indie rock music

if i could make it go quiet: Album Review

Since discovering girl in red last fall, I’ve joined the fans anticipating her debut album and finally it’s here. if i could make it go quiet, the debut album from girl in red, was released on Friday. The album was released through indie label AWAL and produced by girl in red herself, Marie Ulven, along with Matias Tellez and includes some production credit from Finneas O’Connell (aka Finneas, the brother of Billie Eilish). Throughout the past year girl in red released a few tracks in anticipation of the album including, “midnight love” and “Rue” last year, followed by “Serotonin” in March 2021 and “You Stupid Bitch” two weeks ago.

The album, as promised, features what we know and love about girl in red with a more mature feel. So yes, it’s indie pop/rock music about girls and love, but also with a jam about mental health and lacking serotonin. The quality of the record definitely feels more developed from girl in red’s earlier work too. This is the kind of album that could be the soundtrack to a solo drive in your car while on a road trip. I could also envision listening to this album while laying alone in a wide open field.

My early front-runners for favorite songs on the album are “Body And Mind”, “Serotonin”, which is an absolute banger, “You Stupid Bitch”, and “I’ll Call You Mine”. One thing I’ve always got from girl in red is that she doesn’t hold back in her writing. She says what she wants and it’s evident in so many of her tracks on the debut record. Listen to “Serotonin”, “Did You Come?”, and “hornylovesickness” if you want to see what I mean. I think this attribute to her music is what makes girl in red so great in her own way.

So far I feel like this year has had a slow start, both in general and musically, but even though we’re 5 months in, there’s still time. There’s plenty of potential for good things to happen and great new music to be released. girl in red’s debut album is one sign of that optimistic view for this year as it’s a solid indie album from front to back. Ironically, it boosted my serotonin and I hope it does the same for you as well.

Fruit Bangers

It’s not a secret that I make a new work out playlist every couple months. I’ve been doing this on Spotify since 2015-2016. My song selection is very simple. Sometimes one of my favorite artists releases new music and other times I’ll go through new music on my Release Radar or Discovery Weekly playlists and add songs that I like after my first listen and I feel are upbeat enough to work out to. Regardless, most times I’m not listening to a song repeatedly before I add it to my playlist. I’m usually going from new music or at least music that is new to me. This can cause me to occasionally find a song that I really really like after I keep hearing it day after day, which is exactly what happened two weeks ago.

While working out and listening to my first work out playlist of this year, I realized I really liked this one song I kept hearing. Until I realized what it was, I would constantly check to see the name of the song and the artist when it played. The song was called “Nectarines” by MELVV featuring Royal & The Serpent. Then it hit me. It’s only been a few months since I found another song I like about citrus fruit! Before “Nectarines” it was “Tangerine” by Glass Animals. In the summer, I found another guilty pleasure in listening to “Watermelon Sugar” by Harry Styles. That’s a ton of fruit music in a short period of time!

I decided to start doing some research. Although it’s not super common, there are plenty of songs written that have food titles. Most of the songs aren’t really about food though. They’re usually metaphors for one thing or another, but even so, there are a solid amount of songs with food titles out there. “Chocolate” by the 1975, “Banana Pancakes” by Jack Johnson, “Cherry Pie” by Warrant, and “Flaming Hot Cheetos” by Clairo are just a few of the food songs I thought of. I’m sure you know a few others. As I researched, I realized that there was also plenty of drink songs. There might be even more than there are for food. Some that I found and thought of are “Soco Amaretto Lime” by Brand New, “Beer” by Reel Big Fish, “Cola” and one of my personal faves “Diet Mountain Dew” by Lana Del Rey, “Poprocks and Coke” by Green Day which is kind of a food and drink song, “Strawberry Wine” by The Chicks, and then some of the most notable ones like “Gin and Juice” by Snoop Dog, “Tequila” by The Champs, and “Escape (The Piña Colada Song)” by Rupert Holmes (I counted it because it is in the parentheses and I mean come on!). I’m sure you could think of more as well, especially if you like country music (booze songs for days!).

When I started doing research on food songs, I was specifically searching for fruit songs though. I mean after two citrus bangers within months of each other, there had to be more right? Of course! I mentioned “Watermelon Sugar” earlier, which wasn’t Harry Styles’ first fruit song. “Kiwi” was on his debut album. “Peaches” by The Presidents of the United States of America was a hit too. “Raspberry” is a deep-cut by Grouplove. Besides drink songs, Lana Del Rey also has her own fruit track called “Cherry” and then Bay Ledges, whose song “Safe” was one of my top songs of 2018, has a song called “Mango”. There are other fruit songs out there too. It was just surprising to me that there have been so many that I’ve liked in a short period of time.

For now, instead of trying to find more fruit bangers, I’m just gonna keep jamming (fruit joke…get it?) to “Nectarines” and maybe soon enough there will be another fruit song I love. So here’s to all the fruit songs, the food songs, the drink songs, and even the songs that mention all of the above which is way more than I want to research. That shit would be bananas…B-A-N-A-N-A-S.

2020 Sucked But Here’s Some Music That Didn’t

In 2016, which everyone claimed was a terrible year, I started a personal music recap for the year as a way to find something good to talk about. I kept it up because 2017 was an absolutely amazing year for music and then just kept going with it. 2016 was nothing compared to this year though. To be honest I had a pretty good 2016, but like most people, I didn’t have a great 2020. I’m usually a pretty positive person and try to look for good things when bad shit happens, but this time around there wasn’t a lot of good. Barely any actually. The bad far outweighed it. Where I found my hopefulness though is that someday it will get better. If I made it through high school and my emo years, I knew I’d be able to get through this emo year. Thankfully, even in the absence of live music and the career path I started for myself in 2016, artists still released albums. Some albums were delayed, but eventually got released. Some albums were even unplanned such as Taylor Swift’s folklore and evermore. Music discovery was one thing that wasn’t cancelled this year and for that I am grateful. So here you go, my top music faves from 2020:

“Heat Waves”, Dreamland -Glass Animals

I usually only pick a song, album, or artist to focus on for each of these, but this one was tough to distinguish. In 2020, there are no rules though. Glass animals released their latest album Dreamland back in August but a month earlier dropped the song “Heat Waves”. I fell absolutely in love with song immediately. I knew a few days after I first listened to it that it was the song of the year for me. I couldn’t stop listening to it for weeks even after the album was released. It was my most played on Spotify as well. The album was also my favorite of the year. It featured other great bangers like “Tangerine” and “Your Love (Déjà Vu)” and several other great ones as well. The album was an ode to childhood in the 90’s, but still captured the smooth yet trippy, groove style of indie music that Glass Animals is so well known for. I feel like it’s highly underrated and most definitely my favorite album of 2020.

