electronic music

Coachella Band Preview: Petit Biscuit

Hey! Hi! What’s up?! Coachella is this weekend!!! I’m not next level hyped or anything (<——— That’s a lie.) Last year I was pretty excited about Kungs playing Coachella. He was a slightly known, slightly up and coming electronic artist. This year I have similar feelings about Petit Biscuit, who is similar to Kungs in other ways as well. Both are French electronic DJ’s. Both are also pretty young. Kungs was 20 when he played Coachella last year. Petit Biscuit is a mere 18 years old.

Petit Biscuit is the DJ name for France’s Mehdi Benjelloun. He released his hit single “Sunset Lover” in 2015 when he was only 15 years old. Since then, the single has close to 285 million streams on Spotify and SoundCloud combined. Benjelloun played instruments growing up like the cello, piano, and guitar, but took interest in playing electronic music because of the variety of sounds he could create. He recently graduated high school and started university, but decided to take a leave to pursue his musical success.

His music style is a combination of electronic music genres. Spotify describes his music as being ambient, techno, and house. His background in classical instruments and his interest in electronic music allows him to express himself through the crossing of different genres.Vocal chops, which are fragmented vowels that act as melodic or percussive pseudo-vocal elements, are a big part of his style. His music reminds me of a combination of Odesza and Flume put together.

I first discovered Petit Biscuit while I was analyzing this year’s Coachella lineup. I never heard of him before that. As I was going through the lineup in January, I listened to his tracks and was pretty surprised by what I heard. I really liked it. Initially I had been listening to a lot of Odesza so I kind of got that vibe from the song “Sunset Lover”. Then after reading an interview with Petit Biscuit, where he described Flume as being influential to him as an artist, I was able to see that reflected in his music as well.

Coachella 2018 will mark his first major festival appearance. Petit Biscuit plays on Friday (Edit: He plays Sunday. Gotta fact check myself. Sorry about that!), much like Kungs did last year. Also like Kungs, I’m guessing he’ll play an earlier set at the Sahara Tent. If Sahara is your shit or you have an appreciation for electronic music at all, I highly recommend going to his set. He could be the next big thing in electronic music. I know you have zero time to listen to anything but here’s a few songs you should turn on if you plan on seeing him:

  1. Sunset Lover
  2. Memories
  3. Alone
  4. Waterfall
  5. Problems

As for me, I’m headed out to California tomorrow to work my second Coachella and be there for the third time. I didn’t think I would be back again, but after some positive peer pressure I decided to make it happen. I’m stoked and I hope I get to see some of these acts I’ve previewed the last 3 months. It should be amazing regardless. Happy Coachella and I’ll see you all on the polo fields!

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Coachella Band Preview: the Neighbourhood, alt-J, BØRNS, Odesza, & Hayley Kiyoko

It’s only been 2 days since my last post, but that’s okay. This week I’ve decided to do two blog posts because there’s still a ton of bands to talk about and not much time left. So let’s talk about five bands who I’ve written about before that are playing the festival this year. Two of them are actually 3 of my top 4 must-see sets of Coachella 2018.

A lot of time has passed since I wrote about the Neighbourhood in the fall of 2015. Since then, there hasn’t been much news surrounding the band until late last year. In September they released their first new music since 2015’s Wiped Out!, the EP Hard. Then in early January the band dropped a second EP To Imagine followed by the release of their third album, The Neighbourhood, on March 9th. With a bunch of new music out, playing Coachella for the first time in 5 years seems fitting. They play on Friday. I’ve never seen them live and I’ve been obsessed with “Sweater Weather” since 2013. It was probably my favorite song of that year. There’s no doubt I’d love to check them out if I had the time making them 1 of the 3 bands on this list that are must-sees for me. If you plan on checking them out, here’s a few songs to get you ready:

  1. Sweater Weather
  2. Afraid
  3. Daddy Issues
  4. Scary Love
  5. Sadderdaze
  6. R.I.P to My Youth
  7. Cry Baby
  8. You Get Me So High
  9. Stuck With Me
  10. Let It Go

alt-J are no strangers to Coachella. They’ve played twice but haven’t been back to the Indio desert since 2015. Since their last Coachella, alt-J has released a new album. It came out last June. I reviewed it here. I’ve also written about alt-J two other times on this blog. Once previewing them for Coachella in 2015, where I saw them live for the first time and another time reviewing a concert I saw them play in Philly in September 2015. I really like alt-J and I love how different their music sounds from other stuff I like. They played Panorama last summer and I was able to catch part of their set. If it wasn’t for my work schedule and several other concerts I already spent money on in the fall, I would have seen them play again. They’re a band that I would rarely turn down if I had the opportunity to see, making them another one of my top choice sets for Coachella 2018 along with Haim and the Neighbourhood. They play Saturday and probably at night on either the Main or Outdoor stage. What would be the biggest heartbreak is if they overlapped with Haim. Here’s my recommendations for you if you decide to follow my lead and check them out:

  1. Left Hand Free
  2. Breezeblocks
  3. In Cold Blood
  4. Every Other Freckle
  5. 3WW
  6. Tessellate
  7. Fitzpleasure
  8. Deadcrush
  9. Something Good
  10. Hunger of the Pine

BØRNS is back at Coachella after a year break from the famous Southern California music festival. He just released his second album, Blue Madonna, back in January. The album features a collaboration with Lana Del Rey as well as plenty of new music from the “Electric Love” writer. I saw BØRNS play live in 2016. It was kind of a last-minute decision since my friend and I bought tickets about a week before the performance. It was a fun set, so I’d definitely want to see him perform again if I had the chance. He plays on Saturday as well. I would guess BØRNS would be a late afternoon-early evening set, but we’ll see what happens. These are the songs you need to prep for his set:

