Dan Smith

Give Me the Future: Album Review

In February, while I was solely focused on writing Coachella Band Previews, several of my favorite bands dropped some new albums and I neglected to review them. The first of those was Bastille. On February 4th, Bastille released Give Me the Future. They dropped several tracks during 2021 in anticipation of the new album. Give Me the Future is Bastille’s fourth full length album and their latest since 2019.

Bastille is a band that has such a defining sound from Dan Smith’s smooth vocals. Their sound has always been a welcome consistency for me. That consistency lacks for a handful of artists so it’s nice when it exists. I will say the sound on the new album incorporates this modern, tech-y, futuristic style sound that is unique to other Bastille records, but it’s just enough to make their album sound different without making them sound different. A perfect example of this is “Plug In…” or “Back to the Future.” The theme of the album has such a deep, meaningful nature with the lyrical content too. The band credits that to the wild turn the world took in 2020 with the pandemic and what came from it.

As much as I always enjoy the music Bastille puts out, I have to say this album as a whole didn’t really do much for me. There’s a few songs I enjoy like “Shut Off the Lights” and “No Bad Days,” but overall as a whole it hasn’t really stuck out. Nonetheless, I’m grateful for the new tunes, many of which I heard over the last year before the whole album came out! Maybe that’s part of the reason why I haven’t felt as hype about it. Many of the songs I like came out before the album release. The ones I hadn’t heard yet didn’t really stick out. That could be it. I feel like I’m being picky about it. As a fan of Bastille and indie pop though, I still say it’s worth listening to and something you should decide on for yourself.

Doom Days: Album Review

Since Bastille released their sophomore album in September 2016, they’ve still been very much active in the touring and music world. They toured through 2017 and released new music in 2018 including the chart topping hit “Happier” in collaboration with EDM DJ Marshmello. It all lead up to the release of their third album Doom Days on June 14th.

Bastille’s new album is another indie pop/rock masterpiece from the British band. I feel like every Bastille album is just a continuation of the prior. Their tracks have catchy hooks that seem to stick in your head well beyond the 3-4 minutes you spend listening to a song. The consistency of their sound and vibe is a thing of beauty. I think part of the reason for that is Dan Smith’s smooth, hypnotizing vocals. Their sound also dives a little bit deeper into electronic music this time around. “Another Place” has a tropical house feel to it. “Million Pieces” also bridges that gap into electronic music. Lyrically the new record feels like it’s about getting through tough times. Songs like “Quarter Past Midnight”, “Joy”, and “Those Nights” are perfect examples of that theme. 

Bastille will be embarking on a fall tour in support of the album across the U.S. and Canada. They also have announced dates across the U.K. and in Australia. I’ve already picked up a copy of the new record and have planned to try to catch them on this tour. Bastille has put out consistently good records since their debut in 2013. They also put on a great live show. Definitely listen to this new record whether you’re a fan or casual listener because it’s another good one. You’ll probably fall into it just like I did and just like “The Waves”, you may even “get carried away.”

Bastille

It was 2013. I was in California for the first time visiting my cousin and exploring the southern portion of the state. I can’t remember what day it was or if it was night time or the middle of the afternoon, but I sat in her downstairs bathroom catching up on social media. I saw a tweet from someone I followed that hyped up a band named Bastille. The tweet also mentioned several songs. I sat there checking each one out before I left the bathroom. I can’t say I was a fan of any of the songs. I had much more important things to focus on though, mainly being in California. That was the first time I heard of Bastille.

Months later I re-evaluated my opinions on the band. I got into the song Pompeii (like everyone else) and eventually Bad Blood. Pompeii was one of the songs I listened to in my cousin’s bathroom. The song Flaws was another, which I started liking later on too. Sometimes bands or artists have to grow on us. Sometimes we have to hear them in a different context to appreciate them. That’s what happened in this situation for me. Now a little over three years since I first heard Bastille, I fell in love with their sophomore album, Wild World.

Bastille is a British indie pop band formed primarily by lead vocalist Dan Smith, but includes members, Kyle Simmons (keyboard), Will Farquarson (guitar and bass), and Chris Wood (drums). The band was formed in 2010 as a solo project of Smith’s. The band name comes from the French holiday Bastille Day which is celebrated July 14th, Dan Smith’s birthday. The band independently released their debut single and self released their first EP before their debut, Bad Blood, came out under Virgin Records in March of 2013.

Their first album reached the number one position on the UK Albums Chart upon its release. Following the release, Bastille played SXSW and supported Muse on The 2nd Law Tour in May and June. They also played on the UK festival circuit in the summer 2013 including appearances at Glastonbury, Blissfields, and Reading and Leeds (all festivals they played in prior years as well). The band won a BRIT Award in February 2014 for Best Breakthrough Artist. In December 2014, the band released their third mixtape (the first two were released in 2012). The mixtape had all original content compared to the combination of original songs and covers on the first two.

After a somewhat quiet 2015, this past June Bastille announced their second album, Wild World, and released the first single from the album “Good Grief”. The album was released on September 9th. By the album’s second week, it topped the UK and Scottish album charts.

The success of their first album will be difficult to match, but if my opinion says anything, I thought it was excellent the first time I listened to it (Can you tell how much Bastille has grown on me?). It looks as if the band will be touring worldwide to promote their new album through the coming months. They’ll most likely be playing several dates on the festival circuit next year as well. Just by looking at their upcoming tour dates, there’s a pretty good indication that they’ll be a lock for Coachella 2017, their second Coachella.

They are undoubtedly an indie pop band, so much so that I initially questioned if they were indie at all. I think the initial reason why I wasn’t into them was because of how pop their music sounded. Maybe that’s also why I was into their newest album upon first listen. I feel like I’ve been listening to more poppy stuff lately. Too much poppy stuff if you ask me (Feel free to send me indie recommendations!). Anyway, I think their new album has many similarities to their first. Bastille has such a distinct sound that it’s difficult for me to pick out some major differences. I’m sure I could if I really studied both albums, but just take that as it is for now. If anything, there might be a hint more of an electronic influence in Wild World than in Bad Blood.

Surprisingly (or not surprisingly depending on your opinion), I’ve seen Bastille play before. They played the Sweetlife Festival in 2014, which I attended to see Lana Del Rey and Foster the People. I had lawn tickets (because it was all that was available at the time) and wanted to get a good spot for Lana and FTP so my friends and I hung out at the main stage all day. It resulted in missing Capital Cities and St. Lucia, but allowed me to see some great performances from Hozier, Bastille, and Fitz and the Tantrums. Bastille was actually my unintended favorite performance of the day. During the set Dan Smith, walked the entire length of the pavilion to the lawn area and back to the stage, which hyped up the crowd immensely. Pompeii, as their most successful song, also yielded a great crowd reaction.

If you’re into pop music, or indie pop, Bastille is a band you should check out. I also highly recommend seeing them live. I didn’t have any expectations for them at Sweetlife going in, but I thought they absolutely crushed their set. So if you do plan on checking them out or plan to see them live, these are a few songs you need to hear:

  1. Pompeii
  2. Bad Blood
  3. Flaws
  4. Overjoyed
  5. Good Grief
  6. Send Them Off!
  7. Things We Lost in the Fire
  8. Fake It
  9. No Scrubs (TLC Cover) (This cover is so so so so good!)
  10. Warmth