Women in Music Part III -HAIM

Before Dreamland was released, if you asked me, I would have told you that Women in Music Part III or WIMPIII for short was going to be my favorite album of the year. I knew earlier on from the single releases in the spring that the Haim sisters were about to release a hit of an album. I’m not the only one that took notice either. The album was recently nominated for album of the year by the Grammys and their song “The Steps” was nominated for Best Rock Performance, a category dominated by women this year. I bought the album in July and was able to secure a signed album poster! I still have yet to hang it up, but I have plans to make it happen soon. Much like Dreamland, this album is top to bottom filled with great songs. My favorite is “Don’t Wanna”, but that’s followed by “I’ve Been Down”, “Gasoline”, “I Know Alone”, and “The Steps”. I could honestly go on with the songs too. Like I said, top to bottom, it’s fire. HAIM’s third full-length is really something special and my other top fave from this past year.

Daft Punk

Daft Punk has been around since the 90’s. I’ve known about them since the Random Access Memories era, but I didn’t quite realize that I knew them way longer than that until I watched the Coachella Documentary this past spring. There was such a focus on Daft Punk’s iconic 2006 set that I began really going through their discography. I wrote a blog post about them and how even without a physical Coachella this year, Coachella still helped me discover some new artists. They were one of my top artists of the year. I even bought Discovery on vinyl back in April. The song “One More Time” was in my top 5 most played songs of the year and I’m now one of those people who want them to headline Coachella. I’m definitely late to the game on this robotic electronic duo, but it’s better late than never.

Notes on a Conditional Form -The 1975

The 1975 dropped their latest album in the spring with plenty of track releases in the lead up to the full album that began in 2019. It was an album I highly anticipated during the spring lockdown. In fact during those weeks, I was living for new music Fridays. I claimed back in my blog post review of the album that it might be one of their best works yet. However, I’m not sure if anything will able to top their debut self-titled, but I definitely believe Notes On A Conditional Form is one of the best of the year. I spent weeks listening to the full album. I love “If You’re Too Shy (Let Me Know)” and “Jesus Christ 2005 God Bless America” which features Phoebe Bridgers, who had a big year herself. “People”, “Frail State of Mind”, “Me & You Together Song”, and “Tonight (I Wish I Was Your Boy)” are all great too. This album came at the perfect time and I’m incredibly grateful for it and all the new music that helped me through this crazy year.

“POWER” -Kanye West

“POWER” by Kanye West is not a new song. It actually came out 10 years ago. I never even knew it back then. It first came into my life with the Power Rangers reboot movie in 2017. Then last year during Sunday Service at Coachella it also popped back in. Then yet again this past spring in the Coachella Doc it also made an appearance. It was this time though that I finally got hooked. It was another staple song of my spring time work out playlist and even a go-to I would listen to at other random moments. The intro and subsequent background music for the song which was taken from the song “Afromerica” by Continent Number 6 is just so damn catchy too. It was another better late than never situation, but it worked out fine. There were plenty of songs that got me through the spring but this one is definitely a stand out.

“New Daze” -Bay Ledges

In the summer Bay Ledges released a 6 song EP titled New Daze. The EP included a song of the same name that I really connected with. It’s my favorite new song of theirs since I heard “Safe” in 2018. The song exemplifies their chill indie vibe sound, but has that same uplifting feel that “Safe” also contains. The lyrics themselves do too. It gives such a hopeful perspective for this trash year and I really love the song for that reason as well.

“Giants” -Dermot Kennedy

Dermot Kennedy was huge for me in 2019. His show was actually the last concert I was able to attend before the music industry shut down on March 12th. After such a big year with his first album in October, I wouldn’t have expected any new releases in 2020, but in June he dropped the new track “Giants”. It’s another powerful upbeat track similar to “Power Over Me” and “Outnumbered”. He recently released a “Complete Edition” version of his debut album which contains “Giants” among other collabs, a cover, another new song, and alternate versions of old songs. “Giants” was just the new track I needed for my summer work out playlist to even further my love for Dermot Kennedy. I even enjoyed the Sam Feldt remix of the track and got a double dose of the track by including that version in my fall work out playlist. It’s quite a banger and one of my favorites of the year.

“Bodies” -The Knocks ft. MUNA

Obviously the spring and summer were filled with plenty of new tunes and discoveries of old for me this year, but I found this gem by The Knocks featuring MUNA in the fall. The song was recommended to me by Spotify after my playlist finished one night and I thought it was great. After I added the song, I couldn’t get enough of it when it played during my nightly work outs. “Bodies” was released in the summer, but it didn’t come into my life until early November. For almost the last two months, I’ve been obsessed with this song. It’s a late comer to this list of my favorites for 2020, but it deserves to be here. It’s a keeper.

“Believer” -LUDVIC, Mathoma

Spring was such a time of music discovery for me thanks to the Coachella Documentary and my weekends of “Couchella”. In that time I also discovered the song “Believer” by LUDVIC and Mathoma thanks to checking out my friends’ Spotify playlists. I love being a creep on Spotify but it’s truly a great way to discover new music and find out what your friends are listening to. Although this jam wasn’t directly because of Coachella, it came to me around that time and joined my spring playlist in the midst of some great tunes. This was one song I couldn’t get enough of though. I would frequently replay it or listen to it when I wasn’t working out thus earning this trop house style track a spot on this list of my faves from 2020.

Golden Hour -Kygo

After seeing Kygo perform at Coachella in 2018, I became a huge fan. I’ve always been partial towards the trop house style of electronic music, but that 2018 performance really set in my affinity for the Norwegian DJ. Golden Hour was another album I was anticipating in the spring with new track releases every few weeks. Kygo’s third album dropped at the end of May and I already had some favorites from the new record. “Freedom”, “Lose Somebody”, and “Higher Love” caught on quick for me. I also love “Like It Is”, “I’ll Wait”, and “How Would I Know.”

Kygo decided to do a virtual live stream festival from his home in Norway to promote the new album and support LiveNation’s Crew Nation Fund among several other relief funds. As we know, streaming shows became a thing this year. I think they’re trash. They will never compare with going to a concert or festival, but in the mean time, they’re something to watch. I watched two streams in the spring and this was one of them. The thing that kept me around was the beauty of Norway. Kygo’s set was shot partially with a drone that exhibited the entire landscape of his community. People were out on the lake watching his set from boats. It was so cool. Who would have thought this music which usually sets the vibe at in the desert of southern California so perfectly would create an insane vibe in a different setting like Bergen, Norway. It was great and it gave me another chance to hear this solid new record.

