electronic dance music

Coachella 2018 Lineup Release

Not 48 hours into the new year and the Coachella 2018 lineup drops. Last night at 4:15 PT Coachella released their lineup on social media and as always people have opinions, me included. Since last year I expected the 2018 lineup to be the best since 2014. If you know me, you know that I believe 2014 had the best lineup to date and every year after has  been incomparable. 2018 had so much potential. There were so many bands who released new music in 2017 that did not play the festival plus a handful of other greats expected to release new music this year. But when rumors spread just before Christmas about the headliners, I knew this year wasn’t going to meet my expectations.

Going into 2018 everyone knew Beyoncé was supposed to headline. She was supposed to headline last year but dropped out shortly after the announcement of her twin pregnancy paving the way for Lady Gaga to take her spot. The biggest question was who would accompany her on top of the poster. On December 20th, Consequence of Sound reported that Eminem and The Weeknd were slated to join Beyoncé as the 2018 headliners, much to my dismay. Here’s why. The Weeknd headlined Coachella in 2015. Was he supposed to be a headliner? No. However he played in the headliner spot. Jack White, the headliner for that night, took an early spot for whatever the case may be leaving The Weeknd to close out the night.

In my opinion Eminem is a pretty cool choice for a headliner. He fits that formerly popular/still popular angle. He’s a rapper and for the past few years Coachella has plugged that genre (or R&B) into one of their headlining spots. Plus he just released a new album. Here’s the issue: Beyoncé already filled that genre spot this year. I mean come on! The entire headlining lineup is rap/R&B. This is the first time in the history of the festival that a rock band isn’t headlining. Disappointing.

In fact, looking at the lineup, rap/hip-hop/R&B has taken over the festival this year. I think Louis Tomlinson’s (of One Direction fame) reaction on Twitter summarizes my feelings exactly. He stated, “Just seen the Coachella lineup …. Where the fuck are all the bands!? It’s a festival!?” Yes Louis, you’re right. Where are all the bands?! All I see are rappers, R&B singers, or electronic DJ’s. As I went through the lineup last night making a list of who I would see for my annual Coachella preview, there were names lacking for each day and more “possible” acts to see than definites. For Friday, I only listed 4 acts. Four. It’s a headshaker, for sure, given that this year had some high expectations. Anyway, let’s get down to this lineup analysis.

The Headliners: The Weeknd, Beyoncé, Eminem

I already summarized my thoughts on all these acts above. So re-read that.

The Other Highly Billed Performers: SZA, Kygo, Jamiroquai, St. Vincent, the War on Drugs, Vince Staples, Haim, Tyler the Creator, David Byrne, alt-J, Post Malone, Fleet Foxes, Odesza, Portugal. The Man, Migos, A Perfect Circle, Cardi B, Miguel, Soulwax, Jean-Michel Jarre, Daniel Caesar, Kali Uchis, Los Ángeles Azueles, Deorro, Chromeo, Chic feat. Nile Rodgers, BØRNS, Louis the Child, Angel Olsen, Jungle, blackbear, MØ, King Krule, Illenium, Kamasi Washington, French Montana, 6lack, Vance Joy, Russ, LANY

As always, there’s a few names in this group that I’m pretty excited about. If I were attending this year, I’d definitely be hitting up Kygo, St. Vincent, Haim, alt-J, Fleet Foxes, Odesza, Portugal. The Man, BØRNS, Illenium, and LANY. There’s a few that I’d definitely check out here too if there were no overlaps like David Byrne, Post Malone, Chromeo, Jungle, MØ, and Vance Joy. I’m mostly excited about Haim and alt-J. Even though I’ve seen both live before, they’re fantastic and two of my favorite bands. Odesza is an incredible electronic act and I can attest from seeing them live last month. I’ve seen BØRNS live before as well and it was so enjoyable. After working St. Vincent in November and listening to her VIP Q&A, I’ve gained a new respect for Annie Clark and her music. I was able to stay for half of her show but would love to see her again. The others I’ve never seen live.

As I said in my 2017 music recap blog post, I would be reviewing Portugal. The Man soon. It might now be even sooner than I thought. I’ve been stoked on their latest album since buying it on vinyl in NYC and I’d love to see them live especially since knowing about them since college. Since getting into electronic music, I’ve always been partial to tropical house, making Kygo an artist I would love to check out. I also got into Illenium’s latest album for a short time two months ago making him another electronic act I’d want to see. I’ve listened to LANY a few times over the past few years so they’re a group I’d love to see too. If you’re looking for the most indie band at Coachella this year, I’d have to say that would be Fleet Foxes. I’ve liked them for a while now and would definitely want to see them live.

As for the others that I’d like to check out, I’ve seen Jungle and Vance Joy before. Both played in 2015 when I attended and I made it to both sets. I even saw Vance Joy at Panorama last summer. They’re always a solid set. I was super hyped about Jungle in 2015, but this time around they’re not a definite for me. They’ve got new music out, which I plan on checking out soon They just didn’t make a huge impact on me last time. I’ve casually listened to Chromeo and MØ so I would casually see them. Post Malone is burning up right now. I’m not into rap, but Post Malone has a song that is more indie than rap that I enjoy. I think I’m solely interested in seeing this dude play live because of the hype surrounding him right now. David Byrne is the most intriguing to me. Honestly I had no idea who he was until I did a little research. After I found out, it felt like I failed at music so excuse me for that one. As the lead singer and guitarist of the Talking Heads, I would love to hear his set. He’s got a solo career going, but you know he’ll be playing some Talking Heads covers. Who knows maybe there’s a reunion in store?! I mean who doesn’t like the Talking Heads?!

