festival

Local Natives

It’s crazy to think, but it’s been almost a month since my last blog post and yet it honestly doesn’t feel like it was that long ago. I guess that’s what happens when you spend the fastest two weeks in the Coachella Valley working at your favorite and one of the most well-known music festivals in the world.

So yeah, I did it. I worked Coachella. It was amazing, special, wild, epic, unreal, and all sorts of other positive adjectives that you can think of. It was mostly indescribable though. I knew what to expect, but at the same time I didn’t at all. I can say though that experiencing Coachella in an entirely different way made me appreciate it so much more because it’s a first class, well-run music festival. I’m not gonna go into deep detail about my trip here. I will say that out of the bands I previewed I was able to see Kungs, Grouplove, Lorde, and Lady Gaga. If you wanna know more about my experience though, just ask.

Another thing I will mention is that I had a realization while at the festival during Saturday of Weekend 1. I definitely should have previewed Local Natives in the build-up to Coachella 2017. I was able to catch part of their set that Saturday before my shift started and I knew about 4 of the 5 songs I heard. I didn’t realize how many Local Natives songs I knew, but apparently I know a lot. I know enough that I feel like I need to go to one of their shows sometime. So I figured it was better late than never to write about them, so here goes…

Local Natives is an indie rock band from Los Angeles, CA. Members Kelcey Ayer, Ryan Hahn, and Taylor Rice all met while in high school together in neighboring Orange County, but it was after graduating college from UCLA that the group really started to focus on music. Along with Matt Frazier and former member Andy Hamm (replaced by Nik Ewing in 2012), the group moved into a house together in the Silver Lake section of Los Angeles and began working on their first record, Gorilla Manor. The album was released in November 2009 in the UK and then in the U.S. in February 2010.

The band began generating some hype before the album’s release though. They played SXSW in 2009 which garnered attention from music critics. They received comparisons to well known indie bands, Arcade Fire, Fleet Foxes, and Vampire Weekend, making them a new notable act on the indie scene.

On January 29, 2013 the band released their second album, Hummingbird. The album was produced by guitarist Aaron Dessner of The National and featured a darker lyrical turn due to life events, such as the departure of Andy Hamm and the death of Kelcey Ayer’s mother, that had influenced the band’s writing process. The album also received generally positive reviews.

Last year the band released their third and most recent album, Sunlit Youth, in September. The first single for the album, “Past Lives”, was released a few months before the album drop. The album, like it’s predecessor, received similarly favorable reviews.

Local Natives is your standard indie rock band. There’s no other genre that their music fits into. I can see why they were initially compared to the likes of those other well-known indie bands. Out of the three I mentioned above, their music sounds most similar to a combination of Arcade Fire and Fleet Foxes. I think Vampire Weekend has more of an indie pop feel to their songs that isn’t heard as much with Local Natives. Another reassuring fact about Local Natives’ music is that the sound hasn’t changed much through three albums. Maybe the lyrical content has developed and changed, but you’re still getting that familiar Gorilla Manor sound on Sunlit Youth.

I first heard of Local Natives in the prime of my indie/hipster music transition phase in the spring of 2011. From then on, every so often I would add a new Local Natives song to my iTunes and playlist rotation. While on my first trip to California in 2013, I made it a point to go to Amoeba Music. Amoeba is the world’s largest independent record store. They have three locations in California, one in Berkeley (the original), one in San Francisco, and one in Hollywood, which is the one I went to. I, of course, wanted to get something at Amoeba, but traveling by plane made it difficult to purchase any vinyl so I opted for a CD. The CD I purchased was Hummingbird. Despite all this evidence, it never occurred to me that Local Natives should be a must-see for me at Coachella this year and a must among the list of bands I previewed. I didn’t even realize it after catching the end of their set at Lollapalooza last summer and realizing I knew every song I heard them play. I do now though and I won’t disregard them anymore. I plan on going to one of their shows next time they tour near me. They crushed it at Coachella and I don’t want to miss out anymore.

If you’re a big indie music follower and you don’t know of Local Natives, it’s time you do. They’re a great band to listen to if you’re just relaxing on quiet evening or if you’re driving on a road trip. It’s time to make these guys known or recognized whatever the case may be. Here’s a few songs you should check out.

  1. Airplanes
  2. Who Knows Who Cares
  3. Ceilings
  4. Heavy Feet
  5. Mt. Washington
  6. Past Lives
  7. Wide Eyes
  8. Dark Days
  9. We Come Back
  10. Sun Hands

Coachella Band Preview: Two Door Cinema Club

Coachella is next weekend. Coachella is next weekend. COACHELLA. IS. NEXT. WEEKEND. Thought I would ingrain it in your mind, but yeah Coachella begins next weekend. That means the band previews for 2017 are almost over. It’s the only bummer of this whole Coachella experience. I have one more preview left before the festival starts, but that’s it. There’s not much time. You might wanna binge listen to this next act.

