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Coachella Band Preview: Porter Robinson

It always makes me laugh when I type out the title of these previews when I’m previewing EDM or pop artists. When I first started previewing Coachella acts, it was in anticipation of the first Coachella I attended. There were so many bands I was stoked to see because the lineup use to contain plenty of bands I listened to. Since then, the lineup has changed and so have my music interests, slightly at least. I definitely like more electronic music now. This week brings electronic artist, Porter Robinson, who I listened to for the first time in 2020, while participating in Couchella. I watched Porter Robinson’s 2017 set with Madeon as part of my at home double weekend celebration of the Coachella that never came to be. This year Porter Robinson is back at Coachella for the first time since his 2017 set, but he’s playing solo.

Porter Robinson began his electronic music career as a pre-teen and then signed to Skrillex’s label Owsla at the ripe age of 18. He released his first EP Spitfire in 2011 under his new label, followed by his first big single “Language” in 2012. His debut album Worlds came in 2014, which called for a world tour, including festival stops at Ultra, EDC, and Coachella. In 2016, he released his most popular single to date, “Shelter,” which is a collaboration with long time friend and artist Madeon. The electronic artists toured together worldwide following the release. The tour culminated in a final performance at Coachella 2017.

In 2017, Robinson began releasing music under the alias Virtual Self, which lead to a 2019 Grammy nomination for Best Dance Recording for the 2017 single “Ghost Voices.” Robinson also curated his own festival in 2019, Second Sky Festival, with the help of Coachella promoter Goldenvoice. In the beginning of 2020 Robinson began promoting his second album, Nuture, which continued through 2020 and into 2021, before the April 2021 release.

Porter Robinson’s music is a mix of electro pop, house, indie pop, and synth pop. It has such a light, airy sound. His style creates a dreamy feeling very similar to Madeon’s and also draws similarities to 2022 Coachella artist Lane 8.

Porter Robinson plays Sunday at Coachella. It’s a toss up at this point whether he plays Sahara or a bigger stage like Main Stage or Outdoor Theatre. I’d expect a late day, early evening set from the 2-time Coachella alumni. I usually love a Coachella sunset set but I feel like a Porter Robinson set right as darkness falls is the mood we need for the final night. If you’re in the mood for a fun electronic set at Coachella, here’s the Porter Robinson songs you want check out:

  1. Shelter
  2. Look At the Sky
  3. Language
  4. Something Comforting
  5. Everything Goes On
  6. Sad Machine
  7. Goodbye to a World
  8. Get Your Wish
  9. Divinity
  10. Flicker

Coachella Band Preview: Disclosure

January was a total blur for me being in Mexico. However it’s finally February and I’m home for just under two weeks! Can’t wait to ski for days and think of the hot afternoons and cool evenings on the polo fields. It warms my heart. I have another 2 1/2 weeks in Mexico next month into the beginning of March, but after that it’s full on Coachella prep. I’m crossing my fingers that I get to be there again this year, but after a few discussions over this past month I think I will be. However, we’re 2 1/2 months away from another spring in Indio after a 3 year hiatus and it’s time to preview more bands. This week it’s Disclosure.

In 2020, I anticipated seeing Disclosure at Coachella. I hadn’t yet previewed the band when the festival was first postponed so I figured I should dive into them early this year. Disclosure is a British electronic duo composed of siblings Howard and Guy Lawrence. The brothers first started recording music and posting it to Myspace in 2010, which earned them a record deal. After several hit singles in their first few years, they dropped their first album Settle in June 2013, which was a big year for the duo. They toured worldwide playing shows and festivals. Settle was also nominated for a Grammy for Best Dance Album.

Their second album, Caracal, came in 2015. This album also received a Grammy nomination along with a number one spot on the UK Albums Chart upon release. After a one year hiatus from 2017-2018 and a few other breaks along the way, the band released their third album Energy in August 2020. They likely booked Coachella 2020 in anticipation of this, but unfortunately the event didn’t get to happen. The album released as planned though and the group received a Grammy nomination for it.

Disclosure plays a house/deep house style of electronic music. I always feel like deep house music has such a vibey sound and Disclosure’s music is no different. Their tunes will likely take a late set time spot at the main stage or Outdoor Theatre or even a headlining spot at Sahara.

They last played Coachella in 2016 and played the main stage on Saturday night. They play Saturday this year too and will be bringing plenty of new material to the desert. I hope to be able to be at their set. I’m not a huge Disclosure fan, but I know this is one electronic set not to miss this year. Start prepping your looks and get ready for this non-stop vibe of a dance party by listening to:

  1. Latch
  2. You & Me (Flume remix)
  3. Magnets
  4. Know Your Worth
  5. You’ve Got to Let Go if You Wanna Be Free
  6. Talk
  7. Omen
  8. Ultimatum
  9. Help Me Lose My Mind
  10. In My Arms

2020 Sucked But Here’s Some Music That Didn’t

In 2016, which everyone claimed was a terrible year, I started a personal music recap for the year as a way to find something good to talk about. I kept it up because 2017 was an absolutely amazing year for music and then just kept going with it. 2016 was nothing compared to this year though. To be honest I had a pretty good 2016, but like most people, I didn’t have a great 2020. I’m usually a pretty positive person and try to look for good things when bad shit happens, but this time around there wasn’t a lot of good. Barely any actually. The bad far outweighed it. Where I found my hopefulness though is that someday it will get better. If I made it through high school and my emo years, I knew I’d be able to get through this emo year. Thankfully, even in the absence of live music and the career path I started for myself in 2016, artists still released albums. Some albums were delayed, but eventually got released. Some albums were even unplanned such as Taylor Swift’s folklore and evermore. Music discovery was one thing that wasn’t cancelled this year and for that I am grateful. So here you go, my top music faves from 2020:

“Heat Waves”, Dreamland -Glass Animals

I usually only pick a song, album, or artist to focus on for each of these, but this one was tough to distinguish. In 2020, there are no rules though. Glass animals released their latest album Dreamland back in August but a month earlier dropped the song “Heat Waves”. I fell absolutely in love with song immediately. I knew a few days after I first listened to it that it was the song of the year for me. I couldn’t stop listening to it for weeks even after the album was released. It was my most played on Spotify as well. The album was also my favorite of the year. It featured other great bangers like “Tangerine” and “Your Love (Déjà Vu)” and several other great ones as well. The album was an ode to childhood in the 90’s, but still captured the smooth yet trippy, groove style of indie music that Glass Animals is so well known for. I feel like it’s highly underrated and most definitely my favorite album of 2020.

