indie band

A R I Z O N A the band, not the state

It’s been two weeks since I last posted, but to be fair I had a show to work and I was sidelined with a sprained ankle (a “sprankle” if you will). I was also out of ideas for new topics. I want to be excited about everything I write here so I didn’t want to just pick something and give you a lackluster effort. The end of last week finally gave me a topic though. I saw that a band I’ve been following for the last year or so released their debut album on May 19th.

A R I Z O N A is an alternative electro-pop band from Glen Rock, New Jersey (no, not Arizona). The band is comprised of members Zach Hannah (vocals), Nathan Esquite (guitar), and David Labuguen (keyboard). The trio all attended college in Boston and initially went their separate ways before reuniting in their home state to form A R I Z O N A. The band’s name stems from a hat Dave was wearing during a random Facetime call with his bandmates.

A R I Z O N A started releasing music on streaming platforms in 2015. They’ve periodically released singles from then on. Their major breakthrough came when German electronic DJ Robin Schulz released a remix of their song “I Was Wrong” last summer. Originally the group thought of releasing an EP first, but then they realized they had enough songs to put out a full length album. Their debut album, Gallery, was released a few days ago. It contains all the music they’ve released so far plus a few new jams. The group is also playing the festival circuit this summer and embarking on their first headlining tour.

Back in November, on the night I saw Tegan and Sara, my friend and I bought tickets to the Hayley Kiyoko show that was happening in another room at the same venue. A R I Z O N A was the opener that night. I didn’t even realize they were the opener until I recognized the second song they played. It was a spontaneously awesome moment of the evening. I first started listening to them the previous winter when I heard the song “Where I Wanna Be” off a twitter recommendation and since that time I followed up with the group any time they released new music.

A R I Z O N A’s music style combines indie/alternative music with electronic music. When I first heard them I was slowly getting into electronic music. I liked an occasional song here and there (Let’s be honest, I still do). “Where I Wanna Be” was one of those songs. During the time I listened to that song frequently, I figured A R I Z O N A was probably the name of some DJ. I don’t think I even fully realized that the group was a band until I saw them perform live. It was good to know that a band like A R I Z O N A existed because most of the time electronic music to me was DJ’s. A R I Z O N A is a band. They have a lead singer (Zach). They have a guitarist (Nate), but they also have someone who plays the keyboard/synth elements of their songs (Dave) that gives their music its electronic feel.

I highly recommend checking these guys out if you’re into indie music, electronic music, or both. Even if you’re not, check this band out anyway because they have a pop element to their music as well. As I mentioned before, you can also catch them this summer. They’re playing a few big festivals (Gov Ball, Firefly, and Lollapalooza) and of course they’re touring all over too. Here’s a few songs that will make you fall for this band as much as I have:

  1. Where I Wanna Be
  2. I Was Wrong
  3. Electric Touch
  4. Cross My Mind
  5. Oceans Away

 

Local Natives

It’s crazy to think, but it’s been almost a month since my last blog post and yet it honestly doesn’t feel like it was that long ago. I guess that’s what happens when you spend the fastest two weeks in the Coachella Valley working at your favorite and one of the most well-known music festivals in the world.

So yeah, I did it. I worked Coachella. It was amazing, special, wild, epic, unreal, and all sorts of other positive adjectives that you can think of. It was mostly indescribable though. I knew what to expect, but at the same time I didn’t at all. I can say though that experiencing Coachella in an entirely different way made me appreciate it so much more because it’s a first class, well-run music festival. I’m not gonna go into deep detail about my trip here. I will say that out of the bands I previewed I was able to see Kungs, Grouplove, Lorde, and Lady Gaga. If you wanna know more about my experience though, just ask.

Another thing I will mention is that I had a realization while at the festival during Saturday of Weekend 1. I definitely should have previewed Local Natives in the build-up to Coachella 2017. I was able to catch part of their set that Saturday before my shift started and I knew about 4 of the 5 songs I heard. I didn’t realize how many Local Natives songs I knew, but apparently I know a lot. I know enough that I feel like I need to go to one of their shows sometime. So I figured it was better late than never to write about them, so here goes…

Local Natives is an indie rock band from Los Angeles, CA. Members Kelcey Ayer, Ryan Hahn, and Taylor Rice all met while in high school together in neighboring Orange County, but it was after graduating college from UCLA that the group really started to focus on music. Along with Matt Frazier and former member Andy Hamm (replaced by Nik Ewing in 2012), the group moved into a house together in the Silver Lake section of Los Angeles and began working on their first record, Gorilla Manor. The album was released in November 2009 in the UK and then in the U.S. in February 2010.

The band began generating some hype before the album’s release though. They played SXSW in 2009 which garnered attention from music critics. They received comparisons to well known indie bands, Arcade Fire, Fleet Foxes, and Vampire Weekend, making them a new notable act on the indie scene.

On January 29, 2013 the band released their second album, Hummingbird. The album was produced by guitarist Aaron Dessner of The National and featured a darker lyrical turn due to life events, such as the departure of Andy Hamm and the death of Kelcey Ayer’s mother, that had influenced the band’s writing process. The album also received generally positive reviews.

