foster the people

Sacred Hearts Club: Album Review

July 21st was a big day. I worked Check-In for travel packages for a Phish show and two of my favorite music artists released their new albums. I didn’t have much of a chance to listen to both because of work, but I got on it this morning. I figured I’d start with a review of Foster the People’s latest work Sacred Hearts Club because I’ll be seeing them in two weeks when I head to Chicago for my second Lollapalooza. At this point, binging on their new album is necessary.

Stylistically, their new album has a much different feel than their last two. There are songs that have the classic Foster the People sound like “Doing It For the Money” and “SHC”, which were both released in April as part of their 3 song EP entitledĀ III and others that add elements from other styles of music. “III” sounds like a deep house track. If it wasn’t for Mark Foster’s signature vocals, I’d think I was listening to a Flume song. There’s more electronic influence in songs like “Loyal Like Sid & Nancy” and “Harden” too. Foster the People has always used synth in their music but these songs just sound more electronic. Maybe it’s me and how my listening style has developed, but I’d argue regardless. I even feel like there’s a jazz influence in some of their songs, particularly in “Static Space Lover”.

As I said before, I believe this album sounds different to me, but Foster the People has been blending genres since their first record. There’s dance, punk, and hip-hop blended into their previous albums. There’s just something about this one that stands out though. The band wanted this record to be a uniting voice amongst a world filled with negativity too. I think it has the potential to be just that as many songs express camaraderie lyrically. I believe listeners will be able to relate and use this music to rise above the hate in the world.

If you asked me who my top 5 favorite bands are at this point in my life, the first band I’d name would be Foster the People. Torches is still one of my favorite albums of all time. So for me, buying this album was a no-brainer. I would have even bought it blindly. Therefore, it might be hard to believe my opinion is unbiased when I say that I think this album would appeal to more than just Foster the People fans because of the development of their music style. I promise it’s worth checking out though so do yourself a favor and pick-up a copy.

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2017….The Best Year of Music?

Coming back from two weeks in So Cal has been a bummer to say the least. With Coachella, sunshine, warmth, palm trees, new friends, old friends, etc., I’ve been in a withdrawal. It’s also tough to come up with weekly blog topics because I feel like I gave it my all for the past 3 months writing about Coachella bands. However, there’s one thing that’s helped with all of the sad feelings recently. It’s the constant stream of new music flooding in from a bunch of my favorite bands and artists. Over the last 2 weeks, I’ve lost count of how many of my faves have released new tunes. I had a realization this past week that 2017 is shaping up to be the best year for music, or at least new music so I figured I’d write about it and give you a little preview of what’s to come.

Obviously there’s a ton of bands and artists releasing new music this year, way more than I plan to write about. The acts I’m mentioning are some of my favorites. Some I’ve written about in the past already. Actually that’s a lie. I’ve written about almost all of them before. The first is someone who I haven’t talked about for a while, but she’s one of my all-time favorites of the past 6 years, Lana Del Rey.

Lana Del Rey released a new single in February called “Love”. Upon its release, she said her upcoming new music was inspired by her fans and the people who supported her throughout the years. “Love” was the first of the new releases to give back to them. Until February, Lana hadn’t released new music since 2015’s Honeymoon. Then while I was at Coachella she released another new single, “Lust for Life” featuring The Weeknd. She also confirmed a few weeks before the single’s release that her new album would also be entitled Lust for Life. Although no release date has been confirmed for the new album (EDIT: The new album will be out July 21st.), there’s rumors that it will feature a few other collaborations with the likes of Stevie Nicks and Sean Lennon, son of John Lennon.