The Rest: Maceo Plex, Alan Walker, the Neighbourhood, Alison Wonderland, Kelela, REZZ, Bleachers, Black Coffee, SuperDuperKyle, Justin Martin, Belly, TroyBoi, Dreams, Perfume Genius, PVRIS, Moses Sumney, LÉON, Greta Van Fleet, Tank and the Bangas, Cash Cash, Whethan, Skip Marley, Elohim, Detroit Love (Carl Craig, Kyle Hall, Moodymann), Benjamin Clementine, Carpenter Brat, the Blaze, Knox Fortune, MHD, Slow Magic, Avalon Emerson, Fazerdaze, Moon Boots, HITO, Helado Negro, the Buttertones, the Regrettes, Boogarins, the Marias, Señor Kino, Tash Sultana, BROCKHAMPTON, Marian Hill, Alina Baraz, First Aid Kit, Snakehips, Highly Suspect, Wizkid, Jorja Smith, Alvvays, the Black Madonna, Tom Misch, Django Django, X Japan, Benjamin Booker, Flatbush Zombies, Ekali, Yaeji, Party Favor, Big Thief, Jason Bentley, Oh Sees, Sigrid, Busy P, the Bronx, AC Slater, Sudan Archives, Jackmaster, Otoboke Beaver, Chloe x Halle, Sir Sly, Hundred Waters, Pachanga Boys, Bedouin, Cherry Glazerr, Mild High Club, Priests, Ron Gallo, Declan McKenna, Bane’s World, KITTENS, the Drums, Aminé, Jessie Ware, Jamie Jones, Kamaiyah, San Holo, FIDLAR, DeJ Loaf, Petit Biscuit, Ibeyi, LP, Motor City Drum Ensemble, Princess Nokia, AURORA, Noname, Jacob Banks, Chris Liebing, Jidenna Hayley Kiyoko, Barclay Crenshaw, LION BABE, Giraffage, Talaboman, THEY., Cuco, Joseph Capriati, Hannah Wants, Nothing But Thieves, John Maus, Kölsch, Japanese Breakfast, MAGIC GIANT, Omar-S, Michael Mayer, Westside Gunn + Conway, Buscabulla, Peggy Gou, Snail Mail, Rolling Blackouts Coastal Fever, B Boys, the Delirians

My favorite name that showed up on the Coachella lineup this year is in this group, Hayley Kiyoko. As you know, I saw her last year in what I consider to be one of the most epic nights in music for me, seeing 2 shows in one night. One of those was Hayley Kiyoko and she played in a small venue in Philadelphia. I was beyond excited to see her name on the poster and so stoked that she’s playing Coachella this year in time with releasing her debut album. Another band that’s on my must see list is in this group too, The Neighbourhood. I’ve been digging The Neighbourhood since 2013 and I’ve never seen them live. They’re a must-see for sure. There’s a few on this list that I’d want to catch if I had time too. Bleachers, Tash Sultana, Sir Sly, Declan McKenna, and Marian Hill are the big ones among that bunch.

As a whole I feel like this is the smallest group of bands I’ve been interested in since starting my Coachella previews in 2015. I had such high hopes for this year’s festival and it all came crashing down last night. Some names I would have liked to see on this year’s lineup include Arctic Monkeys (as a headliner or part of that second line of acts), Vampire Weekend, MGMT, Foster the People, Lana Del Rey, Cold War Kids, Halsey, Phoenix, Andrew McMahon in the Wilderness, ARIZONA, the 1975, Sigala, Cigarettes After Sex, Passion Pit, The Kooks, AWOLNATION, and either The Killers, Arcade Fire, or Kings of Leon as a headliner (most likely The Killers though). There’s probably more bands as well, but those are a few off the top of my head.

I started doing a bit of research on this year’s lineup compared to my favored 2014 lineup. I plan on editing this post later today or tomorrow with my findings. Until then, you should start listening to some bands on this lineup. There’s plenty I know nothing about and a few that I do. Maybe you’re stoked on this lineup. Maybe you’re not. The fact is that Coachella is in 3 months and the prep officially began yesterday. One thing is certain though, regardless of who is on the lineup and the amount of complaining done, people are still gonna go to Coachella. It’s the festival to be at. It’s Coachella. You’re bound to have a great time because although I strongly believe music festivals should be about the music, Coachella is more than music. It’s art. It’s atmosphere. It’s good food. It’s being with people you care about and have a good time with. It’s hot days and cool nights. It’s palm trees, and mountains, and desert. It’s fashion. It’s celebrities. It’s social media. It’s sponsors. It’s ferris wheels and hip merch. Mostly it’s the best kind of positivity and vibes you’ll ever experience. So Coachella 2018, I’m ready for you! Here’s to hoping I can be part of the magic again.

(EDIT: I spent the last hour or more doing some research and the numbers I came up with are unreal. I analyzed the 2014 Coachella lineup vs. the 2018 Coachella lineup. I looked at the first 3 lines of each poster plus the headliners and I grouped performers in 4 categories, Rap/R&B, Electronic, Pop, Rock/Indie. In 2014, out of the 165 acts, there were 71 featured on the first 3 lines of the poster including the headliners. Out of those 71, 14% were Rap/R&B, 28% were Electronic, 6% were Pop, and 37% were Rock/Indie. In 2018, out of 165 acts, there are 69 featured on the first 3 lines of the poster including the headliners. Out of those 69, 33% are Rap/R&B, 25% are Electronic, 9% are Pop, and 33% are Rock/Indie. Compared to 2014, the number of Rap/R&B acts have more than doubled. Is Rap/R&B back on the rise and I didn’t know about it? If you asked me, I would tell you no. So what’s the deal this year? What’s even more shocking is that I also compared the number of Bands to Artists for each year. I defined “Band” as a group or single performer with a backing band that plays classic instruments (guitar, drums, bass, keyboards, etc. as opposed to electronic equipment). Artists included rappers, R&B singers, electronic DJ’s, and pop singers. In 2014, out of 71 acts, 55% were Bands and 45% were Artists. In 2018, out of 69 acts, 30% are Bands and 68% are artists. To me those numbers, are staggering. Louis Tomlinson noticed it and he’s right. The bands have decreased this year in favor of the artists. So seriously Coachella, WHERE ARE THE BANDS?! And why are you straying from what made you amazing in the first place? #Coachella2018thefestivalthatcouldhavebeen)

