Coachella Band Preview: Swedish House Mafia

We have officially hit the 2 month mark until Coachella 2022 Weekend 1. I’m once again back in Mexico, but this time for a shorter stay. It’s time to go full steam ahead on Coachella though and there’s plenty of bands/artists to preview. I feel like a lot of acts I’m interested in this year are acts that I’m trying to get into, but haven’t been a fan of for awhile. I feel like the lineups have veered away from my music interests in recent years, but at the same time, I always feel like I discover new music at Coachella. So that’s why I’m previewing Swedish House Mafia this week.

Swedish House Mafia came together in 2008 when Swedish DJs Axwell, Sebastian Ingrosso, and Steve Angello joined forces. They were dubbed Swedish House Mafia along with fellow Swedish DJ Eric Prydz after the four started playing shows together in the mid 2000s. Prydz decided not to join when the group became official because he stated he was the kind of person who was unable to collaborate with others in a studio, even close friends. After releasing several singles and the compilation album Until One, the group signed with Universal’s Polydor Records in 2010. Under Polydor, they released some of their biggest singles, “One,” “Greyhound,” and their biggest hit to date “Don’t You Worry Child.” They released their second compilation Until Now in September 2012, a few months after announcing that they would be breaking up. The group embarked on a farewell tour called “One Last Tour” which culminated with a final performance at Ultra Music Festival in 2013.

After the break-up, Axwell and Sebastian Ingrosso continued performing together as Axwell /\ Ingrosso. They even performed together at Coachella 2015. Meanwhile, Steve Angello continued to perform solo. In 2018, a mere 24 hours prior to the performance, it was leaked that Swedish House Mafia would reunite at Ultra Music Festival for their 10th anniversary. It was an epic reunion and a highlight in the history of Ultra Music Festival. From then on Swedish House Mafia took to the road again through 2019. The group announced their upcoming album Paradise Again slated for 2022, which will include their 2021 single “Moth to a Flame” featuring the Weeknd.

I decided in October that I would try to get into Swedish House Mafia for their Coachella performance. As someone who attended in 2015 and could not even tell you who Axwell /\ Ingrosso was at the time, I’m somewhat skeptical that I’ll truly enjoy it. As I’ve been researching and listening, I feel like their set will turn into too much of a rave style set for my enjoyment. I’ve noticed electronic artists seem to tailor their sets for the type of festival they play. Kygo’s Coachella set in 2018 differed substantially from his EDC Las Vegas set in 2021. The Coachella set fit the main stream electronic style while the EDC Las Vegas set fit the rave culture EDC is known for. I noticed the same thing from Zedd in 2019 too. I fully believe that Swedish House Mafia’s progressive house style of electronic music fits the stereotypical style of rave music that will be the same no matter if it’s played in Indio or from “Miami 2 Ibiza” though. Nonetheless, I’m still gonna try to see it and I hope to be proved wrong.

Coachella 2022 will mark the super group’s second Coachella performance and first in 10 years as their last appearance as whole came in 2012. According to several sources, including Sebastian Ingrosso himself, the DJs will close out the main stage on Friday night, which likely means a double headliner performance following Harry Styles. This means the first night of Coachella will be the Coachella comeback we’ve been waiting for during this difficult, almost 3 year wait. Here’s a few Swedish House Mafia tracks you should know if you’re planning on seeing this Coachella comeback:

1. Don’t You Worry Child
2. One
3. Greyhound
4. Miami 2 Ibiza
5. Moth to a Flame
6. Save the World
7. Lifetime
8. Antidote
9. Leave the World Behind
10. It Gets Better

Coachella Band Preview: Olivia O’Brien

It’s the last week of January which means we’re 2 1/2 months away from Weekend 1 of Coachella 2022. I’m finishing my 4 week run in Mexico and will be back for about a week and a half before spending another 2 1/2 weeks down in Cancún putting on a few more events. Hopefully I can prepare some blogs before heading back, because as I’ve found out, it’s really tough to write band previews down here. In fact, it’s taken me almost 3 days to write this. Anyway, time to focus on music and today it’s all about pop artist Olivia O’Brien.

I first heard of Olivia O’Brien around the time of Lollapalooza when my friend Hailey wanted to see her Lolla Aftershow. It was the same night as All Time Low and as you may know, we ended up there. The next day I ended up helping Olivia out before she entered the festival site because she forgot her wristband in her hotel room. When she walked in, I yelled to her “You’re gonna crush it today!” and of course that made her smile. She thanked me and continued on her way.

