indie pop music

Doom Days: Album Review

Since Bastille released their sophomore album in September 2016, they’ve still been very much active in the touring and music world. They toured through 2017 and released new music in 2018 including the chart topping hit “Happier” in collaboration with EDM DJ Marshmello. It all lead up to the release of their third album Doom Days on June 14th.

Bastille’s new album is another indie pop/rock masterpiece from the British band. I feel like every Bastille album is just a continuation of the prior. Their tracks have catchy hooks that seem to stick in your head well beyond the 3-4 minutes you spend listening to a song. The consistency of their sound and vibe is a thing of beauty. I think part of the reason for that is Dan Smith’s smooth, hypnotizing vocals. Their sound also dives a little bit deeper into electronic music this time around. “Another Place” has a tropical house feel to it. “Million Pieces” also bridges that gap into electronic music. Lyrically the new record feels like it’s about getting through tough times. Songs like “Quarter Past Midnight”, “Joy”, and “Those Nights” are perfect examples of that theme. 

Bastille will be embarking on a fall tour in support of the album across the U.S. and Canada. They also have announced dates across the U.K. and in Australia. I’ve already picked up a copy of the new record and have planned to try to catch them on this tour. Bastille has put out consistently good records since their debut in 2013. They also put on a great live show. Definitely listen to this new record whether you’re a fan or casual listener because it’s another good one. You’ll probably fall into it just like I did and just like “The Waves”, you may even “get carried away.”

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Fever Dream: Album Review

After working two festivals and being forgetful about the blog for a month and a half, I’m back with an album review. In fact, in the past few weeks several artists I like have released new music and I’ll probably do a couple more reviews in the coming days/weeks.  First up is the latest from Of Monsters and Men, Fever Dream.

Fever Dream is the third full length album from the Icelandic indie folk pop group. It was released on July 26th. This is also the band’s latest album since 2015. The band hinted working on new music in spring 2017 via their instagram, but “Alligator”, the first single from Fever Dream, dropped a little under two years later. Fever Dream is full of melodic indie pop jams similar to their first two albums. There’s not one particular track that stands out as being “that song” like “Little Talks” was on their debut, but there are several songs that will surely grow to be popular amongst fans of the band and indie music fans alike. One of those songs is “Wars” which is about a mind war between loving and not loving someone. One of my personal favorites is “Ahay”. What I can say about the track is that the chorus is extremely catchy.

As I mentioned, over the years Of Monsters and Men has stayed consistent on their sound. The vocals of Nanna Bryndís Hilmarsdóttir and Ragnar Þórhallsson create a beautiful harmony which have become a signature mark of the band. They’ve also stayed within the realms of a mixture of indie pop and indie folk music, which is always a good thing as a fan. They’ve also routinely used native instruments like the glockenspiel as part of their music.

I’m definitely a fan of Fever Dream because I’m a fan of Of Monsters and Men. Even if you’re not a huge fan, the album is still worth a listen if you’re a fan of the indie pop genre. The new record is a great album to put in your car while heading on a road trip during these summer months. I felt like it was at least while driving to my gig the other day. This fall, the band will be embarking on a tour in support of their latest work. Check out Fever Dream when you have the chance and check them out in a city near you soon.

Father of the Bride: Album Review

On Friday, one of my most anticipated albums of the last year came out. Since early 2018, I’ve been waiting for the release a new Vampire Weekend record. Friday it happened. Vampire Weekend’s latest album, since Modern Vampires of the City came out in 2013, Father of the Bride was released. The album’s been teased for months with the release of singles like “Harmony Hall”, “2021”, “Sunflower”, “Big Blue”, and most recently “This Life” and “Unbearably White”. Finally the full album is out and I must say it’s not what I was expecting, but it hasn’t disappointed me yet either.

Father of the Bride is one of those albums that need to grow on you. It’s clear that in the last six years things have changed for frontman and songwriter Ezra Koenig as well as for the band itself (original member Rostam Batmanglij left the band in 2016). The sound is much more different than prior Vampire Weekend records. Koenig’s vocals are the one thing that distinguishes many of the new tracks as being Vampire Weekend songs. There are elements of country, jam, and pop in the record, which is much different from the former albums that have taken sounds from music of other cultures.

Another new addition to this album is the collaboration with Danielle Haim from the sister trio group Haim. She’s featured on three tracks and provides background vocals for a few other songs as well. As a big Haim fan, I’m into this. I never expected the collaboration, but I sort of love it? It adds a female voice to Vampire Weekend that didn’t exist prior. The songs featuring Haim are the ones that sound much different than typical Vampire Weekend. I do like it, but I also kind of wish the songs were more Vampire Weekend sounding with a Haim addition instead of being more Haim sounding with a Vampire Weekend addition.