Last year the band released their third and most recent album, Sunlit Youth, in September. The first single for the album, “Past Lives”, was released a few months before the album drop. The album, like it’s predecessor, received similarly favorable reviews.

Local Natives is your standard indie rock band. There’s no other genre that their music fits into. I can see why they were initially compared to the likes of those other well-known indie bands. Out of the three I mentioned above, their music sounds most similar to a combination of Arcade Fire and Fleet Foxes. I think Vampire Weekend has more of an indie pop feel to their songs that isn’t heard as much with Local Natives. Another reassuring fact about Local Natives’ music is that the sound hasn’t changed much through three albums. Maybe the lyrical content has developed and changed, but you’re still getting that familiar Gorilla Manor sound on Sunlit Youth.

I first heard of Local Natives in the prime of my indie/hipster music transition phase in the spring of 2011. From then on, every so often I would add a new Local Natives song to my iTunes and playlist rotation. While on my first trip to California in 2013, I made it a point to go to Amoeba Music. Amoeba is the world’s largest independent record store. They have three locations in California, one in Berkeley (the original), one in San Francisco, and one in Hollywood, which is the one I went to. I, of course, wanted to get something at Amoeba, but traveling by plane made it difficult to purchase any vinyl so I opted for a CD. The CD I purchased was Hummingbird. Despite all this evidence, it never occurred to me that Local Natives should be a must-see for me at Coachella this year and a must among the list of bands I previewed. I didn’t even realize it after catching the end of their set at Lollapalooza last summer and realizing I knew every song I heard them play. I do now though and I won’t disregard them anymore. I plan on going to one of their shows next time they tour near me. They crushed it at Coachella and I don’t want to miss out anymore.

If you’re a big indie music follower and you don’t know of Local Natives, it’s time you do. They’re a great band to listen to if you’re just relaxing on quiet evening or if you’re driving on a road trip. It’s time to make these guys known or recognized whatever the case may be. Here’s a few songs you should check out.

  1. Airplanes
  2. Who Knows Who Cares
  3. Ceilings
  4. Heavy Feet
  5. Mt. Washington
  6. Past Lives
  7. Wide Eyes
  8. Dark Days
  9. We Come Back
  10. Sun Hands

Coachella Band Preview: Oh Wonder

Coachella begins in 2 weeks! I hope you’ve been doing some serious music listening. If you haven’t, I’m disappointed in you. Even if you’re one of those people who doesn’t like to listen to the music before they attend the show, I’m still disappointed in you because, I mean, come on. How can you not prep even just a little?! This is one of the biggest music festivals out there. For those of you who have been prepping, here’s another band you should be listening to.

Oh Wonder is a band who began creating music together in September 2014. The band is from London and comprised of keyboardist/vocalist Josephine Vander Gucht and guitarist/vocalist Anthony West. Oh Wonder’s claim to fame comes from the release of their DIY debut album. Beginning in September 2014, the alt-pop duo began releasing one song per month via SoundCloud for one year. The year culminated in the release of their debut album which also included two unreleased songs.

The band’s song release process attracted the attention of music fans, blogs, and record labels. They eventually signed with Republic Records. Upon the release of their self-titled debut album in September 2015, the band scheduled shows in London, Paris, New York, and Los Angeles, all of which were sold out. The band has toured internationally since that time and also played a handful of North American music festivals last summer. They made stops at Bonnaroo, Firefly, WayHome (Canada), Lollapalooza, and Live Out (Mexico).

Their music is an alternative/indie pop style, but softer and more mellow than other music I would classify as indie pop. Vander Gucht and West also harmonize magnificently on every track. Their vocals create such soothing melodies that are often times catchy as well. Once you get one of their songs in your head, it’s difficult to get it out.

I heard of Oh Wonder from a music recommendation tumblr post last fall. I checked them out a few days after and decided to download one of their songs. It seemed like after listening to them for the first time, more of their music would pop up on random Spotify playlists I would listen to. I also routinely listened to the song I downloaded. It only took a few times of listening before I would sing-a-long with the music. Their music isn’t the kind of indie pop you’d want to hear to get you hyped up for something. It’s the kind that you’d put on during a sunny afternoon drive or road trip.

That being said, don’t expect a fun, upbeat indie pop style set from them at Coachella. They’re not Grouplove or Matt & Kim. Their music is more relaxed and their set will be too. They play Friday and my guess is that their set will be earlier in the day. They’re a perfect band to see at the festival because I doubt their set time will overlap with other must-see acts. Here’s a few songs you should listen to before their Coachella performance:

  1. Drive
  2. Technicolor Beat
  3. Lose It
  4. All We Do
  5. Without You
  6. Livewire

(But truly, if you just check out their debut self-titled album, you should be fine.)

 

Coachella Band Preview: Grouplove

We are 2 months and 1 week away from Coachella Weekend 1. That means it’s the perfect time to start dusting off those flower headbands. It’s also the perfect time to check out another band playing the festival this year, Grouplove. This band is no stranger to the Indio desert having played Coachella in 2012 and 2014. Their 3rd and latest album was released in September making 2017 the year they make their return to the Empire Polo Fields.

