Glass Animals

Fruit Bangers

It’s not a secret that I make a new work out playlist every couple months. I’ve been doing this on Spotify since 2015-2016. My song selection is very simple. Sometimes one of my favorite artists releases new music and other times I’ll go through new music on my Release Radar or Discovery Weekly playlists and add songs that I like after my first listen and I feel are upbeat enough to work out to. Regardless, most times I’m not listening to a song repeatedly before I add it to my playlist. I’m usually going from new music or at least music that is new to me. This can cause me to occasionally find a song that I really really like after I keep hearing it day after day, which is exactly what happened two weeks ago.

While working out and listening to my first work out playlist of this year, I realized I really liked this one song I kept hearing. Until I realized what it was, I would constantly check to see the name of the song and the artist when it played. The song was called “Nectarines” by MELVV featuring Royal & The Serpent. Then it hit me. It’s only been a few months since I found another song I like about citrus fruit! Before “Nectarines” it was “Tangerine” by Glass Animals. In the summer, I found another guilty pleasure in listening to “Watermelon Sugar” by Harry Styles. That’s a ton of fruit music in a short period of time!

I decided to start doing some research. Although it’s not super common, there are plenty of songs written that have food titles. Most of the songs aren’t really about food though. They’re usually metaphors for one thing or another, but even so, there are a solid amount of songs with food titles out there. “Chocolate” by the 1975, “Banana Pancakes” by Jack Johnson, “Cherry Pie” by Warrant, and “Flaming Hot Cheetos” by Clairo are just a few of the food songs I thought of. I’m sure you know a few others. As I researched, I realized that there was also plenty of drink songs. There might be even more than there are for food. Some that I found and thought of are “Soco Amaretto Lime” by Brand New, “Beer” by Reel Big Fish, “Cola” and one of my personal faves “Diet Mountain Dew” by Lana Del Rey, “Poprocks and Coke” by Green Day which is kind of a food and drink song, “Strawberry Wine” by The Chicks, and then some of the most notable ones like “Gin and Juice” by Snoop Dog, “Tequila” by The Champs, and “Escape (The Piña Colada Song)” by Rupert Holmes (I counted it because it is in the parentheses and I mean come on!). I’m sure you could think of more as well, especially if you like country music (booze songs for days!).

When I started doing research on food songs, I was specifically searching for fruit songs though. I mean after two citrus bangers within months of each other, there had to be more right? Of course! I mentioned “Watermelon Sugar” earlier, which wasn’t Harry Styles’ first fruit song. “Kiwi” was on his debut album. “Peaches” by The Presidents of the United States of America was a hit too. “Raspberry” is a deep-cut by Grouplove. Besides drink songs, Lana Del Rey also has her own fruit track called “Cherry” and then Bay Ledges, whose song “Safe” was one of my top songs of 2018, has a song called “Mango”. There are other fruit songs out there too. It was just surprising to me that there have been so many that I’ve liked in a short period of time.

For now, instead of trying to find more fruit bangers, I’m just gonna keep jamming (fruit joke…get it?) to “Nectarines” and maybe soon enough there will be another fruit song I love. So here’s to all the fruit songs, the food songs, the drink songs, and even the songs that mention all of the above which is way more than I want to research. That shit would be bananas…B-A-N-A-N-A-S.

2020 Sucked But Here’s Some Music That Didn’t

In 2016, which everyone claimed was a terrible year, I started a personal music recap for the year as a way to find something good to talk about. I kept it up because 2017 was an absolutely amazing year for music and then just kept going with it. 2016 was nothing compared to this year though. To be honest I had a pretty good 2016, but like most people, I didn’t have a great 2020. I’m usually a pretty positive person and try to look for good things when bad shit happens, but this time around there wasn’t a lot of good. Barely any actually. The bad far outweighed it. Where I found my hopefulness though is that someday it will get better. If I made it through high school and my emo years, I knew I’d be able to get through this emo year. Thankfully, even in the absence of live music and the career path I started for myself in 2016, artists still released albums. Some albums were delayed, but eventually got released. Some albums were even unplanned such as Taylor Swift’s folklore and evermore. Music discovery was one thing that wasn’t cancelled this year and for that I am grateful. So here you go, my top music faves from 2020:

