indie pop music

CHAMPION: Album Review

A few weeks ago Bishop Briggs released her sophomore album CHAMPION. Her debut came out about a year and a half ago and in that time Briggs has been touring while simultaneously working on new music. Bishop Briggs released the bonus track “Hold On” in 2018 as well as the single “Baby”. Neither made the cut for the new album. In the weeks leading up to the release, Briggs released several new songs featured on the album. One of those singles was the title track “CHAMPION” which has since reached the number 22 position on the Billboard Alternative Songs chart.

CHAMPION picks up right where Church of Scars left off. It’s filled with more soulful alternative/indie rock jams. It’s a great follow up, especially with sure hits like CHAMPION, the break up anthem “TATTOOED ON MY HEART”, and “CAN YOU HEAR ME NOW?”. If anything I think this album differs only slightly stylistically due to the less predominant bass in the tracks. Even with that slight difference, the bass is still there, just a bit less than in Bishop Briggs’ debut.

This album is definitely worthy of a listen for alternative/indie music fans, especially those who love Bishop Briggs and her powerhouse vocals. Bishop Briggs has yet to announce any 2020 tour dates but is currently finishing up this year touring in Europe. I suspect she’ll be going strong into the new year with more shows and festivals after this new release late in 2019. Keep an eye out for her and her tunes in the new year because she’s bound to be on the 2020 concert/festival radar.

Generationals

In 2011, as you might know, I got into the indie music scene. Foster the People was the first band to really transition me away from emo, punk, and pop punk. Another band I got into around that time was Generationals. I discovered the song “Trust” through the television show Pretty Little Liars. At the time the show was in its first season and used plenty of indie music as background. To this day I still listen to Generationals from time to time and I figured it was about time I wrote about this low-key indie duo.

Generationals are an indie pop/new wave group from New Orleans, Louisiana. The group consists of Ted Joyner and Grant Widmer. The duo formed Generationals when their former band The Eames Era, famed for having a song on the Grey’s Anatomy soundtrack, broke up. Joyner and Widmer named the group Generationals after the issues in the 2008 presidential election being referred to as a “generational issues” by CNN, which they frequently watched while recording.

The group released their debut album Con Law in 2009 to mostly favorable reviews. Their first EP Trust was released over a year later in November 2010 followed by their second album Actor-Caster in March 2011. The group toured in support of bands like Broken Social Scene and Two Door Cinema Club during that time. Their music was also featured in many forms of entertainment like commercials, movies, and television shows.

Since their early days Generationals have routinely released music with the albums Heza (2013), Alix (2014), State Dogs: Singles 2017-18 (2018), and most recently Reader as Detective which was released this past July.  I’ve followed the group with songs here and there over the years. Most recently though I’ve fallen in love with the song “Gatekeeper” from their latest record and it has made me want to listen to them more like I used to back in my early days of discovering indie music.

Their sound hasn’t strayed much over the last 10 years. They’ve consistently released music that fits perfectly in the indie pop genre. They have a similar sound to bands like The Kooks or Peter, Bjorn, and John. Although they might not have as much indie scene cred as those two acts, they definitely fit their genre just as well.

If you’re into that late 2000’s-early 2010’s indie scene, Generationals are a great group to listen to. In fact, they’re just a great group to listen to regardless. They’ve been in my music rotation for long enough and there was a point I listed them as one of my top 5 favorite bands. So just listen to them. They’re timeless and pretty great. They’re generational(s)!

 

 

Hey I’m Just Like You: Album Review

A few weeks ago Tegan and Sara released their ninth studio album. The Canadian duo has been making music since the early 2000’s, but this album is a bit more special than the others they released prior. The album coincides with the debut of their memoir High School. The book is about their musical beginnings, growing up, and attending high school in the 90’s. While working on the book, the twins found a bunch of cassettes with early recordings of songs they wrote during that time and decided to re-work and re-record the songs. From there, Hey I’m Just Like You was born.

