in Philadelphia. Rancid, Pennywise, and Suicidal Tendencies are all on tour together with a few other bands and they played a well known Philly venue that we all still refer to as the Electric Factory. I was supposed to attend with my friend Ashley and her friend Kelsey, but when Ashley took an offer to sell merch for Rancid, that left me and Kelsey to attend together. I just met Kelsey earlier this month so going to Rancid together really gave us the chance to hang out and get to know each other. We started talking about music and eventually got into talking about Brand New and Taking Back Sunday. They were two of my favorite bands in high school and Kelsey’s all time favorite bands. Since my Rancid hang with Kelsey, I’ve listened to both bands a couple times and for nostalgia’s sake, started reminiscing about how wild it is for someone to love both bands so much given their history.

Again it started with a girl. Jesse Lacey of Brand New and John Nolan of Taking Back Sunday were childhood best friends. They both were part of the famed Long Island music scene in the early 2000’s. As rumor has it, at some point in their friendship there was a girl that got in the way. No one knows the exact story of what happened. From what I know, it was something along the lines of Jesse was with a girl that cheated on him with John. It incited a well-known emo music feud between both bands. Songs from both bands’ first albums pointed anger and hatred towards each other (Brand New’s “Seventy Times Seven” and Taking Back Sunday’s “There’s No “I” in Team”). There was even band merch that did the same (“Because mics are for singing not swinging”, a dig at TBS frontman Adam Lazzara’s mic swinging style and “Proudly Swinging Since 1999”). Yet, while listening to these bands in high school, I loved both of them. Sure, I favored Brand New over Taking Back Sunday, but I definitely loved both and listened to each during certain periods of high school. Most of my friends did too. In fact, I’m not sure I’ve ever met anyone who has chosen one and hated the other? Do those people even exist?

That’s what got me thinking about it this week. It’s crazy that we loved both of these bands. The songs they wrote that took aim at each other had some incredibly violent lyrics. “And you can think of me when you forget your seatbelt and again when your head goes through the windshield!” or “Best friends means I pulled the trigger. Best friends means you get what you deserve!” I mean come on! These are intense words. They’re actually threats! But when you’re in high school in the mid-2000’s, you don’t think of it that way. You just love the music and you relate to the lyrics.

I will say though “Seventy Times Seven” was the fuel for a lot of my own teen angst towards friendships. In fact, I think both of these bands taught me about friendships through their songs. I realized the importance of calling someone a best friend and what that meant. Of course, actions speak louder than words, but…words can be powerful. You don’t want to waste words on lower cases and capitals. You want them to mean something. So in high school, I started using the term “best friend” sparingly because in my mind “best friends” meant friends forever. I learned that from Brand New. It’s still something I hold with me to this day. I actually took those words for granted recently and I needed to remind myself to not do that again after it happened so again I looked towards “Seventy Times Seven”. This is why it’s still relevant 15 years later.

Sadly though, in recent years, a lot of people began to have mixed feelings about Brand New. In late 2017, Jesse Lacey was accused of sexual misconduct and a lot of fans were upset by the allegations. Mostly, I think people realized that Jesse Lacey wasn’t who they thought he was. Before that happened, Brand New released one final album, Science Fiction, before calling it quits last year. Taking Back Sunday however is still touring. They’re embarking on a 20 year anniversary tour this fall. John Nolan is still part of the band even though he took a brief break from the group in the mid-2000’s to form Straylight Run. On the tour they’re playing their first album Tell All Your Friends in full. It’s definitely going to bring up a lot of feelings for fans and maybe even for the band. Who knows maybe we’ll find out exactly what happened between Brand New and Taking Back Sunday? Maybe not though. I will say I think the feud might have been blown up out of proportion and there’s evidence of that as well (cue the video of Jesse and John playing with Say Anything). It was still enough that we never got a Brand New/Taking Back Sunday tour. Despite everything surrounding both bands, I’m glad they gave us the music that they did. It was the soundtrack to my youth. Even if I no longer feel like a failure by design or a wishful thinker with the worst intentions, their music is still relevant to me at times and I still love connecting with people over it.