dance music

Coachella Band Preview: MK

Finally, we’ve made it to Coachella 2023 festival week! Weekend 1 is just a few days away and I’m hard at work on another year of Safari Check-In. I’m sure we’ll have set times very soon as they usually drop the week of the festival. Soon you’ll be able to make your plans on who to see. I’m just hoping I’ll get to see some of the many Friday acts I like as I’m only able to see those that play in the evening. The last two years the lineups have worked out for me with a lack of Friday acts I wanted to catch. This year the tables have turned. Many acts I would like to see play Friday. I have one more artist preview for you to binge listen to this week first though. It’s Detroit electronic artist MK.

MK, otherwise known as Marc Kinchen, has been producing electronic and club music since the 90’s. Two of his earliest hits were “Always” and “Love Changes” which hit number one on Billboard’s Hot Dance Music/Club Play chart. He’s also produced music for many other artists through the years in addition to his own music. Those artists include Pitbull, Will Smith, Jaden Smith, Mary J. Blige, and even Beyoncé. His style of music is mostly house and deep house, but also include elements of pop, R&B, and dance music which is similar to that of many electronic artists these days that make mainstream music, which makes me think his set will be a good time. I’ve listened to him here and there for a few years now during my work outs and his songs always fuel my energy.

MK last played Coachella in 2015. That year he played in the Yuma tent. I’m not sure if he’ll be at Yuma this year or maybe at Sahara. If he does play Sahara I expect an early afternoon set. My Yuma prediction is late afternoon-early evening. We’re probably only hours away from knowing set times anyway. Here’s a few to binge listen to before then:

  1. 17
  2. Piece of Me (ft. Becky Hill)
  3. Look Right Through
  4. Love Changes
  5. Always
  6. One Night (ft. Raphaella & Sonny Fodera)
  7. Back & Forth (ft. Jonas Blue & Becky Hill)
  8. Better (ft. Teddy Swims)
  9. 2AM (ft. Carla Monroe)
  10. Chemical

Well after a year of waiting and three months since the lineup drop, it’s finally time for the rest of you to get out here! The vibes are just as good as every year. I’ve always said to live every Coachella like it’s your first Coachella (and last after the long wait between 2019 and 2022). The atmosphere here makes it easy. The campgrounds open in 3 days and I’m hard at work getting ready for that moment since my job surrounds getting people checked-in and ready for the weekend. I can’t believe this is my job! It’s really the coolest and most fun at my favorite festival. I hope you all have the best weekend because I know I will! There’s just no bad vibes at Coachella. Enjoy the music, the people, the atmosphere, and have the best time! Happy Coachella!

Coachella Band Preview: Despacio

We’re currently less than a month away until Coachella 2023 Weekend 1. I already have friends out in Indio working on the build of the festival, which means that you should be preparing accordingly too. I hope you’ve gotten your wristbands, your travel and accommodations are booked, your outfits are picked out, and your favorite artists on repeat to the point that you know all the songs and are ready to sing along and dance your ass off on the polo fields. This week the act I wanted to review is probably the toughest to prepare for because the only thing you can guarantee you’ll get is an incredible dance party.

Despacio, which is the spanish word for “slowly,” is a side project created by LCD Soundsystem’s James Murphy, audio engineer John Klett, and Soulwax’s/2manydjs’ David and Stephen Dewaele. The name isn’t really the name of the group as much as it is the name of the soundsystem used to create a one-of-a-kind listening experience. The 7 stack McIntosh soundsystem uses 50,000 watts of sound all while Murphy and the Dewaele brothers spin vinyl for hours on end. It’s a club experience like no other that first debuted in 2013 and has been popping up at festivals and on tours ever since. This won’t be the first time Despacio makes a Coachella appearance, as it first appeared for an “all weekend long” run at the festival in 2016. There was even a special tent created specifically for the Despacio experience, which I expect will be similar this year.

That being said you’re basically getting club style dance music. There’s not really any specific songs you can listen to in preparation. Just get your stretches in and prepare to move your body. As an LCD Soundsystem fan, who was a bit disappointed LCD didn’t make the lineup after hearing some rumors, I’m excited to experience this James Murphy project. I’ve heard of it and yet never have been able to experience it in person, so I plan to during my month stay in the desert. If you really want to get into the club vibe, spend a little time listening to LCD Soundsystem, Soulwax, or 2manydjs. 2manydjs are playing the festival anyway so it would serve as a dual purpose if you’re trying to catch their set. Otherwise practice those dance moves and keep listening to your other favorite Coachella 2023 artists this week, because we’re nearing the finish line of waiting. 4 weeks til Coachella!

2022 Music Wrap

Another year is coming to a close, which means I’m here to tell you about all my favorites in music from 2022. This is just me talking about my favorite bands, songs, and albums from the last year. These have all defined my year in music, aside from, of course, concerts and festival sets. I included those last year since I went 15 months without any of it. This year though we’re back to the original recap post with all my faves in no particular order. So let’s get to it…

Wallows

There’s nothing and no one on this list that defines my year more than Wallows. It started Weekend 1 of Coachella when I was mesmerized by their mid-afternoon Outdoor Theatre set and continued non-stop for the next 4 months. It kept going beyond that too but in a less obsessive way. Coachella has always been known for getting me into bands. The festival’s 2022 return gave me that again with Wallows. After catching both weekend’s Coachella sets, I acquired every single hard form of their music on either CD or record. I saw them perform live 4 more times after both Coachella sets, including 2 concerts and 2 other festival sets, Bonnaroo being my most favorite of all. It took a while for Wallows to hit for me, as I tried getting into them 5 years earlier, but sometimes all it takes is the power of live music. I have so many favorite Wallows songs, but “Pictures of Girls” will forever be my go to. Their most recent album Tell Me That It’s Over also played a huge part in my Wallows era as well as select songs like “OK”, “Talk Like That”, “I’m Full”, and “Treacherous Doctor” from the Remote and Remote (Deluxe) EPs and their debut album Nothing Happens. Their single “Pulling Leaves Off Trees” was another favorite from my 4 month Wallows binge. I might have been able to go through this year without a band like Wallows, but I’m glad I got into them and love them moving forward.

Being Funny In A Foreign Language

Released in October, the 1975’s 5th full length album became a big part of my end of the year. I went to Nashville specifically to see them tour in support of this album and it was my first time ever seeing them play in concert (every other time was a festival set). Then Matty Healy started blowing up on social media in early December causing even more focus on the 1975 (Don’t like menthols!) and more focus for me on them and their latest album. Being Funny In A Foreign Language also has two songs that are low key Christmas/December-ish songs that really hit in the last two months of the year. I’ve been listening to the album so much over the last few weeks, including “Wintering” non-stop on December 23rd (IYKYK). I’ve realized top to bottom this is probably their second best album next to their debut self-titled. Although I haven’t had as much time to listen to it, this is one of my favorite albums released in 2022.