Two Door Cinema Club was formed in 2007. The group who comes from two small towns in Northern Ireland is comprised of members Alex Trimble (lead vocals, rhythm guitar), Sam Halliday (lead guitar, vocals), and Kevin Baird (bass, vocals, synth). Trimble and Halliday met while in grammar school and then the duo got to know Baird better when he started hanging out with their mutual friends. The band got their name when Halliday mispronounced the name of the local movie theater, Tudor Cinema.

Two Door Cinema Club’s first EP Four Words to Stand On was released in 2008 which garnered them attention. They released their debut album, Tourist History, 2 years later in February of 2010 (Republic of Ireland release) and toured the UK and Ireland in the spring of 2010 in support of its release. The band also played a bunch of European Festivals in 2010 including Reading and Leeds and opened for Phoenix during their 2010 U.S. Tour. Their debut album earned them two NME Award nominations.

The band continued to tour going into 2011 playing a co-headlining tour of the U.S. and Canada with Tokyo Police Club. 2011 brought stops at Glastonbury, Coachella, and Lollapalooza, as well as another stop at Reading and Leeds. They began work on their second album in 2011 and by the end of August 2012, Beacon was released.

In 2013, Two Door Cinema Club released their second EP Changing of the Seasons. They spent spent 2013 playing shows and festivals throughout Europe and North America. The group finally took a break from a steady 3 years of touring by 2014 and began to work on their third album. They began touring again in 2016 in support of the release of their third studio album, Gameshow, which came out in October. That tour has continued into 2017 and includes the stop in Indio.

Two Door Cinema Club is part of the indie rock genre. Some of their songs verge on indie pop as well. Their new album even has a funky, soulful feel, so you can say the band sort of spans across genres.

I first discovered Two Door Cinema Club in 2011 in the prime of my indie music phase. I bought their debut album that year. It was never a stand out album to me despite my love for their style of music. It was always just a solid indie rock soundtrack to my drives that fall. Since then, I haven’t really followed up much on Two Door Cinema Club. I did hear of them touring and making music though so I knew they were still around. I was just never as into them as I was with other bands.

So why am I previewing them for Coachella and telling you to see them? Because despite not being really, really into them, they’re a good band and festivals are the time to see as much music as possible especially if you’re somewhat familiar with a band. So I guess that’s the only condition. If you’re not into indie rock and you’ve never heard of Two Door Cinema Club, by all means, don’t feel obliged to see them perform. If you do like indie rock or you know a few songs by Two Door Cinema Club, you should check them out, assuming their set doesn’t overlap with another set on your must-see list. If you already love them and plan on seeing them, I have no doubt they’ll play a great set. I know I would probably see them at Coachella because I don’t think I’d actually buy tickets to just see Two Door Cinema Club on tour and that’s okay. That’s what makes festivals great. Maybe you’ll see them and they’ll be unexpectedly amazing causing you to want to see them on tour. It’s their 3rd time at Coachella too so they’re not new to experience. They play Saturday and at this point they’ll probably be on a little later in the day. Here’s what you need to know if you plan on seeing them:

  1. Are We Ready? (Wreck)
  2. Bad Decisions
  3. What You Know
  4. Sleep Alone
  5. Something Good Can Work
  6. I Can Talk
  7. Changing of the Seasons
  8. Next Year
  9. Undercover Martyn
  10. Sun
  11. Gameshow

 

 

Coachella Band Preview: Empire of the Sun

The first weekend of Coachella is 3 weeks away. Yes three weeks is what separates us from the hot sunny Indio Desert, the greens of the Empire Polo Fields swarming with festival-goers, palm trees swaying to the cool breeze and rad tunes, epic sunsets over the mountains, and the sweet sounds of music from incredible artists entering our ears. I only have a few band previews left before the annual festival begins and time is of the essence so I better get to it.

Empire of the Sun is an electronic/alternative rock band from Sydney, Australia. The band formed in 2007 as a collaboration between Luke Steele and Nick Littlemore. Both had worked together on music for each other’s bands before forming Empire of the Sun. Those bands each performed different styles of music. Steele brought the alternative rock genre to their new band and Littlemore brought the electronic dance music. Their first album, Walking on a Dream, was released in 2008 with the first single of the same name debuting about a month before the album’s release. Both the single and album were charted in the top ten of the ARIA charts. Although their only intention was to create a studio album, they decided to do live performances in response to the album’s success. However the live shows did not include Littlemore, who decided to opt out of touring early on. By the end of 2009, the band received 7 ARIA Awards for the album including Album of the Year.

