florence and the machine

Coachella Band Preview: Calvin Harris

I hope none of you are undergoing the winter blues. If so, it’s time to shake them off because Coachella season is here. Warm desert spring days and cool nights are just around the corner. I finally created a Coachella playlist so I’ve been listening as often as I can. That being said, “band preview” is not the phrase I would use to describe who I’m writing about this week. It’s definitely more of an artist spotlight. I debated changing it while writing this, but ultimately decided to keep it the same, as it’s always been the theme. Criticize it all you want though because Calvin Harris definitely isn’t a band.

Calvin Harris, known otherwise as Adam Richard Wiles, is an electronic artist specializing in house, electro house, and electro pop music. He was born in Dumfries, Scotland to English parents and began making music in his teenage years out of his bedroom. While trying to make it in the electronic scene, he moved to London where he did not find success right away. He ended up moving back to Dumfries and continued to produce music from home. He got his break after being discovered through the tracks he posted to his Myspace page in 2006.

Upon signing a recording deal, he went on to release 6 studio albums, 9 EPs, and 51 singles through the last 17 years. Some of his biggest hits came from his 2012 album 18 months and his 2014 album Motion, which include “Feel So Close,” “We Found Love” featuring Rihanna, “I Need Your Love” featuring Ellie Goulding, “Sweet Nothing” featuring Florence Welch (Florence + the Machine), “Summer,” “Outside” featuring Ellie Goulding, and “Blame” featuring John Newman. He ended up winning a Grammy Award for Best Music Video for “We Found Love.” Some of his other biggest hits were only released as singles, such as his 2016 single “This is What You Came For” featuring Rihanna and his 2018 track featuring Dua Lipa “One Kiss.”

Calvin Harris first played Coachella in 2008. He played again in 2012 and 2014 before he became the first DJ to ever headline the festival in 2016. He was slated to play the 2020 installment of the festival but makes his return to the desert in 2023 for the first time in 7 years. Much like last year’s lineup that featured Swedish House Mafia returning to the desert, Calvin Harris also has his own spot on this year’s lineup poster. Given that, I wasn’t sure what night his set would be. After checking out the Coachella app a few days ago though, it seems to have him listed for Saturday. This gives me something to look forward to on Saturday as there are not as many bands or artists I’m looking forward to that day. It’s definitely going to be a fun night. In fact, as I keep going through his discography, it hits me more and more just how underrated this set will be, given the hype over BLACKPINK and Bad Bunny. Also from what I’ve heard, Coachella tried to book Rihanna to headline the festival but the deal didn’t pull through. If history wants to repeat itself for a third time, I wouldn’t be surprised nor would I mind if Rihanna showed up again to perform with Calvin Harris. There’s no question that Calvin Harris will be performing on the main stage. The only question mark I have are whether he will perform after BLACKPINK or not and who will he bring out as his special guests? He does have plenty of other collabs besides the ones with Rihanna. His set is likely to include bops from his entire career so here’s a few you might want to know before showing up to the one of the most fun sets of Coachella 2023:

  1. One Kiss ft. Dua Lipa
  2. This What You Came For ft. Rihanna
  3. Summer
  4. Feel So Close
  5. We Found Love ft. Rihanna
  6. My Way
  7. How Deep Is Your Love ft. Disciples
  8. Outside ft. Ellie Goulding
  9. Pray to God ft. HAIM
  10. Sweet Nothing ft. Florence Welch
  11. I Need Your Love ft. Ellie Goulding
  12. Blame ft. John Newman
  13. Under Control ft. Alesso, Hurts
  14. Giant ft. Rag’n’Bone Man
  15. Slide ft. Frank Ocean & Migos, Funk Wav

Dance Fever: Album Review

I’m coming at you quick with an album review for another album that dropped 2 months ago. I was in DC at the time seeing HAIM and on the brink of an EDC Las Vegas departure when it was released. I will say I was about to order the album at one point when I realized after receiving a copy in the mail, I must have pre-ordered it earlier in the year. I honestly forgot amidst all the things I had going on and patted myself on the back for that one. I have yet to sit down and really listen to the album in full though. It’s mostly because I’ve been distracted by the band Wallows, who I got into after seeing at Coachella. I’ve been in a huge Wallows phase since Coachella Weekend 1 and it’s still yet to let up. In fact I’ll be seeing them for the 5th time in 4 months next week! Let’s get back to Florence though.

Dance Fever is Florence + the Machine’s fifth studio album. Their last studio album was released in 2018. I have to say I was excited for new music for one of my favorite groups, headed by female indie pop vocalist Florence Welch. I expected an album with a title like Dance Fever to be full energy upbeat tracks all the time, but it really isn’t. There’s a few bops like “Free”, “My Love,” and “Choreomania”, but many slower, chill, entrancing melodies like “The Bomb”, “Good Morning Elvis”, and “Girls Against God.”

Dance Fever is a solid indie pop/rock album from a group that has been putting out similar albums since 2009. Florence’s vocals drive this album, especially on the interludes and the other slower tracks. I’m not shocked though as her vocals really drive all their music.

I don’t think this is one of Florence + the Machine’s best albums though. Their earlier albums are a force to be reckoned with. Dance Fever is promising though with several great songs that deserve plenty of praise and hype. “King” is one of those from the album. I plan on spending more time listening to the album, but I’m sure a Wallows song will pop in to my head and I’ll revert back to listening to them again. That seems to be a theme lately. Florence + the Machine are embarking on a fall tour in support of the album starting in September. I’m disappointed to say I won’t be able to make a show this time around due to work obligations. If you get the chance though, I wouldn’t pass up the opportunity to see Florence and her machine. I also don’t think you should pass up the chance to listen to their latest record, despite it not being one of their best in my opinion. I’m sure you’ll find something you love and can dance to on it. It’s Dance Fever after all.

The Return of Live Music and the Top Tunes of 2021

I came into this year believing it would be a transition. I knew it wouldn’t be the best year ever, but I truly believed we were going to transition back into some weird period of normalcy that wasn’t quite exactly normal yet. Sure enough after 15 long months, we did and live music came back into our lives. I went back to work. I saw my friends again, made new ones, and got closer to others, which is something I’m so grateful as someone who works in live events. Usually at the end of the year, I recap some of my favorite music, but this year, after talking to a friend of mine, I’ve decided to include something extra. This was the first year in a while that I didn’t have a stand out favorite song of the year. For me, this year was a comeback to music I know and love with a few new faves along the way. You’ll see what I mean. So let’s get to it, here are my 2021 favorites in music:

Torches X -Foster the People

I knew going into 2021 that Torches, one of my all time favorite albums by my favorite band Foster the People, would be turning 10. Last fall, I was hoping they would play a drive-in show in May in honor of the 10th anniversary. Needless to say I never expected I would get to see them play a 10th anniversary show in LA in November nor did I expect a deluxe edition of the album with some of my favorite early Foster the People songs. That’s what I got though and I’m more stoked about it than you know. Plus after years of hoping and wishing, “Broken Jaw” is now on Spotify. It can’t get any better than that.

30 -Adele

After 6 years, Adele finally put out new music in 2021. As I wrote recently, 30 hasn’t been my favorite Adele album, but it was still something I anticipated for quite a while. It deserves recognition for that, especially after the endless amount of Twitter teases over the past 2 years. It’s still one of my favorite albums of 2021 and has several great tracks that I love. I’m stoked Adele is finally back.

Decco

Decco was a huge discovery for me this past spring. I spent a good amount of time listening to their songs after finding them because of a Kygo song on my Release Radar Spotify playlist. I’m actually surprised their song “I Didn’t Know” wasn’t my most listened to song of 2021 because I surely spent a lot of time listening to that track this past spring and summer. I’m hoping there are more solid Decco songs released in the future and maybe even a festival set or two. They’re great and I’m glad I found them.

“Chapstick” -COIN

I added this song to my work out playlist in mid-October after returning home from ACL and it’s been a song that I haven’t been able to get enough of since. I’ve been listening to COIN here and there for the last few years, but this song just hits different for me. It’s got such a great edgy, rock feel. I’ve kept it on repeat for the past 2 months and I’ll likely be keeping it that way into the new year.

“Dissolve” -Absofacto

My friend Hailey told me about this song during Lollapalooza because Absofacto played the festival. She said the song was a big hit, but I hadn’t heard it. She played it for me and I was hooked. I added it to my summer work out playlist and much like “Chapstick” it was a song I kept playing on repeat. In fact, I even extended the listening period by putting it on my fall work out playlist too. It’s been a song I’ve loved since the summer and one of my favorites of 2021.

“Low Rider” -War

This 1975 classic has been the official/unofficial song of the year for me. What started as a joke over the radio at Peach just carried on for the rest of the year. I kept hearing this song at random times after that and it’s always a jam. I even bought the single on vinyl 2 weeks ago. Glad this song made a comeback this year for me and the festie pals because it’s truly the best.

Loving in Stereo -Jungle

Jungle’s Loving in Stereo was another one of my favorite albums of the year. It has such a complete track-listing with so many songs I enjoy. I had it playing in my car for months too. I’ve been listening to Jungle since their debut album was released in 2014 and caught them at Coachella in 2015 and Lollapalooza in 2018. This is definitely my favorite album of theirs so far and I’m disappointed I didn’t see them on their tour this fall in support of it. I’m hoping for some festival appearances next year that I’ll be able to catch because this album made me love Jungle even more.