Goth Babe

Back in May, I worked EDC Las Vegas with my friend Erin and she kept telling me how good Goth Babe was. After listening to a song or two and agreeing with her opinions, I added a few songs to my Spotify playlist I was listening to at the time. There was even some discussion between us about seeing him perform a Lollapalooza aftershow. It sold out too fast but we caught his set together at Lolla and then with some of our other friends, got tickets to instead see him play an ACL late night show during Weekend 1. That’s when I dove head first into Goth Babe and got into his music. “Canary Islands” will always be my go-to, but “Casita” was a vibe during my drives to the fall beach festivals I worked. Thanks to Erin for this one as I definitely found a new artist I’m really into.

The Maine

Is it 2007? It certainly felt like it in early 2022 when I told my friend Hailey I would go see her favorite band, the Maine, with her and her friends for her birthday in March. The Maine was never a band I listened to much during the scene era of the late 00’s-early 2010’s. “The Way We Talk” and their cover of Akon’s “I Wanna Love You” was all I knew. Then Hailey re-introduced me to her favorite guys from Phoenix, Arizona and I became a lover of “Sticky”, “Black Butterflies and Deja Vú”, and “Dirty, Pretty, Beautiful”. The song that really got me hooked again though was their 2022 release “Loved You a Little” featuring Adam Lazzara from Taking Back Sunday and Charlotte Sands. The song would have hit just as hard in 2007 as it did this year. Then I saw them live for the first time. They were great and the show was so fun that I decided to see them again exactly 6 months later with the same March crew (plus a few others) when I had some unexpected free time after a festival cancellation in late September. I think I might have missed out all these years when it comes to the Maine, or there’s just something special about seeing your friends’ favorite bands with them and I don’t know if it would feel the same otherwise.

“Heart Out” -The 1975

Mexico 2022 really sucked a lot of life out of me. There were so many things about this past year’s Mexico run that were more difficult than usual and other personal things that just aided to that. When I got back from Mexico in early March I wasn’t in the best spirits, despite being a month away from my favorite music festival for the first time in 3 years. My friend Hailey flew in to Philly for a work trip for a night during that time and wanted to hang. Although I wasn’t really feeling it, I knew I didn’t want to bail on her so we hung out for a few hours, went out to dinner, grabbed drinks, and walked around the city for a bit. We were looking for something to do and walked past a Hard Rock Café as the song “Heart Out” by the 1975 played loudly. For the first time in a few weeks, that song and both spending time with and having fun with my friend hyped me up. I suggested we could just dance outside the Hard Rock Café all night since they were clearly playing bops. After that night, I started listening to “Heart Out” at random times the rest of the month. I added it to my workout playlist too. Who knew that even before the 1975 started teasing BFIAFL I would be vibing to one of their old songs. This year gave me a second coming of “Heart Out.” It was so much so that I was truly disappointed it wasn’t included on their fall tour set list, especially the show that Hailey and I attended together.

“I Know There’s Gonna Be (Good Times)” -Jamie xx

2022 brought back Coachella into my life and I will forever be grateful for being able to be back on the polo fields this past year. When the lineup dropped in early January, I made a playlist with songs from artists I was interested in seeing as I typically do. Jamie xx’s “I Know There’s Gonna Be (Good Times)” was one of the songs. This song set all of my anticipation for the festival. After a 3 year wait, I knew it was gonna be a good time. It was just finally making it back there that was in question as it had been since 2020. I listened to this song so much leading up to those 2 weeks in April and even during the event until I saw Jamie xx’s Weekend 2 set with many of my coworkers. He didn’t even end up playing the song during the set either (he did Weekend 1 though!). Nonetheless, it still set the mood from January to April for me.

“This Is Why” -Paramore

Paramore made their way back into the music world this year for the first time since 2018 when they announced fall tour dates including a stop at Austin City Limits. With a new album slated for February 2023, the group released their first single, “This Is Why” in late September, a week before their ACL appearance and right before their tour began. I was at Oceans Calling Festival when I first heard the song. The festival got cancelled a day later and I spent most of the weekend at home anticipating ACL. It wasn’t until Weekend 1 when I realized how excited my friends and coworkers were for Paramore’s set that I started getting into Paramore for the first time in my life. Paramore never resonated with me during high school when alternative/emo music was at the forefront of my music interests, aside from, of course, “Misery Business,” which front woman, Hayley Williams, was intent on retiring in 2018. However, seeing our friend Kristen see Paramore became ACL goals and our team started singing “This Is Why” nonstop by Weekend 2. I got to see Paramore with a large group from my team during Weekend 2 and I have to say I enjoyed it more than when I saw them perform at Warped Tour back in the day. I feel like I have more interest in Paramore now and I’m even excited to see what the new album sounds like.

Uncanny Valley

I decided to embrace my interest in COIN this year. I’d listened to random songs by the band here and there since 2016, until finally I knew that I should go see them when they were on tour this past summer in support of their new album Uncanny Valley. I already fell in love with the song “Chapstick” late last year. Then got into “Killing Me” in the spring months. I bought tickets for their Philly tour date and also caught their Bonnaroo set. They were great live and played a handful of songs that I liked but didn’t know. I decided to purchase the new album at their show and I listened to it non-stop for several weeks. Although there were plenty of great new album releases this year, Uncanny Valley was another one that stood out for me. I didn’t even review it for the blog because at the time of its release I still hadn’t had the realization of how much I enjoyed COIN. Safe to say I’m probably going to be reviewing their new albums from now on.

“Hot Girl Bummer” -blackbear

In July, I spent a week in Fort Lauderdale while working Rolling Loud Miami. It was insanely hot and humid. It was the week I decided to go all in on 6 weeks in a row of fall festivals. It was also the week I was introduced to the 2019 blackbear song “Hot Girl Bummer.” My friend Hailey uses it as a hype track to get her in the mood for going out. I started using it as a work out song in addition to that. It was a song that I played on repeat into August and would constantly hear every night when I lifted, ran, or rode my stationary bike. Despite how often I listened to Wallows, it became one of my 2022 most listened to tracks as it even reached the number 6 spot on my Spotify wrapped, which is why it’ll go down as a hot girl bummer anthem for this year.