Women in Music Part III -HAIM

Before Dreamland was released, if you asked me, I would have told you that Women in Music Part III or WIMPIII for short was going to be my favorite album of the year. I knew earlier on from the single releases in the spring that the Haim sisters were about to release a hit of an album. I’m not the only one that took notice either. The album was recently nominated for album of the year by the Grammys and their song “The Steps” was nominated for Best Rock Performance, a category dominated by women this year. I bought the album in July and was able to secure a signed album poster! I still have yet to hang it up, but I have plans to make it happen soon. Much like Dreamland, this album is top to bottom filled with great songs. My favorite is “Don’t Wanna”, but that’s followed by “I’ve Been Down”, “Gasoline”, “I Know Alone”, and “The Steps”. I could honestly go on with the songs too. Like I said, top to bottom, it’s fire. HAIM’s third full-length is really something special and my other top fave from this past year.

Daft Punk

Daft Punk has been around since the 90’s. I’ve known about them since the Random Access Memories era, but I didn’t quite realize that I knew them way longer than that until I watched the Coachella Documentary this past spring. There was such a focus on Daft Punk’s iconic 2006 set that I began really going through their discography. I wrote a blog post about them and how even without a physical Coachella this year, Coachella still helped me discover some new artists. They were one of my top artists of the year. I even bought Discovery on vinyl back in April. The song “One More Time” was in my top 5 most played songs of the year and I’m now one of those people who want them to headline Coachella. I’m definitely late to the game on this robotic electronic duo, but it’s better late than never.

Notes on a Conditional Form -The 1975

The 1975 dropped their latest album in the spring with plenty of track releases in the lead up to the full album that began in 2019. It was an album I highly anticipated during the spring lockdown. In fact during those weeks, I was living for new music Fridays. I claimed back in my blog post review of the album that it might be one of their best works yet. However, I’m not sure if anything will able to top their debut self-titled, but I definitely believe Notes On A Conditional Form is one of the best of the year. I spent weeks listening to the full album. I love “If You’re Too Shy (Let Me Know)” and “Jesus Christ 2005 God Bless America” which features Phoebe Bridgers, who had a big year herself. “People”, “Frail State of Mind”, “Me & You Together Song”, and “Tonight (I Wish I Was Your Boy)” are all great too. This album came at the perfect time and I’m incredibly grateful for it and all the new music that helped me through this crazy year.

“POWER” -Kanye West

“POWER” by Kanye West is not a new song. It actually came out 10 years ago. I never even knew it back then. It first came into my life with the Power Rangers reboot movie in 2017. Then last year during Sunday Service at Coachella it also popped back in. Then yet again this past spring in the Coachella Doc it also made an appearance. It was this time though that I finally got hooked. It was another staple song of my spring time work out playlist and even a go-to I would listen to at other random moments. The intro and subsequent background music for the song which was taken from the song “Afromerica” by Continent Number 6 is just so damn catchy too. It was another better late than never situation, but it worked out fine. There were plenty of songs that got me through the spring but this one is definitely a stand out.

“New Daze” -Bay Ledges

In the summer Bay Ledges released a 6 song EP titled New Daze. The EP included a song of the same name that I really connected with. It’s my favorite new song of theirs since I heard “Safe” in 2018. The song exemplifies their chill indie vibe sound, but has that same uplifting feel that “Safe” also contains. The lyrics themselves do too. It gives such a hopeful perspective for this trash year and I really love the song for that reason as well.

“Giants” -Dermot Kennedy

Dermot Kennedy was huge for me in 2019. His show was actually the last concert I was able to attend before the music industry shut down on March 12th. After such a big year with his first album in October, I wouldn’t have expected any new releases in 2020, but in June he dropped the new track “Giants”. It’s another powerful upbeat track similar to “Power Over Me” and “Outnumbered”. He recently released a “Complete Edition” version of his debut album which contains “Giants” among other collabs, a cover, another new song, and alternate versions of old songs. “Giants” was just the new track I needed for my summer work out playlist to even further my love for Dermot Kennedy. I even enjoyed the Sam Feldt remix of the track and got a double dose of the track by including that version in my fall work out playlist. It’s quite a banger and one of my favorites of the year.

“Bodies” -The Knocks ft. MUNA

Obviously the spring and summer were filled with plenty of new tunes and discoveries of old for me this year, but I found this gem by The Knocks featuring MUNA in the fall. The song was recommended to me by Spotify after my playlist finished one night and I thought it was great. After I added the song, I couldn’t get enough of it when it played during my nightly work outs. “Bodies” was released in the summer, but it didn’t come into my life until early November. For almost the last two months, I’ve been obsessed with this song. It’s a late comer to this list of my favorites for 2020, but it deserves to be here. It’s a keeper.

“Believer” -LUDVIC, Mathoma

Spring was such a time of music discovery for me thanks to the Coachella Documentary and my weekends of “Couchella”. In that time I also discovered the song “Believer” by LUDVIC and Mathoma thanks to checking out my friends’ Spotify playlists. I love being a creep on Spotify but it’s truly a great way to discover new music and find out what your friends are listening to. Although this jam wasn’t directly because of Coachella, it came to me around that time and joined my spring playlist in the midst of some great tunes. This was one song I couldn’t get enough of though. I would frequently replay it or listen to it when I wasn’t working out thus earning this trop house style track a spot on this list of my faves from 2020.

Golden Hour -Kygo

After seeing Kygo perform at Coachella in 2018, I became a huge fan. I’ve always been partial towards the trop house style of electronic music, but that 2018 performance really set in my affinity for the Norwegian DJ. Golden Hour was another album I was anticipating in the spring with new track releases every few weeks. Kygo’s third album dropped at the end of May and I already had some favorites from the new record. “Freedom”, “Lose Somebody”, and “Higher Love” caught on quick for me. I also love “Like It Is”, “I’ll Wait”, and “How Would I Know.”