The new album pays homage to their rock and punk rock roots while still incorporating the pop sound they’ve grown into over the years. The best example of this is the track “I’ll Be Back Someday”, which was one of the first songs from the album that Tegan and Sara released. The song has a very clear and distinct punk influence. The lyrics reference themes of their adolescence like drug use, relationships, friendship, love, and self-reflection. Hey I’m Just Like You is also the first Tegan and Sara album recorded by an all female team.

Tegan and Sara are currently on tour in support of the album and book. Many of the tour dates are sold out. Fortunately, I’ll be attending one of their shows next week. I already picked up a copy of the book before I left to work Austin City Limits. Then I bought the album while visiting Waterloo Records on one of my off days in Austin. It’s safe to say I’ve been prepping for the last 2 1/2 weeks, but I love a good Tegan and Sara show. I highly recommend the album if you’re a Tegan and Sara fan. This one is definitely unique and yet at the same time I think you’ll be satisfied because you’re still getting what we all know and love from Tegan and Sara.

Feed the Rhythm Inside

Right before the new year I was involved with an event in Philly called HiJinx. The night before working my role for the small festival I stayed at my friend Noah’s house. We hung out with his friend Lou, had a few drinks, and played a dice game called Yamslam. He put on some background tunes while we chilled and then suddenly I heard a song that really caught my interest. It had an upbeat electronic pop sound. It made me want to get up and dance or crush a work out right there. I asked Noah who it was and he goes, “Client Liaison!” I never heard of the band. Flash forward 8 months later and now I’m a Client Liaison fan as well.

Client Liaison is an Australian indie pop duo. The group is comprised of Monte Morgan and Harvey Miller, who attended Grammar school together in Melbourne, Australia. Along with their tunes, the duo is well-known for their high quality music videos. Their first was for their first single “End of the Earth.” The song and video was released in 2012. It wasn’t until 2014 that Client Liaison released a debut eponymous EP. They began touring around the same time in support of Miami Horror and later joined Flight Facilities on tour. They began playing some Australian summer festivals in 2015 and 2016, but also made their U.S. festival debut at Firefly in 2015.

The band released their debut album Diplomatic Immunity in November of 2016. The music video for the track “A Foreign Affair” earned Client Liaison a J Award in 2017 for Australian Music Video of the Year. The band has yet to break into success in other parts of the world like the U.S. and Europe, but I feel like it’s only a matter of time before they do. Since their debut album, the band has released the singles “Survival in the City” in May 2018 and “The Real Thing”, which debuted 3 weeks ago. They will soon be releasing their second album and already have a fall tour in their homeland of Australia planned.

Client Liaison’s sound combines indie pop and electronic music. It has a very 80’s/early 90’s feel as well. That style is replicated through the band’s appearance and music videos. The song that hooked me on the group was “Feed the Rhythm” off their self-titled EP. Most of their tracks have an upbeat groove similar to that song.

Unfortunately I’m not sure if or when I’ll have the opportunity to see Client Liaison perform because their music has yet to take off in the U.S. I keep hoping they’ll either tour here or gain a few more fans in the States that really up their U.S. cred. For now, I’ll just keep listening and trying to spread the word about this duo from down under. So check these guys out! “Turn up the treble to the level and the speakers to the sky”, they’ll keep feeding the rhythm and they’re definitely full of good indie pop vibes.

Doom Days: Album Review

Since Bastille released their sophomore album in September 2016, they’ve still been very much active in the touring and music world. They toured through 2017 and released new music in 2018 including the chart topping hit “Happier” in collaboration with EDM DJ Marshmello. It all lead up to the release of their third album Doom Days on June 14th.

