Dave Bayley

Coachella 2022 Re-Cap

Well…I’m back. We did it. Coachella happened and it was as normal as could be. I look back on my time there over the last 4 weeks and feel so grateful for all of it. It’s still as magical as ever. I realized during Coachella how I can be alone on the polo fields and never feel lonely. There’s always something to see and do there. I feel like a lot of festivals are like this, but with Coachella there’s just a comfort for me that doesn’t always exist in other places. The art was great. The fashion was back. The vibes were immaculate and the music was unforgettable. So here’s what I was able to see over the two weekends….

The hype for Weekend 1 lasted from the weekend before I arrived until Day 1 Weekend 1. It was a little chaotic at times on the work front because we had a lack of staff, but my pals and I stepped up to make it work and the team that I did have was amazing. The biggest surprise of Weekend 1 came when the set times were released on Thursday and Arcade Fire was listed for a 6:45 p.m. set at Mojave. I couldn’t even believe it was real! So yes Arcade Fire played Weekend 1 and I missed it because I wasn’t onsite until 8:30 p.m. The “livestream” didn’t air the set until 9 p.m either, when I was vibing at the festival. It was okay though! I was able to see Phoebe Bridgers and Harry Styles including the Shania Twain appearance. I missed Bishop Briggs and Lost Kings as I expected due to the early set times. Lane 8 overlapped Harry Styles so that became a Weekend 2 set for me as the Danimal and I saw the beginning of Lane 8, hopped over to Harry to see who he would bring out (Lizzo!!!), and then returned to see the end of the Lane 8 set.

The music I wanted to see on Saturday was abundant. Saturday Weekend 1 began with seeing Beach Goons with Hailey before she started her shift and then followed up with Wallows on Outdoor at 4 p.m. and Emo Nite at Sahara right after Wallows. There was a bit of overlap between the two but I couldn’t bring myself to leave Wallows. I’m now very into the band with the kid from 13 Reasons Why (he should quit acting and just do music in my opinion now) and am already making plans to see their Philly show in June. They were too good live. After they ended though, I met up with some friends at Emo Nite. It was extremely cool to see the masses singing along to all the emo classics. Tom Higgenson from Plain White T’s made an appearance to play “Hey There Delilah,” which earned a huge sing along from the crowd. My plan was to see girl in red after Emo Nite but I needed to return back to the Safari home base to start on some work for Weekend 2. Girl in red became my Weekend 2 priority and it was one of my favorites after going back to back with Wallows again with the Danimal. Yes, I also decided to see Wallows again Weekend 2. Again I am now VERY into them. L’Imperatrice was another Weekend 2 set for me (super fun and full of dancing) after a recommendation from my buddy Noah. I also caught the Jacoby Shaddix from Papa Roach appearance at Emo Nite Weekend 2 and heard him sing “Last Resort.”

I needed to see Turnstile Weekend 1 as I had to meet up with my long time friend Chelsea to see one set as we usually do. It was Turnover in 2019 and Turnstile in 2022. Hailey also joined halfway through the set and so did my friend Lexi. It was definitely full of hardcore tunes and plenty of moshing. I saw the end of Disclosure both weekends with a little more of the set during Weekend 2. I definitely danced along to “Latch” twice though. I saw Flume both weekends as well, but my highlight of Flume came during Weekend 1 when I saw Dave Bayley aka Wavey Davey from Glass Animals hanging out in the viewing area. Hailey went over to him to say hey and he ended up telling her they were there to make an appearance during Denzel Curry’s set the next day. At that point, my Weekend 1 Sunday night plans changed from Jamie xx to Denzel Curry because Glass Animals are everything.

Late Saturday night I saw Hot Chip Weekend 1 and most of Billie Eilish. Weekend 2 I saw Caribou and made the mistake of leaving early. Billie Eilish brought out Hayley Williams from Paramore. They covered Misery Business and I missed it. I was so upset, but the fact that it was acoustic made it a little better. It was still one of the biggest talking points of Weekend 2.

Sunday’s afternoon sets alternated for me on Weekend 1 and Weekend 2. I saw Olivia O’Brien Weekend 1 and part of Hayden James Weekend 2 (a work meeting held me back from the full set). Olivia O’Brien might have brought out Jake Paul at the end of her set after ending it with “Josslyn” and I might have hated it. Then I hit Maggie Rogers set both weekends as well. Maggie Rogers sunset set happened and I was fully immersed in it. On Sunday night, I saw the beginning of Duke Dumont Weekend 1 and the end of the set Weekend 2. Weekend 1 we decided to hit up the tiki bar instead of sticking around for the rest of Duke so I finally got there after 4 years! Then it was Denzel Curry time Weekend 1 and Jamie xx for me Weekend 2. I saw the full sets of both, but the highlight of Denzel Curry was hearing Tokyo Drifting with Glass Animals. The highlight of Jamie xx was hanging and dancing with a bunch of my Safari fam. Both sets were a great time. On Weekend 1, we took in all of Swedish House Mafia and the Weeknd’s combined set and I hung around for the end of it Weekend 2 as well because I wasn’t ready for Coachella to be over (never am). I soaked up my last moments on the polo fields wandering around, listening to music, and taking pictures for the mems of two incredible weekends back in Indio.