“Heat Waves”, Dreamland -Glass Animals

I usually only pick a song, album, or artist to focus on for each of these, but this one was tough to distinguish. In 2020, there are no rules though. Glass animals released their latest album Dreamland back in August but a month earlier dropped the song “Heat Waves”. I fell absolutely in love with song immediately. I knew a few days after I first listened to it that it was the song of the year for me. I couldn’t stop listening to it for weeks even after the album was released. It was my most played on Spotify as well. The album was also my favorite of the year. It featured other great bangers like “Tangerine” and “Your Love (Déjà Vu)” and several other great ones as well. The album was an ode to childhood in the 90’s, but still captured the smooth yet trippy, groove style of indie music that Glass Animals is so well known for. I feel like it’s highly underrated and most definitely my favorite album of 2020.

Women in Music Part III -HAIM

Before Dreamland was released, if you asked me, I would have told you that Women in Music Part III or WIMPIII for short was going to be my favorite album of the year. I knew earlier on from the single releases in the spring that the Haim sisters were about to release a hit of an album. I’m not the only one that took notice either. The album was recently nominated for album of the year by the Grammys and their song “The Steps” was nominated for Best Rock Performance, a category dominated by women this year. I bought the album in July and was able to secure a signed album poster! I still have yet to hang it up, but I have plans to make it happen soon. Much like Dreamland, this album is top to bottom filled with great songs. My favorite is “Don’t Wanna”, but that’s followed by “I’ve Been Down”, “Gasoline”, “I Know Alone”, and “The Steps”. I could honestly go on with the songs too. Like I said, top to bottom, it’s fire. HAIM’s third full-length is really something special and my other top fave from this past year.

Daft Punk

Daft Punk has been around since the 90’s. I’ve known about them since the Random Access Memories era, but I didn’t quite realize that I knew them way longer than that until I watched the Coachella Documentary this past spring. There was such a focus on Daft Punk’s iconic 2006 set that I began really going through their discography. I wrote a blog post about them and how even without a physical Coachella this year, Coachella still helped me discover some new artists. They were one of my top artists of the year. I even bought Discovery on vinyl back in April. The song “One More Time” was in my top 5 most played songs of the year and I’m now one of those people who want them to headline Coachella. I’m definitely late to the game on this robotic electronic duo, but it’s better late than never.

Notes on a Conditional Form -The 1975

The 1975 dropped their latest album in the spring with plenty of track releases in the lead up to the full album that began in 2019. It was an album I highly anticipated during the spring lockdown. In fact during those weeks, I was living for new music Fridays. I claimed back in my blog post review of the album that it might be one of their best works yet. However, I’m not sure if anything will able to top their debut self-titled, but I definitely believe Notes On A Conditional Form is one of the best of the year. I spent weeks listening to the full album. I love “If You’re Too Shy (Let Me Know)” and “Jesus Christ 2005 God Bless America” which features Phoebe Bridgers, who had a big year herself. “People”, “Frail State of Mind”, “Me & You Together Song”, and “Tonight (I Wish I Was Your Boy)” are all great too. This album came at the perfect time and I’m incredibly grateful for it and all the new music that helped me through this crazy year.

“POWER” -Kanye West

“POWER” by Kanye West is not a new song. It actually came out 10 years ago. I never even knew it back then. It first came into my life with the Power Rangers reboot movie in 2017. Then last year during Sunday Service at Coachella it also popped back in. Then yet again this past spring in the Coachella Doc it also made an appearance. It was this time though that I finally got hooked. It was another staple song of my spring time work out playlist and even a go-to I would listen to at other random moments. The intro and subsequent background music for the song which was taken from the song “Afromerica” by Continent Number 6 is just so damn catchy too. It was another better late than never situation, but it worked out fine. There were plenty of songs that got me through the spring but this one is definitely a stand out.

“New Daze” -Bay Ledges

In the summer Bay Ledges released a 6 song EP titled New Daze. The EP included a song of the same name that I really connected with. It’s my favorite new song of theirs since I heard “Safe” in 2018. The song exemplifies their chill indie vibe sound, but has that same uplifting feel that “Safe” also contains. The lyrics themselves do too. It gives such a hopeful perspective for this trash year and I really love the song for that reason as well.

