festival

Coachella Band Preview: Despacio

We’re currently less than a month away until Coachella 2023 Weekend 1. I already have friends out in Indio working on the build of the festival, which means that you should be preparing accordingly too. I hope you’ve gotten your wristbands, your travel and accommodations are booked, your outfits are picked out, and your favorite artists on repeat to the point that you know all the songs and are ready to sing along and dance your ass off on the polo fields. This week the act I wanted to review is probably the toughest to prepare for because the only thing you can guarantee you’ll get is an incredible dance party.

Despacio, which is the spanish word for “slowly,” is a side project created by LCD Soundsystem’s James Murphy, audio engineer John Klett, and Soulwax’s/2manydjs’ David and Stephen Dewaele. The name isn’t really the name of the group as much as it is the name of the soundsystem used to create a one-of-a-kind listening experience. The 7 stack McIntosh soundsystem uses 50,000 watts of sound all while Murphy and the Dewaele brothers spin vinyl for hours on end. It’s a club experience like no other that first debuted in 2013 and has been popping up at festivals and on tours ever since. This won’t be the first time Despacio makes a Coachella appearance, as it first appeared for an “all weekend long” run at the festival in 2016. There was even a special tent created specifically for the Despacio experience, which I expect will be similar this year.

That being said you’re basically getting club style dance music. There’s not really any specific songs you can listen to in preparation. Just get your stretches in and prepare to move your body. As an LCD Soundsystem fan, who was a bit disappointed LCD didn’t make the lineup after hearing some rumors, I’m excited to experience this James Murphy project. I’ve heard of it and yet never have been able to experience it in person, so I plan to during my month stay in the desert. If you really want to get into the club vibe, spend a little time listening to LCD Soundsystem, Soulwax, or 2manydjs. 2manydjs are playing the festival anyway so it would serve as a dual purpose if you’re trying to catch their set. Otherwise practice those dance moves and keep listening to your other favorite Coachella 2023 artists this week, because we’re nearing the finish line of waiting. 4 weeks til Coachella!

Coachella 2022 Re-Cap

Well…I’m back. We did it. Coachella happened and it was as normal as could be. I look back on my time there over the last 4 weeks and feel so grateful for all of it. It’s still as magical as ever. I realized during Coachella how I can be alone on the polo fields and never feel lonely. There’s always something to see and do there. I feel like a lot of festivals are like this, but with Coachella there’s just a comfort for me that doesn’t always exist in other places. The art was great. The fashion was back. The vibes were immaculate and the music was unforgettable. So here’s what I was able to see over the two weekends….

The hype for Weekend 1 lasted from the weekend before I arrived until Day 1 Weekend 1. It was a little chaotic at times on the work front because we had a lack of staff, but my pals and I stepped up to make it work and the team that I did have was amazing. The biggest surprise of Weekend 1 came when the set times were released on Thursday and Arcade Fire was listed for a 6:45 p.m. set at Mojave. I couldn’t even believe it was real! So yes Arcade Fire played Weekend 1 and I missed it because I wasn’t onsite until 8:30 p.m. The “livestream” didn’t air the set until 9 p.m either, when I was vibing at the festival. It was okay though! I was able to see Phoebe Bridgers and Harry Styles including the Shania Twain appearance. I missed Bishop Briggs and Lost Kings as I expected due to the early set times. Lane 8 overlapped Harry Styles so that became a Weekend 2 set for me as the Danimal and I saw the beginning of Lane 8, hopped over to Harry to see who he would bring out (Lizzo!!!), and then returned to see the end of the Lane 8 set.

The music I wanted to see on Saturday was abundant. Saturday Weekend 1 began with seeing Beach Goons with Hailey before she started her shift and then followed up with Wallows on Outdoor at 4 p.m. and Emo Nite at Sahara right after Wallows. There was a bit of overlap between the two but I couldn’t bring myself to leave Wallows. I’m now very into the band with the kid from 13 Reasons Why (he should quit acting and just do music in my opinion now) and am already making plans to see their Philly show in June. They were too good live. After they ended though, I met up with some friends at Emo Nite. It was extremely cool to see the masses singing along to all the emo classics. Tom Higgenson from Plain White T’s made an appearance to play “Hey There Delilah,” which earned a huge sing along from the crowd. My plan was to see girl in red after Emo Nite but I needed to return back to the Safari home base to start on some work for Weekend 2. Girl in red became my Weekend 2 priority and it was one of my favorites after going back to back with Wallows again with the Danimal. Yes, I also decided to see Wallows again Weekend 2. Again I am now VERY into them. L’Imperatrice was another Weekend 2 set for me (super fun and full of dancing) after a recommendation from my buddy Noah. I also caught the Jacoby Shaddix from Papa Roach appearance at Emo Nite Weekend 2 and heard him sing “Last Resort.”

