brand new

When You Say “Best Friends” Means Friends Forever

It started with a girl. Last weekend I went to a punk show in Philadelphia. Rancid, Pennywise, and Suicidal Tendencies are all on tour together with a few other bands and they played a well known Philly venue that we all still refer to as the Electric Factory. I was supposed to attend with my friend Ashley and her friend Kelsey, but when Ashley took an offer to sell merch for Rancid, that left me and Kelsey to attend together. I just met Kelsey earlier this month so going to Rancid together really gave us the chance to hang out and get to know each other. We started talking about music and eventually got into talking about Brand New and Taking Back Sunday. They were two of my favorite bands in high school and Kelsey’s all time favorite bands. Since my Rancid hang with Kelsey, I’ve listened to both bands a couple times and for nostalgia’s sake, started reminiscing about how wild it is for someone to love both bands so much given their history.

Again it started with a girl. Jesse Lacey of Brand New and John Nolan of Taking Back Sunday were childhood best friends. They both were part of the famed Long Island music scene in the early 2000’s. As rumor has it, at some point in their friendship there was a girl that got in the way. No one knows the exact story of what happened. From what I know, it was something along the lines of Jesse was with a girl that cheated on him with John. It incited a well-known emo music feud between both bands. Songs from both bands’ first albums pointed anger and hatred towards each other (Brand New’s “Seventy Times Seven” and Taking Back Sunday’s “There’s No “I” in Team”). There was even band merch that did the same (“Because mics are for singing not swinging”, a dig at TBS frontman Adam Lazzara’s mic swinging style and “Proudly Swinging Since 1999”). Yet, while listening to these bands in high school, I loved both of them. Sure, I favored Brand New over Taking Back Sunday, but I definitely loved both and listened to each during certain periods of high school. Most of my friends did too. In fact, I’m not sure I’ve ever met anyone who has chosen one and hated the other? Do those people even exist?

That’s what got me thinking about it this week. It’s crazy that we loved both of these bands. The songs they wrote that took aim at each other had some incredibly violent lyrics. “And you can think of me when you forget your seatbelt and again when your head goes through the windshield!” or “Best friends means I pulled the trigger. Best friends means you get what you deserve!” I mean come on! These are intense words. They’re actually threats! But when you’re in high school in the mid-2000’s, you don’t think of it that way. You just love the music and you relate to the lyrics.

I will say though “Seventy Times Seven” was the fuel for a lot of my own teen angst towards friendships. In fact, I think both of these bands taught me about friendships through their songs. I realized the importance of calling someone a best friend and what that meant. Of course, actions speak louder than words, but…words can be powerful. You don’t want to waste words on lower cases and capitals. You want them to mean something. So in high school, I started using the term “best friend” sparingly because in my mind “best friends” meant friends forever. I learned that from Brand New. It’s still something I hold with me to this day. I actually took those words for granted recently and I needed to remind myself to not do that again after it happened so again I looked towards “Seventy Times Seven”. This is why it’s still relevant 15 years later.

Sadly though, in recent years, a lot of people began to have mixed feelings about Brand New. In late 2017, Jesse Lacey was accused of sexual misconduct and a lot of fans were upset by the allegations. Mostly, I think people realized that Jesse Lacey wasn’t who they thought he was. Before that happened, Brand New released one final album, Science Fiction, before calling it quits last year. Taking Back Sunday however is still touring. They’re embarking on a 20 year anniversary tour this fall. John Nolan is still part of the band even though he took a brief break from the group in the mid-2000’s to form Straylight Run. On the tour they’re playing their first album Tell All Your Friends in full. It’s definitely going to bring up a lot of feelings for fans and maybe even for the band. Who knows maybe we’ll find out exactly what happened between Brand New and Taking Back Sunday? Maybe not though. I will say I think the feud might have been blown up out of proportion and there’s evidence of that as well (cue the video of Jesse and John playing with Say Anything). It was still enough that we never got a Brand New/Taking Back Sunday tour. Despite everything surrounding both bands, I’m glad they gave us the music that they did. It was the soundtrack to my youth. Even if I no longer feel like a failure by design or a wishful thinker with the worst intentions, their music is still relevant to me at times and I still love connecting with people over it.

 

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American Dream: Album Review

Summer 2017 has almost reached its conclusion. There’s only a few weeks left, but after Labor Day, pumpkin spice lattes are all the rage, temps start decreasing, and sweaters and flannels cover the upper torsos of most. Summer isn’t officially over until September 22nd, but still we’re less than a month away.

That being said this summer was epic for both me and the rest of the music world. I worked all over the country, had amazing experiences, made new friends, and strengthened relationships with old friends. It was incredible. It was also incredible because a plethora of new albums were released this summer by so many of my favorite bands and artists. Before the end of summer though, there’s one more highly anticipated album that was just released. The album was a long time coming for NYC alternative dance band, LCD Soundsystem. So after 7 long years, an apparent break-up, a final show at Madison Square Garden and a film to tell its tale, a Christmas song, and a comeback no one ever thought was happening, American Dream is here.

American Dream is the 4th full length album from James Murphy and his posse. This album is more melodious than their previous works, yet it combines the great electronic/techno indie dance style that LCD Soundsystem is known for. If you’re looking for that classic LCD sound, look to the songs “tonite”, “call the police”, “emotional haircut”, and “other voices”. Songs like “change yr mind” and “how do you sleep?” combine a dance style with more melody, as they both start slow and build to a pace where you’re able to get into the groove.