“Giants” -Dermot Kennedy

Dermot Kennedy was huge for me in 2019. His show was actually the last concert I was able to attend before the music industry shut down on March 12th. After such a big year with his first album in October, I wouldn’t have expected any new releases in 2020, but in June he dropped the new track “Giants”. It’s another powerful upbeat track similar to “Power Over Me” and “Outnumbered”. He recently released a “Complete Edition” version of his debut album which contains “Giants” among other collabs, a cover, another new song, and alternate versions of old songs. “Giants” was just the new track I needed for my summer work out playlist to even further my love for Dermot Kennedy. I even enjoyed the Sam Feldt remix of the track and got a double dose of the track by including that version in my fall work out playlist. It’s quite a banger and one of my favorites of the year.

“Bodies” -The Knocks ft. MUNA

Obviously the spring and summer were filled with plenty of new tunes and discoveries of old for me this year, but I found this gem by The Knocks featuring MUNA in the fall. The song was recommended to me by Spotify after my playlist finished one night and I thought it was great. After I added the song, I couldn’t get enough of it when it played during my nightly work outs. “Bodies” was released in the summer, but it didn’t come into my life until early November. For almost the last two months, I’ve been obsessed with this song. It’s a late comer to this list of my favorites for 2020, but it deserves to be here. It’s a keeper.

“Believer” -LUDVIC, Mathoma

Spring was such a time of music discovery for me thanks to the Coachella Documentary and my weekends of “Couchella”. In that time I also discovered the song “Believer” by LUDVIC and Mathoma thanks to checking out my friends’ Spotify playlists. I love being a creep on Spotify but it’s truly a great way to discover new music and find out what your friends are listening to. Although this jam wasn’t directly because of Coachella, it came to me around that time and joined my spring playlist in the midst of some great tunes. This was one song I couldn’t get enough of though. I would frequently replay it or listen to it when I wasn’t working out thus earning this trop house style track a spot on this list of my faves from 2020.

Golden Hour -Kygo

After seeing Kygo perform at Coachella in 2018, I became a huge fan. I’ve always been partial towards the trop house style of electronic music, but that 2018 performance really set in my affinity for the Norwegian DJ. Golden Hour was another album I was anticipating in the spring with new track releases every few weeks. Kygo’s third album dropped at the end of May and I already had some favorites from the new record. “Freedom”, “Lose Somebody”, and “Higher Love” caught on quick for me. I also love “Like It Is”, “I’ll Wait”, and “How Would I Know.”

Kygo decided to do a virtual live stream festival from his home in Norway to promote the new album and support LiveNation’s Crew Nation Fund among several other relief funds. As we know, streaming shows became a thing this year. I think they’re trash. They will never compare with going to a concert or festival, but in the mean time, they’re something to watch. I watched two streams in the spring and this was one of them. The thing that kept me around was the beauty of Norway. Kygo’s set was shot partially with a drone that exhibited the entire landscape of his community. People were out on the lake watching his set from boats. It was so cool. Who would have thought this music which usually sets the vibe at in the desert of southern California so perfectly would create an insane vibe in a different setting like Bergen, Norway. It was great and it gave me another chance to hear this solid new record.

Honorable Mentions:

The New Abnormal -The Strokes (the first Strokes album since 2013, full of indie rock goodness)

girl in red (the indie version of Hayley “Lesbian Jesus” Kiyoko)

“Good” -TWIN XL (indie pop summer jam)

“Palm Springs” -Luna Shadows (pure Palm Springs vibe and I bet you can’t get it out of your head)

“Anywhere” -Dillon Francis ft. Will Heard (Thanks to a re-watch of his 2019 Coachella set it became a spring fave of mine)

I typically end these posts filled with excitement knowing I’ll be anticipating the Coachella lineup to drop within days, but this time around that excitement for my favorite festival is non-existant. Instead, I’ll be looking for another postponement to the Indio festival that was only a month away before corona dragged it and the rest of live music down. The good thing is that there’s finally a light on at the end of this tunnel. The vaccines are probably the hottest records to drop this year with a few more slated for early 2021. We’re all hoping that these creations will help get us back to the things (concerts and festivals) and people we love the most at some point next year. So I’m definitely urging you to give them a chance, because the faster you do the faster we can move forward away from this crazy upside down world we’ve been living in since March.