Another artist with new music out this year is Lorde. I, of course, wrote about her as a Coachella preview, but it was before she put out her new material. Along with Lana Del Rey, Lorde was one of the first to put out music this year. In early March she dropped her single “Green Light”. Then a little over a week after that she performed another new single when she appeared on SNL, “Liability”. I loved “Green Light” the first time I heard it. It’s the kind of song that makes you want to get up and dance. It’s the Pure Heroine follow up hit that I was looking for from Lorde. It got me so hyped for her new album Melodrama, which I thought may come out before Coachella, but isn’t going to be released until June 16th. “Liability” is the complete opposite. The song is so raw and emotional. It’s not something I’ve ever heard from Lorde. It sounds more like something Adele would sing. I denounced the song immediately after I heard it, but then I heard it again live at Coachella. It was incredible. Not just the song, but the entire moment surrounding the festival and the two weeks I spent in California.

She performed Sunday night and I was only able to see her performance on Weekend 2, the final night of what was the most incredible festival-working experience I’ve had thus far. Lorde spoke to the crowd of probably close to 100,000 people as if she were in a tiny dive bar and explained how much the song meant to her. Then she went on to sing her newest piece of music with everyone who cared to join her amongst the beautiful night scene at Coachella with the cool breeze blowing and lit up palm trees swaying as the ferris wheel glowed in the background. I took in the moment with two new friends I met while working the festival focusing on Lorde, the entire setting, and my one friend almost in tears because the song affected her that much. It was epic enough to force me to give “Liability” a second chance and I haven’t stopped listening to it since.

Then I came back from California and within days there was new music from my favorite band, Foster the People. I’ve liked Foster the People for 6 years now. They were one of the first bands that I liked when I started getting into the indie rock scene (See here for the story). They haven’t released new music since 2014 and I’ve been craving something new from them for the last 2 years. On April 27th, the indie rock trio released III, a three song EP with songs from their upcoming album. I listened immediately and have been listening to the songs non-stop ever since, “Doing It For the Money” in particular. I feel like the new music combines that old Torches sound with the newer Supermodel sound to create this in-between to both albums giving fans the best of both worlds. For me, it’s almost impossible to top Torches. I still keep the album in my car and pop it into my CD player on occasion. It’s one of my favorite records of the modern era, but this new album (at least indicated by the EP) has shades of Torches that gets me hyped for its release. As of today, the title and release date have yet to be announced, but I read that it should be out in June or July (EDIT: Foster the People’s new album, Sacred Hearts Club, will be July 21st).

On the same day that the world was blessed with three new Foster the People songs, Haim announced their upcoming sophomore album Something To Tell You and released a preview of the track “Right Now”. They also announced they would release a single from their upcoming album on May 3rd. Last summer when I saw Haim play at Lollapalooza they played a few of their new songs. I don’t remember what songs they played, but I do remember liking each one I heard. Each new song still maintained their signature sound. It got me excited for their new record and I’ve been anticipating it ever since. The album comes out July 7th, but until then we have the song “Want You Back” (the May 3rd single) to hold us over and any other new songs the sisters Haim decide to drop along the way.

alt-J is another band with a new album out this year. I really got into alt-J after seeing them perform at Coachella in 2015. My friends and I then saw them while they toured a few months later. Both shows were fantastic. alt-J released the first single, “3WW”, from their new record in the beginning of March. Then a few weeks later they released “In Cold Blood”. alt-J has always had this unique style of indie music and it’s again evident in their new music so far. Their new record Relaxer comes out on June 2nd.

If you thought five new records were enough, you haven’t been paying attention to music news because there’s a few more to be excited for. One of those is a record that doesn’t have a title or release date yet, but I expect it to be out later than the rest. I’m guessing it could be out any time between late summer and winter (EDIT: The new album, American Dream, comes out September 1st.), but I’m so grateful for the two new songs that were just released this past Friday at midnight in anticipation of it. After announcing their reunion last winter and headlining festivals throughout 2016, LCD Soundsystem finally released new music! They played several shows at the opening of the new venue, Brooklyn Steel, in New York City last month and debuted both songs there. The songs “call the police” and “american dream” were also just performed by the band on SNL over the weekend. I haven’t had much of a chance to binge listen to the songs yet, but I can’t wait to listen on my road trips I have coming up this month. Both songs are different and yet so good. At this point, I think I’d feel that way about anything LCD Soundsystem puts out.