Bastille’s new album is another indie pop/rock masterpiece from the British band. I feel like every Bastille album is just a continuation of the prior. Their tracks have catchy hooks that seem to stick in your head well beyond the 3-4 minutes you spend listening to a song. The consistency of their sound and vibe is a thing of beauty. I think part of the reason for that is Dan Smith’s smooth, hypnotizing vocals. Their sound also dives a little bit deeper into electronic music this time around. “Another Place” has a tropical house feel to it. “Million Pieces” also bridges that gap into electronic music. Lyrically the new record feels like it’s about getting through tough times. Songs like “Quarter Past Midnight”, “Joy”, and “Those Nights” are perfect examples of that theme. 

Bastille will be embarking on a fall tour in support of the album across the U.S. and Canada. They also have announced dates across the U.K. and in Australia. I’ve already picked up a copy of the new record and have planned to try to catch them on this tour. Bastille has put out consistently good records since their debut in 2013. They also put on a great live show. Definitely listen to this new record whether you’re a fan or casual listener because it’s another good one. You’ll probably fall into it just like I did and just like “The Waves”, you may even “get carried away.”

Fever Dream: Album Review

After working two festivals and being forgetful about the blog for a month and a half, I’m back with an album review. In fact, in the past few weeks several artists I like have released new music and I’ll probably do a couple more reviews in the coming days/weeks.  First up is the latest from Of Monsters and Men, Fever Dream.

Fever Dream is the third full length album from the Icelandic indie folk pop group. It was released on July 26th. This is also the band’s latest album since 2015. The band hinted working on new music in spring 2017 via their instagram, but “Alligator”, the first single from Fever Dream, dropped a little under two years later. Fever Dream is full of melodic indie pop jams similar to their first two albums. There’s not one particular track that stands out as being “that song” like “Little Talks” was on their debut, but there are several songs that will surely grow to be popular amongst fans of the band and indie music fans alike. One of those songs is “Wars” which is about a mind war between loving and not loving someone. One of my personal favorites is “Ahay”. What I can say about the track is that the chorus is extremely catchy.

As I mentioned, over the years Of Monsters and Men has stayed consistent on their sound. The vocals of Nanna Bryndís Hilmarsdóttir and Ragnar Þórhallsson create a beautiful harmony which have become a signature mark of the band. They’ve also stayed within the realms of a mixture of indie pop and indie folk music, which is always a good thing as a fan. They’ve also routinely used native instruments like the glockenspiel as part of their music.

I’m definitely a fan of Fever Dream because I’m a fan of Of Monsters and Men. Even if you’re not a huge fan, the album is still worth a listen if you’re a fan of the indie pop genre. The new record is a great album to put in your car while heading on a road trip during these summer months. I felt like it was at least while driving to my gig the other day. This fall, the band will be embarking on a tour in support of their latest work. Check out Fever Dream when you have the chance and check them out in a city near you soon.

Father of the Bride: Album Review

On Friday, one of my most anticipated albums of the last year came out. Since early 2018, I’ve been waiting for the release a new Vampire Weekend record. Friday it happened. Vampire Weekend’s latest album, since Modern Vampires of the City came out in 2013, Father of the Bride was released. The album’s been teased for months with the release of singles like “Harmony Hall”, “2021”, “Sunflower”, “Big Blue”, and most recently “This Life” and “Unbearably White”. Finally the full album is out and I must say it’s not what I was expecting, but it hasn’t disappointed me yet either.

Father of the Bride is one of those albums that need to grow on you. It’s clear that in the last six years things have changed for frontman and songwriter Ezra Koenig as well as for the band itself (original member Rostam Batmanglij left the band in 2016). The sound is much more different than prior Vampire Weekend records. Koenig’s vocals are the one thing that distinguishes many of the new tracks as being Vampire Weekend songs. There are elements of country, jam, and pop in the record, which is much different from the former albums that have taken sounds from music of other cultures.