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2017: The Best Year in Music Recap

Last year around New Year’s, I wrote about how music saved 2016. It was a pretty shitty year for the country and in the grand scheme of things. Although people would say 2017 might not have been the best for some similar reasons, I would have to argue. 2017 was a great year. Personally, I worked more events than last year, worked new festivals including my all-time favorite, Coachella, had the opportunity to work a few different roles, saw tons of incredible live music, made new friends, got closer to friends I already had, and figured out what my ultimate goal is. Overall yes there were several bad and upsetting events that happened especially in America. There were even a few hiccups in my own life. However, despite the bad, there were plenty of instances of hope. As for music, as much as I thought it was the best part of 2016, it doesn’t hold a candle to this past year.

So many artists released new albums this year. I mean I guess that’s pretty standard for every year but this year was special for me. It was all of my favorites (minus Florence and the Machine) putting out new albums. I also discovered so many more great bands thanks to the incredible people I met and grew closer to this year.

I could do a detailed recap of all the music I loved from this year, but I wrote about it so many times so I’ll give you all the links in a ranking of my favorite albums of 2017.

My 2017 Top 10 Favorite New Albums

10. Zombies on Broadway   -Andrew McMahon in the Wilderness

The follow-up to Andrew McMahon’s debut had a handful of hits. I never reviewed this album and I’m so sorry because it was a good one, making it #10 on my list.

9. Something to Tell You   -Haim

Although Something to Tell You wasn’t quite what Days Are Gone was for me, I was super stoked to hear some new music from the Haim sisters. The new album had a few great jams like “Little of Your Love” and “Want You Back” which helped it earn my #9 spot.

8. Lust For Life   -Lana Del Rey

As advertised, Lust for Life was an album for the fans. In my opinion it wasn’t Lana’s best nor her worst. “Coachella – Woodstock on My Mind” and “Beautiful People, Beautiful Problems” featuring Stevie Nicks were two of my favorites, but it wasn’t quite what I was hoping for by one of my favorite artists, putting Lana at #8.

7. Woodstock   -Portugal. The Man

I owe the love of this album to our self-planned Hipster Day in NYC when we went to Brooklyn, checked out cool street art, and spent time in a record store where I purchased the album on vinyl. Who would have thought 2017 would have re-introduced me to Portugal. The Man? After a banger like “Feel It Still” it, it happened though. I never reviewed this album or this band on my blog yet, but don’t worry it’s coming soon. My recent hype and appreciation for Portugal. The Man’s hit album helped it reach the #7 spot on my list.

6. American Dream   -LCD Soundsystem

American Dream was the highly anticipated comeback album from LCD Soundsystem. It might not be Sound of Silver, but it’s got plenty of great tracks that will be played at LCD’s show until they decide to break up for good this time.

5. A Moment Apart   -Odesza

Odesza was a new discovery for me this year. When this album was released, I had never listened to them so I wasn’t anticipating the release nor planning an album review (I linked my general blog post from a few weeks ago instead). It took a special trip that included an Odesza concert to force me to listen to the album, but it was definitely worth it as it comes in as my #5.

4. Ultralife   -Oh Wonder

2017 became the year that I really fell for Oh Wonder. I owe it to Coachella, Denise, and a shitty work schedule, yet I’m so grateful it worked out that way. Their new album picked up where their self-titled debut album left off and added a few new hits to their repertoire making Ultralife my #4 top album this year.

3. GALLERY   -A R I Z O N A

After discovering A R I Z O N A last year, listening to almost every new single they released, and loving each and every one, their debut album had to be high on my list. The album is basically a compilation of each single plus a few new tracks. I don’t even own the album, but I’ve spent a lot of time listening to their songs. Again, I linked up my general blog post from this year about the band.

2. Melodrama   -Lorde

If I wasn’t biased, this would hands down be the best album of the year. Every song on Melodrama is fantastic. The album was the kind of sophomore album bands and artists dream of, but not many can achieve. Lorde crushed it with this one giving her second full length my #2 spot.

1. Sacred Hearts Club   –Foster the People

Like I said, I’m biased on this. I’ve always said Foster the People was one of my favorite bands, but this album made me fall in love with them all over again. It’s not quite Torches, but it’s close. “Sit Next To Me” became my favorite song of the year. Seeing them live twice and up close was everything I needed. They’re always my #1.

Honorable Mentions: I See You -the xx, Relaxer -alt-J, Wonderful Wonderful -The Killers, Everything Now -Arcade Fire, L.A. Divine -Cold War Kids, Masseduction -St. Vincent

So there you have it My Top 10 Favorite Albums of 2017…the Best Year in Music, at least in my opinion. 2018 has a lot to live up to. There’s sure to be plenty of good music this year, but it’ll be hard to beat all the new stuff from my favorites. Still we have a few to look forward to. I heard some rumors about upcoming albums from Arctic Monkeys, Vampire Weekend, and MGMT. Hayley Kiyoko will be releasing her debut album this spring and the 1975 is supposed to drop their third full length album. Chrvches and Bastille are also on radar for some new albums. As you can see there’s still good things to come. Plus the Coachella lineup drops this week and you know what that means. So thanks 2017 for being so special. 2018…”just come over here and sit next to me” because I’m ready for you and all the music you have to offer.

Gravity Can’t Hold Us Down

This Friday I’m attending my second ever electronic show. I probably wouldn’t be going to this show if it wasn’t for my friend’s love of electronic music and Odesza (the group we’re seeing) and the little vacation we’re going on. Nevertheless, it’s happening and because of it, I got into the electronic group.