I needed to see Turnstile Weekend 1 as I had to meet up with my long time friend Chelsea to see one set as we usually do. It was Turnover in 2019 and Turnstile in 2022. Hailey also joined halfway through the set and so did my friend Lexi. It was definitely full of hardcore tunes and plenty of moshing. I saw the end of Disclosure both weekends with a little more of the set during Weekend 2. I definitely danced along to “Latch” twice though. I saw Flume both weekends as well, but my highlight of Flume came during Weekend 1 when I saw Dave Bayley aka Wavey Davey from Glass Animals hanging out in the viewing area. Hailey went over to him to say hey and he ended up telling her they were there to make an appearance during Denzel Curry’s set the next day. At that point, my Weekend 1 Sunday night plans changed from Jamie xx to Denzel Curry because Glass Animals are everything.

Late Saturday night I saw Hot Chip Weekend 1 and most of Billie Eilish. Weekend 2 I saw Caribou and made the mistake of leaving early. Billie Eilish brought out Hayley Williams from Paramore. They covered Misery Business and I missed it. I was so upset, but the fact that it was acoustic made it a little better. It was still one of the biggest talking points of Weekend 2.

Sunday’s afternoon sets alternated for me on Weekend 1 and Weekend 2. I saw Olivia O’Brien Weekend 1 and part of Hayden James Weekend 2 (a work meeting held me back from the full set). Olivia O’Brien might have brought out Jake Paul at the end of her set after ending it with “Josslyn” and I might have hated it. Then I hit Maggie Rogers set both weekends as well. Maggie Rogers sunset set happened and I was fully immersed in it. On Sunday night, I saw the beginning of Duke Dumont Weekend 1 and the end of the set Weekend 2. Weekend 1 we decided to hit up the tiki bar instead of sticking around for the rest of Duke so I finally got there after 4 years! Then it was Denzel Curry time Weekend 1 and Jamie xx for me Weekend 2. I saw the full sets of both, but the highlight of Denzel Curry was hearing Tokyo Drifting with Glass Animals. The highlight of Jamie xx was hanging and dancing with a bunch of my Safari fam. Both sets were a great time. On Weekend 1, we took in all of Swedish House Mafia and the Weeknd’s combined set and I hung around for the end of it Weekend 2 as well because I wasn’t ready for Coachella to be over (never am). I soaked up my last moments on the polo fields wandering around, listening to music, and taking pictures for the mems of two incredible weekends back in Indio.

After a third weekend, aka Stagecoach weekend, I’m finally back home and experiencing the Coachella Valley withdrawal, but it needed to come to an end at some point. It’s still my favorite place to work and I feel like I could do it every weekend. My body, however, would argue. I realized yesterday that this year has a lot of new music releases from some of my favorite artists so stay tuned for album reviews going forward as I’m already behind on them. That’s it for Coachella though. Three years in the making and we finally got to do it again. Until next time, Coachella forever and always!

Coachella Band Preview: Swedish House Mafia

We have officially hit the 2 month mark until Coachella 2022 Weekend 1. I’m once again back in Mexico, but this time for a shorter stay. It’s time to go full steam ahead on Coachella though and there’s plenty of bands/artists to preview. I feel like a lot of acts I’m interested in this year are acts that I’m trying to get into, but haven’t been a fan of for awhile. I feel like the lineups have veered away from my music interests in recent years, but at the same time, I always feel like I discover new music at Coachella. So that’s why I’m previewing Swedish House Mafia this week.

Swedish House Mafia came together in 2008 when Swedish DJs Axwell, Sebastian Ingrosso, and Steve Angello joined forces. They were dubbed Swedish House Mafia along with fellow Swedish DJ Eric Prydz after the four started playing shows together in the mid 2000s. Prydz decided not to join when the group became official because he stated he was the kind of person who was unable to collaborate with others in a studio, even close friends. After releasing several singles and the compilation album Until One, the group signed with Universal’s Polydor Records in 2010. Under Polydor, they released some of their biggest singles, “One,” “Greyhound,” and their biggest hit to date “Don’t You Worry Child.” They released their second compilation Until Now in September 2012, a few months after announcing that they would be breaking up. The group embarked on a farewell tour called “One Last Tour” which culminated with a final performance at Ultra Music Festival in 2013.

After the break-up, Axwell and Sebastian Ingrosso continued performing together as Axwell /\ Ingrosso. They even performed together at Coachella 2015. Meanwhile, Steve Angello continued to perform solo. In 2018, a mere 24 hours prior to the performance, it was leaked that Swedish House Mafia would reunite at Ultra Music Festival for their 10th anniversary. It was an epic reunion and a highlight in the history of Ultra Music Festival. From then on Swedish House Mafia took to the road again through 2019. The group announced their upcoming album Paradise Again slated for 2022, which will include their 2021 single “Moth to a Flame” featuring the Weeknd.