Honorable Mentions:

The New Abnormal -The Strokes (the first Strokes album since 2013, full of indie rock goodness)

girl in red (the indie version of Hayley “Lesbian Jesus” Kiyoko)

“Good” -TWIN XL (indie pop summer jam)

“Palm Springs” -Luna Shadows (pure Palm Springs vibe and I bet you can’t get it out of your head)

“Anywhere” -Dillon Francis ft. Will Heard (Thanks to a re-watch of his 2019 Coachella set it became a spring fave of mine)

I typically end these posts filled with excitement knowing I’ll be anticipating the Coachella lineup to drop within days, but this time around that excitement for my favorite festival is non-existant. Instead, I’ll be looking for another postponement to the Indio festival that was only a month away before corona dragged it and the rest of live music down. The good thing is that there’s finally a light on at the end of this tunnel. The vaccines are probably the hottest records to drop this year with a few more slated for early 2021. We’re all hoping that these creations will help get us back to the things (concerts and festivals) and people we love the most at some point next year. So I’m definitely urging you to give them a chance, because the faster you do the faster we can move forward away from this crazy upside down world we’ve been living in since March.

Besides hopefully a fresh start for the live music and events industry, 2021 should be filled with some highly anticipated new music. In May 2019, Adele hinted at a new record that was to come out in 2020. I’m not sure if this year put a damper on production, but it has yet to be released. A brief stint on SNL in October gave us some hope for new music but Adele quickly squashed those hopes in her opening monologue and shifted gears towards 2021. So as the saying goes, “rumor has it” that we’ll have some new Adele music next year after over 5 years since 25.

Lorde has also hinted at the release of new music. It will be 4 years ago in June that Lorde released her Grammy nominated sophomore album Melodrama. So this third full-length will be a highly anticipated record in 2021.

As I mentioned girl in red in my honorable mentions, her debut album should be dropping next year as well. The first single from it, “Rue”, was released in late August and I’m sure there will be more songs coming in anticipation of the release. After the big year girl in red had, thanks in large part to Tik Tok, I’m sure this debut will help grow her fan base even more.

Lana Del Rey, who just never stops making music, has an album due out for 2021 as well with Chemtrails over the Country Club. We should be seeing new music from Bleachers, St. Vincent, Spoon, Weezer, and Greta Van Fleet in the new year too.

Although it has been over 3 years now that my favorite band, Foster the People, released an album, they released an EP called In the Darkest of Nights, Let the Birds Sing on December 11th. They’ve dropped plenty of new music since their last record Sacred Hearts Club (2017) too. Hopefully touring returns at some point next year and I’ll have the chance to see Mark and the boys again soon. I miss them. I actually said the same thing at the end of last year too, but now I miss them even more.

It’s also been awhile since LCD Soundsystem has put out music so I hope to hear from them next year as well as Florence & The Machine whose last album came out in 2018. As for the next few months though, instead of going to Mexico and anticipating Coachella, I’ll be trying to ski as much as I can and keep my eyes and ears peeled for a return to the work I love so much. If all goes well, the new roaring 20’s might be in full swing by the fall. Stay tuned for that.

Although music was partially shut out this year, at least we have the technology to release, find, and hear new songs, EPs, and albums. I’m not going to try to tell you that music saved this year like it did in 2016. This year could never be saved and that’s okay. The good news is that we made it so here’s to shutting the door on a wild, lameass year and opening the next door for a better one. Onward and upwards!

girl in red

It seems like monthly posts have become my thing this year so I couldn’t let November end without something new to talk about. Back in September, I discovered a new artist that I really like. Thanks to watching Tik Tok compilations on Youtube, I heard her song “i wanna be your girlfriend” endless amounts of times and it got stuck in my head. I looked up the song and learned it was by an artist called girl in red. I heard of girl in red a few months beforehand and finally had that “OH! Okay, so that’s who that is!” moment.

girl in red, also known as Marie Ulven Ringheim, is a Norwegian indie pop singer-songwriter who releases her music straight from the comfort of her bedroom. While growing up, her grandfather gave her a guitar on Christmas. She credits him with getting her into music because of it. Her stage name, girl in red, came from describing herself while in a crowd to a friend via text message. She began releasing music to Soundcloud under the name in 2016. Her debut single was “i wanna be your girlfriend”.

girl in red released her first EP, Chapter 1, in 2018. It also included her new singles “summer depression” and “girls”. She began touring in 2018 as well, opening for Clairo during her Dublin and Paris shows. Then she opened for Conan Gray in early 2019 which was her first North American tour. She released her second EP, Chapter 2, in 2019. In late 2019, Ulven went on her first headlining tour which included dates in Europe and America. Her debut album World in Red was slated for an October 2020 arrival, but is still yet to be released. The first single from the album, “rue”, was released in late August.

When I first listened to girl in red, I called her the indie version of Hayley Kiyoko and I still stand by it. Ulven is openly gay and the subject matter of her music is representative of that much like Kiyoko’s. girl in red’s music is just way more indie/indie pop. It has also been described as bedroom pop.

Since discovering girl in red, I’ve been listening to her music here and there, even adding a song or two to my always go-to work out playlist. I really got into the song “bad idea!” and her cover of Maggie Rogers’ “Say It” during the past month and a half. I’m anticipating the release of girl in red’s debut album as I’m sure most of her fans are. It’ll be here before we know it too. Once touring resumes, I’m sure we’ll see girl in red out on the road especially with the fame she’s gained over the last year. She recently dropped the Christmas single “two queens in a king sized bed”. So this holiday season, check out that new single and while you’re at it check out all that girl in red has to offer. If you’re an indie fan, it won’t disappoint.

Shore: Album Review

There’s something about fall that makes me want to listen to indie music. Maybe it’s the way that nature boasts its most colorful season in the Northeast. Maybe it’s the cool crisp air that’s much welcomed after a hot summer. Maybe it’s the flannel, beanies, sweaters, and boots that bring out the hipster in all of us. Maybe it’s simply all those long drives across the state in mid-October I used to take while listening to Matt Pond PA, The Smiths, Good Old War, Bon Iver and other indie acts. It’s probably a combo of all these things, but for the last 10 years or so fall has felt like indie music season, which is why when Fleet Foxes released their most recent full length Shore on the fall solstice, I knew I had to give it a listen. What surprised me is just how into it I was.

I’ve always been a casual fan of Fleet Foxes. Despite their indie folk style that fits my ideal fall tunes, I usually associate them with winter. Cue “White Winter Hymnal”. Shore is the perfect end of summer fall album to change my mind though. In fact I’m ready to listen to it on a long drive while admiring some foliage.

Shore is Fleet Foxes fourth full length album. It was recorded over the last year including in the midst of the pandemic. Actually, the frontman Robin Pecknold recorded the album himself without the other members of the band. So yes, it does feature other collaborators. I don’t think their sound has changed much throughout their four albums, but who knows, maybe I’m just bad at distinguishing indie folk music. Still, I feel the same vibes from Shore as I do from Helplessness Blues and their debut self-titled. If anything this album feels more bright. “Can I Believe You” is an early front runner for my favorite song on the album so far. It has an uplifting feel to it and is also pretty catchy. Plenty of other songs fit that mood as well though creating that brightness you get from this album.