  1. Electric Love
  2. Seeing Stars
  3. 10,000 Emerald Pools
  4. God Save Our Young Blood
  5. Sweet Dreams
  6. American Money
  7. Past Lives
  8. I Don’t Want U Back
  9. Faded Heart
  10. The Emotion

I only got into Odesza about 6 months ago because of planning to see them in NYC with my friend, but getting into them definitely wasn’t a waste of my time. The concert we went to in December was incredible so I have no doubt that their Coachella set predictably on Sunday night at the now larger Sahara Tent will be just as good and a large draw amongst festival-goers. I would guess they headline the Sahara and overlap with Eminem as the overall headliner Sunday evening. Initially, I believed Odesza would be my Sunday night choice no question, but the inner early 2000’s middle-schooler in me has been fighting hard. Odesza will no doubt put on an incredible live performance, but I just saw Odesza. I’ve never seen Eminem nor do I think I’d ever buy tickets or choose to see Eminem, but I used to be a fan at one point. It’s definitely up for debate. What would be ideal is to be able to catch parts of both sets. However if you so choose to skip out on the Real Slim Shady, here’s a few Odesza tracks you should hear:

  1. Sun Models
  2. Higher Ground
  3. Across the Room
  4. Say My Name
  5. Falls
  6. Line of Sight
  7. A Moment Apart
  8. All We Need
  9. It’s Only
  10. Late Night

The artist I’m most excited for who is playing Coachella this year is Hayley Kiyoko. From seeing her a little over a year ago play a tiny venue in Philly that wasn’t even sold out to playing the most well-known U.S. music festival, my stoke level couldn’t be higher for Hayley Kiyoko. Her debut album, Expectations, came out today! Until this point, she’s only released EP’s, but those have gained a huge appreciation from her small, dedicated fan base. The new album builds on Kiyoko’s previous hits with bangers like “Curious” and “Feelings”. It’s got a mystical, feel good sound giving true meaning to Kiyoko’s dreampop style. As an openly gay singer, the theme in her music involves being in love with girls and complications that may arise with being gay and falling for girls. This new album is consistent with Hayley’s style that her fans have grown to love over the past few years. (I just had to give you a mini-album review here too.) She plays on Sunday at Coachella. I will definitely try my hardest to catch her set one of the weekends making her the 4th and final must-see for me. My guess would be an early Sunday afternoon set, but you never know. She may play later in the day at Gobi or Mojave. We’re a little over a week from the schedule release and probably a few days from the food vendor list, then the official planning can begin. In the mean time, check out Expectations along with these other songs:

  1. Girls Like Girls
  2. Cliff’s Edge
  3. Gravel to Tempo
  4. Palace
  5. This Side of Paradise

(On Expectations, pay special attention to “Curious”, “Feelings”, “Sleepover”, “Let It Be”, and “What I Need (ft. Kehlani)”)

 

Coachella Band Preview: Illenium

I swear the 3 months between the lineup release and Weekend One of Coachella always fly by. Now, once again, here we are just over a month away from the festival. As always once March hits, time is winding down. I’m sure plenty of attendees have begun the planning process of fashion and travel. It’ll be a few weeks before the set times and food vendors are announced though. I hope your planning process also includes jamming to some bands and artists playing the festival this year, otherwise why am I even posting this?! Regardless, at least you’re finding some info out about the music world, I guess? But let’s be real, I hope you’re using these to prep for Coachella. This week I’m previewing an electronic artist that hopped on to the scene around 2013. Since then he has quickly rose in the EDM rankings.

Denver’s Nick Miller, better known to the world by his DJ alias, Illenium, has made a notable impact on the electronic music scene recently. He was inspired to start recording music after he saw Bassnectar perform at Red Rocks in 2012. He released his first EP in 2013 and his debut album, Ashes, in 2016 under his own record label Kasaya Recordings. Ashes peaked on the Billboard Dance/Electronic Albums Chart at number 6 and on the Billboard Top Heatseeker’s Chart at number 19. About six months ago, he released his second album, Awake.

Illenium was originally a melodic dubstep/trap artist, but his latest album strays from that a bit. Several songs are more downtempo and have an atmospheric type sound similar to what you might hear from Odesza or Gryffin. It’s a definite progression from his debut, but still incorporates his signature sound. He’s stated that he plans on straying from that dubstep/trap sound in his live performances as well by sticking to more of his own music and playing less of others’.

I first heard of Illenium last year when I heard his collaboration on the track “Feel Good” with Coachella 2017 performer Gryffin and vocalist, Daya. After the release of his latest album, I spent a week or so listening to it as part of my work out routine, eventually downloading and adding a few songs to my typical work out playlist. I really liked his more recent sound and I definitely felt like he was an artist I would want to check out at a festival over the next year. Luckily that might happen!