I decided in October that I would try to get into Swedish House Mafia for their Coachella performance. As someone who attended in 2015 and could not even tell you who Axwell /\ Ingrosso was at the time, I’m somewhat skeptical that I’ll truly enjoy it. As I’ve been researching and listening, I feel like their set will turn into too much of a rave style set for my enjoyment. I’ve noticed electronic artists seem to tailor their sets for the type of festival they play. Kygo’s Coachella set in 2018 differed substantially from his EDC Las Vegas set in 2021. The Coachella set fit the main stream electronic style while the EDC Las Vegas set fit the rave culture EDC is known for. I noticed the same thing from Zedd in 2019 too. I fully believe that Swedish House Mafia’s progressive house style of electronic music fits the stereotypical style of rave music that will be the same no matter if it’s played in Indio or from “Miami 2 Ibiza” though. Nonetheless, I’m still gonna try to see it and I hope to be proved wrong.

Coachella 2022 will mark the super group’s second Coachella performance and first in 10 years as their last appearance as whole came in 2012. According to several sources, including Sebastian Ingrosso himself, the DJs will close out the main stage on Friday night, which likely means a double headliner performance following Harry Styles. This means the first night of Coachella will be the Coachella comeback we’ve been waiting for during this difficult, almost 3 year wait. Here’s a few Swedish House Mafia tracks you should know if you’re planning on seeing this Coachella comeback:

  1. Don’t You Worry Child
  2. One
  3. Greyhound
  4. Miami 2 Ibiza
  5. Moth to a Flame
  6. Save the World
  7. Lifetime
  8. Antidote
  9. Leave the World Behind
  10. It Gets Better

Coachella Band Preview: Sir Sly

I don’t know about you, but winter is really getting to me. I’m sick of the snow, the ice, and the freezing cold. April needs to get here stat. Thankfully we’ve reached the 2 month Coachella countdown this week. That means it’s time to crank up the jams on another band playing the festival this year, Sir Sly.

Los Angeles based indie pop band Sir Sly formed in 2012. At one point no one knew anything about them when they reached number one on Hype Machine, a website music database that ranks the latest and greatest tunes from music blogs. They came out of nowhere with their debut single, “Ghost.” Shortly after, they revealed themselves. The group is comprised of Landon Jacobs, Jason Suwito, and Hayden Coplen. Their first album, You Haunt Me, was released in September 2014. A few songs from the album were featured in video games and ads, giving their music some exposure.

After the release and touring from their debut ceased, life happened for guitarist and vocalist, Landon Jacobs. He went through a divorce and his mother passed away from brain cancer. It inspired Sir Sly’s second album, Don’t You Worry, Honey, which was released on June 30, 2017. The music on the album doesn’t sound devastating though. The album is about being able to experience joy through pain. The lyrics focus on some serious stuff while the fun-sounding music makes it bearable. One of the most successful songs from the album, “High”, was featured on the soundtrack to Netflix’s 13 Reasons Why.

Sir Sly is described as an indie pop/rock band, but their music also has influence from other genres like electronic and psychedelic music. They kind of sound like Tame Impala meets Local Natives meets The Neighbourhood. Their music isn’t extremely upbeat, but very vibe-y and super chill.

I first heard of Sir Sly over the summer. My friend got into them and told me about the group because she liked their name. She thought it was a pun on the word “seriously”. The group actually came up with the name because it sounded cool and they didn’t want to take themselves too seriously. Kind of ironic eh? I listened to whatever song she sent me at the time and thought they sounded pretty good. I then realized that they were on the 13 Reasons Why soundtrack, which I had watched in June. I definitely liked the song “High.” Since then I feel like I’ve seen this band pop up more and more. They were booked for a summer concert around where I live that never ended up happening and their music constantly appears on Spotify playlists. Since my introduction to them, I’ve been slowly getting into their music because of this. Every once in a while I’ll get into a new Sir Sly song, but not several songs at once. It’s a slow process. Sometimes listening to music happens that way, but before you know it you realize you know almost all of a band or artist’s songs.

Sir Sly plays on Saturday at Coachella. They’re not billed very highly so I’d expect them to play in the early to late afternoon hours. They’re definitely a group to check out if you’re at the festival then and don’t have any one else you need to see. I would most certainly check them out if I was going and available, even though at this point I know about 3 or 4 of their songs. It’s bands like Sir Sly that will be the ones that impress you the most at Coachella though. You go in only knowing a song or two and come out wanting to listen to more. Here’s a couple songs just to give you a taste of this band:

  1. High
  2. Astronaut
  3. &Run
  4. Ghost
  5. Gold

Music is Sacred

I honestly don’t know or remember what I wanted to write about this week. All I’ve been able to think about since waking up Monday morning is what happened in Las Vegas Sunday night.

There are tragedies that happen every day. Some are uncontrollable like natural disasters. Some could be prevented if the proper procedures and legislation are in place.