2010 was the year the band embarked on the festival circuit playing Glastonbury and Lollapalooza for the first time and by the end of the year Littlemore and Steele discussed creating a new album for the band. Production on the album began in 2011 and Littlemore stated he would go out and tour in support of this one. 2011 also involved a North American tour for the band, which included a stop at Coachella.

The duo released their second album, Ice on the Dune, in June 2013. The new album brought more touring throughout 2013 and into 2014. The band made their second stop at Coachella in 2014 and headlined the Sahara Tent. Their music was also featured in the film Dumb and Dumber To, which came out in late 2014.

The band continued to tour into 2015 while simultaneously working on their third album. Their third and latest album was just released this past October. 2016 also marked the first time that the band broke on to the Billboard charts. It was their 2008 hit “Walking on a Dream” that earned the band the number 3 spot on the Alternative Music charts after it was used in a U.S. Honda commercial in early 2016.

Their music, as I said, is a combination of alternative rock and electronic music. It can’t be described much better than that, although some may say the band fits genres like synthpop or glam rock. I feel like their sound has stayed consistent over the course of three albums so if you love the song “Walking on a Dream” or only know music from that album, you’re bound to dig some of their more recent stuff.

I discovered Empire of the Sun in 2011. There’s no significant story of how so I’m guessing it was through a recommendation from Youtube or Pandora because I listened to similar music on either channel. Of course the first song I heard was “Walking on a Dream”. Throughout the past few years I’ve heard their other stuff here and there and I’ve liked it. I’ve also heard the song “Walking on a Dream” multiple times in various circumstances throughout the same time period. It’s no surprise it’s their biggest hit. I never got into them as a band though. Nor have I been dying to see them live, but I’ll tell you why I would definitely check them out at Coachella.

Music festivals give you an opportunity to see bands live who you might like but not like enough to buy a ticket for a touring show making Coachella the perfect time for someone like me to check them out. Empire of the Sun does some pretty cool live performances too. The performances are as much of a visual art as they are a musical art. They wear elaborate costumes, have dancers or other performers, and display mesmerizing visuals often seen as part of electronic shows. They play Friday at Coachella. They’ve already headlined the Sahara Tent at the festival once before so that might happen again. As long as their set doesn’t overlap with some other great performers, it’ll definitely be a spectacle worth seeing. Here’s a few songs to know if you go:

  1. Walking on a Dream
  2. Alive
  3. High and Low
  4. We Are the People
  5. Standing on the Shore
  6. DNA
  7. Two Vines
  8. Concert Pitch
  9. To Her Door
  10. Friends

 

Coachella Band Preview: BROODS

We are officially less than 2 months away from Weekend 1 of Coachella! The hype is increasing at this point and yesterday it increased for me too. I’m proud to say that I accepted a position to work at Coachella in its entirety (meaning both weekends)! I’m beyond stoked. However that being said, even though I’ll be out in the desert once again, I’m going to have some serious business to take care of. I have no idea if I’ll be able to see any music at all, but being in the Coachella atmosphere is a gift in and of itself. At least now you’ll know who I would be seeing if I get a chance out there. Anyway with this building anticipation, it’s time to ramp up that listening and preview another band playing the festival this year for their first time, BROODS.

BROODS is a brother-sister band duo who come from Nelson, New Zealand. Georgia Nott (lead vocals) and her brother Caleb (backing vocals, production, multi-instruments) grew up in a music-oriented family. They even performed in an ABBA tribute band growing up and were a part of an indie band while in college. Both ended up eventually dropping out of college to pursue BROODS. Their band name was suggested by their manager but has a relevant double meaning which they love. It relates to family but also deep upsetting thoughts that the siblings resolve through music. They formed the band in early 2013 and released their debut single “Bridges” by October of that year. The duo worked early on with music producer, Joel Little, who also worked with Lorde on her single “Royals”.

They released their debut self-titled EP in early January 2014 after signing a deal with Capitol Records/Polydor a month earlier and then toured the UK, North America, and Australia for the better part of 2014. Some of their tour gigs were in support of acts like Haim, Ellie Goulding, and Sam Smith. Their debut album, Evergreen, was released in August 2014. It debuted at No. 1 on the New Zealand Album Chart. In 2015 they returned to North America to tour making several stops on the festival circuit along the way. None of those included Coachella however, making this year their first Coachella appearance.

