indie pop duo

Generationals

In 2011, as you might know, I got into the indie music scene. Foster the People was the first band to really transition me away from emo, punk, and pop punk. Another band I got into around that time was Generationals. I discovered the song “Trust” through the television show Pretty Little Liars. At the time the show was in its first season and used plenty of indie music as background. To this day I still listen to Generationals from time to time and I figured it was about time I wrote about this low-key indie duo.

Generationals are an indie pop/new wave group from New Orleans, Louisiana. The group consists of Ted Joyner and Grant Widmer. The duo formed Generationals when their former band The Eames Era, famed for having a song on the Grey’s Anatomy soundtrack, broke up. Joyner and Widmer named the group Generationals after the issues in the 2008 presidential election being referred to as a “generational issues” by CNN, which they frequently watched while recording.

The group released their debut album Con Law in 2009 to mostly favorable reviews. Their first EP Trust was released over a year later in November 2010 followed by their second album Actor-Caster in March 2011. The group toured in support of bands like Broken Social Scene and Two Door Cinema Club during that time. Their music was also featured in many forms of entertainment like commercials, movies, and television shows.

Since their early days Generationals have routinely released music with the albums Heza (2013), Alix (2014), State Dogs: Singles 2017-18 (2018), and most recently Reader as Detective which was released this past July.  I’ve followed the group with songs here and there over the years. Most recently though I’ve fallen in love with the song “Gatekeeper” from their latest record and it has made me want to listen to them more like I used to back in my early days of discovering indie music.

Their sound hasn’t strayed much over the last 10 years. They’ve consistently released music that fits perfectly in the indie pop genre. They have a similar sound to bands like The Kooks or Peter, Bjorn, and John. Although they might not have as much indie scene cred as those two acts, they definitely fit their genre just as well.

If you’re into that late 2000’s-early 2010’s indie scene, Generationals are a great group to listen to. In fact, they’re just a great group to listen to regardless. They’ve been in my music rotation for long enough and there was a point I listed them as one of my top 5 favorite bands. So just listen to them. They’re timeless and pretty great. They’re generational(s)!

 

 

Feed the Rhythm Inside

Right before the new year I was involved with an event in Philly called HiJinx. The night before working my role for the small festival I stayed at my friend Noah’s house. We hung out with his friend Lou, had a few drinks, and played a dice game called Yamslam. He put on some background tunes while we chilled and then suddenly I heard a song that really caught my interest. It had an upbeat electronic pop sound. It made me want to get up and dance or crush a work out right there. I asked Noah who it was and he goes, “Client Liaison!” I never heard of the band. Flash forward 8 months later and now I’m a Client Liaison fan as well.

Client Liaison is an Australian indie pop duo. The group is comprised of Monte Morgan and Harvey Miller, who attended Grammar school together in Melbourne, Australia. Along with their tunes, the duo is well-known for their high quality music videos. Their first was for their first single “End of the Earth.” The song and video was released in 2012. It wasn’t until 2014 that Client Liaison released a debut eponymous EP. They began touring around the same time in support of Miami Horror and later joined Flight Facilities on tour. They began playing some Australian summer festivals in 2015 and 2016, but also made their U.S. festival debut at Firefly in 2015.

The band released their debut album Diplomatic Immunity in November of 2016. The music video for the track “A Foreign Affair” earned Client Liaison a J Award in 2017 for Australian Music Video of the Year. The band has yet to break into success in other parts of the world like the U.S. and Europe, but I feel like it’s only a matter of time before they do. Since their debut album, the band has released the singles “Survival in the City” in May 2018 and “The Real Thing”, which debuted 3 weeks ago. They will soon be releasing their second album and already have a fall tour in their homeland of Australia planned.

Client Liaison’s sound combines indie pop and electronic music. It has a very 80’s/early 90’s feel as well. That style is replicated through the band’s appearance and music videos. The song that hooked me on the group was “Feed the Rhythm” off their self-titled EP. Most of their tracks have an upbeat groove similar to that song.