Kygo decided to do a virtual live stream festival from his home in Norway to promote the new album and support LiveNation’s Crew Nation Fund among several other relief funds. As we know, streaming shows became a thing this year. I think they’re trash. They will never compare with going to a concert or festival, but in the mean time, they’re something to watch. I watched two streams in the spring and this was one of them. The thing that kept me around was the beauty of Norway. Kygo’s set was shot partially with a drone that exhibited the entire landscape of his community. People were out on the lake watching his set from boats. It was so cool. Who would have thought this music which usually sets the vibe at in the desert of southern California so perfectly would create an insane vibe in a different setting like Bergen, Norway. It was great and it gave me another chance to hear this solid new record.

Honorable Mentions:

The New Abnormal -The Strokes (the first Strokes album since 2013, full of indie rock goodness)

girl in red (the indie version of Hayley “Lesbian Jesus” Kiyoko)

“Good” -TWIN XL (indie pop summer jam)

“Palm Springs” -Luna Shadows (pure Palm Springs vibe and I bet you can’t get it out of your head)

“Anywhere” -Dillon Francis ft. Will Heard (Thanks to a re-watch of his 2019 Coachella set it became a spring fave of mine)

I typically end these posts filled with excitement knowing I’ll be anticipating the Coachella lineup to drop within days, but this time around that excitement for my favorite festival is non-existant. Instead, I’ll be looking for another postponement to the Indio festival that was only a month away before corona dragged it and the rest of live music down. The good thing is that there’s finally a light on at the end of this tunnel. The vaccines are probably the hottest records to drop this year with a few more slated for early 2021. We’re all hoping that these creations will help get us back to the things (concerts and festivals) and people we love the most at some point next year. So I’m definitely urging you to give them a chance, because the faster you do the faster we can move forward away from this crazy upside down world we’ve been living in since March.

Besides hopefully a fresh start for the live music and events industry, 2021 should be filled with some highly anticipated new music. In May 2019, Adele hinted at a new record that was to come out in 2020. I’m not sure if this year put a damper on production, but it has yet to be released. A brief stint on SNL in October gave us some hope for new music but Adele quickly squashed those hopes in her opening monologue and shifted gears towards 2021. So as the saying goes, “rumor has it” that we’ll have some new Adele music next year after over 5 years since 25.

Lorde has also hinted at the release of new music. It will be 4 years ago in June that Lorde released her Grammy nominated sophomore album Melodrama. So this third full-length will be a highly anticipated record in 2021.

As I mentioned girl in red in my honorable mentions, her debut album should be dropping next year as well. The first single from it, “Rue”, was released in late August and I’m sure there will be more songs coming in anticipation of the release. After the big year girl in red had, thanks in large part to Tik Tok, I’m sure this debut will help grow her fan base even more.

Lana Del Rey, who just never stops making music, has an album due out for 2021 as well with Chemtrails over the Country Club. We should be seeing new music from Bleachers, St. Vincent, Spoon, Weezer, and Greta Van Fleet in the new year too.

Although it has been over 3 years now that my favorite band, Foster the People, released an album, they released an EP called In the Darkest of Nights, Let the Birds Sing on December 11th. They’ve dropped plenty of new music since their last record Sacred Hearts Club (2017) too. Hopefully touring returns at some point next year and I’ll have the chance to see Mark and the boys again soon. I miss them. I actually said the same thing at the end of last year too, but now I miss them even more.

It’s also been awhile since LCD Soundsystem has put out music so I hope to hear from them next year as well as Florence & The Machine whose last album came out in 2018. As for the next few months though, instead of going to Mexico and anticipating Coachella, I’ll be trying to ski as much as I can and keep my eyes and ears peeled for a return to the work I love so much. If all goes well, the new roaring 20’s might be in full swing by the fall. Stay tuned for that.

Although music was partially shut out this year, at least we have the technology to release, find, and hear new songs, EPs, and albums. I’m not going to try to tell you that music saved this year like it did in 2016. This year could never be saved and that’s okay. The good news is that we made it so here’s to shutting the door on a wild, lameass year and opening the next door for a better one. Onward and upwards!

Music’s Got Me Feeling So Free

Couchella Weekend 1 was a huge success. The documentary was fantastic and a great reminder of happier times both in the past and to come. I learned a lot about Coachella from it. I watched it each day of what would have been Coachella 2020 Weekend 1 including a special Friday premiere viewing party with a few of my Coachella coworkers. I decorated the room a bit to feel like Coachella and trust me it kind of did. It helped me separate from the outside world much like actually working a festival does. It also introduced me to new music, which is what I need to write about today. I mean new as in the sense of I wasn’t really into the music before last weekend because this group has been around since the 90’s. Their set in 2006 was very notable in the history of Coachella and that group is Daft Punk.

The French electronic music duo Daft Punk was formed in 1993. After their lack of success in the punk band Darlin’ (which also included Laurent Brancowitz of Phoenix), Guy-Manuel de Homem-Christo and Thomas Bangalter created Daft Punk. They went in a different direction musically, after being introduced to the rave scene. The name “Daft Punk” came from a negative review of Darlin’ which referred to their music as “a daft punky thrash.” The group got their break at a rave in 1993 when they handed off a demo to Stuart McMillan of the Scottish electronic duo Slam. Slam had their own record label Soma.

The duo hired Pedro Winter to be their manager and signed with Virgin Records in 1996. In 1997 they released their highly anticipated debut album Homework, which included their earlier singles “Alive” and “Da Funk” along with “Around the World.” They released their second album Discovery in 2001. The album had a more of a synth-pop sound than what the group was known for from their debut album, but it lead Daft Punk to commercial success. The album reached the Top 10 in music charts throughout Europe, Australia, New Zealand, Canada, and the U.S. When performing during their earlier days, the duo would cover their faces with different masks. It wasn’t until Discovery came out that they adopted their robot alter egos.