Another new addition to this album is the collaboration with Danielle Haim from the sister trio group Haim. She’s featured on three tracks and provides background vocals for a few other songs as well. As a big Haim fan, I’m into this. I never expected the collaboration, but I sort of love it? It adds a female voice to Vampire Weekend that didn’t exist prior. The songs featuring Haim are the ones that sound much different than typical Vampire Weekend. I do like it, but I also kind of wish the songs were more Vampire Weekend sounding with a Haim addition instead of being more Haim sounding with a Vampire Weekend addition.

It’s evident that with FOTB Vampire Weekend has grown and matured in life and in music. In fact, I noticed while seeing them at Lollapalooza last summer that the people attending their set were all older, probably in their 30’s or late 20’s, which if you’ve been to Lolla you know is rare because there’s an overflow of high school and college kids every where. It was pretty cool. So I guess in a way with their new music, Vampire Weekend is growing with their fans. Overall I like the album. I don’t love it. There are a few tracks that are sure bangers, mainly “Harmony Hall” and “This Life”.  The rest really need to grow on me. As I listen to the album more and more though in preparation of seeing Vampire Weekend in concert in September I’m sure I’ll be into a few more songs. I’ll probably still be jamming to “A-Punk”, “Walcott”, “Unbelievers”, and “Oxford Comma” though too. And if you’re a big Vampire Weekend fan I’m sure you’ll be doing the same.

Coachella Band Preview: Billie Eilish

Guess what…Coachella 2019 begins next weekend!!! The three month wait is almost over! With that being said, there’s been a few changes since my last blog post. It was just announced this week that Kanye West will be performing his Sunday Service on Easter Sunday during Weekend 2! This is big news. Since Kanye and Justin Timberlake dropped off the bill as Coachella headliners, the hype for this year diminished some. Adding Yeezy to Weekend 2 was the perfect addition Goldenvoice needed to generate more excitement for a weekend that didn’t sell as well in certain aspects. The other change/news that happened is that I’m no longer going to have the same position at the festival that I committed to and have worked for the last 2 years. It’s definitely me stepping outside my comfort zone a bit, but I accepted on certain conditions, with some of the biggest being that I had great access and some free time to enjoy my favorite festival! I’m not sure I’ll be able to be at the event on Friday so I might be skipping the 1975, RÜFÜS DU SOL, and Janelle Monaé, which is a huge bummer, but I’m hoping for the best regardless.

With all of that news and my departure date now being a day early, this will be the last blog post for a little while until I return from my stay in Indio. If I have a second next week, I may make a post about set times and which sets to hit, but no guarantees. So for now let’s get into the last artist I’m previewing this year, Coachella newcomer, Billie Eilish.

Billie Eilish Pirate Baird O’Connell, from Los Angeles, California, had an interest in music from a young age. She joined the Los Angeles Childrens’ Chorus at the age of 8 and started writing and singing her own music by the age of 11. She also comes from a family of actors and musicians. In 2015, at age 13 she recorded the song “Ocean Eyes”, which was written by her brother Finneas for his band. The same song was released as Billie’s debut single on SoundCloud the following year. She also released the single “Six Feet Under” in 2016. At the end of the year “Ocean Eyes” was released worldwide through Darkroom and Interscope Records.

In January 2017, Billie released an EP of “Ocean Eyes” remixes. Her third single “Bellyache” was released in February. She released several more singles in 2017 leading up to the release of her debut EP Don’t Smile at Me. One of the singles she released in 2017 was included on the soundtrack for Netflix’s 13 Reasons Why.

Billie embarked on tour in 2018 and continued to release singles. She contributed to the soundtrack for the second season of 13 Reasons Why with the song “Lovely” featuring Khalid. Just last weekend Billie Eilish released her debut album When We All Fall Asleep, Where Do We Go?. The debut album features a few already released singles, but a ton of new music.

Billie Eilish’s music is a soft, dreamy type of pop music. It’s comparable to the sound of artists like Lana Del Rey and Alina Baraz. It’s super vibey. Eilish’s vocals are trance-like and you can tell her musical influence draws from plenty of different styles of music.

