EDM

Coachella Band Preview: Kygo

Another week down means another week less to prep for Coachella 2018, but it also means it’s time for another band preview. I feel like I need to re-name this blog series. When I started it in 2015, I was mostly into bands. Since then, my taste in electronic music has grown. Also as you know, this year’s Coachella lineup has way less bands than in prior years. For now, just know that my band previews encompass singers and artists too, which includes this week’s preview as well.

Kygo aka Kyrre Gørvell-Dahll is a Norwegian DJ, producer, and musician. He started taking piano lessons as a child and continued until he was a teenager when he began to produce his own music using a keyboard and recording software. He was also halfway through a college degree in business and finance by the time he decided to pursue music full-time.

Kygo’s break-through hit came in 2014 when he released the single “Firestone” ft. Conrad Sewell. In the same year he was contacted by Avicii and Chris Martin of Coldplay to remix the Coldplay song “Midnight”. He then supported Avicii on tour.

In 2015 his music was featured in a trailer for the Ultra Music Festival, a well-known electronic festival that takes place in Miami, FL, as well as being a featured headliner for Lollapalooza. He also released 4 more singles that year which paved the way for his debut studio album to be released in 2016. His debut was released on May 16, 2016 entitled Cloud Nine. The album featured collaborations with several artists including John Legend, Angus & Julia Stone, Foxes, James Vincent McMorrow, Maty Noyes, and more. Kygo also played at the closing ceremonies of the 2016 Summer Olympics.

In 2017 Kygo released two singles that lead up to an EP and his second full length studio album. The EP, Stargazing, included both singles “It Ain’t Me” ft. Selena Gomez and “First Time” ft. Ellie Goulding. Kygo’s second album Kids In Love was just released in November.

Kygo’s tropical house style originated from him trying to imitate his hero, Swedish DJ/producer Avicii. He eventually found his own sound by slowing it down into a dreamy, light synth type sound. He was really one of the first DJ’s to popularize the style which originates from deep house, a subgenre of house music.

I feel like I started listening to Kygo just because of my interest in his style of electronic music. Although he’s known as one of the originators, I discovered the style through listening to Matoma and Sam Feldt first. I’m not even sure when I first listened to Kygo. It was obviously sometime over the last 2-3 years and it was definitely the song “Stay” that I was into. I can’t even say I’m into that many Kygo songs. I was hooked on “First Time” last summer though. I honestly just think his Coachella performance will be fun because I like his style of music so I would totally want to catch his set if I was attending.

Kygo plays on Friday at Coachella. In my opinion Friday has the weakest lineup, but Kygo is one of the bright spots. He’ll probably close out the Sahara tent Friday night or he might even take to the Outdoor Stage as the last slot, which may overlap The Weeknd. Either way, there’s no question he’ll be a late night set. If you plan on catching him, I recommend getting there with plenty of time. No matter where he’s playing it’s sure to be packed. He’ll be setting the vibe for the rest of the weekend that night. To me, there’s something about tropical house being played in the SoCal desert amongst the palms that sets the mood. Here’s a few songs that will get you ready for that moment Friday night:

1. Stay (ft. Maty Noyes)

2. Stole the Show (ft. Parson James)

3. It Ain’t Me (ft. Selena Gomez)

4. First Time (ft. Ellie Goulding)

5. Kids in Love (ft. The Night Game)

6. Stranger Things (ft. One Republic)

7. Stargazing (ft. Justin Jesso)

8. This Town (ft. Sasha Sloan)

9. Firestone (ft. Conrad Sewell)

10. Raging (ft. Kodaline)

 

Advertisements

Coachella 2018 Lineup Release

Not 48 hours into the new year and the Coachella 2018 lineup drops. Last night at 4:15 PT Coachella released their lineup on social media and as always people have opinions, me included. Since last year I expected the 2018 lineup to be the best since 2014. If you know me, you know that I believe 2014 had the best lineup to date and every year after has  been incomparable. 2018 had so much potential. There were so many bands who released new music in 2017 that did not play the festival plus a handful of other greats expected to release new music this year. But when rumors spread just before Christmas about the headliners, I knew this year wasn’t going to meet my expectations.

Going into 2018 everyone knew Beyoncé was supposed to headline. She was supposed to headline last year but dropped out shortly after the announcement of her twin pregnancy paving the way for Lady Gaga to take her spot. The biggest question was who would accompany her on top of the poster. On December 20th, Consequence of Sound reported that Eminem and The Weeknd were slated to join Beyoncé as the 2018 headliners, much to my dismay. Here’s why. The Weeknd headlined Coachella in 2015. Was he supposed to be a headliner? No. However he played in the headliner spot. Jack White, the headliner for that night, took an early spot for whatever the case may be leaving The Weeknd to close out the night.

In my opinion Eminem is a pretty cool choice for a headliner. He fits that formerly popular/still popular angle. He’s a rapper and for the past few years Coachella has plugged that genre (or R&B) into one of their headlining spots. Plus he just released a new album. Here’s the issue: Beyoncé already filled that genre spot this year. I mean come on! The entire headlining lineup is rap/R&B. This is the first time in the history of the festival that a rock band isn’t headlining. Disappointing.