“Sweet Talk” -Fitz Leland

In early 2021, I discovered this jam by independent artist Fitz Leland. It was one of my favorites to listen to last winter, especially during my weekly adventures on the slopes. It was always such a vibe hearing it while on the lift or while lifting (you know it was on the work out playlist too!). This one definitely helped carry me through a winter I tried to make the best of. It’s such a mood.

So I know I usually do a top 10 followed by some runners up, but this year wasn’t about music I listened to. It was about music I saw. Being sidelined for 15 months from shows and work made me want to see music as much as I could as soon as I was able to. I also appreciated seeing live music much more. After thinking about it and looking back on my calendar, I’ve seen 39 full and partial sets this year since June, when I saw my first concert since Dermot Kennedy back in February 2020. So instead of just songs, albums, or artists, here’s something extra that I’ve never done yet. Here are my favorite sets from concerts and festivals (in the order in which I saw them) once live music came back this year:

The Suicide Machines & Less Than Jake

This was my first concert in 15 months. I saw both bands play AC Beer Fest on the first weekend of June at a time when everything was starting to transition into a normal-ish time again. AC Beer Fest was an outdoor festival that we tailgated on a beautiful Saturday. I can’t even express what it felt like in that moment to be together with my friends at a ska punk show again. Tears were had. Songs were sung. We skanked and I got beer accidentally dumped on me on the way out to the parking lot. It was the best day with my pals.

Carrie Underwood at Country Jam

Country Jam was my first big gig/festival that I worked since Mexico in the winter of 2020. I also got to work a role that I wanted to try to get involved in on my next festival season, credentials. The last night of the festival Carrie Underwood headlined. I’m not a country fan but of course I know Carrie Underwood, even if it’s only like 2-3 songs. So I anticipated her set all weekend. After a successful week on the Jam Ranch, I watched her Saturday night set with my co-worker friends. Again, it was an incredible feeling to be back to work and back at a music festival and that realization set in while taking in Carrie Underwood. The set culminated in “Before He Cheats.” We went so hard that we probably could have taken a Louisville slugger to both head lights in that moment that truly felt like live music was back.

Miley Cyrus at Lollapalooza

Lollapalooza has always been one of my favorite festivals. Unlike other festivals, I didn’t get to work Lolla in 2019 so it made the return to Lollapalooza this year even more special for me. I actually felt an excitement coming into work the first show day that I hadn’t felt at all yet despite working 2 festivals at that point. It was a different feeling that comes with working my favorite festivals though so that’s probably why. Miley Cyrus headlined the first day of Lollapalooza this year and I figured once I closed up my ticket help I would catch the end of her set. I met up with a girl on my team who I had met 2 days prior and that I clicked with instantly along with my VIP one-off turned festival worker homie Finnerty. Two of our other friends popped out of the VIP area that we were standing next to when Miley went into “7 Things.” We all went so hard. I kind of forgot the song existed until that moment. After that, she just kept playing all the hits. I couldn’t believe how many Miley songs I actually knew. She killed it too. I loved watching everyone get emotional during “The Climb.” The production during “Can’t Be Tamed” was fantastic. Then she closed with “Party in the USA” a half hour after her set was supposed to end which felt like a true party with people being together, dancing, and singing in the heart of downtown Chicago at the first major music festival since the panny d began. It was a special moment, granted some news about new variants and such changed everything the next day. That first night was a true celebration though and I was grateful to take it in from the crowd.

Green Day at Hella Mega

When the Hella Mega Tour was announced in 2019, I knew I wanted to work it. I even got to the point this year thinking I might attend if I didn’t get the chance to work. Fortunately though, I was able to work two dates on the tour and it was the coolest VIP event I worked all year. It was a no stress, low energy type of work day that ended as soon as the headliner, Green Day, took the stage. Green Day is such an iconic band and anyone who has ever listened to alternative/punk music has listened to Green Day. The first date I worked was in Hershey in August. I was entranced when I walked in the venue and I saw Bille Joe Armstrong strumming hard to “Holiday.” Green Day played all their hits on the tour from “Boulevard of Broken Dreams” to “Basket Case” to “21 Guns.” It was all around awesome. They were so entertaining to see live and that was my first time ever seeing them. I, of course, popped in the venue for one or two Fall Out Boy songs earlier and heard their entire set along with Weezer and the Interrupters’ from the VIP check-in spot too. We were set up right near the stage. It was a great day overall and I felt so lucky to have experienced it.

Lizzo at Firefly

Firefly was a rough week and half for me due to some personal feelings and such, but being able to actually be at the festival is always a rarity these days and one I cherished about my time in the Woodlands. After the Lizzo hype of 2019, I was so stoked to see her Sunday night set in one of her first performances back since early 2020. I got to see it from the VIP area with several of my friends who were working in VIP that weekend. It was a nonstop hour and a half dance party filled with endless joy that felt “good as hell!”

Glass Animals

After Firefly ended, I had 2 days before flying out to Austin for ACL. I was home for a total of 26 hours because the night before flying out I saw Glass Animals with my friend Amanda. We bought the tickets when the tour was announced back in May cause I anticipated being able to make the Tuesday night date. I made it happen and it was another night of nonstop dancing. Before I got into Glass Animals, I saw bits and pieces of their July 2017 Panorama set. That following fall I started listening to Glass Animals and felt bummed when I missed the call on them earlier that year. Dreamland was one of my favorite albums of 2020. I spent so much time at home listening to them last year that finally getting to see them perform in late September after all that time felt so satisfying. We had such a good time that we’re even thinking about seeing them again next year at Red Rocks because we don’t wanna talk we just wanna dance to Glass Animals again and again.

Dermot Kennedy at ACL

I made my return to ACL this year after working my first one ever in 2019. It was always a festival that I wanted to work but couldn’t figure out an in for. I was asked at Lolla if I wanted to do it again and I immediately said yes to spending two weeks in Austin. ACL brought a ton of great times and reunions with my ticketing fam and Austin friends, but none was more special than my reunion with my friend Danny, who I lovingly refer to as the Danimal. It had been just over 2 years since we last saw each other and after taking a full time role with a major event company he came to the 2nd weekend of ACL for fun. Thanks to my amazing team I was able to take some time to see all of Dermot Kennedy’s set with Danny. Danny was with me at Coachella 2019 when I first discovered Dermot. I caught Dermot’s set at Lolla, but seeing his ACL set with my favorite festival buddy was more special. We sang along to everything and danced harder than one would expect at a Dermot Kennedy set to the point that we created a mini mosh pit with two strangers during “Giants.” It was one of the most fun live music moments I experienced all year.

Foster the People (Torches X Show)

I already dedicated a whole blog to this show, so please check it out for all the detail. Just to reiterate though, I can’t believe I got to experience this show. It still feels surreal. Favorite band, favorite album, in one of my favorite places. Surreal.

LCD Soundsystem

When I wrote my end of 2020 music recap, I wrote about hoping to hear from LCD Soundsystem again in 2021. Well they came back. They announced a 20 show residency in NYC in November and December in early October and I spent one morning before heading to site at ACL struggling to get tickets. I managed to secure tickets to one of the early December shows with plans to see them again with my friends at their final date of the residency. The residency got cut short due to the unrelenting panny d, but I was still able to go to the show I purchased tickets for in the beginning of December. It became a whole weekend of shows with my friend Hailey who flew in to hang with me and to see James, Nancy, Pat and the rest of the crew. We spent some time hanging in NYC too. LCD Soundsystem always gets me hyped since I never thought I would get to see them after getting into them in 2012 post-break up. This time was no different as I planned to dance myself clean for the third time. We heard, in my opinion, one of the best set lists of the residency too. I danced myself clean with all my friends as daft punk played at my house and New York, which I love brought me down. It was so good that I could do it on repeat.

Streetlight Manifesto

The day after LCD Soundsystem Hailey and I made our way to Philly to attend mine and my friends’ annual Christmas celebration at Streetlight Manifesto. Usually it happens in central Jersey with just me and my two friends Ashley and Noah, but this year with an announced Philly date, we decided to do it there with a bunch of other pals. I convinced Hailey to come even though she wasn’t into Streetlight with the promise that she would get to experience this incredible tradition we started in 2018. Despite not playing “Point/Counterpoint” into “Keasbey Nights” back into “Point/Counterpoint,” we had the best time singing along with our arms around each other to the uptempo ska songs we loved listening to in high school after a year not being able to see Streetlight. It was another one of my favorite concert moments of the year.

Runners-Up:

All Time Low

Thanks to my friend Emily and her homie at the Bottom Lounge in Chicago I was able to attend All Time Low’s Lollapalooza aftershow during Lolla week (the show was Wednesday before the festival started). After Hailey hooked it up with providing a place to stay, we both started talking about attending a show the night before Day 1 of the festival. We both had an interest in All Time Low and it just happened to work out that Emily had connections at the venue when I told her we wanted to attend. The only problem was I worked onsite until 7 PM the day of the show which was when it started. There was an opener though so I figured ATL wouldn’t hit the stage til 8:30 or show and we would be fine. We were not, in fact, fine. All Time Low came on at 8 and we got to the venue around 8:40 by the time I left work, moved my stuff to the place we were staying, quickly changed, and ubered there. We saw the last 4-5 songs though. They were all bangers and it was enjoyable for the brief time we were there. I got to hear “Dear Maria…” their most iconic song, which was really cool because I’ve known that song since high school and I had never seen All Time Low before that night. Overall, it was fun to take in a show with Hailey since we were getting to know each other and realized we had similar music tastes. It really kicked off my return to Lollapalooza too and I knew it would be a great week.