It’s evident that with FOTB Vampire Weekend has grown and matured in life and in music. In fact, I noticed while seeing them at Lollapalooza last summer that the people attending their set were all older, probably in their 30’s or late 20’s, which if you’ve been to Lolla you know is rare because there’s an overflow of high school and college kids every where. It was pretty cool. So I guess in a way with their new music, Vampire Weekend is growing with their fans. Overall I like the album. I don’t love it. There are a few tracks that are sure bangers, mainly “Harmony Hall” and “This Life”.  The rest really need to grow on me. As I listen to the album more and more though in preparation of seeing Vampire Weekend in concert in September I’m sure I’ll be into a few more songs. I’ll probably still be jamming to “A-Punk”, “Walcott”, “Unbelievers”, and “Oxford Comma” though too. And if you’re a big Vampire Weekend fan I’m sure you’ll be doing the same.

Coachella Band Preview: Billie Eilish

Guess what…Coachella 2019 begins next weekend!!! The three month wait is almost over! With that being said, there’s been a few changes since my last blog post. It was just announced this week that Kanye West will be performing his Sunday Service on Easter Sunday during Weekend 2! This is big news. Since Kanye and Justin Timberlake dropped off the bill as Coachella headliners, the hype for this year diminished some. Adding Yeezy to Weekend 2 was the perfect addition Goldenvoice needed to generate more excitement for a weekend that didn’t sell as well in certain aspects. The other change/news that happened is that I’m no longer going to have the same position at the festival that I committed to and have worked for the last 2 years. It’s definitely me stepping outside my comfort zone a bit, but I accepted on certain conditions, with some of the biggest being that I had great access and some free time to enjoy my favorite festival! I’m not sure I’ll be able to be at the event on Friday so I might be skipping the 1975, RÜFÜS DU SOL, and Janelle Monaé, which is a huge bummer, but I’m hoping for the best regardless.

With all of that news and my departure date now being a day early, this will be the last blog post for a little while until I return from my stay in Indio. If I have a second next week, I may make a post about set times and which sets to hit, but no guarantees. So for now let’s get into the last artist I’m previewing this year, Coachella newcomer, Billie Eilish.

Billie Eilish Pirate Baird O’Connell, from Los Angeles, California, had an interest in music from a young age. She joined the Los Angeles Childrens’ Chorus at the age of 8 and started writing and singing her own music by the age of 11. She also comes from a family of actors and musicians. In 2015, at age 13 she recorded the song “Ocean Eyes”, which was written by her brother Finneas for his band. The same song was released as Billie’s debut single on SoundCloud the following year. She also released the single “Six Feet Under” in 2016. At the end of the year “Ocean Eyes” was released worldwide through Darkroom and Interscope Records.

In January 2017, Billie released an EP of “Ocean Eyes” remixes. Her third single “Bellyache” was released in February. She released several more singles in 2017 leading up to the release of her debut EP Don’t Smile at Me. One of the singles she released in 2017 was included on the soundtrack for Netflix’s 13 Reasons Why.

Billie embarked on tour in 2018 and continued to release singles. She contributed to the soundtrack for the second season of 13 Reasons Why with the song “Lovely” featuring Khalid. Just last weekend Billie Eilish released her debut album When We All Fall Asleep, Where Do We Go?. The debut album features a few already released singles, but a ton of new music.

Billie Eilish’s music is a soft, dreamy type of pop music. It’s comparable to the sound of artists like Lana Del Rey and Alina Baraz. It’s super vibey. Eilish’s vocals are trance-like and you can tell her musical influence draws from plenty of different styles of music.

I first heard Billie’s song “Ocean Eyes” while in Sacramento for an event in 2017, but I didn’t realize it at the time. It was actually the Goldhouse remix of the song too. Once I figured out what the song we were listening to in that fateful Snapchat video from Sacramento was (“Ocean Eyes”), I decided to download it. Since being announced on the Coachella lineup and hearing about Billie Eilish from a lot of different sources, I decided to start listening to her a bit. She’s definitely going to be a highly anticipated set this year at Coachella.