In fact, looking at the lineup, rap/hip-hop/R&B has taken over the festival this year. I think Louis Tomlinson’s (of One Direction fame) reaction on Twitter summarizes my feelings exactly. He stated, “Just seen the Coachella lineup …. Where the fuck are all the bands!? It’s a festival!?” Yes Louis, you’re right. Where are all the bands?! All I see are rappers, R&B singers, or electronic DJ’s. As I went through the lineup last night making a list of who I would see for my annual Coachella preview, there were names lacking for each day and more “possible” acts to see than definites. For Friday, I only listed 4 acts. Four. It’s a headshaker, for sure, given that this year had some high expectations. Anyway, let’s get down to this lineup analysis.

The Headliners: The Weeknd, Beyoncé, Eminem

I already summarized my thoughts on all these acts above. So re-read that.

The Other Highly Billed Performers: SZA, Kygo, Jamiroquai, St. Vincent, the War on Drugs, Vince Staples, Haim, Tyler the Creator, David Byrne, alt-J, Post Malone, Fleet Foxes, Odesza, Portugal. The Man, Migos, A Perfect Circle, Cardi B, Miguel, Soulwax, Jean-Michel Jarre, Daniel Caesar, Kali Uchis, Los Ángeles Azueles, Deorro, Chromeo, Chic feat. Nile Rodgers, BØRNS, Louis the Child, Angel Olsen, Jungle, blackbear, MØ, King Krule, Illenium, Kamasi Washington, French Montana, 6lack, Vance Joy, Russ, LANY

As always, there’s a few names in this group that I’m pretty excited about. If I were attending this year, I’d definitely be hitting up Kygo, St. Vincent, Haim, alt-J, Fleet Foxes, Odesza, Portugal. The Man, BØRNS, Illenium, and LANY. There’s a few that I’d definitely check out here too if there were no overlaps like David Byrne, Post Malone, Chromeo, Jungle, MØ, and Vance Joy. I’m mostly excited about Haim and alt-J. Even though I’ve seen both live before, they’re fantastic and two of my favorite bands. Odesza is an incredible electronic act and I can attest from seeing them live last month. I’ve seen BØRNS live before as well and it was so enjoyable. After working St. Vincent in November and listening to her VIP Q&A, I’ve gained a new respect for Annie Clark and her music. I was able to stay for half of her show but would love to see her again. The others I’ve never seen live.

As I said in my 2017 music recap blog post, I would be reviewing Portugal. The Man soon. It might now be even sooner than I thought. I’ve been stoked on their latest album since buying it on vinyl in NYC and I’d love to see them live especially since knowing about them since college. Since getting into electronic music, I’ve always been partial to tropical house, making Kygo an artist I would love to check out. I also got into Illenium’s latest album for a short time two months ago making him another electronic act I’d want to see. I’ve listened to LANY a few times over the past few years so they’re a group I’d love to see too. If you’re looking for the most indie band at Coachella this year, I’d have to say that would be Fleet Foxes. I’ve liked them for a while now and would definitely want to see them live.

As for the others that I’d like to check out, I’ve seen Jungle and Vance Joy before. Both played in 2015 when I attended and I made it to both sets. I even saw Vance Joy at Panorama last summer. They’re always a solid set. I was super hyped about Jungle in 2015, but this time around they’re not a definite for me. They’ve got new music out, which I plan on checking out soon They just didn’t make a huge impact on me last time. I’ve casually listened to Chromeo and MØ so I would casually see them. Post Malone is burning up right now. I’m not into rap, but Post Malone has a song that is more indie than rap that I enjoy. I think I’m solely interested in seeing this dude play live because of the hype surrounding him right now. David Byrne is the most intriguing to me. Honestly I had no idea who he was until I did a little research. After I found out, it felt like I failed at music so excuse me for that one. As the lead singer and guitarist of the Talking Heads, I would love to hear his set. He’s got a solo career going, but you know he’ll be playing some Talking Heads covers. Who knows maybe there’s a reunion in store?! I mean who doesn’t like the Talking Heads?!

The Rest: Maceo Plex, Alan Walker, the Neighbourhood, Alison Wonderland, Kelela, REZZ, Bleachers, Black Coffee, SuperDuperKyle, Justin Martin, Belly, TroyBoi, Dreams, Perfume Genius, PVRIS, Moses Sumney, LÉON, Greta Van Fleet, Tank and the Bangas, Cash Cash, Whethan, Skip Marley, Elohim, Detroit Love (Carl Craig, Kyle Hall, Moodymann), Benjamin Clementine, Carpenter Brat, the Blaze, Knox Fortune, MHD, Slow Magic, Avalon Emerson, Fazerdaze, Moon Boots, HITO, Helado Negro, the Buttertones, the Regrettes, Boogarins, the Marias, Señor Kino, Tash Sultana, BROCKHAMPTON, Marian Hill, Alina Baraz, First Aid Kit, Snakehips, Highly Suspect, Wizkid, Jorja Smith, Alvvays, the Black Madonna, Tom Misch, Django Django, X Japan, Benjamin Booker, Flatbush Zombies, Ekali, Yaeji, Party Favor, Big Thief, Jason Bentley, Oh Sees, Sigrid, Busy P, the Bronx, AC Slater, Sudan Archives, Jackmaster, Otoboke Beaver, Chloe x Halle, Sir Sly, Hundred Waters, Pachanga Boys, Bedouin, Cherry Glazerr, Mild High Club, Priests, Ron Gallo, Declan McKenna, Bane’s World, KITTENS, the Drums, Aminé, Jessie Ware, Jamie Jones, Kamaiyah, San Holo, FIDLAR, DeJ Loaf, Petit Biscuit, Ibeyi, LP, Motor City Drum Ensemble, Princess Nokia, AURORA, Noname, Jacob Banks, Chris Liebing, Jidenna Hayley Kiyoko, Barclay Crenshaw, LION BABE, Giraffage, Talaboman, THEY., Cuco, Joseph Capriati, Hannah Wants, Nothing But Thieves, John Maus, Kölsch, Japanese Breakfast, MAGIC GIANT, Omar-S, Michael Mayer, Westside Gunn + Conway, Buscabulla, Peggy Gou, Snail Mail, Rolling Blackouts Coastal Fever, B Boys, the Delirians