Besides hopefully a fresh start for the live music and events industry, 2021 should be filled with some highly anticipated new music. In May 2019, Adele hinted at a new record that was to come out in 2020. I’m not sure if this year put a damper on production, but it has yet to be released. A brief stint on SNL in October gave us some hope for new music but Adele quickly squashed those hopes in her opening monologue and shifted gears towards 2021. So as the saying goes, “rumor has it” that we’ll have some new Adele music next year after over 5 years since 25.

Lorde has also hinted at the release of new music. It will be 4 years ago in June that Lorde released her Grammy nominated sophomore album Melodrama. So this third full-length will be a highly anticipated record in 2021.

As I mentioned girl in red in my honorable mentions, her debut album should be dropping next year as well. The first single from it, “Rue”, was released in late August and I’m sure there will be more songs coming in anticipation of the release. After the big year girl in red had, thanks in large part to Tik Tok, I’m sure this debut will help grow her fan base even more.

Lana Del Rey, who just never stops making music, has an album due out for 2021 as well with Chemtrails over the Country Club. We should be seeing new music from Bleachers, St. Vincent, Spoon, Weezer, and Greta Van Fleet in the new year too.

Although it has been over 3 years now that my favorite band, Foster the People, released an album, they released an EP called In the Darkest of Nights, Let the Birds Sing on December 11th. They’ve dropped plenty of new music since their last record Sacred Hearts Club (2017) too. Hopefully touring returns at some point next year and I’ll have the chance to see Mark and the boys again soon. I miss them. I actually said the same thing at the end of last year too, but now I miss them even more.

It’s also been awhile since LCD Soundsystem has put out music so I hope to hear from them next year as well as Florence & The Machine whose last album came out in 2018. As for the next few months though, instead of going to Mexico and anticipating Coachella, I’ll be trying to ski as much as I can and keep my eyes and ears peeled for a return to the work I love so much. If all goes well, the new roaring 20’s might be in full swing by the fall. Stay tuned for that.

Although music was partially shut out this year, at least we have the technology to release, find, and hear new songs, EPs, and albums. I’m not going to try to tell you that music saved this year like it did in 2016. This year could never be saved and that’s okay. The good news is that we made it so here’s to shutting the door on a wild, lameass year and opening the next door for a better one. Onward and upwards!

Dreamland: Album Review

After a month delay, Glass Animals latest record Dreamland is now out. The band was in the midst of a spring tour and had just started to release new singles when the music world got shut down by The Big C. In the build up to their album release, the band dropped several more singles as well as two cover songs in the midst of quarantine. The album was supposed to be released on July 10th, but two weeks before that, the group decided to push back the release to August 7th in light of current events involving the protesting for Black Lives Matter. Now that it’s finally August, and a few days after the 7th, Dreamland is here in its entirety. Let’s check it out.

The latest record brings the same chill indie electronic vibes that Glass Animals are known for so you don’t have to worry about this record sounding any different. The lyrics still bring in the unique language that Glass Animals have used in prior music too (i.e. “those peanut butter vibes” from “Gooey”). The difference in this album is that it’s like a book. Each song feels like a chapter in the story of front man and producer Dave Bayley’s life. The home movie interludes adds to that feel as well. In this way Dreamland is a well-themed record compared to Glass Animals’ first two releases.

Glass Animals have plenty of great songs in their discography but I think their new song “Heat Waves”, which was released around the same time the band announced the delay of their album, is their best song to date. It’s also a front runner for my favorite song of the year. I absolutely love it. It was one of those songs that I fell hard for when I heard it for the first time and it’s still a song that I’m constantly replaying. Several of my friends have said as much about this song too. It’s truly a banger and worth a listen even if you’re not a Glass Animals fan. It’s a likeable song in general.

The new album also features several other great tracks like “Space Ghost Coast to Coast”, which gives a lyrical nod to the 90’s, “Dejá Vu”, another banger and one of their singles released in anticipation of the album, “Tokyo Drifting” featuring Denzel Curry, and “Tangerine.”

I’m sure Glass Animals would be touring and playing festivals this year if it weren’t for The Big C. Look for them to hit the road once its safe and we can listen to live music with all our friends again. I know I will be doing that since I just missed the train on this band during their last big touring year. Until then, you have plenty of time to get into this new new album.