The Killers at Firefly

As I mentioned before, I was able to see a bunch of music at Firefly given my role and hours for the week. I was able to see everything I wanted to see on Friday and Sunday at the festival, which included Friday night’s headliner, The Killers. Both times I saw the Killers previously were with my mom, so this was the first time seeing them without her. I was sure to record her favorite song though and send it to her as I took in the set with some of my festie friends. It was another set of the weekend that included tons of dancing as I sang along to mostly every song. The Killers always put on a good show and this was no different even if they didn’t end with “Mr. Brightside.”

Nelly at Firefly

My inner middle school self was so excited to see Nelly at Firefly. That’s the great thing about festivals, being able to see music you wouldn’t normally buy a concert ticket to. I took advantage of the opportunity and it was such a fun set. Nelly was so big during my middle school and high school years that I knew almost every song he performed. There was a huge crowd for his set and almost everyone was singing/rapping along to hits like “Ride Wit Me”, “Hot in Herre”, “Air Force Ones”, and “Grillz.” As a former fan, it was definitely a highlight to be able to see Nelly this year.

Now that I did a double review for the year that brought live music back into our lives, what’s next? Well there’s still plenty of concerts and events that didn’t get to happen this year so next year the comeback is still on. I’m highly anticipating new Arctic Monkeys next year and a Foster the People tour that they mentioned at their Torches X show. I’m also still hoping for new music from LCD Soundsystem. At least they came back to play shows these past 2 months. I’m also excited for new alt-J and Bastille. Both have new albums dropping in February. I’m still hoping for more Florence and the Machine as I was last year, but it would also be great to add Tegan & Sara to that list too.

If all goes well, in a few days there should be a certain well-known festival that will be dropping a lineup. I have my fingers crossed that all goes accordingly with it this year since it’s been 3 years since the last one. I know so many others are hopeful as well. In any event, once that lineup drops there will be several blog posts coming straight from the marathon month I’ll be spending in Mexico, since those events are back as well. 2021 will definitely go down as a return to live music and I hope it all keeps going smoothly into the next year. Until then, don’t stop listening and buying tickets!

Cover Songs

Yesterday my friend Bev and I got into a deep discussion about music covers. It was prompted by a video I shared with her where the background music was a cover of Talking Head’s “This Must Be The Place” by jam band, The String Cheese Incident. We delved into a deep discussion about her particular taste in covers, my taste in covers, and covers that would never do justice to the original artist or bands. I’m assuming everyone knows what a cover is but just in case you don’t, when someone says a song is a cover it means that the song is a recording or performance by someone who is not the original artist.

There have been plenty of cover songs throughout history that have become more successful than the original. A great example of this comes from legendary rock n’ roll singer Elvis Presley. “Blue Suede Shoes” was originally a song by Carl Perkins. Elvis also did plenty of Chuck Berry covers. Then of course there’s some controversy surrounding the song “Hound Dog”. Some claim that Elvis stole the song from Big Mama Thornton. Truth be told though when Elvis rose to fame racial prejudices were much greater than they are today. As a white singer, he brought many songs that may have been sung by or written by black musicians to fame. Hence, all of Elvis’s music being written by someone other than Elvis, which isn’t uncommon even today, but still.

Another example of this is “Twist and Shout” by The Beatles. The original song was by The Isley Brothers who are also famed for their song “Shout”. To be honest, I didn’t realize until today that “Twist and Shout” was a cover. I was looking for some covers on Spotify and saw it on one of their playlists. Part of me believes I knew this at one point and just forgot but the other part of me is kind of shocked.

Besides these songs a few other famous covers are Otis Redding’s “Respect” covered by Aretha Franklin, Bob Dylan’s “All Along The Watchtower” covered by Jimi Hendrix (Dave Matthews Band also frequents this cover too), Dolly Parton’s “I Will Always Love You” covered by Whitney Houston, Fleetwood Mac’s “Landslide” covered by The Chicks (formerly The Dixie Chicks), Leonard Cohen’s “Hallelujah” covered by Jeff Buckley, The Guess Who’s “American Woman” covered by Lenny Kravitz, Robert Hazard’s “Girls Just Wanna Have Fun” covered by Cyndi Lauper, and Stevie Wonder’s “Higher Ground” covered by the Red Hot Chili Peppers. There’s also been some recent covers in the spotlight. Two years ago Weezer got some airplay from covering Toto’s “Africa” and lately an indie artist named Ritt Momney is getting some huge hype over his cover of “Put Your Records On” by Corinne Bailey Rae. The list goes way beyond this too. I’m sure you’d be surprised to know just how many famous songs are actually covers. I know I was.

My friend Bev seems to love covers that capture the essence of the original song especially when the original was by a well-known band or artist. What I think makes a great cover is when the song is given a new “spin” or feel like when an artist known for a certain genre of music covers a song of another genre. This is why I was always a fan of the Punk Goes… album series growing up.

These albums started in 2000 with Punk Goes Metal and by 2002 the first Punk Goes Pop album was released. Most of the Punk Goes… albums are cover songs aside from Punk Goes Acoustic which are just acoustic recordings of original songs. While hosting my own radio show in college, I would occasionally do cover shows where I played a lot of covers from these albums.

Although I don’t really listen to punk/pop-punk/alternative music these days, I’m always looking out for a great cover whether it does the original justice or not. I still love and appreciate hearing unique covers. However, strangely enough, I don’t usually love remixes, which I feel are electronic music’s version of a cover song. I have a few I enjoy, but in this instance I seem to enjoy the original version of the song more. I’m not sure if we could even consider these “covers”, but unless a deejay has someone else singing the track, how would they cover the song? I definitely think a remix is “sub-genre” or so of a cover for this reason.

If you’ve ever played an instrument or sang a song, you’ve probably played someone else’s music or sang someone else’s lyrics. It’s a pretty standard practice in music. But just be careful if you ever plan on officially releasing covers. There are copyright laws surrounding music, but thanks to the Copyright Act of 1909 we’re able to create covers (usually with some negotiations between the artists involved and ASCAP or BMI…I linked the act for more info). No matter what your preference is on cover songs, I bet you’ve heard plenty and even have a few favorites. I obviously do so I figured I’d share some of mine to end this post.

  1. “I Can’t Make You Love Me” by Bon Iver (Bonnie Raitt cover)
  2. “99 Red Balloons” by Goldfinger (Nena cover)
  3. “Everywhere” by Yellowcard (Michelle Branch cover)
  4. “Umbrella” by All Time Low (Rihanna cover)
  5. “Megan” by Bayside (Smoking Popes cover)
  6. “Blitzkreig Bop” by Foster the People (Ramones cover) (performed live only, not recorded so check out a live version on Youtube)
  7. “That Don’t Impress Me Much” by HAIM (Shania Twain cover)
  8. “Skinny Love” by Birdy (Bon Iver cover)
  9. “Walking On A Dream” by Andrew McMahon in the Wilderness (Empire of the Sun cover)
  10. “Over My Head (Cable Car)” by A Day to Remember (The Fray cover)
  11. “Start Today” by Fall Out Boy (Gorilla Biscuits cover)
  12. “Mad World” by Gary Jules (Tears for Fears cover)
  13. “A Thousand Miles” by Mac DeMarco (Vanessa Carlton cover) (performed live only, not recorded so again check Youtube)
  14. “What I Like About You” by The Suicide Machines (The Romantics cover)
  15. “Hospital Beds” by Florence and the Machine (Cold War Kids cover)

Top Albums of the Decade

For the last few years, I’ve been ending each year with a list of my faves in music from the past year. I plan on doing it again but since 2019 is the last year in this decade I thought I’d also include a list of my favorite albums of the last 10 years. I definitely have a clear cut favorite and second favorite, but after those two, there’s really no particular order.

This list is defined by albums that I’ve listened to in full for days, weeks, months, or just repeatedly for no set amount of time. It’s a list of albums that I couldn’t get enough of. My two favorites on this list have been in my car since I bought them in 2011 and 2012. I still listen to them occasionally. You could probably chalk them up on the list of my favorite albums of all time, but the others are special to me as well.

So let’s get down to it. Here are my top 15 (plus a few honorable mentions!) favorite albums of the 2010’s:

Torches -Foster the People (2011)

My absolute, number one, favorite album and Foster the People’s debut album. I wrote once about how Foster the People really shaped the music I got into this decade going from being into punk/emo/alternative music to indie pop/indie rock. This album did it for me in 2011. Foster the People was a new, hype band on the music scene. They played SXSW and Coachella the spring before their first album dropped. When I got into them I learned about Coachella for the first time. So this band and album really shaped a lot about this decade for me.

I’ve loved Torches from top to bottom since I purchased it in May 2011. “Helena Beat” was the first song that hooked me, but despite any criticism it’s received over the years, “Pumped Up Kicks” kept me around. It’s filled with other bangers like “Houdini” and “Don’t Stop (Color on the Walls)”, but it has plenty of underrated hits like “Call It What You Want”, “I Would Do Anything For You”, “Life on the Nickel” and “Warrant”. Since I bought a record player in 2012, I’ve been adamant about not purchasing records that I already have on CD. This month I broke that rule for this album. It’s one of my all-time favorite works of music and the best of this decade for me. It was about time that I own it on vinyl too.