My favorite name that showed up on the Coachella lineup this year is in this group, Hayley Kiyoko. As you know, I saw her last year in what I consider to be one of the most epic nights in music for me, seeing 2 shows in one night. One of those was Hayley Kiyoko and she played in a small venue in Philadelphia. I was beyond excited to see her name on the poster and so stoked that she’s playing Coachella this year in time with releasing her debut album. Another band that’s on my must see list is in this group too, The Neighbourhood. I’ve been digging The Neighbourhood since 2013 and I’ve never seen them live. They’re a must-see for sure. There’s a few on this list that I’d want to catch if I had time too. Bleachers, Tash Sultana, Sir Sly, Declan McKenna, and Marian Hill are the big ones among that bunch.

As a whole I feel like this is the smallest group of bands I’ve been interested in since starting my Coachella previews in 2015. I had such high hopes for this year’s festival and it all came crashing down last night. Some names I would have liked to see on this year’s lineup include Arctic Monkeys (as a headliner or part of that second line of acts), Vampire Weekend, MGMT, Foster the People, Lana Del Rey, Cold War Kids, Halsey, Phoenix, Andrew McMahon in the Wilderness, ARIZONA, the 1975, Sigala, Cigarettes After Sex, Passion Pit, The Kooks, AWOLNATION, and either The Killers, Arcade Fire, or Kings of Leon as a headliner (most likely The Killers though). There’s probably more bands as well, but those are a few off the top of my head.

I started doing a bit of research on this year’s lineup compared to my favored 2014 lineup. I plan on editing this post later today or tomorrow with my findings. Until then, you should start listening to some bands on this lineup. There’s plenty I know nothing about and a few that I do. Maybe you’re stoked on this lineup. Maybe you’re not. The fact is that Coachella is in 3 months and the prep officially began yesterday. One thing is certain though, regardless of who is on the lineup and the amount of complaining done, people are still gonna go to Coachella. It’s the festival to be at. It’s Coachella. You’re bound to have a great time because although I strongly believe music festivals should be about the music, Coachella is more than music. It’s art. It’s atmosphere. It’s good food. It’s being with people you care about and have a good time with. It’s hot days and cool nights. It’s palm trees, and mountains, and desert. It’s fashion. It’s celebrities. It’s social media. It’s sponsors. It’s ferris wheels and hip merch. Mostly it’s the best kind of positivity and vibes you’ll ever experience. So Coachella 2018, I’m ready for you! Here’s to hoping I can be part of the magic again.

(EDIT: I spent the last hour or more doing some research and the numbers I came up with are unreal. I analyzed the 2014 Coachella lineup vs. the 2018 Coachella lineup. I looked at the first 3 lines of each poster plus the headliners and I grouped performers in 4 categories, Rap/R&B, Electronic, Pop, Rock/Indie. In 2014, out of the 165 acts, there were 71 featured on the first 3 lines of the poster including the headliners. Out of those 71, 14% were Rap/R&B, 28% were Electronic, 6% were Pop, and 37% were Rock/Indie. In 2018, out of 165 acts, there are 69 featured on the first 3 lines of the poster including the headliners. Out of those 69, 33% are Rap/R&B, 25% are Electronic, 9% are Pop, and 33% are Rock/Indie. Compared to 2014, the number of Rap/R&B acts have more than doubled. Is Rap/R&B back on the rise and I didn’t know about it? If you asked me, I would tell you no. So what’s the deal this year? What’s even more shocking is that I also compared the number of Bands to Artists for each year. I defined “Band” as a group or single performer with a backing band that plays classic instruments (guitar, drums, bass, keyboards, etc. as opposed to electronic equipment). Artists included rappers, R&B singers, electronic DJ’s, and pop singers. In 2014, out of 71 acts, 55% were Bands and 45% were Artists. In 2018, out of 69 acts, 30% are Bands and 68% are artists. To me those numbers, are staggering. Louis Tomlinson noticed it and he’s right. The bands have decreased this year in favor of the artists. So seriously Coachella, WHERE ARE THE BANDS?! And why are you straying from what made you amazing in the first place? #Coachella2018thefestivalthatcouldhavebeen)

2017: The Best Year in Music Recap

Last year around New Year’s, I wrote about how music saved 2016. It was a pretty shitty year for the country and in the grand scheme of things. Although people would say 2017 might not have been the best for some similar reasons, I would have to argue. 2017 was a great year. Personally, I worked more events than last year, worked new festivals including my all-time favorite, Coachella, had the opportunity to work a few different roles, saw tons of incredible live music, made new friends, got closer to friends I already had, and figured out what my ultimate goal is. Overall yes there were several bad and upsetting events that happened especially in America. There were even a few hiccups in my own life. However, despite the bad, there were plenty of instances of hope. As for music, as much as I thought it was the best part of 2016, it doesn’t hold a candle to this past year.