Hailey then pushed me to listen to Olivia. She made me a playlist and included one of her songs, as well as recommending a few to me. I can’t say I got super into her, but I know a few songs. I plan to listen to her in preparation for Coachella though because I’d love to check out her set.

Olivia O’Brien got her start around the age of 13 by posting a cover of a Gnash song on SoundCloud. After getting attention from Gnash, himself, he invited her to record her original song “hate u, love u” with him in Los Angeles. The single peaked at number 10 on the Billboard Hot 100, which eventually lead Olivia to a record deal.

Olivia released her first EP It’s Not That Deep in 2017 amongst multiple singles over the years until she dropped her first album Was It Even Real? in April 2019. She followed up the album with the EP It Was A Sad Fucking Summer in November 2019. She has since released two more EPs The Results of My Poor Judgment in February 2020 and Episodes: Season 1 in June 2021.

Olivia O’Brien’s music style is pop mixed with R&B. In my opinion, she has a powerful, edgy pop style with an R&B vibe. It comes through in so many of her hits like “hate u, love u”, “Fuck Feelings”, “Josslyn” and “Love Myself”.

I think it’s very likely that you can catch Olivia O’Brien at one of the smaller stages this spring. She’s probably playing either Gobi or Mojave on Sunday. I would anticipate a mid-afternoon set as well, but you never know. Either way, I’m trying to catch her performance. I wouldn’t anticipate huge crowds yet, but I know she’s popular amongst the young crowds attending the festival. If you’re trying to see her, here’s a few songs you should listen to:

1. “hate u, love u”
2. “Josslyn”
3. “Fuck Feelings”
4. “Love Myself”
5. “No More Friends”
6. “RIP”
7. “Tequilawine”
8. “NOW”
9. “Fade Out”
10. “Empty”

Daft Punk ISN’T playing at my house, my house

I knew I wanted to make a post today, but I didn’t expect it would be something Coachella related. Here we are though! As of this morning, Daft Punk (my way, way, way late music discovery of 2020) are no more. The iconic electronic duo have called it quits after 28 years together. They posted a video entitled “Epilogue” to their website which includes a scene of one of the robots blowing up followed by an image of two robot hands formed into a triangle (a representation of the pyramid they used on their Alive Tour in 2007) with “1993-2021” written beneath the image. Many media outlets reported the news with confirmation from the group’s publicists saying they are in fact retiring. Big sad!

About 10 months ago during what was dubbed as “Couchella” because of the panny d related Coachella postponement, I took an interest in Daft Punk and proclaimed that I’ve become one of those people who want them to headline every year. When my friend sent me this news earlier today, I was shocked and heartbroken for a solid…oh I don’t know 5-10 minutes? The reason being….retirement isn’t always forever. Reunions happen and there’s a certain festival FAMOUS for reunions. What festival is that? Coachella! Duh! Even if the reunion never actually happens, or it takes years and years, there’s still hope that we get to see Daft Punk live. This isn’t something to be devastated about. Obviously take it seriously because as of right now, yeah, they’re serious about it. Appreciate Daft Punk for what they gave for 28 years. Appreciate them for their impact on the electronic music world. Appreciate their music that you love because you know you’ll still be playing it for years to come. But do NOT be sad about this! Things change. Reunions happen. Bands get back together. Your odds of seeing them live now are just about as much as they were yesterday before this announcement. I swear. These guys do not tour often.

Anyway, if you’ve learned anything from the last year, it should be that anything is possible! Both good and bad, but let’s think about the good instead because no one like a Debbie Downer. I’ve been all about a few mantras this year and I’m gonna give them to you (and also relate them to music for the sake of the blog)…..

1. “2021 Energy” – The point of this is to get out of that negative 2020 mindset. Bad shit always happens. Last year was very bad, but this year will be better. Stay hopeful! Stay optimistic! This year isn’t last year and it will be better. Just start believing it. I’m a firm believer that I’m going to be back working music related things at some point this year. I already was able to work again once which although was not at a concert or festival, was something and one of my goals for 2021. Small things matter. Baby steps matter. That brings me to the second mantra…
2. “Transition” – See this year as a transitional year. It’s not going to be the exact life we want quite yet, but we’re slowly getting back to it. Baby steps. Small accomplishments. We’ll get there. One step at a time. And before you know it we’ll be back at Coachella!
3. “Panny D” – Change the name of the game. Pandemic felt so damn serious and scary and yes of course it’s still happening. We’re still working on those vaccines. People can still get sick. People are still dying! So yeah it’s serious. But this name changing is more of a mental thing. I feel like last year we let the pandemic own us. This year let’s own it. By changing the name, it feels less serious (mentally). It’s more casual. I know you’re probably worried that making it like this might make people take it less seriously literally, but you know what, everyone was already doing that anyway. Stop worrying and trying to control everyone else. You can’t do it. What you can do though is take care of yourself. Put yourself first. If changing the name isn’t for you, then so be it. Don’t do it. But it’s helped me get out of that negative mindset and you just gotta do what works best for you. That’s not saying to not be safe. Be safe when you need to be, cause we’re getting there. But you can still, be safe and not let it get you down.