LCD Soundsystem records have been known to include a slower song or something with more melody on more than one occasion. “New York I Love, But You’re Bringing Me Down” or “All I Want” are perfect examples of this. Each are on separate albums though. The latest from LCD Soundsystem incorporates 4 of these kind of tracks with “oh baby”, “i used to”, “american dream”, and “black screen”. “i used to” and “black screen” remind me of songs I’d hear from bands like Brand New or Circa Survive. They have an alternative rock/post-hardcore feel where all that’s missing is Murphy adding some screaming to his vocals. “oh baby” and “american dream” are filled with love, longing, and nostalgia lyrics reminiscent to the waltz style track “New York I Love You…”.

Normally I hate when bands change their sound, but in this case LCD Soundsystem hasn’t really changed much. They’re still playing the same style of music that made them famous in the mid to late 00’s. They’re just progressing. They got older even though they were never that young to begin with. They’re the same, but new. Anyway, to me, this record is one that no one ever thought they’d hear and LCD Soundsystem is back with a vengeance.

I urge you to check out this album. I first started listening to LCD Soundsystem in 2012 (yes after they broke up!) but fell in love with them all over again last summer after preparing for and seeing them live at Lollapalooza. They’re different than most bands I’m into and most bands you might listen to, but they combine an EDM style of music with an indie style. You just can’t help but want to dance yrself clean when you listen to them.

Almost every show on their upcoming tour is already sold out and they haven’t even begun to play shows yet. There’s no question that the rest of the shows will sell out in due time. So if you plan on seeing the revival of LCD Soundsystem on their touring circuit this time around, you either have to grab a ticket to one of the few remaining shows quickly, buy an overpriced resale ticket, or you’re S.O.L. Fortunately I have tickets to their upcoming tour and plenty of time to indulge in this new masterpiece of an album. Their American shows begin in mid-October so for those looking to see a live performance you have plenty of time as well as long as you start today. Check out American Dream as soon as you can!

Say That You’re Into Me

Yesterday while checking out the Discover Weekly playlist on Spotify, I made an amazing, mind blowing discovery. It was the coolest music discovery I’ve made in quite some time. For you to understand it though, I need to flashback to 9 years ago. *cue cloudy flashback transition*

It was the summer of 2006. I just finished my junior year of high school. I was into the punk rock, pop punk, emo, and alternative music genres. My favorite bands were Brand New, Dashboard Confessional, Taking Back Sunday, Something Corporate, and The Format. I attended my second Vans Warped Tour in August that summer. I saw Cartel, The Academy Is, Gym Class Heroes, Motion City Soundtrack, Less Than Jake, and Hellogoodbye play sets that day. All of those bands fit my style of music at the time too. My favorite set of the day was Hellogoodbye’s. They played all my favorite songs and had people run around the stage dressed in random costumes. It was absolute mayhem. Hellogoodbye even played a surprise Blink-182 cover set that day on a different stage which I also attended. It turned out to be a surprisingly great day despite the fact that I didn’t anticipate a great day. *cue transition to current day*

As I was looking at the Discover Weekly playlist, I noticed there was a song by Hellogoodbye listed. I was surprised because usually music on the Discover Weekly playlist isn’t the kind of pop punk, powerpop music that Hellogoodbye played when I listened to them. However, I didn’t recognize the title of the song. It was safe to say they had released some new music since I last listened to them. I was super curious to see what it sounded like so of course I hit play on the song. Out of the speakers on my iPad came the most mind blowing revelation. Hellogoodbye sounded like a band I would listen to now. They weren’t those same guys who got up on stage at Warped Tour dressed in random costumes. They were like current day hipsters playing music I would listen to on vinyl in my apartment in Williamsburg, Brooklyn while wearing my v-neck t-shirt. They progressed in their music style like I progressed in my music style. How freaking cool is that?! Usually I hate when bands change their sound because it seems like most of the time they get popular and try to fit the mold of popular bands. This wasn’t the case. They progressed alternatively.

Hellogoodbye hails from Huntington Beach, California and was formed in 2001 by front-man Forrest Kline. They were part of the Drive-Thru Records label from 2003-2010 which housed some of my favorite bands from high school like Dashboard Confessional, Something Corporate, New Found Glory, The Starting Line, Midtown, The Early November, and Senses Fail. They released their first full-length, Zombies! Aliens! Vampires! Dinosaurs!, in 2006 (I bought it at Warped Tour that summer). I knew of and listened to them before that though because of their self-titled EP. Between the release of their first and second album, Would It Kill You?, which was released in 2010, the single “Here (In Your Arms)” gained some major radio airplay. It reached the number 14 spot on Billboard’s Hot 100 and went platinum in the U.S.

After the second album, the band went through a few transitions. Band members dropped out and were replaced. The band parted with Drive-Thru and signed with a new label. They also released an EP during that time and re-released their second album. It wasn’t until 2013 that they their third full-length album, Everything Is Debatable, came out after signing with another label, Old Friend Records. Following the release of the album, they toured and opened for Paramore. They probably should’ve been touring with a band like The Kooks or Generationals because their newest album gives off an entirely new indie pop sound. They really do sound like a mixture between those two bands with a hint of MGMT and Belle & Sebastian thrown in. There’s still a little bit of that old school Hellogoodbye essence heard in some songs as well. It’s incredible. If you can’t already tell, I was and am still amazed by it. As far as song recommendations go, it’s probably best to split it up between old Hellogoodbye and new Hellogoodbye, so here goes:

Song recommendations (Old):

**And remember these are definitely pop punk/powerpop style songs, so if you’re not into that, skip ahead**

  1. Call & Return
  2. Touchdown Turnaround
  3. Bonnie Taylor Shakedown
  4. Here (In Your Arms)
  5. All of Your Love

Song recommendations (New):

  1. (Everything Is) Debatable
  2. Just Don’t Let Go Just Don’t
  3. The Magic Hour Is Now
  4. Swear You’re In Love
  5.  And Everything Becomes A Blur
Hellogoodbye performing at the Vans Warped Tour in 2006 during their Blink-182 cover set.