Born to Die -Lana Del Rey (2012)

Born to Die is Lana Del Rey’s debut album. It came out in 2012 and I’ve loved it ever since. I listened to it constantly once I bought it. Like Torches, it’s the only other album that’s stayed in my car since I purchased it. I remember thinking Lana Del Rey and her music were completely ridiculous when I bought the album, but I fell into it and the rest of her music. It was the song “National Anthem” that convinced me. It’s still my favorite Lana Del Rey song to this day. “Diet Mountain Dew” was always another favorite of mine as well. Born to Die is filled with several other classics like “Born to Die” the title track, “Blue Jeans”, “Off to the Races”, “Video Games” the album’s first single, and Lana’s biggest hit “Summertime Sadness”. I’ll always love Pabst Blue Ribbon because of “This Is What Makes Us Girls” too.  This album was always on in my car for a few months in the summer of 2012. It got me into Lana Del Rey and she became one of my favorite artists of the decade as well.

Days Are Gone -HAIM (2013)

In early 2014, I discovered the sister trio band Haim. I decided to buy their debut album Days Are Gone because I liked their songs “Falling” and “Don’t Save Me”. I might have taken a risk on two songs but it was a great risk to take. I loved the album and had it in my car for quite some time. I really got into “The Wire”. I also loved “If I Could Change Your Mind”, “Forever”, “Honey & I”, and “Days Are Gone” in addition to the others I already liked.

I had Haim’s album in my car for a very long time as well. It ended up on repeat in my car once again in the summer of 2016 shortly before I saw them perform for the first time at my first Lollapalooza. It’s definitely an album I’ve loved a lot this decade and the reason why I’ve loved Haim a lot too.

An Awesome Wave -alt-J (2012)

Compared to the rest of the albums on this list An Awesome Wave is a little bit different for me. I got it on vinyl years after I started listening to the music on it. I also listened to each song at different points. It all started with “Breezeblocks” though. Pretty Little Liars actress Troian Bellisario posted about the song on social media and after listening once, I downloaded the song. Then a day later it was “Something Good”. Then “Fitzpleasure”, “Taro”, and “Tessellate”, in that order, through the course of 5 years. In the meantime, their second album This is All Yours came out and “Left-Hand Free” became my jam too. When I saw them perform at Coachella in 2018, I was with several co-workers when we all danced freely to “Dissolve Me”. By that point their third album Relaxer was already out as well. I got into “Dissolve Me” though and decided last year that it was time to own An Awesome Wave. I then completed listening to the album by getting into “Matilda”, “Ms”, “Bloodflood”, and “Hand-Made”.

An Awesome Wave really spanned the decade for me, but so did alt-J. I saw them play about 5 times over the last 5 years and it’s always been an enjoyable set every time. Their unique sound has always been a catch for me and I’m sure they’ll be releasing new music in this new decade before we know it.

21 -Adele (2011)

Up until I got into Adele’s album, 21, I despised pop music. The song “Rolling in the Deep” was the one that really got me interested in Adele. It was on a sampler CD from my local record store. I bought the album around the same time I bought Torches and both albums became the soundtrack to one of my favorite vacations of all time. I listened to both albums repeatedly on that early June trip to Williamsburg, Virginia and my love for Adele began.

Of course I was into 25 when it came out in late 2015 and 19 somewhere around that time, but it was 21 that made me feel okay with liking a pop artist again. I also just really liked the album. “Rumour Has It”, “Set Fire to Rain”, “Someone Like You”, “I’ll Be Waiting”, and “One and Only” are pretty great songs even though “Rolling in the Deep” always has my heart. 21 does too. It came out of the blue uninvited, but it came to stay.

Heartthrob -Tegan and Sara (2013)

I got into Tegan and Sara while I was still in college in 2009, but their album Heartthrob really made me a fan. It was the album that put them into the mainstream music world for a bit. I didn’t get into the album until a year after its release in 2014. I fell hard for it though. It became the soundtrack of another trip to Williamsburg, Virginia. The hit song “Closer” was the one that suckered me in. I got into so many others though like “I Was A Fool”, “I’m Not Your Hero”, “Drove Me Wild”, “Now I’m All Messed Up” and “Goodbye, Goodbye”. Heartthrob revitalized my interest in Tegan and Sara and I’ve been a bigger fan ever since because of it.

Pure Heroine -Lorde (2013)

I was introduced to Lorde in the summer of 2013 from her breakout song “Royals”. From there I also got into the song “Tennis Court” and “Bravado”. I remember anticipating her debut album during my first trip to California especially because of the line in “Tennis Court” that goes “pretty soon I’ll be getting on my first plane.” That flight to California wasn’t my first flight, but it was my first flight in 9 years. I purchased the album as soon as I got home from Cali. It was my go-to album for a few weeks as I got into several other tracks on the record like “400 Lux”, “Team”, “White Teeth Teens”, “Glory and Gore”, and “A World Alone”.

Sacred Hearts Club -Foster the People (2017)

In the last 10 years Foster the People solidified their spot as my favorite band. I remember being so excited for their second album after Torches but Supermodel didn’t quite live up to my expectations. After their sophomore release, it was then a few years of silence before the group released new tunes. 2017 was one of the best years in music of this decade for me. It was filled with great albums by plenty of my favorite bands and artists, which included Sacred Hearts Club by Foster the People.

Foster the People dropped three songs from the record in the spring “Pay the Man”, “Doing it For the Money”, and “SHC” and I listened to those three quite frequently until the album came out in July. When it did, I immediately fell in love with the song “Sit Next to Me”. I listened to it non-stop along with the rest of the album and songs like “Lotus Eater”, “Static Space Lover”, “Loyal Like Sid & Nancy”, and “I Love My Friends”. It was only about 2 weeks after the album dropped that I was able to see Foster the People live again at Lollapalooza (the last time I saw them was in 2014). They were incredible. I then bought tickets to see them play in Philly in September as a treat to myself after my position was cut from a festival I was supposed to work. It was one of the best shows I’ve ever been to and was filled with 2 full hours of music from my favorite band including the best encore that I could have ever imagined. I caught the set list too! I owe that night to Foster the People and Sacred Hearts Club.

Wild World -Bastille (2016)

When Bastille’s sophomore album dropped, I got into Bastille. Sure I knew about Bastille before that. There were a few songs I liked from Bad Blood. Some might even argue saying Bastille’s Bad Blood really set the tone for the band, but for me it was the second album Wild World. “Good Grief” and “Send Them Off!” were always my go-to songs, but “The Currents”, “Power”, “Warmth”, and “Blame” were great songs as well. I listened to the album for weeks. Bastille recently released their third album this year. Even though the album is great, it still doesn’t do for me what Wild World did.

Ultraviolence -Lana Del Rey (2014)

Lana Del Rey’s second album was highly anticipated for me after my love of Born to Die. In between the albums, she also released the EP Paradise which was another incredible compilation of music. When Ultraviolence came out, it successfully did for me what Foster the People’s Supermodel couldn’t and since both Foster the People and Lana Del Rey were my faves I expected the best from them. Ultraviolence gave me that. “Money Power Glory”, “Brooklyn Baby”, “Ultraviolence”, “West Coast”, and “Fucked My Way Up To The Top” were my favorites. The album picked up where Born to Die left off and that’s all you can really ask from a band or artist.

Melodrama -Lorde (2017)

I always knew Foster the People and Lana Del Rey would be on this list more than once, but who knew I liked Lorde so much? Melodrama was also an incredible follow-up album to Pure Heroine. Like Sacred Hearts Club, it was part of that 2017 wave of new music. Lorde released the first single “Green Light” in early March. That song got me stoked for the new album because it was an absolute banger. Then she dropped “Liability”. I hated the song at first. It took hearing the song live on the last night of Coachella Weekend 2 to make me fall in love with it. The album released 2 months later and I remember being so pleased with how good it was. “Homemade Dynamite”, “Perfect Places”, “Sober”, and “Supercut” added to my love for “Green Light” and “Liability” made the album a hit. I wasn’t the only one that thought so either since it was nominated for a Grammy for Album of the Year.

Woodstock -Portugal. The Man (2017)

Who would have thought Portugal. The Man would have made a statement with their 8th album? They did though and it was the hit “Feel It Still” that did it. The entirety of Woodstock is fantastic though. In fact, I feel like “Feel It Still” is the song that doesn’t quite fit with the album. The first time I heard the song I thought it was Electric Guest but was shocked to find out it was in fact Portugal. The Man, whose song “People Say” was one of my favorites when I was a radio DJ in college. “Live in the Moment”, “Tidal Wave”, “Number One”, and “Keep On” are a few other great jams from Woodstock. The album left an impression and I’m sure we’ll be feeling it still even when Portugal. The Man releases more music.

El Camino -The Black Keys (2012)

The Black Keys had plenty of albums before El Camino and those albums, particularly its pre-cursor Brothers, were big in the indie rock music scene. El Camino is the album that got me into The Black Keys though. I got the album in 2012 and saw the band perform live two years later. “Lonely Boy” was the song that got me started on The Black Keys, but El Camino was full of hits like “Gold on the Ceiling”, “Little Black Submarine”, “Stop Stop” and “Dead and Gone”. I learned how to play a few of those on guitar too. The Black Keys haven’t stopped making music in the last decade and have released two albums since El Camino, the most recent being this year, but El Camino will always be special to me.