That’s it. Those are my big three so far. There might be more on the way, but until then this is all I’ve got. It’s the mental set and it’s helped me refocus this year. There’s a light at the end of the tunnel and we can see it. I promise. Concerts will be back. Festivals will be back. Coachella will be back. Daft Punk will be back. See what I did there?! Ha!

So for now, spend the rest of the day listening to Daft Punk, dream about hearing them play live again because guess what? It’s still possible. As long as Thomas Bangalter and Guy-Manuel de Homem-Christo, are “alive” and well, it can happen. Maybe they headline Coachella in a few years as a reunion set. Maybe they bring out LCD Soundsystem as a surprise guest and they perform “Daft Punk is Playing at My House” together. I mean I can dream right? Maybe they don’t? Who knows? But anyway…robots can be rebuilt and anything is possible. So stay positive and keep the vibes up that maybe we’ll “get lucky” enough to hear them perform “one more time” because if you know Daft Punk you know that their “work is never over!”

6 Months Later

It’s crazy that when I started this blog 6 years ago I planned to keep up with it and that I’m still sort of doing that. Once I started working more, it became tougher though. When work stopped and music shut down 6 months ago, I thought I would write more. Turns out my lack of motivation in everything aside from working out dropped. So here we are 6 months later with not much change.

The world has changed a lot, but I keep feeling like it’s more of a regress than progress. We went from unexpected, catastrophic change to an uncertain, gradual return. Nothing quite feels as good as it used to. We’re not locked down anymore (were we ever really?), but I still stay home almost as much. Honestly that was pretty standard for me before as well. I’m good at staying home when I’m home. Home feels comforting now though because the world is strange.

I do miss work though. I miss the grind. I miss being busy. I miss making one festival my entire world for a week or two then feeling a sadness when it ends, yet an excitement for the next one or the next event I have coming up. I miss one day gigs in the cities and driving all over to work them. I miss wearing a radio and doing radio calls. “Copy that.” I miss catering when I was allowed to have it. I miss live music. I miss the lights going dark before a band appears on stage. I miss being in a crowd of people losing myself to music. I miss creating aspects of these live music experiences and making people happy because they get to see or meet the bands they love. I miss my work friends the most though. I miss getting it done with them and the good vibes and positive energy they bring. They’re a huge part of the reason why I love what I do. I truly do love it and miss it so much.

We still don’t have a clear timeline on when live music will return to its greatest state. There have been some drive-in shows and of course livestreams. Neither can live up to the energy that’s created in a large crowd of people standing next to one another. We’re hoping next year at some point that we’ll be back. The rest of this year is pretty much shot. There won’t be a Mexico this year either. At minimum it’ll be 6 more months, but as time keeps moving we’ll find out if it’ll be more. I just can’t wait for the light at the end of this long tunnel. The brightest spot will be the next Coachella for sure. I’ll be back writing previews and the excitement will be better than ever.

Until then, this was just checking in. Things are okay. They could be worse, but they could also be a lot better. They will get better though. I still think about the feeling I had the day the local favorite ice cream spot re-opened after being closed for a year. The owner died. We weren’t sure at the time if it would be closed forever. Then the following summer it was back. The hype was unreal. It was a great day in the beginning of summer. That’s the feeling I expect to have the next time I get to work or be at a show and I expect it to last for a while. It’ll be so great and that’s what’s keeping me going.

Coacheligible

2019 is almost over. The festival season is surely winding down as well. I consider Austin City Limits as the last major festival of the year even though there’s still several smaller festivals in the weeks following ACL until the holidays. With the end of the year approaching, there’s only 2 months until announcements for the 2020 festival season begin (some like Okeechobee and Stagecoach already have), particularly like Coachella, the first major music festival of the year.