“new body rhumba” -LCD Soundsystem

This past fall one of my favorite bands, LCD Soundsystem, released their first new song in 5 years with “new body rhumba.” They made it for the film White Noise. I immediately loved it the first time I heard it. It’s an absolute banger and a song I didn’t expect after having to grow to enjoy their last album American Dream. With the new song came an announcement of another holiday run of shows in Brooklyn and the opportunity to see them live again. To make a long story short, I ended up with tickets to 2 consecutive nights of their 20 show run and got to hear them perform this hit live twice. I danced hard each night and can’t wait for the chance to hear them play it again. I’m sure I’ll be listening to it much more until then.

Honorable Mentions:

“Victory Dance” -My Morning Jacket

As I mentioned before, my time in Mexico this past year ended in early March. I cut my run a few days short so I could experience an event at my local ski resort and with that came a shortened stay during My Morning Jacket’s One Big Holiday. My friend Amanda was even attending and we had about 12 hours together before I returned home. The 12 hours included the first night of music during the all-inclusive beach festival and the first MMJ set. I didn’t expect to enjoy it much, as I had heard MMJ play before and was not impressed, but I wanted to spend time with Amanda while we were both in Mexico together. Maybe it was seeing them with her, seeing them on the beach, or even just the fact that I had made it through the longest two months south of the boarder, but it was one of my favorite nights of my time there. The moment that it all came together for me was when the song “Victory Dance” started. We were right in the center of the crowd and everyone was so into the song, including my friend Amanda, her best friend Lindsey, and Lindsey’s husband Fede. It was a special moment that carried on with me. I played the song to hype me up for the next week or two and even put the song on my skiing playlist so I could listen to it while cruising down mountains.

“King Kunta” -Kendrick Lamar

“Hot Girl Bummer” wasn’t the only song I got into at Rolling Loud Miami. The last night of the festival I followed Hailey and my other coworker Jackie in to catch Kendrick Lamar’s set. I tried my best to get into it even though I only knew one of his songs. When Kendrick played the song “King Kunta” though, I was really into it. I said to them several times during the song how much I enjoyed it. At the time I didn’t even know the name, but I requested it be played multiple times on the way home from the festival that evening. I downloaded it on Spotify that night and played it nonstop on my way to Chicago for Lollapalooza the next day. I even requested it be played during a code red at Lolla at few days later. I was so into this 2015 song for several weeks and I still bop along any time I hear it now.

Lauren Sanderson

Thanks to Megan Finnerty I’ll always associate 2022 with the year I got into Lauren Sanderson. Megan obsessed over Lauren and her tour announcement for weeks while we were in Mexico. That was when I really started listening to the LGBTQ icon and her songs “Bathroom Stall in Seattle,” “17”, “But I Like It,” and “Thirsty.” She also released a new album, Death of a Fantasy, this year and singles like her G-Flip collab “GAY 4 ME,” “WET,” and most recently “better than your bf” this past month. Megan and I also attended a Lauren Sanderson concert together in May. I’m sure it won’t be our last either as my interest in Lauren will likely carry beyond this year.

The Jungle Giants

This year my friend Noah began hyping The Jungle Giants to me. At the time I didn’t realize it, but I had unknowingly listened to them years earlier. Nonetheless, Noah told me I would love them, and he was right. I listened to a song or two of theirs, but really dived head first into them when we decided in August that we would attend their Philly show together in November. I listened to them a lot this fall in anticipation of the show. It was one of the smallest shows I attended this year and also one of the most fun. We danced the entire time and met the band afterwards. That night an intoxicated Noah told me the next time we would see The Jungle Giants was at an arena. I’m not sure if he’s right about that but I know I’ll definitely want to see them again where ever it may be.

Sonder

Dermot Kennedy released his second full length album Sonder in late November and I spent the week before Thanksgiving immersing myself in it. As stated in my album review, it’s a great follow up to his debut. However I haven’t spent the same amount of time listening to it yet, which is why I can only give it an honorable mention thus far. I know I’ll be listening to it way more in the coming months as I have pit tickets for his upcoming tour this spring.

“Unconditional I (Lookout Kid)” -Arcade Fire

For a week or two in May, following the release of their album, WE, I couldn’t stop listening to the song “Unconditional I (Lookout Kid)” by Arcade Fire. It was the one track on the album that really hit for me. The song reminded me of my little cousin and best friend, Hudson, who I hadn’t in seen in two months and wouldn’t see for another two. It’s a great song that helped me feel connected to him in that brief time.

So that’s my list for 2022. It’s wild how each year brings new music or old music that feels new into our lives. As someone who loves music and works in live music and events as a profession, I guess that’s something that always keeps happening for me. I’m excited for what 2023 will give me, which likely starts with the Coachella lineup. I can’t believe we’re at that time again, where I’ll be posting weekly previews of Coachella artists. Here’s to hoping this lineup will go back to its roots and bring a high volume of indie rock artists I’ve been missing the last several years. However, I guess I’m grateful that the lack of artists in that genre has really pushed me to focus on the few that do exist, like Wallows for example, who became one of my favorite bands during the last 9 months. Here’s to also hoping 2023 brings me more bands and artists that I fall in love with and more incredible experiences surrounding music with the people I love the most.

Daft Punk ISN’T playing at my house, my house

I knew I wanted to make a post today, but I didn’t expect it would be something Coachella related. Here we are though! As of this morning, Daft Punk (my way, way, way late music discovery of 2020) are no more. The iconic electronic duo have called it quits after 28 years together. They posted a video entitled “Epilogue” to their website which includes a scene of one of the robots blowing up followed by an image of two robot hands formed into a triangle (a representation of the pyramid they used on their Alive Tour in 2007) with “1993-2021” written beneath the image. Many media outlets reported the news with confirmation from the group’s publicists saying they are in fact retiring. Big sad!

About 10 months ago during what was dubbed as “Couchella” because of the panny d related Coachella postponement, I took an interest in Daft Punk and proclaimed that I’ve become one of those people who want them to headline every year. When my friend sent me this news earlier today, I was shocked and heartbroken for a solid…oh I don’t know 5-10 minutes? The reason being….retirement isn’t always forever. Reunions happen and there’s a certain festival FAMOUS for reunions. What festival is that? Coachella! Duh! Even if the reunion never actually happens, or it takes years and years, there’s still hope that we get to see Daft Punk live. This isn’t something to be devastated about. Obviously take it seriously because as of right now, yeah, they’re serious about it. Appreciate Daft Punk for what they gave for 28 years. Appreciate them for their impact on the electronic music world. Appreciate their music that you love because you know you’ll still be playing it for years to come. But do NOT be sad about this! Things change. Reunions happen. Bands get back together. Your odds of seeing them live now are just about as much as they were yesterday before this announcement. I swear. These guys do not tour often.

Anyway, if you’ve learned anything from the last year, it should be that anything is possible! Both good and bad, but let’s think about the good instead because no one like a Debbie Downer. I’ve been all about a few mantras this year and I’m gonna give them to you (and also relate them to music for the sake of the blog)…..