Hellogoodbye performing at the Vans Warped Tour in 2006 during their Blink-182 cover set.

Coachella 2015 Recap

It’s with great pride and pleasure that I can now say I’ve lost my Coachella virginity. As you know, if you’ve been keeping up with my blog, I was beyond stoked to go to the epic three day festival in Indio, CA. Now that I’ve been there though, it’s difficult to put into words just how special it is. The atmosphere is filled with the best vibes imaginable. It’s incredibly relaxed (possibly due to all the pot smoking). People are in good moods (mostly…I ran into a girl who seemed a little angry the last day before the Florence and the Machine set when I put my hand on the bar she was going to lean on). The bands and artists bring their best performances because they’re just as excited to be there as everyone else. The artwork is innovative. The food, although overpriced, is delicious and there are plenty of options to choose from. The setting makes it though. It’s so beautiful. Palm trees line the polo fields with vast mountains in the background as the signature ferris wheel from the California State Fair rotates giving riders the ultimate view of the festival. It’s incredible and it’s difficult to appreciate when you’re there since you want to catch as much music as possible. That’s really the most important thing about Coachella. It’s about the music. Without it, Coachella wouldn’t exist. Everything else is extra. Fortunately I only experienced a few conflicts but I made it work so that I was able to catch at least part of, if not all of the sets I wanted to see.

On Friday, I planned to see Angus & Julia Stone, Alabama Shakes, Tame Impala, and AC/DC. My cousin (she attended with me) and I got to the festival early the first day to do a bit of exploring before the Angus & Julia Stone set in the late afternoon. We rode the ferris wheel, got some merch, checked out the stages, saw the artwork, and relaxed in the field before the set. Angus & Julia Stone play mellow indie music so the set was very laid back. A lot of people were sitting and relaxing while they listened. We were too.

Alabama Shakes hit the Outdoor Stage just as the sun was setting. Brittany Howard brought the house down with her powerful vocals. I was a little disappointed the band didn’t play my favorite song (“Hold On”) but they did debut some new material from their soon to be released album Sound & Color (April 20th on iTunes, in stores April 21st). Either way they killed it.

Tame Impala hit the main stage right before Friday night headliner, AC/DC. The crowd really started buzzing when they launched into their hits “Elephant” and “Feels Like It Only Goes Backwards”. They also debuted some new tunes at the festival and the crowd was totally loving it.

AC/DC closed out Friday with a mixture of new tunes and old favorites. We were spent by the time AC/DC started and only ended up staying for half the set. They put on a great show though. I heard some of my favorites like Back in Black, Thunderstruck, and You Shook Me All Night Long. I was even singing along to the faint sounds of T.N.T. as we made our way to the shuttles. I was glad I had the opportunity to see them live.

On Saturday with the reminders of how tired we were, how late we got to bed, how much cell phone charge we had left by the end of the night (the charging stations didn’t work…such false advertising), and by the desire to sample local eats, we decided to head to the festival about 2 hours later than we did on Friday. We were both more pumped for Saturday’s planned lineup which featured Andrew McMahon in the Wilderness, Milky Chance, Jungle, Belle and Sebastian, alt-J, and Jack White because there was less waiting time in between sets (we had lot on Friday and we were getting antsy). After a longer than planned ride/entrance to the festival due to security reasons, we made it in with a little over a half hour to spare before Andrew McMahon in the Wilderness took over the Outdoor Stage. We grabbed some drinks and headed over there. Upon arrival, the crowd was small. It was so small that I could have managed being in what would be considered the second row. It was hot though so I was fine with hanging back a bit. By the set time more people had come in behind me, but unlike some sets I went to on Sunday there was enough room to breathe.

His set was one of my favorites of the entire weekend. He engaged the crowd and you could tell just how excited he was to play Coachella (he stated it as well but he didn’t even need to). He included a Jack’s Mannequin song (“Dark Blue”) and a Something Corporate song (“I Woke Up in a Car”) in the set which were both favorites among the small crowd who sang along with vigor. Then he followed up with their single “Cecilia and the Satellite”. At some point during the set large balloons were brought out and members of  the Andrew McMahon team held them in the crowd. Near the end of the set (it might have been during “Cecilia and the Satellite), the balloons popped and confetti was released from them. It was such a fun moment and added to the already enjoyable performance. I think the most memorable part came during the last song when gym class parachutes were given to and held by the crowd and Andrew came off the stage and sang with everyone standing under them. The set was a great way to kick off my Day 2 and left me pumped for the rest of the evening.

Next on the list was Milky Chance. We could only stay for some of the set because Jungle overlapped slightly. I wanted to make it to the Jungle set to get a good spot. I only knew two songs they played including the one everyone knows, “Stolen Dance”. We were able to hear both but I thought the performance of “Stolen Dance” wasn’t as great as I had hoped. They only sang the verses of the song. When the chorus came around Clemens Rehbein (vocals) left it up to the crowd. However the crowd wasn’t large enough to get the desired effect of everyone singing along. From where we were standing all you could hear was the music. It was disappointing so we left for Jungle.

Jungle’s set was jam packed with songs off their debut album. The crowd danced and sang along to their funk inspired sound. A favorite amongst everyone in attendance was “Burnin’ Easy”. It got the flower headband wearing hippies moving. Their final song “Time” had the same effect.

Shortly after Jungle finished, Belle and Sebastian began their Coachella set. We only stayed for a few songs because I knew we needed to be at Main Stage early for alt-J. Belle and Sebastian were a perfect example of an indie band playing the festival. Their songs are both mellow and upbeat. It’s not the type of music you’d necessarily bounce around and shake your head furiously to. It’s the stuff you would sway your body around to, which was what the audience did to the few songs we heard. I read the band played a lot of good hits near the end of the set (the part we missed) and the crowd was really into it, but I think the spot for alt-J was worth it.

