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Church of Scars: Album Review

It’s been close to 2 months since I last posted, so let me update you on what’s been going on.

 I planned to post after I returned from Coachella, but honestly I had 2 1/2 weeks before I left to go to Las Vegas for EDC and I got busy. I worked. I traveled to NYC and Washington, D.C. Then, I prepped for one of the biggest music festivals in the country (EDC Las Vegas) and for being away for another week and a half.

EDC was a roller coaster. It’s a chaotic mess of a festival and nothing compared to the glory that is Coachella. Our ticketing team had great moments and terrible ones. I’ve never seen my best friend feel so stressed at times. On a personal level, I made things happen, had some amazing times, and a lot of laughs, but there were other moments that made me feel unwanted, unnecessary and useless. It truly was a roller coaster. After I returned, the aftermath of EDC spilled over and this blog got pushed to the back burner. 

I leave for another festival in 2 weeks, so again there’s gonna be more posting delays. I’m trying to catch up on what I missed posting since Coachella though, which are a lot of new album reviews. Sure the 2018 hype isn’t as high as it was last year for me when it comes to new music, but a lot that I like has been released in the past 2 months.

One of those is the debut album from Bishop Briggs, Church of Scars. Church of Scars was released on April 20th. I was still at Coachella. I didn’t even go out to buy it until 2 weeks after I returned. When I first discovered Bishop Briggs last year, I was excited to know that she hadn’t released a full length album yet. It felt like I could still be part of the anticipation for that. Plus, I knew after the music high of 2017, it was something I could look forward to this year. 

Three tracks from the debut album were also part of her self-titled EP, which was released in full in April 2017. Two other tracks “Dream” and “White Flag” were released in the build up to the album release date. Fans (me included) were already familiar with half of the album upon its release because of that. The other tracks follow suit to her dark, soulful, indie/alternative pop/rock style and provide you with more of what you already love from Bishop Briggs.

Out of the completely new songs, I really enjoy “Tempt My Trouble”. It’s a jam for sure. The other previously unreleased tracks are a little slower and a lot more soulful, but they’re still everything you’d hope for from her full length debut. 

Although Bishop Briggs played a number of festivals I worked at last year and I even saw part of her set at one of them without really knowing her music, I feel like I’ve never really seen her perform because I wasn’t paying attention to her before last fall. I’ll be working Electric Forest for the last 2 1/2 weeks of June and she’ll be performing both weekends. It’s safe to say that if there’s one performance I’d like to see at Forest, it’s hers. 

I highly recommend picking up her debut or at least listening to it. She’s an artist you don’t want to miss out on because her music is fantastic and she can kill it on vocals. If you’re a fan, I’m sure you already have or you’ve at least listened to it on Spotify. You still have time to hop on her fan train though because Bishop Briggs’ music career is just getting started.

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Crooked Shadows: Album Review

Way back when I started this blog, I wrote about my love for Dashboard Confessional. They changed my life in high school and got me into good music (click here for a more detailed description). They were my favorite band back then. For the past 9 years though, they’ve been M.I.A. as far as new music goes. Honestly, if you were to tell me a year ago that I’d buy a new Dashboard album, I wouldn’t have believed you because the style of music Dashboard plays doesn’t match my current interests. Plus their music reminds me of a specific time in my life that I’ve grown past. I still appreciate them for that time though. I’ve just moved on.

A little over a year and a half ago, I worked a Dashboard Confessional show. They were on the Taste of Chaos Tour with Taking Back Sunday, Saosin (with Anthony Green), and The Early November. It was an honor to work and one of my greatest full circle moments to date. I had the opportunity to stay for the show after I finished work and I, of course, took advantage it. I left early to watch the Stanley Cup Final (my team, the Penguins, were on the verge of winning the Cup) but stayed for about 5-6 Dashboard songs. However, I doubt I would have attended if I wasn’t working. That’s the best example I can give you of my recent feelings towards Dashboard Confessional. Three months ago that changed slightly.

Dashboard Confessional released their first single from their new album Crooked Shadows in November (the album was released on Friday). I saw it as a new music release on Spotify and decided to listen because I was curious. The single, “We Fight”, was pretty good. It was better than I expected. I wouldn’t say I was hooked, but I was happy their new song was something I would listen to. I felt the exact same way upon hearing Brand New’s “I Am a Nightmare” in June 2016 and The Movielife’s “Mercy is Asleep at the Wheel” over the summer. At that time, I also saw that Dashboard announced a new show date in my hometown in late January. I thought to myself that I’d definitely go to the show as long as I had nothing else going on. I even tried to see if a few friends were interested, but I delayed getting tickets in case something came up.

I ended up being able to go and took my mom to the show. She was always a fan of Dashboard when I listened to them in high school so I thought she’d appreciate seeing them at least once. The show was fantastic. I loved it, especially lead vocalist/guitarist Chris Carrabba’s stage presence. It definitely evolved over the years. It was fun to stay for the whole thing this time around and sing all my favorite songs again with a few new ones in between. Speaking of new songs, a week before the show they released another single, “Heart Beat Here.” This time upon listening, I was hooked. The song was a perfect blend of something I would listen to now mixed with that classic Dashboard Confessional sound (essentially Chris Carrabba’s voice). At that point, I thought to myself, “I might actually have to get this new album.” On Friday, I did.

Crooked Shadows, Dashboard Confessional’s seventh full length album, was released on Friday. The album is relatively short compared to the others. It’s only 9 songs long. Within those 9 songs though is the complete re-birth of a 2000’s emo band to a 2018 indie/alternative rock band. This album is far from emo. It’s purely indie rock mixed with indie folk, electronic, and alternative rock. It’s such a great blend of my current interests with classic Dashboard that I fell in love with it in a matter of hours. If you want anything reminiscent of old Dashboard, I’d recommend listening to the songs “Open My Eyes” featuring violinist Lindsey Stirling or “Just What to Say” featuring Chrissy Costanza. “Heart Beat Here” has an old Dashboard feel as well. At the Dashboard show I attended two weeks ago, Chris said the song is a continuation of “Hands Down.” I don’t know if I’d agree as far as the sound goes, but it’s definitely a great song. That track along with the other first five are absolute jams. My favorites are “About Us” and “Belong” (with Cash Cash) which I had on repeat Friday afternoon. “We Fight” is included in that bunch as well. I currently have the album in my car and I’m sure I’ll be listening to it on repeat for the next week or more.

This is the second time in less than a year that I’ve fallen in love all over again with one of my favorites (the first was Foster the People over the summer). Although I think this time, I’ve just fallen in love with new Dashboard so it’s kind of like falling love all over again. I would recommend their new album to anyone at this point, but especially to those whose music interests have grown and changed, much like mine have. Dashboard Confessional is back in the best way possible.