  1. “2021 Energy” – The point of this is to get out of that negative 2020 mindset. Bad shit always happens. Last year was very bad, but this year will be better. Stay hopeful! Stay optimistic! This year isn’t last year and it will be better. Just start believing it. I’m a firm believer that I’m going to be back working music related things at some point this year. I already was able to work again once which although was not at a concert or festival, was something and one of my goals for 2021. Small things matter. Baby steps matter. That brings me to the second mantra…
  2. “Transition” – See this year as a transitional year. It’s not going to be the exact life we want quite yet, but we’re slowly getting back to it. Baby steps. Small accomplishments. We’ll get there. One step at a time. And before you know it we’ll be back at Coachella!
  3. “Panny D” – Change the name of the game. Pandemic felt so damn serious and scary and yes of course it’s still happening. We’re still working on those vaccines. People can still get sick. People are still dying! So yeah it’s serious. But this name changing is more of a mental thing. I feel like last year we let the pandemic own us. This year let’s own it. By changing the name, it feels less serious (mentally). It’s more casual. I know you’re probably worried that making it like this might make people take it less seriously literally, but you know what, everyone was already doing that anyway. Stop worrying and trying to control everyone else. You can’t do it. What you can do though is take care of yourself. Put yourself first. If changing the name isn’t for you, then so be it. Don’t do it. But it’s helped me get out of that negative mindset and you just gotta do what works best for you. That’s not saying to not be safe. Be safe when you need to be, cause we’re getting there. But you can still, be safe and not let it get you down.

That’s it. Those are my big three so far. There might be more on the way, but until then this is all I’ve got. It’s the mental set and it’s helped me refocus this year. There’s a light at the end of the tunnel and we can see it. I promise. Concerts will be back. Festivals will be back. Coachella will be back. Daft Punk will be back. See what I did there?! Ha!

So for now, spend the rest of the day listening to Daft Punk, dream about hearing them play live again because guess what? It’s still possible. As long as Thomas Bangalter and Guy-Manuel de Homem-Christo, are “alive” and well, it can happen. Maybe they headline Coachella in a few years as a reunion set. Maybe they bring out LCD Soundsystem as a surprise guest and they perform “Daft Punk is Playing at My House” together. I mean I can dream right? Maybe they don’t? Who knows? But anyway…robots can be rebuilt and anything is possible. So stay positive and keep the vibes up that maybe we’ll “get lucky” enough to hear them perform “one more time” because if you know Daft Punk you know that their “work is never over!”

Notes On A Conditional Form: Album Review

In a time where there’s not much in the immediate future to look forward to, we thankfully still have music. New albums and songs are still being released. Some releases may have been delayed, but they’re still happening this year. For an industry that’s been crushed by this world wide crisis, it offers a glimmer of hope and an abundance of jams.

Today, The 1975 dropped their highly anticipated fourth album, Notes On A Conditional Form. The album release was twice delayed already this year, but every few weeks a new single from the album was released in the lead up to this weekend’s official release. To me, this feels like The 1975’s most ambitious album to date. Stylistically, it crosses genres, yet still maintains the indie/synth pop sound well associated with The 1975.

An inkling of this genre breach happened when the band dropped one of the new album’s first songs, “People.” The track sounds more like a punk rock/hardcore anthem than anything you’ve ever heard from The 1975 in the past. I remember being pleasantly surprised with the vibe of the new song as someone who grew up listening to punk and hardcore music, but I still questioned where the band was going with it. As more songs were released, I was assured that their new album would be full of stylistic surprises.

In early April, The 1975 released the song “Jesus Christ 2005 God Bless America,” which features indie folk rock artist, Phoebe Bridgers, who was supposed to join the band on their 2020 tour until it was inevitably postponed. The song is a testament to Bridgers’ folk rock style. The only thing that gives it away is Matty Healy’s vocals, but even Healy’s sound succumbs to the song style. “Playing on My Mind” also has that indie folk feel.

“Roadkill,” which wasn’t released prior to the full album, sounds like it could’ve come off a Sam Hunt record. It’s got an unmistakable country twang. Despite the country vibe, it still feels like a 1975 indie pop song. I kind of love it. There’s also a few interlude tracks on the record that bridge into another genre as well. These songs take the standard synth pop sound of the band into a more electronic sound. “Shiny Collarbone” and about halfway through “Having No Head” are those dance tracks.

The album is full of songs that sound like what you would expect from The 1975 too. There’s several bangers like “Me & You Together Song”, “If You’re Too Shy (Let Me Know)”, and “Frail State of Mind” and smooth rock ballads like “Guys”, “The Birthday Party”, “Don’t Worry”, and “Nothing Revealed/Everything Denied.” It’s honestly such a great mix of music.

Like I said, this album feels different than what we’re used to from The 1975, but it blends genres remarkably well and still gives us the sound that we’re looking for. It may have taken me an album to actually get into The 1975 (I really got into them after “The Sound” from I like it when you sleep…), but I’ve been a fan ever since. I’ve always really been into their hits. “The Sound” (obviously), “Sex”, “Heart Out”, “Chocolate”, and “It’s Not Living (If It’s Not With You)” are a few of my favorites. This new album feels different in a good way though and even the songs I don’t typically fall for, I love. I think if you’re an indie music fan or a music fan in general, you can find something on this record that you’ll like. It’s got something for everyone. But really, you might just love it all, it’s that good. So give it a shot. If you don’t find it appealing, my solution is that maybe you would like it better if you took off your clothes. (Of course, that one is my favorite!)

Music’s Got Me Feeling So Free

Couchella Weekend 1 was a huge success. The documentary was fantastic and a great reminder of happier times both in the past and to come. I learned a lot about Coachella from it. I watched it each day of what would have been Coachella 2020 Weekend 1 including a special Friday premiere viewing party with a few of my Coachella coworkers. I decorated the room a bit to feel like Coachella and trust me it kind of did. It helped me separate from the outside world much like actually working a festival does. It also introduced me to new music, which is what I need to write about today. I mean new as in the sense of I wasn’t really into the music before last weekend because this group has been around since the 90’s. Their set in 2006 was very notable in the history of Coachella and that group is Daft Punk.

The French electronic music duo Daft Punk was formed in 1993. After their lack of success in the punk band Darlin’ (which also included Laurent Brancowitz of Phoenix), Guy-Manuel de Homem-Christo and Thomas Bangalter created Daft Punk. They went in a different direction musically, after being introduced to the rave scene. The name “Daft Punk” came from a negative review of Darlin’ which referred to their music as “a daft punky thrash.” The group got their break at a rave in 1993 when they handed off a demo to Stuart McMillan of the Scottish electronic duo Slam. Slam had their own record label Soma.