She plays Saturday. In her first Coachella appearance she’s already highly billed as well. I think Saturday has a stacked lineup, but I’d expect to see Billie on the Main Stage or the Outdoor Stage. We only have a few more days until set times are released for Weekend 1, so at least you don’t have to wait that long to find out anymore anyway. You have one more week to listen to all the Coachella bands and songs so here’s a few more from Billie Eilish to add to that list:

  1. ocean eyes
  2. lovely
  3. when the party’s over
  4. bury a friend
  5. idontwannabeyouanymore
  6. bellyache
  7. you should me in a crown
  8. wish you were gay
  9. watch
  10. my boy

 

Since this is the last band preview of the year, Happy Coachella Guys! I hope your Coachella is filled with sunshine, great tunes, and all the good vibes!

Coachella Band Preview: the 1975, CHVRCHES, A R I Z O N A, & Gryffin

3 more weeks! 3 more weeks! 3 more weeks! Coachella is in 3 weeks!!!! I know I write similar posts with the same hype level every year, but every year I’m that excited for Coachella, especially this year. Last year felt a little disappointing to me. This year feels like I have zero expectations. I’m just happy to be working the event, even if it’s not in the role I hoped for. To put it best, my hype level feels pure right now. Yours should be too! This week I’m previewing 4 bands because I’ve written about all of them before. Three of them I’ve written about when they played Coachella in the past. Two of them I’ve written about because I was into them at the time. One of them I’ve written about twice already. That band is the 1975.

The 1975 is headed out to their third Coachella. They last played in 2016 after their sophomore album I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It dropped. Since touring and promoting that album, the 1975 has released a third studio album and has a fourth on the way with a release slated for less than a year after A Brief Inquiry into Online Relationships came out at the end of November 2018. Their fourth album Notes on a Conditional Form is due out this summer with the first single coming out in May. 2019 is definitely going to be a big year for the 1975.

In 2016, I saw the 1975 perform twice. Both times I didn’t pay for tickets to see them and both performances were at festivals, sweetlife and Lollapalooza. Since they’re back on the festival circuit this summer, I’m hoping I’ll get to catch them again at least once. They play Friday at Coachella and I can pretty much guarantee you’ll see them on the Main Stage or the Outdoor Stage. Here’s a few new songs and some old ones that you’ll want to know in preparation to see them:

  1. It’s Not Living (If It’s Not With You)
  2. Chocolate
  3. The Sound
  4. TOOTIMETOOTIMETOOTIME
  5. Sex
  6. Somebody Else
  7. Love It If We Made It
  8. Girls
  9. Give Yourself a Try
  10. Sincerity is Scary

Just like the 1975, CHVRCHES last played Coachella in 2016 and will be making their third appearance in Indio this spring. Since 2016, CHVRCHES also released their third studio album Love Is Dead on May 25, 2018. It debuted at number 7 on the UK Albums Chart. Their latest album also features a collaboration with Matt Berninger of the National. Recently CHVRCHES released the song “Here With Me” in collaboration with electronic DJ Marshmello.

I’ve never been a huge CHVRCHES fan, but I did watch their performance on the live stream in 2016. I remember being really impressed with Lauren Mayberry’s stage presence. I’m hoping to see them live for the first time this time around. They play Sunday and I’m sure they’ll be on the Main Stage or the Outdoor Stage if previous performances are any indication. I’ve casually listened to CHVRCHES over the years and as a casual listener here’s my best recommendations on what songs to listen to so you’re ready to see the band play their third Coachella:

  1. The Mother We Share
  2. Leave a Trace
  3. Miracle
  4. Recover
  5. Clearest Blue
  6. Get Out
  7. Here With Me (Marshmello ft. CHVRCHES)
  8. Gun
  9. My Enemy
  10. We Sink

Almost two years ago I wrote a post about A R I Z O N A. It was about 3 years ago that I started listening to the band, not the state. They weren’t that big at all. I saw them perform in the fall of 2016. They opened for Hayley Kiyoko at a 450 person capacity venue. Neither were that big. Flash forward to last summer, both bands joined Panic! At the Disco on their Pray For the Wicked Tour arena tour. A R I Z O N A played to a packed Bud Light Stage at Lollapalooza and Hayley Kiyoko joined Taylor Swift onstage during Taylor’s summer tour after simultaneously selling out her U.S. headlining tour. It’s safe to say both A R I Z O N A and Hayley Kiyoko have come a long a way. Last year Hayley played her first Coachella. This year it’s time for A R I Z O N A to visit the Coachella Valley for the first time.