In 2005, Daft Punk released their third album Human After All. Despite reaching high positions on music charts throughout the world, the album didn’t quite have the success that Discovery did. In the early 2000’s Daft Punk also got into the visual entertainment sector and released two films, Interstella 5555: The 5tory of the 5ecret 5tar 5ystem in 2003 and Daft Punk’s Electroma in 2006. As I mentioned before, 2006 also brought Daft Punk to Coachella for their first and only Coachella appearance. They debuted their famous pyramid that they also used on tour that year.

In the years between their third and fourth album, the duo was again busy working on films, specifically the soundtrack for Disney’s Tron: Legacy. Then, they won their first Grammy in 2009 for Best Electronic/Dance Album for their live album Alive 2007. They also won a Grammy for Best Dance Recording for “Harder, Better, Faster, Stronger.”

On May 13, 2013 Daft Punk released their fourth studio album Random Access Memories. The album featured collaborations with Nile Rodgers of Chic, Pharrell Williams, and Julian Casablancas of The Strokes. The album became their most successful album to date with hits like “Get Lucky”, “Instant Crush”, and “Lose Yourself to Dance.” The record earned them peak positions on music charts worldwide as well as numerous accolades and awards including a Grammy for Album of the Year. In many countries the album has reached Platinum status or beyond. Daft Punk were also co-producers on Kanye West’s 2013 album Yeezus.

Since Random Access Memories and the few years that followed, Daft Punk has been relatively quiet. Their most notable project came in the form of collaboration with The Weeknd on his hit singles “Starboy” and “I Feel It Coming” in 2016. They’ve since been working on solo projects.

Daft Punk’s style of electronic music is very much house music. Through the years though, it’s varied album by album. It also incorporates elements of rock and disco. Personally I think Daft Punk’s music is ahead of its time, especially the album Discovery, but again I might not know that much about the history of electronic music since I’ve started listening to it only in the past few years.

I first learned of Daft Punk around the time of Random Access Memories due to the popularity of the album. I wasn’t a fan of their biggest hit song “Get Lucky” though. It was still at a point where I detested main stream music nor did I like EDM. I didn’t understand the hype and in the past few years as I got into electronic music, Daft Punk wasn’t really a name I heard often unless it involved headliner predictions for Coachella.

The Coachella documentary shed some light on Daft Punk for me. After watching the scene about their 2006 set, I thought to myself, “Wow this looked like a lot of fun! Maybe I should see what Daft Punk is about.” So I started listening to some of their stuff on Spotify. I realized I heard plenty of Daft Punk tracks over the years, but it was probably just background music for me. So I went through their discography and listened to tracks from all their albums. I listened to them while I attempted to cook my favorite dish from Coachella catering last weekend. It hit me that I’d been missing out on Daft Punk for a while now. I finally understood the hype. I’ve now become one of those people who hope Daft Punk is on every Coachella lineup. I would love to see them live. I want to see them live and I want to see them at Coachella.

With all the negative outlooks for the relatively near future, no one is sure when live music will be back, especially large-scale events like music festivals. Who knows when the next Coachella will happen, but when it does happen again it will likely be an epic event. In the mean time, I can always remind myself it took me 4 years to get to Coachella from when I first wanted to go. I can also do my best to take in Weekend 2 of what would have been Coachella 2020 as best as I can. I plan on watching the documentary each day of Weekend 2 just like I did during Weekend 1 and I also plan on watching some full Coachella sets from past years that I found online. I watched RÜFÜS DU SOL’s 2019 Weekend 1 set last weekend (I was actually at the set for the end half too!). This Weekend I have Dillon Francis’ 2019 set, Foster the People’s 2011 set, and yes, Daft Punk’s 2006 set because I found it in full on YouTube. I can’t wait to see how fun it actually was and I can’t wait for the day we’re all back at Coachella. Hopefully we’ll be listening to Daft Punk live one more time. It could happen. We could get lucky.

Coachella Band Preview: Tame Impala

Welcome back to week 1 of Coachella Band Previews. As always, we’ve got 3 months and a lot of listening to do. This week I decided to start strong with Saturday night headliner Tame Impala. As I said in my lineup release post, I was super hyped to see Tame Impala’s name in big letters as a headliner this year so it made sense that I previewed them before everyone else. Needless to say, I’ve never actually wrote about them on this blog before either. Not until today that is.

Tame Impala is an Australian psychedelic indie pop rock band based out of Perth. The band was formed in 2007 as a home recording project of guitarist and vocalist, Kevin Parker. He started posting the music to his MySpace page which began receiving some attention from music labels. He then brought Dominic Simper (bass) and Jay Watson (drums) into the mix for live shows. Now Simper and Watson are playing different instruments in the band (guitar and synth for both as well as vocals for Watson) and Cam Avery (bass, vocals) and Julien Barbagallo (drums, vocals) have joined as well.

The band released their debut self-titled EP in September 2008. Three songs from the five song EP received national airplay. The EP reached number 1 on the Australian Independent Records Labels Chart as well as number 10 on the ARIA Physical Singles Chart. The band embarked on tours in support of You Am I, The Black Keys, Yeasayer, and MGMT as well as a national headlining tour in support of their EP. They released a new single “Sundown Syndrome” in 2009 and continued touring through 2010.

2010 also brought the band’s first full length album Innerspeaker which was received with general and critical acclaim nationally and in the U.K. and U.S. The band received 4 ARIA Music Award nominations that year as well, but did not win in any category they were nominated for.

The group’s second album Lonerism was release in October of 2012. Like its predecessor, the new album again received praise in Australia, the U.K., and the U.S. It was voted the number one album of the year from mediums in all 3 countries. The group then embarked on an international tour in 2012 through 2013. This included the group’s second stop at Coachella (the first was in 2011). It was in 2013 that original member Nick Allbrook left the band and Cam Avery took his place. The album also received a 2014 Grammy Nomination for Best Alternative Music Album.

The band’s most recent album Currents was released in July 2015. To date the album is the band’s best charting release, reaching number one in Australia, number three in the U.K., and number four in the U.S. The album won 2 ARIA awards for Best Rock Album and Album of the Year and was also nominated for a Grammy for Best Alternative Music Album.