Unfortunately I’m not sure if or when I’ll have the opportunity to see Client Liaison perform because their music has yet to take off in the U.S. I keep hoping they’ll either tour here or gain a few more fans in the States that really up their U.S. cred. For now, I’ll just keep listening and trying to spread the word about this duo from down under. So check these guys out! “Turn up the treble to the level and the speakers to the sky”, they’ll keep feeding the rhythm and they’re definitely full of good indie pop vibes.

Coachella Band Preview: Oh Wonder

Coachella begins in 2 weeks! I hope you’ve been doing some serious music listening. If you haven’t, I’m disappointed in you. Even if you’re one of those people who doesn’t like to listen to the music before they attend the show, I’m still disappointed in you because, I mean, come on. How can you not prep even just a little?! This is one of the biggest music festivals out there. For those of you who have been prepping, here’s another band you should be listening to.

Oh Wonder is a band who began creating music together in September 2014. The band is from London and comprised of keyboardist/vocalist Josephine Vander Gucht and guitarist/vocalist Anthony West. Oh Wonder’s claim to fame comes from the release of their DIY debut album. Beginning in September 2014, the alt-pop duo began releasing one song per month via SoundCloud for one year. The year culminated in the release of their debut album which also included two unreleased songs.

The band’s song release process attracted the attention of music fans, blogs, and record labels. They eventually signed with Republic Records. Upon the release of their self-titled debut album in September 2015, the band scheduled shows in London, Paris, New York, and Los Angeles, all of which were sold out. The band has toured internationally since that time and also played a handful of North American music festivals last summer. They made stops at Bonnaroo, Firefly, WayHome (Canada), Lollapalooza, and Live Out (Mexico).

Their music is an alternative/indie pop style, but softer and more mellow than other music I would classify as indie pop. Vander Gucht and West also harmonize magnificently on every track. Their vocals create such soothing melodies that are often times catchy as well. Once you get one of their songs in your head, it’s difficult to get it out.

I heard of Oh Wonder from a music recommendation tumblr post last fall. I checked them out a few days after and decided to download one of their songs. It seemed like after listening to them for the first time, more of their music would pop up on random Spotify playlists I would listen to. I also routinely listened to the song I downloaded. It only took a few times of listening before I would sing-a-long with the music. Their music isn’t the kind of indie pop you’d want to hear to get you hyped up for something. It’s the kind that you’d put on during a sunny afternoon drive or road trip.

That being said, don’t expect a fun, upbeat indie pop style set from them at Coachella. They’re not Grouplove or Matt & Kim. Their music is more relaxed and their set will be too. They play Friday and my guess is that their set will be earlier in the day. They’re a perfect band to see at the festival because I doubt their set time will overlap with other must-see acts. Here’s a few songs you should listen to before their Coachella performance:

  1. Drive
  2. Technicolor Beat
  3. Lose It
  4. All We Do
  5. Without You
  6. Livewire

(But truly, if you just check out their debut self-titled album, you should be fine.)

 

I Won’t Treat You Like You’re Typical

I’ve always liked alternative styles of music. I’ve listened to alternative rock, indie rock, indie pop, emo, screamo, pop punk, punk rock, ska, hardcore, and lately even some of that mainstream EDM stuff. After I graduated from college, my music interests started to shift a bit towards the indie music genre. I wrote about it once and refer to it as my second musical enlightenment. Since then, I’ve been into the indie rock/indie pop scene. However, there were times during high school and college where I’ve been interested in indie artists. I think my first interest in indie bands came from watching The OC. Bands like Death Cab For Cute, Band of Horses, Spoon, Rooney, and Nada Surf had musical influence on the show. Indie music was a huge part of the series due to Seth Cohen’s (one of the main characters) interest in the indie scene. After the OC went off the air in 2007, I had interests in indie bands here and there before my main indie phase took over in 2011. One of those bands was the indie pop/rock duo, Tegan and Sara.