Coachella Band Preview: Portugal. The Man

It’s been over a week since Coachella released their 2018 lineup. Tickets went on sale last Friday and sold out in just over 3 1/2 hours. Preparations have officially begun. So if you’re headed to the desert this April, I hope you’ve been listening to one of Coachella’s Spotify playlists or curating your own. I’ve checked out Coachella’s (which are so good by the way!) and already found 1 or 2 new bands to listen to. They might even get previewed leading up to the festival.

First thing’s first though, it’s time to get into the first band preview of the year. I bought this group’s latest album while in NYC a few weeks ago. I decided to buy it at random too, only knowing two songs from the album. It was a great decision and understandably so as it’s already been nominated for a Grammy. Although this blog post is a few weeks overdue, let me tell you a little something about Portugal. The Man.

Portugal. The Man has been around for quite a while before their latest album, Woodstock, and hit single “Feel It Still” invaded music charts over the last year. Hailing from Wasilla, Alaska, they formed in 2004 as a side project band of lead singer John Gourley and bassist Zach Carothers. The band has gone through several lineup changes but Gourley and Carothers have been the true mainstays. Currently they’re joined by Kyle O’Quin on keyboards/synth, Jason Sechrist on drums, and Eric Howk on guitar. I would try to explain their band name, but it’s a bit complicated so I’ll let this 2009 interview description by John Gourley do it, “It’s hard to explain, but it made perfect sense at the time. Over the 5 years that we’ve had the band name it’s just kind of gotten lost, but the idea was that we wanted to back somebody up. I guess in choosing Portugal, it was just kind of a random choice. We really wanted a country to be the name of our person because a country is a group of people. The man just states that Portugal is a person. So really Portugal is the band’s name and the man is just stating that he is the man.” They released demos in the summer of 2004 and embarked on a U.S. tour that fall. They released their debut album Waiter: “You Vultures!” on January 24, 2006.

In June 2007, they released their sophomore album Church Mouth and toured for the following year both in the U.S. and Europe in support of it. In 2008, the band released yet another record, Censored Colors, their third full length album. 2009 brought the band festival spots at Bonnaroo and Lollapalooza as well as a fourth album, The Satanic Satanist, and  The Majestic Majesty, an acoustic album of The Satanic Satanist. The band released another new album, American Ghetto, in 2010 marking the band’s fifth album in five years. 2010 also marked Portugal. The Man’s first Coachella appearance. Following suit of the previous years, their sixth album came out in July of 2011 after the band signed with record label, Atlantic Records in April 2010 (they had previously been a part of Fearless Records as well as a partnership with Equal Vision Records). The album, In the Mountain in the Cloud, brought the band another two years of touring and two more stops at Bonnaroo and Lollapalooza.

In 2012, Portugal. The Man did not release a new album, but in 2013, they did. They released their seventh full length album, Evil Friends. The album featured backing vocals by Danielle and Este Haim of fellow Coachella 2018 act, Haim. They announced an eighth album in 2016, but said album “failed to complete” and was scrapped after 3 years of work. After the lead single “Feel It Still” was released in March, the band dropped, Woodstock on June 16, 2017. With the success of “Feel It Still”, which has topped music charts nationwide, Woodstock has become the band’s most successful album to date after 13 years and seven previous albums.

Portugal. The Man plays an alternative rock style of music with a somewhat psychedelic/jam band flavor as well. At times their music even sounds a bit experimental. Their sound has definitely progressed and changed throughout the years and through each album. Gourley’s vocals have been a defining factor in their sound though.

I found out about Portugal. The Man while working as a radio DJ during college on my school’s radio station. Our station specialized in alternative, rap, and metal, and I had a weekly alternative radio show in which I would play a mix of my own songs combined with the music on our system. One of the songs I used to play during my show was the Portugal. The Man song “People Say”. I remember when the alternative director and her boyfriend introduced me to the band one time while we were in the studio together.  There may have been one or two other Portugal. The Man songs available on our rotation but I routinely played and enjoyed “People Say”.

I partially kept up with Portugal. The Man after I graduated and ended my radio show. I was into and downloaded the songs “Purple, Yellow, Red, and Blue” and “Modern Jesus” after Evil Friends came out. However, I was never fully into Portugal. The Man. The first time I heard “Feel It Still” was this past summer in August (I know I was so late) on a fellow Coachella coworker’s Snapchat story. I was into it immediately upon first listen. I didn’t know whose song it was either and I thought it might be by the band Electric Guest. The song sounded similar to their song “This Head I Hold”. All I knew was I was hooked no matter what. I was surprised to find out it was Portugal. The Man because it just didn’t fit the sound I was used to from them. It was and still is an absolute banger though.

Like I’ve said in my last two blogs, as well as earlier in this one, I purchased Woodstock a few weeks ago just because of my interest in “Feel It Still” and “Live in the Moment” (another great track from that record). I don’t own any other Portugal. The Man records either, despite knowing about them and having a slight interest in their music for several years now. Within the first few days of owning the record, I had it spinning on repeat. It’s great. I even put it on my list of favorite albums from 2017 after owning it for only two weeks prior to writing that blog.

Portugal. The Man plays Sunday night this year at Coachella. My guess is they play the main stage prior to Eminem. This is Portugal. The Man’s third Coachella. They played in 2010, as I mentioned, and 2013. If I was attending this year, I’d definitely have them on my must see list. My only concern is that they have such a large discography that I’m not sure what they’d play or what I’d know. Hence listening prep is key here. I wouldn’t spend hours listening to all 8 albums they’ve released. I would just get a few of their older hits and focus on the last 2-3 albums. Their most recent stuff is what’s given them the spotlight anyway, making it the obvious choice for set list selection. At least at this point you have plenty of time regardless. 3 months is so far, yet so so close that you can taste that sunshine and those good vibes.

Edit: I’m sorry everyone! Totally messed this up and forgot to put song recommendations to listen to so here they are (better late than never!):

1. Feel It Still

2. Live in the Moment

3. Purple, Yellow, Red and Blue

4. People Say

5. Modern Jesus

6. So Young

7. Noise Pollution

8. Rich Friends

9. Easy Tiger

10. So American

Legendary Venues: Red Rocks Amphitheatre

It’s been over 75 years since Red Rocks Amphitheatre opened in Morrison, Colorado. The venue first opened on June 15, 1941, but had been hosting open-air music performances since the early 1900’s when John Brisben Walker envisioned the geological phenomenon as a place for live music.