Odesza is comprised of electronic music duo Harrison Mills and Clayton Knight. Mills and Knight met while they were both students at Western Washington University and began making music together as Odesza during their senior year. The band name was made out of an alternate spelling of Mills’ uncle’s ship that sunk.

Odesza’s self-released first album Summer’s Gone was released on September 5, 2012, two months before they played their first show. Their first EP My Friends Never Die was released a year later. In the fall of 2013, the group opened for Pretty Lights and then embarked on their first headlining tour the following year. It was a quick start for Odesza who gained popularity through streaming sites like Soundcloud and Spotify and by word of mouth.

In September 2014, Odesza released their second full length album In Return and played a sold out headlining tour that fall in support of it. The group also began playing music festivals as well beginning with Sasquatch! Music Festival in Gorge, Washington in 2013. They have since gone on to play Coachella, SXSW, Lollapalooza, Bonnaroo, Firefly, Governor’s Ball, and several others.

This past September Odesza released their third full length album A Moment Apart and announced a world tour in support which began on September 14th in Auckland, New Zealand, after a preview of the new live show in May at the legendary Red Rocks Amphitheater. The tour has since made their way into the United States and the album was recently nominated for a Grammy for Best Dance/Electronic Album. The track “A Line of Sight” feat. Wynne and Maisonair was also nominated for a Grammy for Best Dance Recording. The group was previously nominated in 2015 for Best Remixed Recording, Nonclassical for “Say My Name (RAC remix)”.

As electronic artists, Odesza fits in the sub genres of electropop, indietronica, chillwave, and future bass. Their style is sort of like a blend between electronic music, indie music, and pop music filled with synth lines and subtle rises and falls of energy and bass. Their new album has a several collaborations which account for the vocals on their tracks. Their songs create this dreamy, nostalgic type of feeling regardless of whether the tracks have vocals or not though.

I first heard of Odesza in late 2015 when a family member who I hadn’t talked to in years asked if I liked them after I told him I was attending an alt-J concert in the coming month. I told him that I didn’t and he told me how awesome they were. Then we started talking about something else and I never even checked them out. To be fair, at the time I was dealing with a lot of other things so I just kind of forgot about it. I first listened to Odesza in late September-early October of this year, shortly after the new album release. I liked the song “Higher Ground” and added it to my workout/new music playlist on Spotify. It was only about 2 weeks later that my friends and I had planned a trip to New York City and bought tickets to see them in Brooklyn.

Since purchasing tickets, I’ve listened to Odesza a lot more. We received a free copy of the new album with our tickets so when that came in the mail I put the CD in my car for a while. I also recently purchased their sophomore album too and have been binge listening to it.  It’s safe to say that I definitely became a fan. I’m beyond stoked for Friday night. I can’t wait to see what kind of energy they’ll bring by playing in a large scale venue like the Barclays Center, but I’m sure it’ll be epic. I’m also just stoked to see this band play with my friend and to witness her fully in her element as an electronic music fan.

I highly recommend checking out Odesza, but especially this new album. There’s a reason it was nominated for a Grammy. Even after listening to In Return several times, there’s just something special to A Moment Apart that Odesza’s been working towards since their inception. You’re bound to find at least one song you like. It’s that good and it’ll only be a matter of time before Odesza hooks you for real.

 

 

Legendary Venues: Red Rocks Amphitheatre

It’s been over 75 years since Red Rocks Amphitheatre opened in Morrison, Colorado. The venue first opened on June 15, 1941, but had been hosting open-air music performances since the early 1900’s when John Brisben Walker envisioned the geological phenomenon as a place for live music.

Red Rocks Amphitheatre is much different than any other music venue in the world because it’s the only naturally-occurring, acoustically perfect outdoor theater ever. What creates this natural perfection are two 300 foot rock structures known as Ship Rock to the south and Creation Rock to the north. The amphitheater sits between these monoliths that date back 160 million years and contain dinosaur fossil fragments from the Jurassic period. Both are bigger than Niagra Falls. There’s also a rock structure behind the stage (east) known as Stage Rock. Besides the incredible rock formation, the amphitheater overlooks downtown Denver, which creates one of the most beautiful, picturesque views offered at a music venue.

The city of Denver purchased Red Rocks from Walker in 1928 and hired Denver architect, Burnham Hoyt to design the area into a music venue while including the preservation of the land’s natural elements as part of the transformation. The construction took 12 years but was well worth the finished product that has since attracted musical acts from all over the world.

The Beatles concert on August 26, 1964 is considered to be one of the first notable rock concert performances in Red Rocks history. Another notable performance was the Jethro Tull concert in 1971 which resulted in a 5 year ban of rock concerts at the venue. Fans without tickets to the event attempted to barge through police lines and throw rocks at officers resulting in the deployment of tear gas to control the riot, which eventually carried into the venue affecting all in attendance.

The unique venue attracts bands across music genres from rock to pop to electronic to jam bands. Many bands have recorded performances at the famous venue as well. It has also been used in film and television. Then, in 2015, it became a national landmark.

I’ve never had the pleasure of going to Red Rocks. I’ve actually never even been in Colorado. After I began traveling around the country for work though, I learned about Red Rocks and it’s been high on my list of venues to see/work at ever since. I’d be beyond honored to work an event in such a place and I’d even be more awestruck by seeing a concert there. I’m not even sure if I can imagine what it’s like to be there. It sounds like such a spectacular venue. I think it’s one of those places you have to experience to understand how special it is even if pictures and descriptions already convince you. It’s one of those places where a picture really doesn’t do it justice. If Red Rocks isn’t the definition of legendary venue, I don’t know what is. It’s legacy has spanned the test of time and it continues to be a favored venue of many bands and artists. It’s definitely a place that concert and music lovers need to experience at least once or even countless times.