For the last 5 years, I’ve previewed Coachella consistently. As you might have already figured out, and if you didn’t already know, Coachella is my favorite music festival. It’s one of the reasons why I work in music. With that being said, I spent a good portion of last night talking with a coworker friend about potential Coachella 2020 artists. We discussed artists and bands who have dropped or have upcoming new music, who haven’t played Coachella in a while, and who we’d love to see at the festival next year. Playing major music festivals like Coachella also comes with one more component for bands and artists: the radius clause.

Based on some internet finds, what we know about Coachella’s radius clause is that between December 15th prior to Coachella until May 1st after Coachella acts cannot play any festival in North America and cannot play any “hard ticket” concerts in Southern California. In addition, they’re also not allowed to publicize any tour stops in California, Arizona, Oregon, or Washington until after the Coachella lineup is announced, publicize any performances at competing festivals in California, its bordering states, and Washington, or a headlining concert in Southern California, until May 8, or publicize any performances at competing festivals in the remainder of the United States again until the Coachella lineup is announced. Exceptions to this are the New Orleans Jazz & Heritage Festival, South by Southwest, and Ultra Music Festival as well as appearances at Las Vegas casinos, or tour stops in other parts of Nevada minus any Las Vegas festival appearances.

Coachella isn’t the only music festival that imposes these clauses. Most music festivals have some type of radius clause which includes major contenders like Lollapalooza, Bonnaroo, and South by Southwest to name a few. However, Coachella’s clauses are notable as they made news for the 2018 lawsuit imposed by a smaller music festival called Soul’d Out in Oregon. The lawsuit has since been dismissed.

The radius clause was another thing we considered last night when discussing possible Coachella performers. I’m even realizing today the clause throws out Vampire Weekend as one of my Coachella hopefuls since they’re headlining Okeechobee in March. That is unless they negotiated around the clause. This is always a possibility for performers. Sometimes smaller acts get around the clause because it would hurt them financially to not play shows, but other times it’s not always smaller acts. In 2018, top-billed Coachella artist SZA headlined Buku, but her team most likely negotiated and she was given permission to do so. More often than not though, bands and artists abide by the rules. Adding Coachella to your resume is a big deal. It’s one of the most well-known, popular, largest, and most talked about music festivals in the United States, if not the world so playing the festival is always a special accomplishment no matter how many times you do it. The same goes for working and attending the festival!

In the coming weeks I’m sure headliner rumors will start popping up and there will be more speculation over who will play in Indio this spring. Regardless of the lineup, which since 2014 hasn’t entirely impressed me, I’ll be stoked and on high alert for a twitter notification with a new lineup poster come January 2nd. Coachella will always be special for me no matter who plays, but there’s no shame in getting excited for possibility!

 

 

Coachella Band Preview: Sir Sly

I don’t know about you, but winter is really getting to me. I’m sick of the snow, the ice, and the freezing cold. April needs to get here stat. Thankfully we’ve reached the 2 month Coachella countdown this week. That means it’s time to crank up the jams on another band playing the festival this year, Sir Sly.

Los Angeles based indie pop band Sir Sly formed in 2012. At one point no one knew anything about them when they reached number one on Hype Machine, a website music database that ranks the latest and greatest tunes from music blogs. They came out of nowhere with their debut single, “Ghost.” Shortly after, they revealed themselves. The group is comprised of Landon Jacobs, Jason Suwito, and Hayden Coplen. Their first album, You Haunt Me, was released in September 2014. A few songs from the album were featured in video games and ads, giving their music some exposure.

After the release and touring from their debut ceased, life happened for guitarist and vocalist, Landon Jacobs. He went through a divorce and his mother passed away from brain cancer. It inspired Sir Sly’s second album, Don’t You Worry, Honey, which was released on June 30, 2017. The music on the album doesn’t sound devastating though. The album is about being able to experience joy through pain. The lyrics focus on some serious stuff while the fun-sounding music makes it bearable. One of the most successful songs from the album, “High”, was featured on the soundtrack to Netflix’s 13 Reasons Why.

Sir Sly is described as an indie pop/rock band, but their music also has influence from other genres like electronic and psychedelic music. They kind of sound like Tame Impala meets Local Natives meets The Neighbourhood. Their music isn’t extremely upbeat, but very vibe-y and super chill.