Since last November, I’ve been deeply upset about the state of our nation. I never cared as much, but leading up to the 2016 Presidential Election, my support for a certain democratic candidate was stronger than ever. I actually began to follow some politics. So naturally, when favored candidate (and of course my favorite candidate), Hilary Clinton, lost the election to become the first female President of the U.S., I was crushed. The only good that came out of it was that I became more in tune with political issues.

Flash forward to January. Upon the day of the Women’s March on Washington and the previous day of the Presidential inauguration, I was still ready to fight for my beliefs going forward. Then somewhere along the way I lost my thunder. I got busy. I went to Southern California for two weeks to work at the festival I fell in love with 2 1/2 years ago. Work started to pick up and more opportunities arose. I made new friends. Got closer to others. I worked at concerts, festivals, and a comic con in different cities all over the country all while enjoying one of my lifelong passions, music. I had the time of my life. Then Labor Day came as it does every year. Work began to slow down. I wasn’t traveling as much. Plans for work changed due to uncontrollable circumstances as well. Nevertheless I began to reflect on what an incredible year it’s been, but at the same time I still felt bummed that festival season was coming to a close. I tried to combat those sad feelings though. In the past few weeks I booked new work opportunities, enjoyed some amazing live music experiences as a fan, and planned to attend a few others in the coming months. Then, I woke up Monday morning to news that shattered me.

22,000+ people affected. Several hundred people injured. Over 50 people killed. But it was where it happened that made the biggest difference to me. It happened at a music festival, a type of event where happiness and being carefree is the norm, a type of event that people come together to have a good time and experience the magic of live music, a type of event that I frequent regularly, a type of event that I one day aspire to be in charge of planning.

Music is everything to me. I love it. I’ve loved it since way back. I even wrote a blog about it this past year. It’s important to many others too. It has an ultimate power to cause a range of emotions and feelings. There’s even something more special about hearing the music you listen to being played right in front of your eyes by the musicians and artists who created it. I’ve always felt that. I always found shows, concerts, and festivals to be special places because of that. To have someone destroy those incredible moments that happen at a concert or festival is devastating and infuriating to me. I know it’s happened elsewhere in the past. Paris. Manchester. I definitely was upset about both of those situations too, but this one is different.

It’s different because it happened in the country that I live in and in a city that I’ve visited where I now know someone who lives there. It’s also different because I watched snapchats from the festival throughout the weekend because a friend of mine was working there for the week. That friend of mine was working at the festival Sunday night and had to experience what happened. That friend of mine will have to live with that memory for the rest of their life along with so many other friends of my friends. Not only is it my friends and my friends’ friends, it’s 22,000+ people, who attended, played at, or worked at a music festival, that have to live with it. That’s why it’s different and that’s what hurts the most.

It could have been me working. It could have been more of my friends. And the fact of the matter is that it still could be any of us because in this country our laws indicate that it’s okay for this to happen again and again. But the thing is….it’s really NOT okay. It’s not okay for it to be legal for someone to own weapons that could cause mass casualty or to buy enhancements that would make other weapons capable of the same. It’s not okay for someone to be able to walk into a gun show or go on the internet and purchase a gun without any difficulty. It’s not okay for someone who has a disregard for human life to hurt or kill as many people as possible with a gun because there are poor excuses for human beings in charge of creating legislation, who refuse to do it, that allow this to happen.

I know it’s been a few months since I had a fire in my heart ready to fight the establishment, but it’s back with a vengeance. This was a wake up call for me to get as fired up as I was in January since I was too focused on my work all summer. It’s just unfortunate that it took hurting my office, my work family (because that’s what we are in the music industry), and the music lovers I try to bring joy to on a daily basis for the fire to burn brighter again.

I’m sorry for being a little off topic on my blog this week, but I needed to get it off my chest. It’s been on my mind constantly. If you read this blog and are a music fan, I urge you to find a way to get involved in trying to create change in legislation that lowers the chance for these disasters to happen at concerts and festivals. Whether it be as simple as calling your representatives and demanding change, donating to causes that support gun control, attending a peaceful protest or gathering, or simply joining an organization like Everytown.org that are trying to fight the lack of gun legislation in America. It’s easy to become complacent but we need to keep going and keep fighting to make the places we love as safe and enjoyable as possible because live music events are special and music is scared.

 

Local Natives

It’s crazy to think, but it’s been almost a month since my last blog post and yet it honestly doesn’t feel like it was that long ago. I guess that’s what happens when you spend the fastest two weeks in the Coachella Valley working at your favorite and one of the most well-known music festivals in the world.

So yeah, I did it. I worked Coachella. It was amazing, special, wild, epic, unreal, and all sorts of other positive adjectives that you can think of. It was mostly indescribable though. I knew what to expect, but at the same time I didn’t at all. I can say though that experiencing Coachella in an entirely different way made me appreciate it so much more because it’s a first class, well-run music festival. I’m not gonna go into deep detail about my trip here. I will say that out of the bands I previewed I was able to see Kungs, Grouplove, Lorde, and Lady Gaga. If you wanna know more about my experience though, just ask.