So many artists released new albums this year. I mean I guess that’s pretty standard for every year but this year was special for me. It was all of my favorites (minus Florence and the Machine) putting out new albums. I also discovered so many more great bands thanks to the incredible people I met and grew closer to this year.

I could do a detailed recap of all the music I loved from this year, but I wrote about it so many times so I’ll give you all the links in a ranking of my favorite albums of 2017.

My 2017 Top 10 Favorite New Albums

10. Zombies on Broadway   -Andrew McMahon in the Wilderness

The follow-up to Andrew McMahon’s debut had a handful of hits. I never reviewed this album and I’m so sorry because it was a good one, making it #10 on my list.

9. Something to Tell You   -Haim

Although Something to Tell You wasn’t quite what Days Are Gone was for me, I was super stoked to hear some new music from the Haim sisters. The new album had a few great jams like “Little of Your Love” and “Want You Back” which helped it earn my #9 spot.

8. Lust For Life   -Lana Del Rey

As advertised, Lust for Life was an album for the fans. In my opinion it wasn’t Lana’s best nor her worst. “Coachella – Woodstock on My Mind” and “Beautiful People, Beautiful Problems” featuring Stevie Nicks were two of my favorites, but it wasn’t quite what I was hoping for by one of my favorite artists, putting Lana at #8.

7. Woodstock   -Portugal. The Man

I owe the love of this album to our self-planned Hipster Day in NYC when we went to Brooklyn, checked out cool street art, and spent time in a record store where I purchased the album on vinyl. Who would have thought 2017 would have re-introduced me to Portugal. The Man? After a banger like “Feel It Still” it, it happened though. I never reviewed this album or this band on my blog yet, but don’t worry it’s coming soon. My recent hype and appreciation for Portugal. The Man’s hit album helped it reach the #7 spot on my list.

6. American Dream   -LCD Soundsystem

American Dream was the highly anticipated comeback album from LCD Soundsystem. It might not be Sound of Silver, but it’s got plenty of great tracks that will be played at LCD’s show until they decide to break up for good this time.

5. A Moment Apart   -Odesza

Odesza was a new discovery for me this year. When this album was released, I had never listened to them so I wasn’t anticipating the release nor planning an album review (I linked my general blog post from a few weeks ago instead). It took a special trip that included an Odesza concert to force me to listen to the album, but it was definitely worth it as it comes in as my #5.

4. Ultralife   -Oh Wonder

2017 became the year that I really fell for Oh Wonder. I owe it to Coachella, Denise, and a shitty work schedule, yet I’m so grateful it worked out that way. Their new album picked up where their self-titled debut album left off and added a few new hits to their repertoire making Ultralife my #4 top album this year.

3. GALLERY   -A R I Z O N A

After discovering A R I Z O N A last year, listening to almost every new single they released, and loving each and every one, their debut album had to be high on my list. The album is basically a compilation of each single plus a few new tracks. I don’t even own the album, but I’ve spent a lot of time listening to their songs. Again, I linked up my general blog post from this year about the band.

2. Melodrama   -Lorde

If I wasn’t biased, this would hands down be the best album of the year. Every song on Melodrama is fantastic. The album was the kind of sophomore album bands and artists dream of, but not many can achieve. Lorde crushed it with this one giving her second full length my #2 spot.

1. Sacred Hearts Club   –Foster the People

Like I said, I’m biased on this. I’ve always said Foster the People was one of my favorite bands, but this album made me fall in love with them all over again. It’s not quite Torches, but it’s close. “Sit Next To Me” became my favorite song of the year. Seeing them live twice and up close was everything I needed. They’re always my #1.

Honorable Mentions: I See You -the xx, Relaxer -alt-J, Wonderful Wonderful -The Killers, Everything Now -Arcade Fire, L.A. Divine -Cold War Kids, Masseduction -St. Vincent

So there you have it My Top 10 Favorite Albums of 2017…the Best Year in Music, at least in my opinion. 2018 has a lot to live up to. There’s sure to be plenty of good music this year, but it’ll be hard to beat all the new stuff from my favorites. Still we have a few to look forward to. I heard some rumors about upcoming albums from Arctic Monkeys, Vampire Weekend, and MGMT. Hayley Kiyoko will be releasing her debut album this spring and the 1975 is supposed to drop their third full length album. Chrvches and Bastille are also on radar for some new albums. As you can see there’s still good things to come. Plus the Coachella lineup drops this week and you know what that means. So thanks 2017 for being so special. 2018…”just come over here and sit next to me” because I’m ready for you and all the music you have to offer.

Gravity Can’t Hold Us Down

This Friday I’m attending my second ever electronic show. I probably wouldn’t be going to this show if it wasn’t for my friend’s love of electronic music and Odesza (the group we’re seeing) and the little vacation we’re going on. Nevertheless, it’s happening and because of it, I got into the electronic group.

Odesza is comprised of electronic music duo Harrison Mills and Clayton Knight. Mills and Knight met while they were both students at Western Washington University and began making music together as Odesza during their senior year. The band name was made out of an alternate spelling of Mills’ uncle’s ship that sunk.