We ended up with a spot on the barrier next to the V.I.P. area, which allowed for a celebrity sighting during the set (Breaking Bad’s Aaron Paul), but it was also close enough to be in the thickness of fans. Alt-J opened with “Hunger of the Pine” (Miley didn’t show much to my displeasure) and had the crowd bumping the whole time to a mixture of songs off both An Awesome Wave and This Is All Yours. Of course the most pleasurable reactions came from current hit “Left Hand Free” and closing/well-known song “Breezeblocks”. It was another favorite set of the day for me.

Jack White took the stage after alt-J. His performance and talent on the guitar was unreal. It began to my surprise with a White Stripes song, “Icky Thump”. His whole set included a bunch of White Stripes songs including the last song “Seven Nation Army” which had the crowd chanting “O-O-O-O-O-O” at one point when they cut the music during the song. The set wasn’t all White Stripes of course and had songs like “Lazaretto”, “Love Interruption”, “High Ball Stepper”, “Would You Fight For My Love?”, “The Black Bat Licorice”, and “Sixteen Saltines”. Jack White’s beliefs and passion for music were evident through what he spoke about in between songs. He was my favorite headliner. We were able to see the entirety of the set since his time slot was pushed down in favor of the Weeknd closing out Saturday night. I’m glad it was.

Sunday was the busiest day of the festival for us. It was the only day with conflicting set times. The biggest one was deciding between RAC and St. Lucia (St. Lucia started 15 minutes after RAC). Since I had listened to RAC more in prep for Coachella and because my cousin also likes one of their songs, we went with RAC (although still managed to make it to the Main Stage for the last 2 St. Lucia songs). They were also first on the list for Sunday. Like the day before, we decided to head to the festival around the same time since we needed to check into our flight around 1 and wanted to try a pizza place for lunch about 2 blocks from our hotel (it was better to only eat once or so at the festival since it was overpriced). Because of that, I missed the Night Terrors of 1927 and Saint Motel sets. It would have been nice to check those guys out but it wasn’t a necessity since I don’t know that much of their stuff anyway (two good bands nonetheless).

RAC’s set was a blast. They played all my favorites off their album Strangers including “Tear You Down”, “All I Got”, “Hollywood” which special guest Penguin Prison came out to perform, and “Cheap Sunglasses”. It did surprise me that RAC only had one special guest since Matthew Koma performed on Saturday and could have easily made an appearance. Unfortunately St. Lucia couldn’t join them for the song they collaborated on because they were playing at the same time. Still, it was a great set and I was dancing and singing along the whole time.

After RAC we rushed over to hear the end of St. Lucia’s set. We heard “September” and “Elevate”, both were good so I’m sure the rest was great too. I think seeing either band (RAC or St. Lucia) would have been comparable as far as enjoyment level goes for me, but I got a little of both with the choice I made.

My cousin decided she wanted to hear Vance Joy’s set so on the way over I caught one song by Conor Oberst and his punk band Desaparecidos. I didn’t even recognize Oberst as he looks way different now than he did as the dark haired, emo Bright Eyes front man. The set also attracted a smaller crowd and would have been fun to attend if it didn’t overlap with others.

While waiting for Vance Joy to come out, the Mojave stage got super crowded. After he played one song my cousin decided she’d rather get out of the tight bunch of people and listen from a more comfortable spot. I agreed. Vance Joy could have easily been an Outdoor or Main Stage performer as his set attracted an overflow of people from the covered Mojave. I tried to listen to Vance Joy in preparation for the event but I wasn’t feeling his music. I like “Riptide” but beyond that it wasn’t my vibe. I guess it wasn’t my cousin’s either so we listened as we “Coachilled” (A Coachella term meaning to sit and relax) from a spot just outside the crowd and tented stage. We sang along with “Riptide” as Vance Joy closed out his set then made our way back to the stage as the crowd filtered out. Brand New was on next.

I was hyped for Brand New. I decided I wanted to be closer than the previous times we saw bands on the Mojave stage. I was so ready to go hard to one of my favorite high school bands. To my dismay though, Brand New’s set was mostly songs off the two most recent albums Daisy and The Devil and God Are Raging Inside Me (my two least favorite Brand New albums). I planned on going so hard to all the Brand New songs but it didn’t work out that way. However, when the beginning of “Sic Transit Gloria” started and the whole crowd let out a scream, I did as well. Everyone belted out the Deja Entendu classic. That was followed by “Okay I Believe You But My Tommy Gun Don’t” another favorite amongst the crowd (I went so hard). It seemed like those two songs along with “Jesus Christ” and “Sowing Season (Yeah)” got the biggest crowd reaction (they closed out the show with those two along with “Degausser” in between). The set featured no songs from “Your Favorite Weapon”. I think because of my high hopes for that I was disappointed and found the set less enjoyable than expected. Don’t get me wrong the set was great and everyone there was dancing hard while screaming out the lyrics to their favorite songs, but from my perspective, it was disappointing.

St. Vincent was next on my list for the day followed by Florence and the Machine (one of my most anticipated acts of the weekend). We saw St. Vincent perform a few songs. “Digital Witness” was one of them, but once I noticed Kaskade finished his extremely popular set on the main stage (which was right by the stage St. Vincent performed at) we headed there to get a good spot for Florence.