Illenium plays on Sunday at Coachella. I’d guess his set to be at the Sahara Tent. He might even play there before expected Sunday Sahara headliner, Odesza, plays. If I’m free, I’d definitely want to drop in to his set for a bit. The only conflict for me would be if Portugal. The Man plays around the same time. Honestly, I’d probably go see Portugal. The Man. But if you’re trying to maximize your Coachella experience, you may want to catch a little of both sets. If you want to check out Illenium’s set, here’s what you need to hear first:

  1. Feel Good
  2. Fractures
  3. Sound of Walking Away
  4. Crawl Outta Love
  5. With You
  6. I’ll Be Your Reason
  7. Don’t Give Up On Me
  8. It’s All On U

Crooked Shadows: Album Review

Way back when I started this blog, I wrote about my love for Dashboard Confessional. They changed my life in high school and got me into good music (click here for a more detailed description). They were my favorite band back then. For the past 9 years though, they’ve been M.I.A. as far as new music goes. Honestly, if you were to tell me a year ago that I’d buy a new Dashboard album, I wouldn’t have believed you because the style of music Dashboard plays doesn’t match my current interests. Plus their music reminds me of a specific time in my life that I’ve grown past. I still appreciate them for that time though. I’ve just moved on.

A little over a year and a half ago, I worked a Dashboard Confessional show. They were on the Taste of Chaos Tour with Taking Back Sunday, Saosin (with Anthony Green), and The Early November. It was an honor to work and one of my greatest full circle moments to date. I had the opportunity to stay for the show after I finished work and I, of course, took advantage it. I left early to watch the Stanley Cup Final (my team, the Penguins, were on the verge of winning the Cup) but stayed for about 5-6 Dashboard songs. However, I doubt I would have attended if I wasn’t working. That’s the best example I can give you of my recent feelings towards Dashboard Confessional. Three months ago that changed slightly.

Dashboard Confessional released their first single from their new album Crooked Shadows in November (the album was released on Friday). I saw it as a new music release on Spotify and decided to listen because I was curious. The single, “We Fight”, was pretty good. It was better than I expected. I wouldn’t say I was hooked, but I was happy their new song was something I would listen to. I felt the exact same way upon hearing Brand New’s “I Am a Nightmare” in June 2016 and The Movielife’s “Mercy is Asleep at the Wheel” over the summer. At that time, I also saw that Dashboard announced a new show date in my hometown in late January. I thought to myself that I’d definitely go to the show as long as I had nothing else going on. I even tried to see if a few friends were interested, but I delayed getting tickets in case something came up.

I ended up being able to go and took my mom to the show. She was always a fan of Dashboard when I listened to them in high school so I thought she’d appreciate seeing them at least once. The show was fantastic. I loved it, especially lead vocalist/guitarist Chris Carrabba’s stage presence. It definitely evolved over the years. It was fun to stay for the whole thing this time around and sing all my favorite songs again with a few new ones in between. Speaking of new songs, a week before the show they released another single, “Heart Beat Here.” This time upon listening, I was hooked. The song was a perfect blend of something I would listen to now mixed with that classic Dashboard Confessional sound (essentially Chris Carrabba’s voice). At that point, I thought to myself, “I might actually have to get this new album.” On Friday, I did.

Crooked Shadows, Dashboard Confessional’s seventh full length album, was released on Friday. The album is relatively short compared to the others. It’s only 9 songs long. Within those 9 songs though is the complete re-birth of a 2000’s emo band to a 2018 indie/alternative rock band. This album is far from emo. It’s purely indie rock mixed with indie folk, electronic, and alternative rock. It’s such a great blend of my current interests with classic Dashboard that I fell in love with it in a matter of hours. If you want anything reminiscent of old Dashboard, I’d recommend listening to the songs “Open My Eyes” featuring violinist Lindsey Stirling or “Just What to Say” featuring Chrissy Costanza. “Heart Beat Here” has an old Dashboard feel as well. At the Dashboard show I attended two weeks ago, Chris said the song is a continuation of “Hands Down.” I don’t know if I’d agree as far as the sound goes, but it’s definitely a great song. That track along with the other first five are absolute jams. My favorites are “About Us” and “Belong” (with Cash Cash) which I had on repeat Friday afternoon. “We Fight” is included in that bunch as well. I currently have the album in my car and I’m sure I’ll be listening to it on repeat for the next week or more.

This is the second time in less than a year that I’ve fallen in love all over again with one of my favorites (the first was Foster the People over the summer). Although I think this time, I’ve just fallen in love with new Dashboard so it’s kind of like falling love all over again. I would recommend their new album to anyone at this point, but especially to those whose music interests have grown and changed, much like mine have. Dashboard Confessional is back in the best way possible.

Coachella Band Preview: Kygo

Another week down means another week less to prep for Coachella 2018, but it also means it’s time for another band preview. I feel like I need to re-name this blog series. When I started it in 2015, I was mostly into bands. Since then, my taste in electronic music has grown. Also as you know, this year’s Coachella lineup has way less bands than in prior years. For now, just know that my band previews encompass singers and artists too, which includes this week’s preview as well.

Kygo aka Kyrre Gørvell-Dahll is a Norwegian DJ, producer, and musician. He started taking piano lessons as a child and continued until he was a teenager when he began to produce his own music using a keyboard and recording software. He was also halfway through a college degree in business and finance by the time he decided to pursue music full-time.

Kygo’s break-through hit came in 2014 when he released the single “Firestone” ft. Conrad Sewell. In the same year he was contacted by Avicii and Chris Martin of Coldplay to remix the Coldplay song “Midnight”. He then supported Avicii on tour.

In 2015 his music was featured in a trailer for the Ultra Music Festival, a well-known electronic festival that takes place in Miami, FL, as well as being a featured headliner for Lollapalooza. He also released 4 more singles that year which paved the way for his debut studio album to be released in 2016. His debut was released on May 16, 2016 entitled Cloud Nine. The album featured collaborations with several artists including John Legend, Angus & Julia Stone, Foxes, James Vincent McMorrow, Maty Noyes, and more. Kygo also played at the closing ceremonies of the 2016 Summer Olympics.