So those are all my favorites that have new albums coming out soon, but there’s also a few other good music acts that I like with new tunes on the way too. Halsey just released two singles over the last month from her new album Hopeless Fountain Kingdom due out in June. So far from the new releases, her album seems like it’ll be less dark than Badlands. Phoenix will be releasing their sixth album and first since 2013, Ti Amo, on June 9th. They just dropped the first single from the new record, “J-Boy”, on April 27th. Finally a band I recently previewed before Coachella, Oh Wonder, will be releasing their second album, Ultralife, on June 16th. Over my two weeks spent in Indio, my love for and desire to see Oh Wonder grew a little more (I couldn’t see them at Coachella). Now I’m definitely stoked for their follow-up to 2015’s debut self-titled masterpiece.

Along with all that’s to come this summer, several great bands that I like have already released new music this year. The xx just released I See You on January 13th. I missed them at Coachella, but I’ll be seeing them live next week! Andrew McMahon in the Wilderness released Zombies on Broadway on February 10th and his new record has some great jams that give off a brand new electronic feel not usually heard in Andrew McMahon music. Lastly and most recently, Cold War Kids just dropped their newest album L.A. Divine on April 7th.

In total that’s 12 new albums from bands I like, about half of those being my favorites. I’ve said recently that all I need is for Florence and the Machine to release a new album this year to really put that final piece in the puzzle. Even without them this year is shaping up to be one of if not the best in music! I’m stoked so you guys better get stoked too because there’s so much to listen to!

Flume

This weekend I’m volunteering at the Sweetlife Music Festival in Columbia, MD, which is right outside of the Baltimore/Washington, D.C. area. The festival is sponsored by the organic health food chain sweetgreen and focuses on both music and food under the belief of combining passion with purpose. I attended the festival 2 years ago when Foster the People and Lana Del Rey headlined. It was a blast despite the constant rain drizzle for most of the day and the monsoon that happened as Foster the People played “Coming of Age”. As a perk of volunteering, I get to attend the festival for free when I’m not working my shift. In my opinion, the lineup isn’t as good as it was in 2014. At the time I applied to volunteer, I only listened to two of the artists on a normal basis. That changed a few weeks ago. After listening to some Spotify playlists, I discovered a new tune by an Australian DJ who also happened to play Coachella this year. So yes, I probably could’ve done a Coachella Band Preview on this guy. I discovered him around the time the festival was happening though, so it was too late by then. Luckily he’s playing Sweetlife this weekend. Hopefully I’ll be able to catch his set because he seems to be all the rage this summer.

Flume, aka Harley Edward Streten, out of Sydney, Australia, first came onto the electronic scene in 2011 after he won a music competition managed by Australian record company, Future Classic. Upon winning, he signed a record deal and released his debut self-titled album on November 9, 2012 in Australia. The album reached the number one spot on the ARIA (Australia Recording Industry Association) Albums Chart. The American release of the album happened in February of 2013. That same year he headlined his first tour in Australia and played SXSW (South by Southwest) in Austin, Texas. He was named one of Fuse TV’s 30 “Must-See Acts” at the annual Texas music and film festival. 2013 also brought the DJ 4 wins at the ARIA Music Awards in the categories of Best Male Artist, Breakthrough Artist – Release, Best Dance Release, and Producer of the Year. In 2014, Flume toured internationally which included some stops on the festival circuit at Coachella and Lollapalooza. This year, after playing Coachella for the second time, Flume has the release of his sophomore album planned for May 27th. He also recently announced a World Tour which kicks off in New Zealand in July. The tour consists of stops in North America, Europe, and Australia. Tickets for the North American leg went on sale today and many dates already seemed to be sold out. It’s a hot ticket this summer for sure.