Odesza’s self-released first album Summer’s Gone was released on September 5, 2012, two months before they played their first show. Their first EP My Friends Never Die was released a year later. In the fall of 2013, the group opened for Pretty Lights and then embarked on their first headlining tour the following year. It was a quick start for Odesza who gained popularity through streaming sites like Soundcloud and Spotify and by word of mouth.

In September 2014, Odesza released their second full length album In Return and played a sold out headlining tour that fall in support of it. The group also began playing music festivals as well beginning with Sasquatch! Music Festival in Gorge, Washington in 2013. They have since gone on to play Coachella, SXSW, Lollapalooza, Bonnaroo, Firefly, Governor’s Ball, and several others.

This past September Odesza released their third full length album A Moment Apart and announced a world tour in support which began on September 14th in Auckland, New Zealand, after a preview of the new live show in May at the legendary Red Rocks Amphitheater. The tour has since made their way into the United States and the album was recently nominated for a Grammy for Best Dance/Electronic Album. The track “A Line of Sight” feat. Wynne and Maisonair was also nominated for a Grammy for Best Dance Recording. The group was previously nominated in 2015 for Best Remixed Recording, Nonclassical for “Say My Name (RAC remix)”.

As electronic artists, Odesza fits in the sub genres of electropop, indietronica, chillwave, and future bass. Their style is sort of like a blend between electronic music, indie music, and pop music filled with synth lines and subtle rises and falls of energy and bass. Their new album has a several collaborations which account for the vocals on their tracks. Their songs create this dreamy, nostalgic type of feeling regardless of whether the tracks have vocals or not though.

I first heard of Odesza in late 2015 when a family member who I hadn’t talked to in years asked if I liked them after I told him I was attending an alt-J concert in the coming month. I told him that I didn’t and he told me how awesome they were. Then we started talking about something else and I never even checked them out. To be fair, at the time I was dealing with a lot of other things so I just kind of forgot about it. I first listened to Odesza in late September-early October of this year, shortly after the new album release. I liked the song “Higher Ground” and added it to my workout/new music playlist on Spotify. It was only about 2 weeks later that my friends and I had planned a trip to New York City and bought tickets to see them in Brooklyn.

Since purchasing tickets, I’ve listened to Odesza a lot more. We received a free copy of the new album with our tickets so when that came in the mail I put the CD in my car for a while. I also recently purchased their sophomore album too and have been binge listening to it.  It’s safe to say that I definitely became a fan. I’m beyond stoked for Friday night. I can’t wait to see what kind of energy they’ll bring by playing in a large scale venue like the Barclays Center, but I’m sure it’ll be epic. I’m also just stoked to see this band play with my friend and to witness her fully in her element as an electronic music fan.

I highly recommend checking out Odesza, but especially this new album. There’s a reason it was nominated for a Grammy. Even after listening to In Return several times, there’s just something special to A Moment Apart that Odesza’s been working towards since their inception. You’re bound to find at least one song you like. It’s that good and it’ll only be a matter of time before Odesza hooks you for real.

 

 

Legendary Venues: Red Rocks Amphitheatre

It’s been over 75 years since Red Rocks Amphitheatre opened in Morrison, Colorado. The venue first opened on June 15, 1941, but had been hosting open-air music performances since the early 1900’s when John Brisben Walker envisioned the geological phenomenon as a place for live music.

Red Rocks Amphitheatre is much different than any other music venue in the world because it’s the only naturally-occurring, acoustically perfect outdoor theater ever. What creates this natural perfection are two 300 foot rock structures known as Ship Rock to the south and Creation Rock to the north. The amphitheater sits between these monoliths that date back 160 million years and contain dinosaur fossil fragments from the Jurassic period. Both are bigger than Niagra Falls. There’s also a rock structure behind the stage (east) known as Stage Rock. Besides the incredible rock formation, the amphitheater overlooks downtown Denver, which creates one of the most beautiful, picturesque views offered at a music venue.

The city of Denver purchased Red Rocks from Walker in 1928 and hired Denver architect, Burnham Hoyt to design the area into a music venue while including the preservation of the land’s natural elements as part of the transformation. The construction took 12 years but was well worth the finished product that has since attracted musical acts from all over the world.

The Beatles concert on August 26, 1964 is considered to be one of the first notable rock concert performances in Red Rocks history. Another notable performance was the Jethro Tull concert in 1971 which resulted in a 5 year ban of rock concerts at the venue. Fans without tickets to the event attempted to barge through police lines and throw rocks at officers resulting in the deployment of tear gas to control the riot, which eventually carried into the venue affecting all in attendance.

The unique venue attracts bands across music genres from rock to pop to electronic to jam bands. Many bands have recorded performances at the famous venue as well. It has also been used in film and television. Then, in 2015, it became a national landmark.

I’ve never had the pleasure of going to Red Rocks. I’ve actually never even been in Colorado. After I began traveling around the country for work though, I learned about Red Rocks and it’s been high on my list of venues to see/work at ever since. I’d be beyond honored to work an event in such a place and I’d even be more awestruck by seeing a concert there. I’m not even sure if I can imagine what it’s like to be there. It sounds like such a spectacular venue. I think it’s one of those places you have to experience to understand how special it is even if pictures and descriptions already convince you. It’s one of those places where a picture really doesn’t do it justice. If Red Rocks isn’t the definition of legendary venue, I don’t know what is. It’s legacy has spanned the test of time and it continues to be a favored venue of many bands and artists. It’s definitely a place that concert and music lovers need to experience at least once or even countless times.