Since releasing their debut album, the band has played numerous other festivals as well as going on their own headlining tour in the fall of 2017. Last summer they released two new songs. They also recently released the song “Find Someone” at the end of February. This spring they play Coachella on Saturday. I’m not sure where you’ll find these guys at the festival but I would expect them to play a late afternoon set. I’d also recommend that you get to their set early. If their first Coachella appearance is anything like their Lollapalooza set last summer, it will definitely be crowded. Out of all the bands on the lineup this year, this is one that I’m most familiar with and high on my list of bands I’d love to see perform at the festival. I’ve been following the group for a while so I know quite a few of their bangers. Here’s what you need to know to be ready for their Coachella debut:

  1. Oceans Away
  2. I Was Wrong
  3. Electric Touch
  4. Find Someone
  5. Freaking Out
  6. Where I Wanna Be
  7. Feed the Beast
  8. Annie
  9. Ain’t Gonna Leave
  10. What She Wants

Last on the list of bands playing Coachella 2019 that I’ve already wrote about is Gryffin. Since playing his first Coachella in 2017, Gryffin has released several more singles and part of his debut album Gravity. The second part of the album is due to be released this year. The first half was released in December 2018.

Since getting into electronic music, I’ve always been into Gryffin. After previewing him in 2017, I learned just how cool his live performances are since they incorporate instrumentation along with standard electronic artist DJ production. I didn’t get to see him perform at Coachella in 2017, but I did get to watch his Lollapalooza set that summer. It was great. I’m eager to see what he has in store for his second Coachella especially now that part of his debut has been released with the other part on the way. He plays Saturday. I would expect his set to be at the Sahara Tent in the afternoon or early evening. I’m not sure how many people to expect, but the Sahara Tent is one of the most popular stages at the festival so give yourself enough time to get a good spot. To get you ready for Gryffin’s set, here’s what you need to listen to:

  1. Tie Me Down
  2. Feel Good
  3. Whole Heart
  4. Desire (Years & Years Remix)
  5. Heading Home
  6. Love In Ruins
  7. Nobody Compares to You
  8. Remember
  9. Just For A Moment
  10. Bye Bye

Coachella Band Preview: Tame Impala

Welcome back to week 1 of Coachella Band Previews. As always, we’ve got 3 months and a lot of listening to do. This week I decided to start strong with Saturday night headliner Tame Impala. As I said in my lineup release post, I was super hyped to see Tame Impala’s name in big letters as a headliner this year so it made sense that I previewed them before everyone else. Needless to say, I’ve never actually wrote about them on this blog before either. Not until today that is.

Tame Impala is an Australian psychedelic indie pop rock band based out of Perth. The band was formed in 2007 as a home recording project of guitarist and vocalist, Kevin Parker. He started posting the music to his MySpace page which began receiving some attention from music labels. He then brought Dominic Simper (bass) and Jay Watson (drums) into the mix for live shows. Now Simper and Watson are playing different instruments in the band (guitar and synth for both as well as vocals for Watson) and Cam Avery (bass, vocals) and Julien Barbagallo (drums, vocals) have joined as well.

The band released their debut self-titled EP in September 2008. Three songs from the five song EP received national airplay. The EP reached number 1 on the Australian Independent Records Labels Chart as well as number 10 on the ARIA Physical Singles Chart. The band embarked on tours in support of You Am I, The Black Keys, Yeasayer, and MGMT as well as a national headlining tour in support of their EP. They released a new single “Sundown Syndrome” in 2009 and continued touring through 2010.

2010 also brought the band’s first full length album Innerspeaker which was received with general and critical acclaim nationally and in the U.K. and U.S. The band received 4 ARIA Music Award nominations that year as well, but did not win in any category they were nominated for.

The group’s second album Lonerism was release in October of 2012. Like its predecessor, the new album again received praise in Australia, the U.K., and the U.S. It was voted the number one album of the year from mediums in all 3 countries. The group then embarked on an international tour in 2012 through 2013. This included the group’s second stop at Coachella (the first was in 2011). It was in 2013 that original member Nick Allbrook left the band and Cam Avery took his place. The album also received a 2014 Grammy Nomination for Best Alternative Music Album.

The band’s most recent album Currents was released in July 2015. To date the album is the band’s best charting release, reaching number one in Australia, number three in the U.K., and number four in the U.S. The album won 2 ARIA awards for Best Rock Album and Album of the Year and was also nominated for a Grammy for Best Alternative Music Album.

Parker recently said that there will be new music for Tame Impala in 2019. As of now, no official date for an album is known. A first time headlining spot at Coachella might just be the place to preview some new tracks though.