I first heard of Sir Sly over the summer. My friend got into them and told me about the group because she liked their name. She thought it was a pun on the word “seriously”. The group actually came up with the name because it sounded cool and they didn’t want to take themselves too seriously. Kind of ironic eh? I listened to whatever song she sent me at the time and thought they sounded pretty good. I then realized that they were on the 13 Reasons Why soundtrack, which I had watched in June. I definitely liked the song “High.” Since then I feel like I’ve seen this band pop up more and more. They were booked for a summer concert around where I live that never ended up happening and their music constantly appears on Spotify playlists. Since my introduction to them, I’ve been slowly getting into their music because of this. Every once in a while I’ll get into a new Sir Sly song, but not several songs at once. It’s a slow process. Sometimes listening to music happens that way, but before you know it you realize you know almost all of a band or artist’s songs.

Sir Sly plays on Saturday at Coachella. They’re not billed very highly so I’d expect them to play in the early to late afternoon hours. They’re definitely a group to check out if you’re at the festival then and don’t have any one else you need to see. I would most certainly check them out if I was going and available, even though at this point I know about 3 or 4 of their songs. It’s bands like Sir Sly that will be the ones that impress you the most at Coachella though. You go in only knowing a song or two and come out wanting to listen to more. Here’s a couple songs just to give you a taste of this band:

1. High
2. Astronaut
3. &Run
4. Ghost
5. Gold

Music is Sacred

I honestly don’t know or remember what I wanted to write about this week. All I’ve been able to think about since waking up Monday morning is what happened in Las Vegas Sunday night.

There are tragedies that happen every day. Some are uncontrollable like natural disasters. Some could be prevented if the proper procedures and legislation are in place.

Since last November, I’ve been deeply upset about the state of our nation. I never cared as much, but leading up to the 2016 Presidential Election, my support for a certain democratic candidate was stronger than ever. I actually began to follow some politics. So naturally, when favored candidate (and of course my favorite candidate), Hilary Clinton, lost the election to become the first female President of the U.S., I was crushed. The only good that came out of it was that I became more in tune with political issues.

Flash forward to January. Upon the day of the Women’s March on Washington and the previous day of the Presidential inauguration, I was still ready to fight for my beliefs going forward. Then somewhere along the way I lost my thunder. I got busy. I went to Southern California for two weeks to work at the festival I fell in love with 2 1/2 years ago. Work started to pick up and more opportunities arose. I made new friends. Got closer to others. I worked at concerts, festivals, and a comic con in different cities all over the country all while enjoying one of my lifelong passions, music. I had the time of my life. Then Labor Day came as it does every year. Work began to slow down. I wasn’t traveling as much. Plans for work changed due to uncontrollable circumstances as well. Nevertheless I began to reflect on what an incredible year it’s been, but at the same time I still felt bummed that festival season was coming to a close. I tried to combat those sad feelings though. In the past few weeks I booked new work opportunities, enjoyed some amazing live music experiences as a fan, and planned to attend a few others in the coming months. Then, I woke up Monday morning to news that shattered me.

22,000+ people affected. Several hundred people injured. Over 50 people killed. But it was where it happened that made the biggest difference to me. It happened at a music festival, a type of event where happiness and being carefree is the norm, a type of event that people come together to have a good time and experience the magic of live music, a type of event that I frequent regularly, a type of event that I one day aspire to be in charge of planning.

Music is everything to me. I love it. I’ve loved it since way back. I even wrote a blog about it this past year. It’s important to many others too. It has an ultimate power to cause a range of emotions and feelings. There’s even something more special about hearing the music you listen to being played right in front of your eyes by the musicians and artists who created it. I’ve always felt that. I always found shows, concerts, and festivals to be special places because of that. To have someone destroy those incredible moments that happen at a concert or festival is devastating and infuriating to me. I know it’s happened elsewhere in the past. Paris. Manchester. I definitely was upset about both of those situations too, but this one is different.

It’s different because it happened in the country that I live in and in a city that I’ve visited where I now know someone who lives there. It’s also different because I watched snapchats from the festival throughout the weekend because a friend of mine was working there for the week. That friend of mine was working at the festival Sunday night and had to experience what happened. That friend of mine will have to live with that memory for the rest of their life along with so many other friends of my friends. Not only is it my friends and my friends’ friends, it’s 22,000+ people, who attended, played at, or worked at a music festival, that have to live with it. That’s why it’s different and that’s what hurts the most.