Bishop Briggs

2017 is almost over. It’s been such a great year in so many ways. However there were two times I could’ve done something better. I realized I failed twice this year. The first time was with Glass Animals. I started listening to them after they played a bunch of festivals I worked at. Their tour dates were also sold out by then. I found out yesterday the second time I failed was with Bishop Briggs.

Last night I was going through a few pre-made Spotify playlists looking for new music and I decided to listen to a song called “Dream” by Bishop Briggs. I’d known her name since working Coachella back in April. While working at the festival, I was taking a few of our Safari guests to their desired location while we talked about music. I mentioned I thought that BANKS had such a draw at her set that she was too big to be performing at the Gobi Tent. I said she should have been on the Main Stage or the Outdoor Stage (both allow for more space). Then one of the guests agreed and said she thought the same thing about Bishop Briggs. Up until that point Bishop Briggs was just a name on the Coachella lineup to me. I told the guest I never listened to Bishop Briggs and she started talking about her and how great she was. I told her I’d check her out. I never really did until yesterday. Fail.

Sarah Grace McLaughlin, aka Bishop Briggs, is relatively new on the music scene first making her mark with the song “Wild Horses” in 2015, then under the name “BISHOP”. She changed her name to Bishop Briggs in 2016 to avoid any legal confrontation with a metal band by the same name. The name comes from the town where her Scottish parents are from in East Dunbartonshire, Scotland. She was born in London, England but spent her formative years growing up in Tokyo and Hong Kong, eventually moving to the U.S. to attend college in Los Angeles. She developed a love for music at a young age after performing in a karaoke bar when she was 4.

After being discovered by a former A&R rep. in 2015, Bishop Briggs gained popularity when “Wild Horses” appeared in an Acura commercial. In early 2016, she released her second single “River”. The song made Alternative charts on Billboard and iTunes as well as topping Spotify’s U.S. Viral 50 chart and reaching #2 on its Global Viral 50 chart. By late 2016 “Wild Horses” started climbing the charts. The song was featured on Billboard’s Alternative Songs chart and Twitter Emerging Artists chart as well as iTunes Alternative charts.

She released 3 other singles last year which culminated in her first EP which was released in limited capacity as a vinyl on Record Store Day Black Friday 2016 and in full on April 14, 2017. The full self-titled EP also featured two unreleased songs. She also contributed the song, “Mercy”, to the xXx: Return of Xander Cage Soundtrack and collaborated with Cold War Kids on their song “So Tied Up”. She’s spent time on tours opening for Coldplay, Kaleo, and alt-J as well as playing some major music festivals this past summer. She’s currently on tour opening for Bleachers.

Briggs has described her music as being a trap-soul style. Her singing is dark, deep, and soulful. Her music is also considered to be part of the indie pop, alternative rock genres. I agree with all of these classifications. To me, her sound is comparable to BANKS, but their songs differ slightly too. Bishop Briggs almost has this indie folk type sound with deeper, scratchier vocals, whereas BANKS offers cleaner vocals with more of an electronic sound to her songs. Both sing with a powerful sound though and are alternative in their own rights.

I realized shortly before starting this blog that I listened to some of Bishop Briggs’ Panorama performance this summer. I remember thinking then that she was definitely good and I’d have to spend some time listening to her. I also was exposed to her from the Cold War Kids collaboration which I heard for the first time back in June. I loved the collab. Last night her newest single, “Dream”, is what made it click for me. I fell in love with the song immediately after hearing it for the first time. So I decided to listen to her other music along with playing “Dream” on repeat a few more times. I had so many opportunities to see her this past year that I never capitalized on and one opportunity where I didn’t appreciate her enough, similar to my Glass Animals experience, which was coincidentally at Panorama too. The good part about this though is that Bishop Briggs has yet to release her first full-length album, which usually means a headlining tour. So maybe I still have a chance? Until then though I’ll just keep playing “Dream” on repeat, listen to her other songs in there too, and hope for the best. Do yourself a favor and listen to her. But, unlike me, actually do it. “Dream” is fire and her other singles are pretty damn awesome too.

Glass Animals

Now that all of my highly anticipated albums have been released, it’s time to get back into the boring posts about sports, music and entertainment…kidding! Of course my first regular post in a while is about music though. Over the summer I’ve discovered a few new musical interests from friends and from working festivals so I wanted to let you know what I’ve been listening to besides all the new albums.