Heard It In A Past Life -Maggie Rogers (2019)

Last winter I debated buying this album on vinyl while I was listening to Maggie Rogers as part of my Coachella preparations. Ultimately I decided with the help of my instagram followers that I should buy the vinyl. I did and it was a great purchase. The debut album from Maggie Rogers is a thing of beauty. “Light On”, “Fallingwater”, “Give a Little”, “Alaska”, and “Burning” are incredible. Oh and there’s also “Back in My Body”, but I’ll get more into that song when I recap this past year. The album was one of my favorites of the last year and I was pretty shocked when it didn’t get a Grammy nomination. The album is still tops in my book and one of my favorites of the last decade.

This Is Happening -LCD Soundsystem (2010)

When I think about it, there’s only three words that can describe This Is Happening: “Dance Yrself Clean”. It was the song that got me into LCD Soundsystem a year after the “final” show at Madison Square Garden thanks to Suits actor Patrick J. Adams and Troian Bellisario (yes, again!). Over the years I got into LCD Soundsystem and their small-ish, but excellent discography. I never thought I’d be able to see the band until right before Christmas in 2015 when the band dropped a Christmas song, “Christmas Will Break Your Heart” (which I’ve actually listened to twice today) which sort of signified their return. A few weeks later they were on the Coachella lineup and officially back. They dropped a new album American Dream in 2017 and I was able to see them twice once they returned, at Lollapalooza in 2016 and at my favorite venue in Philly in 2017 with a friend who was actually at their “last” show.

Oddly enough, I don’t own This Is Happening in any form. It kind of doesn’t fit this list in that regard, except it’s kind of like An Awesome Wave. I’ve listened to all the songs on this album at different points over the last decade. “Drunk Girls” is one of my favorite LCD Soundsystem songs. “You Wanted A Hit” was the song I got into after seeing them play for the first time. Then there’s “I Can Change”, “Home” and “All I Want”, which I actually just got into recently. Over the last 10 years, LCD Soundsystem earned a special place in my heart, but I sort of owe that to This Is Happening.

Honorable Mentions:

The 1975 -The 1975 (2013)

How Big, How Blue, How Beautiful -Florence + the Machine (2015)

AM -Arctic Monkeys (2013)

Without Fear -Dermot Kennedy (2019)

So there you have it. All my favorite albums from the last 10 years. Actually, there’s probably more, but these are the ones that stood out the most. Thanks to music for all that I love and thanks to these great bands and artists for putting amazing tunes into the world. I can’t wait to see what the next 10 years brings or where music will take me both personally and professionally. I can only hope for the best, but so far it’s been nothing short of incredible.

Coachella Band Preview: Lizzo

I might be in Miami this week to work Ultra, but there’s no blog breaks during the Coachella countdown, especially when Weekend 1 is 2 weeks away! After I return from Miami, I have a full 5 days at home then I leave for what becomes my Coachella workcation. It’s about 3 1/2 weeks this year, but Coachella is worth it. I’ll also be working Stagecoach, hence the extra week away. We’ll see how that goes. Coachella is definitely what it’s all about. Enough about me though, I’m wasting valuable time that you could be listening to tunes. This week I’m previewing a Coachella artist full of female empowerment.

Melissa Jefferson, aka Lizzo, got involved with rap music in high school while growing up in Texas. As the years went on, she took it to the next level and joined two rap/R&B groups, Lizzo & the Larva Ink and The Chalice. She moved to Minnesota while in her 20’s which is when she started rapping as a career. She released her debut album on October 15, 2013. It received some local and national success earning her a spot opening for Har Mar Superstar. She was named the Twin Cities Best New Artist by Minneapolis-St. Paul alternative newspaper City Pages. She was also named to Time’s 2014 music artists to watch.

Her second album Big Grrrl Small World was released in December 2015. She eventually signed with Atlantic Records and released her first major label EP Coconut Oil in 2016. Through 2017 and 2018 Lizzo dropped a few more singles like “Water Me”, “Truth Hurts”, and “Fitness”. She also joined Haim and Florence and the Machine on tour in 2018 as an opener. Her third studio album and major label debut album Cuz I Love You will be released on April 19th, which is Friday of Weekend 2.

Lizzo has always been first and foremost a rap and R&B artist, but I feel like her latest album might sway towards a pop sound at times if her singles “Cuz I Love You” and “Juice”are any indication. I might be totally off, because the rap/R&B sound is there too. Her music also represents diversity with songs about positive body image, sexuality, and race.

I first found out about Lizzo last spring when I saw her open for Haim on their Sister Sister Sister Tour. She definitely made a statement as an opener. I wasn’t into her music when I saw her perform because rap music doesn’t usually appeal to me. Then I kept hearing about her from a lot of my friends, until finally I hopped on the Lizzo train this past winter after she was announced as a Coachella artist. “Good As Hell” became my “start the day” anthem for a while. In fact, it still is if I remember to ask Alexa to play it.

Lizzo plays Sunday at Coachella. Lizzo’s live performance claim to fame is her flute solos with the legendary Sasha Flute (you can look at the instagram page for more info on this flute naming). You can be sure there will be one or more flute solos at Coachella, especially during “Coconut Oil”. This year will be Lizzo’s first Coachella and she’s definitely gonna bring it. I can’t see her playing a main stage this year, but regardless of where she plays her fanbase has grown and it’s sure to be crowded. This is a set you’re not gonna want to miss. Here’s what you need to know to be ready for it:

  1. Good as Hell
  2. Juice
  3. Water Me
  4. Coconut Oil
  5. Cuz I Love You
  6. Fitness
  7. Truth Hurts
  8. Boys
  9. Phone
  10. Scuse Me

Top Tunes of 2018

Each of the last two years I’ve written posts about how much music has shaped the year. In 2016 there was a lot of shit that went down and music was the bright spot. Last year was one of my favorite years in music in a while so 2018 had a lot to live up to. So as the year comes to a close, the results are in. It was in no way comparable to last year, but thats okay! Because music was still important as it always is.

2018 as a whole will never be comparable to last year. I felt too much in 2018 and in the process I lost a lot of perspective. I had to dig myself out of personal holes so many times. A lot of which I hadn’t felt in years. In a way I’m still trying to overcome some personal struggles but one thing I learned this year is that it could be worse. So I try to remind myself of that. Despite losing perspective at times, I was able to gain it back through meeting new incredible people, through traveling all over the country, through new experiences, and most importantly through music.

I worked harder and put in more miles than I ever had in the past this year all because of a goal that started last January. My friend and I planned a trip to London. I went on that trip last week and it was definitely a trip I won’t soon forget. As much as all the work made it worth it. It was the journey of the year that made it special and so many songs and bands that got me through this weird rollercoaster of a year. So without further delay, here are some of my faves from 2018:

“NUMB” by Hayden James

According to Spotify, this is my top song of the year. Spotify isn’t lying either. It’s now my second most played song on my iTunes. I fell in love with this song during EDC Las Vegas, a festival which ultimately changed the course of the year for me. This song related to my life in all the ways at times, so I kept turning to it. Plus it’s a big fucking mood! I saw Hayden James perform at Electric Forest this year and was able to catch this song during his sets both weekends and during his Weekend 2 DJ set. The bass was so overpowering, but I loved it nonetheless. Now, 7 months later and I’m still choosing to listen to this song. It will forever be associated with this year and all the ups and downs that came with it.

“Safe” by Bay Ledges

This song was released in 2017 but I first heard this song in the spring of 2018 and I became hooked on it. It was a song that I would constantly choose to play whenever I was scrolling through my iTunes in the car or on Spotify. We also kept hearing it on our drives from Joshua Tree to Indio during Coachella this past year. It always puts me in a good mood and creates such a vibe. I was lucky enough to see Bay Ledges play last month and to hear this song live. Even if the song was released in 2017, it still got me through 2018.

Kygo

Kygo was my top Spotify artist this year. It makes sense. After seeing Kygo play at Coachella, one of my favorite sets of the festival, I got really into listening to his music. I eventually created a Kygo Spotify playlist that I’ll occasionally use to work out to. I’ve always been into the tropical house style of electronic music so it was a matter of time before I dove head first into Kygo and all of his tunes that I’ve already been listening to over the past 3 years. I kind of credit the song “Stargzing”, but overall I love almost all of Kygo’s tracks and seeing him live was incredibly fun. This was the year that made it happen for me and the Norwegian DJ.

“Curious” by Hayley Kiyoko

2018 can be defined by the hashtag 20GAYTEEN and that’s all in part to Hayley Kiyoko. She released her first full length album this year and exploded in the music scene. She performed at Coachella, sold out her tour, opened for Panic! At the Disco, performed with Taylor Swift, and won a VMA! It’s been an epic year for Lesbian Jesus. This song was released early in 2018 as a single to promote Hayley’s debut album. It’s been one of my faves ever since. I snuck away during work at Coachella to catch a glimpse of her set Weekend 2, but missed a large portion of it. It wasn’t until I worked a Panic! At the Disco show that I got to see the entirety of her opening set and felt all the proud mom feelings. I saw Hayley play a small venue show in Philly in late 2016 and it’s been pleasure being a fan and seeing her grow so much since then. This year was the icing on the cake for that. So to answer the question, in case you were curious, it is serious that she’s only going up from here.

Arctic Monkeys

2018 was a comeback year for Arctic Monkeys. They released their first album since 2013’s AM, toured worldwide, and played numerous dates on the festival circuit. It was my goal this year to see them play and I did while working their show at Forest Hills Stadium back in July. Although their new album wasn’t the comeback I hoped for, 2018 revitalized my interest in Arctic Monkeys and caused me to listen to their music even more than I did in the past. I found a love in old songs like “Suck It And See” and “I Bet That You Look Good On the Dance Floor”. I also eventually started to enjoy their latest release. It seems like the Monkeys will be riding the 2018 wave into 2019 as well so hopefully they coast back to the states soon.