I first heard Billie’s song “Ocean Eyes” while in Sacramento for an event in 2017, but I didn’t realize it at the time. It was actually the Goldhouse remix of the song too. Once I figured out what the song we were listening to in that fateful Snapchat video from Sacramento was (“Ocean Eyes”), I decided to download it. Since being announced on the Coachella lineup and hearing about Billie Eilish from a lot of different sources, I decided to start listening to her a bit. She’s definitely going to be a highly anticipated set this year at Coachella.

She plays Saturday. In her first Coachella appearance she’s already highly billed as well. I think Saturday has a stacked lineup, but I’d expect to see Billie on the Main Stage or the Outdoor Stage. We only have a few more days until set times are released for Weekend 1, so at least you don’t have to wait that long to find out anymore anyway. You have one more week to listen to all the Coachella bands and songs so here’s a few more from Billie Eilish to add to that list:

  1. ocean eyes
  2. lovely
  3. when the party’s over
  4. bury a friend
  5. idontwannabeyouanymore
  6. bellyache
  7. you should me in a crown
  8. wish you were gay
  9. watch
  10. my boy

 

Since this is the last band preview of the year, Happy Coachella Guys! I hope your Coachella is filled with sunshine, great tunes, and all the good vibes!

Coachella Band Preview: the 1975, CHVRCHES, A R I Z O N A, & Gryffin

3 more weeks! 3 more weeks! 3 more weeks! Coachella is in 3 weeks!!!! I know I write similar posts with the same hype level every year, but every year I’m that excited for Coachella, especially this year. Last year felt a little disappointing to me. This year feels like I have zero expectations. I’m just happy to be working the event, even if it’s not in the role I hoped for. To put it best, my hype level feels pure right now. Yours should be too! This week I’m previewing 4 bands because I’ve written about all of them before. Three of them I’ve written about when they played Coachella in the past. Two of them I’ve written about because I was into them at the time. One of them I’ve written about twice already. That band is the 1975.

The 1975 is headed out to their third Coachella. They last played in 2016 after their sophomore album I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It dropped. Since touring and promoting that album, the 1975 has released a third studio album and has a fourth on the way with a release slated for less than a year after A Brief Inquiry into Online Relationships came out at the end of November 2018. Their fourth album Notes on a Conditional Form is due out this summer with the first single coming out in May. 2019 is definitely going to be a big year for the 1975.

In 2016, I saw the 1975 perform twice. Both times I didn’t pay for tickets to see them and both performances were at festivals, sweetlife and Lollapalooza. Since they’re back on the festival circuit this summer, I’m hoping I’ll get to catch them again at least once. They play Friday at Coachella and I can pretty much guarantee you’ll see them on the Main Stage or the Outdoor Stage. Here’s a few new songs and some old ones that you’ll want to know in preparation to see them:

  1. It’s Not Living (If It’s Not With You)
  2. Chocolate
  3. The Sound
  4. TOOTIMETOOTIMETOOTIME
  5. Sex
  6. Somebody Else
  7. Love It If We Made It
  8. Girls
  9. Give Yourself a Try
  10. Sincerity is Scary

Just like the 1975, CHVRCHES last played Coachella in 2016 and will be making their third appearance in Indio this spring. Since 2016, CHVRCHES also released their third studio album Love Is Dead on May 25, 2018. It debuted at number 7 on the UK Albums Chart. Their latest album also features a collaboration with Matt Berninger of the National. Recently CHVRCHES released the song “Here With Me” in collaboration with electronic DJ Marshmello.