The first is a band I’ve known about for a year or two but never listened to that much. I saw and heard them perform at the Panorama Music Festival in NYC over the summer and several of my friends were into them. I decided I needed to give them a chance.

Oxford (UK) indie rock band Glass Animals formed in 2010 while members Dave Bayley (lead vocals, guitar) , Drew Macfarlane (guitar), Edmund Irwin-Singer (bass), and Joe Seaward (drums) were in university. The group were friends since they were 13 but had not played music together until the time that Bayley approached the group with a few demos and they decided to form the band.

They initially thought forming a band would be just for fun, but it became serious really fast. They played their first show in April 2010 and released their first EP Leaflings in May of 2012. After catching the ear of Adele’s producer, Paul Epworth, Glass Animals were signed to his label. The band released their second EP which was self-titled in November of 2013 and followed up by releasing three more singles. Those singles, “Pools”, “Gooey”, and “Hazey”, along with the singles “Black Mambo” and “Cocoa Hooves” were all featured on their debut album Zaba, which was released in June 2014. The album gave the band success, which increased their Spotify listener totals, allowed them to tour worldwide with plenty sold out shows through 2015, and earned them spots performing on late night television in America. Glass Animals’ second album How to Be a Human Being was released a little over a year ago in August 2016 with the singles “Life Itself” and “Youth” being released in the lead up. Their sophomore album was met with mix reviews, but the band has been touring in promotion of it ever since its release.

Glass Animals style of music is indie rock mixed with psychedelic pop, art pop, and trip hop. Their sound almost reminds me of alt-J mixed with Tame Impala. They can sound kind of trippy at times so it’s much different than your standard indie rock band.

I feel like I may have listened to Glass Animals before this summer, but at the time I wasn’t feeling what I heard. I think it was the suggestions and peer pressure from my friends this summer that really got me to give them another chance. For me, they’re kind of an acquired taste, but now I really like them. Surprisingly, I prefer the singles off their second album even though they earned their fans mostly from their first album. How to Be a Human Being has a greater rock feel than Zaba, which I think eased me into their sound. Now I can’t stop listening to them.

If you haven’t heard of these guys yet or have been reluctant to listen to them, give them a chance. You might just find a new band you like. I can attest to it. I think I’d even love another chance to see Glass Animals perform again. They put on a great show from what I did see and their music is filled with pretty sweet peanut butter vibes.

Coachella 2017 Lineup Release

Beyoncé, can you handle this? I don’t think you can handle this!

Yes, it’s that time of year again: festival season lineup announcements and in particular…Coachella. The Coachella lineup just dropped yesterday around 1:30 p.m. and I’m stoked (as always)! I heard lineup rumors during the past few weeks and certain predictions had me feeling some kind of jealous. However, upon the announcement yesterday I feel like 2017 still won’t be topping the 2014 lineup (toughest lineup to top ever). 2017 is still pretty epic because the Queen Bey herself, Beyoncé, is headlining. That’s why I felt the need to quote her former group, Destiny’s Child, to start this post. It was fitting, don’t you think? Anyway, this will be a first for the pop superstar, whose sure to draw a massive crowd as the Saturday night headliner. I can’t put all the focus on Bey though since there’s two other headliners. So, without further ado, the Coachella 2017 lineup is as follows:

The Headliners: Radiohead, Beyoncé, Kendrick Lamar

Obviously the big story from this is Beyoncé as I already mentioned and again yes this will be her first solo performance at the festival. She made a surprise appearance in 2014 at her sister Solange’s set.

Radiohead is no stranger to the Indio desert. Thom Yorke & company headlined Coachella twice in 2004 and 2012. They’ve even played “Creep” once while headlining there, so it’s obviously a pretty special place (they rarely play “Creep”). After the release of their most recent album, A Moon Shaped Pool, last summer, it seems fitting that the group once again headlines a Coachella festival.

Lastly there’s rapper Kendrick Lamar. He played on the Main Stage in 2012 and came out as a guest during the Dre and Snoop set that year. Kendrick Lamar has been on the rise since 2010-2011. Last year he headlined Goldenvoice’s (same promoter as Coachella) Panorama Festival, also dubbed “East Coast Coachella”, in its first year of existence. He apparently crushed his set there and drew a crowd of epic proportions, which might give you an indication of how he’ll be closing out Coachella this year on Sunday night.