Another thing I will mention is that I had a realization while at the festival during Saturday of Weekend 1. I definitely should have previewed Local Natives in the build-up to Coachella 2017. I was able to catch part of their set that Saturday before my shift started and I knew about 4 of the 5 songs I heard. I didn’t realize how many Local Natives songs I knew, but apparently I know a lot. I know enough that I feel like I need to go to one of their shows sometime. So I figured it was better late than never to write about them, so here goes…

Local Natives is an indie rock band from Los Angeles, CA. Members Kelcey Ayer, Ryan Hahn, and Taylor Rice all met while in high school together in neighboring Orange County, but it was after graduating college from UCLA that the group really started to focus on music. Along with Matt Frazier and former member Andy Hamm (replaced by Nik Ewing in 2012), the group moved into a house together in the Silver Lake section of Los Angeles and began working on their first record, Gorilla Manor. The album was released in November 2009 in the UK and then in the U.S. in February 2010.

The band began generating some hype before the album’s release though. They played SXSW in 2009 which garnered attention from music critics. They received comparisons to well known indie bands, Arcade Fire, Fleet Foxes, and Vampire Weekend, making them a new notable act on the indie scene.

On January 29, 2013 the band released their second album, Hummingbird. The album was produced by guitarist Aaron Dessner of The National and featured a darker lyrical turn due to life events, such as the departure of Andy Hamm and the death of Kelcey Ayer’s mother, that had influenced the band’s writing process. The album also received generally positive reviews.

Last year the band released their third and most recent album, Sunlit Youth, in September. The first single for the album, “Past Lives”, was released a few months before the album drop. The album, like it’s predecessor, received similarly favorable reviews.

Local Natives is your standard indie rock band. There’s no other genre that their music fits into. I can see why they were initially compared to the likes of those other well-known indie bands. Out of the three I mentioned above, their music sounds most similar to a combination of Arcade Fire and Fleet Foxes. I think Vampire Weekend has more of an indie pop feel to their songs that isn’t heard as much with Local Natives. Another reassuring fact about Local Natives’ music is that the sound hasn’t changed much through three albums. Maybe the lyrical content has developed and changed, but you’re still getting that familiar Gorilla Manor sound on Sunlit Youth.

I first heard of Local Natives in the prime of my indie/hipster music transition phase in the spring of 2011. From then on, every so often I would add a new Local Natives song to my iTunes and playlist rotation. While on my first trip to California in 2013, I made it a point to go to Amoeba Music. Amoeba is the world’s largest independent record store. They have three locations in California, one in Berkeley (the original), one in San Francisco, and one in Hollywood, which is the one I went to. I, of course, wanted to get something at Amoeba, but traveling by plane made it difficult to purchase any vinyl so I opted for a CD. The CD I purchased was Hummingbird. Despite all this evidence, it never occurred to me that Local Natives should be a must-see for me at Coachella this year and a must among the list of bands I previewed. I didn’t even realize it after catching the end of their set at Lollapalooza last summer and realizing I knew every song I heard them play. I do now though and I won’t disregard them anymore. I plan on going to one of their shows next time they tour near me. They crushed it at Coachella and I don’t want to miss out anymore.

If you’re a big indie music follower and you don’t know of Local Natives, it’s time you do. They’re a great band to listen to if you’re just relaxing on quiet evening or if you’re driving on a road trip. It’s time to make these guys known or recognized whatever the case may be. Here’s a few songs you should check out.

  1. Airplanes
  2. Who Knows Who Cares
  3. Ceilings
  4. Heavy Feet
  5. Mt. Washington
  6. Past Lives
  7. Wide Eyes
  8. Dark Days
  9. We Come Back
  10. Sun Hands

Coachella Band Preview: Two Door Cinema Club

Coachella is next weekend. Coachella is next weekend. COACHELLA. IS. NEXT. WEEKEND. Thought I would ingrain it in your mind, but yeah Coachella begins next weekend. That means the band previews for 2017 are almost over. It’s the only bummer of this whole Coachella experience. I have one more preview left before the festival starts, but that’s it. There’s not much time. You might wanna binge listen to this next act.

Two Door Cinema Club was formed in 2007. The group who comes from two small towns in Northern Ireland is comprised of members Alex Trimble (lead vocals, rhythm guitar), Sam Halliday (lead guitar, vocals), and Kevin Baird (bass, vocals, synth). Trimble and Halliday met while in grammar school and then the duo got to know Baird better when he started hanging out with their mutual friends. The band got their name when Halliday mispronounced the name of the local movie theater, Tudor Cinema.