It could have been me working. It could have been more of my friends. And the fact of the matter is that it still could be any of us because in this country our laws indicate that it’s okay for this to happen again and again. But the thing is….it’s really NOT okay. It’s not okay for it to be legal for someone to own weapons that could cause mass casualty or to buy enhancements that would make other weapons capable of the same. It’s not okay for someone to be able to walk into a gun show or go on the internet and purchase a gun without any difficulty. It’s not okay for someone who has a disregard for human life to hurt or kill as many people as possible with a gun because there are poor excuses for human beings in charge of creating legislation, who refuse to do it, that allow this to happen.

I know it’s been a few months since I had a fire in my heart ready to fight the establishment, but it’s back with a vengeance. This was a wake up call for me to get as fired up as I was in January since I was too focused on my work all summer. It’s just unfortunate that it took hurting my office, my work family (because that’s what we are in the music industry), and the music lovers I try to bring joy to on a daily basis for the fire to burn brighter again.

I’m sorry for being a little off topic on my blog this week, but I needed to get it off my chest. It’s been on my mind constantly. If you read this blog and are a music fan, I urge you to find a way to get involved in trying to create change in legislation that lowers the chance for these disasters to happen at concerts and festivals. Whether it be as simple as calling your representatives and demanding change, donating to causes that support gun control, attending a peaceful protest or gathering, or simply joining an organization like Everytown.org that are trying to fight the lack of gun legislation in America. It’s easy to become complacent but we need to keep going and keep fighting to make the places we love as safe and enjoyable as possible because live music events are special and music is scared.

 

Local Natives

It’s crazy to think, but it’s been almost a month since my last blog post and yet it honestly doesn’t feel like it was that long ago. I guess that’s what happens when you spend the fastest two weeks in the Coachella Valley working at your favorite and one of the most well-known music festivals in the world.

So yeah, I did it. I worked Coachella. It was amazing, special, wild, epic, unreal, and all sorts of other positive adjectives that you can think of. It was mostly indescribable though. I knew what to expect, but at the same time I didn’t at all. I can say though that experiencing Coachella in an entirely different way made me appreciate it so much more because it’s a first class, well-run music festival. I’m not gonna go into deep detail about my trip here. I will say that out of the bands I previewed I was able to see Kungs, Grouplove, Lorde, and Lady Gaga. If you wanna know more about my experience though, just ask.

Another thing I will mention is that I had a realization while at the festival during Saturday of Weekend 1. I definitely should have previewed Local Natives in the build-up to Coachella 2017. I was able to catch part of their set that Saturday before my shift started and I knew about 4 of the 5 songs I heard. I didn’t realize how many Local Natives songs I knew, but apparently I know a lot. I know enough that I feel like I need to go to one of their shows sometime. So I figured it was better late than never to write about them, so here goes…

Local Natives is an indie rock band from Los Angeles, CA. Members Kelcey Ayer, Ryan Hahn, and Taylor Rice all met while in high school together in neighboring Orange County, but it was after graduating college from UCLA that the group really started to focus on music. Along with Matt Frazier and former member Andy Hamm (replaced by Nik Ewing in 2012), the group moved into a house together in the Silver Lake section of Los Angeles and began working on their first record, Gorilla Manor. The album was released in November 2009 in the UK and then in the U.S. in February 2010.

The band began generating some hype before the album’s release though. They played SXSW in 2009 which garnered attention from music critics. They received comparisons to well known indie bands, Arcade Fire, Fleet Foxes, and Vampire Weekend, making them a new notable act on the indie scene.

On January 29, 2013 the band released their second album, Hummingbird. The album was produced by guitarist Aaron Dessner of The National and featured a darker lyrical turn due to life events, such as the departure of Andy Hamm and the death of Kelcey Ayer’s mother, that had influenced the band’s writing process. The album also received generally positive reviews.

Last year the band released their third and most recent album, Sunlit Youth, in September. The first single for the album, “Past Lives”, was released a few months before the album drop. The album, like it’s predecessor, received similarly favorable reviews.

Local Natives is your standard indie rock band. There’s no other genre that their music fits into. I can see why they were initially compared to the likes of those other well-known indie bands. Out of the three I mentioned above, their music sounds most similar to a combination of Arcade Fire and Fleet Foxes. I think Vampire Weekend has more of an indie pop feel to their songs that isn’t heard as much with Local Natives. Another reassuring fact about Local Natives’ music is that the sound hasn’t changed much through three albums. Maybe the lyrical content has developed and changed, but you’re still getting that familiar Gorilla Manor sound on Sunlit Youth.