Usually Coachella headliners are primarily alternative, rock, or indie or some form of a combo of those genres. In recent years, there have been rap headliners such as Jay-Z (2010), Kanye West (2011), Dr. Dre & Snoop Dogg (2012) or Drake (2015) and last year saw electronic artists take the headlining spot with Calvin Harris and, if you consider them to be indie eletronic-ish, LCD Soundsystem. This year is the first time a major pop/ pop-R&B artist is headlining the festival (Beyoncé). Each night sees a different genre of music as the headliner making Coachella even more appealing to the masses.

The Other Highly Billed Performers: the XX, Travis Scott, Father John Misty, Empire of the Sun, Dillon Francis, Bon Iver, Future, DJ Snake, Martin Garrix, ScHoolboy Q, Gucci Mane, Lorde, Justice, New Order, Porter Robinson & Madeon, Future Islands, Mac Miller, Steve Angello, Glass Animals, Phantogram, Mac DeMarco, Little Dragon, BANKS, the Head and the Heart, Two Door Cinema Club, Nicolas Jaar, Bastille, Tycho, Tory Lanez, Röyksopp, Hans Zimmer, DJ Khaled, Marshmello, Lil Uzi Vert, Galantis, Kehlani, Grouplove, Kaytranada

Out of the the other top acts coming to the festival this year, the ones who stick out most to me (a.k.a. the ones I would see) are the XX, Empire of the Sun, Bon Iver, Lorde, Phantogram, BANKS, and Bastille. That means in weeks to come be on the look out for Coachella Band Previews featuring these bands and artists. Bon Iver, Lorde, Phantogram, BANKS, and Bastille will each be making their second Coachella appearance, while the XX and Empire of the Sun will be performing for the third time. All of these acts have released an album over the past year with the exception of the XX, whose third album comes out next week, and Lorde. Lorde is expected to release a new album this spring so I’m excited to hear her new material.

Other notable acts (for me) from this list are Two Door Cinema Club, Glass Animals, Mac DeMarco, and Grouplove. I would check out these acts if it fit in my schedule for sure, especially Mac DeMarco, who I missed at sweetlife last year, and Grouplove, who is a fun indie pop band that fits the Coachella atmosphere perfectly.

There’s also plenty of top electronic artists who will set the Sahara Stage on fire. Look for Dillon Francis, DJ Snake, Martin Garrix, Justice, Porter Robinson & Madeon, Steve Angello, Nicolas Jaar, Tycho, Röyksopp, DJ Khaled, Marshmello (who is basically the new Deadmau5/Daft Punk with his visual persona), Galantis, and Kaytranada there or even on the main stage. There’s no doubt that Dillon Francis and Martin Garrix should be closing out their respective nights on at the Sahara Tent. It’s bound to be lit.

The most interesting artist of this bunch is German composer Hans Zimmer. This guy is a legendary film composer so to earn a spot at Coachella is out of the ordinary. I’m interested to see what his set will be like. Will there be an orchestra there that he directs? Will it be some sort of DJ set? Will everyone sit out on blankets drinking wine and eating cheese if it is an orchestral set? There’s endless questions for this one. Interesting doesn’t even begin to describe it for me.

Another note from this group is the amount of top rap/hip-hop artists. It actually feels like an overwhelming amount of rap artists at Coachella this year compared to the usual. It might be the year for rap there. Just by the look of the lineup, they’ve booked solid acts with Travis Scott, Future, Mac Miller, and Gucci Mane, and not to mention Kendrick as a headliner.