Out of every band I’ve written about, Grouplove has the best formation story of any I’ve learned so far. Usually I’ll tell you where a band comes from, but with Grouplove the members come from all over the map. They officially formed in Los Angeles in 2009, but met before that in Crete at an artist commune in the village of Avdou. Members Hannah Hooper (vocals, keyboards) and Christian Zucconi (vocals, guitar) met on the Lower East Side of Manhattan after Hooper heard Zucconi’s band perform. She fell for him and ended up inviting him to the artist residency in Crete where they met future band members Sean Gadd (bass), Andrew Wessen (guitar, vocals) and Ryan Rabin (drums). Rabin and Wessen were also friends who grew up in Los Angeles. Gadd hails from London, England. The band formed a year after that fateful trip to Crete when Gadd, Hooper, and Zucconi decided to venture out to LA to pay a visit to Rabin’s father’s recording studio (his dad is Trevor Rabin, former guitarist of English rock band Yes).

The band played their first show in LA in 2010 and shortly after toured with Florence and the Machine and The Joy Formidable. Grouplove released their first self-titled EP in early 2011. That same year they joined forces with Foster the People on a co-headlining tour and played several music festivals including Lollapalooza, Glastonbury, and Reading and Leeds. After their busy and travel filled spring and summer, they released their debut album, Never Trust A Happy Song, in September of 2011. Arguably the group’s two biggest singles, “Colours” and “Tongue Tied” were a part of the record. Following the release, Grouplove embarked on a fall North American headlining tour in support of the album. The touring and travel life continued into and through 2012 and included the group’s first stop at Coachella.

They released their sophomore album, Spreading Rumours, in September 2013 almost exactly 2 years after their debut, which brought on another album support tour. This time though Daniel Gleason became a temporary replacement for Sean Gadd, but by the following spring the replacement became permanent. In 2014 the band again played the festival circuit hitting Coachella, Bonnaroo, Firefly, and Lollapalooza.

This past September (clearly the month for Grouplove record releases) Grouplove released their third album, Big Mess, and toured in support of it from August through November. It’s only fitting that the band would play Coachella again after releasing their latest album since they played the festival after their first two releases.

Grouplove is your standard indie band. They play an indie rock/indie pop style of music. I’ve always felt like their songs have this summery sort of vibe. In my opinion their records are the perfect soundtrack to a pool party, laying out on the beach, or taking a road trip along the California coast line with friends. It’s that kind of indie rock.

I first heard of Grouplove in 2011. I feel like that was a prime year for indie rock for me. However though, I never got into Grouplove as a whole. I’ve liked a song here and there, particularly the song “Ways to Go”, but I don’t own any Grouplove albums or have more than a few of their singles on my iTunes. So why am I previewing them for Coachella? Well the reason is I think they’re a great live band. I’ve never seen them in person, but I watched part of their Coachella set in 2014. Their set seemed like so much fun to be at. It made me want to see them in person at a festival. Ideally that festival would be Coachella because their music kind of embodies the Coachella spirit.

Grouplove plays Coachella on Sunday. I recommend going to their set because like I said their music and style perfectly represents the essence of the festival. Their music is good too! I just never got into it like I did with other bands. That doesn’t mean I don’t like it though. If I were attending this year, I’d probably be listening to their music more. Maybe even enough that I might get into them just in time to see them at Coachella. Here’s what you should check out to prep for their set:

  1. Tongue Tied
  2. Ways To Go
  3. Colours
  4. Let Me In
  5. Welcome To Your Life
  6. Itchin’ On A Photograph
  7. Good Morning
  8. Shark Attack
  9. Naked Kids
  10. Do You Love Someone

 

Phantogram

Wanna hear something crazy? There have been a number of bands I’ve liked whose albums I don’t own, but I have two albums by a band whose albums I normally wouldn’t go out of my way to purchase. Reason: Black Friday. Over the last 3-4 years or so, I’ve shopped for music on Black Friday because CDs are often reduced in price. Once I got Of Monsters & Men’s My Head is An Animal for $6. Then a year later I purchased 6 CDs for $7 each. It’s one of the best days to get CDs assuming they have what you want or have what you’re interested in.

This year the CDs I wanted were $8 a piece so I purchased three…or so I thought. Apparently instead of a CD, I purchased one of the albums on vinyl for $8 that included a free MP3 download of it. Can you say winning?! I mean that was mistakenly epic. It’s rare to get a new LP for under $10. Hell it’s rare to get one for under $15. I was stoked (in case you were wondering what it was, Cleopatra by The Lumineers). Then I realized something from my purchases. One of the CDs I purchased just didn’t feel like something I would buy if I didn’t have that $8 deal. Not only that, but I purchased an earlier album from the same band 2 years ago on a Black Friday deal. Crazy. I guess I like Phantogram more than I thought.

Phantogram is comprised of Greenwich, New York duo Josh Carter and Sarah Barthel. They formed the band in 2007 originally under the name Charlie Everywhere. They opted for a name change once they signed a record deal in 2009 claiming that they liked Phantogram better. It also suited their band more since it means a two dimensional optical illusion that appears as three dimensions (2 band members = 2 dimensions creating a third (music) which is something bigger than themselves…you get the picture). They released their debut self-titled EP a few months after signing their record deal. They followed it up with another EP later that year. Their first album, Eyelid Movies, was released on February 9, 2010 receiving favorable reviews from many sources. Their second album, Voices, was released in early 2014. They released two EP’s between their first and second albums.