Parker recently said that there will be new music for Tame Impala in 2019. As of now, no official date for an album is known. A first time headlining spot at Coachella might just be the place to preview some new tracks though.

Tame Impala’s style of music can be best described as trippy. It is psychedelic rock after all, but it’s much more rock oriented than the kind of music you’d hear from psychedelic jam bands like the Grateful Dead or Phish. “Let It Happen” does close in on the 8 minute mark though. It’s more on the indie rock spectrum of music than other well known bands associated with psychedelic music.

I’m not sure how or where I first heard Tame Impala, but I began listening to them around the Lonerism era. I actually purchased Lonerism from Amoeba Records in Hollywood on my first visit to California (one of my all time favorite vacations). I bought it in CD form because I didn’t think I’d be able to transport a record properly on an airplane. I can’t say I binged on the CD after that but I’ve definitely been listening to Tame Impala here and there ever since.

2019 marks Tame Impala’s 4th Coachella appearance. After playing in 2011 and 2013, the band then played again in 2015. This is of course the first headlining spot for the Australian rockers. I’m not sure what kind of crowd size Tame Impala will draw. They’re definitely not as big of a headliner as Beyoncé was last year. I’m guessing Bassnectar will overlap in set times as well, which hopefully may pull a lot of the youth attendees to the Sahara Tent or Outdoor Stage, wherever Bassnectar may be posted up. Tame Impala’s performance will surely be epic production wise. I’m hoping it’s comparable to or beyond that of Panorama 2017’s headlining set. The visuals, lasers, strobes, and everything in between brought an incredible vibe to Randall’s Island that night, which I hope translates to the Polo fields come April. So now it’s time to start listening to Tame Impala for the next three months, here’s what you need to hear:

  1. Feels Like We Only Go Backwards
  2. Let It Happen
  3. Elephant
  4. The Less I Know The Better
  5. Half Full Glass of Wine
  6. Solitude is Bliss
  7. Mind Mischief
  8. Eventually
  9. Cause I’m A Man
  10. New Person, Same Old Mistakes

 

Coachella Band Preview: St. Vincent

February is finally almost over. It seems like winter tends to drag on because life moves slower. It does for me at least. There are less shows, barely any festivals, and the snow sucks. Thankfully, Coachella and the rest of festival season is inching closer and closer. This week to prep for the Coachella Valley’s finest I’m previewing an artist who goes by the name of St. Vincent.

Anne “Annie” Erin Clark, better known to the world as St. Vincent, began her music career as a member of the choral rock band the Polyphonic Spree, after attending the Berklee College of Music for 3 years. Before starting her own group in 2006, she was a member of Sufjan Stevens touring band too. During her childhood, Clark began playing guitar at the age of 12 and was a roadie for her aunt and uncle, jazz duo Tuck & Patti. She got her stage name of St. Vincent from a lyric in Nick Cave & the Bad Seeds’ song “There She Goes, My Beautiful World”.

In 2007, St. Vincent released her debut album Marry Me. After extensive touring for the album over that year, Clark began her second album in 2008. The album, Actor, was then released on May 5, 2009. It was more well received than her debut as it peaked at 90 on the Billboard 200 Chart as well as 9 on the Independent Albums Chart and 5 on the Tastemaker Albums Chart.

Strange Mercy, St. Vincent’s third album, was released on September 13, 2011 receiving tons of critical acclaim and peaking at 19 on the Billboard 200. Clark toured worldwide through 2012 then it was back to the studio to work on her next album. In 2012 she also released a collaborative album with with former Talking Heads lead guitarist and vocalist and fellow Coachella 2018 performer David Byrne.

Her fourth album, St. Vincent, was released in February of 2014. A few months prior she announced a world tour in 2014 and released two singles in anticipation of the self-titled album. Again the album was well received and ranked highly in multiple publications. The album earned her a Grammy nomination for Best Alternative Music Album which she subsequently won. Her touring for the album continued into 2015.

Her most recent album to date, Masseduction, was released on October 13, 2017. It was Clark’s first album to peak in the top 10 of Billboard’s 200 Chart upon release. It reached the 10 spot. It also sold close to 30,000 copies in the first week of its release with 25,000 of those being traditional album sales.

St. Vincent has a very unique music style. You may classify it as indie rock, but the sound often uses complex arrangements and an array of instruments. Sometimes it sounds pretty wild and almost like music in the background of a horror movie. It’s music in a true artistic form and complemented by lyrics that often diverge into madness. Clark’s voice is that of a former choir girl and adds beauty to the mixture of sound.

I first heard of St. Vincent while reading one of the Pretty Little Liars novels. In the book, it mentioned one of the girls on a drive listening to St. Vincent’s “Actor Out of Work” and singing it at the top of her lungs. I decided to listen to the song after reading that part of the book since I had never listened to St. Vincent before then. I really liked it and decided to download it. Since then I had only downloaded “Digital Witness” after hearing it in 2014. I never really got into Clark’s music as a whole, but for some reason, I began listening to the singles released for her most recent album “New York” and “Los Ageless” over the summer. At the end of November, I worked one of her shows on her “Fear the Future” Tour. I was also able to listen in on some of her VIP  Q & A and stay for most of the show after I finished work. I always appreciate a Q & A because I feel like you get to learn a bit about band or artist. This was no exception. I developed an appreciation for St. Vincent and Annie Clark. Not to mention, I had recently purchased Masseduction. The show was overcrowded though. I couldn’t see much from where I was standing and I ended up leaving a little over halfway through to make it home. I did enjoy it though and would love to see her again if I had the opportunity.