In 2017 Kygo released two singles that lead up to an EP and his second full length studio album. The EP, Stargazing, included both singles “It Ain’t Me” ft. Selena Gomez and “First Time” ft. Ellie Goulding. Kygo’s second album Kids In Love was just released in November.

Kygo’s tropical house style originated from him trying to imitate his hero, Swedish DJ/producer Avicii. He eventually found his own sound by slowing it down into a dreamy, light synth type sound. He was really one of the first DJ’s to popularize the style which originates from deep house, a subgenre of house music.

I feel like I started listening to Kygo just because of my interest in his style of electronic music. Although he’s known as one of the originators, I discovered the style through listening to Matoma and Sam Feldt first. I’m not even sure when I first listened to Kygo. It was obviously sometime over the last 2-3 years and it was definitely the song “Stay” that I was into. I can’t even say I’m into that many Kygo songs. I was hooked on “First Time” last summer though. I honestly just think his Coachella performance will be fun because I like his style of music so I would totally want to catch his set if I was attending.

Kygo plays on Friday at Coachella. In my opinion Friday has the weakest lineup, but Kygo is one of the bright spots. He’ll probably close out the Sahara tent Friday night or he might even take to the Outdoor Stage as the last slot, which may overlap The Weeknd. Either way, there’s no question he’ll be a late night set. If you plan on catching him, I recommend getting there with plenty of time. No matter where he’s playing it’s sure to be packed. He’ll be setting the vibe for the rest of the weekend that night. To me, there’s something about tropical house being played in the SoCal desert amongst the palms that sets the mood. Here’s a few songs that will get you ready for that moment Friday night:

1. Stay (ft. Maty Noyes)

2. Stole the Show (ft. Parson James)

3. It Ain’t Me (ft. Selena Gomez)

4. First Time (ft. Ellie Goulding)

5. Kids in Love (ft. The Night Game)

6. Stranger Things (ft. One Republic)

7. Stargazing (ft. Justin Jesso)

8. This Town (ft. Sasha Sloan)

9. Firestone (ft. Conrad Sewell)

10. Raging (ft. Kodaline)

 

Coachella 2018 Lineup Release

Not 48 hours into the new year and the Coachella 2018 lineup drops. Last night at 4:15 PT Coachella released their lineup on social media and as always people have opinions, me included. Since last year I expected the 2018 lineup to be the best since 2014. If you know me, you know that I believe 2014 had the best lineup to date and every year after has  been incomparable. 2018 had so much potential. There were so many bands who released new music in 2017 that did not play the festival plus a handful of other greats expected to release new music this year. But when rumors spread just before Christmas about the headliners, I knew this year wasn’t going to meet my expectations.

Going into 2018 everyone knew Beyoncé was supposed to headline. She was supposed to headline last year but dropped out shortly after the announcement of her twin pregnancy paving the way for Lady Gaga to take her spot. The biggest question was who would accompany her on top of the poster. On December 20th, Consequence of Sound reported that Eminem and The Weeknd were slated to join Beyoncé as the 2018 headliners, much to my dismay. Here’s why. The Weeknd headlined Coachella in 2015. Was he supposed to be a headliner? No. However he played in the headliner spot. Jack White, the headliner for that night, took an early spot for whatever the case may be leaving The Weeknd to close out the night.

In my opinion Eminem is a pretty cool choice for a headliner. He fits that formerly popular/still popular angle. He’s a rapper and for the past few years Coachella has plugged that genre (or R&B) into one of their headlining spots. Plus he just released a new album. Here’s the issue: Beyoncé already filled that genre spot this year. I mean come on! The entire headlining lineup is rap/R&B. This is the first time in the history of the festival that a rock band isn’t headlining. Disappointing.

In fact, looking at the lineup, rap/hip-hop/R&B has taken over the festival this year. I think Louis Tomlinson’s (of One Direction fame) reaction on Twitter summarizes my feelings exactly. He stated, “Just seen the Coachella lineup …. Where the fuck are all the bands!? It’s a festival!?” Yes Louis, you’re right. Where are all the bands?! All I see are rappers, R&B singers, or electronic DJ’s. As I went through the lineup last night making a list of who I would see for my annual Coachella preview, there were names lacking for each day and more “possible” acts to see than definites. For Friday, I only listed 4 acts. Four. It’s a headshaker, for sure, given that this year had some high expectations. Anyway, let’s get down to this lineup analysis.

The Headliners: The Weeknd, Beyoncé, Eminem

I already summarized my thoughts on all these acts above. So re-read that.

The Other Highly Billed Performers: SZA, Kygo, Jamiroquai, St. Vincent, the War on Drugs, Vince Staples, Haim, Tyler the Creator, David Byrne, alt-J, Post Malone, Fleet Foxes, Odesza, Portugal. The Man, Migos, A Perfect Circle, Cardi B, Miguel, Soulwax, Jean-Michel Jarre, Daniel Caesar, Kali Uchis, Los Ángeles Azueles, Deorro, Chromeo, Chic feat. Nile Rodgers, BØRNS, Louis the Child, Angel Olsen, Jungle, blackbear, MØ, King Krule, Illenium, Kamasi Washington, French Montana, 6lack, Vance Joy, Russ, LANY

As always, there’s a few names in this group that I’m pretty excited about. If I were attending this year, I’d definitely be hitting up Kygo, St. Vincent, Haim, alt-J, Fleet Foxes, Odesza, Portugal. The Man, BØRNS, Illenium, and LANY. There’s a few that I’d definitely check out here too if there were no overlaps like David Byrne, Post Malone, Chromeo, Jungle, MØ, and Vance Joy. I’m mostly excited about Haim and alt-J. Even though I’ve seen both live before, they’re fantastic and two of my favorite bands. Odesza is an incredible electronic act and I can attest from seeing them live last month. I’ve seen BØRNS live before as well and it was so enjoyable. After working St. Vincent in November and listening to her VIP Q&A, I’ve gained a new respect for Annie Clark and her music. I was able to stay for half of her show but would love to see her again. The others I’ve never seen live.