My cousin’s back was sore so I told her to sit in the back next to a speaker pole (A9 to be exact) while I made my way closer to the stage. It was a difficult task. I planned to try to go to the opposite side of the stage from where we were for alt-J, but with the amount of people it didn’t work out like that. I was near the same spot I was at for alt-J (near the V.I.P. area). It was so cramped. A girl was annoyed that I tried to “steal her spot”. To be fair I left enough room for her to stand near the bar where we were, but she just didn’t want to share. It was dark by then. The V.I.P. area filled up too so it was difficult to see if anyone famous was hanging out, which I’m sure there was. When Florence and the Machine took the stage, I couldn’t see anything. All I saw was the big screen which showed what I could’ve easily watched at home on YouTube. I made the decision to leave the cramped spot during the second song “What Kind of Man” (she opened with “What the Water Gave Me”). Cell reception was at its worst of the weekend so I had a hard time figuring out where my cousin was (she was not at pole A9). I visually missed a large chunk of the set because I was looking for her. I did stop to watch at times though. It was just a difficult moment. We finally reunited (she was at pole A7) and I was able to watch the end of the set which included new song “Ship to Wreck”, “Shake It Out”, and “Dog Days Are Over”. Singing and dancing along to “Shake It Out” and “Dog Days..” made up for lost time. During “Dog Days..” she had the crowd embrace each other, take off an article of clothing and wave it around, and jump up and down, which she took part in as well (She took off her shirt. It was wild!). If it weren’t for all my issues during the set (being cramped and losing my cousin) I would have fully enjoyed it. Everything I saw of it was amazing. Florence and the Machine put on a hell of a live performance. I’d love to see them again in a more intimate capacity (you know just a Florence show rather than at a festival).

The last set of the night was Drake (my cousin’s choice and I figured “Hey I’ll see him just to say I saw him” because Drake is not my type of music). His set started a half hour late. I knew zero songs. My cousin knew one which he only sang/rapped part of. We left around 11 which was 15 minutes or so after it started. We missed the whole Madonna thing. It wasn’t a big deal to us though. The best part of the Drake set for me was his pre-show playlist. It included Eminem’s “Lose Yourself” which got the whole crowd going. Back in the day when I liked rap and Eminem, I used to listen to the song before every 8th grade basketball game so it was fun to sing/rap to again.

Leaving the venue during the Drake set concluded my first Coachella experience. Like I said it was incredible. I feel so blessed to have gone and experienced it. I would recommend it to anyone to attend. Sure there are other huge similar style festivals like Bonnaroo, Lollapalooza, and now even Firefly, but there’s something special about Coachella. Maybe it’s the atmosphere or maybe it’s the hype with the parties and fashion and tons of celebrities that go every year. No matter the reason, it was a dream experience. For me, it was the music. It’s always the music. To quote something Jack White said during his set, “I hope you realize for a few seconds every day that music is scared. That music is sacred! That music is sacred! That music is sacred!” I agree Jack. So whether it be Coachella or any concert or festival or radio station or CD or record or ipod/iphone playlist, let’s remember that. Music is sacred.

 

 

Coachella Band Preview: Brand New

If you had asked me in the months between when I purchased tickets to Coachella until when the Coachella lineup came out who I thought was going to play the event or who I wanted to see at it, I could have given you a bunch of bands. The Arctic Monkeys. The Black Keys. Alt-J. Cold War Kids. Florence and the Machine. The list goes on and on. When the lineup came out in January, some of those bands made the cut (i.e. Alt-J, Florence, etc.). Many did not. What I wasn’t anticipating was seeing a band on the list that had been a major part of my life since around the time I started listening to “good music” in high school. It was a band that I haven’t listened to in several years because my taste in music changed quite a bit (when I strayed on a more indie route from my punk rock/emo/scene kid days). Even though that is the case, I can’t pretend I wasn’t stoked to see their name on the poster.

Coachella is noted for booking artists and bands that appeal to a wide array of music tastes. So, it shouldn’t have come as such a shock to see Brand New’s name on the lineup. I wasn’t expecting it but like I said, I was still pretty stoked. If you had asked me during my senior of high school who my favorite bands were, Brand New would’ve been in the top 3 so possibly seeing them as part of my first Coachella experience would be pretty rad.

Formed in 2000 from Long Island, New York (one of the best music scenes in the late 90’s-early 00’s), Brand New is made up of members, Jesse Lacey , Vincent Accardi, Garrett Tierney, and Brian Lane. Since their creation, Brand New has toured world wide, played countless festivals, and even performed on some late night television shows. They released their debut album Your Favorite Weapon in 2001. The second album, Déjà Entendu, came two years later and was a change in style from their first album. The first album was angsty, emo punk rock about all kinds of relationships. Most notably a few songs on the record supposedly took a dig at Taking Back Sunday guitarist, John Nolan, who was childhood friends with frontman, Jesse Lacey (for more on the bands’ feud you can check this out). The sound on the second album was way more mature. It was more alternative rock, more mellow at times, and much less angry. It was a progression of sound as well as success as it surpassed sales of their first album in a matter of weeks. Brand New’s third album, The Devil and God Are Raging Inside Me, was released in November 2006 and featured one of their most successful singles, “Jesus Christ”. The sound in this album also progressed from their second album. Although I would also consider it alternative rock, the band’s punk rock roots were less evident in it compared to Déjà Entendu (at least it seemed that way to me, but you could argue). Daisy, their fourth full length and latest album, was released in 2009. The sound in it was comparable to their third album and didn’t stray as much as the transitions between the other 3 albums.

In late 2004, a friend of mine introduced me to Brand New by burning me a copy of Your Favorite Weapon (it was actually the same friend who introduced me to Bayside). I was a huge fan from that point on. I listened to the CD constantly. I’m pretty sure I ended up getting Déjà Entendu not long after. It might’ve even been for Christmas 2004. I loved almost every song on Your Favorite Weapon though. In particular, “Failure By Design” was my all-time favorite. I related to the lyrics so much since I was such an emo kid at age 15. I purchased a Brand New t-shirt at Hot Topic (before Hot Topic got trendy) that is still to this day one of my favorite band tees. My Brand New “Because Mics Are For Singing Not Swinging” zip-up hoodie (another dig at Taking Back Sunday) was my go to during my senior year of high school. I screamed the lyrics to “Seventy Times Seven” when I got in fights with friends, and then I would put that song on the mix tapes I made them.