It’s really unfortunate that tours and festivals have ceased for the time being because this album deserves a tour in its support. I’m sure we’ll get there though. While touring in support of their last album, Crack-Up, they played Coachella in 2018 and I wrote this about them. I did get to see part of their set that year and it was the perfect night time indie Coachella set. Can’t wait til I can say the same again. In the mean time, take in the beauty of fall if you live in an area where it can be appreciated while wearing your beanie and checkered flannel and give this album a listen. Tell me it’s not perfect for the setting.

Women in Music Pt. III: Album Review

I’ve been patiently waiting for Haim’s third album, Women in Music Pt. III to drop. Some of the bright spots of this year have been the release of new music so I’ve been looking forward to this brand new album by one of my favorite bands. The album was slated for release on April 24th, but due to the current world wide crisis was pushed back for a late summer release. Then it was bumped up to a June 26th release date. June 26th was Friday, which means the album is finally out!

Haim has been releasing new music for almost a year now with “Summer Girl” dropping at the end of last July. Several other singles have also dropped in the lead up to the album release. Before live music ceased in March, Haim was in the midst of a Deli tour that honored their Jewish roots. The band was playing small shows at famous delis in a few locations around the country in honor of their first show ever being at Canter’s Deli in L.A. in 2000. The band played two of those scheduled dates before the country began to shut down. In honor of the album’s release though, the band did a live stream on Friday from Canter’s.

The biggest difference between Women in Music Pt. III and Haim’s first two albums is that this one hits deeper. The song topics get personal and more sad than their earlier works. Many songs on the album sound like the total opposite of that though. I’ve heard them described as “sad bangers”. A few tracks also add hints of jazz and Caribbean/tropical vibes to Haim’s west coast style pop/soft rock. Overall the album offers versatility in sound and lyrics compared to Days Are Gone and Something to Tell You. It’s got the Haim we’ve always loved (my favorite song “Don’t Wanna”) plus the Haim that is growing and pushing their style more (“Los Angeles”).

When live music is finally a thing again, expect plenty of tour dates and festival dates from these three sisters. I would even expect them to join the lineup for Taylor Swift’s festival next summer. Until then, bask in the greatness of this new music we were given in the strangest of times. It’s a great soundtrack for the summer and one you should take in before you can see them perform again. For me, new music is one of the only things that has felt the way it’s supposed to feel and I owe Haim and whoever else is releasing new music this year for this piece of comfort in a very uncomfortable year.

Notes On A Conditional Form: Album Review

In a time where there’s not much in the immediate future to look forward to, we thankfully still have music. New albums and songs are still being released. Some releases may have been delayed, but they’re still happening this year. For an industry that’s been crushed by this world wide crisis, it offers a glimmer of hope and an abundance of jams.

Today, The 1975 dropped their highly anticipated fourth album, Notes On A Conditional Form. The album release was twice delayed already this year, but every few weeks a new single from the album was released in the lead up to this weekend’s official release. To me, this feels like The 1975’s most ambitious album to date. Stylistically, it crosses genres, yet still maintains the indie/synth pop sound well associated with The 1975.

An inkling of this genre breach happened when the band dropped one of the new album’s first songs, “People.” The track sounds more like a punk rock/hardcore anthem than anything you’ve ever heard from The 1975 in the past. I remember being pleasantly surprised with the vibe of the new song as someone who grew up listening to punk and hardcore music, but I still questioned where the band was going with it. As more songs were released, I was assured that their new album would be full of stylistic surprises.

In early April, The 1975 released the song “Jesus Christ 2005 God Bless America,” which features indie folk rock artist, Phoebe Bridgers, who was supposed to join the band on their 2020 tour until it was inevitably postponed. The song is a testament to Bridgers’ folk rock style. The only thing that gives it away is Matty Healy’s vocals, but even Healy’s sound succumbs to the song style. “Playing on My Mind” also has that indie folk feel.

“Roadkill,” which wasn’t released prior to the full album, sounds like it could’ve come off a Sam Hunt record. It’s got an unmistakable country twang. Despite the country vibe, it still feels like a 1975 indie pop song. I kind of love it. There’s also a few interlude tracks on the record that bridge into another genre as well. These songs take the standard synth pop sound of the band into a more electronic sound. “Shiny Collarbone” and about halfway through “Having No Head” are those dance tracks.

The album is full of songs that sound like what you would expect from The 1975 too. There’s several bangers like “Me & You Together Song”, “If You’re Too Shy (Let Me Know)”, and “Frail State of Mind” and smooth rock ballads like “Guys”, “The Birthday Party”, “Don’t Worry”, and “Nothing Revealed/Everything Denied.” It’s honestly such a great mix of music.

Like I said, this album feels different than what we’re used to from The 1975, but it blends genres remarkably well and still gives us the sound that we’re looking for. It may have taken me an album to actually get into The 1975 (I really got into them after “The Sound” from I like it when you sleep…), but I’ve been a fan ever since. I’ve always really been into their hits. “The Sound” (obviously), “Sex”, “Heart Out”, “Chocolate”, and “It’s Not Living (If It’s Not With You)” are a few of my favorites. This new album feels different in a good way though and even the songs I don’t typically fall for, I love. I think if you’re an indie music fan or a music fan in general, you can find something on this record that you’ll like. It’s got something for everyone. But really, you might just love it all, it’s that good. So give it a shot. If you don’t find it appealing, my solution is that maybe you would like it better if you took off your clothes. (Of course, that one is my favorite!)

Sad Philly Boy Music/Coachella Band Preview?

It’s been a while since I last blogged. It almost feels like I actually did go to Coachella since this is what usually happens. I write Coachella blogs until I leave for Coachella then stop until I return from being out in the desert for a few weeks. At this point I should have no excuse for not writing. I’m home. The problem was I couldn’t figure out what to write about. There’s a few upcoming albums I plan to review, but until then I haven’t really discovered anything new I like, until Saturday.

I’ve been talking to my friend Kelsey for most of quarantine. We’re quarantine buddies for sure and we’ve agreed that it feels a lot like being in high school since we’re both with our families. Kick in the nostalgia. We often talk about bands we grew up listening to like Brand New and Taking Back Sunday. We were both emo/punk/alternative kids. Lately though, quarantine has brought in some deep cut local bands and musicians that were a part of our teen scenes. I started talking about Title Fight and how my friends and I watched them play small venues in our area as they grew bigger in their scene. She sent me a picture of her and her prom date Alex and then told me how he’s now in a band that sells out large venues. That’s when I first heard of (Sandy) Alex G.