Red Rocks Amphitheatre is much different than any other music venue in the world because it’s the only naturally-occurring, acoustically perfect outdoor theater ever. What creates this natural perfection are two 300 foot rock structures known as Ship Rock to the south and Creation Rock to the north. The amphitheater sits between these monoliths that date back 160 million years and contain dinosaur fossil fragments from the Jurassic period. Both are bigger than Niagra Falls. There’s also a rock structure behind the stage (east) known as Stage Rock. Besides the incredible rock formation, the amphitheater overlooks downtown Denver, which creates one of the most beautiful, picturesque views offered at a music venue.

The city of Denver purchased Red Rocks from Walker in 1928 and hired Denver architect, Burnham Hoyt to design the area into a music venue while including the preservation of the land’s natural elements as part of the transformation. The construction took 12 years but was well worth the finished product that has since attracted musical acts from all over the world.

The Beatles concert on August 26, 1964 is considered to be one of the first notable rock concert performances in Red Rocks history. Another notable performance was the Jethro Tull concert in 1971 which resulted in a 5 year ban of rock concerts at the venue. Fans without tickets to the event attempted to barge through police lines and throw rocks at officers resulting in the deployment of tear gas to control the riot, which eventually carried into the venue affecting all in attendance.

The unique venue attracts bands across music genres from rock to pop to electronic to jam bands. Many bands have recorded performances at the famous venue as well. It has also been used in film and television. Then, in 2015, it became a national landmark.

I’ve never had the pleasure of going to Red Rocks. I’ve actually never even been in Colorado. After I began traveling around the country for work though, I learned about Red Rocks and it’s been high on my list of venues to see/work at ever since. I’d be beyond honored to work an event in such a place and I’d even be more awestruck by seeing a concert there. I’m not even sure if I can imagine what it’s like to be there. It sounds like such a spectacular venue. I think it’s one of those places you have to experience to understand how special it is even if pictures and descriptions already convince you. It’s one of those places where a picture really doesn’t do it justice. If Red Rocks isn’t the definition of legendary venue, I don’t know what is. It’s legacy has spanned the test of time and it continues to be a favored venue of many bands and artists. It’s definitely a place that concert and music lovers need to experience at least once or even countless times.

American Dream: Album Review

Summer 2017 has almost reached its conclusion. There’s only a few weeks left, but after Labor Day, pumpkin spice lattes are all the rage, temps start decreasing, and sweaters and flannels cover the upper torsos of most. Summer isn’t officially over until September 22nd, but still we’re less than a month away.

That being said this summer was epic for both me and the rest of the music world. I worked all over the country, had amazing experiences, made new friends, and strengthened relationships with old friends. It was incredible. It was also incredible because a plethora of new albums were released this summer by so many of my favorite bands and artists. Before the end of summer though, there’s one more highly anticipated album that was just released. The album was a long time coming for NYC alternative dance band, LCD Soundsystem. So after 7 long years, an apparent break-up, a final show at Madison Square Garden and a film to tell its tale, a Christmas song, and a comeback no one ever thought was happening, American Dream is here.

American Dream is the 4th full length album from James Murphy and his posse. This album is more melodious than their previous works, yet it combines the great electronic/techno indie dance style that LCD Soundsystem is known for. If you’re looking for that classic LCD sound, look to the songs “tonite”, “call the police”, “emotional haircut”, and “other voices”. Songs like “change yr mind” and “how do you sleep?” combine a dance style with more melody, as they both start slow and build to a pace where you’re able to get into the groove.

LCD Soundsystem records have been known to include a slower song or something with more melody on more than one occasion. “New York I Love, But You’re Bringing Me Down” or “All I Want” are perfect examples of this. Each are on separate albums though. The latest from LCD Soundsystem incorporates 4 of these kind of tracks with “oh baby”, “i used to”, “american dream”, and “black screen”. “i used to” and “black screen” remind me of songs I’d hear from bands like Brand New or Circa Survive. They have an alternative rock/post-hardcore feel where all that’s missing is Murphy adding some screaming to his vocals. “oh baby” and “american dream” are filled with love, longing, and nostalgia lyrics reminiscent to the waltz style track “New York I Love You…”.

Normally I hate when bands change their sound, but in this case LCD Soundsystem hasn’t really changed much. They’re still playing the same style of music that made them famous in the mid to late 00’s. They’re just progressing. They got older even though they were never that young to begin with. They’re the same, but new. Anyway, to me, this record is one that no one ever thought they’d hear and LCD Soundsystem is back with a vengeance.

I urge you to check out this album. I first started listening to LCD Soundsystem in 2012 (yes after they broke up!) but fell in love with them all over again last summer after preparing for and seeing them live at Lollapalooza. They’re different than most bands I’m into and most bands you might listen to, but they combine an EDM style of music with an indie style. You just can’t help but want to dance yrself clean when you listen to them.

Almost every show on their upcoming tour is already sold out and they haven’t even begun to play shows yet. There’s no question that the rest of the shows will sell out in due time. So if you plan on seeing the revival of LCD Soundsystem on their touring circuit this time around, you either have to grab a ticket to one of the few remaining shows quickly, buy an overpriced resale ticket, or you’re S.O.L. Fortunately I have tickets to their upcoming tour and plenty of time to indulge in this new masterpiece of an album. Their American shows begin in mid-October so for those looking to see a live performance you have plenty of time as well as long as you start today. Check out American Dream as soon as you can!

Ultralife: Album Review

Another week. Another new album. This time it’s alt-pop duo Oh Wonder. Yesterday they released the follow-up to their debut self-titled album entitled Ultralife. Unlike the year long, monthly song release project that culminated in their first album, the band released a few singles from their sophomore record over the past few months.

After getting into Oh Wonder over the past year and even more-so after Coachella, I was highly anticipating this new album. “Ultralife”, the first single from the album with the same name, which debuted in March, was a fun and instant hit in my book. The new album offers much of what their first album did, which is catchy, melodic alternative pop jams. The album fluctuates from soft, slower tunes like “My Friends”, “Bigger Than Love”, and “All About You” to songs that will make you want to get up and dance like “Ultralife” and “High on Humans”. If I had to name any difference in sound between the first two albums, it’s that I think the first album had more of an R&B feel versus the electronic/digital type of sound heard more prominently in the second album. Even so, I think my opinion might be a bit of a stretch.