The first time I saw Brand New play live was in October 2006, my senior year of high school, when they were on tour with Dashboard Confessional. They opened for Dashboard. I saw them two more times after that. Both came in the spring of 2010, my junior year of college, within a week or two of each other. Yes, it was two shows on the same tour. I haven’t seen them since. I haven’t really had the desire to either since I experienced that second “musical enlightenment” in the spring of 2011 (my music taste changed a bit for those that haven’t read my blog posts).

Seeing them this year at Coachella would be like an added bonus (since I never expected to see them there). They’re playing on Sunday for both weekends in what will be their first Coachella appearance. I haven’t listened to them to prepare for their set because I’m sure if I do end up seeing it I’ll know the songs well enough already. However, if you end up seeing their set, I have a feeling they’ll be playing some new material. In November 2014, they announced a fifth album was in the works. I haven’t heard when it’ll be released but I’m sure they’ll use this opportunity to play a few new tunes. So if you’re like me and Brand New was part of the soundtrack to your teenage high school days (or if you’re into the kind of music they play), their set is worth checking out. It’ll definitely be nostalgic.

Song recommendations:

1. Seventy Times Seven

2. Failure By Design

3. The Quiet Things That No One Ever Knows

4. Okay, I Believe You But My Tommy Gun Don’t

5. Jesus Christ

6. Archers

7. At The Bottom

8. Jude Law And A Semester Abroad

9. The Boy Who Blocked His Own Shot

10. Soco Amaretto Lime

2015 Coachella Valley Arts and Music Festival Lineup Release

With the new year upon us, only a few months remain until spring and summer. What seems to have become a bigger deal in recent years during these seasons at least according to my perspective are music festivals. I mean up until 4 years ago or so all I knew of was the Vans Warped Tour (travels all over the country) which I had attended from 2005-2011 and the Bamboozle Festival in New Jersey, which is no longer in existence. Apparently musical festivals, a lot of which last several days, are a big deal.

Some of the biggest in the country are Lollapalooza in Chicago, Illinois, South by Southwest in Austin, Texas, Bonnaroo in Manchester, Tennessee, and Coachella in Indio, California. Of course if you want to get global we could also include Glastonbury in England. On the east coast (where I reside), Firefly (Dover, Delaware) and Governor’s Ball (New York, New York) seem to be getting some acclaim. On the west coast, I’ve heard some pretty good things about Sasquatch (Gorge, Washington). Then again, there’s plenty of other festivals for specific types of music as well.

When it comes to all these festivals, those who look forward to attending anticipate the lineup announcements, and for those who plan on attending Coachella, the lineup was released 2 days ago. Since Coachella is probably the biggest and most acclaimed festival in the U.S., I just wanted to take the time to feature the lineup.  It’s also pretty important to me because for the first time ever I will be attending the festival during Weekend 1 (yes this festival got so big it is now two consecutive weekends) and I want to discuss what I expect from the Coachella Valley Arts and Music Festival 2015.

The Headliners: AC/DC, Jack White, Drake

These headliners are always front of the rumor mill for weeks leading up to the lineup announcement. With this lineup of headliners and often with Coachella headliners we’re given a blend of different types of artists. AC/DC is old-school, classic rock. From what I’ve read this may be one of the last times they even play a show together, so it’s bound to be a special experience. Plus it’s a guarantee that everyone knows their songs and will gladly sing along as they shred Friday night in the desert. This will be Jack White’s first time playing as a solo artist at Coachella (he played as a member of the White Stripes, the Raconteurs and the Dead Weather). He’s also a rock guy and with being a well-known musician, plus the success of Lazaretto he seemed destined to headline the event. Lastly, rap artist, Drake, will be closing out the list of headliners Sunday night. As stated, Coachella seems to get many music styles in their yearly lineups. Having big name rappers headline the festival is nothing new (Kanye West, Jay-Z, Snoop Dogg, and Dr. Dre have previously headlined) but being given a top spot for a rapper is quite the honor. His set is already being referred to as one of the most highly anticipated sets of the weekend. With Drake’s success, I’m sure he won’t disappoint.

The Other Highly Billed Performers (aka the next 2 lines on each day of the poster): Tame Impala, Interpol, Steely Dan, Alesso, Alabama Shakes, Ride, Nero, the Weeknd, Axwell ^ Ingrosso, alt-J, Belle & Sebastian, Ratatat, Hozier, Florence & the Machine, Kaskade, Ryan Adams, David Guetta, St. Vincent, Azealia Banks, Flying Lotus, Raekwon and Ghostface Killah, Lykke Li, DJ Snake, Porter Robinson, Caribou, Flosstradamus, Bad Religion, SBTRKT, FKA Twigs, Tyler the Creator, Father John Misty, the War on Drugs, Deorro, Marina and the Diamonds, Fitz and the Tantrums, Brand New, Madeon, Stromae, Kygo, Odesza, Gesaffelstein, RAC, Lil B

Obviously I can’t go into discussion about each of these bands, but as I stated twice already, Coachella puts a lineup together of all different styles of music and this year is no different. I do have to mention Steely Dan and Ride, which along with AC/DC make up some pretty old acts. Out of this group I’m most looking forward to Alabama Shakes, alt-J, Belle & Sebastian, Florence & the Machine, St. Vincent, RAC, and Brand New. I’d also be interested in checking out Ride (I really know nothing except for “Vapour Trail” because of The Perks of Being A Wallflower (the book)), Hozier (will definitely check them out if there’s time because it’ll be a fun set, but I did see them last year at the Sweetlife Festival and they’re not high on my list of faves), Bad Religion (I don’t know too much of their stuff but another old school band I listened to in college on occasion), Father John Misty (I just wanna hear “Hollywood Forever Cemetery Sings”), Fitz and the Tantrums (good band but like Hozier I saw them at Sweetlife), and Tame Impala (they’re alright and I own an album, but again not one of my faves).