I first heard of Local Natives in the prime of my indie/hipster music transition phase in the spring of 2011. From then on, every so often I would add a new Local Natives song to my iTunes and playlist rotation. While on my first trip to California in 2013, I made it a point to go to Amoeba Music. Amoeba is the world’s largest independent record store. They have three locations in California, one in Berkeley (the original), one in San Francisco, and one in Hollywood, which is the one I went to. I, of course, wanted to get something at Amoeba, but traveling by plane made it difficult to purchase any vinyl so I opted for a CD. The CD I purchased was Hummingbird. Despite all this evidence, it never occurred to me that Local Natives should be a must-see for me at Coachella this year and a must among the list of bands I previewed. I didn’t even realize it after catching the end of their set at Lollapalooza last summer and realizing I knew every song I heard them play. I do now though and I won’t disregard them anymore. I plan on going to one of their shows next time they tour near me. They crushed it at Coachella and I don’t want to miss out anymore.

If you’re a big indie music follower and you don’t know of Local Natives, it’s time you do. They’re a great band to listen to if you’re just relaxing on quiet evening or if you’re driving on a road trip. It’s time to make these guys known or recognized whatever the case may be. Here’s a few songs you should check out.

1. Airplanes
2. Who Knows Who Cares
3. Ceilings
4. Heavy Feet
5. Mt. Washington
6. Past Lives
7. Wide Eyes
8. Dark Days
9. We Come Back
10. Sun Hands

Coachella Band Preview: Two Door Cinema Club

Coachella is next weekend. Coachella is next weekend. COACHELLA. IS. NEXT. WEEKEND. Thought I would ingrain it in your mind, but yeah Coachella begins next weekend. That means the band previews for 2017 are almost over. It’s the only bummer of this whole Coachella experience. I have one more preview left before the festival starts, but that’s it. There’s not much time. You might wanna binge listen to this next act.

Two Door Cinema Club was formed in 2007. The group who comes from two small towns in Northern Ireland is comprised of members Alex Trimble (lead vocals, rhythm guitar), Sam Halliday (lead guitar, vocals), and Kevin Baird (bass, vocals, synth). Trimble and Halliday met while in grammar school and then the duo got to know Baird better when he started hanging out with their mutual friends. The band got their name when Halliday mispronounced the name of the local movie theater, Tudor Cinema.

Two Door Cinema Club’s first EP Four Words to Stand On was released in 2008 which garnered them attention. They released their debut album, Tourist History, 2 years later in February of 2010 (Republic of Ireland release) and toured the UK and Ireland in the spring of 2010 in support of its release. The band also played a bunch of European Festivals in 2010 including Reading and Leeds and opened for Phoenix during their 2010 U.S. Tour. Their debut album earned them two NME Award nominations.

The band continued to tour going into 2011 playing a co-headlining tour of the U.S. and Canada with Tokyo Police Club. 2011 brought stops at Glastonbury, Coachella, and Lollapalooza, as well as another stop at Reading and Leeds. They began work on their second album in 2011 and by the end of August 2012, Beacon was released.

In 2013, Two Door Cinema Club released their second EP Changing of the Seasons. They spent spent 2013 playing shows and festivals throughout Europe and North America. The group finally took a break from a steady 3 years of touring by 2014 and began to work on their third album. They began touring again in 2016 in support of the release of their third studio album, Gameshow, which came out in October. That tour has continued into 2017 and includes the stop in Indio.

Two Door Cinema Club is part of the indie rock genre. Some of their songs verge on indie pop as well. Their new album even has a funky, soulful feel, so you can say the band sort of spans across genres.

I first discovered Two Door Cinema Club in 2011 in the prime of my indie music phase. I bought their debut album that year. It was never a stand out album to me despite my love for their style of music. It was always just a solid indie rock soundtrack to my drives that fall. Since then, I haven’t really followed up much on Two Door Cinema Club. I did hear of them touring and making music though so I knew they were still around. I was just never as into them as I was with other bands.