“Saturday Sun” by Vance Joy

Vance Joy released his sophomore album this year back in February. “Saturday Sun” was a single from that album that was the theme of my Coachella 2018 experience. On our 1 hour drives to and from work every day from Joshua Tree, we listened to Alt Nation on Sirius XM. “Saturday Sun” was in the rotation at the time at it seemed like we heard it ever time we got in Denise’s car. It became our Coachella song. The whole experience culminated on Sunday of Weekend 2 when Vance Joy asked to sit at our table in catering and ate lunch with us. This song will always remind me this year and drives through California with my Day One since Day One Weekend One, Denise.

“Wanderlust” by James Bay

There’s no special story behind this song compared to the others I have on here. It’s just one that I kept going back to once I had it on my iTunes and Spotify playlists. I got into it right before I left for Electric Forest in June and it’s been a staple ever since. It gave me a new opinion on James Bay, whose music I thought was always slower and created romance type vibes. This song was an indie pop/rock dream that I never knew I needed from James Bay this year.

Florence and the Machine

It took me a while to get into the new Florence and the Machine album, but I did just in time to see her live at the Barclays Center in October. Again just like the Arctic Monkeys, High As Hope, the 2018 follow-up to 2015’s How Big, How Blue, How Beautiful, was a bit of a disappointment to me initially. In general, it seemed like after a big 2017 of brilliant albums, 2018’s hype wasn’t cutting it for me. New music from 2018 just took a little while to get used to. Once I did I fell for songs like “Hunger” and “Patricia”. Florence reminded me this year when I needed it most that “it’s a wonderful thing to love” and I’m grateful for that.

“Body” by Loud Luxury

“Body” came to me around the same time as “NUMB” at EDC Las Vegas so it makes total sense that it would always play after “NUMB” on my iTunes rotation. I first heard the song on the way to site at EDC via Josh Hurlbert’s music. My friend Erin and I were jamming to it. I didn’t know the name of the song after that, but I needed to find out. So after some detective work, Josh figured out the song I was referring to and told me what it was called on load-out day. It’s been as much of a favorite as “NUMB” since EDC and a great work out track as well. I can’t say I’ve listened to Loud Luxury beyond “Body”, but it’s been a big hit of 2018 all around so I’m sure there will be more great tracks to come from the electronic artists.

Bishop Briggs

Bishop Briggs ended 2017 for me and moved right in 2018. Her debut album came out in May and she was high on my list to see live until I saw her perform at Electric Forest. I will say my interest in Bishop Briggs kind of faded after seeing her perform live, but for the first half of this year I was focused on her debut album and possibly seeing her in the summer. She didn’t disappoint at Forest either. Her performance was full of energy and power that had everyone feeling as bad ass as her by the end of the set. It was a highlight of the festival that seemed to be one of my lowest points of the year. Thankfully, I survived the Forest and went on to have some great festival experiences beyond that.

Runner-Ups

Years & Years

“Happy Man” by Jungle

“Happier” by Marshmello, ft. Bastille

Dashboard Confessional

“Whippin'” by Kiiara

So that’s it! 10 songs and artists that were big for me in 2018 (plus a few runner-ups!). There was another band that I easily could have put on the list but I decided to hold off because 2019 will surely be a big year for them. That band is Vampire Weekend. Their comeback started in 2018 with a few festival appearances, including a special one that I was witness to at Lollapalooza, but they’ve yet to release their much anticipated fourth full length album. There were rumors it would come out in 2018, but that hasn’t happened. So I expect 2019 will be the year for them. They’re already slated to play Firefly in June and I’m sure more dates and festivals are in the works as well. I can’t wait. They’re who I’m most excited about heading in to this new year.

As with any year, there will be plenty of new music and new discoveries for me. I didn’t plan on this year being better than 2017 and it wasn’t honestly as far as music goes. Professionally though, 2018 was my best year yet. When I set out to follow my music industry dreams in 2015 (technically 2016 but it started in 2015), my goal was always to be better, learn more, and grow every year. I’ve done that so far, especially this year. I have no plans to stop any time soon either. I’ve started to reach some goals I’ve had, but I have so much more to do and accomplish. I’m so lucky I get to do what I love. I’m grateful for everyone that’s helped and supported me, everyone I’ve met, and all the experiences I’ve had. I owe it all to music. So hopefully next year is even better because I plan on trying to make it that way and I’m sure I’ll have plenty of new tunes to help me through it all. Be back next week for the Coachella 2019 lineup release!

“All of life is energy vibrating at different frequencies. It has been said, the universe is a uni-verse, one song or vibration that plays throughout existence and gives us life. When we get in tune with that tone, we are in harmony with life. Music is a way we can tap into that power. That is why we feel music with our whole being. It moves us, stimulates our imagination, opens emotions, and can pass language and cultural barriers. It lives on a primal level, one that we can all connect with.”

2017….The Best Year of Music?

Coming back from two weeks in So Cal has been a bummer to say the least. With Coachella, sunshine, warmth, palm trees, new friends, old friends, etc., I’ve been in a withdrawal. It’s also tough to come up with weekly blog topics because I feel like I gave it my all for the past 3 months writing about Coachella bands. However, there’s one thing that’s helped with all of the sad feelings recently. It’s the constant stream of new music flooding in from a bunch of my favorite bands and artists. Over the last 2 weeks, I’ve lost count of how many of my faves have released new tunes. I had a realization this past week that 2017 is shaping up to be the best year for music, or at least new music so I figured I’d write about it and give you a little preview of what’s to come.

Obviously there’s a ton of bands and artists releasing new music this year, way more than I plan to write about. The acts I’m mentioning are some of my favorites. Some I’ve written about in the past already. Actually that’s a lie. I’ve written about almost all of them before. The first is someone who I haven’t talked about for a while, but she’s one of my all-time favorites of the past 6 years, Lana Del Rey.

Lana Del Rey released a new single in February called “Love”. Upon its release, she said her upcoming new music was inspired by her fans and the people who supported her throughout the years. “Love” was the first of the new releases to give back to them. Until February, Lana hadn’t released new music since 2015’s Honeymoon. Then while I was at Coachella she released another new single, “Lust for Life” featuring The Weeknd. She also confirmed a few weeks before the single’s release that her new album would also be entitled Lust for Life. Although no release date has been confirmed for the new album (EDIT: The new album will be out July 21st.), there’s rumors that it will feature a few other collaborations with the likes of Stevie Nicks and Sean Lennon, son of John Lennon.

Another artist with new music out this year is Lorde. I, of course, wrote about her as a Coachella preview, but it was before she put out her new material. Along with Lana Del Rey, Lorde was one of the first to put out music this year. In early March she dropped her single “Green Light”. Then a little over a week after that she performed another new single when she appeared on SNL, “Liability”. I loved “Green Light” the first time I heard it. It’s the kind of song that makes you want to get up and dance. It’s the Pure Heroine follow up hit that I was looking for from Lorde. It got me so hyped for her new album Melodrama, which I thought may come out before Coachella, but isn’t going to be released until June 16th. “Liability” is the complete opposite. The song is so raw and emotional. It’s not something I’ve ever heard from Lorde. It sounds more like something Adele would sing. I denounced the song immediately after I heard it, but then I heard it again live at Coachella. It was incredible. Not just the song, but the entire moment surrounding the festival and the two weeks I spent in California.

She performed Sunday night and I was only able to see her performance on Weekend 2, the final night of what was the most incredible festival-working experience I’ve had thus far. Lorde spoke to the crowd of probably close to 100,000 people as if she were in a tiny dive bar and explained how much the song meant to her. Then she went on to sing her newest piece of music with everyone who cared to join her amongst the beautiful night scene at Coachella with the cool breeze blowing and lit up palm trees swaying as the ferris wheel glowed in the background. I took in the moment with two new friends I met while working the festival focusing on Lorde, the entire setting, and my one friend almost in tears because the song affected her that much. It was epic enough to force me to give “Liability” a second chance and I haven’t stopped listening to it since.

Then I came back from California and within days there was new music from my favorite band, Foster the People. I’ve liked Foster the People for 6 years now. They were one of the first bands that I liked when I started getting into the indie rock scene (See here for the story). They haven’t released new music since 2014 and I’ve been craving something new from them for the last 2 years. On April 27th, the indie rock trio released III, a three song EP with songs from their upcoming album. I listened immediately and have been listening to the songs non-stop ever since, “Doing It For the Money” in particular. I feel like the new music combines that old Torches sound with the newer Supermodel sound to create this in-between to both albums giving fans the best of both worlds. For me, it’s almost impossible to top Torches. I still keep the album in my car and pop it into my CD player on occasion. It’s one of my favorite records of the modern era, but this new album (at least indicated by the EP) has shades of Torches that gets me hyped for its release. As of today, the title and release date have yet to be announced, but I read that it should be out in June or July (EDIT: Foster the People’s new album, Sacred Hearts Club, will be July 21st).