The duo hired Pedro Winter to be their manager and signed with Virgin Records in 1996. In 1997 they released their highly anticipated debut album Homework, which included their earlier singles “Alive” and “Da Funk” along with “Around the World.” They released their second album Discovery in 2001. The album had a more of a synth-pop sound than what the group was known for from their debut album, but it lead Daft Punk to commercial success. The album reached the Top 10 in music charts throughout Europe, Australia, New Zealand, Canada, and the U.S. When performing during their earlier days, the duo would cover their faces with different masks. It wasn’t until Discovery came out that they adopted their robot alter egos.

In 2005, Daft Punk released their third album Human After All. Despite reaching high positions on music charts throughout the world, the album didn’t quite have the success that Discovery did. In the early 2000’s Daft Punk also got into the visual entertainment sector and released two films, Interstella 5555: The 5tory of the 5ecret 5tar 5ystem in 2003 and Daft Punk’s Electroma in 2006. As I mentioned before, 2006 also brought Daft Punk to Coachella for their first and only Coachella appearance. They debuted their famous pyramid that they also used on tour that year.

In the years between their third and fourth album, the duo was again busy working on films, specifically the soundtrack for Disney’s Tron: Legacy. Then, they won their first Grammy in 2009 for Best Electronic/Dance Album for their live album Alive 2007. They also won a Grammy for Best Dance Recording for “Harder, Better, Faster, Stronger.”

On May 13, 2013 Daft Punk released their fourth studio album Random Access Memories. The album featured collaborations with Nile Rodgers of Chic, Pharrell Williams, and Julian Casablancas of The Strokes. The album became their most successful album to date with hits like “Get Lucky”, “Instant Crush”, and “Lose Yourself to Dance.” The record earned them peak positions on music charts worldwide as well as numerous accolades and awards including a Grammy for Album of the Year. In many countries the album has reached Platinum status or beyond. Daft Punk were also co-producers on Kanye West’s 2013 album Yeezus.

Since Random Access Memories and the few years that followed, Daft Punk has been relatively quiet. Their most notable project came in the form of collaboration with The Weeknd on his hit singles “Starboy” and “I Feel It Coming” in 2016. They’ve since been working on solo projects.

Daft Punk’s style of electronic music is very much house music. Through the years though, it’s varied album by album. It also incorporates elements of rock and disco. Personally I think Daft Punk’s music is ahead of its time, especially the album Discovery, but again I might not know that much about the history of electronic music since I’ve started listening to it only in the past few years.

I first learned of Daft Punk around the time of Random Access Memories due to the popularity of the album. I wasn’t a fan of their biggest hit song “Get Lucky” though. It was still at a point where I detested main stream music nor did I like EDM. I didn’t understand the hype and in the past few years as I got into electronic music, Daft Punk wasn’t really a name I heard often unless it involved headliner predictions for Coachella.

The Coachella documentary shed some light on Daft Punk for me. After watching the scene about their 2006 set, I thought to myself, “Wow this looked like a lot of fun! Maybe I should see what Daft Punk is about.” So I started listening to some of their stuff on Spotify. I realized I heard plenty of Daft Punk tracks over the years, but it was probably just background music for me. So I went through their discography and listened to tracks from all their albums. I listened to them while I attempted to cook my favorite dish from Coachella catering last weekend. It hit me that I’d been missing out on Daft Punk for a while now. I finally understood the hype. I’ve now become one of those people who hope Daft Punk is on every Coachella lineup. I would love to see them live. I want to see them live and I want to see them at Coachella.

With all the negative outlooks for the relatively near future, no one is sure when live music will be back, especially large-scale events like music festivals. Who knows when the next Coachella will happen, but when it does happen again it will likely be an epic event. In the mean time, I can always remind myself it took me 4 years to get to Coachella from when I first wanted to go. I can also do my best to take in Weekend 2 of what would have been Coachella 2020 as best as I can. I plan on watching the documentary each day of Weekend 2 just like I did during Weekend 1 and I also plan on watching some full Coachella sets from past years that I found online. I watched RÜFÜS DU SOL’s 2019 Weekend 1 set last weekend (I was actually at the set for the end half too!). This Weekend I have Dillon Francis’ 2019 set, Foster the People’s 2011 set, and yes, Daft Punk’s 2006 set because I found it in full on YouTube. I can’t wait to see how fun it actually was and I can’t wait for the day we’re all back at Coachella. Hopefully we’ll be listening to Daft Punk live one more time. It could happen. We could get lucky.

Coachella Band Preview: Jai Wolf

Greetings again from Mexico! I’m back for the second leg of the events I’m a part of here. However just because I’m here doesn’t mean the Coachella preparations have ceased. April is quickly approaching and it’s time to check out another artist playing the festival this year. This week it’s electronic artist Jai Wolf.

Jai Wolf, or Sajeeb Saha, is an electronic artist from Long Island, New York. He first started making tracks in 2011, but adopted the name Jai Wolf in 2014 to create a new sound from what he had been creating. The result earned him opportunities to remix artists such as Odesza and Alesso. He also created a remix of Skrillex’s “Ease My Mind”. Jai Wolf released his debut single “Indian Summer” in 2015. He released a follow-up single “Drive” in May of 2016, shortly before his debut EP Kindred Spirits was released in November. He finally released his debut album The Cure to Loneliness last year after years of touring and dropping singles.

Jai Wolf’s style of electronic music has a very dreamy sound. It combines electronica, pop, dance and indie music. His sound draws a lot of comparison to Odesza. It makes sense that the artists have toured together. I first found out about Jai Wolf in the summer of 2017 when a girl I had a crush on introduced me to him. I’ve been a casual listener ever since. I also have seen him perform once. It was part of his Made in America set in 2018.

This won’t be Jai Wolf’s first time at Coachella. He played the festival in 2017. That was clearly before I knew of him since I definitely haven’t previewed him before. In 2017, he played the Gobi Tent in the early evening. I’d expect a similar time this year, but in a bigger location. Maybe he plays Mojave or Sahara instead. This time around I plan on catching him. He plays on Saturday. Here are some Jai Wolf jams to help you prep for Indio:

  1. Indian Summer
  2. Starlight
  3. Moon Rider
  4. Lose My Mind
  5. Like It’s Over
  6. Lost
  7. Feels (Remix)
  8. Drive
  9. Telepathy
  10. Better Apart

Top Albums of the Decade

For the last few years, I’ve been ending each year with a list of my faves in music from the past year. I plan on doing it again but since 2019 is the last year in this decade I thought I’d also include a list of my favorite albums of the last 10 years. I definitely have a clear cut favorite and second favorite, but after those two, there’s really no particular order.