So why am I previewing them for Coachella and telling you to see them? Because despite not being really, really into them, they’re a good band and festivals are the time to see as much music as possible especially if you’re somewhat familiar with a band. So I guess that’s the only condition. If you’re not into indie rock and you’ve never heard of Two Door Cinema Club, by all means, don’t feel obliged to see them perform. If you do like indie rock or you know a few songs by Two Door Cinema Club, you should check them out, assuming their set doesn’t overlap with another set on your must-see list. If you already love them and plan on seeing them, I have no doubt they’ll play a great set. I know I would probably see them at Coachella because I don’t think I’d actually buy tickets to just see Two Door Cinema Club on tour and that’s okay. That’s what makes festivals great. Maybe you’ll see them and they’ll be unexpectedly amazing causing you to want to see them on tour. It’s their 3rd time at Coachella too so they’re not new to experience. They play Saturday and at this point they’ll probably be on a little later in the day. Here’s what you need to know if you plan on seeing them:

1. Are We Ready? (Wreck)
2. Bad Decisions
3. What You Know
4. Sleep Alone
5. Something Good Can Work
6. I Can Talk
7. Changing of the Seasons
8. Next Year
9. Undercover Martyn
10. Sun
11. Gameshow

 

 

Coachella Band Preview: Empire of the Sun

The first weekend of Coachella is 3 weeks away. Yes three weeks is what separates us from the hot sunny Indio Desert, the greens of the Empire Polo Fields swarming with festival-goers, palm trees swaying to the cool breeze and rad tunes, epic sunsets over the mountains, and the sweet sounds of music from incredible artists entering our ears. I only have a few band previews left before the annual festival begins and time is of the essence so I better get to it.

Empire of the Sun is an electronic/alternative rock band from Sydney, Australia. The band formed in 2007 as a collaboration between Luke Steele and Nick Littlemore. Both had worked together on music for each other’s bands before forming Empire of the Sun. Those bands each performed different styles of music. Steele brought the alternative rock genre to their new band and Littlemore brought the electronic dance music. Their first album, Walking on a Dream, was released in 2008 with the first single of the same name debuting about a month before the album’s release. Both the single and album were charted in the top ten of the ARIA charts. Although their only intention was to create a studio album, they decided to do live performances in response to the album’s success. However the live shows did not include Littlemore, who decided to opt out of touring early on. By the end of 2009, the band received 7 ARIA Awards for the album including Album of the Year.

2010 was the year the band embarked on the festival circuit playing Glastonbury and Lollapalooza for the first time and by the end of the year Littlemore and Steele discussed creating a new album for the band. Production on the album began in 2011 and Littlemore stated he would go out and tour in support of this one. 2011 also involved a North American tour for the band, which included a stop at Coachella.

The duo released their second album, Ice on the Dune, in June 2013. The new album brought more touring throughout 2013 and into 2014. The band made their second stop at Coachella in 2014 and headlined the Sahara Tent. Their music was also featured in the film Dumb and Dumber To, which came out in late 2014.

The band continued to tour into 2015 while simultaneously working on their third album. Their third and latest album was just released this past October. 2016 also marked the first time that the band broke on to the Billboard charts. It was their 2008 hit “Walking on a Dream” that earned the band the number 3 spot on the Alternative Music charts after it was used in a U.S. Honda commercial in early 2016.

Their music, as I said, is a combination of alternative rock and electronic music. It can’t be described much better than that, although some may say the band fits genres like synthpop or glam rock. I feel like their sound has stayed consistent over the course of three albums so if you love the song “Walking on a Dream” or only know music from that album, you’re bound to dig some of their more recent stuff.

I discovered Empire of the Sun in 2011. There’s no significant story of how so I’m guessing it was through a recommendation from Youtube or Pandora because I listened to similar music on either channel. Of course the first song I heard was “Walking on a Dream”. Throughout the past few years I’ve heard their other stuff here and there and I’ve liked it. I’ve also heard the song “Walking on a Dream” multiple times in various circumstances throughout the same time period. It’s no surprise it’s their biggest hit. I never got into them as a band though. Nor have I been dying to see them live, but I’ll tell you why I would definitely check them out at Coachella.

Music festivals give you an opportunity to see bands live who you might like but not like enough to buy a ticket for a touring show making Coachella the perfect time for someone like me to check them out. Empire of the Sun does some pretty cool live performances too. The performances are as much of a visual art as they are a musical art. They wear elaborate costumes, have dancers or other performers, and display mesmerizing visuals often seen as part of electronic shows. They play Friday at Coachella. They’ve already headlined the Sahara Tent at the festival once before so that might happen again. As long as their set doesn’t overlap with some other great performers, it’ll definitely be a spectacle worth seeing. Here’s a few songs to know if you go:

1. Walking on a Dream
2. Alive
3. High and Low
4. We Are the People
5. Standing on the Shore
6. DNA
7. Two Vines
8. Concert Pitch
9. To Her Door
10. Friends