The Film Playlist: We Are Your Friends

While at my cousin’s house over the weekend, we watched another movie that easily makes The Film Playlist. It’s been a while since I wrote about a movie for this series so let me explain. The Film Playlist is a blog series I started about movies that are about music. It’s been about a year since I added anything to it, but as soon as we started watching We Are Your Friends this past weekend, I knew I had to write about it this week.

The 2015 drama stars Zac Efron, Wes Bentley, Emily Ratajkowski, Shiloh Fernandez, Alex Shaffer, and Jonny Weston. It was written by Max Joseph and Meaghan Oppenheimer based off a story by Richard Silverman. Joseph also directed the film which marked his directorial debut. The movie is about an electronic music DJ named Cole Carter (Efron) who is trying to work his way up in the music industry. It’s also partly a coming of age story because Cole and his friends are young adults trying to figure out their lives in the midst of partying at night clubs, selling drugs, and being part of the electronic music scene. While booked to play a gig at a club one night, Cole meets the headliner, who was once a hot commodity in the electronic music world, James Reed (Bentley). Reed in a way becomes a mentor for Cole once he realizes his talent and helps Cole to understand how to create music that doesn’t sound like every other electronic song.

As soon as we started watching this film Friday night, I knew I would love it. The plot is average though. It’s nothing out of the ordinary or exceptional. I strictly loved it for the fact that it was about music and electronic music in particular. I’ve never seen another film that surrounds the electronic music scene. It was cool to see scenes about creating electronic music and also scenes featuring EDC Vegas, which is an electronic music festival done by one of the leading electronic festival promoters Insomniac Events. The soundtrack for the film was excellent. Its feature track “We Are Your Friends” by Justice featuring Simian is where the film got its title from. It also features songs by Years and Years with Gryffin, AlunaGeorge with Tchami, Seinabo Sey with Kygo and Deorro ft. Erin McCarley.

If you’re expecting an award winning film, that’s not what We Are Your Friends is. It’s really just a fictional coming of age film that surrounds the electronic music industry. If you’re at all into electronic music, I suggest you check it out. It’s a film you don’t have to think much about and can purely enjoy, especially if you have a love for music, especially electronic music.

American Dream: Album Review

Summer 2017 has almost reached its conclusion. There’s only a few weeks left, but after Labor Day, pumpkin spice lattes are all the rage, temps start decreasing, and sweaters and flannels cover the upper torsos of most. Summer isn’t officially over until September 22nd, but still we’re less than a month away.

That being said this summer was epic for both me and the rest of the music world. I worked all over the country, had amazing experiences, made new friends, and strengthened relationships with old friends. It was incredible. It was also incredible because a plethora of new albums were released this summer by so many of my favorite bands and artists. Before the end of summer though, there’s one more highly anticipated album that was just released. The album was a long time coming for NYC alternative dance band, LCD Soundsystem. So after 7 long years, an apparent break-up, a final show at Madison Square Garden and a film to tell its tale, a Christmas song, and a comeback no one ever thought was happening, American Dream is here.

American Dream is the 4th full length album from James Murphy and his posse. This album is more melodious than their previous works, yet it combines the great electronic/techno indie dance style that LCD Soundsystem is known for. If you’re looking for that classic LCD sound, look to the songs “tonite”, “call the police”, “emotional haircut”, and “other voices”. Songs like “change yr mind” and “how do you sleep?” combine a dance style with more melody, as they both start slow and build to a pace where you’re able to get into the groove.

LCD Soundsystem records have been known to include a slower song or something with more melody on more than one occasion. “New York I Love, But You’re Bringing Me Down” or “All I Want” are perfect examples of this. Each are on separate albums though. The latest from LCD Soundsystem incorporates 4 of these kind of tracks with “oh baby”, “i used to”, “american dream”, and “black screen”. “i used to” and “black screen” remind me of songs I’d hear from bands like Brand New or Circa Survive. They have an alternative rock/post-hardcore feel where all that’s missing is Murphy adding some screaming to his vocals. “oh baby” and “american dream” are filled with love, longing, and nostalgia lyrics reminiscent to the waltz style track “New York I Love You…”.

Normally I hate when bands change their sound, but in this case LCD Soundsystem hasn’t really changed much. They’re still playing the same style of music that made them famous in the mid to late 00’s. They’re just progressing. They got older even though they were never that young to begin with. They’re the same, but new. Anyway, to me, this record is one that no one ever thought they’d hear and LCD Soundsystem is back with a vengeance.

I urge you to check out this album. I first started listening to LCD Soundsystem in 2012 (yes after they broke up!) but fell in love with them all over again last summer after preparing for and seeing them live at Lollapalooza. They’re different than most bands I’m into and most bands you might listen to, but they combine an EDM style of music with an indie style. You just can’t help but want to dance yrself clean when you listen to them.

Almost every show on their upcoming tour is already sold out and they haven’t even begun to play shows yet. There’s no question that the rest of the shows will sell out in due time. So if you plan on seeing the revival of LCD Soundsystem on their touring circuit this time around, you either have to grab a ticket to one of the few remaining shows quickly, buy an overpriced resale ticket, or you’re S.O.L. Fortunately I have tickets to their upcoming tour and plenty of time to indulge in this new masterpiece of an album. Their American shows begin in mid-October so for those looking to see a live performance you have plenty of time as well as long as you start today. Check out American Dream as soon as you can!