As I said in my 2017 music recap blog post, I would be reviewing Portugal. The Man soon. It might now be even sooner than I thought. I’ve been stoked on their latest album since buying it on vinyl in NYC and I’d love to see them live especially since knowing about them since college. Since getting into electronic music, I’ve always been partial to tropical house, making Kygo an artist I would love to check out. I also got into Illenium’s latest album for a short time two months ago making him another electronic act I’d want to see. I’ve listened to LANY a few times over the past few years so they’re a group I’d love to see too. If you’re looking for the most indie band at Coachella this year, I’d have to say that would be Fleet Foxes. I’ve liked them for a while now and would definitely want to see them live.

As for the others that I’d like to check out, I’ve seen Jungle and Vance Joy before. Both played in 2015 when I attended and I made it to both sets. I even saw Vance Joy at Panorama last summer. They’re always a solid set. I was super hyped about Jungle in 2015, but this time around they’re not a definite for me. They’ve got new music out, which I plan on checking out soon They just didn’t make a huge impact on me last time. I’ve casually listened to Chromeo and MØ so I would casually see them. Post Malone is burning up right now. I’m not into rap, but Post Malone has a song that is more indie than rap that I enjoy. I think I’m solely interested in seeing this dude play live because of the hype surrounding him right now. David Byrne is the most intriguing to me. Honestly I had no idea who he was until I did a little research. After I found out, it felt like I failed at music so excuse me for that one. As the lead singer and guitarist of the Talking Heads, I would love to hear his set. He’s got a solo career going, but you know he’ll be playing some Talking Heads covers. Who knows maybe there’s a reunion in store?! I mean who doesn’t like the Talking Heads?!

The Rest: Maceo Plex, Alan Walker, the Neighbourhood, Alison Wonderland, Kelela, REZZ, Bleachers, Black Coffee, SuperDuperKyle, Justin Martin, Belly, TroyBoi, Dreams, Perfume Genius, PVRIS, Moses Sumney, LÉON, Greta Van Fleet, Tank and the Bangas, Cash Cash, Whethan, Skip Marley, Elohim, Detroit Love (Carl Craig, Kyle Hall, Moodymann), Benjamin Clementine, Carpenter Brat, the Blaze, Knox Fortune, MHD, Slow Magic, Avalon Emerson, Fazerdaze, Moon Boots, HITO, Helado Negro, the Buttertones, the Regrettes, Boogarins, the Marias, Señor Kino, Tash Sultana, BROCKHAMPTON, Marian Hill, Alina Baraz, First Aid Kit, Snakehips, Highly Suspect, Wizkid, Jorja Smith, Alvvays, the Black Madonna, Tom Misch, Django Django, X Japan, Benjamin Booker, Flatbush Zombies, Ekali, Yaeji, Party Favor, Big Thief, Jason Bentley, Oh Sees, Sigrid, Busy P, the Bronx, AC Slater, Sudan Archives, Jackmaster, Otoboke Beaver, Chloe x Halle, Sir Sly, Hundred Waters, Pachanga Boys, Bedouin, Cherry Glazerr, Mild High Club, Priests, Ron Gallo, Declan McKenna, Bane’s World, KITTENS, the Drums, Aminé, Jessie Ware, Jamie Jones, Kamaiyah, San Holo, FIDLAR, DeJ Loaf, Petit Biscuit, Ibeyi, LP, Motor City Drum Ensemble, Princess Nokia, AURORA, Noname, Jacob Banks, Chris Liebing, Jidenna Hayley Kiyoko, Barclay Crenshaw, LION BABE, Giraffage, Talaboman, THEY., Cuco, Joseph Capriati, Hannah Wants, Nothing But Thieves, John Maus, Kölsch, Japanese Breakfast, MAGIC GIANT, Omar-S, Michael Mayer, Westside Gunn + Conway, Buscabulla, Peggy Gou, Snail Mail, Rolling Blackouts Coastal Fever, B Boys, the Delirians

My favorite name that showed up on the Coachella lineup this year is in this group, Hayley Kiyoko. As you know, I saw her last year in what I consider to be one of the most epic nights in music for me, seeing 2 shows in one night. One of those was Hayley Kiyoko and she played in a small venue in Philadelphia. I was beyond excited to see her name on the poster and so stoked that she’s playing Coachella this year in time with releasing her debut album. Another band that’s on my must see list is in this group too, The Neighbourhood. I’ve been digging The Neighbourhood since 2013 and I’ve never seen them live. They’re a must-see for sure. There’s a few on this list that I’d want to catch if I had time too. Bleachers, Tash Sultana, Sir Sly, Declan McKenna, and Marian Hill are the big ones among that bunch.