Tame Impala’s style of music can be best described as trippy. It is psychedelic rock after all, but it’s much more rock oriented than the kind of music you’d hear from psychedelic jam bands like the Grateful Dead or Phish. “Let It Happen” does close in on the 8 minute mark though. It’s more on the indie rock spectrum of music than other well known bands associated with psychedelic music.

I’m not sure how or where I first heard Tame Impala, but I began listening to them around the Lonerism era. I actually purchased Lonerism from Amoeba Records in Hollywood on my first visit to California (one of my all time favorite vacations). I bought it in CD form because I didn’t think I’d be able to transport a record properly on an airplane. I can’t say I binged on the CD after that but I’ve definitely been listening to Tame Impala here and there ever since.

2019 marks Tame Impala’s 4th Coachella appearance. After playing in 2011 and 2013, the band then played again in 2015. This is of course the first headlining spot for the Australian rockers. I’m not sure what kind of crowd size Tame Impala will draw. They’re definitely not as big of a headliner as Beyoncé was last year. I’m guessing Bassnectar will overlap in set times as well, which hopefully may pull a lot of the youth attendees to the Sahara Tent or Outdoor Stage, wherever Bassnectar may be posted up. Tame Impala’s performance will surely be epic production wise. I’m hoping it’s comparable to or beyond that of Panorama 2017’s headlining set. The visuals, lasers, strobes, and everything in between brought an incredible vibe to Randall’s Island that night, which I hope translates to the Polo fields come April. So now it’s time to start listening to Tame Impala for the next three months, here’s what you need to hear:

  1. Feels Like We Only Go Backwards
  2. Let It Happen
  3. Elephant
  4. The Less I Know The Better
  5. Half Full Glass of Wine
  6. Solitude is Bliss
  7. Mind Mischief
  8. Eventually
  9. Cause I’m A Man
  10. New Person, Same Old Mistakes

 

Top Tunes of 2018

Each of the last two years I’ve written posts about how much music has shaped the year. In 2016 there was a lot of shit that went down and music was the bright spot. Last year was one of my favorite years in music in a while so 2018 had a lot to live up to. So as the year comes to a close, the results are in. It was in no way comparable to last year, but thats okay! Because music was still important as it always is.

2018 as a whole will never be comparable to last year. I felt too much in 2018 and in the process I lost a lot of perspective. I had to dig myself out of personal holes so many times. A lot of which I hadn’t felt in years. In a way I’m still trying to overcome some personal struggles but one thing I learned this year is that it could be worse. So I try to remind myself of that. Despite losing perspective at times, I was able to gain it back through meeting new incredible people, through traveling all over the country, through new experiences, and most importantly through music.

I worked harder and put in more miles than I ever had in the past this year all because of a goal that started last January. My friend and I planned a trip to London. I went on that trip last week and it was definitely a trip I won’t soon forget. As much as all the work made it worth it. It was the journey of the year that made it special and so many songs and bands that got me through this weird rollercoaster of a year. So without further delay, here are some of my faves from 2018:

“NUMB” by Hayden James

According to Spotify, this is my top song of the year. Spotify isn’t lying either. It’s now my second most played song on my iTunes. I fell in love with this song during EDC Las Vegas, a festival which ultimately changed the course of the year for me. This song related to my life in all the ways at times, so I kept turning to it. Plus it’s a big fucking mood! I saw Hayden James perform at Electric Forest this year and was able to catch this song during his sets both weekends and during his Weekend 2 DJ set. The bass was so overpowering, but I loved it nonetheless. Now, 7 months later and I’m still choosing to listen to this song. It will forever be associated with this year and all the ups and downs that came with it.

“Safe” by Bay Ledges

This song was released in 2017 but I first heard this song in the spring of 2018 and I became hooked on it. It was a song that I would constantly choose to play whenever I was scrolling through my iTunes in the car or on Spotify. We also kept hearing it on our drives from Joshua Tree to Indio during Coachella this past year. It always puts me in a good mood and creates such a vibe. I was lucky enough to see Bay Ledges play last month and to hear this song live. Even if the song was released in 2017, it still got me through 2018.

Kygo

Kygo was my top Spotify artist this year. It makes sense. After seeing Kygo play at Coachella, one of my favorite sets of the festival, I got really into listening to his music. I eventually created a Kygo Spotify playlist that I’ll occasionally use to work out to. I’ve always been into the tropical house style of electronic music so it was a matter of time before I dove head first into Kygo and all of his tunes that I’ve already been listening to over the past 3 years. I kind of credit the song “Stargzing”, but overall I love almost all of Kygo’s tracks and seeing him live was incredibly fun. This was the year that made it happen for me and the Norwegian DJ.