A R I Z O N A the band, not the state

It’s been two weeks since I last posted, but to be fair I had a show to work and I was sidelined with a sprained ankle (a “sprankle” if you will). I was also out of ideas for new topics. I want to be excited about everything I write here so I didn’t want to just pick something and give you a lackluster effort. The end of last week finally gave me a topic though. I saw that a band I’ve been following for the last year or so released their debut album on May 19th.

A R I Z O N A is an alternative electro-pop band from Glen Rock, New Jersey (no, not Arizona). The band is comprised of members Zach Hannah (vocals), Nathan Esquite (guitar), and David Labuguen (keyboard). The trio all attended college in Boston and initially went their separate ways before reuniting in their home state to form A R I Z O N A. The band’s name stems from a hat Dave was wearing during a random Facetime call with his bandmates.

A R I Z O N A started releasing music on streaming platforms in 2015. They’ve periodically released singles from then on. Their major breakthrough came when German electronic DJ Robin Schulz released a remix of their song “I Was Wrong” last summer. Originally the group thought of releasing an EP first, but then they realized they had enough songs to put out a full length album. Their debut album, Gallery, was released a few days ago. It contains all the music they’ve released so far plus a few new jams. The group is also playing the festival circuit this summer and embarking on their first headlining tour.

Back in November, on the night I saw Tegan and Sara, my friend and I bought tickets to the Hayley Kiyoko show that was happening in another room at the same venue. A R I Z O N A was the opener that night. I didn’t even realize they were the opener until I recognized the second song they played. It was a spontaneously awesome moment of the evening. I first started listening to them the previous winter when I heard the song “Where I Wanna Be” off a twitter recommendation and since that time I followed up with the group any time they released new music.

A R I Z O N A’s music style combines indie/alternative music with electronic music. When I first heard them I was slowly getting into electronic music. I liked an occasional song here and there (Let’s be honest, I still do). “Where I Wanna Be” was one of those songs. During the time I listened to that song frequently, I figured A R I Z O N A was probably the name of some DJ. I don’t think I even fully realized that the group was a band until I saw them perform live. It was good to know that a band like A R I Z O N A existed because most of the time electronic music to me was DJ’s. A R I Z O N A is a band. They have a lead singer (Zach). They have a guitarist (Nate), but they also have someone who plays the keyboard/synth elements of their songs (Dave) that gives their music its electronic feel.

I highly recommend checking these guys out if you’re into indie music, electronic music, or both. Even if you’re not, check this band out anyway because they have a pop element to their music as well. As I mentioned before, you can also catch them this summer. They’re playing a few big festivals (Gov Ball, Firefly, and Lollapalooza) and of course they’re touring all over too. Here’s a few songs that will make you fall for this band as much as I have:

  1. Where I Wanna Be
  2. I Was Wrong
  3. Electric Touch
  4. Cross My Mind
  5. Oceans Away

 

Coachella Band Preview: Empire of the Sun

The first weekend of Coachella is 3 weeks away. Yes three weeks is what separates us from the hot sunny Indio Desert, the greens of the Empire Polo Fields swarming with festival-goers, palm trees swaying to the cool breeze and rad tunes, epic sunsets over the mountains, and the sweet sounds of music from incredible artists entering our ears. I only have a few band previews left before the annual festival begins and time is of the essence so I better get to it.

Empire of the Sun is an electronic/alternative rock band from Sydney, Australia. The band formed in 2007 as a collaboration between Luke Steele and Nick Littlemore. Both had worked together on music for each other’s bands before forming Empire of the Sun. Those bands each performed different styles of music. Steele brought the alternative rock genre to their new band and Littlemore brought the electronic dance music. Their first album, Walking on a Dream, was released in 2008 with the first single of the same name debuting about a month before the album’s release. Both the single and album were charted in the top ten of the ARIA charts. Although their only intention was to create a studio album, they decided to do live performances in response to the album’s success. However the live shows did not include Littlemore, who decided to opt out of touring early on. By the end of 2009, the band received 7 ARIA Awards for the album including Album of the Year.

2010 was the year the band embarked on the festival circuit playing Glastonbury and Lollapalooza for the first time and by the end of the year Littlemore and Steele discussed creating a new album for the band. Production on the album began in 2011 and Littlemore stated he would go out and tour in support of this one. 2011 also involved a North American tour for the band, which included a stop at Coachella.

The duo released their second album, Ice on the Dune, in June 2013. The new album brought more touring throughout 2013 and into 2014. The band made their second stop at Coachella in 2014 and headlined the Sahara Tent. Their music was also featured in the film Dumb and Dumber To, which came out in late 2014.

The band continued to tour into 2015 while simultaneously working on their third album. Their third and latest album was just released this past October. 2016 also marked the first time that the band broke on to the Billboard charts. It was their 2008 hit “Walking on a Dream” that earned the band the number 3 spot on the Alternative Music charts after it was used in a U.S. Honda commercial in early 2016.

Their music, as I said, is a combination of alternative rock and electronic music. It can’t be described much better than that, although some may say the band fits genres like synthpop or glam rock. I feel like their sound has stayed consistent over the course of three albums so if you love the song “Walking on a Dream” or only know music from that album, you’re bound to dig some of their more recent stuff.