After the release of their debut album, they immediately began working on its successor. With a tour filled 2015 though, it wasn’t released until June of 2016. The album, Conscious, features collaborations with fellow 2017 Coachella performers Lorde (writing) and Tove Lo (singing) (surprise guest anyone?!). Both albums earned BROODS several New Zealand Music Awards. Since their debut on the music scene, the duo has racked up a total of 10 of the awards, along with 2 more nominations that didn’t result in wins. They were also nominated for the APRA Silver Scroll Award in 2014 but lost.

BROODS style of music is primarily indie pop with a mild electronic influence. Georgia Nott’s vocals are soft and hypnotizing to listen to. If I had to compare them to other artists, I would say their current sound is kind of like BANKS/Lorde/Tove Lo meets St. Lucia, but with a more BANKS/Lorde/Tove Lo sound than St. Lucia. It’s really just a few songs from their latest album that give off a St. Lucia style indie pop feel than their debut, especially the song “We Had Everything” (I mean come on…don’t you start hearing “Closer Than This” with that intro?).

I first heard of BROODS in late 2014 when a person I follow on twitter tweeted about how good the band was. I, of course, checked them out and loved their sound. I downloaded the songs “Bridges”, “Four Walls”, and “Mother & Father” and listened to them periodically. Over the last year I added two songs from their new album to my iTunes and again listened to them as they played on my “Most Recently Added” rotation.

I’ve never been a super fan of BROODS, only a casual listener, but I’ve always liked what I’ve listened to. If I have the opportunity to see BROODS live in a festival setting, I’ll definitely see them. As I said before, this is their first time playing Coachella. They play Friday. I’m not sure what kind of crowd they’ll attract in their first appearance at the festival, but I don’t think it will be overwhelming. So if you’re up to listen to some indie pop from the siblings Nott then check them out. You won’t be disappointed. Here’s a few songs to get you ready for their set:

  1. Bridges
  2. Heartlines
  3. Mother & Father
  4. Four Walls
  5. Free
  6. We Had Everything
  7. Freak of Nature (ft. Tove Lo)
  8. Never Gonna Change
  9. Couldn’t Believe
  10. Everytime

Bonus: Ease by Troye Sivan ft. BROODS

Coachella Band Preview: Grouplove

We are 2 months and 1 week away from Coachella Weekend 1. That means it’s the perfect time to start dusting off those flower headbands. It’s also the perfect time to check out another band playing the festival this year, Grouplove. This band is no stranger to the Indio desert having played Coachella in 2012 and 2014. Their 3rd and latest album was released in September making 2017 the year they make their return to the Empire Polo Fields.

Out of every band I’ve written about, Grouplove has the best formation story of any I’ve learned so far. Usually I’ll tell you where a band comes from, but with Grouplove the members come from all over the map. They officially formed in Los Angeles in 2009, but met before that in Crete at an artist commune in the village of Avdou. Members Hannah Hooper (vocals, keyboards) and Christian Zucconi (vocals, guitar) met on the Lower East Side of Manhattan after Hooper heard Zucconi’s band perform. She fell for him and ended up inviting him to the artist residency in Crete where they met future band members Sean Gadd (bass), Andrew Wessen (guitar, vocals) and Ryan Rabin (drums). Rabin and Wessen were also friends who grew up in Los Angeles. Gadd hails from London, England. The band formed a year after that fateful trip to Crete when Gadd, Hooper, and Zucconi decided to venture out to LA to pay a visit to Rabin’s father’s recording studio (his dad is Trevor Rabin, former guitarist of English rock band Yes).

The band played their first show in LA in 2010 and shortly after toured with Florence and the Machine and The Joy Formidable. Grouplove released their first self-titled EP in early 2011. That same year they joined forces with Foster the People on a co-headlining tour and played several music festivals including Lollapalooza, Glastonbury, and Reading and Leeds. After their busy and travel filled spring and summer, they released their debut album, Never Trust A Happy Song, in September of 2011. Arguably the group’s two biggest singles, “Colours” and “Tongue Tied” were a part of the record. Following the release, Grouplove embarked on a fall North American headlining tour in support of the album. The touring and travel life continued into and through 2012 and included the group’s first stop at Coachella.

They released their sophomore album, Spreading Rumours, in September 2013 almost exactly 2 years after their debut, which brought on another album support tour. This time though Daniel Gleason became a temporary replacement for Sean Gadd, but by the following spring the replacement became permanent. In 2014 the band again played the festival circuit hitting Coachella, Bonnaroo, Firefly, and Lollapalooza.

This past September (clearly the month for Grouplove record releases) Grouplove released their third album, Big Mess, and toured in support of it from August through November. It’s only fitting that the band would play Coachella again after releasing their latest album since they played the festival after their first two releases.

Grouplove is your standard indie band. They play an indie rock/indie pop style of music. I’ve always felt like their songs have this summery sort of vibe. In my opinion their records are the perfect soundtrack to a pool party, laying out on the beach, or taking a road trip along the California coast line with friends. It’s that kind of indie rock.

I first heard of Grouplove in 2011. I feel like that was a prime year for indie rock for me. However though, I never got into Grouplove as a whole. I’ve liked a song here and there, particularly the song “Ways to Go”, but I don’t own any Grouplove albums or have more than a few of their singles on my iTunes. So why am I previewing them for Coachella? Well the reason is I think they’re a great live band. I’ve never seen them in person, but I watched part of their Coachella set in 2014. Their set seemed like so much fun to be at. It made me want to see them in person at a festival. Ideally that festival would be Coachella because their music kind of embodies the Coachella spirit.

Grouplove plays Coachella on Sunday. I recommend going to their set because like I said their music and style perfectly represents the essence of the festival. Their music is good too! I just never got into it like I did with other bands. That doesn’t mean I don’t like it though. If I were attending this year, I’d probably be listening to their music more. Maybe even enough that I might get into them just in time to see them at Coachella. Here’s what you should check out to prep for their set:

  1. Tongue Tied
  2. Ways To Go
  3. Colours
  4. Let Me In
  5. Welcome To Your Life
  6. Itchin’ On A Photograph
  7. Good Morning
  8. Shark Attack
  9. Naked Kids
  10. Do You Love Someone

 

Music Saved 2016

2016 can be defined as being a shit ass year for Americans (maybe for other countries too but I can only go by U.S. standards). There were a few good moments, like the Cubs winning the World Series for the first time in 108 years or the Pittsburgh Penguins winning their 4th Stanley Cup (It was good for me as a Pens fan), but for the most part many agree that 2016 sucked. We lost some truly great artists, story tellers, athletes, and human beings and it hasn’t stopped even in the days before the new year. As I sat down to write this, I found out that Hollywood legend Carrie Fisher passed away and then as I sat down to finish it two days later Carrie’s just as famous mother, Debbie Reynolds (her most substantial role, in my opinion, was Agatha Cromwell in the DCOM Halloweentown), had passed as well. Crazy. More importantly we lost progress, decency, and democracy from a shocking presidential election outcome. 2016 took so much from us and most of us are glad it’s almost over.

Last week I watched a YouTube video about the good in 2016 (because like I said there were a few good moments) and a statement was made that I agreed with wholeheartedly: “Music saved 2016.” It did, but for me especially. This year I embarked on an adventure into the music industry by working concerts, shows, and festivals all over the country. I learned new things, met amazing new people from all over the country, stepped outside my comfort zone, and had some incredible experiences especially over the summer. I’m entirely grateful for every single one and for the company that gave me a chance. This year I attended more live music events than ever. I saw some incredible bands and artists perform. I learned new music and fell in love all over again with bands I’ve listened to before. Music was everything to me this year. Because of that I wanted to share with you my favorite/most listened to music of 2016. Some of it might not have come out this year but I might have discovered it for the first time this year or rediscovered it, if you will. I’ll be including songs, artists, or albums as part of the list but each has a relevant meaning to my year of music.

1. “Holdin’ On” by Flume. This song was the song of the year for me. I discovered it shortly before I volunteered at the Sweetlife Festival in May, but the full impact of the song occurred the day of the festival. As you may already know from the post I did back in April, Flume is an electronic artist. This song is a hit from his first album which came out in 2012. He also released a new album this year, Skin, which had a few huge hits, like “Never Be Like You” ft. Kai and “Say It” ft. Tove Lo, earning Flume 2017 Grammy nominations. For me though, it was “Holdin’ On” that stood out the most. I feel like the song has more energy than his other stuff. Part of the song has this slowed down warp type of sound that leads into the refrain with a POW! At Sweetlife, my friend and I went to Flume’s set with no expectations. “Holdin’ On” stole the show that was marred by technical difficulties causing us to leave early (we were planning on leaving early anyway to not miss another set). After we left though, it was the song that played in my head the rest of the day. That day turned out to be one of, if not, the best day(s) of my whole year. The faulty set aided in our decision to buy tickets to see Flume perform 3 months later, which was also pretty sick but didn’t have the same impact as Sweetlife weekend and the first time I heard “Holdin’ On”.

2. LCD Soundsystem. 2016 saw the return of a band we thought was gone after 2011. Electronic dance-punk band LCD Soundsystem got back together in 2016 and played festivals all summer long. I was stoked by the news last year and jealous of everyone attending Coachella 2016 who would see them headline. After working at the Firefly Music Festival in mid-June, I rediscovered LCD Soundsystem because of the great people I worked with on the Dover Downs Speedway and Spotify Premium. We listened to LCD several times throughout the weekend and talked about the band, which earned my re-interest in the group who hails from NYC. Following Firefly, I started listening to LCD again. Then the universe came together and I was lucky enough to get a spot working at Lollapalooza in July, thus earning me the privilege of being able to see LCD Soundsystem perform on the final night of the Chicago festival. It was something else. I danced myself clean for the entirety of the set.

3. Sia. Sia’s been around for years, but she soared to the top of music charts with her 2014 album 1000 Forms of Fear. In the beginning of 2016, I fell in love with the 1000 Forms of Fear song “Elastic Heart”, only to hear the newly released single, “Cheap Thrills”, off Sia’s newest record This Is Acting a few weeks later. I loved “Cheap Thrills” even more than “Elastic Heart” and it became part of my nightly workout playlist. I even introduced the song to my then 4 year old cousin Hudson when he came to visit me in early March. He loved the song too. So much so that he corrected me for singing the wrong lyrics during a visit in May. “Cheap Thrills” progressively became a hit of 2016 and Sia’s newest album was a hit too (not as much as 1000 Forms of Fear, but still a good album nonetheless). She also played several music festivals including Coachella and Panorama (Coachella East) and toured the U.S. for the first time since 2011. Singing Sia songs with Hudson, “Cheap Thrills” in particular and now “The Greatest”, which was a newly released single in the fall and a track on the deluxe edition of This Is Acting, was a huge part of my year. Hudson and I live 3 hours apart but still managed to see each other at least once a month, so there was plenty of singing (we crush long distance relationship/friendship standards). I doubt we’re the only ones who were singing Sia a lot this year though. She slayed 2016.

4. “The Sound” by the 1975. Before 2016, I liked the 1975. I knew a few of their songs. Three to be exact. I liked each one. Then I heard “The Sound” and I forgot all my previous thoughts on the band. That song was it for me. The 1975 released a new record this year called I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It. “The Sound” was released as a single before the record. I thought at that time if “The Sound” is any indication, then the new record will be stellar. It turned out to be pretty good. “Somebody Else” is great. “She’s American” and “Love Me” aren’t too bad either. Some may argue I Like It When You Sleep… is not as good as the debut self-titled. I might argue that too, but “The Sound” is in a league of its own. That song made me want to see The 1975 live and I did. Twice (at Sweetlife and Lollapalooza). Both times The 1975 put on a great set, but I bet you can take a guess what my favorite song played was.

5. “Seeing Stars” by BØRNS. “Seeing Stars” became an instant favorite song of mine after listening to it a few times. It’s a happy, good feeling type of song. It was exactly what I needed in the spring after going through some disappointing and shocking moments. It was my positive jam for a while. I even played it a few times driving to Sweetlife. Then two weeks later my friend and I purchased last minute tickets to see BØRNS perform at the Electric Factory. It was a great decision and a fun show even though there were a few off moments that night like a 30 minute wait at Taco Bell and a speeding ticket. I loved hearing my song of the spring live regardless.

6. “Gold Rays” by Vinyl Pinups. In early 2016, this song was MY. JAM. The only downfall was that I liked it in the dead of winter and it’s the perfect spring/summer song. I did listen to it on my workout playlist for several months though well into the spring. However in the summer, I was listening to other things and I didn’t play it as much as I would have liked. It’s one of my favorite songs of the year by far. It’s also a great feel-good song by a smaller-name band.

7. “T-Shirt Weather” by Circa Waves. Like “Gold Rays”, this was another perfect summer song that I fell in love with during the winter. It made me long for warm days in late January, early February 2016. I constantly imagined listening to this song while driving in the summer on a road trip with friends. Then like “Gold Rays” it was rarely played during the summer months. It’s another favorite of the year for sure.

8. Tegan and Sara. I’ve liked Tegan and Sara since college. I rediscovered them again in 2014 when I purchased Heartthrob. If it wasn’t for bonds over women’s soccer, I probably wouldn’t have fell into their web of smooth, catchy rock tunes again this fall, but I’m so thankful it happened anyway. I went to see Tegan and Sara live in early November with a friend, her roommate, and her roommate’s girlfriend. It was another last minute decision that ended up being even better than BØRNS. It was a night where everything felt right. I was exactly where I was supposed to be and I wished it would never end. It was so much fun. We even saw two shows at the same venue. How epic right?! Tegan and Sara were great live and almost everyone there could sing along to every song. It was because of that night that I gained a new appreciation for the song “The Con”. I listened to it with a greater affinity afterwards. Because of how insanely amazing that night was, Tegan and Sara are high on my list for the year, but they deserve it regardless. They’re incredible talent that has been around for over 17 years.

9. Adele. Adele ended my 2015 with a bang. Her new album 25 was released in November of last year. Right before the new year I scored tickets to her sold out World Tour for a show in early September. That show became a huge anticipation of 2016. I loved bringing it up any time Adele came up. Adele came up often too. She had a few singles that came out in 2016 and her album earned her several Grammy nominations for the 2017 awards show. As for the concert I saw in September, it was well worth the almost 9 month wait. It was incredible seeing her perform live. She’s got a killer voice and sang for 2 hours straight with no openers. There was some stand-up comedy in between songs of course. She’s hilarious if you didn’t already know. It was an epic 2016 music event and one I won’t soon forget.

10. Wild World, Bastille. In September 2016, Bastille released his sophomore album Wild World. After hearing 2-3 songs off the new album (one during the summer months and the others post album release), I knew I needed the band’s newest compilation of music. I don’t even regret buying it for $4-5 more than what I would have paid if I waited to get it on Black Friday. I couldn’t wait. It’s actually that good. So good that it’s my favorite new album of 2016. Bad Blood put Bastille’s name into the music world, but Wild World is just as good. I actually believe it’s underrated considering it hasn’t received as much hype as their debut album. “Send Them Off” is currently (still!) one of my favorite songs to listen to. “Good Grief” is amazing. “Warmth” is a solid jam too. I can’t say enough good things about Wild World. It’s my album of the year for sure.

11. Hayley Kiyoko. Remember when I said I saw two shows in one night in early November? Yes, one of them was Tegan and Sara. The other was Hayley Kiyoko. I mentioned it in my Tegan and Sara blog post but didn’t talk about it further. I found out about Hayley Kiyoko while doing some reading online last winter. The referenced song in the reading fit the story so well.  I obviously listened to it when I saw there was a song reference. I liked the song itself too. Throughout the year Hayley Kiyoko songs just kept wandering into my life here and there. I liked and downloaded every single one I listened to. The music is traditional pop but the themes are a little different. I’ll have to do a full blog post on Hayley some day and explain it further, but you know what I mean if you’ve heard her stuff. The fact that she’s not a mainstream artist despite the traditional pop sound makes her more appealing to me as well.

12. ARIZONA. I first heard ARIZONA last winter. It was a song called “Where I Want to Be”. It popped up on a twitter account I follow. I loved the song and it was a perfect fit for my workout playlist (I workout a lot if you couldn’t tell by how many times I’ve mentioned my workout playlist). Several times throughout the year I checked ARIZONA’s Spotify page for new music because of how much I liked “Where I Want to Be”. That lead to liking one or two more ARIZONA. Then the night I saw Tegan and Sara and Hayley Kiyoko in one night I was in for a surprise. My friend and I walked into the Hayley Kiyoko show shortly before it started. We got some drinks and the first band came on. While the band played their first song, I said to my friend that I liked the music but wasn’t a fan of the song’s melody. It reminded me of some electronic artists that I listened to. Then the second song started. I knew what song they were playing. I asked my friend who the opener was as I tried to remember what band played that song. Then it hit me. ARIZONA! I looked it up to double check. I was right and instantly stoked. I didn’t pay attention to who Hayley’s opener was, but it ended up being a band I liked. That moment was another reason for how epic that evening was.

13. Arctic Monkeys. It’s a shame I never heard of the Arctic Monkeys until 2013. It’s also I a shame that I didn’t appreciate them enough until 2016. I totally fell in love with them this year and began listening to more of their music. Hence writing a blog post about them just for the sake of writing about them. I’m also dying to see them live. So hey guys if you see this, please put out another record and tour again soon! Thanks! Cheers!

14. “Collide” by EVVY. This was another song of last winter. I really got into it during my trip to Baltimore/DC at the end of January/beginning of February. I took that trip because I worked at a Muse concert at the Verizon Center in Washington, D.C. It was the first music event I ever worked. I didn’t know what to expect for the show or for the rest of the year as far as my life choices were going. The song was calming and positive at the time. During my drive to my cousin’s apartment the night before the concert, to work the show the next day, and back to my cousin’s apartment after the concert, I listened to the song. A multitude of thoughts and feelings went through me during those drives. I was nervous, yet confident and then relieved, yet overjoyed. I reflected on my whole experience while listening to the song on the way home and knew that my choice to go after music was the right one.

15. “Capsize” by FRENSHIP. “Capsize” is another song I added to my workout playlist and my iPod in general after I heard it on my favorite soccer player’s monthly playlists. A large handful of my workout songs are electronic and this one was no exception. It also became the song that reminds me of the first multi-day festival I worked because I played it a lot at the time (it was Firefly, in case you were wondering). In fact, I introduced the song to a friend I made during the festival who is a huge electronic fan. She didn’t know the song at the time, but it apparently blew up afterwards. It ended up being a song I played throughout the summer months while driving, relaxing, and of course working out.

16. “Whole Heart” by Gryffin. The first time I heard this song was after a trip I took to see my favorite NWSL team in their first home playoff match. The team won the match and earned a spot in the Championship game. The week after the win, the club posted a “Thank You” video to the fans and this song played in the background along with highlights and video clips from the season. It made me amped for the final even though the song is a much slower electronic song than the norm. Then in another depressing 2016 moment for fans of the team I followed for 4 years (myself included), the opposing team scored a game tying goal in the final minute of stoppage time during the championship match. They opposing team went on to win in penalty kicks. I was heartbroken for the team. I hadn’t been as heartbroken over a sporting event since 2011. I didn’t even care as much when the USWNT got knocked out in the Olympic quarterfinal almost two months earlier (another bummer 2016 moment and I was working a festival at the time). It was a devastating blow. Listening to “Whole Heart” after the loss made me feel a tremendous amount of sadness because the song describes giving your whole heart to something, which the team did and came up short. I felt similar listening to this song after the 2016 Presidential Election especially with the hate that ensued post-results. With time, the song no longer feels as sad as it did in those moments and it still reminds me of the positive thoughts I had when I first heard it.

17. “home” by morgxn. Addicting. That’s the word that first comes to mind to describe this song. I heard it on Spotify in November and it’s been one of my favorites to listen to ever since. It’ll probably be one of my faves going into 2017 as well.

18. Sigala. At the same time I added “Capsize” to my music rotation, I added the song “Sweet Lovin'” by Sigala as well. It’s another song that I listened to on my way to Firefly. Sigala, in general, became part of a joke between me and a friend I met during the festival because she couldn’t pronounce the artist’s name correctly (it’s pronounced Sig-AH-lah not Sig-ah-LAH (stress on the second syllable) in case you were wondering). Sigala was the only artist she wanted to see perform during the festival since our schedules didn’t really allow for more than one performance each. She was able to attend Sigala’s set and I happened to catch “Sweet Lovin'” live too during the only time we both spent in the festival (I chose to see Florence and the Machine who played before Sigala though. Well worth it.). I would have just put the song “Sweet Lovin'” by Sigala on here, but that wasn’t the only Sigala song I got into this year. “Give Me Your Love” was another jam from the fall. It was the only Sigala song I heard since “Sweet Lovin'” that had the same kind of energy.

19. “Fever” by Roosevelt. I heard this song on the “Discover Weekly” Playlist on Spotify in mid-September. I liked it immediately upon hearing it. It reminded me of a nickname of a soccer player I like and got me pumped to attend that NWSL Playoff game that I mentioned before. It was my go-to song for several weeks in September and October.

20. “Starving” by Hailee Steinfeld ft. Zedd. I’m embarrassed this song is on my list, but it was a 2016 fave so I had to include it. It’s definitely been my biggest guilty pleasure song of the year even though I’ve only known it for the past few months. I can also do a mean cover of it on guitar. The Zedd version is by far better than the original. It adds electronic flare and more energy to an otherwise soft yet peppy love song.

21. “This Girl (Kungs vs. Cookin’ on 3 Burners) by Kungs & Cookin’ on 3 Burners. Last but not least, “This Girl”. My cousin played this song for me in late September on my trip to the soccer match. I stopped to visit Hudson for a day first. At dinner that day, my cousin played me this song. It was so familiar to me, but I couldn’t figure out where I heard it. It took me 20-30 minutes before I realized I heard it on an instagram video and that it was the song stuck in my head a few weeks prior. It’s such an interesting song, but yet so so good. When I returned home from the trip, I immediately added the song to my workout playlist and it has been a mainstay ever since.

Bonus Music: “Hand Clap” by Fitz and the Tantrums, Mac DeMarco, “I Am A Nightmare” by Brand New, “Better Off” by Haim, “Dancing on Glass” by St. Lucia, “Roses” by The Chainsmokers ft. ROZES, “Cake By the Ocean” by DNCE (Yep, guilty pleasure #2)

So you can see from this list, 2016 wasn’t too bad if you just look at it from a music perspective. Yes I know we lost Bowie, Prince, and Leonard Cohen, but just check out all the other amazing music we did have, whether it’s on this list or not. Music is the good thing from 2016. It’s usually a good thing most years. It saved 2016, but let’s be real music saves everything.