The Film Playlist: We Are Your Friends

While at my cousin’s house over the weekend, we watched another movie that easily makes The Film Playlist. It’s been a while since I wrote about a movie for this series so let me explain. The Film Playlist is a blog series I started about movies that are about music. It’s been about a year since I added anything to it, but as soon as we started watching We Are Your Friends this past weekend, I knew I had to write about it this week.

The 2015 drama stars Zac Efron, Wes Bentley, Emily Ratajkowski, Shiloh Fernandez, Alex Shaffer, and Jonny Weston. It was written by Max Joseph and Meaghan Oppenheimer based off a story by Richard Silverman. Joseph also directed the film which marked his directorial debut. The movie is about an electronic music DJ named Cole Carter (Efron) who is trying to work his way up in the music industry. It’s also partly a coming of age story because Cole and his friends are young adults trying to figure out their lives in the midst of partying at night clubs, selling drugs, and being part of the electronic music scene. While booked to play a gig at a club one night, Cole meets the headliner, who was once a hot commodity in the electronic music world, James Reed (Bentley). Reed in a way becomes a mentor for Cole once he realizes his talent and helps Cole to understand how to create music that doesn’t sound like every other electronic song.

As soon as we started watching this film Friday night, I knew I would love it. The plot is average though. It’s nothing out of the ordinary or exceptional. I strictly loved it for the fact that it was about music and electronic music in particular. I’ve never seen another film that surrounds the electronic music scene. It was cool to see scenes about creating electronic music and also scenes featuring EDC Vegas, which is an electronic music festival done by one of the leading electronic festival promoters Insomniac Events. The soundtrack for the film was excellent. Its feature track “We Are Your Friends” by Justice featuring Simian is where the film got its title from. It also features songs by Years and Years with Gryffin, AlunaGeorge with Tchami, Seinabo Sey with Kygo and Deorro ft. Erin McCarley.

If you’re expecting an award winning film, that’s not what We Are Your Friends is. It’s really just a fictional coming of age film that surrounds the electronic music industry. If you’re at all into electronic music, I suggest you check it out. It’s a film you don’t have to think much about and can purely enjoy, especially if you have a love for music, especially electronic music.

American Dream: Album Review

Summer 2017 has almost reached its conclusion. There’s only a few weeks left, but after Labor Day, pumpkin spice lattes are all the rage, temps start decreasing, and sweaters and flannels cover the upper torsos of most. Summer isn’t officially over until September 22nd, but still we’re less than a month away.

That being said this summer was epic for both me and the rest of the music world. I worked all over the country, had amazing experiences, made new friends, and strengthened relationships with old friends. It was incredible. It was also incredible because a plethora of new albums were released this summer by so many of my favorite bands and artists. Before the end of summer though, there’s one more highly anticipated album that was just released. The album was a long time coming for NYC alternative dance band, LCD Soundsystem. So after 7 long years, an apparent break-up, a final show at Madison Square Garden and a film to tell its tale, a Christmas song, and a comeback no one ever thought was happening, American Dream is here.

American Dream is the 4th full length album from James Murphy and his posse. This album is more melodious than their previous works, yet it combines the great electronic/techno indie dance style that LCD Soundsystem is known for. If you’re looking for that classic LCD sound, look to the songs “tonite”, “call the police”, “emotional haircut”, and “other voices”. Songs like “change yr mind” and “how do you sleep?” combine a dance style with more melody, as they both start slow and build to a pace where you’re able to get into the groove.

LCD Soundsystem records have been known to include a slower song or something with more melody on more than one occasion. “New York I Love, But You’re Bringing Me Down” or “All I Want” are perfect examples of this. Each are on separate albums though. The latest from LCD Soundsystem incorporates 4 of these kind of tracks with “oh baby”, “i used to”, “american dream”, and “black screen”. “i used to” and “black screen” remind me of songs I’d hear from bands like Brand New or Circa Survive. They have an alternative rock/post-hardcore feel where all that’s missing is Murphy adding some screaming to his vocals. “oh baby” and “american dream” are filled with love, longing, and nostalgia lyrics reminiscent to the waltz style track “New York I Love You…”.

Normally I hate when bands change their sound, but in this case LCD Soundsystem hasn’t really changed much. They’re still playing the same style of music that made them famous in the mid to late 00’s. They’re just progressing. They got older even though they were never that young to begin with. They’re the same, but new. Anyway, to me, this record is one that no one ever thought they’d hear and LCD Soundsystem is back with a vengeance.

I urge you to check out this album. I first started listening to LCD Soundsystem in 2012 (yes after they broke up!) but fell in love with them all over again last summer after preparing for and seeing them live at Lollapalooza. They’re different than most bands I’m into and most bands you might listen to, but they combine an EDM style of music with an indie style. You just can’t help but want to dance yrself clean when you listen to them.

Almost every show on their upcoming tour is already sold out and they haven’t even begun to play shows yet. There’s no question that the rest of the shows will sell out in due time. So if you plan on seeing the revival of LCD Soundsystem on their touring circuit this time around, you either have to grab a ticket to one of the few remaining shows quickly, buy an overpriced resale ticket, or you’re S.O.L. Fortunately I have tickets to their upcoming tour and plenty of time to indulge in this new masterpiece of an album. Their American shows begin in mid-October so for those looking to see a live performance you have plenty of time as well as long as you start today. Check out American Dream as soon as you can!

Coachella Band Preview: Empire of the Sun

The first weekend of Coachella is 3 weeks away. Yes three weeks is what separates us from the hot sunny Indio Desert, the greens of the Empire Polo Fields swarming with festival-goers, palm trees swaying to the cool breeze and rad tunes, epic sunsets over the mountains, and the sweet sounds of music from incredible artists entering our ears. I only have a few band previews left before the annual festival begins and time is of the essence so I better get to it.