I have a feeling that once I purchase this album and listen to it on repeat in my car, I’ll have a few undeniable favorites. “Overgrown” is already taking a commanding lead in that category. I give this album another high purchasing recommendation, especially if you already know and like Oh Wonder. You’ll easily be hooked on Ultralife after listening a few times. In addition to the release of their new album, Oh Wonder will be embarking on a world tour in support of the album. They’ll be in North America beginning in September so it might be worth it to catch them live too. I know I’ll be headed to a show after missing them at Coachella. In the mean time though, pick up a copy of the new album and “live ultralife.”

A R I Z O N A the band, not the state

It’s been two weeks since I last posted, but to be fair I had a show to work and I was sidelined with a sprained ankle (a “sprankle” if you will). I was also out of ideas for new topics. I want to be excited about everything I write here so I didn’t want to just pick something and give you a lackluster effort. The end of last week finally gave me a topic though. I saw that a band I’ve been following for the last year or so released their debut album on May 19th.

A R I Z O N A is an alternative electro-pop band from Glen Rock, New Jersey (no, not Arizona). The band is comprised of members Zach Hannah (vocals), Nathan Esquite (guitar), and David Labuguen (keyboard). The trio all attended college in Boston and initially went their separate ways before reuniting in their home state to form A R I Z O N A. The band’s name stems from a hat Dave was wearing during a random Facetime call with his bandmates.

A R I Z O N A started releasing music on streaming platforms in 2015. They’ve periodically released singles from then on. Their major breakthrough came when German electronic DJ Robin Schulz released a remix of their song “I Was Wrong” last summer. Originally the group thought of releasing an EP first, but then they realized they had enough songs to put out a full length album. Their debut album, Gallery, was released a few days ago. It contains all the music they’ve released so far plus a few new jams. The group is also playing the festival circuit this summer and embarking on their first headlining tour.

Back in November, on the night I saw Tegan and Sara, my friend and I bought tickets to the Hayley Kiyoko show that was happening in another room at the same venue. A R I Z O N A was the opener that night. I didn’t even realize they were the opener until I recognized the second song they played. It was a spontaneously awesome moment of the evening. I first started listening to them the previous winter when I heard the song “Where I Wanna Be” off a twitter recommendation and since that time I followed up with the group any time they released new music.

A R I Z O N A’s music style combines indie/alternative music with electronic music. When I first heard them I was slowly getting into electronic music. I liked an occasional song here and there (Let’s be honest, I still do). “Where I Wanna Be” was one of those songs. During the time I listened to that song frequently, I figured A R I Z O N A was probably the name of some DJ. I don’t think I even fully realized that the group was a band until I saw them perform live. It was good to know that a band like A R I Z O N A existed because most of the time electronic music to me was DJ’s. A R I Z O N A is a band. They have a lead singer (Zach). They have a guitarist (Nate), but they also have someone who plays the keyboard/synth elements of their songs (Dave) that gives their music its electronic feel.

I highly recommend checking these guys out if you’re into indie music, electronic music, or both. Even if you’re not, check this band out anyway because they have a pop element to their music as well. As I mentioned before, you can also catch them this summer. They’re playing a few big festivals (Gov Ball, Firefly, and Lollapalooza) and of course they’re touring all over too. Here’s a few songs that will make you fall for this band as much as I have:

  1. Where I Wanna Be
  2. I Was Wrong
  3. Electric Touch
  4. Cross My Mind
  5. Oceans Away

 

Coachella Band Preview: Oh Wonder

Coachella begins in 2 weeks! I hope you’ve been doing some serious music listening. If you haven’t, I’m disappointed in you. Even if you’re one of those people who doesn’t like to listen to the music before they attend the show, I’m still disappointed in you because, I mean, come on. How can you not prep even just a little?! This is one of the biggest music festivals out there. For those of you who have been prepping, here’s another band you should be listening to.

Oh Wonder is a band who began creating music together in September 2014. The band is from London and comprised of keyboardist/vocalist Josephine Vander Gucht and guitarist/vocalist Anthony West. Oh Wonder’s claim to fame comes from the release of their DIY debut album. Beginning in September 2014, the alt-pop duo began releasing one song per month via SoundCloud for one year. The year culminated in the release of their debut album which also included two unreleased songs.

The band’s song release process attracted the attention of music fans, blogs, and record labels. They eventually signed with Republic Records. Upon the release of their self-titled debut album in September 2015, the band scheduled shows in London, Paris, New York, and Los Angeles, all of which were sold out. The band has toured internationally since that time and also played a handful of North American music festivals last summer. They made stops at Bonnaroo, Firefly, WayHome (Canada), Lollapalooza, and Live Out (Mexico).

Their music is an alternative/indie pop style, but softer and more mellow than other music I would classify as indie pop. Vander Gucht and West also harmonize magnificently on every track. Their vocals create such soothing melodies that are often times catchy as well. Once you get one of their songs in your head, it’s difficult to get it out.

I heard of Oh Wonder from a music recommendation tumblr post last fall. I checked them out a few days after and decided to download one of their songs. It seemed like after listening to them for the first time, more of their music would pop up on random Spotify playlists I would listen to. I also routinely listened to the song I downloaded. It only took a few times of listening before I would sing-a-long with the music. Their music isn’t the kind of indie pop you’d want to hear to get you hyped up for something. It’s the kind that you’d put on during a sunny afternoon drive or road trip.

That being said, don’t expect a fun, upbeat indie pop style set from them at Coachella. They’re not Grouplove or Matt & Kim. Their music is more relaxed and their set will be too. They play Friday and my guess is that their set will be earlier in the day. They’re a perfect band to see at the festival because I doubt their set time will overlap with other must-see acts. Here’s a few songs you should listen to before their Coachella performance:

  1. Drive
  2. Technicolor Beat
  3. Lose It
  4. All We Do
  5. Without You
  6. Livewire

(But truly, if you just check out their debut self-titled album, you should be fine.)

 

Coachella 2017 Lineup Release

Beyoncé, can you handle this? I don’t think you can handle this!

Yes, it’s that time of year again: festival season lineup announcements and in particular…Coachella. The Coachella lineup just dropped yesterday around 1:30 p.m. and I’m stoked (as always)! I heard lineup rumors during the past few weeks and certain predictions had me feeling some kind of jealous. However, upon the announcement yesterday I feel like 2017 still won’t be topping the 2014 lineup (toughest lineup to top ever). 2017 is still pretty epic because the Queen Bey herself, Beyoncé, is headlining. That’s why I felt the need to quote her former group, Destiny’s Child, to start this post. It was fitting, don’t you think? Anyway, this will be a first for the pop superstar, whose sure to draw a massive crowd as the Saturday night headliner. I can’t put all the focus on Bey though since there’s two other headliners. So, without further ado, the Coachella 2017 lineup is as follows:

The Headliners: Radiohead, Beyoncé, Kendrick Lamar

Obviously the big story from this is Beyoncé as I already mentioned and again yes this will be her first solo performance at the festival. She made a surprise appearance in 2014 at her sister Solange’s set.