On the same day that the world was blessed with three new Foster the People songs, Haim announced their upcoming sophomore album Something To Tell You and released a preview of the track “Right Now”. They also announced they would release a single from their upcoming album on May 3rd. Last summer when I saw Haim play at Lollapalooza they played a few of their new songs. I don’t remember what songs they played, but I do remember liking each one I heard. Each new song still maintained their signature sound. It got me excited for their new record and I’ve been anticipating it ever since. The album comes out July 7th, but until then we have the song “Want You Back” (the May 3rd single) to hold us over and any other new songs the sisters Haim decide to drop along the way.

alt-J is another band with a new album out this year. I really got into alt-J after seeing them perform at Coachella in 2015. My friends and I then saw them while they toured a few months later. Both shows were fantastic. alt-J released the first single, “3WW”, from their new record in the beginning of March. Then a few weeks later they released “In Cold Blood”. alt-J has always had this unique style of indie music and it’s again evident in their new music so far. Their new record Relaxer comes out on June 2nd.

If you thought five new records were enough, you haven’t been paying attention to music news because there’s a few more to be excited for. One of those is a record that doesn’t have a title or release date yet, but I expect it to be out later than the rest. I’m guessing it could be out any time between late summer and winter (EDIT: The new album, American Dream, comes out September 1st.), but I’m so grateful for the two new songs that were just released this past Friday at midnight in anticipation of it. After announcing their reunion last winter and headlining festivals throughout 2016, LCD Soundsystem finally released new music! They played several shows at the opening of the new venue, Brooklyn Steel, in New York City last month and debuted both songs there. The songs “call the police” and “american dream” were also just performed by the band on SNL over the weekend. I haven’t had much of a chance to binge listen to the songs yet, but I can’t wait to listen on my road trips I have coming up this month. Both songs are different and yet so good. At this point, I think I’d feel that way about anything LCD Soundsystem puts out.

So those are all my favorites that have new albums coming out soon, but there’s also a few other good music acts that I like with new tunes on the way too. Halsey just released two singles over the last month from her new album Hopeless Fountain Kingdom due out in June. So far from the new releases, her album seems like it’ll be less dark than Badlands. Phoenix will be releasing their sixth album and first since 2013, Ti Amo, on June 9th. They just dropped the first single from the new record, “J-Boy”, on April 27th. Finally a band I recently previewed before Coachella, Oh Wonder, will be releasing their second album, Ultralife, on June 16th. Over my two weeks spent in Indio, my love for and desire to see Oh Wonder grew a little more (I couldn’t see them at Coachella). Now I’m definitely stoked for their follow-up to 2015’s debut self-titled masterpiece.

Along with all that’s to come this summer, several great bands that I like have already released new music this year. The xx just released I See You on January 13th. I missed them at Coachella, but I’ll be seeing them live next week! Andrew McMahon in the Wilderness released Zombies on Broadway on February 10th and his new record has some great jams that give off a brand new electronic feel not usually heard in Andrew McMahon music. Lastly and most recently, Cold War Kids just dropped their newest album L.A. Divine on April 7th.

In total that’s 12 new albums from bands I like, about half of those being my favorites. I’ve said recently that all I need is for Florence and the Machine to release a new album this year to really put that final piece in the puzzle. Even without them this year is shaping up to be one of if not the best in music! I’m stoked so you guys better get stoked too because there’s so much to listen to!

How Big, How Blue, How Beautiful

According to my little stats here on the blog, it’s been 22 days since I made any sort of update. With the epic coverage of the 2015 FIFA Women’s World Cup throughout June and trying to focus on getting my life in order plus some vacation time, I needed a little break. Right before the World Cup began, I failed to note a much anticipated release in the music world.

Since seeing Florence and The Machine at Coachella back in April (one of my favorite performances of the festival might I add), I anticipated the release of her latest album How Big, How Blue, How Beautiful. It came out on May 29th, about a week and a half before the USAvAUS opener. However, I was waiting to purchase it with my gift certificate from Amoeba Music (the world’s largest independent record store with three locations in California- Berkeley (the original location), San Francisco, and Hollywood) during their monthly 15% off sale. The sale didn’t happen until mid-June so I ordered it on vinyl then. I received it by the end of June, about a month after its initial release. I didn’t listen to the album aside from an early song release or two in prep for Coachella until I had the record in my possession. I did however unintentionally hear a few songs from the album because FoxSports, who covered the Women’s World Cup, used some songs off the latest album as background music during their video montages of the tournament. Needless to say, that just got me more hyped to listen to the album.

The album was worth the wait. After purchasing the first two Florence and The Machine albums on vinyl, I had to follow suit with the third. Like the first two albums, How Big, How Blue, How Beautiful delivered with the same powerful female vocals, catchy choruses, and indie pop/rock style. I  honestly love this band’s consistency as far as style goes. Although the themes in Florence and The Machine’s albums may vary, the sound never disappoints or strays from what made people fall in love with them in the first place. It may be my favorite album of theirs to date. I highly recommend it. The album topped the charts in eight different countries during its first week on the market, including the number one spot on Billboard’s Top 200 in the United States. It was the first time a Florence and The Machine album received that honor. So there’s a little proof of how good this record is besides me just saying it’s awesome. So check it out asap and check out these songs in particular:

1. Delilah

2. Queen of Peace

3. Ship to Wreck

4. How Big, How Blue, How Beautiful

5. What Kind of Man

6. Caught

7. St. Jude

Coachella 2015 Recap

It’s with great pride and pleasure that I can now say I’ve lost my Coachella virginity. As you know, if you’ve been keeping up with my blog, I was beyond stoked to go to the epic three day festival in Indio, CA. Now that I’ve been there though, it’s difficult to put into words just how special it is. The atmosphere is filled with the best vibes imaginable. It’s incredibly relaxed (possibly due to all the pot smoking). People are in good moods (mostly…I ran into a girl who seemed a little angry the last day before the Florence and the Machine set when I put my hand on the bar she was going to lean on). The bands and artists bring their best performances because they’re just as excited to be there as everyone else. The artwork is innovative. The food, although overpriced, is delicious and there are plenty of options to choose from. The setting makes it though. It’s so beautiful. Palm trees line the polo fields with vast mountains in the background as the signature ferris wheel from the California State Fair rotates giving riders the ultimate view of the festival. It’s incredible and it’s difficult to appreciate when you’re there since you want to catch as much music as possible. That’s really the most important thing about Coachella. It’s about the music. Without it, Coachella wouldn’t exist. Everything else is extra. Fortunately I only experienced a few conflicts but I made it work so that I was able to catch at least part of, if not all of the sets I wanted to see.

On Friday, I planned to see Angus & Julia Stone, Alabama Shakes, Tame Impala, and AC/DC. My cousin (she attended with me) and I got to the festival early the first day to do a bit of exploring before the Angus & Julia Stone set in the late afternoon. We rode the ferris wheel, got some merch, checked out the stages, saw the artwork, and relaxed in the field before the set. Angus & Julia Stone play mellow indie music so the set was very laid back. A lot of people were sitting and relaxing while they listened. We were too.

Alabama Shakes hit the Outdoor Stage just as the sun was setting. Brittany Howard brought the house down with her powerful vocals. I was a little disappointed the band didn’t play my favorite song (“Hold On”) but they did debut some new material from their soon to be released album Sound & Color (April 20th on iTunes, in stores April 21st). Either way they killed it.

Tame Impala hit the main stage right before Friday night headliner, AC/DC. The crowd really started buzzing when they launched into their hits “Elephant” and “Feels Like It Only Goes Backwards”. They also debuted some new tunes at the festival and the crowd was totally loving it.

AC/DC closed out Friday with a mixture of new tunes and old favorites. We were spent by the time AC/DC started and only ended up staying for half the set. They put on a great show though. I heard some of my favorites like Back in Black, Thunderstruck, and You Shook Me All Night Long. I was even singing along to the faint sounds of T.N.T. as we made our way to the shuttles. I was glad I had the opportunity to see them live.

On Saturday with the reminders of how tired we were, how late we got to bed, how much cell phone charge we had left by the end of the night (the charging stations didn’t work…such false advertising), and by the desire to sample local eats, we decided to head to the festival about 2 hours later than we did on Friday. We were both more pumped for Saturday’s planned lineup which featured Andrew McMahon in the Wilderness, Milky Chance, Jungle, Belle and Sebastian, alt-J, and Jack White because there was less waiting time in between sets (we had lot on Friday and we were getting antsy). After a longer than planned ride/entrance to the festival due to security reasons, we made it in with a little over a half hour to spare before Andrew McMahon in the Wilderness took over the Outdoor Stage. We grabbed some drinks and headed over there. Upon arrival, the crowd was small. It was so small that I could have managed being in what would be considered the second row. It was hot though so I was fine with hanging back a bit. By the set time more people had come in behind me, but unlike some sets I went to on Sunday there was enough room to breathe.

His set was one of my favorites of the entire weekend. He engaged the crowd and you could tell just how excited he was to play Coachella (he stated it as well but he didn’t even need to). He included a Jack’s Mannequin song (“Dark Blue”) and a Something Corporate song (“I Woke Up in a Car”) in the set which were both favorites among the small crowd who sang along with vigor. Then he followed up with their single “Cecilia and the Satellite”. At some point during the set large balloons were brought out and members of  the Andrew McMahon team held them in the crowd. Near the end of the set (it might have been during “Cecilia and the Satellite), the balloons popped and confetti was released from them. It was such a fun moment and added to the already enjoyable performance. I think the most memorable part came during the last song when gym class parachutes were given to and held by the crowd and Andrew came off the stage and sang with everyone standing under them. The set was a great way to kick off my Day 2 and left me pumped for the rest of the evening.