Empire of the Sun is an electronic/alternative rock band from Sydney, Australia. The band formed in 2007 as a collaboration between Luke Steele and Nick Littlemore. Both had worked together on music for each other’s bands before forming Empire of the Sun. Those bands each performed different styles of music. Steele brought the alternative rock genre to their new band and Littlemore brought the electronic dance music. Their first album, Walking on a Dream, was released in 2008 with the first single of the same name debuting about a month before the album’s release. Both the single and album were charted in the top ten of the ARIA charts. Although their only intention was to create a studio album, they decided to do live performances in response to the album’s success. However the live shows did not include Littlemore, who decided to opt out of touring early on. By the end of 2009, the band received 7 ARIA Awards for the album including Album of the Year.

2010 was the year the band embarked on the festival circuit playing Glastonbury and Lollapalooza for the first time and by the end of the year Littlemore and Steele discussed creating a new album for the band. Production on the album began in 2011 and Littlemore stated he would go out and tour in support of this one. 2011 also involved a North American tour for the band, which included a stop at Coachella.

The duo released their second album, Ice on the Dune, in June 2013. The new album brought more touring throughout 2013 and into 2014. The band made their second stop at Coachella in 2014 and headlined the Sahara Tent. Their music was also featured in the film Dumb and Dumber To, which came out in late 2014.

The band continued to tour into 2015 while simultaneously working on their third album. Their third and latest album was just released this past October. 2016 also marked the first time that the band broke on to the Billboard charts. It was their 2008 hit “Walking on a Dream” that earned the band the number 3 spot on the Alternative Music charts after it was used in a U.S. Honda commercial in early 2016.

Their music, as I said, is a combination of alternative rock and electronic music. It can’t be described much better than that, although some may say the band fits genres like synthpop or glam rock. I feel like their sound has stayed consistent over the course of three albums so if you love the song “Walking on a Dream” or only know music from that album, you’re bound to dig some of their more recent stuff.

I discovered Empire of the Sun in 2011. There’s no significant story of how so I’m guessing it was through a recommendation from Youtube or Pandora because I listened to similar music on either channel. Of course the first song I heard was “Walking on a Dream”. Throughout the past few years I’ve heard their other stuff here and there and I’ve liked it. I’ve also heard the song “Walking on a Dream” multiple times in various circumstances throughout the same time period. It’s no surprise it’s their biggest hit. I never got into them as a band though. Nor have I been dying to see them live, but I’ll tell you why I would definitely check them out at Coachella.

Music festivals give you an opportunity to see bands live who you might like but not like enough to buy a ticket for a touring show making Coachella the perfect time for someone like me to check them out. Empire of the Sun does some pretty cool live performances too. The performances are as much of a visual art as they are a musical art. They wear elaborate costumes, have dancers or other performers, and display mesmerizing visuals often seen as part of electronic shows. They play Friday at Coachella. They’ve already headlined the Sahara Tent at the festival once before so that might happen again. As long as their set doesn’t overlap with some other great performers, it’ll definitely be a spectacle worth seeing. Here’s a few songs to know if you go:

  1. Walking on a Dream
  2. Alive
  3. High and Low
  4. We Are the People
  5. Standing on the Shore
  6. DNA
  7. Two Vines
  8. Concert Pitch
  9. To Her Door
  10. Friends

 

Coachella Band Preview: Gryffin

I can’t believe I’m saying this, but we’re a little over a month away from Coachella. One month. 30 some days. Can you feel the hype?! The time flies so fast once that lineup drops. That means there’s only a few more band previews left and limited time to listen to all your favorites in preparation for the festival. I’ve wanted to write this preview since January, but I’ve purposely held off so I’d have something to write about as the festival got closer. Out of the group of electronic artists performing at Coachella this year, there were two I was most stoked about. The first was Kungs, who I wrote about back in January (I was too stoked to save Kungs until now). The second is an artist known as Gryffin.

Gryffin, whose real name is Dan Griffith, is an EDM DJ from New York City. He’s also a talented instrumentalist. He started piano lessons at the age of 7 and played through high school, while picking up guitar along the way.  Gryffin attended college at USC and studied electrical engineering, but devoted his free time to making music. His intent was to make music for his friends to play at parties. He never expected to be making it for a career, yet here he is selling out tours and playing Coachella 2017.

Unlike most of the artists I preview, Gryffin has yet to release his first album. He is most known for his remixes and a few chart-making singles. There’s no doubt an album release is in the works for him especially with the original tracks he has dropped over the last year. One of his most well known hits and debut single, “Heading Home” ft. Josef Salvat, was released a little over a year ago. The song hit #1 on the Spotify Viral 50 Chart and also made the list of Billboard’s Hot Dance/Electronic Songs chart and Dance/Electronic Digital Songs chart. Last spring, he embarked on his first North American tour and sold out every show. He dropped a second single, “Whole Heart” ft. Bipolar Sunshine, on August 26th, which also hit Billboard’s electronic charts. It sparked another 10 show North American tour this past fall. A week ago, Gryffin released his third single, “Feel Good” with Illenium ft. Daya, and it already has almost 3 million plays on Spotify.

Gryffin classifies his style of electronic music as melodic house because he likes to incorporate piano and guitar into his music. It makes sense given his musical background. That’s the cool thing about his live sets though. It’s a blend between electronic and instrumental performance. Along with DJ-ing at his shows, he plays parts of songs on guitar and piano. It adds new elements to the music that you don’t necessarily get listening to a recording. This is something that takes his live performances to a whole new level in the electronic music genre making his Coachella performance one that you don’t want to miss.