According to Kelsey, (Sandy) Alex G, aka her high school friend Alex Giannascoli, really started when he was in high school. He was in a pop punk band called The Skin Cells with several of their other friends. Kelsey even sent me one of their songs Saturday night. It was great. She said Alex was super dedicated to music and would record his own stuff in his room, put it on CD, and personally decorate the CD. She said it felt like he did this at least once a month. He was good too. She always thought he would be famous one day and she wasn’t lying. He’s now an indie recording artist.

He began self-releasing music on Bandcamp between 2010-2012. His music spread by word of mouth and music blogs and eventually lead to his signing with Orchid Tapes who he released his debut album DSU under in 2014. At that time he was just Alex G. In 2015 he signed with Domino Recording Company and began releasing records under that label. He released three albums with Domino in 2015, Rules, Trick, and Beach Music.

In 2017, Alex G announced that he would be changing his name from Alex G to (Sandy) Alex G shortly before the release of his album Rocket. The album ranked on many indie publications’ lists as being in the Top 50 of the year. In September, Alex released his latest album House of Sugar, which again received similar accolades

(Sandy) Alex G is a typical indie artist. His music also bridges into that post-punk/pop-punk/alternative scene that bands like Turnover and Tigers Jaw are a part of. He’s also from suburban Philly. Based on his style, he probably attracts a large following of “sad Philly boy” fans, which is a term I’ve heard referring to the new indie scene of young urban outfitter wearing 20-somethings that originated in Philly. Regardless of what your style is, if you’re an indie music fan, you’d dig what (Sandy) Alex G has been putting out.

Normally, at this point of the year Coachella would already have passed and we would be looking forward to next year. Unfortunately at this point, 2020 hasn’t happened and no one’s really sure if it will. That being said who knows what happens to the 2020 lineup? If it happens this year, will the same artists be playing? If it doesn’t, do they play next year? I’m sure Goldenvoice has already started booking a 2021 lineup that looks much different than this year, but I bet if Coachella 2020 doesn’t happen in the fall there may be some smaller acts booked for the following spring. The reason I’m even talking about this is because (Sandy) Alex G was supposed to be on the lineup this year! He was slated to play Sunday. Even though everything is very TBD right now, I’m hoping he still plays in October and if not, I’m hoping he’s on the 2021 lineup. I’d love to see him out on the polo fields and I now have plenty of time to listen to his music. So big shoutout to Kelsey for the introduction and big shoutout to Alex for putting out this great music since high school.

 

 

 

Coachella 2020 Lineup Review

The countdown to Coachella 2020 is officially here! After spending yesterday feeling like the lineup wasn’t going to come, the Coachella twitter came alive around 8:30 p.m. EST. Then, I knew it was coming. They started tweeting out artists playing the festival by retweeting tweets from years ago from the artists playing the festival or from casual twitter followers mentioning artists playing the festival and adding their own comments. Then around 10:05 p.m. EST, the lineup dropped.

After 2014, I used to hope mercilessly for a similar great lineup every year. When finally after 2018’s lineup disappointment, I stopped expecting great indie rock lineups. I feel like this year’s mix of music has hardly any indie rock/indie pop. It’s really disheartening. I looked at the 2011-2014 lineups last night in reverse order. It was incredible. When I looked at 2011 I was incredibly shocked at how much these festival lineups have changed over the last 10 years. 2011 was the year I was introduced to Coachella because Foster the People (who I was introduced to around the same time) was on the bill. I feel less disappointed than I did in 2018 because I know I’ll still have a great time at the festival and there are a few artists who I’m very excited to see play Coachella.

First and foremost though, the Coachella 2020 lineup as follows:

The Headliners: Rage Against the Machine, Travis Scott, Frank Ocean

As typical, over the past few weeks these were the three names rumored to be headlining the festival. I knew about Travis Scott for almost a year due to some inside industry sources. I was hoping there might be another Tame Impala-esque headliner but not the case this year. Out of these three, I’m most excited for 90’s rock band, Rage Against the Machine. They played the first ever Coachella in 1999! I know a few of their songs, as most people do. Plus, I’m not sure if there’s any other way I’d ever see them. I’ll definitely be re-listening to their stuff in preparation for their Friday night set. Travis Scott has been headlining festivals over the past few years so Coachella was one of the next steps. It’s not his first time in Indio either after he played the festival in 2017. He’s even hosted his own ASTROWORLD festival the past 2 years in Houston, Texas. Frank Ocean hasn’t played Coachella in 8 years. This time he makes his return as a headliner. He doesn’t tour either, which makes his festival appearances all the more special. He headlined Panorama back in 2017 when I worked it. I never got into him but I heard him play there, which is apparently more rare than I realized. Frank Ocean’s R&B/hip-hop style isn’t my cup of tea, but he’s got a large following of fans that are stoked to see him headline Coachella.

The Other Highly Billed Performers: Calvin Harris, Run the Jewels, Rex Orange County, Megan Thee Stallion, BIGBANG, Flume, Thom Yorke (Tomorrow’s Modern Boxes), Disclosure, 21 Savage, Danny Elfman, DaBaby, Summer Walker, Lana Del Rey, Lil Uzi Vert, Daniel Caesar, FKA Twigs, Marina, Louis the Child, Ari Lennox, BROCKHAMPTON, Big Sean, King Gizzard and the Lizard Wizards, City Girls, Lewis Capaldi, Madeon, Charli XCX, Lane 8, GRiZ, Anitta, Caribou, Joji, Testpilot, Swae Lee, Black Coffee, Cuco, Jai Wolf, Roddy Ricch, Yaeji, Koffee, Tchami, Dixon, Fatboy Slim, Banda MS, Lil Nas X, Mura Masa, Duck Sauce, Jessie Reyez, SLANDER, Denzel Curry, J.I.D.

The two artists I’m most excited for this year are in this mix. Both could have easily headlined this festival and both were the first name under the headliner on their respective days.

Lana Del Rey, one of my favorite artists, will be back this year for the first time since 2014. After dropping one of her best albums this past year (Norman Fucking Rockwell!) thanks to the help of famed songwriter/producer Jack Antonoff, Lana deserves to be back at Coachella. Hopefully my dream of hearing Lana play “Coachella – Woodstock On My Mind” at Coachella will come true!

Flume, the first electronic artist I could ever say I liked, is also playing. Flume has really exploded over the last 5 years. He’s played Coachella before but this year he’s back in his biggest spot yet and with new music. Last year he dropped his mixtape Hi I’m Flume and the hit electronic single “Rushing Back” with Vera Blue. Who knows if he’ll release any more new music in the lead up to Coachella, but it’s safe to say Flume is back this year after a few shows and festival stints in 2019.

I’m also pretty excited for electronic DJ Jai Wolf. I was able to watch some of his Made in America set in 2018, but I’ve never seen him other than that. I’ve been into his music for the past few years as well. His cred has really gone up in the last few years too earning him a second line spot on the Coachella lineup.