2-3 years ago I was pretty hyped on Alabama Shakes so I’m looking forward to their set and hearing Brittany Howard kill the vocals. I just got alt-J’s latest album on vinyl and I’ve been a fan of a selection of their songs for a couple years. Belle & Sebastian have been around for awhile. I passed up the opportunity to seem them in Pittsburgh last summer and I’m kind of looking forward to singing along to “Boy with the Arab Strap”. Out of all the bands playing I think I’m looking forward to seeing Florence & the Machine the most. Florence Welch has some insane pipes. I have both of their albums on vinyl and with a third coming out soon, it looks like I’ll have to make that purchase before I fly out to SoCal. I’m not a huge St. Vincent fan but it’s mostly because I haven’t really listened to a ton of her music. I know a few songs and I really enjoy those so I’m gonna have to prep for this one. I still like her enough to add her to my list of most anticipated acts. I was hooked on the song “Cheap Sunglasses” by RAC this past summer and I downloaded a few other songs since then. I plan on learning more in the three months until Coachella so I’m ready for what I think will be a fun set. Finally, Brand New. I could make a whole post about Brand New and I probably will at some point. I’ve liked Brand New since I was 15 years old. Since my second musical enlightenment (refer back to the post about that), I’ve fallen out of listening to them (unless I feel like playing some “Seventy Times Seven” to myself on guitar). I’ve seen them three times already and enjoyed each experience. Out of all the bands playing Coachella though, I know the most songs by Brand New. It’ll definitely be a throwback for me and I guarantee everyone at that set will most likely be feeling the same nostalgia I’ll feel. It’s gonna be fun.

The Rest: Caribou, Todd Terje and the Olsens, Angus & Julia Stone, Hot Natured, George Ezra, Squarepusher, Kiesza, Action Bronson, Gorgon City, Reverend Horton Heat, Sylvan Esso, Kimbra, Vic Mensa, Erol Alkan, Kele, Cloud Nothings, Keys N Krates, MK, Pete Tong, Ab-Soul, Haerts, Eagulls, Allah-Las, Alvin Risk, Chris Malinchak, Jon Hopkins, Oliver Heldens, Ryan Hemsworth, Jason Bentley, Brant Bjork and the Low Desert Punk Band, Marques Wyatt, The Ghost of a Saber Tooth Tiger, Los Rakas, Run the Jewels, Tycho, Chet Faker, Kasabian, Drive Like Jehu, Swans, Milky Chance, Toro y Moi, Jungle, New World Punx, Clean Bandit, Glass Animals, Royal Blood, Alison Wonderland, the Gaslamp Killer Experience, Loco Dice, Danny Tenaglia, Antemasque, Parquet Courts, Gramatik, Lights, What So Not, Yellow Claw, DJ Harvey, Tale of Us, Yelle, Andrew McMahon, Carl Graig, Phox, St. Paul and the Broken Bones, Cashmere Cat, Nortec Collective Presents: Bostich + Fussible, Tourist, Benjamin Booker, Matthew Koma, Perfume Genius, Jamestown Revival, Bad Suns, Ruen Brothers, Bixel Boys, Andrea Olivia, Ryn Weaver, Radkey, Coasts, Until the Ribbon Breaks, Circa Survive, Jenny Lewis, Desaparecidos, Jamie xx, Martin Solveig, Duke Dumont, Mac DeMarco, Vance Joy, Built to Spill, J.E.S.&S (Jack Master, Eats Everything, Skream & Seth Troxler), Panda Bear, Kaytranada, R3hab, St. Lucia, Dirty South, OFF!, Charles Bradley, Philip Selway, Cedric Gervais, Claude Von Stroke, Touché Amoré, Joyce Manor, Angel Olsen, John Talabot, Tiger and Woods, Dubfire, Sturgill Simpson, Annie Mac, Chicano Batman, MØ, Sloan, Doc Martin, Saint Motel, The Orwells, The Cribs, tINI, Ben Klock, Night Terrors of 1927

Some of the bands listed here might also be considered highly billed as well but I just listed everything in poster order priority. Out of this group, I’d like to see Angus & Julia Stone, Milky Chance, Jungle, Desaparecidos, Vance Joy, St. Lucia, and Andrew McMahon. Even though they’re not listed as a top performer, I really like St. Lucia and I missed them at Sweetlife last year because I was trying to secure a good spot for Lana Del Rey. I just received their album on vinyl for Christmas and I love it so I’m definitely making these guys a priority. Next on the priority list from this group of bands is Desaparecidos which I never listened to/heard of until today (listening as I write this actually). I’m kind of upset I haven’t because they’re a side project band of the all too well-known Conor Oberst of Bright Eyes. I always thought it would be cool to see Conor Oberst/Bright Eyes and I don’t plan on missing out at my opportunity. Count the rest of the bands I listed above as ones I would see if there was time/nothing else going on. It’s not like Andrew McMahon is going to play a bunch of Something Corporate songs for me to jam to (although “Konstantine” would be devine), I only know the most well-known song by both Milky Chance and Vance Joy, and Angus & Julia Stone are great to listen to on a long drive but I only know a few songs and they’re not one of my favorites. Jungle is borderline. It depends how much I listen to them in the coming months/how much I enjoy listening to them but I do really love the song “Time”.