“Curious” by Hayley Kiyoko

2018 can be defined by the hashtag 20GAYTEEN and that’s all in part to Hayley Kiyoko. She released her first full length album this year and exploded in the music scene. She performed at Coachella, sold out her tour, opened for Panic! At the Disco, performed with Taylor Swift, and won a VMA! It’s been an epic year for Lesbian Jesus. This song was released early in 2018 as a single to promote Hayley’s debut album. It’s been one of my faves ever since. I snuck away during work at Coachella to catch a glimpse of her set Weekend 2, but missed a large portion of it. It wasn’t until I worked a Panic! At the Disco show that I got to see the entirety of her opening set and felt all the proud mom feelings. I saw Hayley play a small venue show in Philly in late 2016 and it’s been pleasure being a fan and seeing her grow so much since then. This year was the icing on the cake for that. So to answer the question, in case you were curious, it is serious that she’s only going up from here.

Arctic Monkeys

2018 was a comeback year for Arctic Monkeys. They released their first album since 2013’s AM, toured worldwide, and played numerous dates on the festival circuit. It was my goal this year to see them play and I did while working their show at Forest Hills Stadium back in July. Although their new album wasn’t the comeback I hoped for, 2018 revitalized my interest in Arctic Monkeys and caused me to listen to their music even more than I did in the past. I found a love in old songs like “Suck It And See” and “I Bet That You Look Good On the Dance Floor”. I also eventually started to enjoy their latest release. It seems like the Monkeys will be riding the 2018 wave into 2019 as well so hopefully they coast back to the states soon.

“Saturday Sun” by Vance Joy

Vance Joy released his sophomore album this year back in February. “Saturday Sun” was a single from that album that was the theme of my Coachella 2018 experience. On our 1 hour drives to and from work every day from Joshua Tree, we listened to Alt Nation on Sirius XM. “Saturday Sun” was in the rotation at the time at it seemed like we heard it ever time we got in Denise’s car. It became our Coachella song. The whole experience culminated on Sunday of Weekend 2 when Vance Joy asked to sit at our table in catering and ate lunch with us. This song will always remind me this year and drives through California with my Day One since Day One Weekend One, Denise.

“Wanderlust” by James Bay

There’s no special story behind this song compared to the others I have on here. It’s just one that I kept going back to once I had it on my iTunes and Spotify playlists. I got into it right before I left for Electric Forest in June and it’s been a staple ever since. It gave me a new opinion on James Bay, whose music I thought was always slower and created romance type vibes. This song was an indie pop/rock dream that I never knew I needed from James Bay this year.

Florence and the Machine

It took me a while to get into the new Florence and the Machine album, but I did just in time to see her live at the Barclays Center in October. Again just like the Arctic Monkeys, High As Hope, the 2018 follow-up to 2015’s How Big, How Blue, How Beautiful, was a bit of a disappointment to me initially. In general, it seemed like after a big 2017 of brilliant albums, 2018’s hype wasn’t cutting it for me. New music from 2018 just took a little while to get used to. Once I did I fell for songs like “Hunger” and “Patricia”. Florence reminded me this year when I needed it most that “it’s a wonderful thing to love” and I’m grateful for that.

“Body” by Loud Luxury

“Body” came to me around the same time as “NUMB” at EDC Las Vegas so it makes total sense that it would always play after “NUMB” on my iTunes rotation. I first heard the song on the way to site at EDC via Josh Hurlbert’s music. My friend Erin and I were jamming to it. I didn’t know the name of the song after that, but I needed to find out. So after some detective work, Josh figured out the song I was referring to and told me what it was called on load-out day. It’s been as much of a favorite as “NUMB” since EDC and a great work out track as well. I can’t say I’ve listened to Loud Luxury beyond “Body”, but it’s been a big hit of 2018 all around so I’m sure there will be more great tracks to come from the electronic artists.

Bishop Briggs

Bishop Briggs ended 2017 for me and moved right in 2018. Her debut album came out in May and she was high on my list to see live until I saw her perform at Electric Forest. I will say my interest in Bishop Briggs kind of faded after seeing her perform live, but for the first half of this year I was focused on her debut album and possibly seeing her in the summer. She didn’t disappoint at Forest either. Her performance was full of energy and power that had everyone feeling as bad ass as her by the end of the set. It was a highlight of the festival that seemed to be one of my lowest points of the year. Thankfully, I survived the Forest and went on to have some great festival experiences beyond that.