Three years ago, composer Hans Zimmer played Coachella with a full orchestra coming in to support his set of movie magic. I’m expecting a similar performance from composer Danny Elfman. I’m also expecting to hear the entirety of A Nightmare Before Christmas. I feel like sets like this are so unique that you should try to catch them because it’s doubtful you may ever get another chance to witness something like it.

90’s EDM artist Fatboy Slim is also a part of this year’s lineup. It’s not his first time soaking up the Coachella vibes either. His set should be filled with classic dance jams and should also be a ton of fun. I’m definitely gonna try to catch it if I can.

Former Coachella headliner Calvin Harris is also included in this mix. He last played the year I attended in 2015. I remember hearing a lot about Calvin Harris in the early 2010’s but I feel like his hype has since dropped. His biggest hit since he last performed has to be 2018’s “One Kiss” with Dua Lipa and 2016’s “This Is What You Came For” with Rihanna. A lot of people are already hoping he brings out Rihanna as a guest.

Some other big names from this list are hip hop duo Run the Jewels, rising rap star Megan Thee Stallion, Radiohead frontman Thom Yorke, electronic duo Disclosure, rising pop star Lewis Capaldi, rapper Denzel Curry, and one of 2019’s most famed newcomers Lil Nas X. The biggest shocker of this year’s lineup was the exclusion of My Chemical Romance who was rumored to be playing the festival for weeks especially after their reunion show at Goldenvoice venue the Shrine Auditorium and Expo Hall in Los Angeles. Many people, myself included, anticipated Coachella as being the second return of the band. Maybe MCR will be a part of the festival though? They could always come on as a guest of an artist.

The Rest: Chicano Batman, Omar Apollo, Kim Petras, IDLES, Daphni, The Martinez Brothers, Pink Sweat$, Peggy Gou, Hatsune Miku, TNGHT, Rich Brian, Damian Lazarus, Princess Nokia, slowthai, YBN Cordae, TOKiMONSTA, The Chats, NIKI, Malaa, PUP, The HU, The Regrettes, Friendly Fires, Sleaford Mods, Erick Morillo, Cashmere Cat, Beach Bunny, Tiga, Amyl & The Sniffers, Amber Mark, Code Orange, L’Impératrice, Kyle Watson, VNSSA, Lost Kings, Jayda G, Giselle Woo & the Night Owls, Melé, ela minus, Kynda Black, Hot Chip, Carly Rae Jepson, DJ Koze, Floating Points, Freddie Gibbs & Madlib, BADBADNOTGOOD, Pabllo Vittar, MIKA, ANNA, Snail Mail, Kruder & Dorfmeister, Steve Lacy, Weyes Blood, Masego, Orville Peck, Chelsea Cutler, Seun Kuti & Egypt 80, Matoma, 100 gecs, black midi, Nilüfer Yanya, Chris Liebing, Raveena, Sasha Sloan, beabadoobee, Ezra Collective, Inner Wave, Emo Nite, girl in red, Aya Nakamura, Sama’, Beach Goons, Fontaines D.C., The Murder Capital, Paco Osuna, Mannequin Pussy, The Comet is Coming, Whipped Cream, Anna Calvi, GG Magree, Ellen Allien, ONYVAA, DJ Lord, Sara Landry, Ленинград, Epik High, Duke Dumont, Lauren Daigle, Conan Gray, Bedouin, Bishop Briggs, (Sandy) Alex G, Big Wild, Alec Benjamin, Noname, YUNGBLUD, Dave, SebastiAn, Kyary Pamyu Pamyu, Emotional Oranges, Channel Tres, Crumb, Doja Cat, Ed Maverick, Ali Gatie, Hayden James, Skegss, Monolink, Dom Dolla, Satori, Black Pumas, Sampa the Great, Altın Gün, Luttrell, Nathy Peluso, Olivia O’Brien, Mariah the Scientist, Viagra Boys, Cariño, Adam Port, Guy Laliberté, Detlef, Sahar Z, also featuring 88rising’s Double Happiness

As per the usual, there’s several great artists in this mix of the names in tiny font on the lineup. The one that stands out the most for me is Bishop Briggs. I fell in love with Bishop Briggs music in late 2017. I felt like I missed out on her all summer as she played the festival circuit. Since then I’ve been able to catch her performances the last two summers, at Electric Forest in 2018 and at Bonnaroo last summer. I’m extremely excited to see her perform at Coachella though. She’s fantastic and always brings so much energy to her sets.

Hayden James is another artist I’m super stoked for. His song “Numb” was my most listened to song in 2018 and I saw his Electric Forest sets that summer as well. He released his debut album over the past year and his only Coachella performance happened at the Do Lab so this is definitely progress for him.

A few other great ones from this list are Lost Kings, Matoma, and Hot Chip. I’ve wanted to get into Hot Chip for years since their style is a lot like LCD Soundsystem. I just always forget about them because they’re not really on the scene much anymore. Them being on the Coachella lineup is going to push me to listen to them a lot in the next few months so I can be ready for their Coachella set. Matoma’s “Old Thing Back” remix was one of the first electronic songs I liked. I actually listened to it on my drive to Indio on the way to my first Coachella in 2015. I’ve never seen him perform either so I’ll really be looking forward to hearing Matoma’s Saturday set. One of Lost Kings first songs, “You”, was one of my favorite songs in 2016. I’ve listen to a few of their songs here and there since then too so I’m super stoked they’ll be a part of Coachella this year. Depending on their set time, I may not be able to see any of their set, but it’s still pretty cool that they’ll be performing.

Some other artists I’m hoping to get into in preparation for this year are electronic/pop singer Chelsea Cutler, punk band Mannequin Pussy, and alternative/pop-punk/scene artist YUNGBLUD. Also Carley Rae Jepson of “Call Me Maybe” fame will be playing this year so that might be a fun set to see. I’ve also heard great things about Emotional Oranges  and Sasha Sloan who has sang on Odesza and Kygo tracks that I’ve liked.

One of the most unusual/wonderful names on this part of the lineup is Emo Nite. Emo Nite LA is playing Coachella. How is that even a thing?! Emo Nite isn’t a band, artist, or DJ. It’s just an emo music party. I’m probably wrong about this but I feel like when the My Chemical Romance rumors started, Paul booked Emo Nite to try to make up for it! HA! It seems like great reasoning but I’m sure they were booked for a while. Maybe Emo Nite is just code for My Chemical Romance and the band will suddenly appear. I’m still pretty stoked about it and am definitely gonna try to go to Emo Nite.