Coachella would be the perfect opportunity if I was attending this year. She would definitely be on my must-see list for Friday. She’s listed as a highly billed act this year so I would expect a late afternoon-evening set. If you’ve never seen her or listened to her music before, it’s pretty artistic. I think that element alone can make people curious to hear her and/or see her live. She also has plenty of visuals during her performance that add to the artistic nature of her music. To get you prepped for her third Coachella performance here’s a few staples you should check out:

  1. Digital Witness
  2. Cruel
  3. New York
  4. Masseduction
  5. Actor Out of Work
  6. Marry Me
  7. Cheerleader
  8. Birth in Reverse
  9. Los Ageless
  10. Surgeon

 

Gravity Can’t Hold Us Down

This Friday I’m attending my second ever electronic show. I probably wouldn’t be going to this show if it wasn’t for my friend’s love of electronic music and Odesza (the group we’re seeing) and the little vacation we’re going on. Nevertheless, it’s happening and because of it, I got into the electronic group.

Odesza is comprised of electronic music duo Harrison Mills and Clayton Knight. Mills and Knight met while they were both students at Western Washington University and began making music together as Odesza during their senior year. The band name was made out of an alternate spelling of Mills’ uncle’s ship that sunk.

Odesza’s self-released first album Summer’s Gone was released on September 5, 2012, two months before they played their first show. Their first EP My Friends Never Die was released a year later. In the fall of 2013, the group opened for Pretty Lights and then embarked on their first headlining tour the following year. It was a quick start for Odesza who gained popularity through streaming sites like Soundcloud and Spotify and by word of mouth.

In September 2014, Odesza released their second full length album In Return and played a sold out headlining tour that fall in support of it. The group also began playing music festivals as well beginning with Sasquatch! Music Festival in Gorge, Washington in 2013. They have since gone on to play Coachella, SXSW, Lollapalooza, Bonnaroo, Firefly, Governor’s Ball, and several others.

This past September Odesza released their third full length album A Moment Apart and announced a world tour in support which began on September 14th in Auckland, New Zealand, after a preview of the new live show in May at the legendary Red Rocks Amphitheater. The tour has since made their way into the United States and the album was recently nominated for a Grammy for Best Dance/Electronic Album. The track “A Line of Sight” feat. Wynne and Maisonair was also nominated for a Grammy for Best Dance Recording. The group was previously nominated in 2015 for Best Remixed Recording, Nonclassical for “Say My Name (RAC remix)”.

As electronic artists, Odesza fits in the sub genres of electropop, indietronica, chillwave, and future bass. Their style is sort of like a blend between electronic music, indie music, and pop music filled with synth lines and subtle rises and falls of energy and bass. Their new album has a several collaborations which account for the vocals on their tracks. Their songs create this dreamy, nostalgic type of feeling regardless of whether the tracks have vocals or not though.

I first heard of Odesza in late 2015 when a family member who I hadn’t talked to in years asked if I liked them after I told him I was attending an alt-J concert in the coming month. I told him that I didn’t and he told me how awesome they were. Then we started talking about something else and I never even checked them out. To be fair, at the time I was dealing with a lot of other things so I just kind of forgot about it. I first listened to Odesza in late September-early October of this year, shortly after the new album release. I liked the song “Higher Ground” and added it to my workout/new music playlist on Spotify. It was only about 2 weeks later that my friends and I had planned a trip to New York City and bought tickets to see them in Brooklyn.

Since purchasing tickets, I’ve listened to Odesza a lot more. We received a free copy of the new album with our tickets so when that came in the mail I put the CD in my car for a while. I also recently purchased their sophomore album too and have been binge listening to it.  It’s safe to say that I definitely became a fan. I’m beyond stoked for Friday night. I can’t wait to see what kind of energy they’ll bring by playing in a large scale venue like the Barclays Center, but I’m sure it’ll be epic. I’m also just stoked to see this band play with my friend and to witness her fully in her element as an electronic music fan.

I highly recommend checking out Odesza, but especially this new album. There’s a reason it was nominated for a Grammy. Even after listening to In Return several times, there’s just something special to A Moment Apart that Odesza’s been working towards since their inception. You’re bound to find at least one song you like. It’s that good and it’ll only be a matter of time before Odesza hooks you for real.

 

 

Coachella Band Preview: Lady Gaga

If you’re reading this, I doubt you’re confused by the title of my blog because you probably know a thing or two about what happened regarding Coachella over the past week. In case you are confused though, let me explain.

As you know from the lineup announcement in the beginning of January, Lady Gaga was not on it. However, a month after the lineup dropped, Beyoncé made a public announcement that she was pregnant with twins. This started some speculation that she might not play Coachella. At the time of the announcement though, it seemed like she was fully committed to the annual festival. Then, her doctors intervened. Last week, shortly after I posted my last blog (because if it was before I would have mentioned it), AP (Associated Press) broke the news that Beyoncé would not play Coachella this year following the advice of her doctors to keep a less rigorous schedule. The announcement did state that Beyoncé will play Coachella next year in 2018, which in my opinion takes away from the anticipation of the lineup release somewhat. I guess since she was a major headliner and a bunch of the Beyhive probably bought tickets this year to see her, Coachella promoter, Goldenvoice, threw them a bone.

After the announcement was made last week, more speculation occurred over who would replace Queen Bey. Lady Gaga was one of the first acts I thought of as her replacement and this was without being influenced by rumors popping up all over the internet and social media. To me it seemed pretty logical, she’s a highly billed female pop performer, much like Beyoncé. She’s also about to embark on a world tour in support of her most recent album Joanne, which has been widely praised. It just made so much sense that she would replace Beyoncé. I saw some other names pop in the meantime though from Daft Punk to Rihanna. I also saw Lady Gaga’s name thrown around too, which made me feel like my guess wasn’t too far off. By Tuesday evening, it was confirmed. Lady Gaga would replace Beyoncé as Coachella’s Saturday night headliner and Gagachella was born.

Lady Gaga, whose real name is Stefani Joanne Angelina Germanotta, grew up in Manhattan’s Upper East Side in an affluent Catholic family. Despite attending an all-girls Catholic school growing up, she felt like she never fit in to that kind of crowd. She was always involved in music and the arts as well. She started taking piano at age 4. She played open mic nights and acted in school musicals as a teenager. She was even granted early admission to NYU’s theater program, but dropped out during her sophomore year to pursue her music career.