As an electronic music producer, Flume’s music fits the EDM spectrum. It’s primarily electronica, but it does have a hip hop influence. There’s tons of focus on beats in his songs. It also has this relaxed, chill feel to it so that despite the beats his tracks are much more toned down than upbeat dance/club/house music.

Like I said, I only started listening to a few of his songs a couple weeks ago, which was too late for a preview for Coachella. Apparently though, his Coachella set was incredible. If the ticket sales for this upcoming tour are any indication, he’s a must see artist right now. Hopefully my shift doesn’t overlap with his set so I can catch what might be one of the best sets of the festival. Crossing my fingers right now. If you feel like checking him out, here are a few songs you should listen to:

  1. Sleepless
  2. Holdin’ On
  3. Say It (feat. Tove Lo)
  4. Never Be Like You (feat. Kai)
  5. Drop the Game
  6. Insane
  7. This Song Is Not About A Girl

Coachella Band Preview: Alabama Shakes

Too hyped that Coachella is only 3 weeks away? Me too. I’ve been listening to music, planning what to pack, and figuring out some other things I need for my arrival in beautiful Southern California. It’s about to get so real. In the meantime though, I’ve decided to blog about a band from the south playing the festival this year for their first time, Alabama Shakes.

Alabama Shakes was formed in 2009 when lead singer/guitarist Brittany Howard and bassist Zac Cockrell began writing songs while still in high school together in Athens, Alabama. They recruited drummer Steve Johnson to join the groupĀ  prior to recording some of the tracks they had been working on. Later, guitarist Heath Fogg came on board and so began their life as Alabama Shakes. They were formerly just called The Shakes but added the “Alabama” to differentiate from other bands also known as The Shakes. Their first album Boys & Girls was released in April of 2012, but they started gaining attention prior to that due to the release of a four song EP in September 2011. The band received Grammy nominations for “Best New Artist” and “Best Rock Performance” the following year for their work on the debut album.

I first heard of Alabama Shakes in the spring of 2012 shortly after the release of Boys & Girls. I heard the single “Hold On” and really enjoyed it. Then I remember reading about the group/album thinking, “these guys are gonna be like Foster the People was last year. I need to get into them before everyone else finds out about how good they are. (I like to say I knew about bands “first”.)” So I went out and bought the album. I told all my friends to listen to them. I saw they were touring and selling out shows after a solid performance at SXSW (South by Southwest) that year. However, what I thought would happen didn’t really happen as I expected. Alabama Shakes did end up receiving those Grammy nominations that were predicted when I first heard about them, but I still think Foster the People blew up more.

The band plays a blues, soulful type of rock known as roots rock, which is a combination of folk, blues, and country rock. They could also be classified in the Americana genre. Now that I think about it, it makes total sense why I got into Alabama Shakes in spring 2012. It was also at that point that my interest in The Black Keys started to peak. I purchased El Camino probably a month before I got Boys & Girls. Although I wouldn’t classify their styles and sounds as being the same, both Alabama Shakes and The Black Keys have some similarity with the blues rock sound they produce. Alabama Shakes definitely has more soul and a country-ish feel to their music though. I guess I kind of progressed to Alabama Shakes after listening to The Black Keys.

Like some other bands/artists playing Coachella this year, Alabama Shakes also have a new album due out soon after the festival (the week after Weekend 2 to be exact). The sophomore album is called Sound & Color and the group has already released two singles from it, “Gimme All Your Love” and “Don’t Wanna Fight”, but I doubt those will be the only new tracks the band plays in Indio. This year Alabama Shakes joins Coachella for the first time in a minor headlining role. They play Friday on both weekends. There’s not that many bands I have on my must-see list for Friday, but Alabama Shakes is one of them. I remember wanting to see them in 2012, but not having anyone to go with (at that point I wasn’t too keen on going places by myself). So now I can finally fulfill those wishes.