Runner-Ups

Years & Years

“Happy Man” by Jungle

“Happier” by Marshmello, ft. Bastille

Dashboard Confessional

“Whippin'” by Kiiara

So that’s it! 10 songs and artists that were big for me in 2018 (plus a few runner-ups!). There was another band that I easily could have put on the list but I decided to hold off because 2019 will surely be a big year for them. That band is Vampire Weekend. Their comeback started in 2018 with a few festival appearances, including a special one that I was witness to at Lollapalooza, but they’ve yet to release their much anticipated fourth full length album. There were rumors it would come out in 2018, but that hasn’t happened. So I expect 2019 will be the year for them. They’re already slated to play Firefly in June and I’m sure more dates and festivals are in the works as well. I can’t wait. They’re who I’m most excited about heading in to this new year.

As with any year, there will be plenty of new music and new discoveries for me. I didn’t plan on this year being better than 2017 and it wasn’t honestly as far as music goes. Professionally though, 2018 was my best year yet. When I set out to follow my music industry dreams in 2015 (technically 2016 but it started in 2015), my goal was always to be better, learn more, and grow every year. I’ve done that so far, especially this year. I have no plans to stop any time soon either. I’ve started to reach some goals I’ve had, but I have so much more to do and accomplish. I’m so lucky I get to do what I love. I’m grateful for everyone that’s helped and supported me, everyone I’ve met, and all the experiences I’ve had. I owe it all to music. So hopefully next year is even better because I plan on trying to make it that way and I’m sure I’ll have plenty of new tunes to help me through it all. Be back next week for the Coachella 2019 lineup release!

“All of life is energy vibrating at different frequencies. It has been said, the universe is a uni-verse, one song or vibration that plays throughout existence and gives us life. When we get in tune with that tone, we are in harmony with life. Music is a way we can tap into that power. That is why we feel music with our whole being. It moves us, stimulates our imagination, opens emotions, and can pass language and cultural barriers. It lives on a primal level, one that we can all connect with.”

First the Window, Then It’s to the Wall

Last week I worked my third Lollapalooza in the box office/ticketing department, but for the first time, I managed my own ticket help. Lolla was where I started working in ticketing 2 years ago so it felt like a full circle moment being able to work Lolla in a higher position. Another full circle moment happened on Saturday night when I was able to see Vampire Weekend. I found out about the band in 2008 way before I was even into the indie rock scene. A friend of mine in my Music 101 class in college told me about them. He was also the first person to tell me about Lollapalooza so being able to say the first time I saw Vampire Weekend was at Lollapalooza is super cool and special to me. All that aside, much like Arctic Monkeys, Vampire Weekend is back from their 5 year hiatus and will be releasing a new album soon!

Vampire Weekend was formed when founding members Ezra Koenig (vocals, guitar), Chris Tomson (drums), Chris Baio (bass, backing vocals), and Rostam Batmanglij (keyboard) were in college at Columbia University. Their name comes from a summer project of Koenig’s inspired by the 1980 film The Lost Boys. With the project, he decided to create basically the Northeastern version of the film. The project also inspired the song “Walcott” as well even though he abandoned it after working on the short film for only a few days. The band started playing shows around 2006 by performing at battle of the bands around Columbia. Then in 2007 they opened for The Shins on their UK tour. They self-produced their self-titled debut album while simultaneously working full time jobs. The album was released on January 29, 2008. It peaked at number 17 on the Billboard Top 200 Albums Chart and number 15 on the UK Albums Chart.

Vampire Weekend’s second album Contra was released just short of 2 years later. It debuted at number 1 on the Billboard 200. The band also began a large festival circuit in 2010 making stops at Coachella, Bonnaroo, Austin City Limits, and Glastonbury. They had played their first Lollapalooza the previous summer. They also toured in support of the album in 2010. Contra was nominated for a Grammy for Best Alternative Album, but did not win.

Their most recent album to date Modern Vampires of the City was released in May 2013 after much talk of its release in 2011 and 2012. Like Contra, it debuted at number 1 on Billboard’s Top 200 Albums Chart making them the first indie rock band to accomplish this feat with two consecutive albums. The album won Vampire Weekend a Grammy for Best Alternative Album in 2014.

In 2016, Rostam Batmanglij announced his leave from Vampire Weekend via Twitter, but also noted that he would still continue to collaborate with Ezra Koenig. Koenig confirmed this by saying the band was working on a new album with help from Batmanglij. At Lollapalooza last week, the band announced that the 4th album was complete after playing a set list of all old hits including the song “A-Punk” three times in a row to open the set (…and I missed it!).