After a third weekend, aka Stagecoach weekend, I’m finally back home and experiencing the Coachella Valley withdrawal, but it needed to come to an end at some point. It’s still my favorite place to work and I feel like I could do it every weekend. My body, however, would argue. I realized yesterday that this year has a lot of new music releases from some of my favorite artists so stay tuned for album reviews going forward as I’m already behind on them. That’s it for Coachella though. Three years in the making and we finally got to do it again. Until next time, Coachella forever and always!

Dreamland: Album Review

After a month delay, Glass Animals latest record Dreamland is now out. The band was in the midst of a spring tour and had just started to release new singles when the music world got shut down by The Big C. In the build up to their album release, the band dropped several more singles as well as two cover songs in the midst of quarantine. The album was supposed to be released on July 10th, but two weeks before that, the group decided to push back the release to August 7th in light of current events involving the protesting for Black Lives Matter. Now that it’s finally August, and a few days after the 7th, Dreamland is here in its entirety. Let’s check it out.

The latest record brings the same chill indie electronic vibes that Glass Animals are known for so you don’t have to worry about this record sounding any different. The lyrics still bring in the unique language that Glass Animals have used in prior music too (i.e. “those peanut butter vibes” from “Gooey”). The difference in this album is that it’s like a book. Each song feels like a chapter in the story of front man and producer Dave Bayley’s life. The home movie interludes adds to that feel as well. In this way Dreamland is a well-themed record compared to Glass Animals’ first two releases.

Glass Animals have plenty of great songs in their discography but I think their new song “Heat Waves”, which was released around the same time the band announced the delay of their album, is their best song to date. It’s also a front runner for my favorite song of the year. I absolutely love it. It was one of those songs that I fell hard for when I heard it for the first time and it’s still a song that I’m constantly replaying. Several of my friends have said as much about this song too. It’s truly a banger and worth a listen even if you’re not a Glass Animals fan. It’s a likeable song in general.

The new album also features several other great tracks like “Space Ghost Coast to Coast”, which gives a lyrical nod to the 90’s, “Dej√° Vu”, another banger and one of their singles released in anticipation of the album, “Tokyo Drifting” featuring Denzel Curry, and “Tangerine.”

I’m sure Glass Animals would be touring and playing festivals this year if it weren’t for The Big C. Look for them to hit the road once its safe and we can listen to live music with all our friends again. I know I will be doing that since I just missed the train on this band during their last big touring year. Until then, you have plenty of time to get into this new new album.

Glass Animals

Now that all of my highly anticipated albums have been released, it’s time to get back into the boring posts about sports, music and entertainment…kidding! Of course my first regular post in a while is about music though. Over the summer I’ve discovered a few new musical interests from friends and from working festivals so I wanted to let you know what I’ve been listening to besides all the new albums.

The first is a band I’ve known about for a year or two but never listened to that much. I saw and heard them perform at the Panorama Music Festival in NYC over the summer and several of my friends were into them. I decided I needed to give them a chance.

Oxford (UK) indie rock band Glass Animals formed in 2010 while members Dave Bayley (lead vocals, guitar) , Drew Macfarlane (guitar), Edmund Irwin-Singer (bass), and Joe Seaward (drums) were in university. The group were friends since they were 13 but had not played music together until the time that Bayley approached the group with a few demos and they decided to form the band.

They initially thought forming a band would be just for fun, but it became serious really fast. They played their first show in April 2010 and released their first EP Leaflings in May of 2012. After catching the ear of Adele’s producer, Paul Epworth, Glass Animals were signed to his label. The band released their second EP which was self-titled in November of 2013 and followed up by releasing three more singles. Those singles, “Pools”, “Gooey”, and “Hazey”, along with the singles “Black Mambo” and “Cocoa Hooves” were all featured on their debut album Zaba, which was released in June 2014. The album gave the band success, which increased their Spotify listener totals, allowed them to tour worldwide with plenty sold out shows through 2015, and earned them spots performing on late night television in America. Glass Animals’ second album How to Be a Human Being was released a little over a year ago in August 2016 with the singles “Life Itself” and “Youth” being released in the lead up. Their sophomore album was met with mix reviews, but the band has been touring in promotion of it ever since its release.

Glass Animals style of music is indie rock mixed with psychedelic pop, art pop, and trip hop. Their sound almost reminds me of alt-J mixed with Tame Impala. They can sound kind of trippy at times so it’s much different than your standard indie rock band.

I feel like I may have listened to Glass Animals before this summer, but at the time I wasn’t feeling what I heard. I think it was the suggestions and peer pressure from my friends this summer that really got me to give them another chance. For me, they’re kind of an acquired taste, but now I really like them. Surprisingly, I prefer the singles off their second album even though they earned their fans mostly from their first album. How to Be a Human Being has a greater rock feel than Zaba, which I think eased me into their sound. Now I can’t stop listening to them.

If you haven’t heard of these guys yet or have been reluctant to listen to them, give them a chance. You might just find a new band you like. I can attest to it. I think I’d even love another chance to see Glass Animals perform again. They put on a great show from what I did see and their music is filled with pretty sweet peanut butter vibes.