They spent their time between albums touring in the U.S. and in Europe. They also played several major music festivals in addition to their touring schedule including Coachella in 2011 and Bonnaroo and Governor’s Ball in 2012 (They haven’t played Coachella since so could be a lock for Coachella 2017). Following the release of Voices the band continued to tour and play festivals throughout 2014 including Firefly, Lollapalooza, Osheaga, and Austin City Limits. They recently released their third album coincidentally (or not coincidentally at all) called Three on October 7, 2016. They’re currently touring the U.S. in support of their newest album.

In terms of music style, Phantogram has been compared to the likes of Purity Ring, Sleigh Bells, The Naked & Famous, Washed Out, STRFKR, Tennis, and Local Natives. Their music falls under the indie electronica, electro rock, dream pop genres. To give you my best description, it’s like taking an electronic trip. The vocals are soft and flowy, but not enough to leave you too far gone. Phantogram’s tunes have been featured in a variety of outlets too from television to film to video games all of different themes.

I discovered Phantogram in September 2014. It was probably a random place or playlist that I heard their song “Celebrating Nothing”. I downloaded it though and listened to it along with other recently added songs. It was a good song, but never stood out from the rest. Regardless of that, I bought the album on Black Friday because $7 for Voices was a good deal. I probably thought the album was worth a listen too. I remember listening to each album I bought that year for about a week because it was/is tough to listen to 6 albums at once. Again this year I downloaded one song off Phantogram’s newest album a few months prior and decided to buy their album for cheap on Black Friday.

When I started this blog I had yet to listen to the album which came in the mail the other day, but I stopped to take a break while writing this. I also ate lunch and ran a few errands. While I was running errands I put the new album in my car’s CD player. It’s good. To me it’s similar to the second album because their music doesn’t sound drastically different. However, I’m not sure I paid attention to the second album enough to compare it. Voices was a background album for me meaning it’s the type of album that sounds good as background music on a drive, while hanging out with friends, etc. With that type of album though, no song stands out enough to set it apart from the rest. So far Three feels the same way. I haven’t listened to it enough yet to be one hundred percent sure. I’ve actually only listened to about half the album. Maybe in a few days I can do an edit and get back to you on that.

If you’re sensing  theme here about Phantogram you’re probably right. In my opinion, they’re good. That’s it. I’m probably downplaying them, but to me that’s all they are. They’re a little above average, but nothing spectacular. Most of the time I hype up the bands I write about. I can’t with these guys so here’s my honest opinion: They’re good, just good, but I still think they’re worth a listen. Some of you may like them more than others and some of you may really really like them. Some of you may listen to them once and decide you probably won’t listen to them again. Maybe some of you will even agree they’re good background music and buy their albums for cheap next Black Friday (if possible) like me. Here’s a couple of the songs I like by them (even if the list is small because like I said nothing stands out to me):

  1. Celebrating Nothing
  2. Cruel World
  3. Howling at the Moon
  4. Don’t Move
  5. You Don’t Get Me High Anymore

 

I Won’t Treat You Like You’re Typical

I’ve always liked alternative styles of music. I’ve listened to alternative rock, indie rock, indie pop, emo, screamo, pop punk, punk rock, ska, hardcore, and lately even some of that mainstream EDM stuff. After I graduated from college, my music interests started to shift a bit towards the indie music genre. I wrote about it once and refer to it as my second musical enlightenment. Since then, I’ve been into the indie rock/indie pop scene. However, there were times during high school and college where I’ve been interested in indie artists. I think my first interest in indie bands came from watching The OC. Bands like Death Cab For Cute, Band of Horses, Spoon, Rooney, and Nada Surf had musical influence on the show. Indie music was a huge part of the series due to Seth Cohen’s (one of the main characters) interest in the indie scene. After the OC went off the air in 2007, I had interests in indie bands here and there before my main indie phase took over in 2011. One of those bands was the indie pop/rock duo, Tegan and Sara.

Identical twin sisters, Tegan Rain Quin and Sara Keirsten Quin formed their band in the late 90’s while still in high school. The Canadian duo, who hail from Calgary, Alberta, recorded their first demos in high school and began touring shortly after graduation. They released their first album, Under Feet Like Ours, in 1999. Since then, the band has released 7 other records. Their latest and eighth album, Love You to Death, was released June 3, 2016. They’ve also toured numerous times worldwide on both headlining tours and in support of many well-known acts and have played countless music festivals. Their seventh album, Heartthrob, released in 2013 is their highest charting album to date (number 3 on Billboard’s Top 200) and sold 49,000 copies in its first week. The album earned them more attention in the music world as well as a growth in their dedicated fan base.

Tegan and Sara’s sound has progressed since their debut in 1999. They went from folk/alternative rock to indie rock to indie pop and now to more of a straight pop sound. Their ability to grow musically along with having a devout following has allowed them to continue to make music for 20 years, even though the sisters are only in their mid-30’s.