Vampire Weekend is a pretty standard indie rock band. Their sound is a mixture of indie rock, indie pop, baroque pop, afro-pop, and art pop. Most of their hits have an upbeat, joyfulness to their sound. You can’t help but want to dance to their tracks like “A-Punk”, “Unbelievers”, or “Diane Young”.

As I said, I found out about Vampire Weekend 10 years ago. I kept up with them by periodically adding songs to my iTunes as new releases would come out. I never saw them live though, until last week. They were on my “must-see” list for a while. Since seeing them last week, I haven’t been able to stop listening to them. It was like Lollapalooza revitalized Vampire Weekend for me. It did the same thing for me last year with The Killers. I guess that’s another reason why I like Lollapalooza so much.

If you haven’t been listening to Vampire Weekend for the last 10 years or started somewhere in between there, here’s my call for you to listen to them asap. An album release date for their fourth full length has yet to be announced, but it’s coming soon! I’m sure I’ll probably review it once it’s out, but until then there’s tons of jams to help you wait it out. I swear. Like Lil Jon, I always tell the truth.

Got More Boom Than A Dynamite Store

I know it’s been awhile again, but summer means festivals and festivals mean I get really busy. That’s a good thing though! Unfortunately, because of that, my blog is suffering this year. But, no worries because I’m back with a new post and a new band to tell you about!

Magic City Hippies from Miami, FL is the band that started when Robby Hunter was forced to stop his career as a street performer and take his talents to some place where he could play a real show. That place became a local dive bar. He recruited Pat Howard and John Coughlin to join him. The trio performed under the moniker Robby Hunter Band.

The band self-produced their first LP Magic City Hippies in 2013 and then adopted the title as their new band name. Magic City Hippies released their first EP Hippie Castle in July 2015. Their single “Fanfare” reached #1 on charts on both Spotify and Hype Machine. The group released two more singles, “HUSH” and “Heart Wants”, in 2016, and began touring as the opening act for Hippo Campus in 2017. They also played Bonnaroo last year, which was their first festival appearance. In 2018, they’ve continued touring and playing festivals with stops at Okeechobee in March and Electric Forest in June.

Their sound is primarily indie pop but there’s definitely some electronic/funk/reggae mixed in. It’s different, yet super chill. There’s even a hip hop vibe to their sound at times just from the way Hunter speaks on a few of their tracks. It’s pretty hard to classify. Super chill is probably the best description I can give you. I’m not going to say they sound like alt-j because they don’t, but their sound originality is comparable to that.

I found out about Magic City Hippies about 2 months ago when my friend Jen sent me the song “Heart Wants”. I was into them initially, but after finding out they were playing Electric Forest I decided to take a greater interest and listen to more of their tunes (since I was working at Electric Forest and would be able to see some music). I took a liking to “Limestone” and fell harder for “Heart Wants”. It’s safe to say I’d definitely buy one of their records. The great news is that they have yet to release a debut album! I’ll be looking forward to that.

In the mean time, you should check them out while they’re fresh. I always like learning about bands or artists when they’re relatively new. It’s cool to see them work their way up in the music world and build a fan base. So definitely check out Magic City Hippies as soon as you can, because they could be about to blow up!

Almost Everyday: Album Review

Another album that was released within the last two months was Matt & Kim’s Almost Everyday. I was also fortunate enough to finally be able to see Matt & Kim perform live at the end of April. It was one of, if not the most fun show I’ve ever been to. I was starting to get tired waiting for them to come on, but as soon as they did it was pure joy for the hour and a half set they performed at Brooklyn Steel complete with blow up dolls, balloons, and a wall of death. After seeing that show, there was no question that I was going to pick up their album that was due out less than a week later.

I was eager to check out this new album because I really liked the single “Forever” that they released in the weeks prior to the album release. Almost Everyday doesn’t stray from the quality indie pop featuring synth and drums that Matt & Kim are known for. I think some of the synth sounds have even grown on this particular record.

After listening to the album, I didn’t feel like any songs jumped out at me in particular. I had a similar feeling when New Glow was released. With that album, I had to listen to it several times for a few songs to really start sticking with me. Eventually I got into a few songs on that record though. As for Almost Everyday, I’ve taken a liking to “Glad I Tried” and “Like I Used To Be”, along with “Forever”, which I already enjoyed before I heard the full length album.

Several of the songs have a lot of meaning and depth. The album was written over a time when Kim was recovering from her ACL injury and the band’s future felt like it was in jeopardy for a brief time. Thankfully Kim made it through! Truly, they both did though and this new album is a reflection of that.