Identical twin sisters, Tegan Rain Quin and Sara Keirsten Quin formed their band in the late 90’s while still in high school. The Canadian duo, who hail from Calgary, Alberta, recorded their first demos in high school and began touring shortly after graduation. They released their first album, Under Feet Like Ours, in 1999. Since then, the band has released 7 other records. Their latest and eighth album, Love You to Death, was released June 3, 2016. They’ve also toured numerous times worldwide on both headlining tours and in support of many well-known acts and have played countless music festivals. Their seventh album, Heartthrob, released in 2013 is their highest charting album to date (number 3 on Billboard’s Top 200) and sold 49,000 copies in its first week. The album earned them more attention in the music world as well as a growth in their dedicated fan base.

Tegan and Sara’s sound has progressed since their debut in 1999. They went from folk/alternative rock to indie rock to indie pop and now to more of a straight pop sound. Their ability to grow musically along with having a devout following has allowed them to continue to make music for 20 years, even though the sisters are only in their mid-30’s.

Tegan and Sara have used their platform beyond the music world too. As out lesbians, both are huge advocates for LGBT equality, thus gaining a large following from the LGBT community. They’ve also advocated in support of other causes but their strong involvement in LGBT rights is well known and has made them a favorite act of community members.

I first heard of Tegan and Sara through a friend who had lyrics from their song “Take Me Anywhere” on her MySpace profile. At the time, I always confused Tegan and Sara and fellow girl duo Meg & Dia. Eventually Tegan and Sara won my heart over once I became interested in their music during my sophomore and junior year of college. I don’t remember how, why, or exactly when my interest started, but I do remember listening to their music while driving to class during the winter. I can honestly say they’ve never been my favorite band. I’ve only been a casual listener since around 2009 while in college. In fact, I purchased my first Tegan and Sara album in 2014 on a Black Friday deal. A few months prior I got into the song “Closer”, a year after it was all over mainstream radio, so a $7 copy of Heartthrob was a great deal in my mind. I had the album on repeat during my Christmas trip to visit family and Busch Gardens Williamsburg’s Christmas Town. It was one of my favorite Black Friday CD purchases and was my go to album of the time.

A few weeks ago, my friend told me she had tickets for a Tegan and Sara show in the beginning of November. She planned on attending with her roommate and her roommate’s girlfriend. When she told me, I expressed interest in going and she said I should join them. I decided to go for it, purchasing my tickets a solid three weeks before the show. Last Thursday night was the night. I saw Tegan and Sara live for the first time (along with Hayley Kiyoko and ARIZONA, but that’s another show and another story). As a casual fan, I wasn’t as stoked for the show as I’ve been for others, but it surely exceeded my expectations. I had the best time. Tegan and Sara played a variety of songs from older albums along with ones from their newer releases. They also took the time to tell stories in between songs and advocate for the upcoming Presidential election. Even as Canadians they let us know they had our backs no matter the results. It was evident that the crowd was made up of plenty of longtime fans who knew the words to every song and created an energy difficult to replicate by singing a-long and dancing for the entirety of their set. There was something special about the atmosphere at the show that made it unlike other shows I’ve been to. Not to mention, I also attended with a great group of people who appreciate the twins’ music and music in general.

I feel like Tegan and Sara’s music can appeal to so many people because of how their music has grown and changed through the years. If you’ve never heard of them, please check them out soon. They’re good. If you have, you can totally vouch for me and if you ever have a chance to see them live in a smaller venue, go for it. It’s better than you know. Here’s some of my favorite Tegan and Sara songs, but there’s plenty to pick from with 8 albums so feel free to scan through all their tunes:

  1. Nineteen
  2. Walking With the Ghost
  3. The Con
  4. Closer
  5. Hell
  6. I Couldn’t Be Your Friend
  7. I Was A Fool
  8. Boyfriend
  9. Goodbye, Goodbye
  10. Stop Desire