Tegan and Sara have used their platform beyond the music world too. As out lesbians, both are huge advocates for LGBT equality, thus gaining a large following from the LGBT community. They’ve also advocated in support of other causes but their strong involvement in LGBT rights is well known and has made them a favorite act of community members.

I first heard of Tegan and Sara through a friend who had lyrics from their song “Take Me Anywhere” on her MySpace profile. At the time, I always confused Tegan and Sara and fellow girl duo Meg & Dia. Eventually Tegan and Sara won my heart over once I became interested in their music during my sophomore and junior year of college. I don’t remember how, why, or exactly when my interest started, but I do remember listening to their music while driving to class during the winter. I can honestly say they’ve never been my favorite band. I’ve only been a casual listener since around 2009 while in college. In fact, I purchased my first Tegan and Sara album in 2014 on a Black Friday deal. A few months prior I got into the song “Closer”, a year after it was all over mainstream radio, so a $7 copy of Heartthrob was a great deal in my mind. I had the album on repeat during my Christmas trip to visit family and Busch Gardens Williamsburg’s Christmas Town. It was one of my favorite Black Friday CD purchases and was my go to album of the time.

A few weeks ago, my friend told me she had tickets for a Tegan and Sara show in the beginning of November. She planned on attending with her roommate and her roommate’s girlfriend. When she told me, I expressed interest in going and she said I should join them. I decided to go for it, purchasing my tickets a solid three weeks before the show. Last Thursday night was the night. I saw Tegan and Sara live for the first time (along with Hayley Kiyoko and ARIZONA, but that’s another show and another story). As a casual fan, I wasn’t as stoked for the show as I’ve been for others, but it surely exceeded my expectations. I had the best time. Tegan and Sara played a variety of songs from older albums along with ones from their newer releases. They also took the time to tell stories in between songs and advocate for the upcoming Presidential election. Even as Canadians they let us know they had our backs no matter the results. It was evident that the crowd was made up of plenty of longtime fans who knew the words to every song and created an energy difficult to replicate by singing a-long and dancing for the entirety of their set. There was something special about the atmosphere at the show that made it unlike other shows I’ve been to. Not to mention, I also attended with a great group of people who appreciate the twins’ music and music in general.

I feel like Tegan and Sara’s music can appeal to so many people because of how their music has grown and changed through the years. If you’ve never heard of them, please check them out soon. They’re good. If you have, you can totally vouch for me and if you ever have a chance to see them live in a smaller venue, go for it. It’s better than you know. Here’s some of my favorite Tegan and Sara songs, but there’s plenty to pick from with 8 albums so feel free to scan through all their tunes:

  1. Nineteen
  2. Walking With the Ghost
  3. The Con
  4. Closer
  5. Hell
  6. I Couldn’t Be Your Friend
  7. I Was A Fool
  8. Boyfriend
  9. Goodbye, Goodbye
  10. Stop Desire

Bastille

It was 2013. I was in California for the first time visiting my cousin and exploring the southern portion of the state. I can’t remember what day it was or if it was night time or the middle of the afternoon, but I sat in her downstairs bathroom catching up on social media. I saw a tweet from someone I followed that hyped up a band named Bastille. The tweet also mentioned several songs. I sat there checking each one out before I left the bathroom. I can’t say I was a fan of any of the songs. I had much more important things to focus on though, mainly being in California. That was the first time I heard of Bastille.

Months later I re-evaluated my opinions on the band. I got into the song Pompeii (like everyone else) and eventually Bad Blood. Pompeii was one of the songs I listened to in my cousin’s bathroom. The song Flaws was another, which I started liking later on too. Sometimes bands or artists have to grow on us. Sometimes we have to hear them in a different context to appreciate them. That’s what happened in this situation for me. Now a little over three years since I first heard Bastille, I fell in love with their sophomore album, Wild World.

Bastille is a British indie pop band formed primarily by lead vocalist Dan Smith, but includes members, Kyle Simmons (keyboard), Will Farquarson (guitar and bass), and Chris Wood (drums). The band was formed in 2010 as a solo project of Smith’s. The band name comes from the French holiday Bastille Day which is celebrated July 14th, Dan Smith’s birthday. The band independently released their debut single and self released their first EP before their debut, Bad Blood, came out under Virgin Records in March of 2013.

Their first album reached the number one position on the UK Albums Chart upon its release. Following the release, Bastille played SXSW and supported Muse on The 2nd Law Tour in May and June. They also played on the UK festival circuit in the summer 2013 including appearances at Glastonbury, Blissfields, and Reading and Leeds (all festivals they played in prior years as well). The band won a BRIT Award in February 2014 for Best Breakthrough Artist. In December 2014, the band released their third mixtape (the first two were released in 2012). The mixtape had all original content compared to the combination of original songs and covers on the first two.

After a somewhat quiet 2015, this past June Bastille announced their second album, Wild World, and released the first single from the album “Good Grief”. The album was released on September 9th. By the album’s second week, it topped the UK and Scottish album charts.