Her stage name, Lady Gaga, was inspired by Queen’s song “Radio Ga Ga” and a T9 accidental text message. In the years before she released her first album, she played Lollapalooza along with Lady Starlight as “Lady Gaga and Lady Starlight”. The duo also performed on the New York underground scene, which was when Lady Gaga began to incorporate pop and glam rock into her electronic dance music style.

After finally securing a record deal with Interscope/Geffen, her debut album, The Fame, was released in 2008. The album included many successful singles and earned her a Grammy Award for Best/Dance Electronica Album. Her song “Poker Face” won the Grammy for Best Dance Recording as well. Gaga’s first tour was in support of The Pussycat Dolls in 2009, but shortly after she embarked on her own headlining world tour. In November of 2009, she released an 8 song EP entitled The Fame Monster, which included the hit single “Bad Romance” as well as a few other successful singles. The Fame Monster earned Lady Gaga 8 MTV Video Music Awards and a Grammy Award for Best Pop Vocal Album. She also embarked on another world tour appropriately named The Monster Ball Tour.

Lady Gaga released her second studio album Born This Way in May 2011. The album produced several successful singles, 3 Grammy nominations, and a resulting world tour similar to her other music. Around this time was when Gaga formed her relationship with Tony Bennett which paved the way for their eventual album together, Cheek to Cheek, which was released in 2014 and earned them a Grammy for Best Traditional Pop Vocal Album. However, the joint album was not released before her third studio album Artpop. It came out in November of 2013. Artpop is the least successful of Lady Gaga’s albums thus far and was received with mixed reviews. Despite its lack of success, it still sold about 2.5 million copies worldwide (as of July 2014).

Lady Gaga released her latest album, Joanne, this past October. Following its release, she performed at three small scale venues to promote the album. This was known as the Dive Bar Tour. Shortly before Joanne‘s release, it was announced that Lady Gaga would be headlining the 2017 Super Bowl LI Halftime Show. The halftime show became the most viewed music performance in history. Following the show, Lady Gaga announced her latest world tour plans in support of Joanne which now includes a pre-stop at one of America’s most well-known music festivals.

When Beyoncé was announced as a headliner, I had no intention of writing a preview for her because I’m not a Beyoncé fan. Honestly, I’m not a Lady Gaga fan either so the reason I decided to write this might be a mystery so I’ll explain. I’m not a fan of mainstream pop music (Adele being the only exception). In fact I used to get annoyed over Lady Gaga’s music when it first came out in 2008. The truth is though despite not being into Lady Gaga’s music, she’s had so many hit singles that I do know a lot of her music. I don’t listen to the radio normally, but I would hear her songs regardless. I’d hear them in public locations, from friends, on television, and yeah I guess on the radio when I wasn’t in control of it.

There’s been random times in my life over the last 9 years that Lady Gaga’s music has been a part of too. My friends and I sang a self made-up parody of “Alejandro” at the beach one summer, “Bad Romance” played on a music-playing amusement park ride one time when all of our previous times on this ride had death metal songs we didn’t know or like (“Bad Romance” kind of saved us), and “Applause” became one of the theme songs of my first trip to California due to its overplay and my cousin being in control of the radio. There’s probably other moments I’m not thinking of too. Also I can’t forget that my mom is a huge fan of Lady Gaga and her music. She owns almost all, if not all, of Gaga’s albums. I have to admit, I even like Joanne. Because of all the exposure, I almost feel like a fan by association and no lie her Super Bowl performance had me crushing the end of my cardio work out. So no, I’m not a true Little Monster, but I wouldn’t mind seeing Gaga live if I had the opportunity.

As I said before, Lady Gaga plays Saturday night in replacement of Beyoncé. It’s her first time playing the festival and also the first time since 2007 that a female solo artist will be headlining. Being known for her crazy and outlandish costumes/outfits in her early performing days as well as becoming a major pop performer, I’m expecting her Coachella set to be epic and to have some intense production quality. No one will want to miss her performance on Saturday night, unless of course you’re a major fan of whoever is playing at the Sahara Tent. Here’s some songs to get you ready, although you might already know them:

  1. Bad Romance
  2. Just Dance
  3. Poker Face
  4. Born This Way
  5. Alejandro
  6. Perfect Illusion
  7. Applause
  8. Marry the Night
  9. Telephone
  10. A Million Reasons
  11. A-Yo
  12. John Wayne
  13. The Edge of Glory
  14. Paparazzi
  15. LoveGame

 

Coachella Band Preview: LCD Soundsystem

Coachella is almost exactly 3 months away. Since the lineup release over a week ago, the days until the annual festival in the desert are decreasing. That only means one thing. It’s time to prep. Start planning your festival attire. Get out the sun tan lotion and listen to some tunes by the bands playing the event this year. As I said last week, even though I won’t be attending Coachella this year (unless there’s some spontaneous miracle), I plan on previewing the bands playing Coachella 2016 in the same way I did last year. The first band on my list is one of the headliners this year, LCD Soundsystem.

Formed in 2001 from New York City, LCD Soundsystem is the brainchild of singer-songwriter, record producer, and DJ, James Murphy. Murphy is also the co-founder of dance music record label DFA Records. Until the 2005 release of their self-titled debut album, LCD Soundsystem only released singles. Their debut album however received much acclaim including a Grammy nomination for Best Electronic/Dance Album. The single “Daft Punk is Playing at My House” received a Grammy nomination for Best Dance Recording in the same year. LCD Soundsystem released their second album, Sound of Silver, in 2007 and it too received a Grammy nomination for Best Electronic/Dance Album. Their third album, This Is Happening, came out in May 2010. It received top-ten status in the United States and was the group’s first album to do so. It was also listed as the number two album of 2010 by Pitchfork and the number 10 album of 2010 by Rolling Stone. Then in early 2011 the band announced on their website that they planned to call it quits, but not before one last farewell show to be played at Madison Square Garden in April. The final four hour long show took place on April 2, 2011 and was filmed as part of a live concert documentary Shut Up and Play the Hits, which was released the following year. Such was the end of LCD Soundsystem…or so we thought.