Radiohead is no stranger to the Indio desert. Thom Yorke & company headlined Coachella twice in 2004 and 2012. They’ve even played “Creep” once while headlining there, so it’s obviously a pretty special place (they rarely play “Creep”). After the release of their most recent album, A Moon Shaped Pool, last summer, it seems fitting that the group once again headlines a Coachella festival.

Lastly there’s rapper Kendrick Lamar. He played on the Main Stage in 2012 and came out as a guest during the Dre and Snoop set that year. Kendrick Lamar has been on the rise since 2010-2011. Last year he headlined Goldenvoice’s (same promoter as Coachella) Panorama Festival, also dubbed “East Coast Coachella”, in its first year of existence. He apparently crushed his set there and drew a crowd of epic proportions, which might give you an indication of how he’ll be closing out Coachella this year on Sunday night.

Usually Coachella headliners are primarily alternative, rock, or indie or some form of a combo of those genres. In recent years, there have been rap headliners such as Jay-Z (2010), Kanye West (2011), Dr. Dre & Snoop Dogg (2012) or Drake (2015) and last year saw electronic artists take the headlining spot with Calvin Harris and, if you consider them to be indie eletronic-ish, LCD Soundsystem. This year is the first time a major pop/ pop-R&B artist is headlining the festival (Beyoncé). Each night sees a different genre of music as the headliner making Coachella even more appealing to the masses.

The Other Highly Billed Performers: the XX, Travis Scott, Father John Misty, Empire of the Sun, Dillon Francis, Bon Iver, Future, DJ Snake, Martin Garrix, ScHoolboy Q, Gucci Mane, Lorde, Justice, New Order, Porter Robinson & Madeon, Future Islands, Mac Miller, Steve Angello, Glass Animals, Phantogram, Mac DeMarco, Little Dragon, BANKS, the Head and the Heart, Two Door Cinema Club, Nicolas Jaar, Bastille, Tycho, Tory Lanez, Röyksopp, Hans Zimmer, DJ Khaled, Marshmello, Lil Uzi Vert, Galantis, Kehlani, Grouplove, Kaytranada

Out of the the other top acts coming to the festival this year, the ones who stick out most to me (a.k.a. the ones I would see) are the XX, Empire of the Sun, Bon Iver, Lorde, Phantogram, BANKS, and Bastille. That means in weeks to come be on the look out for Coachella Band Previews featuring these bands and artists. Bon Iver, Lorde, Phantogram, BANKS, and Bastille will each be making their second Coachella appearance, while the XX and Empire of the Sun will be performing for the third time. All of these acts have released an album over the past year with the exception of the XX, whose third album comes out next week, and Lorde. Lorde is expected to release a new album this spring so I’m excited to hear her new material.

Other notable acts (for me) from this list are Two Door Cinema Club, Glass Animals, Mac DeMarco, and Grouplove. I would check out these acts if it fit in my schedule for sure, especially Mac DeMarco, who I missed at sweetlife last year, and Grouplove, who is a fun indie pop band that fits the Coachella atmosphere perfectly.

There’s also plenty of top electronic artists who will set the Sahara Stage on fire. Look for Dillon Francis, DJ Snake, Martin Garrix, Justice, Porter Robinson & Madeon, Steve Angello, Nicolas Jaar, Tycho, Röyksopp, DJ Khaled, Marshmello (who is basically the new Deadmau5/Daft Punk with his visual persona), Galantis, and Kaytranada there or even on the main stage. There’s no doubt that Dillon Francis and Martin Garrix should be closing out their respective nights on at the Sahara Tent. It’s bound to be lit.

The most interesting artist of this bunch is German composer Hans Zimmer. This guy is a legendary film composer so to earn a spot at Coachella is out of the ordinary. I’m interested to see what his set will be like. Will there be an orchestra there that he directs? Will it be some sort of DJ set? Will everyone sit out on blankets drinking wine and eating cheese if it is an orchestral set? There’s endless questions for this one. Interesting doesn’t even begin to describe it for me.

Another note from this group is the amount of top rap/hip-hop artists. It actually feels like an overwhelming amount of rap artists at Coachella this year compared to the usual. It might be the year for rap there. Just by the look of the lineup, they’ve booked solid acts with Travis Scott, Future, Mac Miller, and Gucci Mane, and not to mention Kendrick as a headliner.

The Rest: Bonobo, Richie Hawtin, DJ Shadow, Loco Dice, Dixon, Capital Cities, Big Gigantic, Crystal Castles, SOHN, Jagwar Ma, Francis and the Lights, BROODS, Guided By Voices, Preservation Hall, Jazz Band, Sampha, BICEP, Raury, the Martinez Brothers, Oh Wonder, Stormzy, Zipper Club, Tennis, SNBRN, King Gizzard & the Lizard Wizard, Kungs, Floorplan, Denzel Curry, the Lemon Twigs, Nora En Pure, Joseph, the Interrupters, Sam Gellaitry, Klangstof, Tacocat, Alison Swing, Local Natives, Majid Jordan, DREAMCAR, Four Tet, Róisín Murphy, Moderat, the Avalanches, Mura Masa, Nav, Solomun, Warpaint, Banks & Steelz, Hot Since 82, Classixx, Kaleo, Breakbot, GRYFFIN, Car Seat Headrest, Daphni, Brodinski, Mitski, Floating Points, Thundercat, SURVIVE, Arkells, the Atomics, Ben UFO, Bishop Briggs, Blossoms, Chicano Batman, Autograf, Moss Kena, Red Axes, Shura, Honey Dijon, Declan McKenna, Eli & Fur, Swet Shop Boys, Chris Cruse, Tale of Us, Toots and the Maytals, Devendra Banhart, Tove Lo, Jai Wolf, Jack Garratt, Sasha, Kiiara, Real Estate, the Belleville Three, Maya Jane Coles, What So Not, PNL, Lee Fields & the Espressions, NAO, GoldLink, Allah-Las, King Sunny Adé, Marcel Dettmann, SOFI TUKKER, Whitney, Patrick Topping, HONNE, Twin Peaks, Tourist, Preoccupations, Hinds, Ezra Furman, Pond, Hannah Wants, Anna Lunoe, Grace Mitchell, Los Blenders, Show Me the Body, Caveman, Jen Ferrer

A lot of these bands and artists are playing Coachella for the first time. Some of them are new to their respective music scenes and some may only get bigger from here. Take this year’s headliner Kendrick Lamar for instance. When he played in 2012, his name was listed on the last line of Friday’s acts. Not all of these bands may make it as a headliner, but you may see some of them in the coming years selling out shows and playing festivals as a top-act.