The success of their first album will be difficult to match, but if my opinion says anything, I thought it was excellent the first time I listened to it (Can you tell how much Bastille has grown on me?). It looks as if the band will be touring worldwide to promote their new album through the coming months. They’ll most likely be playing several dates on the festival circuit next year as well. Just by looking at their upcoming tour dates, there’s a pretty good indication that they’ll be a lock for Coachella 2017, their second Coachella.

They are undoubtedly an indie pop band, so much so that I initially questioned if they were indie at all. I think the initial reason why I wasn’t into them was because of how pop their music sounded. Maybe that’s also why I was into their newest album upon first listen. I feel like I’ve been listening to more poppy stuff lately. Too much poppy stuff if you ask me (Feel free to send me indie recommendations!). Anyway, I think their new album has many similarities to their first. Bastille has such a distinct sound that it’s difficult for me to pick out some major differences. I’m sure I could if I really studied both albums, but just take that as it is for now. If anything, there might be a hint more of an electronic influence in Wild World than in Bad Blood.

Surprisingly (or not surprisingly depending on your opinion), I’ve seen Bastille play before. They played the Sweetlife Festival in 2014, which I attended to see Lana Del Rey and Foster the People. I had lawn tickets (because it was all that was available at the time) and wanted to get a good spot for Lana and FTP so my friends and I hung out at the main stage all day. It resulted in missing Capital Cities and St. Lucia, but allowed me to see some great performances from Hozier, Bastille, and Fitz and the Tantrums. Bastille was actually my unintended favorite performance of the day. During the set Dan Smith, walked the entire length of the pavilion to the lawn area and back to the stage, which hyped up the crowd immensely. Pompeii, as their most successful song, also yielded a great crowd reaction.

If you’re into pop music, or indie pop, Bastille is a band you should check out. I also highly recommend seeing them live. I didn’t have any expectations for them at Sweetlife going in, but I thought they absolutely crushed their set. So if you do plan on checking them out or plan to see them live, these are a few songs you need to hear:

  1. Pompeii
  2. Bad Blood
  3. Flaws
  4. Overjoyed
  5. Good Grief
  6. Send Them Off!
  7. Things We Lost in the Fire
  8. Fake It
  9. No Scrubs (TLC Cover) (This cover is so so so so good!)
  10. Warmth

 

There’s This Tune I Found That Makes Me Think of You Somehow When I Play It on Repeat

I wanted to wait until this band released a new album before I blogged about them, but I changed my mind. I’ve been missing them recently. I’ve also been listening to their music, although only their most recent stuff. To me, this is a signal that I shouldn’t wait. So here’s what I can tell you about Arctic Monkeys and what their future holds.

Formed in 2002, English rock band Arctic Monkeys consists of members Alex Turner (lead vocals, guitar), Matt Helders (drums, vocals), Jamie Cook (guitar), and Nick O’Malley (bass, backing vocals). O’Malley replaced Andy Nicholson shortly after the group’s debut album was released. They were named by Cook who always wanted to be in a band called Arctic Monkeys. The band got their start by playing shows in their hometown of Sheffield and distributed their music for free. Hype by word of mouth generated for the band because of this. They drew a larger than normal crowd for a band playing the Carling Stage at the Reading and Leeds Festival in 2005. The Carling Stage which is now called the Festival Republic Stage is normally reserved for lesser known bands or breakthrough acts.

They were signed by Domino records the same year.They released their first singles, “I Bet You Look Good on the Dancefloor” and “When the Sun Goes Down”, under Domino in 2005 and their first album, Whatever People Say I Am, That’s What I’m Not, in January 2006. Their debut became the fastest selling debut album in UK Chart history. It sold 363,735 copies in the first week. The album eventually went on to win a Mercury Prize, awarded to the Best Album from the UK and Ireland. The band released the EP Who the Fuck Are Arctic Monkeys? a few months later in April, but the explicit language on the record resulted in less airplay.

Arctic Monkeys released their second album Favourite Worst Nightmare in April 2007. Like their debut, their sophomore album peaked at No. 1 on the UK Albums Chart. It won them Best British Band and Best British Album at the 2008 Brit Awards. They spent the year extensively touring, including a stop to headline Glastonbury Festival.

The band took a short break in 2008. Lead singer, Alex Turner focused on his side project The Last Shadow Puppets. It wasn’t until 2009 that the band followed up their first two successful albums with Humbug, released in August 2009. Like the first two, Humbug also peaked at the No. 1 position on the UK Albums Chart. Prior to the third album’s release, Arctic Monkeys embarked on a world tour that included a headlining date at Reading and Leeds Festival and finished in April 2010.

The following four years brought more success to Arctic Monkeys with 2 more albums, Suck It and See and AM, both, like their predecessors, debuting at No. 1. Touring, festival appearances, and even a performance at the Opening Ceremonies for the 2012 London Olympic Games came in the wake of their fourth and fifth albums. Their fifth album debuting at No. 1 on the UK Albums Chart put their name in the history books as the first indie band in the UK to hit No. 1 with their first 5 albums during the first week of release. AM even earned them a third Mercury Award nomination (Favourite Worst Nightmare was the second), a BRIT Award for Best British Album, and a Grammy nomination for Best Rock Performance for their single “Do I Wanna Know?”.