Song recommendations:

1. Hold On

2.Don’t Wanna Fight

3. Hang Loose

4. Always Alright

5. You Ain’t Alone

6. Be Mine

7. I Found You

Coachella Band Preview: RAC

Within the past 10 years a music style known as EDM or electronic dance music (can also be referred to as club music), has grown in popularity through artists like Daft Punk, Skrillex, David Guetta, Deadmau5, and Aviici. This style of music is mostly created through the use of electronic equipment and played by DJ’s as opposed to the standard musical instruments. Sometimes these acts will have other artists come in and sing over the tracks they produce thus creating more of a song feel rather than just electronic music.

I’m not into EDM. Never was. LCD Soundsystem might be the only group I like and listen to that’s even close to what you would consider EDM. Last summer though I heard a song that was so catchy and so unlike other club music that I didn’t even realize it was by a DJ type artist. The song was called “Cheap Sunglasses” and it was by a band or should I say artist called RAC.

Formed in 2006, RAC used to stand for Remix Artist Collective. It was an indie project started by Andre Allen Anjos where him and a few others would remix indie songs into something more danceable. Sounds kind of like EDM but not the case. Unlike club music, the remixes created a “unique aesthetic based around emotion and nuance”. To me that means there’s a more whimsical, flowing vibe. RAC created remixed songs by plenty of indie artists including Lana Del Rey, Tegan and Sara, The Shins, Foster the People, Edward Sharpe and the Magnetic Zeros, etc. (the list goes on and on). Nowadays RAC is just RAC and has become Anjos’ solo project. In 2014 RAC released an album called Strangers which uses original compositions and features other artists singing on many of the tracks.

This year RAC is playing Coachella and it’s a set that I’m highly anticipating. I’ve downloaded several other RAC songs besides “Cheap Sunglasses”. I really dig all of them. I tried to purchase the album locally but it was unavailable. I’ll probably end up buying it online. It’s that good. A lot of the songs remind me of something I’d listen to while cruising the California coastline. The sound really is more indie than electronic though. Maybe that’s why I enjoyed it so much without ever realizing that RAC wasn’t a band. Even after I found out, it didn’t turn me away. I have a feeling the Coachella set is going to be so fun and upbeat. I even think my cousin who is more of a Pitbull fan than anything indie rock is going to love it. I guess you can say that RAC is probably the closest I’ll get to liking EDM, but that’s fine by me.

Song recommendations:

1. “Cheap Sunglasses” (feat. Matthew Koma)

2. “Hollywood” (feat. Penguin Prison)

3. “Repeating Motion” (feat. Karl Kling)

4. “Let Go” (feat. Kele & MNDR)

5. “405” (feat. YACHT)

6. “Hard to Hold” (feat. Tegan and Sara)

(Quote source: http://www.riverfronttimes.com/2008-03-12/news/e-mix-andr-eacute-anjos-and-the-remix-artist-collective-leverage-initiative-ingenuity-and-the-internet-into-an-online-music-force/)

Musical Enlightenment Part 2: A Hipster Story

So last week I talked about how I went through a whole “musical enlightenment” as a freshman in high school. To me the whole concept is rare because it’s only happened twice in my life. The first of which was under the influence of Dashboard Confessional. The second I’ll tell you about now.

Right before I graduated from college was a super weird time. I was sad and scared and way less happier than I was about getting out of high school. I’m sure so many people have felt that, but as a result I found some new outlets to become immersed in. One of those was a TV show that I’ll save for another time. The other was indie music.

Ok I know what you’re thinking. Wasn’t Dashboard Confessional an indie band too? Didn’t I already listen to that stuff? Yes and no. Sure Dashboard was an indie/emo style that was big in the early 2000’s but it was 2011 and this was the stuff that hipsters liked not emo kids. Plus in the years since Dashboard I explored so many musical genres that I really fell out of the indie scene (I liked ska, pop punk, late 80’s hardcore, etc.). It was like a rediscovery of indie. The style had also seemed to progress from the Dashboard time period. Some bands had a more electronic indie thing going on, while others didn’t. The emo vibe was definitely phased out though.