This list is defined by albums that I’ve listened to in full for days, weeks, months, or just repeatedly for no set amount of time. It’s a list of albums that I couldn’t get enough of. My two favorites on this list have been in my car since I bought them in 2011 and 2012. I still listen to them occasionally. You could probably chalk them up on the list of my favorite albums of all time, but the others are special to me as well.

So let’s get down to it. Here are my top 15 (plus a few honorable mentions!) favorite albums of the 2010’s:

Torches -Foster the People (2011)

My absolute, number one, favorite album and Foster the People’s debut album. I wrote once about how Foster the People really shaped the music I got into this decade going from being into punk/emo/alternative music to indie pop/indie rock. This album did it for me in 2011. Foster the People was a new, hype band on the music scene. They played SXSW and Coachella the spring before their first album dropped. When I got into them I learned about Coachella for the first time. So this band and album really shaped a lot about this decade for me.

I’ve loved Torches from top to bottom since I purchased it in May 2011. “Helena Beat” was the first song that hooked me, but despite any criticism it’s received over the years, “Pumped Up Kicks” kept me around. It’s filled with other bangers like “Houdini” and “Don’t Stop (Color on the Walls)”, but it has plenty of underrated hits like “Call It What You Want”, “I Would Do Anything For You”, “Life on the Nickel” and “Warrant”. Since I bought a record player in 2012, I’ve been adamant about not purchasing records that I already have on CD. This month I broke that rule for this album. It’s one of my all-time favorite works of music and the best of this decade for me. It was about time that I own it on vinyl too.

Born to Die -Lana Del Rey (2012)

Born to Die is Lana Del Rey’s debut album. It came out in 2012 and I’ve loved it ever since. I listened to it constantly once I bought it. Like Torches, it’s the only other album that’s stayed in my car since I purchased it. I remember thinking Lana Del Rey and her music were completely ridiculous when I bought the album, but I fell into it and the rest of her music. It was the song “National Anthem” that convinced me. It’s still my favorite Lana Del Rey song to this day. “Diet Mountain Dew” was always another favorite of mine as well. Born to Die is filled with several other classics like “Born to Die” the title track, “Blue Jeans”, “Off to the Races”, “Video Games” the album’s first single, and Lana’s biggest hit “Summertime Sadness”. I’ll always love Pabst Blue Ribbon because of “This Is What Makes Us Girls” too.  This album was always on in my car for a few months in the summer of 2012. It got me into Lana Del Rey and she became one of my favorite artists of the decade as well.

Days Are Gone -HAIM (2013)

In early 2014, I discovered the sister trio band Haim. I decided to buy their debut album Days Are Gone because I liked their songs “Falling” and “Don’t Save Me”. I might have taken a risk on two songs but it was a great risk to take. I loved the album and had it in my car for quite some time. I really got into “The Wire”. I also loved “If I Could Change Your Mind”, “Forever”, “Honey & I”, and “Days Are Gone” in addition to the others I already liked.

I had Haim’s album in my car for a very long time as well. It ended up on repeat in my car once again in the summer of 2016 shortly before I saw them perform for the first time at my first Lollapalooza. It’s definitely an album I’ve loved a lot this decade and the reason why I’ve loved Haim a lot too.

An Awesome Wave -alt-J (2012)

Compared to the rest of the albums on this list An Awesome Wave is a little bit different for me. I got it on vinyl years after I started listening to the music on it. I also listened to each song at different points. It all started with “Breezeblocks” though. Pretty Little Liars actress Troian Bellisario posted about the song on social media and after listening once, I downloaded the song. Then a day later it was “Something Good”. Then “Fitzpleasure”, “Taro”, and “Tessellate”, in that order, through the course of 5 years. In the meantime, their second album This is All Yours came out and “Left-Hand Free” became my jam too. When I saw them perform at Coachella in 2018, I was with several co-workers when we all danced freely to “Dissolve Me”. By that point their third album Relaxer was already out as well. I got into “Dissolve Me” though and decided last year that it was time to own An Awesome Wave. I then completed listening to the album by getting into “Matilda”, “Ms”, “Bloodflood”, and “Hand-Made”.

An Awesome Wave really spanned the decade for me, but so did alt-J. I saw them play about 5 times over the last 5 years and it’s always been an enjoyable set every time. Their unique sound has always been a catch for me and I’m sure they’ll be releasing new music in this new decade before we know it.

21 -Adele (2011)

Up until I got into Adele’s album, 21, I despised pop music. The song “Rolling in the Deep” was the one that really got me interested in Adele. It was on a sampler CD from my local record store. I bought the album around the same time I bought Torches and both albums became the soundtrack to one of my favorite vacations of all time. I listened to both albums repeatedly on that early June trip to Williamsburg, Virginia and my love for Adele began.

Of course I was into 25 when it came out in late 2015 and 19 somewhere around that time, but it was 21 that made me feel okay with liking a pop artist again. I also just really liked the album. “Rumour Has It”, “Set Fire to Rain”, “Someone Like You”, “I’ll Be Waiting”, and “One and Only” are pretty great songs even though “Rolling in the Deep” always has my heart. 21 does too. It came out of the blue uninvited, but it came to stay.

Heartthrob -Tegan and Sara (2013)

I got into Tegan and Sara while I was still in college in 2009, but their album Heartthrob really made me a fan. It was the album that put them into the mainstream music world for a bit. I didn’t get into the album until a year after its release in 2014. I fell hard for it though. It became the soundtrack of another trip to Williamsburg, Virginia. The hit song “Closer” was the one that suckered me in. I got into so many others though like “I Was A Fool”, “I’m Not Your Hero”, “Drove Me Wild”, “Now I’m All Messed Up” and “Goodbye, Goodbye”. Heartthrob revitalized my interest in Tegan and Sara and I’ve been a bigger fan ever since because of it.

Pure Heroine -Lorde (2013)

I was introduced to Lorde in the summer of 2013 from her breakout song “Royals”. From there I also got into the song “Tennis Court” and “Bravado”. I remember anticipating her debut album during my first trip to California especially because of the line in “Tennis Court” that goes “pretty soon I’ll be getting on my first plane.” That flight to California wasn’t my first flight, but it was my first flight in 9 years. I purchased the album as soon as I got home from Cali. It was my go-to album for a few weeks as I got into several other tracks on the record like “400 Lux”, “Team”, “White Teeth Teens”, “Glory and Gore”, and “A World Alone”.