Two Door Cinema Club’s first EP Four Words to Stand On was released in 2008 which garnered them attention. They released their debut album, Tourist History, 2 years later in February of 2010 (Republic of Ireland release) and toured the UK and Ireland in the spring of 2010 in support of its release. The band also played a bunch of European Festivals in 2010 including Reading and Leeds and opened for Phoenix during their 2010 U.S. Tour. Their debut album earned them two NME Award nominations.

The band continued to tour going into 2011 playing a co-headlining tour of the U.S. and Canada with Tokyo Police Club. 2011 brought stops at Glastonbury, Coachella, and Lollapalooza, as well as another stop at Reading and Leeds. They began work on their second album in 2011 and by the end of August 2012, Beacon was released.

In 2013, Two Door Cinema Club released their second EP Changing of the Seasons. They spent spent 2013 playing shows and festivals throughout Europe and North America. The group finally took a break from a steady 3 years of touring by 2014 and began to work on their third album. They began touring again in 2016 in support of the release of their third studio album, Gameshow, which came out in October. That tour has continued into 2017 and includes the stop in Indio.

Two Door Cinema Club is part of the indie rock genre. Some of their songs verge on indie pop as well. Their new album even has a funky, soulful feel, so you can say the band sort of spans across genres.

I first discovered Two Door Cinema Club in 2011 in the prime of my indie music phase. I bought their debut album that year. It was never a stand out album to me despite my love for their style of music. It was always just a solid indie rock soundtrack to my drives that fall. Since then, I haven’t really followed up much on Two Door Cinema Club. I did hear of them touring and making music though so I knew they were still around. I was just never as into them as I was with other bands.

So why am I previewing them for Coachella and telling you to see them? Because despite not being really, really into them, they’re a good band and festivals are the time to see as much music as possible especially if you’re somewhat familiar with a band. So I guess that’s the only condition. If you’re not into indie rock and you’ve never heard of Two Door Cinema Club, by all means, don’t feel obliged to see them perform. If you do like indie rock or you know a few songs by Two Door Cinema Club, you should check them out, assuming their set doesn’t overlap with another set on your must-see list. If you already love them and plan on seeing them, I have no doubt they’ll play a great set. I know I would probably see them at Coachella because I don’t think I’d actually buy tickets to just see Two Door Cinema Club on tour and that’s okay. That’s what makes festivals great. Maybe you’ll see them and they’ll be unexpectedly amazing causing you to want to see them on tour. It’s their 3rd time at Coachella too so they’re not new to experience. They play Saturday and at this point they’ll probably be on a little later in the day. Here’s what you need to know if you plan on seeing them:

  1. Are We Ready? (Wreck)
  2. Bad Decisions
  3. What You Know
  4. Sleep Alone
  5. Something Good Can Work
  6. I Can Talk
  7. Changing of the Seasons
  8. Next Year
  9. Undercover Martyn
  10. Sun
  11. Gameshow

 

 

Coachella Band Preview: Empire of the Sun

The first weekend of Coachella is 3 weeks away. Yes three weeks is what separates us from the hot sunny Indio Desert, the greens of the Empire Polo Fields swarming with festival-goers, palm trees swaying to the cool breeze and rad tunes, epic sunsets over the mountains, and the sweet sounds of music from incredible artists entering our ears. I only have a few band previews left before the annual festival begins and time is of the essence so I better get to it.

Empire of the Sun is an electronic/alternative rock band from Sydney, Australia. The band formed in 2007 as a collaboration between Luke Steele and Nick Littlemore. Both had worked together on music for each other’s bands before forming Empire of the Sun. Those bands each performed different styles of music. Steele brought the alternative rock genre to their new band and Littlemore brought the electronic dance music. Their first album, Walking on a Dream, was released in 2008 with the first single of the same name debuting about a month before the album’s release. Both the single and album were charted in the top ten of the ARIA charts. Although their only intention was to create a studio album, they decided to do live performances in response to the album’s success. However the live shows did not include Littlemore, who decided to opt out of touring early on. By the end of 2009, the band received 7 ARIA Awards for the album including Album of the Year.

2010 was the year the band embarked on the festival circuit playing Glastonbury and Lollapalooza for the first time and by the end of the year Littlemore and Steele discussed creating a new album for the band. Production on the album began in 2011 and Littlemore stated he would go out and tour in support of this one. 2011 also involved a North American tour for the band, which included a stop at Coachella.

The duo released their second album, Ice on the Dune, in June 2013. The new album brought more touring throughout 2013 and into 2014. The band made their second stop at Coachella in 2014 and headlined the Sahara Tent. Their music was also featured in the film Dumb and Dumber To, which came out in late 2014.

The band continued to tour into 2015 while simultaneously working on their third album. Their third and latest album was just released this past October. 2016 also marked the first time that the band broke on to the Billboard charts. It was their 2008 hit “Walking on a Dream” that earned the band the number 3 spot on the Alternative Music charts after it was used in a U.S. Honda commercial in early 2016.

Their music, as I said, is a combination of alternative rock and electronic music. It can’t be described much better than that, although some may say the band fits genres like synthpop or glam rock. I feel like their sound has stayed consistent over the course of three albums so if you love the song “Walking on a Dream” or only know music from that album, you’re bound to dig some of their more recent stuff.

I discovered Empire of the Sun in 2011. There’s no significant story of how so I’m guessing it was through a recommendation from Youtube or Pandora because I listened to similar music on either channel. Of course the first song I heard was “Walking on a Dream”. Throughout the past few years I’ve heard their other stuff here and there and I’ve liked it. I’ve also heard the song “Walking on a Dream” multiple times in various circumstances throughout the same time period. It’s no surprise it’s their biggest hit. I never got into them as a band though. Nor have I been dying to see them live, but I’ll tell you why I would definitely check them out at Coachella.

Music festivals give you an opportunity to see bands live who you might like but not like enough to buy a ticket for a touring show making Coachella the perfect time for someone like me to check them out. Empire of the Sun does some pretty cool live performances too. The performances are as much of a visual art as they are a musical art. They wear elaborate costumes, have dancers or other performers, and display mesmerizing visuals often seen as part of electronic shows. They play Friday at Coachella. They’ve already headlined the Sahara Tent at the festival once before so that might happen again. As long as their set doesn’t overlap with some other great performers, it’ll definitely be a spectacle worth seeing. Here’s a few songs to know if you go:

  1. Walking on a Dream
  2. Alive
  3. High and Low
  4. We Are the People
  5. Standing on the Shore
  6. DNA
  7. Two Vines
  8. Concert Pitch
  9. To Her Door
  10. Friends

 

Coachella Band Preview: BROODS

We are officially less than 2 months away from Weekend 1 of Coachella! The hype is increasing at this point and yesterday it increased for me too. I’m proud to say that I accepted a position to work at Coachella in its entirety (meaning both weekends)! I’m beyond stoked. However that being said, even though I’ll be out in the desert once again, I’m going to have some serious business to take care of. I have no idea if I’ll be able to see any music at all, but being in the Coachella atmosphere is a gift in and of itself. At least now you’ll know who I would be seeing if I get a chance out there. Anyway with this building anticipation, it’s time to ramp up that listening and preview another band playing the festival this year for their first time, BROODS.

BROODS is a brother-sister band duo who come from Nelson, New Zealand. Georgia Nott (lead vocals) and her brother Caleb (backing vocals, production, multi-instruments) grew up in a music-oriented family. They even performed in an ABBA tribute band growing up and were a part of an indie band while in college. Both ended up eventually dropping out of college to pursue BROODS. Their band name was suggested by their manager but has a relevant double meaning which they love. It relates to family but also deep upsetting thoughts that the siblings resolve through music. They formed the band in early 2013 and released their debut single “Bridges” by October of that year. The duo worked early on with music producer, Joel Little, who also worked with Lorde on her single “Royals”.

They released their debut self-titled EP in early January 2014 after signing a deal with Capitol Records/Polydor a month earlier and then toured the UK, North America, and Australia for the better part of 2014. Some of their tour gigs were in support of acts like Haim, Ellie Goulding, and Sam Smith. Their debut album, Evergreen, was released in August 2014. It debuted at No. 1 on the New Zealand Album Chart. In 2015 they returned to North America to tour making several stops on the festival circuit along the way. None of those included Coachella however, making this year their first Coachella appearance.

After the release of their debut album, they immediately began working on its successor. With a tour filled 2015 though, it wasn’t released until June of 2016. The album, Conscious, features collaborations with fellow 2017 Coachella performers Lorde (writing) and Tove Lo (singing) (surprise guest anyone?!). Both albums earned BROODS several New Zealand Music Awards. Since their debut on the music scene, the duo has racked up a total of 10 of the awards, along with 2 more nominations that didn’t result in wins. They were also nominated for the APRA Silver Scroll Award in 2014 but lost.

BROODS style of music is primarily indie pop with a mild electronic influence. Georgia Nott’s vocals are soft and hypnotizing to listen to. If I had to compare them to other artists, I would say their current sound is kind of like BANKS/Lorde/Tove Lo meets St. Lucia, but with a more BANKS/Lorde/Tove Lo sound than St. Lucia. It’s really just a few songs from their latest album that give off a St. Lucia style indie pop feel than their debut, especially the song “We Had Everything” (I mean come on…don’t you start hearing “Closer Than This” with that intro?).

I first heard of BROODS in late 2014 when a person I follow on twitter tweeted about how good the band was. I, of course, checked them out and loved their sound. I downloaded the songs “Bridges”, “Four Walls”, and “Mother & Father” and listened to them periodically. Over the last year I added two songs from their new album to my iTunes and again listened to them as they played on my “Most Recently Added” rotation.

I’ve never been a super fan of BROODS, only a casual listener, but I’ve always liked what I’ve listened to. If I have the opportunity to see BROODS live in a festival setting, I’ll definitely see them. As I said before, this is their first time playing Coachella. They play Friday. I’m not sure what kind of crowd they’ll attract in their first appearance at the festival, but I don’t think it will be overwhelming. So if you’re up to listen to some indie pop from the siblings Nott then check them out. You won’t be disappointed. Here’s a few songs to get you ready for their set:

  1. Bridges
  2. Heartlines
  3. Mother & Father
  4. Four Walls
  5. Free
  6. We Had Everything
  7. Freak of Nature (ft. Tove Lo)
  8. Never Gonna Change
  9. Couldn’t Believe
  10. Everytime

Bonus: Ease by Troye Sivan ft. BROODS

Coachella Band Preview: Grouplove

We are 2 months and 1 week away from Coachella Weekend 1. That means it’s the perfect time to start dusting off those flower headbands. It’s also the perfect time to check out another band playing the festival this year, Grouplove. This band is no stranger to the Indio desert having played Coachella in 2012 and 2014. Their 3rd and latest album was released in September making 2017 the year they make their return to the Empire Polo Fields.

Out of every band I’ve written about, Grouplove has the best formation story of any I’ve learned so far. Usually I’ll tell you where a band comes from, but with Grouplove the members come from all over the map. They officially formed in Los Angeles in 2009, but met before that in Crete at an artist commune in the village of Avdou. Members Hannah Hooper (vocals, keyboards) and Christian Zucconi (vocals, guitar) met on the Lower East Side of Manhattan after Hooper heard Zucconi’s band perform. She fell for him and ended up inviting him to the artist residency in Crete where they met future band members Sean Gadd (bass), Andrew Wessen (guitar, vocals) and Ryan Rabin (drums). Rabin and Wessen were also friends who grew up in Los Angeles. Gadd hails from London, England. The band formed a year after that fateful trip to Crete when Gadd, Hooper, and Zucconi decided to venture out to LA to pay a visit to Rabin’s father’s recording studio (his dad is Trevor Rabin, former guitarist of English rock band Yes).

The band played their first show in LA in 2010 and shortly after toured with Florence and the Machine and The Joy Formidable. Grouplove released their first self-titled EP in early 2011. That same year they joined forces with Foster the People on a co-headlining tour and played several music festivals including Lollapalooza, Glastonbury, and Reading and Leeds. After their busy and travel filled spring and summer, they released their debut album, Never Trust A Happy Song, in September of 2011. Arguably the group’s two biggest singles, “Colours” and “Tongue Tied” were a part of the record. Following the release, Grouplove embarked on a fall North American headlining tour in support of the album. The touring and travel life continued into and through 2012 and included the group’s first stop at Coachella.

They released their sophomore album, Spreading Rumours, in September 2013 almost exactly 2 years after their debut, which brought on another album support tour. This time though Daniel Gleason became a temporary replacement for Sean Gadd, but by the following spring the replacement became permanent. In 2014 the band again played the festival circuit hitting Coachella, Bonnaroo, Firefly, and Lollapalooza.

This past September (clearly the month for Grouplove record releases) Grouplove released their third album, Big Mess, and toured in support of it from August through November. It’s only fitting that the band would play Coachella again after releasing their latest album since they played the festival after their first two releases.

Grouplove is your standard indie band. They play an indie rock/indie pop style of music. I’ve always felt like their songs have this summery sort of vibe. In my opinion their records are the perfect soundtrack to a pool party, laying out on the beach, or taking a road trip along the California coast line with friends. It’s that kind of indie rock.

I first heard of Grouplove in 2011. I feel like that was a prime year for indie rock for me. However though, I never got into Grouplove as a whole. I’ve liked a song here and there, particularly the song “Ways to Go”, but I don’t own any Grouplove albums or have more than a few of their singles on my iTunes. So why am I previewing them for Coachella? Well the reason is I think they’re a great live band. I’ve never seen them in person, but I watched part of their Coachella set in 2014. Their set seemed like so much fun to be at. It made me want to see them in person at a festival. Ideally that festival would be Coachella because their music kind of embodies the Coachella spirit.

Grouplove plays Coachella on Sunday. I recommend going to their set because like I said their music and style perfectly represents the essence of the festival. Their music is good too! I just never got into it like I did with other bands. That doesn’t mean I don’t like it though. If I were attending this year, I’d probably be listening to their music more. Maybe even enough that I might get into them just in time to see them at Coachella. Here’s what you should check out to prep for their set:

  1. Tongue Tied
  2. Ways To Go
  3. Colours
  4. Let Me In
  5. Welcome To Your Life
  6. Itchin’ On A Photograph
  7. Good Morning
  8. Shark Attack
  9. Naked Kids
  10. Do You Love Someone