I first heard of Gryffin within the last year and a half or so. I would see his name listed on song remixes, but I never listed to any of them because I typically don’t listen to remixes (except the Matoma remix of “Old Thing Back” because #fave). It’s mostly because I prefer the original version of songs, or the ones I was first exposed to, which I guess is strange when I think about it because I love covers. I think that it’s more so with remixes where you can have a non-electronic song that is electronically enhanced. That’s what I don’t really like since I was never big on electronic music. I guess you can say that’s changed now, but I still prefer original songs. Just this past fall, I heard Gryffin’s original song “Whole Heart” playing in the background of an end of the season highlight reel video for the Washington Spirit of the NWSL. I really liked the song and added it to my Spotify playlists as well as to my iTunes. About a month later, I heard “Heading Home” and added it just the same. Just a few days ago I heard “Feel Good” for the first time and I’ve been so hooked on it all week. I had it stuck in my head yesterday. It’s a great song, and I believe it has a ton of potential to surpass the success of Gryffin’s previous singles.

Gryffin plays Saturday at Coachella. It’s his first Coachella appearance too. I expect he’ll play the Sahara Tent, but I don’t expect his set to be super late. As I said, his performance will be one you don’t wanna skip especially if you’re into electronic music. Even if you’re not, his hybrid live performance style might be something transitional for you. I’d love to catch his set if I had the chance. Gryffin doesn’t have many original tracks you’ll need to prep with, so I’ll include some remixes as well. Here they are:

  1. Heading Home
  2. Whole Heart
  3. Feel Good
  4. Desire (Years & Years) Remix
  5. Animals (Maroon 5) Remix
  6. Youth (Troye Sivan) Remix
  7. Talking Body (Tove Lo) Remix
  8. Clearest Blue (CHVRCHES) Remix
  9. Beggin’ For Thread (BANKS) Remix

 

 

Coachella Band Preview: Lady Gaga

If you’re reading this, I doubt you’re confused by the title of my blog because you probably know a thing or two about what happened regarding Coachella over the past week. In case you are confused though, let me explain.

As you know from the lineup announcement in the beginning of January, Lady Gaga was not on it. However, a month after the lineup dropped, Beyoncé made a public announcement that she was pregnant with twins. This started some speculation that she might not play Coachella. At the time of the announcement though, it seemed like she was fully committed to the annual festival. Then, her doctors intervened. Last week, shortly after I posted my last blog (because if it was before I would have mentioned it), AP (Associated Press) broke the news that Beyoncé would not play Coachella this year following the advice of her doctors to keep a less rigorous schedule. The announcement did state that Beyoncé will play Coachella next year in 2018, which in my opinion takes away from the anticipation of the lineup release somewhat. I guess since she was a major headliner and a bunch of the Beyhive probably bought tickets this year to see her, Coachella promoter, Goldenvoice, threw them a bone.

After the announcement was made last week, more speculation occurred over who would replace Queen Bey. Lady Gaga was one of the first acts I thought of as her replacement and this was without being influenced by rumors popping up all over the internet and social media. To me it seemed pretty logical, she’s a highly billed female pop performer, much like Beyoncé. She’s also about to embark on a world tour in support of her most recent album Joanne, which has been widely praised. It just made so much sense that she would replace Beyoncé. I saw some other names pop in the meantime though from Daft Punk to Rihanna. I also saw Lady Gaga’s name thrown around too, which made me feel like my guess wasn’t too far off. By Tuesday evening, it was confirmed. Lady Gaga would replace Beyoncé as Coachella’s Saturday night headliner and Gagachella was born.

Lady Gaga, whose real name is Stefani Joanne Angelina Germanotta, grew up in Manhattan’s Upper East Side in an affluent Catholic family. Despite attending an all-girls Catholic school growing up, she felt like she never fit in to that kind of crowd. She was always involved in music and the arts as well. She started taking piano at age 4. She played open mic nights and acted in school musicals as a teenager. She was even granted early admission to NYU’s theater program, but dropped out during her sophomore year to pursue her music career.

Her stage name, Lady Gaga, was inspired by Queen’s song “Radio Ga Ga” and a T9 accidental text message. In the years before she released her first album, she played Lollapalooza along with Lady Starlight as “Lady Gaga and Lady Starlight”. The duo also performed on the New York underground scene, which was when Lady Gaga began to incorporate pop and glam rock into her electronic dance music style.

After finally securing a record deal with Interscope/Geffen, her debut album, The Fame, was released in 2008. The album included many successful singles and earned her a Grammy Award for Best/Dance Electronica Album. Her song “Poker Face” won the Grammy for Best Dance Recording as well. Gaga’s first tour was in support of The Pussycat Dolls in 2009, but shortly after she embarked on her own headlining world tour. In November of 2009, she released an 8 song EP entitled The Fame Monster, which included the hit single “Bad Romance” as well as a few other successful singles. The Fame Monster earned Lady Gaga 8 MTV Video Music Awards and a Grammy Award for Best Pop Vocal Album. She also embarked on another world tour appropriately named The Monster Ball Tour.

Lady Gaga released her second studio album Born This Way in May 2011. The album produced several successful singles, 3 Grammy nominations, and a resulting world tour similar to her other music. Around this time was when Gaga formed her relationship with Tony Bennett which paved the way for their eventual album together, Cheek to Cheek, which was released in 2014 and earned them a Grammy for Best Traditional Pop Vocal Album. However, the joint album was not released before her third studio album Artpop. It came out in November of 2013. Artpop is the least successful of Lady Gaga’s albums thus far and was received with mixed reviews. Despite its lack of success, it still sold about 2.5 million copies worldwide (as of July 2014).

Lady Gaga released her latest album, Joanne, this past October. Following its release, she performed at three small scale venues to promote the album. This was known as the Dive Bar Tour. Shortly before Joanne‘s release, it was announced that Lady Gaga would be headlining the 2017 Super Bowl LI Halftime Show. The halftime show became the most viewed music performance in history. Following the show, Lady Gaga announced her latest world tour plans in support of Joanne which now includes a pre-stop at one of America’s most well-known music festivals.