So that’s it. Coachella 2020 is finally on the horizon and we have 3 months of prep to do. I feel like I have a ton to do and plenty of bands and artists to learn more about. As the years progress, I feel like Coachella is getting further and further away from the music I love and what the festival used to be. The atmosphere is still the best there is though. I also still have hope that one of these years the lineup is going to shock me. It might not be this year, but that just means I’m probably going to find a love in a lot of these acts just as I did last year with Maggie Rogers, Lizzo, and Dermot Kennedy.

You can look forward to band previews each week. I’m going to be working in Mexico again this year over the next two months but Coachella previews will be coming regardless. It’s always been my favorite thing to blog about from January to April and I won’t let anything stop it. So now it’s time to start listening. I already have. It’s Coachella SZN Baby! Let’s get this desert party started!

 

Best of Music in 2019

Here it is…the final post of 2019. These are some of my favorite songs, artists, and albums of the past year. I chose whatever one meant the most to be featured on this list. I picked 10 plus a few honorable mentions, half of which are two of my favorite guilty pleasures of this year. The list goes as follows:

“Back in My Body” -Maggie Rogers

I wrote last week about how Maggie’s debut album was one of the best of the decade. It is straight fire don’t get me wrong, but this song in particular meant the most to me this year. Last winter into spring, I listened to Maggie Rogers in preparation for Coachella. I bought the album on vinyl and listened to it through a couple times. I remember liking several songs on the record and this was included. It wasn’t until I was actually out at Coachella that I fell in love with this jam. Sometime during Weekend One I was driving around listening to Maggie and this song just hit me. I remember thinking, “Wow this is a great song!” and then I played it on repeat while I drove around Indio for the next two weeks.

I saw Maggie Rogers perform during Weekend 2 and recorded part of the song. It was my song of Coachella 2019. I don’t think anyone I worked with really knew about it, nor did I listen to it with anyone. It was just for me. It was the song I listened to driving to and from site by myself or to and from the Renaissance Hotel or to Zach’s house or on any errands I ran. I listened to it the day I left Indio and for days and weeks after I got home. Coachella 2019 was special for so many reasons and this song will always remind me of the festival, my friends, and the great times I had in the desert this past spring.

“Pizza Guy” -Touch Sensitive

Coincidently this is another song that I discovered in Indio thanks to my buddy Noah. For weeks leading up to Coachella, we discussed having a huge BBQ at our house between weekends. I bought a ton of food, we invited everyone we talked to, and Noah made a banging playlist for the BBQ. We had the BBQ and definitely didn’t have as many people as we thought show up. I also don’t think we ended up listening to the playlist much at all.

The next day though Noah, our other friend Ashley, and I ventured around the Coachella Valley to check out the biennial Desert X art exhibit. We ended up using the BBQ playlist as a soundtrack to our day. I remember hearing this song for the first time as I drove Noah and Ashley from one location to another as they smoked weed and drank road sodas in the back of my rental (yeah we’re dingy..it’s fine). I also remember checking out the name and artist of the song cause I really dug the vibe. It’s a song that doesn’t have lyrics, but it was chill and perfect for our day or any BBQ. I continued to listen to it after that day and in the weeks and months that followed Coachella. Much like “Back in My Body” it also reminds me of being at Coachella, but it also just gives me some major Cali vibes and will also always be synonymous with the great time I had out west this past spring.

Lizzo

Little did I know that when Lizzo’s name was on the Coachella lineup when it dropped on January 2nd that she would have such a huge influence on my year. She also had a huge impact in the music world in general. 2019 was really the year of Lizzo.

At the beginning of the year I had just started to get into her song “Good As Hell”. I used to start my day each morning by asking my Echo Dot to play it. Then I added “Juice” to my work out playlist. I listened to a few songs more songs here and there in preparation for Coachella too, but nothing really stuck out like those two. I saw Lizzo perform both weekends of Coachella. Each set was slammed. After her Weekend 1 set, I took a liking to “Boys”. I was into that for a while. Then as we all know “Truth Hurts” blew up. Recently I’ve been listening to “Water Me”. I also just bought my mom the Super Deluxe version of her debut album Cuz I Love You for Christmas so I’m sure the Lizzo train will continue into 2020.

The point is Lizzo was every where, all year, at all different points of the year for me. I saw her perform again at ACL in October. If I thought her Coachella set was crowded, I had no idea what was coming. There had to be about 40,000 people there each weekend. It was incredible. The great thing about Lizzo is that it’s not just her music that’s great, it’s her whole vibe. She always gives 110% at each performance and promotes hard work and positivity and it’s great to have an artist making music representative of that.

Without Fear -Dermot Kennedy

Besides Maggie Rogers’ Heard It in A Past Life, Dermot Kennedy’s debut album Without Fear has been one of my favorite’s this year. It’s been in my car CD player since October and I’m still listening to it when I’m not listening to my “Most Recently Added Playlist” on my iPod. I was introduced to Dermot Kennedy at Coachella this past year and began listening to his music afterwards. When a co-worker and I began discussing him at work one day in the summer, we decided we should see him play in October when he came to Philly. She was able to get us comp tickets for it too.

I bought his album in anticipation of the show and I really can’t get enough of it. I think he’s incredibly talented and his songs are some of the best lyrically that I’ve heard in a while, which is rare these days. For someone who grew up listening to punk/emo/alternative music, lyrics were huge for me. Lately music has been more of the sound and feel than lyrics for me. Dermot Kennedy has both. In recent years, I don’t think I’ve loved a line in a song as much as I love “see I’m in love with how your soul’s a mix of chaos and art,” from “Outnumbered”. I’m so hyped on Dermot Kennedy that I’m trying to plan to see him again in February, so I guess he’s headed into 2020 with me as well.

Vampire Weekend

Vampire Weekend’s new album, Father of the Bride, was definitely the music that I was most excited for heading into this year. When they announced their tour dates, I was online the day of the pre-sale buying tickets for an early September Philly date. I was able to secure great seats too. I spent a lot of the year listening to Vampire Weekend in anticipation of that show, including their new record. It wasn’t one of my favorites, but there were a few songs that I really enjoyed like “Harmony Hall” and “This Life”.  Thankfully at the show, they played plenty of old and new music. I think my favorite part was when they played “Walcott” on request. It was a fun night and one I looked forward to since I saw them play at Lollapalooza last summer. You can ask Lil’ Jon cause he always tells the truth, but I’m so glad the Ivy League boys made a comeback this year.

Client Liaison

Almost exactly a year ago I was introduced to Client Liaison. I was playing Yam Slam at my same buddy Noah’s house with him and his friend Lou. He turned on some music to play in the background and the song “Feed the Rhythm” came on. I thought it was great so I asked him who it was and both him and Lou began telling me about Client Liaison. “Feed the Rhythm” was one of my go-to jams to start the year and so were plenty of other Client Liaison songs. I continued listening to them throughout the year though too. They dropped a few new singles over the past couple months like “The Real Thing”, “The Beat Supreme”, and “Champagne Affection”. One thing Noah explained to me when he told me about them was that they never tour in the United States (they’re from Australia). I’m hoping next year and a new album (with all these recent singles it seems like it could be possible?!) changes that.