I discovered Empire of the Sun in 2011. There’s no significant story of how so I’m guessing it was through a recommendation from Youtube or Pandora because I listened to similar music on either channel. Of course the first song I heard was “Walking on a Dream”. Throughout the past few years I’ve heard their other stuff here and there and I’ve liked it. I’ve also heard the song “Walking on a Dream” multiple times in various circumstances throughout the same time period. It’s no surprise it’s their biggest hit. I never got into them as a band though. Nor have I been dying to see them live, but I’ll tell you why I would definitely check them out at Coachella.

Music festivals give you an opportunity to see bands live who you might like but not like enough to buy a ticket for a touring show making Coachella the perfect time for someone like me to check them out. Empire of the Sun does some pretty cool live performances too. The performances are as much of a visual art as they are a musical art. They wear elaborate costumes, have dancers or other performers, and display mesmerizing visuals often seen as part of electronic shows. They play Friday at Coachella. They’ve already headlined the Sahara Tent at the festival once before so that might happen again. As long as their set doesn’t overlap with some other great performers, it’ll definitely be a spectacle worth seeing. Here’s a few songs to know if you go:

  1. Walking on a Dream
  2. Alive
  3. High and Low
  4. We Are the People
  5. Standing on the Shore
  6. DNA
  7. Two Vines
  8. Concert Pitch
  9. To Her Door
  10. Friends

 

Coachella Band Preview: Gryffin

I can’t believe I’m saying this, but we’re a little over a month away from Coachella. One month. 30 some days. Can you feel the hype?! The time flies so fast once that lineup drops. That means there’s only a few more band previews left and limited time to listen to all your favorites in preparation for the festival. I’ve wanted to write this preview since January, but I’ve purposely held off so I’d have something to write about as the festival got closer. Out of the group of electronic artists performing at Coachella this year, there were two I was most stoked about. The first was Kungs, who I wrote about back in January (I was too stoked to save Kungs until now). The second is an artist known as Gryffin.

Gryffin, whose real name is Dan Griffith, is an EDM DJ from New York City. He’s also a talented instrumentalist. He started piano lessons at the age of 7 and played through high school, while picking up guitar along the way.  Gryffin attended college at USC and studied electrical engineering, but devoted his free time to making music. His intent was to make music for his friends to play at parties. He never expected to be making it for a career, yet here he is selling out tours and playing Coachella 2017.

Unlike most of the artists I preview, Gryffin has yet to release his first album. He is most known for his remixes and a few chart-making singles. There’s no doubt an album release is in the works for him especially with the original tracks he has dropped over the last year. One of his most well known hits and debut single, “Heading Home” ft. Josef Salvat, was released a little over a year ago. The song hit #1 on the Spotify Viral 50 Chart and also made the list of Billboard’s Hot Dance/Electronic Songs chart and Dance/Electronic Digital Songs chart. Last spring, he embarked on his first North American tour and sold out every show. He dropped a second single, “Whole Heart” ft. Bipolar Sunshine, on August 26th, which also hit Billboard’s electronic charts. It sparked another 10 show North American tour this past fall. A week ago, Gryffin released his third single, “Feel Good” with Illenium ft. Daya, and it already has almost 3 million plays on Spotify.

Gryffin classifies his style of electronic music as melodic house because he likes to incorporate piano and guitar into his music. It makes sense given his musical background. That’s the cool thing about his live sets though. It’s a blend between electronic and instrumental performance. Along with DJ-ing at his shows, he plays parts of songs on guitar and piano. It adds new elements to the music that you don’t necessarily get listening to a recording. This is something that takes his live performances to a whole new level in the electronic music genre making his Coachella performance one that you don’t want to miss.

I first heard of Gryffin within the last year and a half or so. I would see his name listed on song remixes, but I never listed to any of them because I typically don’t listen to remixes (except the Matoma remix of “Old Thing Back” because #fave). It’s mostly because I prefer the original version of songs, or the ones I was first exposed to, which I guess is strange when I think about it because I love covers. I think that it’s more so with remixes where you can have a non-electronic song that is electronically enhanced. That’s what I don’t really like since I was never big on electronic music. I guess you can say that’s changed now, but I still prefer original songs. Just this past fall, I heard Gryffin’s original song “Whole Heart” playing in the background of an end of the season highlight reel video for the Washington Spirit of the NWSL. I really liked the song and added it to my Spotify playlists as well as to my iTunes. About a month later, I heard “Heading Home” and added it just the same. Just a few days ago I heard “Feel Good” for the first time and I’ve been so hooked on it all week. I had it stuck in my head yesterday. It’s a great song, and I believe it has a ton of potential to surpass the success of Gryffin’s previous singles.

Gryffin plays Saturday at Coachella. It’s his first Coachella appearance too. I expect he’ll play the Sahara Tent, but I don’t expect his set to be super late. As I said, his performance will be one you don’t wanna skip especially if you’re into electronic music. Even if you’re not, his hybrid live performance style might be something transitional for you. I’d love to catch his set if I had the chance. Gryffin doesn’t have many original tracks you’ll need to prep with, so I’ll include some remixes as well. Here they are:

  1. Heading Home
  2. Whole Heart
  3. Feel Good
  4. Desire (Years & Years) Remix
  5. Animals (Maroon 5) Remix
  6. Youth (Troye Sivan) Remix
  7. Talking Body (Tove Lo) Remix
  8. Clearest Blue (CHVRCHES) Remix
  9. Beggin’ For Thread (BANKS) Remix