When Beyoncé was announced as a headliner, I had no intention of writing a preview for her because I’m not a Beyoncé fan. Honestly, I’m not a Lady Gaga fan either so the reason I decided to write this might be a mystery so I’ll explain. I’m not a fan of mainstream pop music (Adele being the only exception). In fact I used to get annoyed over Lady Gaga’s music when it first came out in 2008. The truth is though despite not being into Lady Gaga’s music, she’s had so many hit singles that I do know a lot of her music. I don’t listen to the radio normally, but I would hear her songs regardless. I’d hear them in public locations, from friends, on television, and yeah I guess on the radio when I wasn’t in control of it.

There’s been random times in my life over the last 9 years that Lady Gaga’s music has been a part of too. My friends and I sang a self made-up parody of “Alejandro” at the beach one summer, “Bad Romance” played on a music-playing amusement park ride one time when all of our previous times on this ride had death metal songs we didn’t know or like (“Bad Romance” kind of saved us), and “Applause” became one of the theme songs of my first trip to California due to its overplay and my cousin being in control of the radio. There’s probably other moments I’m not thinking of too. Also I can’t forget that my mom is a huge fan of Lady Gaga and her music. She owns almost all, if not all, of Gaga’s albums. I have to admit, I even like Joanne. Because of all the exposure, I almost feel like a fan by association and no lie her Super Bowl performance had me crushing the end of my cardio work out. So no, I’m not a true Little Monster, but I wouldn’t mind seeing Gaga live if I had the opportunity.

As I said before, Lady Gaga plays Saturday night in replacement of Beyoncé. It’s her first time playing the festival and also the first time since 2007 that a female solo artist will be headlining. Being known for her crazy and outlandish costumes/outfits in her early performing days as well as becoming a major pop performer, I’m expecting her Coachella set to be epic and to have some intense production quality. No one will want to miss her performance on Saturday night, unless of course you’re a major fan of whoever is playing at the Sahara Tent. Here’s some songs to get you ready, although you might already know them:

  1. Bad Romance
  2. Just Dance
  3. Poker Face
  4. Born This Way
  5. Alejandro
  6. Perfect Illusion
  7. Applause
  8. Marry the Night
  9. Telephone
  10. A Million Reasons
  11. A-Yo
  12. John Wayne
  13. The Edge of Glory
  14. Paparazzi
  15. LoveGame

 

Coachella Band Preview: Kungs

Another week down, 11 more to go. It doesn’t feel like it at the end of January, but Coachella will be here before you know it. That’s why it’s time to preview another band performing in Indio this year. Like last week though, this week’s preview doesn’t feature a band (maybe I should change the name on these previews). It’s an electronic artist named Kungs.

Kungs is a French DJ whose real name is Valentin Brunel. He’s also only 20 years old (and freshly 20 might I add because his birthday was in December)! He grew up interested and involved in music with influences from his parents especially his dad who introduced him to rock n’ roll as well as other genres. By the age of 17, he began writing his own material and posting it to the internet. His remixes of Bob Marley’s “Jammin'” and Lost Frequencies’ “Are You With Me” as well as his Lana Del Rey “West Coast” cover ft. Molly have several million views on SoundCloud and Youtube. What turned into his breakthrough hit was released almost a year ago. It’s called “This Girl”, which he remixed. It was originally a 2009 song by Australian funk band Cookin’ On 3 Burners. It turned into a massive hit worldwide and paved the way for Kungs and his debut album Layers. The album was just released on November 4th.

Kungs electronic style is mostly house music. His particular style blends different genres of music together, which is what he aimed for on his debut album. I listened to the album a few weeks ago right before the Coachella lineup dropped and each song brings a different vibe. Besides “This Girl”, two of my favorites are “Don’t You Know” ft. Jamie N Commons and “Melody” ft. Luke Pritchard of The Kooks. I feel like both of those songs blend house with rock and indie rock, which might be why I like them so much. The album is so good that I actually took a little break while writing this to buy it online. So worth it. It’s that good.

I first heard Kungs via Instagram. A girl I follow posted a video with “This Girl” playing in the background. I didn’t take an interest in the song and it was kind of just “background music” for me. A few weeks later I found myself stuck with part of the song in my head and I couldn’t figure out where I knew the song from. It took me about a day before I realized it was the song from that Instagram video. Then about 2 weeks after that I stopped to visit my cousins before heading to the NWSL Semifinal. At dinner on the night I visited, my cousin started telling me about a song he was currently addicted to. It was, of course, “This Girl”. I didn’t recognize the song title or artist when he told me the name (cause I actually didn’t know who the artist was or what the song was called from that Instagram video), but once he played it I realized what I was listening to. The following week I added the song to my workout playlist and to my iTunes too. I was hooked on it ever since. Like I said I listened to Kungs’ debut album a few weeks ago and loved what I heard. I can’t wait to have the album in my grasp. Until then, I plan on doing some serious listening on Spotify.

Along with Coachella, Kungs is booked to play Europe’s biggest electronic music festival, Tomorrowland. I highly recommend seeing him play Coachella this year more than any other artist or band I preview. He’s already blowing up and there’s no doubt if he continues making solid music he’ll just get bigger. He’s not a highly billed artist at Coachella this year either and in my opinion there’s something special about seeing a band or artist before they reach headlining status. That’s not to say he won’t be given a spot later in the day. The kid has already opened for David Guetta on tour so I wouldn’t put it past him. He plays Friday. Here’s what you should know if you plan on seeing him (and you should!):

  1. This Girl ( vs. Cookin’ On 3 Burners)
  2. Melody (ft. Luke Pritchard)
  3. Don’t You Know (ft. Jamie N Commons)
  4. Crazy Enough (ft. Richard Judge)
  5. Are You With Me (Kungs Remix)
  6. I Feel So Bad (ft. Ephemerals)

Honestly, just listen to Layers and you should be good.