“Heart” -Rainbow Kitten Surprise

When I got back from my first trip to work festivals in Mexico I worked VIP for Rainbow Kitten Surprise at one of my favorite venues. I didn’t know much about the band at the time. It’s rare that everyone checks-in for VIP but when it happens I’m usually done with work earlier than expected and sometimes I even get to catch the VIP experience if there is one. It happened that night and I was able to watch some of Rainbow Kitten Surprise’s acoustic VIP set. They played the song “Heart”. I didn’t know what song it was at the time. It was catchy though and I liked it. I remember looking at their Spotify for the song in the days that followed and I couldn’t find it. I searched on the internet just by typing in a few lyrics I remembered and I stumbled upon a Youtube video of a member of the band playing the song on guitar. The song was sort of unreleased? A few months later the band released Mary (B-sides) which contained two songs. One of them was “Heart”. I began listening to the song whenever I wanted then. I downloaded it and added it to my summer work out playlist. When it comes on these days, I still love it. I’ll occasionally replay it too. It’s a great song and was a great introduction to Rainbow Kitten Surprise. I’ve since listened to a few of their other songs and I’ve definitely become a fan.

RÜFÜS DU SOL

For most of the year, I also anticipated seeing a full RÜFÜS DU SOL set. After only seeing part of their set at Electric Forest in 2018 and realizing how good they are, I decided to make it my mission to see a whole RÜFÜS DU SOL show. I bought tickets to see them play in August while I was in Mexico in January. They were also on the Coachella lineup so I figured I was definitely seeing them this year. I did see them. Twice. Leading up to both sets, I began listening to their entire discography. I got into plenty of RÜFÜS DU SOL songs including “Sundream”, “Tonight”, “Hypnotised”, “Say A Prayer”, and “Brighter” in addition to their new record and a few of their other songs that I already knew. Both sets were fantastic and at Coachella it felt like their song “No Place” was a theme because there really is “no place I’d rather be.”

“Catchy Song” -Dillon Francis (ft. T-Pain, That Girl Lay Lay)

This past year the second installment of the Lego movie came out in February. Haters gonna hate but I loved the first one. I saw the second one in early March after I returned home from my second stint in Mexico. The first movie had the original song “Everything is Awesome” by Tegan and Sara. The second movie’s music hit was “Catchy Song”, an electronic song by Dillon Francis featuring T-Pain and That Girl Lay Lay. The title doesn’t lie either. The song is super catchy. It’s also about how the song is so catchy, which I thought was pretty funny. It’s honestly a great song to work out to. I put it on my work out playlist of the time and also enjoyed listening to it too. I introduced my young cousin Hudson to the song since he enjoyed “Everything is Awesome” and sure enough he really liked “Catchy Song”. For most of March and even into April I couldn’t stop listening to the song. I still love listening to it any time I get to it on my iPod or anywhere else. It really is such a catchy song.

Hey I’m Just Like You -Tegan and Sara

In late July, Tegan and Sara announced a tour and new album as well as their memoir. The album, Hey I’m Just Like You, was released about 2 months later along with the book. It was comprised of songs the girls had written while in high school, but were re-recorded. They also may have adjusted the songs slightly but promised that each song stayed true to its original sound and meaning. I know many people who weren’t huge fans of the album or people who told me I wouldn’t be. I really liked it though!

I listened to it for a while once I bought it and even went to a show on their tour. It was such a unique concert experience that included the twins reading excerpts from their memoir while also playing music from the album and other songs they’ve written too. It felt like the Tegan and Sara musical, but way more cool than any musical would be. I’m so glad I was able to attend and really glad I got into the album because it was one of my favorite albums of this past year.

Honorable Mentions:

“Sucker” -Jonas Brothers (Guilty pleasure, sorry not sorry)

“thank u, next” -Ariana Grande (Another guilty pleasure, can’t even help it)

“Nervous Energy” -Glades (upbeat electronic track)

“Love You For A Long Time” -Maggie Rogers (late 2019 banger that didn’t make it on Heard It In A Past Life)

So there it is, the music world of 2019 for me. After a rough year personally for me in 2018, this past year, thanks to my travels and friends, helped me re-focus. In the end it gave me some really special experiences that I’ll remember for the rest of my life. It also gave me a bunch of new career experiences that have helped me grow in the music industry. Since I started working in the music industry, I’ve gained more and more experience each year. This past year was no different. I went to Mexico, managed box offices and ticket helps, worked two festivals that were on my festival bucket list since I started (Bonnaroo and Austin City Limits), and even accepted a different role at Coachella that lead to the best year I had there yet. I’ve always set small goals for myself and ultimately achieved many of them. A lot of times, I felt good about making those goals happen. For the first time since I’ve started, I feel like 2020 might take me back to square one on a few things. It feels like it might be more of a challenge to try to achieve my new goals. I’m determined though so hopefully this year brings me even more experience.

As for music, I have hopes for a lot this year. I’m hoping Foster the People drops a new album and tours again. After releasing 4 new songs over the last 13 months, they have to have a new record and touring plans in the works right? I hope so at least.

Adele has also been rumored to have new music on the way. The rumors suggested we’d have a new song and album from her by the end of the year, but that didn’t happen so I’m hoping we get some new tunes from her soon.

Oh Wonder will be releasing a new album this year and heading out on tour. Based on my schedule there’s a good chance I won’t be able to catch any of their spring tour, but I’m excited for more new music to add to the singles they’ve already released over the last few months.

Glass Animals seem to be active again as well. After taking some time off and cancelling shows when their drummer was injured in a cycling accident, Glass Animals have started booking some festivals in 2020. It makes me think they’ll be releasing some new music too. I got into them too late in 2017 and I’m looking to redeem myself with new tour dates and a new album.

There’s Haim has been working and releasing new music so maybe we’ll even get a new Haim record too.

I’ve heard rumors about new Arctic Monkeys, which would be very exciting to have new music from them so soon after a 5 year gap in albums. Flume started touring again and releasing new music. The Strokes are back and set for a major tour. Also while writing my Top Albums of the Decade post, I started thinking, where has Lorde been?! She was quiet all of this past year. I would love to have some new Lorde! I would also love some new LCD Soundsystem! These are some big dreams but I can definitely hope.

One thing is for certain, the Coachella lineup will be dropping over the next few days, which means the hype is back, the previews are back, and we’re only a few months away from the yearly descent upon the Indio desert! Here’s to hoping 2020 brings the same kind of BIG MOODs, good vibes, and sick times that 2019 provided. Actually here’s to hoping it’s even better!