I’ve never been a huge CHVRCHES fan, but I did watch their performance on the live stream in 2016. I remember being really impressed with Lauren Mayberry’s stage presence. I’m hoping to see them live for the first time this time around. They play Sunday and I’m sure they’ll be on the Main Stage or the Outdoor Stage if previous performances are any indication. I’ve casually listened to CHVRCHES over the years and as a casual listener here’s my best recommendations on what songs to listen to so you’re ready to see the band play their third Coachella:

  1. The Mother We Share
  2. Leave a Trace
  3. Miracle
  4. Recover
  5. Clearest Blue
  6. Get Out
  7. Here With Me (Marshmello ft. CHVRCHES)
  8. Gun
  9. My Enemy
  10. We Sink

Almost two years ago I wrote a post about A R I Z O N A. It was about 3 years ago that I started listening to the band, not the state. They weren’t that big at all. I saw them perform in the fall of 2016. They opened for Hayley Kiyoko at a 450 person capacity venue. Neither were that big. Flash forward to last summer, both bands joined Panic! At the Disco on their Pray For the Wicked Tour arena tour. A R I Z O N A played to a packed Bud Light Stage at Lollapalooza and Hayley Kiyoko joined Taylor Swift onstage during Taylor’s summer tour after simultaneously selling out her U.S. headlining tour. It’s safe to say both A R I Z O N A and Hayley Kiyoko have come a long a way. Last year Hayley played her first Coachella. This year it’s time for A R I Z O N A to visit the Coachella Valley for the first time.

Since releasing their debut album, the band has played numerous other festivals as well as going on their own headlining tour in the fall of 2017. Last summer they released two new songs. They also recently released the song “Find Someone” at the end of February. This spring they play Coachella on Saturday. I’m not sure where you’ll find these guys at the festival but I would expect them to play a late afternoon set. I’d also recommend that you get to their set early. If their first Coachella appearance is anything like their Lollapalooza set last summer, it will definitely be crowded. Out of all the bands on the lineup this year, this is one that I’m most familiar with and high on my list of bands I’d love to see perform at the festival. I’ve been following the group for a while so I know quite a few of their bangers. Here’s what you need to know to be ready for their Coachella debut:

  1. Oceans Away
  2. I Was Wrong
  3. Electric Touch
  4. Find Someone
  5. Freaking Out
  6. Where I Wanna Be
  7. Feed the Beast
  8. Annie
  9. Ain’t Gonna Leave
  10. What She Wants

Last on the list of bands playing Coachella 2019 that I’ve already wrote about is Gryffin. Since playing his first Coachella in 2017, Gryffin has released several more singles and part of his debut album Gravity. The second part of the album is due to be released this year. The first half was released in December 2018.

Since getting into electronic music, I’ve always been into Gryffin. After previewing him in 2017, I learned just how cool his live performances are since they incorporate instrumentation along with standard electronic artist DJ production. I didn’t get to see him perform at Coachella in 2017, but I did get to watch his Lollapalooza set that summer. It was great. I’m eager to see what he has in store for his second Coachella especially now that part of his debut has been released with the other part on the way. He plays Saturday. I would expect his set to be at the Sahara Tent in the afternoon or early evening. I’m not sure how many people to expect, but the Sahara Tent is one of the most popular stages at the festival so give yourself enough time to get a good spot. To get you ready for Gryffin’s set, here’s what you need to listen to:

  1. Tie Me Down
  2. Feel Good
  3. Whole Heart
  4. Desire (Years & Years Remix)
  5. Heading Home
  6. Love In Ruins
  7. Nobody Compares to You
  8. Remember
  9. Just For A Moment
  10. Bye Bye

Coachella Band Preview: Tame Impala

Welcome back to week 1 of Coachella Band Previews. As always, we’ve got 3 months and a lot of listening to do. This week I decided to start strong with Saturday night headliner Tame Impala. As I said in my lineup release post, I was super hyped to see Tame Impala’s name in big letters as a headliner this year so it made sense that I previewed them before everyone else. Needless to say, I’ve never actually wrote about them on this blog before either. Not until today that is.