If I were attending, I would definitely want to see BROODS, Oh Wonder, Kungs, Local Natives, GRYFFIN, and Tove Lo. I missed Local Natives in favor of Halsey at Lollapalooza, but caught the tail end of their set. They’re a great indie alternative band who I’d love to see live, or at least all of their set live. BROODS is a brother-sister music duo who just came on to the music scene in the past few years. I’ve liked everything I’ve heard by them so far. If I had the chance, I would definitely listen to them more and see them at the festival if I had the chance. I’ve also just started to get into Oh Wonder and seeing their name on the Coachella lineup makes me want to listen to more of their stuff and check them out live. I doubt these guys will be climbing the festival lineups soon but they put out some great tunes.

I’m also not sure why Tove Lo isn’t listed higher on the festival lineup. I’m sure she’ll be playing on the Outdoor Stage or the Main Stage though because she’s already selling out smaller venues. Her appeal kind of reminds me of Ellie Goulding and I’m guessing in the coming years she’ll be making her way to the top just as Ellie’s done.

Out of the few electronic artists I like, GRYFFIN is one I would love to check out at Coachella. If you read my Music Saved 2016 post from last week, you’d know I had a GRYFFIN song on the list. He’s also got a song called “Heading Home” that I’m a fan of too. Another electronic artist that you should see/pay attention to is Kungs. This kid, because yeah he’s only 20 years old, came on to the electronic scene huge with his hit “This Girl” feat. Cookin’ on 3 Burners (another song listed on said Music saved 2016 blog post). I actually just listened to some of his other stuff about 2 days ago. I liked what I heard. He released his debut album on November 4th and I’m sure you’ll hear more from him in the future. Like I said pay attention to him and see him now if you have the chance.

Some other bands worth checking out are electronic duo HONNE, rock group Arkells, and indie band Twin Peaks. You may even want to check out solo artist Jack Garratt, who reminds me of combo between Bon Iver and the Weeknd, and indie/alternative rock artist Declan McKenna, who won Glastonbury Festival’s emerging talent competition in 2015.

To those of you scored tickets and are heading to Indio this spring, have the best time of your lives. Coachella is an incredible experience filled with music that spans across genres so there really is something for everyone to see. At this current moment, I’m not officially going to Coachella as a festival attendee, but there is a possibility that I could work there. I’m not getting my hopes up yet though because I could very well be spending this year watching from my computer again. As such, I’ll be previewing bands playing the festival this year as I’ve done the last two years and writing as if I were going like I did last year in 2016 (because I did go in 2015, which started all this preview hype to begin with). So stay tuned for all the previews because festival season is almost here!

Music Saved 2016

2016 can be defined as being a shit ass year for Americans (maybe for other countries too but I can only go by U.S. standards). There were a few good moments, like the Cubs winning the World Series for the first time in 108 years or the Pittsburgh Penguins winning their 4th Stanley Cup (It was good for me as a Pens fan), but for the most part many agree that 2016 sucked. We lost some truly great artists, story tellers, athletes, and human beings and it hasn’t stopped even in the days before the new year. As I sat down to write this, I found out that Hollywood legend Carrie Fisher passed away and then as I sat down to finish it two days later Carrie’s just as famous mother, Debbie Reynolds (her most substantial role, in my opinion, was Agatha Cromwell in the DCOM Halloweentown), had passed as well. Crazy. More importantly we lost progress, decency, and democracy from a shocking presidential election outcome. 2016 took so much from us and most of us are glad it’s almost over.

Last week I watched a YouTube video about the good in 2016 (because like I said there were a few good moments) and a statement was made that I agreed with wholeheartedly: “Music saved 2016.” It did, but for me especially. This year I embarked on an adventure into the music industry by working concerts, shows, and festivals all over the country. I learned new things, met amazing new people from all over the country, stepped outside my comfort zone, and had some incredible experiences especially over the summer. I’m entirely grateful for every single one and for the company that gave me a chance. This year I attended more live music events than ever. I saw some incredible bands and artists perform. I learned new music and fell in love all over again with bands I’ve listened to before. Music was everything to me this year. Because of that I wanted to share with you my favorite/most listened to music of 2016. Some of it might not have come out this year but I might have discovered it for the first time this year or rediscovered it, if you will. I’ll be including songs, artists, or albums as part of the list but each has a relevant meaning to my year of music.

1. “Holdin’ On” by Flume. This song was the song of the year for me. I discovered it shortly before I volunteered at the Sweetlife Festival in May, but the full impact of the song occurred the day of the festival. As you may already know from the post I did back in April, Flume is an electronic artist. This song is a hit from his first album which came out in 2012. He also released a new album this year, Skin, which had a few huge hits, like “Never Be Like You” ft. Kai and “Say It” ft. Tove Lo, earning Flume 2017 Grammy nominations. For me though, it was “Holdin’ On” that stood out the most. I feel like the song has more energy than his other stuff. Part of the song has this slowed down warp type of sound that leads into the refrain with a POW! At Sweetlife, my friend and I went to Flume’s set with no expectations. “Holdin’ On” stole the show that was marred by technical difficulties causing us to leave early (we were planning on leaving early anyway to not miss another set). After we left though, it was the song that played in my head the rest of the day. That day turned out to be one of, if not, the best day(s) of my whole year. The faulty set aided in our decision to buy tickets to see Flume perform 3 months later, which was also pretty sick but didn’t have the same impact as Sweetlife weekend and the first time I heard “Holdin’ On”.

2. LCD Soundsystem. 2016 saw the return of a band we thought was gone after 2011. Electronic dance-punk band LCD Soundsystem got back together in 2016 and played festivals all summer long. I was stoked by the news last year and jealous of everyone attending Coachella 2016 who would see them headline. After working at the Firefly Music Festival in mid-June, I rediscovered LCD Soundsystem because of the great people I worked with on the Dover Downs Speedway and Spotify Premium. We listened to LCD several times throughout the weekend and talked about the band, which earned my re-interest in the group who hails from NYC. Following Firefly, I started listening to LCD again. Then the universe came together and I was lucky enough to get a spot working at Lollapalooza in July, thus earning me the privilege of being able to see LCD Soundsystem perform on the final night of the Chicago festival. It was something else. I danced myself clean for the entirety of the set.