Sacred Hearts Club -Foster the People (2017)

In the last 10 years Foster the People solidified their spot as my favorite band. I remember being so excited for their second album after Torches but Supermodel didn’t quite live up to my expectations. After their sophomore release, it was then a few years of silence before the group released new tunes. 2017 was one of the best years in music of this decade for me. It was filled with great albums by plenty of my favorite bands and artists, which included Sacred Hearts Club by Foster the People.

Foster the People dropped three songs from the record in the spring “Pay the Man”, “Doing it For the Money”, and “SHC” and I listened to those three quite frequently until the album came out in July. When it did, I immediately fell in love with the song “Sit Next to Me”. I listened to it non-stop along with the rest of the album and songs like “Lotus Eater”, “Static Space Lover”, “Loyal Like Sid & Nancy”, and “I Love My Friends”. It was only about 2 weeks after the album dropped that I was able to see Foster the People live again at Lollapalooza (the last time I saw them was in 2014). They were incredible. I then bought tickets to see them play in Philly in September as a treat to myself after my position was cut from a festival I was supposed to work. It was one of the best shows I’ve ever been to and was filled with 2 full hours of music from my favorite band including the best encore that I could have ever imagined. I caught the set list too! I owe that night to Foster the People and Sacred Hearts Club.

Wild World -Bastille (2016)

When Bastille’s sophomore album dropped, I got into Bastille. Sure I knew about Bastille before that. There were a few songs I liked from Bad Blood. Some might even argue saying Bastille’s Bad Blood really set the tone for the band, but for me it was the second album Wild World. “Good Grief” and “Send Them Off!” were always my go-to songs, but “The Currents”, “Power”, “Warmth”, and “Blame” were great songs as well. I listened to the album for weeks. Bastille recently released their third album this year. Even though the album is great, it still doesn’t do for me what Wild World did.

Ultraviolence -Lana Del Rey (2014)

Lana Del Rey’s second album was highly anticipated for me after my love of Born to Die. In between the albums, she also released the EP Paradise which was another incredible compilation of music. When Ultraviolence came out, it successfully did for me what Foster the People’s Supermodel couldn’t and since both Foster the People and Lana Del Rey were my faves I expected the best from them. Ultraviolence gave me that. “Money Power Glory”, “Brooklyn Baby”, “Ultraviolence”, “West Coast”, and “Fucked My Way Up To The Top” were my favorites. The album picked up where Born to Die left off and that’s all you can really ask from a band or artist.

Melodrama -Lorde (2017)

I always knew Foster the People and Lana Del Rey would be on this list more than once, but who knew I liked Lorde so much? Melodrama was also an incredible follow-up album to Pure Heroine. Like Sacred Hearts Club, it was part of that 2017 wave of new music. Lorde released the first single “Green Light” in early March. That song got me stoked for the new album because it was an absolute banger. Then she dropped “Liability”. I hated the song at first. It took hearing the song live on the last night of Coachella Weekend 2 to make me fall in love with it. The album released 2 months later and I remember being so pleased with how good it was. “Homemade Dynamite”, “Perfect Places”, “Sober”, and “Supercut” added to my love for “Green Light” and “Liability” made the album a hit. I wasn’t the only one that thought so either since it was nominated for a Grammy for Album of the Year.

Woodstock -Portugal. The Man (2017)

Who would have thought Portugal. The Man would have made a statement with their 8th album? They did though and it was the hit “Feel It Still” that did it. The entirety of Woodstock is fantastic though. In fact, I feel like “Feel It Still” is the song that doesn’t quite fit with the album. The first time I heard the song I thought it was Electric Guest but was shocked to find out it was in fact Portugal. The Man, whose song “People Say” was one of my favorites when I was a radio DJ in college. “Live in the Moment”, “Tidal Wave”, “Number One”, and “Keep On” are a few other great jams from Woodstock. The album left an impression and I’m sure we’ll be feeling it still even when Portugal. The Man releases more music.

El Camino -The Black Keys (2012)

The Black Keys had plenty of albums before El Camino and those albums, particularly its pre-cursor Brothers, were big in the indie rock music scene. El Camino is the album that got me into The Black Keys though. I got the album in 2012 and saw the band perform live two years later. “Lonely Boy” was the song that got me started on The Black Keys, but El Camino was full of hits like “Gold on the Ceiling”, “Little Black Submarine”, “Stop Stop” and “Dead and Gone”. I learned how to play a few of those on guitar too. The Black Keys haven’t stopped making music in the last decade and have released two albums since El Camino, the most recent being this year, but El Camino will always be special to me.

Heard It In A Past Life -Maggie Rogers (2019)

Last winter I debated buying this album on vinyl while I was listening to Maggie Rogers as part of my Coachella preparations. Ultimately I decided with the help of my instagram followers that I should buy the vinyl. I did and it was a great purchase. The debut album from Maggie Rogers is a thing of beauty. “Light On”, “Fallingwater”, “Give a Little”, “Alaska”, and “Burning” are incredible. Oh and there’s also “Back in My Body”, but I’ll get more into that song when I recap this past year. The album was one of my favorites of the last year and I was pretty shocked when it didn’t get a Grammy nomination. The album is still tops in my book and one of my favorites of the last decade.

This Is Happening -LCD Soundsystem (2010)

When I think about it, there’s only three words that can describe This Is Happening: “Dance Yrself Clean”. It was the song that got me into LCD Soundsystem a year after the “final” show at Madison Square Garden thanks to Suits actor Patrick J. Adams and Troian Bellisario (yes, again!). Over the years I got into LCD Soundsystem and their small-ish, but excellent discography. I never thought I’d be able to see the band until right before Christmas in 2015 when the band dropped a Christmas song, “Christmas Will Break Your Heart” (which I’ve actually listened to twice today) which sort of signified their return. A few weeks later they were on the Coachella lineup and officially back. They dropped a new album American Dream in 2017 and I was able to see them twice once they returned, at Lollapalooza in 2016 and at my favorite venue in Philly in 2017 with a friend who was actually at their “last” show.

Oddly enough, I don’t own This Is Happening in any form. It kind of doesn’t fit this list in that regard, except it’s kind of like An Awesome Wave. I’ve listened to all the songs on this album at different points over the last decade. “Drunk Girls” is one of my favorite LCD Soundsystem songs. “You Wanted A Hit” was the song I got into after seeing them play for the first time. Then there’s “I Can Change”, “Home” and “All I Want”, which I actually just got into recently. Over the last 10 years, LCD Soundsystem earned a special place in my heart, but I sort of owe that to This Is Happening.