As a whole I feel like this is the smallest group of bands I’ve been interested in since starting my Coachella previews in 2015. I had such high hopes for this year’s festival and it all came crashing down last night. Some names I would have liked to see on this year’s lineup include Arctic Monkeys (as a headliner or part of that second line of acts), Vampire Weekend, MGMT, Foster the People, Lana Del Rey, Cold War Kids, Halsey, Phoenix, Andrew McMahon in the Wilderness, ARIZONA, the 1975, Sigala, Cigarettes After Sex, Passion Pit, The Kooks, AWOLNATION, and either The Killers, Arcade Fire, or Kings of Leon as a headliner (most likely The Killers though). There’s probably more bands as well, but those are a few off the top of my head.

I started doing a bit of research on this year’s lineup compared to my favored 2014 lineup. I plan on editing this post later today or tomorrow with my findings. Until then, you should start listening to some bands on this lineup. There’s plenty I know nothing about and a few that I do. Maybe you’re stoked on this lineup. Maybe you’re not. The fact is that Coachella is in 3 months and the prep officially began yesterday. One thing is certain though, regardless of who is on the lineup and the amount of complaining done, people are still gonna go to Coachella. It’s the festival to be at. It’s Coachella. You’re bound to have a great time because although I strongly believe music festivals should be about the music, Coachella is more than music. It’s art. It’s atmosphere. It’s good food. It’s being with people you care about and have a good time with. It’s hot days and cool nights. It’s palm trees, and mountains, and desert. It’s fashion. It’s celebrities. It’s social media. It’s sponsors. It’s ferris wheels and hip merch. Mostly it’s the best kind of positivity and vibes you’ll ever experience. So Coachella 2018, I’m ready for you! Here’s to hoping I can be part of the magic again.

(EDIT: I spent the last hour or more doing some research and the numbers I came up with are unreal. I analyzed the 2014 Coachella lineup vs. the 2018 Coachella lineup. I looked at the first 3 lines of each poster plus the headliners and I grouped performers in 4 categories, Rap/R&B, Electronic, Pop, Rock/Indie. In 2014, out of the 165 acts, there were 71 featured on the first 3 lines of the poster including the headliners. Out of those 71, 14% were Rap/R&B, 28% were Electronic, 6% were Pop, and 37% were Rock/Indie. In 2018, out of 165 acts, there are 69 featured on the first 3 lines of the poster including the headliners. Out of those 69, 33% are Rap/R&B, 25% are Electronic, 9% are Pop, and 33% are Rock/Indie. Compared to 2014, the number of Rap/R&B acts have more than doubled. Is Rap/R&B back on the rise and I didn’t know about it? If you asked me, I would tell you no. So what’s the deal this year? What’s even more shocking is that I also compared the number of Bands to Artists for each year. I defined “Band” as a group or single performer with a backing band that plays classic instruments (guitar, drums, bass, keyboards, etc. as opposed to electronic equipment). Artists included rappers, R&B singers, electronic DJ’s, and pop singers. In 2014, out of 71 acts, 55% were Bands and 45% were Artists. In 2018, out of 69 acts, 30% are Bands and 68% are artists. To me those numbers, are staggering. Louis Tomlinson noticed it and he’s right. The bands have decreased this year in favor of the artists. So seriously Coachella, WHERE ARE THE BANDS?! And why are you straying from what made you amazing in the first place? #Coachella2018thefestivalthatcouldhavebeen)

2017: The Best Year in Music Recap

Last year around New Year’s, I wrote about how music saved 2016. It was a pretty shitty year for the country and in the grand scheme of things. Although people would say 2017 might not have been the best for some similar reasons, I would have to argue. 2017 was a great year. Personally, I worked more events than last year, worked new festivals including my all-time favorite, Coachella, had the opportunity to work a few different roles, saw tons of incredible live music, made new friends, got closer to friends I already had, and figured out what my ultimate goal is. Overall yes there were several bad and upsetting events that happened especially in America. There were even a few hiccups in my own life. However, despite the bad, there were plenty of instances of hope. As for music, as much as I thought it was the best part of 2016, it doesn’t hold a candle to this past year.

So many artists released new albums this year. I mean I guess that’s pretty standard for every year but this year was special for me. It was all of my favorites (minus Florence and the Machine) putting out new albums. I also discovered so many more great bands thanks to the incredible people I met and grew closer to this year.

I could do a detailed recap of all the music I loved from this year, but I wrote about it so many times so I’ll give you all the links in a ranking of my favorite albums of 2017.

My 2017 Top 10 Favorite New Albums

10. Zombies on Broadway   -Andrew McMahon in the Wilderness

The follow-up to Andrew McMahon’s debut had a handful of hits. I never reviewed this album and I’m so sorry because it was a good one, making it #10 on my list.

9. Something to Tell You   -Haim

Although Something to Tell You wasn’t quite what Days Are Gone was for me, I was super stoked to hear some new music from the Haim sisters. The new album had a few great jams like “Little of Your Love” and “Want You Back” which helped it earn my #9 spot.

8. Lust For Life   -Lana Del Rey

As advertised, Lust for Life was an album for the fans. In my opinion it wasn’t Lana’s best nor her worst. “Coachella – Woodstock on My Mind” and “Beautiful People, Beautiful Problems” featuring Stevie Nicks were two of my favorites, but it wasn’t quite what I was hoping for by one of my favorite artists, putting Lana at #8.

7. Woodstock   -Portugal. The Man

I owe the love of this album to our self-planned Hipster Day in NYC when we went to Brooklyn, checked out cool street art, and spent time in a record store where I purchased the album on vinyl. Who would have thought 2017 would have re-introduced me to Portugal. The Man? After a banger like “Feel It Still” it, it happened though. I never reviewed this album or this band on my blog yet, but don’t worry it’s coming soon. My recent hype and appreciation for Portugal. The Man’s hit album helped it reach the #7 spot on my list.