Next on the list was Milky Chance. We could only stay for some of the set because Jungle overlapped slightly. I wanted to make it to the Jungle set to get a good spot. I only knew two songs they played including the one everyone knows, “Stolen Dance”. We were able to hear both but I thought the performance of “Stolen Dance” wasn’t as great as I had hoped. They only sang the verses of the song. When the chorus came around Clemens Rehbein (vocals) left it up to the crowd. However the crowd wasn’t large enough to get the desired effect of everyone singing along. From where we were standing all you could hear was the music. It was disappointing so we left for Jungle.

Jungle’s set was jam packed with songs off their debut album. The crowd danced and sang along to their funk inspired sound. A favorite amongst everyone in attendance was “Burnin’ Easy”. It got the flower headband wearing hippies moving. Their final song “Time” had the same effect.

Shortly after Jungle finished, Belle and Sebastian began their Coachella set. We only stayed for a few songs because I knew we needed to be at Main Stage early for alt-J. Belle and Sebastian were a perfect example of an indie band playing the festival. Their songs are both mellow and upbeat. It’s not the type of music you’d necessarily bounce around and shake your head furiously to. It’s the stuff you would sway your body around to, which was what the audience did to the few songs we heard. I read the band played a lot of good hits near the end of the set (the part we missed) and the crowd was really into it, but I think the spot for alt-J was worth it.

We ended up with a spot on the barrier next to the V.I.P. area, which allowed for a celebrity sighting during the set (Breaking Bad’s Aaron Paul), but it was also close enough to be in the thickness of fans. Alt-J opened with “Hunger of the Pine” (Miley didn’t show much to my displeasure) and had the crowd bumping the whole time to a mixture of songs off both An Awesome Wave and This Is All Yours. Of course the most pleasurable reactions came from current hit “Left Hand Free” and closing/well-known song “Breezeblocks”. It was another favorite set of the day for me.

Jack White took the stage after alt-J. His performance and talent on the guitar was unreal. It began to my surprise with a White Stripes song, “Icky Thump”. His whole set included a bunch of White Stripes songs including the last song “Seven Nation Army” which had the crowd chanting “O-O-O-O-O-O” at one point when they cut the music during the song. The set wasn’t all White Stripes of course and had songs like “Lazaretto”, “Love Interruption”, “High Ball Stepper”, “Would You Fight For My Love?”, “The Black Bat Licorice”, and “Sixteen Saltines”. Jack White’s beliefs and passion for music were evident through what he spoke about in between songs. He was my favorite headliner. We were able to see the entirety of the set since his time slot was pushed down in favor of the Weeknd closing out Saturday night. I’m glad it was.

Sunday was the busiest day of the festival for us. It was the only day with conflicting set times. The biggest one was deciding between RAC and St. Lucia (St. Lucia started 15 minutes after RAC). Since I had listened to RAC more in prep for Coachella and because my cousin also likes one of their songs, we went with RAC (although still managed to make it to the Main Stage for the last 2 St. Lucia songs). They were also first on the list for Sunday. Like the day before, we decided to head to the festival around the same time since we needed to check into our flight around 1 and wanted to try a pizza place for lunch about 2 blocks from our hotel (it was better to only eat once or so at the festival since it was overpriced). Because of that, I missed the Night Terrors of 1927 and Saint Motel sets. It would have been nice to check those guys out but it wasn’t a necessity since I don’t know that much of their stuff anyway (two good bands nonetheless).

RAC’s set was a blast. They played all my favorites off their album Strangers including “Tear You Down”, “All I Got”, “Hollywood” which special guest Penguin Prison came out to perform, and “Cheap Sunglasses”. It did surprise me that RAC only had one special guest since Matthew Koma performed on Saturday and could have easily made an appearance. Unfortunately St. Lucia couldn’t join them for the song they collaborated on because they were playing at the same time. Still, it was a great set and I was dancing and singing along the whole time.

After RAC we rushed over to hear the end of St. Lucia’s set. We heard “September” and “Elevate”, both were good so I’m sure the rest was great too. I think seeing either band (RAC or St. Lucia) would have been comparable as far as enjoyment level goes for me, but I got a little of both with the choice I made.

My cousin decided she wanted to hear Vance Joy’s set so on the way over I caught one song by Conor Oberst and his punk band Desaparecidos. I didn’t even recognize Oberst as he looks way different now than he did as the dark haired, emo Bright Eyes front man. The set also attracted a smaller crowd and would have been fun to attend if it didn’t overlap with others.

While waiting for Vance Joy to come out, the Mojave stage got super crowded. After he played one song my cousin decided she’d rather get out of the tight bunch of people and listen from a more comfortable spot. I agreed. Vance Joy could have easily been an Outdoor or Main Stage performer as his set attracted an overflow of people from the covered Mojave. I tried to listen to Vance Joy in preparation for the event but I wasn’t feeling his music. I like “Riptide” but beyond that it wasn’t my vibe. I guess it wasn’t my cousin’s either so we listened as we “Coachilled” (A Coachella term meaning to sit and relax) from a spot just outside the crowd and tented stage. We sang along with “Riptide” as Vance Joy closed out his set then made our way back to the stage as the crowd filtered out. Brand New was on next.

I was hyped for Brand New. I decided I wanted to be closer than the previous times we saw bands on the Mojave stage. I was so ready to go hard to one of my favorite high school bands. To my dismay though, Brand New’s set was mostly songs off the two most recent albums Daisy and The Devil and God Are Raging Inside Me (my two least favorite Brand New albums). I planned on going so hard to all the Brand New songs but it didn’t work out that way. However, when the beginning of “Sic Transit Gloria” started and the whole crowd let out a scream, I did as well. Everyone belted out the Deja Entendu classic. That was followed by “Okay I Believe You But My Tommy Gun Don’t” another favorite amongst the crowd (I went so hard). It seemed like those two songs along with “Jesus Christ” and “Sowing Season (Yeah)” got the biggest crowd reaction (they closed out the show with those two along with “Degausser” in between). The set featured no songs from “Your Favorite Weapon”. I think because of my high hopes for that I was disappointed and found the set less enjoyable than expected. Don’t get me wrong the set was great and everyone there was dancing hard while screaming out the lyrics to their favorite songs, but from my perspective, it was disappointing.

St. Vincent was next on my list for the day followed by Florence and the Machine (one of my most anticipated acts of the weekend). We saw St. Vincent perform a few songs. “Digital Witness” was one of them, but once I noticed Kaskade finished his extremely popular set on the main stage (which was right by the stage St. Vincent performed at) we headed there to get a good spot for Florence.

My cousin’s back was sore so I told her to sit in the back next to a speaker pole (A9 to be exact) while I made my way closer to the stage. It was a difficult task. I planned to try to go to the opposite side of the stage from where we were for alt-J, but with the amount of people it didn’t work out like that. I was near the same spot I was at for alt-J (near the V.I.P. area). It was so cramped. A girl was annoyed that I tried to “steal her spot”. To be fair I left enough room for her to stand near the bar where we were, but she just didn’t want to share. It was dark by then. The V.I.P. area filled up too so it was difficult to see if anyone famous was hanging out, which I’m sure there was. When Florence and the Machine took the stage, I couldn’t see anything. All I saw was the big screen which showed what I could’ve easily watched at home on YouTube. I made the decision to leave the cramped spot during the second song “What Kind of Man” (she opened with “What the Water Gave Me”). Cell reception was at its worst of the weekend so I had a hard time figuring out where my cousin was (she was not at pole A9). I visually missed a large chunk of the set because I was looking for her. I did stop to watch at times though. It was just a difficult moment. We finally reunited (she was at pole A7) and I was able to watch the end of the set which included new song “Ship to Wreck”, “Shake It Out”, and “Dog Days Are Over”. Singing and dancing along to “Shake It Out” and “Dog Days..” made up for lost time. During “Dog Days..” she had the crowd embrace each other, take off an article of clothing and wave it around, and jump up and down, which she took part in as well (She took off her shirt. It was wild!). If it weren’t for all my issues during the set (being cramped and losing my cousin) I would have fully enjoyed it. Everything I saw of it was amazing. Florence and the Machine put on a hell of a live performance. I’d love to see them again in a more intimate capacity (you know just a Florence show rather than at a festival).

The last set of the night was Drake (my cousin’s choice and I figured “Hey I’ll see him just to say I saw him” because Drake is not my type of music). His set started a half hour late. I knew zero songs. My cousin knew one which he only sang/rapped part of. We left around 11 which was 15 minutes or so after it started. We missed the whole Madonna thing. It wasn’t a big deal to us though. The best part of the Drake set for me was his pre-show playlist. It included Eminem’s “Lose Yourself” which got the whole crowd going. Back in the day when I liked rap and Eminem, I used to listen to the song before every 8th grade basketball game so it was fun to sing/rap to again.

Leaving the venue during the Drake set concluded my first Coachella experience. Like I said it was incredible. I feel so blessed to have gone and experienced it. I would recommend it to anyone to attend. Sure there are other huge similar style festivals like Bonnaroo, Lollapalooza, and now even Firefly, but there’s something special about Coachella. Maybe it’s the atmosphere or maybe it’s the hype with the parties and fashion and tons of celebrities that go every year. No matter the reason, it was a dream experience. For me, it was the music. It’s always the music. To quote something Jack White said during his set, “I hope you realize for a few seconds every day that music is scared. That music is sacred! That music is sacred! That music is sacred!” I agree Jack. So whether it be Coachella or any concert or festival or radio station or CD or record or ipod/iphone playlist, let’s remember that. Music is sacred.