As far as this lineup goes, I think it could be better based on my own tastes (I liked last year’s lineup a lot). However, I still feel fortunate that I’m going and get to experience what Coachella is all about. Who knows though. There might be other bands I check out and end up loving that I add to my list of bands I want to see when I attend this epic 3 day extravaganza with my awesome cousin, Kelly, who agreed to go with me. You can bet I’ll be prepping for the next 3 months and you can also expect a review of my experience/the bands post-festival. Please feel free to comment with any bands you think I would like or should listen to because I’m all about good prep suggestions. The countdown to this famed festival got real with the lineup release Tuesday, and I can’t believe I actually get to be there instead of watching the stream on my computer this year. Until then, it’s music prep time. See you in the desert!

Breathe in for Luck

Very rarely do we get the chance to see our favorite bands sharing the same stage while touring together. Fortunately, I happened to experience this 8 years ago tonight.

I was a senior in high school. Music was life (let’s be honest…it still is). Going to shows made me whole. I was such an emo kid. I followed the scene. Warped Tour was a must every summer. Band tees were a standard in my wardrobe. I constantly looked for new bands/songs that professed the words of every single solitary feeling my teenage body elicited. I wasn’t always this way though. I followed the mainstream radio pop for years until my freshman year of high school, specifically in the spring, when I went through what I like to call a musical enlightenment.

For many people out there, myself included, there’s always a band/musician/song/album/some sort of musical element that changes your life. For me it was a band. During my freshman year of high school I became exposed to music other than what was on the radio. It sort of started with Something Corporate when a friend of mine had me listen to Punk Rock Princess. At that point I liked just one or two alternative songs and I still listened to the radio. My enlightenment didn’t occur until I was first introduced to Dashboard Confessional in April of that same year. It was 2004, shortly after Dashboard released A Mark, A Mission, A Brand, A Scar. They weren’t up and coming. They had previously released albums like The Swiss Army Romance and The Places You Have Come To Fear The Most (arguably their best). They had been around for a couple years and were known by those in the emo/indie/alternative fan base. But, they were the first band I ever really got into that wasn’t part of the radio pop/rap/R&B (cringe) stuff I liked at the time. It was huge for me.

A friend had recommended them and I gave them a shot. I really liked what I heard (pretty sure the first songs I listened to were “Screaming Infidelities”, “The Swiss Army Romance” and “Hands Down”). I went out and bought their third full length (A Mark, A Mission…). I listened to it on repeat trying to memorize the words to all the songs on that album, especially “Hands Down”. That was THE song. I’m gonna go out on a limb and say everyone wanted a night like the one described in “Hands Down”. It became my anthem that spring. The local hockey team (referenced them in a previous post) ended up making it to the finals of their respective league that year and I played the song before every game. I played it so much that my mom learned all the words and would get into it too (we used to bang on the car dashboard during that break in the chorus). That June my family planned a trip to Disney World and I found out Dashboard was playing the night of our arrival at the House of Blues in Orlando. I tried so hard to get my mom to allow me to go. It didn’t work out in my favor, but that entire trip was still amazing even without seeing my favorite band. The spring of 2004 was a special time in my life for so many other reasons, but this musical enlightenment was a part of that and I owe it to Dashboard Confessional.

That sounds like such a great ending to the blog post but I never even mentioned why 8 years ago tonight actually mattered. Well obviously it had something to do with Dashboard. But before I get into that, let me say the first time I saw Dashboard Confessional was in the Spring of 2006. A local college sponsored them as their spring concert and my friend Megan and I went to see them. It was everything I hoped for and my mom was happy I finally got to see them since she didn’t let me go in Florida. Then, less than a year later, you guessed it, they came back.

This time they were touring with Brand New, another one of my favorite bands that I fell in love with shortly post-Dashboard (told you Dashboard changed my life). This tour was probably the coolest thing ever for me at the time. My top two favorite bands in one night, are you kidding me? Who gets to see their favorite bands perform in the same night. Me. Duh. I was definitely going. I’m not sure how it happened either but I convinced my friend Shannon to attend this show with me (Megan..same friend from above…came along as well). It was pretty incredible that Shannon decided to come along because Shannon did not listen to the same music as me. She wore cardigans. She never cursed. She listened to all the radio stuff (she still does…extreme T-Swift fan). She just wasn’t the same emo/punk rock/indie/alternative kid as me, but I introduced her to Dashboard from a mix tape I made her (I made/make the best mix tapes I swear). She loved them from that. Plus this was going to be her first “real” show (general admission, pit, the works).

It was a fun night. At the time it was the best show I had ever been to (it’s still probably in my top 10 favorite shows). There were plenty of things that happened. Shannon wore converse (they were pink though…go figure) and screamingly confessed her love for Chris Carrabba. A classmate of ours almost got in a fight with a drunk girl. Brand New didn’t play Seventy Times Seven (teenage anthem forever…I was heartbroken). I sang along to so many songs that I knew and loved (“Vindicated”, “Bend & Not Break”,” Screaming Infidelities”). Most importantly, as the standard for Dashboard in those days, they always closed their shows with “Hands Down” (I wouldn’t have it any other way). That night was no different except for the fact that I got so pumped during the song I decided to jump up and down and ended up twisting my ankle when I landed on a bystander’s foot. It was a memorable night for sure. Can I say that it was hands down the best day I will ever remember, always remember? No. I’ve had some better times and no one kissed me like they meant it, but it was pretty damn good enough to come close.

Here’s a list of some of my favorite Dashboard Confessional songs that I recommend to the world besides all those listed above aka “Hands Down”, “Bend & Not Break”, “Vindicated”, “Screaming Infidelities”, and “The Swiss Army Romance” (that means listen to these too cause they are also my faves):

1. The Secret’s in the Telling

2. As Lovers Go

3. Saints & Sailors

4. Again I Go Unnoticed

5. The Places You Have Come to Fear the Most

6. The Sharp Hint of New Tears

7. Age Six Racer (in particular listen to this on the day before the first day of school, Labor Day, or whenever the last day of summer is for you)

8. Rapid Hope Loss

Just to give you a head start on listening…the song of all songs: