foster the people

Cover Songs

Yesterday my friend Bev and I got into a deep discussion about music covers. It was prompted by a video I shared with her where the background music was a cover of Talking Head’s “This Must Be The Place” by jam band, The String Cheese Incident. We delved into a deep discussion about her particular taste in covers, my taste in covers, and covers that would never do justice to the original artist or bands. I’m assuming everyone knows what a cover is but just in case you don’t, when someone says a song is a cover it means that the song is a recording or performance by someone who is not the original artist.

There have been plenty of cover songs throughout history that have become more successful than the original. A great example of this comes from legendary rock n’ roll singer Elvis Presley. “Blue Suede Shoes” was originally a song by Carl Perkins. Elvis also did plenty of Chuck Berry covers. Then of course there’s some controversy surrounding the song “Hound Dog”. Some claim that Elvis stole the song from Big Mama Thornton. Truth be told though when Elvis rose to fame racial prejudices were much greater than they are today. As a white singer, he brought many songs that may have been sung by or written by black musicians to fame. Hence, all of Elvis’s music being written by someone other than Elvis, which isn’t uncommon even today, but still.

Another example of this is “Twist and Shout” by The Beatles. The original song was by The Isley Brothers who are also famed for their song “Shout”. To be honest, I didn’t realize until today that “Twist and Shout” was a cover. I was looking for some covers on Spotify and saw it on one of their playlists. Part of me believes I knew this at one point and just forgot but the other part of me is kind of shocked.

Besides these songs a few other famous covers are Otis Redding’s “Respect” covered by Aretha Franklin, Bob Dylan’s “All Along The Watchtower” covered by Jimi Hendrix (Dave Matthews Band also frequents this cover too), Dolly Parton’s “I Will Always Love You” covered by Whitney Houston, Fleetwood Mac’s “Landslide” covered by The Chicks (formerly The Dixie Chicks), Leonard Cohen’s “Hallelujah” covered by Jeff Buckley, The Guess Who’s “American Woman” covered by Lenny Kravitz, Robert Hazard’s “Girls Just Wanna Have Fun” covered by Cyndi Lauper, and Stevie Wonder’s “Higher Ground” covered by the Red Hot Chili Peppers. There’s also been some recent covers in the spotlight. Two years ago Weezer got some airplay from covering Toto’s “Africa” and lately an indie artist named Ritt Momney is getting some huge hype over his cover of “Put Your Records On” by Corinne Bailey Rae. The list goes way beyond this too. I’m sure you’d be surprised to know just how many famous songs are actually covers. I know I was.

My friend Bev seems to love covers that capture the essence of the original song especially when the original was by a well-known band or artist. What I think makes a great cover is when the song is given a new “spin” or feel like when an artist known for a certain genre of music covers a song of another genre. This is why I was always a fan of the Punk Goes… album series growing up.

These albums started in 2000 with Punk Goes Metal and by 2002 the first Punk Goes Pop album was released. Most of the Punk Goes… albums are cover songs aside from Punk Goes Acoustic which are just acoustic recordings of original songs. While hosting my own radio show in college, I would occasionally do cover shows where I played a lot of covers from these albums.

Although I don’t really listen to punk/pop-punk/alternative music these days, I’m always looking out for a great cover whether it does the original justice or not. I still love and appreciate hearing unique covers. However, strangely enough, I don’t usually love remixes, which I feel are electronic music’s version of a cover song. I have a few I enjoy, but in this instance I seem to enjoy the original version of the song more. I’m not sure if we could even consider these “covers”, but unless a deejay has someone else singing the track, how would they cover the song? I definitely think a remix is “sub-genre” or so of a cover for this reason.

If you’ve ever played an instrument or sang a song, you’ve probably played someone else’s music or sang someone else’s lyrics. It’s a pretty standard practice in music. But just be careful if you ever plan on officially releasing covers. There are copyright laws surrounding music, but thanks to the Copyright Act of 1909 we’re able to create covers (usually with some negotiations between the artists involved and ASCAP or BMI…I linked the act for more info). No matter what your preference is on cover songs, I bet you’ve heard plenty and even have a few favorites. I obviously do so I figured I’d share some of mine to end this post.

  1. “I Can’t Make You Love Me” by Bon Iver (Bonnie Raitt cover)
  2. “99 Red Balloons” by Goldfinger (Nena cover)
  3. “Everywhere” by Yellowcard (Michelle Branch cover)
  4. “Umbrella” by All Time Low (Rihanna cover)
  5. “Megan” by Bayside (Smoking Popes cover)
  6. “Blitzkreig Bop” by Foster the People (Ramones cover) (performed live only, not recorded so check out a live version on Youtube)
  7. “That Don’t Impress Me Much” by HAIM (Shania Twain cover)
  8. “Skinny Love” by Birdy (Bon Iver cover)
  9. “Walking On A Dream” by Andrew McMahon in the Wilderness (Empire of the Sun cover)
  10. “Over My Head (Cable Car)” by A Day to Remember (The Fray cover)
  11. “Start Today” by Fall Out Boy (Gorilla Biscuits cover)
  12. “Mad World” by Gary Jules (Tears for Fears cover)
  13. “A Thousand Miles” by Mac DeMarco (Vanessa Carlton cover) (performed live only, not recorded so again check Youtube)
  14. “What I Like About You” by The Suicide Machines (The Romantics cover)
  15. “Hospital Beds” by Florence and the Machine (Cold War Kids cover)

Top Albums of the Decade

For the last few years, I’ve been ending each year with a list of my faves in music from the past year. I plan on doing it again but since 2019 is the last year in this decade I thought I’d also include a list of my favorite albums of the last 10 years. I definitely have a clear cut favorite and second favorite, but after those two, there’s really no particular order.

This list is defined by albums that I’ve listened to in full for days, weeks, months, or just repeatedly for no set amount of time. It’s a list of albums that I couldn’t get enough of. My two favorites on this list have been in my car since I bought them in 2011 and 2012. I still listen to them occasionally. You could probably chalk them up on the list of my favorite albums of all time, but the others are special to me as well.

So let’s get down to it. Here are my top 15 (plus a few honorable mentions!) favorite albums of the 2010’s:

Torches -Foster the People (2011)

My absolute, number one, favorite album and Foster the People’s debut album. I wrote once about how Foster the People really shaped the music I got into this decade going from being into punk/emo/alternative music to indie pop/indie rock. This album did it for me in 2011. Foster the People was a new, hype band on the music scene. They played SXSW and Coachella the spring before their first album dropped. When I got into them I learned about Coachella for the first time. So this band and album really shaped a lot about this decade for me.

I’ve loved Torches from top to bottom since I purchased it in May 2011. “Helena Beat” was the first song that hooked me, but despite any criticism it’s received over the years, “Pumped Up Kicks” kept me around. It’s filled with other bangers like “Houdini” and “Don’t Stop (Color on the Walls)”, but it has plenty of underrated hits like “Call It What You Want”, “I Would Do Anything For You”, “Life on the Nickel” and “Warrant”. Since I bought a record player in 2012, I’ve been adamant about not purchasing records that I already have on CD. This month I broke that rule for this album. It’s one of my all-time favorite works of music and the best of this decade for me. It was about time that I own it on vinyl too.

Born to Die -Lana Del Rey (2012)

Born to Die is Lana Del Rey’s debut album. It came out in 2012 and I’ve loved it ever since. I listened to it constantly once I bought it. Like Torches, it’s the only other album that’s stayed in my car since I purchased it. I remember thinking Lana Del Rey and her music were completely ridiculous when I bought the album, but I fell into it and the rest of her music. It was the song “National Anthem” that convinced me. It’s still my favorite Lana Del Rey song to this day. “Diet Mountain Dew” was always another favorite of mine as well. Born to Die is filled with several other classics like “Born to Die” the title track, “Blue Jeans”, “Off to the Races”, “Video Games” the album’s first single, and Lana’s biggest hit “Summertime Sadness”. I’ll always love Pabst Blue Ribbon because of “This Is What Makes Us Girls” too.  This album was always on in my car for a few months in the summer of 2012. It got me into Lana Del Rey and she became one of my favorite artists of the decade as well.

Days Are Gone -HAIM (2013)

In early 2014, I discovered the sister trio band Haim. I decided to buy their debut album Days Are Gone because I liked their songs “Falling” and “Don’t Save Me”. I might have taken a risk on two songs but it was a great risk to take. I loved the album and had it in my car for quite some time. I really got into “The Wire”. I also loved “If I Could Change Your Mind”, “Forever”, “Honey & I”, and “Days Are Gone” in addition to the others I already liked.

I had Haim’s album in my car for a very long time as well. It ended up on repeat in my car once again in the summer of 2016 shortly before I saw them perform for the first time at my first Lollapalooza. It’s definitely an album I’ve loved a lot this decade and the reason why I’ve loved Haim a lot too.

An Awesome Wave -alt-J (2012)

Compared to the rest of the albums on this list An Awesome Wave is a little bit different for me. I got it on vinyl years after I started listening to the music on it. I also listened to each song at different points. It all started with “Breezeblocks” though. Pretty Little Liars actress Troian Bellisario posted about the song on social media and after listening once, I downloaded the song. Then a day later it was “Something Good”. Then “Fitzpleasure”, “Taro”, and “Tessellate”, in that order, through the course of 5 years. In the meantime, their second album This is All Yours came out and “Left-Hand Free” became my jam too. When I saw them perform at Coachella in 2018, I was with several co-workers when we all danced freely to “Dissolve Me”. By that point their third album Relaxer was already out as well. I got into “Dissolve Me” though and decided last year that it was time to own An Awesome Wave. I then completed listening to the album by getting into “Matilda”, “Ms”, “Bloodflood”, and “Hand-Made”.

An Awesome Wave really spanned the decade for me, but so did alt-J. I saw them play about 5 times over the last 5 years and it’s always been an enjoyable set every time. Their unique sound has always been a catch for me and I’m sure they’ll be releasing new music in this new decade before we know it.

21 -Adele (2011)

Up until I got into Adele’s album, 21, I despised pop music. The song “Rolling in the Deep” was the one that really got me interested in Adele. It was on a sampler CD from my local record store. I bought the album around the same time I bought Torches and both albums became the soundtrack to one of my favorite vacations of all time. I listened to both albums repeatedly on that early June trip to Williamsburg, Virginia and my love for Adele began.

Of course I was into 25 when it came out in late 2015 and 19 somewhere around that time, but it was 21 that made me feel okay with liking a pop artist again. I also just really liked the album. “Rumour Has It”, “Set Fire to Rain”, “Someone Like You”, “I’ll Be Waiting”, and “One and Only” are pretty great songs even though “Rolling in the Deep” always has my heart. 21 does too. It came out of the blue uninvited, but it came to stay.

Heartthrob -Tegan and Sara (2013)

I got into Tegan and Sara while I was still in college in 2009, but their album Heartthrob really made me a fan. It was the album that put them into the mainstream music world for a bit. I didn’t get into the album until a year after its release in 2014. I fell hard for it though. It became the soundtrack of another trip to Williamsburg, Virginia. The hit song “Closer” was the one that suckered me in. I got into so many others though like “I Was A Fool”, “I’m Not Your Hero”, “Drove Me Wild”, “Now I’m All Messed Up” and “Goodbye, Goodbye”. Heartthrob revitalized my interest in Tegan and Sara and I’ve been a bigger fan ever since because of it.

Pure Heroine -Lorde (2013)

I was introduced to Lorde in the summer of 2013 from her breakout song “Royals”. From there I also got into the song “Tennis Court” and “Bravado”. I remember anticipating her debut album during my first trip to California especially because of the line in “Tennis Court” that goes “pretty soon I’ll be getting on my first plane.” That flight to California wasn’t my first flight, but it was my first flight in 9 years. I purchased the album as soon as I got home from Cali. It was my go-to album for a few weeks as I got into several other tracks on the record like “400 Lux”, “Team”, “White Teeth Teens”, “Glory and Gore”, and “A World Alone”.

Sacred Hearts Club -Foster the People (2017)

In the last 10 years Foster the People solidified their spot as my favorite band. I remember being so excited for their second album after Torches but Supermodel didn’t quite live up to my expectations. After their sophomore release, it was then a few years of silence before the group released new tunes. 2017 was one of the best years in music of this decade for me. It was filled with great albums by plenty of my favorite bands and artists, which included Sacred Hearts Club by Foster the People.

Foster the People dropped three songs from the record in the spring “Pay the Man”, “Doing it For the Money”, and “SHC” and I listened to those three quite frequently until the album came out in July. When it did, I immediately fell in love with the song “Sit Next to Me”. I listened to it non-stop along with the rest of the album and songs like “Lotus Eater”, “Static Space Lover”, “Loyal Like Sid & Nancy”, and “I Love My Friends”. It was only about 2 weeks after the album dropped that I was able to see Foster the People live again at Lollapalooza (the last time I saw them was in 2014). They were incredible. I then bought tickets to see them play in Philly in September as a treat to myself after my position was cut from a festival I was supposed to work. It was one of the best shows I’ve ever been to and was filled with 2 full hours of music from my favorite band including the best encore that I could have ever imagined. I caught the set list too! I owe that night to Foster the People and Sacred Hearts Club.

Wild World -Bastille (2016)

When Bastille’s sophomore album dropped, I got into Bastille. Sure I knew about Bastille before that. There were a few songs I liked from Bad Blood. Some might even argue saying Bastille’s Bad Blood really set the tone for the band, but for me it was the second album Wild World. “Good Grief” and “Send Them Off!” were always my go-to songs, but “The Currents”, “Power”, “Warmth”, and “Blame” were great songs as well. I listened to the album for weeks. Bastille recently released their third album this year. Even though the album is great, it still doesn’t do for me what Wild World did.

Ultraviolence -Lana Del Rey (2014)

Lana Del Rey’s second album was highly anticipated for me after my love of Born to Die. In between the albums, she also released the EP Paradise which was another incredible compilation of music. When Ultraviolence came out, it successfully did for me what Foster the People’s Supermodel couldn’t and since both Foster the People and Lana Del Rey were my faves I expected the best from them. Ultraviolence gave me that. “Money Power Glory”, “Brooklyn Baby”, “Ultraviolence”, “West Coast”, and “Fucked My Way Up To The Top” were my favorites. The album picked up where Born to Die left off and that’s all you can really ask from a band or artist.

Melodrama -Lorde (2017)

I always knew Foster the People and Lana Del Rey would be on this list more than once, but who knew I liked Lorde so much? Melodrama was also an incredible follow-up album to Pure Heroine. Like Sacred Hearts Club, it was part of that 2017 wave of new music. Lorde released the first single “Green Light” in early March. That song got me stoked for the new album because it was an absolute banger. Then she dropped “Liability”. I hated the song at first. It took hearing the song live on the last night of Coachella Weekend 2 to make me fall in love with it. The album released 2 months later and I remember being so pleased with how good it was. “Homemade Dynamite”, “Perfect Places”, “Sober”, and “Supercut” added to my love for “Green Light” and “Liability” made the album a hit. I wasn’t the only one that thought so either since it was nominated for a Grammy for Album of the Year.

Woodstock -Portugal. The Man (2017)

Who would have thought Portugal. The Man would have made a statement with their 8th album? They did though and it was the hit “Feel It Still” that did it. The entirety of Woodstock is fantastic though. In fact, I feel like “Feel It Still” is the song that doesn’t quite fit with the album. The first time I heard the song I thought it was Electric Guest but was shocked to find out it was in fact Portugal. The Man, whose song “People Say” was one of my favorites when I was a radio DJ in college. “Live in the Moment”, “Tidal Wave”, “Number One”, and “Keep On” are a few other great jams from Woodstock. The album left an impression and I’m sure we’ll be feeling it still even when Portugal. The Man releases more music.

El Camino -The Black Keys (2012)

The Black Keys had plenty of albums before El Camino and those albums, particularly its pre-cursor Brothers, were big in the indie rock music scene. El Camino is the album that got me into The Black Keys though. I got the album in 2012 and saw the band perform live two years later. “Lonely Boy” was the song that got me started on The Black Keys, but El Camino was full of hits like “Gold on the Ceiling”, “Little Black Submarine”, “Stop Stop” and “Dead and Gone”. I learned how to play a few of those on guitar too. The Black Keys haven’t stopped making music in the last decade and have released two albums since El Camino, the most recent being this year, but El Camino will always be special to me.

Heard It In A Past Life -Maggie Rogers (2019)

Last winter I debated buying this album on vinyl while I was listening to Maggie Rogers as part of my Coachella preparations. Ultimately I decided with the help of my instagram followers that I should buy the vinyl. I did and it was a great purchase. The debut album from Maggie Rogers is a thing of beauty. “Light On”, “Fallingwater”, “Give a Little”, “Alaska”, and “Burning” are incredible. Oh and there’s also “Back in My Body”, but I’ll get more into that song when I recap this past year. The album was one of my favorites of the last year and I was pretty shocked when it didn’t get a Grammy nomination. The album is still tops in my book and one of my favorites of the last decade.

This Is Happening -LCD Soundsystem (2010)

When I think about it, there’s only three words that can describe This Is Happening: “Dance Yrself Clean”. It was the song that got me into LCD Soundsystem a year after the “final” show at Madison Square Garden thanks to Suits actor Patrick J. Adams and Troian Bellisario (yes, again!). Over the years I got into LCD Soundsystem and their small-ish, but excellent discography. I never thought I’d be able to see the band until right before Christmas in 2015 when the band dropped a Christmas song, “Christmas Will Break Your Heart” (which I’ve actually listened to twice today) which sort of signified their return. A few weeks later they were on the Coachella lineup and officially back. They dropped a new album American Dream in 2017 and I was able to see them twice once they returned, at Lollapalooza in 2016 and at my favorite venue in Philly in 2017 with a friend who was actually at their “last” show.

Oddly enough, I don’t own This Is Happening in any form. It kind of doesn’t fit this list in that regard, except it’s kind of like An Awesome Wave. I’ve listened to all the songs on this album at different points over the last decade. “Drunk Girls” is one of my favorite LCD Soundsystem songs. “You Wanted A Hit” was the song I got into after seeing them play for the first time. Then there’s “I Can Change”, “Home” and “All I Want”, which I actually just got into recently. Over the last 10 years, LCD Soundsystem earned a special place in my heart, but I sort of owe that to This Is Happening.

Honorable Mentions:

The 1975 -The 1975 (2013)

How Big, How Blue, How Beautiful -Florence + the Machine (2015)

AM -Arctic Monkeys (2013)

Without Fear -Dermot Kennedy (2019)

So there you have it. All my favorite albums from the last 10 years. Actually, there’s probably more, but these are the ones that stood out the most. Thanks to music for all that I love and thanks to these great bands and artists for putting amazing tunes into the world. I can’t wait to see what the next 10 years brings or where music will take me both personally and professionally. I can only hope for the best, but so far it’s been nothing short of incredible.

Generationals

In 2011, as you might know, I got into the indie music scene. Foster the People was the first band to really transition me away from emo, punk, and pop punk. Another band I got into around that time was Generationals. I discovered the song “Trust” through the television show Pretty Little Liars. At the time the show was in its first season and used plenty of indie music as background. To this day I still listen to Generationals from time to time and I figured it was about time I wrote about this low-key indie duo.

Generationals are an indie pop/new wave group from New Orleans, Louisiana. The group consists of Ted Joyner and Grant Widmer. The duo formed Generationals when their former band The Eames Era, famed for having a song on the Grey’s Anatomy soundtrack, broke up. Joyner and Widmer named the group Generationals after the issues in the 2008 presidential election being referred to as a “generational issues” by CNN, which they frequently watched while recording.

The group released their debut album Con Law in 2009 to mostly favorable reviews. Their first EP Trust was released over a year later in November 2010 followed by their second album Actor-Caster in March 2011. The group toured in support of bands like Broken Social Scene and Two Door Cinema Club during that time. Their music was also featured in many forms of entertainment like commercials, movies, and television shows.

Since their early days Generationals have routinely released music with the albums Heza (2013), Alix (2014), State Dogs: Singles 2017-18 (2018), and most recently Reader as Detective which was released this past July.  I’ve followed the group with songs here and there over the years. Most recently though I’ve fallen in love with the song “Gatekeeper” from their latest record and it has made me want to listen to them more like I used to back in my early days of discovering indie music.

Their sound hasn’t strayed much over the last 10 years. They’ve consistently released music that fits perfectly in the indie pop genre. They have a similar sound to bands like The Kooks or Peter, Bjorn, and John. Although they might not have as much indie scene cred as those two acts, they definitely fit their genre just as well.

If you’re into that late 2000’s-early 2010’s indie scene, Generationals are a great group to listen to. In fact, they’re just a great group to listen to regardless. They’ve been in my music rotation for long enough and there was a point I listed them as one of my top 5 favorite bands. So just listen to them. They’re timeless and pretty great. They’re generational(s)!

 

 

Coachella 2018 Lineup Release

Not 48 hours into the new year and the Coachella 2018 lineup drops. Last night at 4:15 PT Coachella released their lineup on social media and as always people have opinions, me included. Since last year I expected the 2018 lineup to be the best since 2014. If you know me, you know that I believe 2014 had the best lineup to date and every year after has  been incomparable. 2018 had so much potential. There were so many bands who released new music in 2017 that did not play the festival plus a handful of other greats expected to release new music this year. But when rumors spread just before Christmas about the headliners, I knew this year wasn’t going to meet my expectations.

Going into 2018 everyone knew Beyoncé was supposed to headline. She was supposed to headline last year but dropped out shortly after the announcement of her twin pregnancy paving the way for Lady Gaga to take her spot. The biggest question was who would accompany her on top of the poster. On December 20th, Consequence of Sound reported that Eminem and The Weeknd were slated to join Beyoncé as the 2018 headliners, much to my dismay. Here’s why. The Weeknd headlined Coachella in 2015. Was he supposed to be a headliner? No. However he played in the headliner spot. Jack White, the headliner for that night, took an early spot for whatever the case may be leaving The Weeknd to close out the night.

In my opinion Eminem is a pretty cool choice for a headliner. He fits that formerly popular/still popular angle. He’s a rapper and for the past few years Coachella has plugged that genre (or R&B) into one of their headlining spots. Plus he just released a new album. Here’s the issue: Beyoncé already filled that genre spot this year. I mean come on! The entire headlining lineup is rap/R&B. This is the first time in the history of the festival that a rock band isn’t headlining. Disappointing.

In fact, looking at the lineup, rap/hip-hop/R&B has taken over the festival this year. I think Louis Tomlinson’s (of One Direction fame) reaction on Twitter summarizes my feelings exactly. He stated, “Just seen the Coachella lineup …. Where the fuck are all the bands!? It’s a festival!?” Yes Louis, you’re right. Where are all the bands?! All I see are rappers, R&B singers, or electronic DJ’s. As I went through the lineup last night making a list of who I would see for my annual Coachella preview, there were names lacking for each day and more “possible” acts to see than definites. For Friday, I only listed 4 acts. Four. It’s a headshaker, for sure, given that this year had some high expectations. Anyway, let’s get down to this lineup analysis.

The Headliners: The Weeknd, Beyoncé, Eminem

I already summarized my thoughts on all these acts above. So re-read that.

The Other Highly Billed Performers: SZA, Kygo, Jamiroquai, St. Vincent, the War on Drugs, Vince Staples, Haim, Tyler the Creator, David Byrne, alt-J, Post Malone, Fleet Foxes, Odesza, Portugal. The Man, Migos, A Perfect Circle, Cardi B, Miguel, Soulwax, Jean-Michel Jarre, Daniel Caesar, Kali Uchis, Los Ángeles Azueles, Deorro, Chromeo, Chic feat. Nile Rodgers, BØRNS, Louis the Child, Angel Olsen, Jungle, blackbear, MØ, King Krule, Illenium, Kamasi Washington, French Montana, 6lack, Vance Joy, Russ, LANY

As always, there’s a few names in this group that I’m pretty excited about. If I were attending this year, I’d definitely be hitting up Kygo, St. Vincent, Haim, alt-J, Fleet Foxes, Odesza, Portugal. The Man, BØRNS, Illenium, and LANY. There’s a few that I’d definitely check out here too if there were no overlaps like David Byrne, Post Malone, Chromeo, Jungle, MØ, and Vance Joy. I’m mostly excited about Haim and alt-J. Even though I’ve seen both live before, they’re fantastic and two of my favorite bands. Odesza is an incredible electronic act and I can attest from seeing them live last month. I’ve seen BØRNS live before as well and it was so enjoyable. After working St. Vincent in November and listening to her VIP Q&A, I’ve gained a new respect for Annie Clark and her music. I was able to stay for half of her show but would love to see her again. The others I’ve never seen live.

As I said in my 2017 music recap blog post, I would be reviewing Portugal. The Man soon. It might now be even sooner than I thought. I’ve been stoked on their latest album since buying it on vinyl in NYC and I’d love to see them live especially since knowing about them since college. Since getting into electronic music, I’ve always been partial to tropical house, making Kygo an artist I would love to check out. I also got into Illenium’s latest album for a short time two months ago making him another electronic act I’d want to see. I’ve listened to LANY a few times over the past few years so they’re a group I’d love to see too. If you’re looking for the most indie band at Coachella this year, I’d have to say that would be Fleet Foxes. I’ve liked them for a while now and would definitely want to see them live.

As for the others that I’d like to check out, I’ve seen Jungle and Vance Joy before. Both played in 2015 when I attended and I made it to both sets. I even saw Vance Joy at Panorama last summer. They’re always a solid set. I was super hyped about Jungle in 2015, but this time around they’re not a definite for me. They’ve got new music out, which I plan on checking out soon They just didn’t make a huge impact on me last time. I’ve casually listened to Chromeo and MØ so I would casually see them. Post Malone is burning up right now. I’m not into rap, but Post Malone has a song that is more indie than rap that I enjoy. I think I’m solely interested in seeing this dude play live because of the hype surrounding him right now. David Byrne is the most intriguing to me. Honestly I had no idea who he was until I did a little research. After I found out, it felt like I failed at music so excuse me for that one. As the lead singer and guitarist of the Talking Heads, I would love to hear his set. He’s got a solo career going, but you know he’ll be playing some Talking Heads covers. Who knows maybe there’s a reunion in store?! I mean who doesn’t like the Talking Heads?!

The Rest: Maceo Plex, Alan Walker, the Neighbourhood, Alison Wonderland, Kelela, REZZ, Bleachers, Black Coffee, SuperDuperKyle, Justin Martin, Belly, TroyBoi, Dreams, Perfume Genius, PVRIS, Moses Sumney, LÉON, Greta Van Fleet, Tank and the Bangas, Cash Cash, Whethan, Skip Marley, Elohim, Detroit Love (Carl Craig, Kyle Hall, Moodymann), Benjamin Clementine, Carpenter Brat, the Blaze, Knox Fortune, MHD, Slow Magic, Avalon Emerson, Fazerdaze, Moon Boots, HITO, Helado Negro, the Buttertones, the Regrettes, Boogarins, the Marias, Señor Kino, Tash Sultana, BROCKHAMPTON, Marian Hill, Alina Baraz, First Aid Kit, Snakehips, Highly Suspect, Wizkid, Jorja Smith, Alvvays, the Black Madonna, Tom Misch, Django Django, X Japan, Benjamin Booker, Flatbush Zombies, Ekali, Yaeji, Party Favor, Big Thief, Jason Bentley, Oh Sees, Sigrid, Busy P, the Bronx, AC Slater, Sudan Archives, Jackmaster, Otoboke Beaver, Chloe x Halle, Sir Sly, Hundred Waters, Pachanga Boys, Bedouin, Cherry Glazerr, Mild High Club, Priests, Ron Gallo, Declan McKenna, Bane’s World, KITTENS, the Drums, Aminé, Jessie Ware, Jamie Jones, Kamaiyah, San Holo, FIDLAR, DeJ Loaf, Petit Biscuit, Ibeyi, LP, Motor City Drum Ensemble, Princess Nokia, AURORA, Noname, Jacob Banks, Chris Liebing, Jidenna Hayley Kiyoko, Barclay Crenshaw, LION BABE, Giraffage, Talaboman, THEY., Cuco, Joseph Capriati, Hannah Wants, Nothing But Thieves, John Maus, Kölsch, Japanese Breakfast, MAGIC GIANT, Omar-S, Michael Mayer, Westside Gunn + Conway, Buscabulla, Peggy Gou, Snail Mail, Rolling Blackouts Coastal Fever, B Boys, the Delirians

My favorite name that showed up on the Coachella lineup this year is in this group, Hayley Kiyoko. As you know, I saw her last year in what I consider to be one of the most epic nights in music for me, seeing 2 shows in one night. One of those was Hayley Kiyoko and she played in a small venue in Philadelphia. I was beyond excited to see her name on the poster and so stoked that she’s playing Coachella this year in time with releasing her debut album. Another band that’s on my must see list is in this group too, The Neighbourhood. I’ve been digging The Neighbourhood since 2013 and I’ve never seen them live. They’re a must-see for sure. There’s a few on this list that I’d want to catch if I had time too. Bleachers, Tash Sultana, Sir Sly, Declan McKenna, and Marian Hill are the big ones among that bunch.

As a whole I feel like this is the smallest group of bands I’ve been interested in since starting my Coachella previews in 2015. I had such high hopes for this year’s festival and it all came crashing down last night. Some names I would have liked to see on this year’s lineup include Arctic Monkeys (as a headliner or part of that second line of acts), Vampire Weekend, MGMT, Foster the People, Lana Del Rey, Cold War Kids, Halsey, Phoenix, Andrew McMahon in the Wilderness, ARIZONA, the 1975, Sigala, Cigarettes After Sex, Passion Pit, The Kooks, AWOLNATION, and either The Killers, Arcade Fire, or Kings of Leon as a headliner (most likely The Killers though). There’s probably more bands as well, but those are a few off the top of my head.

I started doing a bit of research on this year’s lineup compared to my favored 2014 lineup. I plan on editing this post later today or tomorrow with my findings. Until then, you should start listening to some bands on this lineup. There’s plenty I know nothing about and a few that I do. Maybe you’re stoked on this lineup. Maybe you’re not. The fact is that Coachella is in 3 months and the prep officially began yesterday. One thing is certain though, regardless of who is on the lineup and the amount of complaining done, people are still gonna go to Coachella. It’s the festival to be at. It’s Coachella. You’re bound to have a great time because although I strongly believe music festivals should be about the music, Coachella is more than music. It’s art. It’s atmosphere. It’s good food. It’s being with people you care about and have a good time with. It’s hot days and cool nights. It’s palm trees, and mountains, and desert. It’s fashion. It’s celebrities. It’s social media. It’s sponsors. It’s ferris wheels and hip merch. Mostly it’s the best kind of positivity and vibes you’ll ever experience. So Coachella 2018, I’m ready for you! Here’s to hoping I can be part of the magic again.

(EDIT: I spent the last hour or more doing some research and the numbers I came up with are unreal. I analyzed the 2014 Coachella lineup vs. the 2018 Coachella lineup. I looked at the first 3 lines of each poster plus the headliners and I grouped performers in 4 categories, Rap/R&B, Electronic, Pop, Rock/Indie. In 2014, out of the 165 acts, there were 71 featured on the first 3 lines of the poster including the headliners. Out of those 71, 14% were Rap/R&B, 28% were Electronic, 6% were Pop, and 37% were Rock/Indie. In 2018, out of 165 acts, there are 69 featured on the first 3 lines of the poster including the headliners. Out of those 69, 33% are Rap/R&B, 25% are Electronic, 9% are Pop, and 33% are Rock/Indie. Compared to 2014, the number of Rap/R&B acts have more than doubled. Is Rap/R&B back on the rise and I didn’t know about it? If you asked me, I would tell you no. So what’s the deal this year? What’s even more shocking is that I also compared the number of Bands to Artists for each year. I defined “Band” as a group or single performer with a backing band that plays classic instruments (guitar, drums, bass, keyboards, etc. as opposed to electronic equipment). Artists included rappers, R&B singers, electronic DJ’s, and pop singers. In 2014, out of 71 acts, 55% were Bands and 45% were Artists. In 2018, out of 69 acts, 30% are Bands and 68% are artists. To me those numbers, are staggering. Louis Tomlinson noticed it and he’s right. The bands have decreased this year in favor of the artists. So seriously Coachella, WHERE ARE THE BANDS?! And why are you straying from what made you amazing in the first place? #Coachella2018thefestivalthatcouldhavebeen)

2017: The Best Year in Music Recap

Last year around New Year’s, I wrote about how music saved 2016. It was a pretty shitty year for the country and in the grand scheme of things. Although people would say 2017 might not have been the best for some similar reasons, I would have to argue. 2017 was a great year. Personally, I worked more events than last year, worked new festivals including my all-time favorite, Coachella, had the opportunity to work a few different roles, saw tons of incredible live music, made new friends, got closer to friends I already had, and figured out what my ultimate goal is. Overall yes there were several bad and upsetting events that happened especially in America. There were even a few hiccups in my own life. However, despite the bad, there were plenty of instances of hope. As for music, as much as I thought it was the best part of 2016, it doesn’t hold a candle to this past year.

So many artists released new albums this year. I mean I guess that’s pretty standard for every year but this year was special for me. It was all of my favorites (minus Florence and the Machine) putting out new albums. I also discovered so many more great bands thanks to the incredible people I met and grew closer to this year.

I could do a detailed recap of all the music I loved from this year, but I wrote about it so many times so I’ll give you all the links in a ranking of my favorite albums of 2017.

My 2017 Top 10 Favorite New Albums

10. Zombies on Broadway   -Andrew McMahon in the Wilderness

The follow-up to Andrew McMahon’s debut had a handful of hits. I never reviewed this album and I’m so sorry because it was a good one, making it #10 on my list.

9. Something to Tell You   -Haim

Although Something to Tell You wasn’t quite what Days Are Gone was for me, I was super stoked to hear some new music from the Haim sisters. The new album had a few great jams like “Little of Your Love” and “Want You Back” which helped it earn my #9 spot.

8. Lust For Life   -Lana Del Rey

As advertised, Lust for Life was an album for the fans. In my opinion it wasn’t Lana’s best nor her worst. “Coachella – Woodstock on My Mind” and “Beautiful People, Beautiful Problems” featuring Stevie Nicks were two of my favorites, but it wasn’t quite what I was hoping for by one of my favorite artists, putting Lana at #8.

7. Woodstock   -Portugal. The Man

I owe the love of this album to our self-planned Hipster Day in NYC when we went to Brooklyn, checked out cool street art, and spent time in a record store where I purchased the album on vinyl. Who would have thought 2017 would have re-introduced me to Portugal. The Man? After a banger like “Feel It Still” it, it happened though. I never reviewed this album or this band on my blog yet, but don’t worry it’s coming soon. My recent hype and appreciation for Portugal. The Man’s hit album helped it reach the #7 spot on my list.

6. American Dream   -LCD Soundsystem

American Dream was the highly anticipated comeback album from LCD Soundsystem. It might not be Sound of Silver, but it’s got plenty of great tracks that will be played at LCD’s show until they decide to break up for good this time.

5. A Moment Apart   -Odesza

Odesza was a new discovery for me this year. When this album was released, I had never listened to them so I wasn’t anticipating the release nor planning an album review (I linked my general blog post from a few weeks ago instead). It took a special trip that included an Odesza concert to force me to listen to the album, but it was definitely worth it as it comes in as my #5.

4. Ultralife   -Oh Wonder

2017 became the year that I really fell for Oh Wonder. I owe it to Coachella, Denise, and a shitty work schedule, yet I’m so grateful it worked out that way. Their new album picked up where their self-titled debut album left off and added a few new hits to their repertoire making Ultralife my #4 top album this year.

3. GALLERY   -A R I Z O N A

After discovering A R I Z O N A last year, listening to almost every new single they released, and loving each and every one, their debut album had to be high on my list. The album is basically a compilation of each single plus a few new tracks. I don’t even own the album, but I’ve spent a lot of time listening to their songs. Again, I linked up my general blog post from this year about the band.

2. Melodrama   -Lorde

If I wasn’t biased, this would hands down be the best album of the year. Every song on Melodrama is fantastic. The album was the kind of sophomore album bands and artists dream of, but not many can achieve. Lorde crushed it with this one giving her second full length my #2 spot.

1. Sacred Hearts Club   –Foster the People

Like I said, I’m biased on this. I’ve always said Foster the People was one of my favorite bands, but this album made me fall in love with them all over again. It’s not quite Torches, but it’s close. “Sit Next To Me” became my favorite song of the year. Seeing them live twice and up close was everything I needed. They’re always my #1.

Honorable Mentions: I See You -the xx, Relaxer -alt-J, Wonderful Wonderful -The Killers, Everything Now -Arcade Fire, L.A. Divine -Cold War Kids, Masseduction -St. Vincent

So there you have it My Top 10 Favorite Albums of 2017…the Best Year in Music, at least in my opinion. 2018 has a lot to live up to. There’s sure to be plenty of good music this year, but it’ll be hard to beat all the new stuff from my favorites. Still we have a few to look forward to. I heard some rumors about upcoming albums from Arctic Monkeys, Vampire Weekend, and MGMT. Hayley Kiyoko will be releasing her debut album this spring and the 1975 is supposed to drop their third full length album. Chrvches and Bastille are also on radar for some new albums. As you can see there’s still good things to come. Plus the Coachella lineup drops this week and you know what that means. So thanks 2017 for being so special. 2018…”just come over here and sit next to me” because I’m ready for you and all the music you have to offer.

Sacred Hearts Club: Album Review

July 21st was a big day. I worked Check-In for travel packages for a Phish show and two of my favorite music artists released their new albums. I didn’t have much of a chance to listen to both because of work, but I got on it this morning. I figured I’d start with a review of Foster the People’s latest work Sacred Hearts Club because I’ll be seeing them in two weeks when I head to Chicago for my second Lollapalooza. At this point, binging on their new album is necessary.

Stylistically, their new album has a much different feel than their last two. There are songs that have the classic Foster the People sound like “Doing It For the Money” and “SHC”, which were both released in April as part of their 3 song EP entitled III and others that add elements from other styles of music. “III” sounds like a deep house track. If it wasn’t for Mark Foster’s signature vocals, I’d think I was listening to a Flume song. There’s more electronic influence in songs like “Loyal Like Sid & Nancy” and “Harden” too. Foster the People has always used synth in their music but these songs just sound more electronic. Maybe it’s me and how my listening style has developed, but I’d argue regardless. I even feel like there’s a jazz influence in some of their songs, particularly in “Static Space Lover”.

As I said before, I believe this album sounds different to me, but Foster the People has been blending genres since their first record. There’s dance, punk, and hip-hop blended into their previous albums. There’s just something about this one that stands out though. The band wanted this record to be a uniting voice amongst a world filled with negativity too. I think it has the potential to be just that as many songs express camaraderie lyrically. I believe listeners will be able to relate and use this music to rise above the hate in the world.

If you asked me who my top 5 favorite bands are at this point in my life, the first band I’d name would be Foster the People. Torches is still one of my favorite albums of all time. So for me, buying this album was a no-brainer. I would have even bought it blindly. Therefore, it might be hard to believe my opinion is unbiased when I say that I think this album would appeal to more than just Foster the People fans because of the development of their music style. I promise it’s worth checking out though so do yourself a favor and pick-up a copy.

2017….The Best Year of Music?

Coming back from two weeks in So Cal has been a bummer to say the least. With Coachella, sunshine, warmth, palm trees, new friends, old friends, etc., I’ve been in a withdrawal. It’s also tough to come up with weekly blog topics because I feel like I gave it my all for the past 3 months writing about Coachella bands. However, there’s one thing that’s helped with all of the sad feelings recently. It’s the constant stream of new music flooding in from a bunch of my favorite bands and artists. Over the last 2 weeks, I’ve lost count of how many of my faves have released new tunes. I had a realization this past week that 2017 is shaping up to be the best year for music, or at least new music so I figured I’d write about it and give you a little preview of what’s to come.

Obviously there’s a ton of bands and artists releasing new music this year, way more than I plan to write about. The acts I’m mentioning are some of my favorites. Some I’ve written about in the past already. Actually that’s a lie. I’ve written about almost all of them before. The first is someone who I haven’t talked about for a while, but she’s one of my all-time favorites of the past 6 years, Lana Del Rey.

Lana Del Rey released a new single in February called “Love”. Upon its release, she said her upcoming new music was inspired by her fans and the people who supported her throughout the years. “Love” was the first of the new releases to give back to them. Until February, Lana hadn’t released new music since 2015’s Honeymoon. Then while I was at Coachella she released another new single, “Lust for Life” featuring The Weeknd. She also confirmed a few weeks before the single’s release that her new album would also be entitled Lust for Life. Although no release date has been confirmed for the new album (EDIT: The new album will be out July 21st.), there’s rumors that it will feature a few other collaborations with the likes of Stevie Nicks and Sean Lennon, son of John Lennon.

Another artist with new music out this year is Lorde. I, of course, wrote about her as a Coachella preview, but it was before she put out her new material. Along with Lana Del Rey, Lorde was one of the first to put out music this year. In early March she dropped her single “Green Light”. Then a little over a week after that she performed another new single when she appeared on SNL, “Liability”. I loved “Green Light” the first time I heard it. It’s the kind of song that makes you want to get up and dance. It’s the Pure Heroine follow up hit that I was looking for from Lorde. It got me so hyped for her new album Melodrama, which I thought may come out before Coachella, but isn’t going to be released until June 16th. “Liability” is the complete opposite. The song is so raw and emotional. It’s not something I’ve ever heard from Lorde. It sounds more like something Adele would sing. I denounced the song immediately after I heard it, but then I heard it again live at Coachella. It was incredible. Not just the song, but the entire moment surrounding the festival and the two weeks I spent in California.

She performed Sunday night and I was only able to see her performance on Weekend 2, the final night of what was the most incredible festival-working experience I’ve had thus far. Lorde spoke to the crowd of probably close to 100,000 people as if she were in a tiny dive bar and explained how much the song meant to her. Then she went on to sing her newest piece of music with everyone who cared to join her amongst the beautiful night scene at Coachella with the cool breeze blowing and lit up palm trees swaying as the ferris wheel glowed in the background. I took in the moment with two new friends I met while working the festival focusing on Lorde, the entire setting, and my one friend almost in tears because the song affected her that much. It was epic enough to force me to give “Liability” a second chance and I haven’t stopped listening to it since.

Then I came back from California and within days there was new music from my favorite band, Foster the People. I’ve liked Foster the People for 6 years now. They were one of the first bands that I liked when I started getting into the indie rock scene (See here for the story). They haven’t released new music since 2014 and I’ve been craving something new from them for the last 2 years. On April 27th, the indie rock trio released III, a three song EP with songs from their upcoming album. I listened immediately and have been listening to the songs non-stop ever since, “Doing It For the Money” in particular. I feel like the new music combines that old Torches sound with the newer Supermodel sound to create this in-between to both albums giving fans the best of both worlds. For me, it’s almost impossible to top Torches. I still keep the album in my car and pop it into my CD player on occasion. It’s one of my favorite records of the modern era, but this new album (at least indicated by the EP) has shades of Torches that gets me hyped for its release. As of today, the title and release date have yet to be announced, but I read that it should be out in June or July (EDIT: Foster the People’s new album, Sacred Hearts Club, will be July 21st).

On the same day that the world was blessed with three new Foster the People songs, Haim announced their upcoming sophomore album Something To Tell You and released a preview of the track “Right Now”. They also announced they would release a single from their upcoming album on May 3rd. Last summer when I saw Haim play at Lollapalooza they played a few of their new songs. I don’t remember what songs they played, but I do remember liking each one I heard. Each new song still maintained their signature sound. It got me excited for their new record and I’ve been anticipating it ever since. The album comes out July 7th, but until then we have the song “Want You Back” (the May 3rd single) to hold us over and any other new songs the sisters Haim decide to drop along the way.

alt-J is another band with a new album out this year. I really got into alt-J after seeing them perform at Coachella in 2015. My friends and I then saw them while they toured a few months later. Both shows were fantastic. alt-J released the first single, “3WW”, from their new record in the beginning of March. Then a few weeks later they released “In Cold Blood”. alt-J has always had this unique style of indie music and it’s again evident in their new music so far. Their new record Relaxer comes out on June 2nd.

If you thought five new records were enough, you haven’t been paying attention to music news because there’s a few more to be excited for. One of those is a record that doesn’t have a title or release date yet, but I expect it to be out later than the rest. I’m guessing it could be out any time between late summer and winter (EDIT: The new album, American Dream, comes out September 1st.), but I’m so grateful for the two new songs that were just released this past Friday at midnight in anticipation of it. After announcing their reunion last winter and headlining festivals throughout 2016, LCD Soundsystem finally released new music! They played several shows at the opening of the new venue, Brooklyn Steel, in New York City last month and debuted both songs there. The songs “call the police” and “american dream” were also just performed by the band on SNL over the weekend. I haven’t had much of a chance to binge listen to the songs yet, but I can’t wait to listen on my road trips I have coming up this month. Both songs are different and yet so good. At this point, I think I’d feel that way about anything LCD Soundsystem puts out.

So those are all my favorites that have new albums coming out soon, but there’s also a few other good music acts that I like with new tunes on the way too. Halsey just released two singles over the last month from her new album Hopeless Fountain Kingdom due out in June. So far from the new releases, her album seems like it’ll be less dark than Badlands. Phoenix will be releasing their sixth album and first since 2013, Ti Amo, on June 9th. They just dropped the first single from the new record, “J-Boy”, on April 27th. Finally a band I recently previewed before Coachella, Oh Wonder, will be releasing their second album, Ultralife, on June 16th. Over my two weeks spent in Indio, my love for and desire to see Oh Wonder grew a little more (I couldn’t see them at Coachella). Now I’m definitely stoked for their follow-up to 2015’s debut self-titled masterpiece.

Along with all that’s to come this summer, several great bands that I like have already released new music this year. The xx just released I See You on January 13th. I missed them at Coachella, but I’ll be seeing them live next week! Andrew McMahon in the Wilderness released Zombies on Broadway on February 10th and his new record has some great jams that give off a brand new electronic feel not usually heard in Andrew McMahon music. Lastly and most recently, Cold War Kids just dropped their newest album L.A. Divine on April 7th.

In total that’s 12 new albums from bands I like, about half of those being my favorites. I’ve said recently that all I need is for Florence and the Machine to release a new album this year to really put that final piece in the puzzle. Even without them this year is shaping up to be one of if not the best in music! I’m stoked so you guys better get stoked too because there’s so much to listen to!

Flume

This weekend I’m volunteering at the Sweetlife Music Festival in Columbia, MD, which is right outside of the Baltimore/Washington, D.C. area. The festival is sponsored by the organic health food chain sweetgreen and focuses on both music and food under the belief of combining passion with purpose. I attended the festival 2 years ago when Foster the People and Lana Del Rey headlined. It was a blast despite the constant rain drizzle for most of the day and the monsoon that happened as Foster the People played “Coming of Age”. As a perk of volunteering, I get to attend the festival for free when I’m not working my shift. In my opinion, the lineup isn’t as good as it was in 2014. At the time I applied to volunteer, I only listened to two of the artists on a normal basis. That changed a few weeks ago. After listening to some Spotify playlists, I discovered a new tune by an Australian DJ who also happened to play Coachella this year. So yes, I probably could’ve done a Coachella Band Preview on this guy. I discovered him around the time the festival was happening though, so it was too late by then. Luckily he’s playing Sweetlife this weekend. Hopefully I’ll be able to catch his set because he seems to be all the rage this summer.

Flume, aka Harley Edward Streten, out of Sydney, Australia, first came onto the electronic scene in 2011 after he won a music competition managed by Australian record company, Future Classic. Upon winning, he signed a record deal and released his debut self-titled album on November 9, 2012 in Australia. The album reached the number one spot on the ARIA (Australia Recording Industry Association) Albums Chart. The American release of the album happened in February of 2013. That same year he headlined his first tour in Australia and played SXSW (South by Southwest) in Austin, Texas. He was named one of Fuse TV’s 30 “Must-See Acts” at the annual Texas music and film festival. 2013 also brought the DJ 4 wins at the ARIA Music Awards in the categories of Best Male Artist, Breakthrough Artist – Release, Best Dance Release, and Producer of the Year. In 2014, Flume toured internationally which included some stops on the festival circuit at Coachella and Lollapalooza. This year, after playing Coachella for the second time, Flume has the release of his sophomore album planned for May 27th. He also recently announced a World Tour which kicks off in New Zealand in July. The tour consists of stops in North America, Europe, and Australia. Tickets for the North American leg went on sale today and many dates already seemed to be sold out. It’s a hot ticket this summer for sure.

As an electronic music producer, Flume’s music fits the EDM spectrum. It’s primarily electronica, but it does have a hip hop influence. There’s tons of focus on beats in his songs. It also has this relaxed, chill feel to it so that despite the beats his tracks are much more toned down than upbeat dance/club/house music.

Like I said, I only started listening to a few of his songs a couple weeks ago, which was too late for a preview for Coachella. Apparently though, his Coachella set was incredible. If the ticket sales for this upcoming tour are any indication, he’s a must see artist right now. Hopefully my shift doesn’t overlap with his set so I can catch what might be one of the best sets of the festival. Crossing my fingers right now. If you feel like checking him out, here are a few songs you should listen to:

  1. Sleepless
  2. Holdin’ On
  3. Say It (feat. Tove Lo)
  4. Never Be Like You (feat. Kai)
  5. Drop the Game
  6. Insane
  7. This Song Is Not About A Girl

Coachella Band Preview: Alabama Shakes

Too hyped that Coachella is only 3 weeks away? Me too. I’ve been listening to music, planning what to pack, and figuring out some other things I need for my arrival in beautiful Southern California. It’s about to get so real. In the meantime though, I’ve decided to blog about a band from the south playing the festival this year for their first time, Alabama Shakes.

Alabama Shakes was formed in 2009 when lead singer/guitarist Brittany Howard and bassist Zac Cockrell began writing songs while still in high school together in Athens, Alabama. They recruited drummer Steve Johnson to join the group  prior to recording some of the tracks they had been working on. Later, guitarist Heath Fogg came on board and so began their life as Alabama Shakes. They were formerly just called The Shakes but added the “Alabama” to differentiate from other bands also known as The Shakes. Their first album Boys & Girls was released in April of 2012, but they started gaining attention prior to that due to the release of a four song EP in September 2011. The band received Grammy nominations for “Best New Artist” and “Best Rock Performance” the following year for their work on the debut album.

I first heard of Alabama Shakes in the spring of 2012 shortly after the release of Boys & Girls. I heard the single “Hold On” and really enjoyed it. Then I remember reading about the group/album thinking, “these guys are gonna be like Foster the People was last year. I need to get into them before everyone else finds out about how good they are. (I like to say I knew about bands “first”.)” So I went out and bought the album. I told all my friends to listen to them. I saw they were touring and selling out shows after a solid performance at SXSW (South by Southwest) that year. However, what I thought would happen didn’t really happen as I expected. Alabama Shakes did end up receiving those Grammy nominations that were predicted when I first heard about them, but I still think Foster the People blew up more.

The band plays a blues, soulful type of rock known as roots rock, which is a combination of folk, blues, and country rock. They could also be classified in the Americana genre. Now that I think about it, it makes total sense why I got into Alabama Shakes in spring 2012. It was also at that point that my interest in The Black Keys started to peak. I purchased El Camino probably a month before I got Boys & Girls. Although I wouldn’t classify their styles and sounds as being the same, both Alabama Shakes and The Black Keys have some similarity with the blues rock sound they produce. Alabama Shakes definitely has more soul and a country-ish feel to their music though. I guess I kind of progressed to Alabama Shakes after listening to The Black Keys.

Like some other bands/artists playing Coachella this year, Alabama Shakes also have a new album due out soon after the festival (the week after Weekend 2 to be exact). The sophomore album is called Sound & Color and the group has already released two singles from it, “Gimme All Your Love” and “Don’t Wanna Fight”, but I doubt those will be the only new tracks the band plays in Indio. This year Alabama Shakes joins Coachella for the first time in a minor headlining role. They play Friday on both weekends. There’s not that many bands I have on my must-see list for Friday, but Alabama Shakes is one of them. I remember wanting to see them in 2012, but not having anyone to go with (at that point I wasn’t too keen on going places by myself). So now I can finally fulfill those wishes.

Song recommendations:

1. Hold On

2.Don’t Wanna Fight

3. Hang Loose

4. Always Alright

5. You Ain’t Alone

6. Be Mine

7. I Found You

Coachella Band Preview: RAC

Within the past 10 years a music style known as EDM or electronic dance music (can also be referred to as club music), has grown in popularity through artists like Daft Punk, Skrillex, David Guetta, Deadmau5, and Aviici. This style of music is mostly created through the use of electronic equipment and played by DJ’s as opposed to the standard musical instruments. Sometimes these acts will have other artists come in and sing over the tracks they produce thus creating more of a song feel rather than just electronic music.

I’m not into EDM. Never was. LCD Soundsystem might be the only group I like and listen to that’s even close to what you would consider EDM. Last summer though I heard a song that was so catchy and so unlike other club music that I didn’t even realize it was by a DJ type artist. The song was called “Cheap Sunglasses” and it was by a band or should I say artist called RAC.

Formed in 2006, RAC used to stand for Remix Artist Collective. It was an indie project started by Andre Allen Anjos where him and a few others would remix indie songs into something more danceable. Sounds kind of like EDM but not the case. Unlike club music, the remixes created a “unique aesthetic based around emotion and nuance”. To me that means there’s a more whimsical, flowing vibe. RAC created remixed songs by plenty of indie artists including Lana Del Rey, Tegan and Sara, The Shins, Foster the People, Edward Sharpe and the Magnetic Zeros, etc. (the list goes on and on). Nowadays RAC is just RAC and has become Anjos’ solo project. In 2014 RAC released an album called Strangers which uses original compositions and features other artists singing on many of the tracks.

This year RAC is playing Coachella and it’s a set that I’m highly anticipating. I’ve downloaded several other RAC songs besides “Cheap Sunglasses”. I really dig all of them. I tried to purchase the album locally but it was unavailable. I’ll probably end up buying it online. It’s that good. A lot of the songs remind me of something I’d listen to while cruising the California coastline. The sound really is more indie than electronic though. Maybe that’s why I enjoyed it so much without ever realizing that RAC wasn’t a band. Even after I found out, it didn’t turn me away. I have a feeling the Coachella set is going to be so fun and upbeat. I even think my cousin who is more of a Pitbull fan than anything indie rock is going to love it. I guess you can say that RAC is probably the closest I’ll get to liking EDM, but that’s fine by me.

Song recommendations:

1. “Cheap Sunglasses” (feat. Matthew Koma)

2. “Hollywood” (feat. Penguin Prison)

3. “Repeating Motion” (feat. Karl Kling)

4. “Let Go” (feat. Kele & MNDR)

5. “405” (feat. YACHT)

6. “Hard to Hold” (feat. Tegan and Sara)

(Quote source: http://www.riverfronttimes.com/2008-03-12/news/e-mix-andr-eacute-anjos-and-the-remix-artist-collective-leverage-initiative-ingenuity-and-the-internet-into-an-online-music-force/)