Honorable Mentions:

The 1975 -The 1975 (2013)

How Big, How Blue, How Beautiful -Florence + the Machine (2015)

AM -Arctic Monkeys (2013)

Without Fear -Dermot Kennedy (2019)

So there you have it. All my favorite albums from the last 10 years. Actually, there’s probably more, but these are the ones that stood out the most. Thanks to music for all that I love and thanks to these great bands and artists for putting amazing tunes into the world. I can’t wait to see what the next 10 years brings or where music will take me both personally and professionally. I can only hope for the best, but so far it’s been nothing short of incredible.

Coachella Band Preview: Maggie Rogers

We’re almost at the 1 month countdown until Coachella 2019 Weekend One. As per the usual, the hype for me is real! Over the last month or so, I periodically secured my travel plans to the point that I’m almost ready to go. I hope everyone else has done the same. Mostly I just hope you all have been focusing on the music. Today I’m previewing an artist I didn’t initially plan to write about when figuring out my previews. About a month ago, I watched this artist cover a Whitney Houston song on Youtube and I was shook.

Maggie Rogers, from Easton, Maryland, got involved in music from a young age. She played the harp, piano, and guitar while growing up in Easton. While in high school, she attended a Berklee College of Music summer program and won the program’s songwriting contest. She recorded her first album as a senior in high school at the ripe age of 18. She self-recorded her it, The Echo, in a broom closet. She released it in digital format back in 2012. Rogers released a second self-recorded digital album Blood Ballet in 2014 as a student at NYU. Her big “claim to fame” happened in 2016 though when she recorded the song “Alaska” for a master class with producer and artist Pharrell Williams. A video of Williams listening to the song went viral in June of 2016.

Rogers released her first EP Now That The Light Is Fading in February 2017. She began her touring career shortly before that and played the Jimmy Fallon Show in anticipation of her EP release. She also played several festivals in the summer of 2017 including stops at Firefly, Glastonbury, Lollapalooza, and Outside Lands. She continued touring and playing festivals into 2018 playing at Boston Calling, Governor’s Ball, Reading and Leeds. She also joined Mumford & Sons as the opening act on their Delta Tour in late 2018.

She recently released her debut studio album Heard It In a Past Life on January 18th, shortly after she was announced as part of the 2019 Coachella lineup. The album features her hit “Alaska” along with other singles “Light On”, “Fallingwater”, and “Give a Little”. I know it’s early but I’d expect Rogers to get a few Grammy nods in the coming year. She’s that good and her style is unique.

Speaking of that, Maggie Rogers style of music combines dance music, folk, R&B and pop. It’s more art pop than anything. She had a background in folk music, but got inspired by dance music during her college days. Her latest studio album definitely adds a more pop sound to her music though, yet it somehow still stays true to her musical roots. Her vocals aren’t overly powerful like you might hear from pop artists like Adele, Florence Welch, or Banks, but yet it’s still so beautiful. Her vocals are trance-like and dreamy similar to that of Lana Del Ray.

I first heard of Maggie Rogers when I saw that she was opening for Mumford & Sons. I worked one of their shows in December and they brought Maggie out to join them in their song “Awake My Soul”. From that performance I knew she had a killer sound but I didn’t really give her music a shot until hearing her cover Whitney Houston’s “I Want To Dance With Somebody”, which she truly made her own. I started listening to her the next day on Spotify and then purchased her studio debut on vinyl right before I left for my second trip to Mexico.

Maggie Rogers plays Saturday at Coachella on her first visit to the 20 year festival. For the second year in a row, Saturday’s lineup seems stacked. After selling out her headlining tour this spring, I’d expect her set to be late-day to evening on the Main or Outdoor Stage. Even as a Coachella debut artist, I expect her set to be packed. Regardless of the time or place, I’d get there early for a good spot. I need to listen to more Maggie Rogers just as much as you might at this point, so here’s what I’ve been listening to on repeat:

  1. Alaska
  2. On + Off
  3. Dog Years
  4. Light On
  5. Give A Little
  6. Fallingwater
  7. Overnight
  8. Burning
  9. The Knife
  10. Retrograde

(Honestly just listen to all of Heard It In a Past Life!)

Brighter Days: Album Review

I like to think that the spring of 2016 is when I started to get into electronic music even though I know it was a progressive interest up until that point. There were several songs I had been listening to in 2015 through the beginning of that year but it was in spring 2016 when I actually got into an electronic artist, Australian DJ, Flume. Like I said though, by that point I was listening to several electronic songs regularly. One of those was the hit “Sweet Lovin'” by British electronic artist, Sigala.

I sampled a song or two of Sigala’s other music, but really only took a liking to “Sweet Lovin'”. Interestingly enough, it helped me bond with a fellow co-worker when I worked my first music festival that summer and I actually caught part of Sigala’s set at it.

Flash forward a little over 2 years since then and Sigala’s debut album Brighter Days is out. It was released last weekend. I wasn’t even aware that he had a debut in the works, but after releasing new music over the last 3 years since he stepped onto the electronic scene, it was bound to happen.

Sigala, better known to the world as Bruce Fielder, from Norwich, Norfolk, England released his first single in 2015. The single includes samples from the Jackson 5’s “ABC”. It debuted at number 71 on the UK Singles Chart, then hit number 1 the following week. Sigala’s second single “Sweet Lovin'” reached number 3 on the chart. In 2016, Sigala began touring. He played shows and festivals throughout Europe with three appearances in the United States, Ultimate Music Experience, Ultra Music Festival, and Firefly Music Festival. He continued touring mostly in Europe in 2017 and 2018 as well. In fact his appearances at Ultimate, Ultra, and Firefly mark his only U.S. appearances to date.

His first full length album Brighter Days came out last week on September 28th. The album features 16 tracks and includes many of his singles from the last few years like, “Easy Love”, “Sweet Lovin'”, “Say You Do”, “Give Me Your Love”, “Came Here For Love”, “Lullaby”, “Feels Like Home”, and “We Don’t Care”. Every song on the album is one that makes you want to dance. Sigala’s signature house/trop house/dance-pop style is evident on each track. The new album already features a few new bangers like latest single “Just Got Paid” featuring Ella Eyre, Meghan Trainor, and French Montana and “Ain’t Giving Up” featuring Craig David.

Sigala is briefly touring in the UK this month in support of his debut’s release, but there’s no doubt that the release should bring more touring for the English producer. Hopefully he’ll be back in the states soon and I’ll have another opportunity to check him out. I’m proud to say that I was at one of his only U.S. appearances to date. I only stuck around for a few songs though so seeing him again would be amazing, especially since I got more into his music after I last saw him perform. Sigala is definitely one of my favorite electronic artists so I’m telling you now to go check out his first album before he’s appearing in a city near you! It’s great music to dance to, chill to, drive to, and especially work out to. It has kept “me coming cause it’s all that I need” so it’s safe to say that it might for you too and you won’t be disappointed!