Since 2014, Arctic Monkeys have been on hiatus. Again Alex Turner shifted his focus to The Last Shadow Puppets and releasing their second album. Matt Helders joined in on Iggy Pop’s recent album, Post Pop Depression, and has been touring with the legendary rocker since. The question going forward for me and all the other Arctic Monkeys fans is: When will they release their sixth album?

According to an article published in July on NME.com which tried to predict the release of the sixth album as well as the future album’s sound, the world might be blessed with a new record by mid to late 2017 as long as the band gets in the studio by late 2016-early 2017. For now, it seems like we’ll be waiting at least another year or maybe longer. Glad I decided to blog about them now. I’m not sure I would have lasted that long.

Throughout the years, Arctic Monkeys sound has changed and matured. The change of their sound almost reminds me of the change in my music interests throughout the same time period from 2006 to 2013. The songs on their first two albums are faster and edgy almost in a punk rock sense (totally my scene and a high school junior and senior). The first album especially blends indie music and punk rock well. Then in certain songs (like “505”) on the second album and more so on the third album their sound transitions to something smoother. Turner doesn’t spit out the song lyrics as quickly. Their third album also has this unique eerie and mysterious sound. To me it’s the perfect album to listen to during the Halloween season. Finally, the last two albums are much smoother and reflect the indie rock scene of the last 5 years (again very similar to my music tastes in the last 5 years).

The first song I heard by Arctic Monkeys was “Fluorescent Adolescent” in 2011. According to my record of when I added songs to my iTunes account, I downloaded the song right between the point where I added Foster the People’s Torches and Adele’s 21 (a good moment in time for sure). I don’t remember if anyone recommended the song or if I found it on my own, but nonetheless, it was the first. Then came “Do I Wanna Know?” two years later. I listened to the band more after AM. That record spurred my interest in Arctic Monkeys. I received the album on vinyl for Christmas in 2014, so I basically started being interested in them at the point they decided to take a break. Then recently I’ve been listening to them all over again. It makes me miss them. It also makes me want new Arctic Monkeys music. So I guess, like the more dedicated Arctic Monkeys fans who have followed them since their inception, I’ll have to wait. In the meantime, I’m going to listen to their old stuff I missed because my music interests were elsewhere. Here’s some of my favorite Arctic Monkeys songs though, in case you’ve overlooked them altogether:

  1. Snap Out of It
  2. Do I Wanna Know?
  3. 505
  4. Why’d You Only Call Me When You’re High?
  5. R U Mine?
  6. Arabella
  7. I Wanna Be Yours

 

Coachella Band Preview: Years & Years, Halsey, Cold War Kids, & The 1975

Coachella Weekend 1 is 23 days away, which means 3 more weeks! I only have 3 weeks left and so many more bands to preview. That’s why this week I’m combining 4 bands into one preview since I covered them each in depth on the blog before. They are Years & Years, Halsey, Cold War Kids, & The 1975. You’ll notice links on the names of each band to their respective blog posts for a little more background information, but for now I’m just going to give a simple breakdown/recap on each.

Years & Years is a band I started listening to near the end of summer. They’re kind of on that EDM spectrum, but can also be considered pop, indie pop, or synth pop. Since I wrote about them in the summer, the group has toured the U.S. and booked several music festivals along with Coachella this summer. They’ll also be supporting fellow Coachella act Ellie Goulding on tour this spring. As a somewhat newer band (their first full length album was just released last year), it’ll be their first time playing the Coachella festival. They play Friday.

I also started listening to Halsey around the same time I started listening to Years & Years. Halsey is a pop/electropop/indie pop singer. As I mentioned in my prior blog post on the artist, she has a comparable sound to Lorde but lyrically is comparable to Lana Del Rey. Since writing about Halsey, she released her debut album, Badlands, and like Years & Years also toured performing in venues throughout the U.S. She will perform for her first time in the Indio desert this year as well. Her set is on Saturday.

Both Cold War Kids and The 1975 are no strangers to Coachella. The 1975 played Coachella for the first time in 2014 and are making their big return this year following the release of their sophomore album, I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It. Since writing about the indie pop/indie rock band from the UK in early December 2015, they released their new album at the end of February. It debuted at the number one spot on both the UK Albums Chart and the Billboard 200 in the U.S. They play Sunday and I anticipate them drawing a decent sized crowd, especially now that they’re playing more of a headlining role compared to their last Coachella appearance. Cold War Kids on the other hand will be playing Coachella for the third time. They first played the festival in 2008, but haven’t performed there since 2011. There was actually some speculation that they might have been on last year’s lineup, but as you know that didn’t happen. Since I wrote about these alternative rock/indie rock music vets in the fall, they haven’t been up to much besides touring. However the band announced last week via instagram that lead guitarist Dann Gallucci was parting ways with the group and will be replaced by David Quon. I’m sure he’ll be in the mix when the group takes the stage on Sunday.