6. American Dream   -LCD Soundsystem

American Dream was the highly anticipated comeback album from LCD Soundsystem. It might not be Sound of Silver, but it’s got plenty of great tracks that will be played at LCD’s show until they decide to break up for good this time.

5. A Moment Apart   -Odesza

Odesza was a new discovery for me this year. When this album was released, I had never listened to them so I wasn’t anticipating the release nor planning an album review (I linked my general blog post from a few weeks ago instead). It took a special trip that included an Odesza concert to force me to listen to the album, but it was definitely worth it as it comes in as my #5.

4. Ultralife   -Oh Wonder

2017 became the year that I really fell for Oh Wonder. I owe it to Coachella, Denise, and a shitty work schedule, yet I’m so grateful it worked out that way. Their new album picked up where their self-titled debut album left off and added a few new hits to their repertoire making Ultralife my #4 top album this year.

3. GALLERY   -A R I Z O N A

After discovering A R I Z O N A last year, listening to almost every new single they released, and loving each and every one, their debut album had to be high on my list. The album is basically a compilation of each single plus a few new tracks. I don’t even own the album, but I’ve spent a lot of time listening to their songs. Again, I linked up my general blog post from this year about the band.

2. Melodrama   -Lorde

If I wasn’t biased, this would hands down be the best album of the year. Every song on Melodrama is fantastic. The album was the kind of sophomore album bands and artists dream of, but not many can achieve. Lorde crushed it with this one giving her second full length my #2 spot.

1. Sacred Hearts Club   –Foster the People

Like I said, I’m biased on this. I’ve always said Foster the People was one of my favorite bands, but this album made me fall in love with them all over again. It’s not quite Torches, but it’s close. “Sit Next To Me” became my favorite song of the year. Seeing them live twice and up close was everything I needed. They’re always my #1.

Honorable Mentions: I See You -the xx, Relaxer -alt-J, Wonderful Wonderful -The Killers, Everything Now -Arcade Fire, L.A. Divine -Cold War Kids, Masseduction -St. Vincent

So there you have it My Top 10 Favorite Albums of 2017…the Best Year in Music, at least in my opinion. 2018 has a lot to live up to. There’s sure to be plenty of good music this year, but it’ll be hard to beat all the new stuff from my favorites. Still we have a few to look forward to. I heard some rumors about upcoming albums from Arctic Monkeys, Vampire Weekend, and MGMT. Hayley Kiyoko will be releasing her debut album this spring and the 1975 is supposed to drop their third full length album. Chrvches and Bastille are also on radar for some new albums. As you can see there’s still good things to come. Plus the Coachella lineup drops this week and you know what that means. So thanks 2017 for being so special. 2018…”just come over here and sit next to me” because I’m ready for you and all the music you have to offer.

Gravity Can’t Hold Us Down

This Friday I’m attending my second ever electronic show. I probably wouldn’t be going to this show if it wasn’t for my friend’s love of electronic music and Odesza (the group we’re seeing) and the little vacation we’re going on. Nevertheless, it’s happening and because of it, I got into the electronic group.

Odesza is comprised of electronic music duo Harrison Mills and Clayton Knight. Mills and Knight met while they were both students at Western Washington University and began making music together as Odesza during their senior year. The band name was made out of an alternate spelling of Mills’ uncle’s ship that sunk.

Odesza’s self-released first album Summer’s Gone was released on September 5, 2012, two months before they played their first show. Their first EP My Friends Never Die was released a year later. In the fall of 2013, the group opened for Pretty Lights and then embarked on their first headlining tour the following year. It was a quick start for Odesza who gained popularity through streaming sites like Soundcloud and Spotify and by word of mouth.

In September 2014, Odesza released their second full length album In Return and played a sold out headlining tour that fall in support of it. The group also began playing music festivals as well beginning with Sasquatch! Music Festival in Gorge, Washington in 2013. They have since gone on to play Coachella, SXSW, Lollapalooza, Bonnaroo, Firefly, Governor’s Ball, and several others.

This past September Odesza released their third full length album A Moment Apart and announced a world tour in support which began on September 14th in Auckland, New Zealand, after a preview of the new live show in May at the legendary Red Rocks Amphitheater. The tour has since made their way into the United States and the album was recently nominated for a Grammy for Best Dance/Electronic Album. The track “A Line of Sight” feat. Wynne and Maisonair was also nominated for a Grammy for Best Dance Recording. The group was previously nominated in 2015 for Best Remixed Recording, Nonclassical for “Say My Name (RAC remix)”.

As electronic artists, Odesza fits in the sub genres of electropop, indietronica, chillwave, and future bass. Their style is sort of like a blend between electronic music, indie music, and pop music filled with synth lines and subtle rises and falls of energy and bass. Their new album has a several collaborations which account for the vocals on their tracks. Their songs create this dreamy, nostalgic type of feeling regardless of whether the tracks have vocals or not though.

I first heard of Odesza in late 2015 when a family member who I hadn’t talked to in years asked if I liked them after I told him I was attending an alt-J concert in the coming month. I told him that I didn’t and he told me how awesome they were. Then we started talking about something else and I never even checked them out. To be fair, at the time I was dealing with a lot of other things so I just kind of forgot about it. I first listened to Odesza in late September-early October of this year, shortly after the new album release. I liked the song “Higher Ground” and added it to my workout/new music playlist on Spotify. It was only about 2 weeks later that my friends and I had planned a trip to New York City and bought tickets to see them in Brooklyn.