In late 2015 rumors began swirling that LCD Soundsystem would be reuniting in 2016 and playing some major music festivals. Then on Christmas Eve, a mere 3 weeks ago, the group released their first single in over 5 years “Christmas Will Break Your Heart”. A little over a week later, on January 4, 2016, it was announced the group would be headlining Coachella. The following day, via the group’s website, James Murphy posted this message to fans confirming the reunion of the much loved electronic/dance/punk group.

I was late to the LCD Soundsystem party, first hearing of the group after their “final” show in late 2011. It wasn’t even until over a year after the “final” show that I downloaded any of their music to my iTunes. The first song I heard by the group was “Dance Yrself Clean” and it’s still one of my favorite LCD Soundsystem songs. I eventually listened to more of their music and purchased their self-titled album on vinyl (it’s great on vinyl by the way). I do have to say though that if it wasn’t for my favorite acting/Hollywood couple and fellow music enthusiasts, Troian Bellisario and Patrick J. Adams, I wouldn’t have known this group at all. Thanks guys for the great recommendations!

As I mentioned, LCD Soundsystem is an electronic/dance/punk/alternative style music group. They were around before a lot of today’s EDM artists. Their style is a little different than the current EDM style though. Their music has more of an alternative/punk element. I feel like recent EDM is more pop. Also unlike current EDM artists, LCD Soundsystem’s music features an assortment of instruments and electronic devices, hence the whole “soundsystem” aspect. The group also features a variety of members who played the live shows as part of the group over the years. The most notable members include, Nancy Whang, Pat Mahoney, and Tyler Pope, but include at least 9 more individuals who have played for the band.  Murphy played the majority of the instruments himself while recording the albums.

If I were attending Coachella this year, the LCD Soundsystem set would be one of my most anticipated sets. They join the 2016 festival as a main headliner with Guns N’ Roses, who are also reuniting for Coachella, and Calvin Harris. Murphy and his pals play Saturday night. The LCD Soundsystem set should draw a huge crowd, especially with the large contingency of dance music fans who attend the festival. Not sure if I’ll be able to stay up to watch them perform, but I definitely have planned to try to find a video of their set afterwards. I’m a little jealous I won’t be at Coachella to see them live. Guess I’ll just have to catch an upcoming show somewhere else since the group is getting back together. To get you ready for Saturday night on the main stage though, play these hits:

  1. Dance Yrself Clean
  2. All My Friends
  3. Daft Punk is Playing at My House
  4. Drunk Girls
  5. Someone Great
  6. New York, I Love You But You’re Bringing Me Down
  7. Tribulations
  8. I Can Change
  9. Yeah
  10. North American Scum
  11. Tribulations

The Biggest Night in Music…or Something Like That

If you watched the Grammy Awards last night, I’m sure the one question running through your mind is “Was there anything Sam Smith didn’t win?” The answer is surprisingly “Yes!” no matter how you look at it. Sure you can say he didn’t win a Grammy for every category, but he wasn’t nominated for every category. However, he also did not win in every category he was nominated for (Pharrell won with “Happy” for Best Pop Performance), although it sure seemed like he did.

Anyway, I originally had planned to do a Grammy Awards recap today but then right before the show started last night I realized I really didn’t care to watch it. Prior to this I saw three of the categories I cared about were already awarded. Best Rock Performance went to Jack White for “Lazaretto”, Best Rock Song went to Paramore for “Ain’t It Fun” and Best Alternative Album went to St. Vincent for her self-titled album (see you at Coachella Jack and Annie!). After that I only cared if The Black Keys won Best Rock Album or if Haim won Best New Artist. Neither did. So there wasn’t much else for me to see. The performances weren’t my cup of tea nor were the other categories. I might have been mildly interested to see if Taylor Swift won anything for “Shake It Off”. That song may be a guilty pleasure of mine but I will not confirm or deny that (she didn’t win at all). Still, that was something I could wait to find out later without watching the show.

So I barely watched the Grammys. Instead it got me thinking, “Why do people watch the Grammys? Why are they so special? Heck, why do people watch any award shows and what makes some more important or better than others?” So I did some research and decided to answer those questions here.

First “Why do people watch the Grammys?” and “Why are they so special?” Well to give an answer to both of these questions at once (sorta) is because the Grammys are the oldest and most prestigious awards in music. The show started in the late 50’s and has continued until this point. So that’s why they’re special and I think part of why people watch. Another reason I think people watch is because they want to see if their favorite artists receive a major achievement. I’m sure some people watch to see the performances and drama that occurs with a live award show. There’s probably people that watch just so they can feel included to talk about the show the next day at work or school. Then there’s the people who watch for the fashion. There’s probably other reasons too, but I think those are some of the big ones.

I guess the same can be said for why people watch any awards shows. They care about what the show celebrates whether it’s music, tv, movies, etc., or they care about fashion and pop culture, or they just watch it for pure entertainment. What makes some award shows better than others? Well I think like I said before is how old they are and how prestigious they are deemed by society.

That’s the thing though. The Grammy Awards (probably other award shows too) were criticized plenty of times for just being some big spectacle that celebrates the music industry, caters to people for entertainment, and is less about the actual music than they want you to believe. Like many things in our culture, award shows get blown out of proportion. It’s society that makes us believe that awards are important and certain awards are more important than others. That goes for anything. I guess it’s the case that people need to feel validated sometimes and awards help with that. But I think it’s important for those receiving awards to feel validated no matter what, like the people who make music purely to make music by expressing themselves and creating a beautiful compilation of sound. There’s validation in just being able to make music. One of my favorite Grammy moments of all time happened when Justin Vernon of Bon Iver won two Grammys in 2012 for Bon Iver, Bon Iver and Best New Artist (he wasn’t new at the time but we’ll let that slide). Through his acceptance speech he basically indicated that the awards meant so little compared to the music which was so much more important. I’ve always respected musicians like that who put the music first. It is what’s most important. Awards are just an added bonus.

So I think it’s important for those of us that actually care about what the awards are for to remember what is really important about them. Hell, even if you care about the fashion or the water cooler discussion the next day it’s important to know the real reason for having an award show. Music, television, movies, etc. are all forms of art. They’re beautiful creations of tremendous amounts of work that have been shared with us. That is what is so incredible about them. That is what is most important.