Anyway, at the time, my friend and I used to text each other music to listen to (I’m convinced everyone should have a friend like this). She knew of and listened to plenty of indie bands/songs. Most of what she recommended was that style, which sort of encouraged me to try to find similar music to send to her because that’s what I knew she liked, not the pop-punk/punk/alternative stuff I was currently into. I ended up liking a lot of songs she recommended which made it easier and motivated me to find more just like them too. My friend and those recommendations were a huge part of my second “musical enlightenment” and I’m forever grateful, but there’s more to the story. There had to be one specific band that was a game changer for me right? Right and here’s who they are and how it happened.

Another friend of mine made me a mixed tape (mixed CD) at the time. There were a few catchy songs on it and I uploaded the ones I liked to my iTunes. During the same time period I used to watch Dancing with the Stars with my mom (I still watch it on occasion). That season one of the “stars” on the show was Chelsea Kane (formerly known as Chelsea Staub from the Disney Channel…yeah I know..judge me) and I was rooting for her to win because 1. I knew who she was and 2. I followed her on twitter. Around then she started a website that she was pretty active on. She talked about fashion, travel, food, and music to name a few. Because I followed her on twitter she used to post when she’d update and because we had some similar interests I used to check out her posts. So one day she made a post about a band she was into at the time whose first album was soon to be released. She also posted a youtube/music clip link to their most popular song. So I naturally started listening to it and I was hooked immediately. The funny thing was though I felt that I heard the song before. Lo and behold, I had heard it. It was the first song on my friend’s mixed tape and it was one of the songs I already put on my iTunes. I immediately texted my friend who made the mixed tape and told him about how good the song was and how I heard about the band on this famous girl’s website. That band was Foster the People and the song was “Pumped Up Kicks”.

Within the next month of my Foster the People discovery, I bought their album Torches and listened to it nonstop on the drive to Williamsburg, VA (my vacation destination of the year). I planned and bought tickets to see them in Philly in June (never ended up making it to the show…worst night…still bummed about it). I stayed up late to watch them perform on Jimmy Kimmel. I also texted my friend who I shared music recommendations with shortly after the discovery and recommended the song to her. She hadn’t heard it yet and loved it too.

Foster the People’s music is considered to be indie pop and that’s just what it is. It’s upbeat indie with a bit of that electronic/synth style I mentioned. It was much different than what I was listening to 2 months prior, but I loved it. They were the first band that sparked a dramatic change in what I listened to since Dashboard Confessional did this 7 years earlier. Although my interest in that type of music started a little before I discovered Foster the People, they were the band that really put the change in full swing.

Their first album Torches is on the list of my favorite albums of all time. Even though “Pumped Up Kicks” was the song that reeled me in, “Helena Beat” was the song that kept me wanting more. I fell in love with “I Would Do Anything For You”. I had dance parties to “Don’t Stop” and “Houdini”. I sang at the top of my lungs to “Call it What You Want”. It’s just a great album. Their second album Supermodel which came out this past year can’t compare to Torches in my mind. It’s good, don’t get me wrong, but Torches was way too catchy and will always be highly regarded by me. When I finally did get to see Foster the People live the following summer, I knew the words to almost every song (I was so mad about the ones I didn’t so I downloaded those songs the next day). It was all thanks to falling in love with a band from a different music scene.

So that’s the story of my second musical enlightenment and I guess how I became a hipster. Shoutouts to all the people mentioned above for making it happen and here’s the Foster the People song recommendations:

1. Pumped Up Kicks (you should know this song by now as it got pretty big in the months following my discovery)

2. Helena Beat

3. Broken Jaw

4. Coming of Age

5. Don’t Stop

But really, just listen to all their music, especially that first album. It’s love, love, love and if you have it, it’s amazing.