3. Sia. Sia’s been around for years, but she soared to the top of music charts with her 2014 album 1000 Forms of Fear. In the beginning of 2016, I fell in love with the 1000 Forms of Fear song “Elastic Heart”, only to hear the newly released single, “Cheap Thrills”, off Sia’s newest record This Is Acting a few weeks later. I loved “Cheap Thrills” even more than “Elastic Heart” and it became part of my nightly workout playlist. I even introduced the song to my then 4 year old cousin Hudson when he came to visit me in early March. He loved the song too. So much so that he corrected me for singing the wrong lyrics during a visit in May. “Cheap Thrills” progressively became a hit of 2016 and Sia’s newest album was a hit too (not as much as 1000 Forms of Fear, but still a good album nonetheless). She also played several music festivals including Coachella and Panorama (Coachella East) and toured the U.S. for the first time since 2011. Singing Sia songs with Hudson, “Cheap Thrills” in particular and now “The Greatest”, which was a newly released single in the fall and a track on the deluxe edition of This Is Acting, was a huge part of my year. Hudson and I live 3 hours apart but still managed to see each other at least once a month, so there was plenty of singing (we crush long distance relationship/friendship standards). I doubt we’re the only ones who were singing Sia a lot this year though. She slayed 2016.

4. “The Sound” by the 1975. Before 2016, I liked the 1975. I knew a few of their songs. Three to be exact. I liked each one. Then I heard “The Sound” and I forgot all my previous thoughts on the band. That song was it for me. The 1975 released a new record this year called I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It. “The Sound” was released as a single before the record. I thought at that time if “The Sound” is any indication, then the new record will be stellar. It turned out to be pretty good. “Somebody Else” is great. “She’s American” and “Love Me” aren’t too bad either. Some may argue I Like It When You Sleep… is not as good as the debut self-titled. I might argue that too, but “The Sound” is in a league of its own. That song made me want to see The 1975 live and I did. Twice (at Sweetlife and Lollapalooza). Both times The 1975 put on a great set, but I bet you can take a guess what my favorite song played was.

5. “Seeing Stars” by BØRNS. “Seeing Stars” became an instant favorite song of mine after listening to it a few times. It’s a happy, good feeling type of song. It was exactly what I needed in the spring after going through some disappointing and shocking moments. It was my positive jam for a while. I even played it a few times driving to Sweetlife. Then two weeks later my friend and I purchased last minute tickets to see BØRNS perform at the Electric Factory. It was a great decision and a fun show even though there were a few off moments that night like a 30 minute wait at Taco Bell and a speeding ticket. I loved hearing my song of the spring live regardless.

6. “Gold Rays” by Vinyl Pinups. In early 2016, this song was MY. JAM. The only downfall was that I liked it in the dead of winter and it’s the perfect spring/summer song. I did listen to it on my workout playlist for several months though well into the spring. However in the summer, I was listening to other things and I didn’t play it as much as I would have liked. It’s one of my favorite songs of the year by far. It’s also a great feel-good song by a smaller-name band.

7. “T-Shirt Weather” by Circa Waves. Like “Gold Rays”, this was another perfect summer song that I fell in love with during the winter. It made me long for warm days in late January, early February 2016. I constantly imagined listening to this song while driving in the summer on a road trip with friends. Then like “Gold Rays” it was rarely played during the summer months. It’s another favorite of the year for sure.

8. Tegan and Sara. I’ve liked Tegan and Sara since college. I rediscovered them again in 2014 when I purchased Heartthrob. If it wasn’t for bonds over women’s soccer, I probably wouldn’t have fell into their web of smooth, catchy rock tunes again this fall, but I’m so thankful it happened anyway. I went to see Tegan and Sara live in early November with a friend, her roommate, and her roommate’s girlfriend. It was another last minute decision that ended up being even better than BØRNS. It was a night where everything felt right. I was exactly where I was supposed to be and I wished it would never end. It was so much fun. We even saw two shows at the same venue. How epic right?! Tegan and Sara were great live and almost everyone there could sing along to every song. It was because of that night that I gained a new appreciation for the song “The Con”. I listened to it with a greater affinity afterwards. Because of how insanely amazing that night was, Tegan and Sara are high on my list for the year, but they deserve it regardless. They’re incredible talent that has been around for over 17 years.

9. Adele. Adele ended my 2015 with a bang. Her new album 25 was released in November of last year. Right before the new year I scored tickets to her sold out World Tour for a show in early September. That show became a huge anticipation of 2016. I loved bringing it up any time Adele came up. Adele came up often too. She had a few singles that came out in 2016 and her album earned her several Grammy nominations for the 2017 awards show. As for the concert I saw in September, it was well worth the almost 9 month wait. It was incredible seeing her perform live. She’s got a killer voice and sang for 2 hours straight with no openers. There was some stand-up comedy in between songs of course. She’s hilarious if you didn’t already know. It was an epic 2016 music event and one I won’t soon forget.

10. Wild World, Bastille. In September 2016, Bastille released his sophomore album Wild World. After hearing 2-3 songs off the new album (one during the summer months and the others post album release), I knew I needed the band’s newest compilation of music. I don’t even regret buying it for $4-5 more than what I would have paid if I waited to get it on Black Friday. I couldn’t wait. It’s actually that good. So good that it’s my favorite new album of 2016. Bad Blood put Bastille’s name into the music world, but Wild World is just as good. I actually believe it’s underrated considering it hasn’t received as much hype as their debut album. “Send Them Off” is currently (still!) one of my favorite songs to listen to. “Good Grief” is amazing. “Warmth” is a solid jam too. I can’t say enough good things about Wild World. It’s my album of the year for sure.

11. Hayley Kiyoko. Remember when I said I saw two shows in one night in early November? Yes, one of them was Tegan and Sara. The other was Hayley Kiyoko. I mentioned it in my Tegan and Sara blog post but didn’t talk about it further. I found out about Hayley Kiyoko while doing some reading online last winter. The referenced song in the reading fit the story so well.  I obviously listened to it when I saw there was a song reference. I liked the song itself too. Throughout the year Hayley Kiyoko songs just kept wandering into my life here and there. I liked and downloaded every single one I listened to. The music is traditional pop but the themes are a little different. I’ll have to do a full blog post on Hayley some day and explain it further, but you know what I mean if you’ve heard her stuff. The fact that she’s not a mainstream artist despite the traditional pop sound makes her more appealing to me as well.

