Billboard Top 200

First the Window, Then It’s to the Wall

Last week I worked my third Lollapalooza in the box office/ticketing department, but for the first time, I managed my own ticket help. Lolla was where I started working in ticketing 2 years ago so it felt like a full circle moment being able to work Lolla in a higher position. Another full circle moment happened on Saturday night when I was able to see Vampire Weekend. I found out about the band in 2008 way before I was even into the indie rock scene. A friend of mine in my Music 101 class in college told me about them. He was also the first person to tell me about Lollapalooza so being able to say the first time I saw Vampire Weekend was at Lollapalooza is super cool and special to me. All that aside, much like Arctic Monkeys, Vampire Weekend is back from their 5 year hiatus and will be releasing a new album soon!

Vampire Weekend was formed when founding members Ezra Koenig (vocals, guitar), Chris Tomson (drums), Chris Baio (bass, backing vocals), and Rostam Batmanglij (keyboard) were in college at Columbia University. Their name comes from a summer project of Koenig’s inspired by the 1980 film The Lost Boys. With the project, he decided to create basically the Northeastern version of the film. The project also inspired the song “Walcott” as well even though he abandoned it after working on the short film for only a few days. The band started playing shows around 2006 by performing at battle of the bands around Columbia. Then in 2007 they opened for The Shins on their UK tour. They self-produced their self-titled debut album while simultaneously working full time jobs. The album was released on January 29, 2008. It peaked at number 17 on the Billboard Top 200 Albums Chart and number 15 on the UK Albums Chart.

Vampire Weekend’s second album Contra was released just short of 2 years later. It debuted at number 1 on the Billboard 200. The band also began a large festival circuit in 2010 making stops at Coachella, Bonnaroo, Austin City Limits, and Glastonbury. They had played their first Lollapalooza the previous summer. They also toured in support of the album in 2010. Contra was nominated for a Grammy for Best Alternative Album, but did not win.

Their most recent album to date Modern Vampires of the City was released in May 2013 after much talk of its release in 2011 and 2012. Like Contra, it debuted at number 1 on Billboard’s Top 200 Albums Chart making them the first indie rock band to accomplish this feat with two consecutive albums. The album won Vampire Weekend a Grammy for Best Alternative Album in 2014.

In 2016, Rostam Batmanglij announced his leave from Vampire Weekend via Twitter, but also noted that he would still continue to collaborate with Ezra Koenig. Koenig confirmed this by saying the band was working on a new album with help from Batmanglij. At Lollapalooza last week, the band announced that the 4th album was complete after playing a set list of all old hits including the song “A-Punk” three times in a row to open the set (…and I missed it!).

Vampire Weekend is a pretty standard indie rock band. Their sound is a mixture of indie rock, indie pop, baroque pop, afro-pop, and art pop. Most of their hits have an upbeat, joyfulness to their sound. You can’t help but want to dance to their tracks like “A-Punk”, “Unbelievers”, or “Diane Young”.

As I said, I found out about Vampire Weekend 10 years ago. I kept up with them by periodically adding songs to my iTunes as new releases would come out. I never saw them live though, until last week. They were on my “must-see” list for a while. Since seeing them last week, I haven’t been able to stop listening to them. It was like Lollapalooza revitalized Vampire Weekend for me. It did the same thing for me last year with The Killers. I guess that’s another reason why I like Lollapalooza so much.

If you haven’t been listening to Vampire Weekend for the last 10 years or started somewhere in between there, here’s my call for you to listen to them asap. An album release date for their fourth full length has yet to be announced, but it’s coming soon! I’m sure I’ll probably review it once it’s out, but until then there’s tons of jams to help you wait it out. I swear. Like Lil Jon, I always tell the truth.

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How Big, How Blue, How Beautiful

According to my little stats here on the blog, it’s been 22 days since I made any sort of update. With the epic coverage of the 2015 FIFA Women’s World Cup throughout June and trying to focus on getting my life in order plus some vacation time, I needed a little break. Right before the World Cup began, I failed to note a much anticipated release in the music world.

Since seeing Florence and The Machine at Coachella back in April (one of my favorite performances of the festival might I add), I anticipated the release of her latest album How Big, How Blue, How Beautiful. It came out on May 29th, about a week and a half before the USAvAUS opener. However, I was waiting to purchase it with my gift certificate from Amoeba Music (the world’s largest independent record store with three locations in California- Berkeley (the original location), San Francisco, and Hollywood) during their monthly 15% off sale. The sale didn’t happen until mid-June so I ordered it on vinyl then. I received it by the end of June, about a month after its initial release. I didn’t listen to the album aside from an early song release or two in prep for Coachella until I had the record in my possession. I did however unintentionally hear a few songs from the album because FoxSports, who covered the Women’s World Cup, used some songs off the latest album as background music during their video montages of the tournament. Needless to say, that just got me more hyped to listen to the album.

The album was worth the wait. After purchasing the first two Florence and The Machine albums on vinyl, I had to follow suit with the third. Like the first two albums, How Big, How Blue, How Beautiful delivered with the same powerful female vocals, catchy choruses, and indie pop/rock style. I  honestly love this band’s consistency as far as style goes. Although the themes in Florence and The Machine’s albums may vary, the sound never disappoints or strays from what made people fall in love with them in the first place. It may be my favorite album of theirs to date. I highly recommend it. The album topped the charts in eight different countries during its first week on the market, including the number one spot on Billboard’s Top 200 in the United States. It was the first time a Florence and The Machine album received that honor. So there’s a little proof of how good this record is besides me just saying it’s awesome. So check it out asap and check out these songs in particular:

1. Delilah

2. Queen of Peace

3. Ship to Wreck

4. How Big, How Blue, How Beautiful

5. What Kind of Man

6. Caught

7. St. Jude