The Rest: Bonobo, Richie Hawtin, DJ Shadow, Loco Dice, Dixon, Capital Cities, Big Gigantic, Crystal Castles, SOHN, Jagwar Ma, Francis and the Lights, BROODS, Guided By Voices, Preservation Hall, Jazz Band, Sampha, BICEP, Raury, the Martinez Brothers, Oh Wonder, Stormzy, Zipper Club, Tennis, SNBRN, King Gizzard & the Lizard Wizard, Kungs, Floorplan, Denzel Curry, the Lemon Twigs, Nora En Pure, Joseph, the Interrupters, Sam Gellaitry, Klangstof, Tacocat, Alison Swing, Local Natives, Majid Jordan, DREAMCAR, Four Tet, Róisín Murphy, Moderat, the Avalanches, Mura Masa, Nav, Solomun, Warpaint, Banks & Steelz, Hot Since 82, Classixx, Kaleo, Breakbot, GRYFFIN, Car Seat Headrest, Daphni, Brodinski, Mitski, Floating Points, Thundercat, SURVIVE, Arkells, the Atomics, Ben UFO, Bishop Briggs, Blossoms, Chicano Batman, Autograf, Moss Kena, Red Axes, Shura, Honey Dijon, Declan McKenna, Eli & Fur, Swet Shop Boys, Chris Cruse, Tale of Us, Toots and the Maytals, Devendra Banhart, Tove Lo, Jai Wolf, Jack Garratt, Sasha, Kiiara, Real Estate, the Belleville Three, Maya Jane Coles, What So Not, PNL, Lee Fields & the Espressions, NAO, GoldLink, Allah-Las, King Sunny Adé, Marcel Dettmann, SOFI TUKKER, Whitney, Patrick Topping, HONNE, Twin Peaks, Tourist, Preoccupations, Hinds, Ezra Furman, Pond, Hannah Wants, Anna Lunoe, Grace Mitchell, Los Blenders, Show Me the Body, Caveman, Jen Ferrer

A lot of these bands and artists are playing Coachella for the first time. Some of them are new to their respective music scenes and some may only get bigger from here. Take this year’s headliner Kendrick Lamar for instance. When he played in 2012, his name was listed on the last line of Friday’s acts. Not all of these bands may make it as a headliner, but you may see some of them in the coming years selling out shows and playing festivals as a top-act.

If I were attending, I would definitely want to see BROODS, Oh Wonder, Kungs, Local Natives, GRYFFIN, and Tove Lo. I missed Local Natives in favor of Halsey at Lollapalooza, but caught the tail end of their set. They’re a great indie alternative band who I’d love to see live, or at least all of their set live. BROODS is a brother-sister music duo who just came on to the music scene in the past few years. I’ve liked everything I’ve heard by them so far. If I had the chance, I would definitely listen to them more and see them at the festival if I had the chance. I’ve also just started to get into Oh Wonder and seeing their name on the Coachella lineup makes me want to listen to more of their stuff and check them out live. I doubt these guys will be climbing the festival lineups soon but they put out some great tunes.

I’m also not sure why Tove Lo isn’t listed higher on the festival lineup. I’m sure she’ll be playing on the Outdoor Stage or the Main Stage though because she’s already selling out smaller venues. Her appeal kind of reminds me of Ellie Goulding and I’m guessing in the coming years she’ll be making her way to the top just as Ellie’s done.

Out of the few electronic artists I like, GRYFFIN is one I would love to check out at Coachella. If you read my Music Saved 2016 post from last week, you’d know I had a GRYFFIN song on the list. He’s also got a song called “Heading Home” that I’m a fan of too. Another electronic artist that you should see/pay attention to is Kungs. This kid, because yeah he’s only 20 years old, came on to the electronic scene huge with his hit “This Girl” feat. Cookin’ on 3 Burners (another song listed on said Music saved 2016 blog post). I actually just listened to some of his other stuff about 2 days ago. I liked what I heard. He released his debut album on November 4th and I’m sure you’ll hear more from him in the future. Like I said pay attention to him and see him now if you have the chance.

Some other bands worth checking out are electronic duo HONNE, rock group Arkells, and indie band Twin Peaks. You may even want to check out solo artist Jack Garratt, who reminds me of combo between Bon Iver and the Weeknd, and indie/alternative rock artist Declan McKenna, who won Glastonbury Festival’s emerging talent competition in 2015.

To those of you scored tickets and are heading to Indio this spring, have the best time of your lives. Coachella is an incredible experience filled with music that spans across genres so there really is something for everyone to see. At this current moment, I’m not officially going to Coachella as a festival attendee, but there is a possibility that I could work there. I’m not getting my hopes up yet though because I could very well be spending this year watching from my computer again. As such, I’ll be previewing bands playing the festival this year as I’ve done the last two years and writing as if I were going like I did last year in 2016 (because I did go in 2015, which started all this preview hype to begin with). So stay tuned for all the previews because festival season is almost here!