12. ARIZONA. I first heard ARIZONA last winter. It was a song called “Where I Want to Be”. It popped up on a twitter account I follow. I loved the song and it was a perfect fit for my workout playlist (I workout a lot if you couldn’t tell by how many times I’ve mentioned my workout playlist). Several times throughout the year I checked ARIZONA’s Spotify page for new music because of how much I liked “Where I Want to Be”. That lead to liking one or two more ARIZONA. Then the night I saw Tegan and Sara and Hayley Kiyoko in one night I was in for a surprise. My friend and I walked into the Hayley Kiyoko show shortly before it started. We got some drinks and the first band came on. While the band played their first song, I said to my friend that I liked the music but wasn’t a fan of the song’s melody. It reminded me of some electronic artists that I listened to. Then the second song started. I knew what song they were playing. I asked my friend who the opener was as I tried to remember what band played that song. Then it hit me. ARIZONA! I looked it up to double check. I was right and instantly stoked. I didn’t pay attention to who Hayley’s opener was, but it ended up being a band I liked. That moment was another reason for how epic that evening was.

13. Arctic Monkeys. It’s a shame I never heard of the Arctic Monkeys until 2013. It’s also I a shame that I didn’t appreciate them enough until 2016. I totally fell in love with them this year and began listening to more of their music. Hence writing a blog post about them just for the sake of writing about them. I’m also dying to see them live. So hey guys if you see this, please put out another record and tour again soon! Thanks! Cheers!

14. “Collide” by EVVY. This was another song of last winter. I really got into it during my trip to Baltimore/DC at the end of January/beginning of February. I took that trip because I worked at a Muse concert at the Verizon Center in Washington, D.C. It was the first music event I ever worked. I didn’t know what to expect for the show or for the rest of the year as far as my life choices were going. The song was calming and positive at the time. During my drive to my cousin’s apartment the night before the concert, to work the show the next day, and back to my cousin’s apartment after the concert, I listened to the song. A multitude of thoughts and feelings went through me during those drives. I was nervous, yet confident and then relieved, yet overjoyed. I reflected on my whole experience while listening to the song on the way home and knew that my choice to go after music was the right one.

15. “Capsize” by FRENSHIP. “Capsize” is another song I added to my workout playlist and my iPod in general after I heard it on my favorite soccer player’s monthly playlists. A large handful of my workout songs are electronic and this one was no exception. It also became the song that reminds me of the first multi-day festival I worked because I played it a lot at the time (it was Firefly, in case you were wondering). In fact, I introduced the song to a friend I made during the festival who is a huge electronic fan. She didn’t know the song at the time, but it apparently blew up afterwards. It ended up being a song I played throughout the summer months while driving, relaxing, and of course working out.

16. “Whole Heart” by Gryffin. The first time I heard this song was after a trip I took to see my favorite NWSL team in their first home playoff match. The team won the match and earned a spot in the Championship game. The week after the win, the club posted a “Thank You” video to the fans and this song played in the background along with highlights and video clips from the season. It made me amped for the final even though the song is a much slower electronic song than the norm. Then in another depressing 2016 moment for fans of the team I followed for 4 years (myself included), the opposing team scored a game tying goal in the final minute of stoppage time during the championship match. They opposing team went on to win in penalty kicks. I was heartbroken for the team. I hadn’t been as heartbroken over a sporting event since 2011. I didn’t even care as much when the USWNT got knocked out in the Olympic quarterfinal almost two months earlier (another bummer 2016 moment and I was working a festival at the time). It was a devastating blow. Listening to “Whole Heart” after the loss made me feel a tremendous amount of sadness because the song describes giving your whole heart to something, which the team did and came up short. I felt similar listening to this song after the 2016 Presidential Election especially with the hate that ensued post-results. With time, the song no longer feels as sad as it did in those moments and it still reminds me of the positive thoughts I had when I first heard it.

17. “home” by morgxn. Addicting. That’s the word that first comes to mind to describe this song. I heard it on Spotify in November and it’s been one of my favorites to listen to ever since. It’ll probably be one of my faves going into 2017 as well.

18. Sigala. At the same time I added “Capsize” to my music rotation, I added the song “Sweet Lovin'” by Sigala as well. It’s another song that I listened to on my way to Firefly. Sigala, in general, became part of a joke between me and a friend I met during the festival because she couldn’t pronounce the artist’s name correctly (it’s pronounced Sig-AH-lah not Sig-ah-LAH (stress on the second syllable) in case you were wondering). Sigala was the only artist she wanted to see perform during the festival since our schedules didn’t really allow for more than one performance each. She was able to attend Sigala’s set and I happened to catch “Sweet Lovin'” live too during the only time we both spent in the festival (I chose to see Florence and the Machine who played before Sigala though. Well worth it.). I would have just put the song “Sweet Lovin'” by Sigala on here, but that wasn’t the only Sigala song I got into this year. “Give Me Your Love” was another jam from the fall. It was the only Sigala song I heard since “Sweet Lovin'” that had the same kind of energy.

19. “Fever” by Roosevelt. I heard this song on the “Discover Weekly” Playlist on Spotify in mid-September. I liked it immediately upon hearing it. It reminded me of a nickname of a soccer player I like and got me pumped to attend that NWSL Playoff game that I mentioned before. It was my go-to song for several weeks in September and October.

20. “Starving” by Hailee Steinfeld ft. Zedd. I’m embarrassed this song is on my list, but it was a 2016 fave so I had to include it. It’s definitely been my biggest guilty pleasure song of the year even though I’ve only known it for the past few months. I can also do a mean cover of it on guitar. The Zedd version is by far better than the original. It adds electronic flare and more energy to an otherwise soft yet peppy love song.

21. “This Girl (Kungs vs. Cookin’ on 3 Burners) by Kungs & Cookin’ on 3 Burners. Last but not least, “This Girl”. My cousin played this song for me in late September on my trip to the soccer match. I stopped to visit Hudson for a day first. At dinner that day, my cousin played me this song. It was so familiar to me, but I couldn’t figure out where I heard it. It took me 20-30 minutes before I realized I heard it on an instagram video and that it was the song stuck in my head a few weeks prior. It’s such an interesting song, but yet so so good. When I returned home from the trip, I immediately added the song to my workout playlist and it has been a mainstay ever since.

Bonus Music: “Hand Clap” by Fitz and the Tantrums, Mac DeMarco, “I Am A Nightmare” by Brand New, “Better Off” by Haim, “Dancing on Glass” by St. Lucia, “Roses” by The Chainsmokers ft. ROZES, “Cake By the Ocean” by DNCE (Yep, guilty pleasure #2)

So you can see from this list, 2016 wasn’t too bad if you just look at it from a music perspective. Yes I know we lost Bowie, Prince, and Leonard Cohen, but just check out all the other amazing music we did have, whether it’s on this list or not. Music is the good thing from 2016. It’s usually a good thing most years. It saved 2016, but let’s be real music saves everything.