Tame Impala is an Australian psychedelic indie pop rock band based out of Perth. The band was formed in 2007 as a home recording project of guitarist and vocalist, Kevin Parker. He started posting the music to his MySpace page which began receiving some attention from music labels. He then brought Dominic Simper (bass) and Jay Watson (drums) into the mix for live shows. Now Simper and Watson are playing different instruments in the band (guitar and synth for both as well as vocals for Watson) and Cam Avery (bass, vocals) and Julien Barbagallo (drums, vocals) have joined as well.

The band released their debut self-titled EP in September 2008. Three songs from the five song EP received national airplay. The EP reached number 1 on the Australian Independent Records Labels Chart as well as number 10 on the ARIA Physical Singles Chart. The band embarked on tours in support of You Am I, The Black Keys, Yeasayer, and MGMT as well as a national headlining tour in support of their EP. They released a new single “Sundown Syndrome” in 2009 and continued touring through 2010.

2010 also brought the band’s first full length album Innerspeaker which was received with general and critical acclaim nationally and in the U.K. and U.S. The band received 4 ARIA Music Award nominations that year as well, but did not win in any category they were nominated for.

The group’s second album Lonerism was release in October of 2012. Like its predecessor, the new album again received praise in Australia, the U.K., and the U.S. It was voted the number one album of the year from mediums in all 3 countries. The group then embarked on an international tour in 2012 through 2013. This included the group’s second stop at Coachella (the first was in 2011). It was in 2013 that original member Nick Allbrook left the band and Cam Avery took his place. The album also received a 2014 Grammy Nomination for Best Alternative Music Album.

The band’s most recent album Currents was released in July 2015. To date the album is the band’s best charting release, reaching number one in Australia, number three in the U.K., and number four in the U.S. The album won 2 ARIA awards for Best Rock Album and Album of the Year and was also nominated for a Grammy for Best Alternative Music Album.

Parker recently said that there will be new music for Tame Impala in 2019. As of now, no official date for an album is known. A first time headlining spot at Coachella might just be the place to preview some new tracks though.

Tame Impala’s style of music can be best described as trippy. It is psychedelic rock after all, but it’s much more rock oriented than the kind of music you’d hear from psychedelic jam bands like the Grateful Dead or Phish. “Let It Happen” does close in on the 8 minute mark though. It’s more on the indie rock spectrum of music than other well known bands associated with psychedelic music.

I’m not sure how or where I first heard Tame Impala, but I began listening to them around the Lonerism era. I actually purchased Lonerism from Amoeba Records in Hollywood on my first visit to California (one of my all time favorite vacations). I bought it in CD form because I didn’t think I’d be able to transport a record properly on an airplane. I can’t say I binged on the CD after that but I’ve definitely been listening to Tame Impala here and there ever since.

2019 marks Tame Impala’s 4th Coachella appearance. After playing in 2011 and 2013, the band then played again in 2015. This is of course the first headlining spot for the Australian rockers. I’m not sure what kind of crowd size Tame Impala will draw. They’re definitely not as big of a headliner as Beyoncé was last year. I’m guessing Bassnectar will overlap in set times as well, which hopefully may pull a lot of the youth attendees to the Sahara Tent or Outdoor Stage, wherever Bassnectar may be posted up. Tame Impala’s performance will surely be epic production wise. I’m hoping it’s comparable to or beyond that of Panorama 2017’s headlining set. The visuals, lasers, strobes, and everything in between brought an incredible vibe to Randall’s Island that night, which I hope translates to the Polo fields come April. So now it’s time to start listening to Tame Impala for the next three months, here’s what you need to hear:

  1. Feels Like We Only Go Backwards
  2. Let It Happen
  3. Elephant
  4. The Less I Know The Better
  5. Half Full Glass of Wine
  6. Solitude is Bliss
  7. Mind Mischief
  8. Eventually
  9. Cause I’m A Man
  10. New Person, Same Old Mistakes