As you already know, I like all these acts and I recommend seeing each one’s performance at Coachella. With Sunday’s strong lineup of acts, it might be tougher to make the Cold War Kids set or The 1975 set due to conflicts, but there’s less likely to be conflicting issues with seeing Halsey and Years & Years. To make sure you’re ready to see each band/artist’s performance though, here are my top three favorite songs by each (you can check my original blog posts on these 4 for more recommendations):

Years & Years

  1. Border
  2. King
  3. Shine

Halsey

  1. New Americana
  2. Drive
  3. Hold Me Down

Cold War Kids

  1. Miracle Mile
  2. First
  3. Hang Me Up To Dry

The 1975 (** but really check out their whole second album too!**)

  1. The Sound
  2. Girls
  3. Chocolate

Coachella Band Preview: Of Monsters and Men

In exactly one month, it will be the final day of the first weekend of Coachella 2016. That means less than a month until the festival begins! There’s only a few more weeks and band previews left. I hope you’ve been prepping by listening to the incredible acts performing this year or by shopping for the perfect festival attire. If you’ve been doing just that or even if you haven’t, this week’s preview band is one I would definitely be seeing if I was attending this year. I’ve liked this band for a little over 4 years, but have yet to see them live. I know if I was going to be at Coachella they’d be in my top 5 bands to see solely for that reason.

Formed in 2010, Of Monsters and Men hails from Iceland. The indie group is composed of members Nanna Byrndis-Hilmarsdóttir (vocals, gutiar), Ragnar “Raggi”Pórhallsson (guitar, vocals), Brynjar Leifsson (guitar), Arnar Rósenkranz Hilmarsson (drums), and Kristján Páll Kristjánsson (bass). After competing in a battle of the bands competition in Iceland, Of Monsters and Men started touring across their home country. Before the release of their debut album My Head Is an Animal in September 2011, Philadelphia’s alternative/indie radio station 104.5 started playing their single “Little Talks” which grew the band’s popularity in the U.S. Due to the nationwide success and the debut album only being released in Iceland, the band signed with Universal so they could release their album in America. Before that though, Of Monsters and Men dropped an EP, Into the Woods, in December of 2011 which contained 4 songs from their debut. The band released their debut in the States the following April.

In 2012 and 2013 the band toured worldwide playing countless shows and music festivals including Lollapalooza, Bonnaroo, Glastonbury, and Coachella (yep 2016 will be their second appearance). They also contributed songs to a few movies and TV series. In 2014 they began recording their sophomore album, Beneath the Skin, which was released in June of 2015. The band toured through the rest of 2015 promoting the new album.

Their music style is strictly indie. I guess you could say indie pop or indie rock. The songs have a great balance of male and female vocals because of Nanna and Raggi. They harmonize well together. It creates a uniqueness only heard in a handful of other indie groups with a male and female vocalist.

I first heard Of Monsters and Men around the time of their EP release in 2011 and the first song I heard actually wasn’t “Little Talks”. It was the song “Lakehouse”. Unlike many bands and songs, I don’t think the song was a recommendation either. I most likely found it while searching for new music. I had it on my iTunes by the end of November 2011. The next Of Monsters and Men song I heard wasn’t “Little Talks” either. It was the song “King and Lionheart” in April 2012, the same month their debut album came out in the U.S. When I downloaded that song, I remember thinking, “Hmm I think I have another song by Of Monsters and Men downloaded too.” Sure enough, I did. By the end of the following month, I finally heard “Little Talks” and despite not hearing the most popular song first, it slowly took over my life for a little while. My friend’s husband and I started getting together every Wednesday beginning in June 2012 to play guitar (Yes I play guitar if you didn’t already know. And drums. And ukulele.). It was during our guitar sessions that we decided to work on playing “Little Talks”. Playing the song came together quickly, but we did play it a lot. It was one of our signature songs along with “Lonely Boy” by The Black Keys and “Dammit” by Blink-182. Eventually, on Black Friday 2012, I picked up a copy of My Head Is an Animal for a few bucks and I considered it one of the best buys of the day. It’s a great record. So yes, Of Monsters and Men and I have a history together, but like I said, I’ve never seen them live. I do enjoy all of the songs I’ve ever heard by them though. I’m sure as long as you’re down with indie pop/indie rock music, you should too.

As you know from reading this, Coachella 2016 won’t be the band’s first trip to the desert. They last played three years ago, but since released a brand new album featuring the hit “Crystals”. If you don’t have a chance to see a band you think is good while they tour in support of an amazing debut album, I think it’s great to be able to see them after they release a second album. Even with the second album, its still at the point that they’ll play plenty of songs you know and love from the first one, along with the best songs from the second one. You end up with a killer combo of music. Of Monsters and Men is at that point now which is another good reason to see them at Coachella this year besides the fact that they’re a great band. They play on the first day of the festival, Friday. Many of the other bands and artists I previewed so far are scheduled to play Saturday or Sunday making Of Monsters and Men a solid option for Friday. Here’s a few songs you should know by this Icelandic indie band:

  1. Little Talks
  2. Crystals
  3. King and Lionheart
  4. Mountain Sound
  5. I of the Storm
  6.  Dirty Paws
  7. Empire
  8. Love Love Love
  9. Lakehouse
  10. Slow and Steady