Since purchasing tickets, I’ve listened to Odesza a lot more. We received a free copy of the new album with our tickets so when that came in the mail I put the CD in my car for a while. I also recently purchased their sophomore album too and have been binge listening to it.  It’s safe to say that I definitely became a fan. I’m beyond stoked for Friday night. I can’t wait to see what kind of energy they’ll bring by playing in a large scale venue like the Barclays Center, but I’m sure it’ll be epic. I’m also just stoked to see this band play with my friend and to witness her fully in her element as an electronic music fan.

I highly recommend checking out Odesza, but especially this new album. There’s a reason it was nominated for a Grammy. Even after listening to In Return several times, there’s just something special to A Moment Apart that Odesza’s been working towards since their inception. You’re bound to find at least one song you like. It’s that good and it’ll only be a matter of time before Odesza hooks you for real.

 

 

Legendary Venues: Red Rocks Amphitheatre

It’s been over 75 years since Red Rocks Amphitheatre opened in Morrison, Colorado. The venue first opened on June 15, 1941, but had been hosting open-air music performances since the early 1900’s when John Brisben Walker envisioned the geological phenomenon as a place for live music.

Red Rocks Amphitheatre is much different than any other music venue in the world because it’s the only naturally-occurring, acoustically perfect outdoor theater ever. What creates this natural perfection are two 300 foot rock structures known as Ship Rock to the south and Creation Rock to the north. The amphitheater sits between these monoliths that date back 160 million years and contain dinosaur fossil fragments from the Jurassic period. Both are bigger than Niagra Falls. There’s also a rock structure behind the stage (east) known as Stage Rock. Besides the incredible rock formation, the amphitheater overlooks downtown Denver, which creates one of the most beautiful, picturesque views offered at a music venue.

The city of Denver purchased Red Rocks from Walker in 1928 and hired Denver architect, Burnham Hoyt to design the area into a music venue while including the preservation of the land’s natural elements as part of the transformation. The construction took 12 years but was well worth the finished product that has since attracted musical acts from all over the world.

The Beatles concert on August 26, 1964 is considered to be one of the first notable rock concert performances in Red Rocks history. Another notable performance was the Jethro Tull concert in 1971 which resulted in a 5 year ban of rock concerts at the venue. Fans without tickets to the event attempted to barge through police lines and throw rocks at officers resulting in the deployment of tear gas to control the riot, which eventually carried into the venue affecting all in attendance.

The unique venue attracts bands across music genres from rock to pop to electronic to jam bands. Many bands have recorded performances at the famous venue as well. It has also been used in film and television. Then, in 2015, it became a national landmark.

I’ve never had the pleasure of going to Red Rocks. I’ve actually never even been in Colorado. After I began traveling around the country for work though, I learned about Red Rocks and it’s been high on my list of venues to see/work at ever since. I’d be beyond honored to work an event in such a place and I’d even be more awestruck by seeing a concert there. I’m not even sure if I can imagine what it’s like to be there. It sounds like such a spectacular venue. I think it’s one of those places you have to experience to understand how special it is even if pictures and descriptions already convince you. It’s one of those places where a picture really doesn’t do it justice. If Red Rocks isn’t the definition of legendary venue, I don’t know what is. It’s legacy has spanned the test of time and it continues to be a favored venue of many bands and artists. It’s definitely a place that concert and music lovers need to experience at least once or even countless times.

The Film Playlist: We Are Your Friends

While at my cousin’s house over the weekend, we watched another movie that easily makes The Film Playlist. It’s been a while since I wrote about a movie for this series so let me explain. The Film Playlist is a blog series I started about movies that are about music. It’s been about a year since I added anything to it, but as soon as we started watching We Are Your Friends this past weekend, I knew I had to write about it this week.

The 2015 drama stars Zac Efron, Wes Bentley, Emily Ratajkowski, Shiloh Fernandez, Alex Shaffer, and Jonny Weston. It was written by Max Joseph and Meaghan Oppenheimer based off a story by Richard Silverman. Joseph also directed the film which marked his directorial debut. The movie is about an electronic music DJ named Cole Carter (Efron) who is trying to work his way up in the music industry. It’s also partly a coming of age story because Cole and his friends are young adults trying to figure out their lives in the midst of partying at night clubs, selling drugs, and being part of the electronic music scene. While booked to play a gig at a club one night, Cole meets the headliner, who was once a hot commodity in the electronic music world, James Reed (Bentley). Reed in a way becomes a mentor for Cole once he realizes his talent and helps Cole to understand how to create music that doesn’t sound like every other electronic song.

As soon as we started watching this film Friday night, I knew I would love it. The plot is average though. It’s nothing out of the ordinary or exceptional. I strictly loved it for the fact that it was about music and electronic music in particular. I’ve never seen another film that surrounds the electronic music scene. It was cool to see scenes about creating electronic music and also scenes featuring EDC Vegas, which is an electronic music festival done by one of the leading electronic festival promoters Insomniac Events. The soundtrack for the film was excellent. Its feature track “We Are Your Friends” by Justice featuring Simian is where the film got its title from. It also features songs by Years and Years with Gryffin, AlunaGeorge with Tchami, Seinabo Sey with Kygo and Deorro ft. Erin McCarley.

If you’re expecting an award winning film, that’s not what We Are Your Friends is. It’s really just a fictional coming of age film that surrounds the electronic music industry. If you’re at all into electronic music, I suggest you check it out. It’s a film you don’t have to think much about and can purely enjoy, especially if you have a love for music, especially electronic music.