indie rock music

Coachella Band Preview: Sir Sly

I don’t know about you, but winter is really getting to me. I’m sick of the snow, the ice, and the freezing cold. April needs to get here stat. Thankfully we’ve reached the 2 month Coachella countdown this week. That means it’s time to crank up the jams on another band playing the festival this year, Sir Sly.

Los Angeles based indie pop band Sir Sly formed in 2012. At one point no one knew anything about them when they reached number one on Hype Machine, a website music database that ranks the latest and greatest tunes from music blogs. They came out of nowhere with their debut single, “Ghost.” Shortly after, they revealed themselves. The group is comprised of Landon Jacobs, Jason Suwito, and Hayden Coplen. Their first album, You Haunt Me, was released in September 2014. A few songs from the album were featured in video games and ads, giving their music some exposure.

After the release and touring from their debut ceased, life happened for guitarist and vocalist, Landon Jacobs. He went through a divorce and his mother passed away from brain cancer. It inspired Sir Sly’s second album, Don’t You Worry, Honey, which was released on June 30, 2017. The music on the album doesn’t sound devastating though. The album is about being able to experience joy through pain. The lyrics focus on some serious stuff while the fun-sounding music makes it bearable. One of the most successful songs from the album, “High”, was featured on the soundtrack to Netflix’s 13 Reasons Why.

Sir Sly is described as an indie pop/rock band, but their music also has influence from other genres like electronic and psychedelic music. They kind of sound like Tame Impala meets Local Natives meets The Neighbourhood. Their music isn’t extremely upbeat, but very vibe-y and super chill.

I first heard of Sir Sly over the summer. My friend got into them and told me about the group because she liked their name. She thought it was a pun on the word “seriously”. The group actually came up with the name because it sounded cool and they didn’t want to take themselves too seriously. Kind of ironic eh? I listened to whatever song she sent me at the time and thought they sounded pretty good. I then realized that they were on the 13 Reasons Why soundtrack, which I had watched in June. I definitely liked the song “High.” Since then I feel like I’ve seen this band pop up more and more. They were booked for a summer concert around where I live that never ended up happening and their music constantly appears on Spotify playlists. Since my introduction to them, I’ve been slowly getting into their music because of this. Every once in a while I’ll get into a new Sir Sly song, but not several songs at once. It’s a slow process. Sometimes listening to music happens that way, but before you know it you realize you know almost all of a band or artist’s songs.

Sir Sly plays on Saturday at Coachella. They’re not billed very highly so I’d expect them to play in the early to late afternoon hours. They’re definitely a group to check out if you’re at the festival then and don’t have any one else you need to see. I would most certainly check them out if I was going and available, even though at this point I know about 3 or 4 of their songs. It’s bands like Sir Sly that will be the ones that impress you the most at Coachella though. You go in only knowing a song or two and come out wanting to listen to more. Here’s a couple songs just to give you a taste of this band:

  1. High
  2. Astronaut
  3. &Run
  4. Ghost
  5. Gold
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Crooked Shadows: Album Review

Way back when I started this blog, I wrote about my love for Dashboard Confessional. They changed my life in high school and got me into good music (click here for a more detailed description). They were my favorite band back then. For the past 9 years though, they’ve been M.I.A. as far as new music goes. Honestly, if you were to tell me a year ago that I’d buy a new Dashboard album, I wouldn’t have believed you because the style of music Dashboard plays doesn’t match my current interests. Plus their music reminds me of a specific time in my life that I’ve grown past. I still appreciate them for that time though. I’ve just moved on.

A little over a year and a half ago, I worked a Dashboard Confessional show. They were on the Taste of Chaos Tour with Taking Back Sunday, Saosin (with Anthony Green), and The Early November. It was an honor to work and one of my greatest full circle moments to date. I had the opportunity to stay for the show after I finished work and I, of course, took advantage it. I left early to watch the Stanley Cup Final (my team, the Penguins, were on the verge of winning the Cup) but stayed for about 5-6 Dashboard songs. However, I doubt I would have attended if I wasn’t working. That’s the best example I can give you of my recent feelings towards Dashboard Confessional. Three months ago that changed slightly.

Dashboard Confessional released their first single from their new album Crooked Shadows in November (the album was released on Friday). I saw it as a new music release on Spotify and decided to listen because I was curious. The single, “We Fight”, was pretty good. It was better than I expected. I wouldn’t say I was hooked, but I was happy their new song was something I would listen to. I felt the exact same way upon hearing Brand New’s “I Am a Nightmare” in June 2016 and The Movielife’s “Mercy is Asleep at the Wheel” over the summer. At that time, I also saw that Dashboard announced a new show date in my hometown in late January. I thought to myself that I’d definitely go to the show as long as I had nothing else going on. I even tried to see if a few friends were interested, but I delayed getting tickets in case something came up.

I ended up being able to go and took my mom to the show. She was always a fan of Dashboard when I listened to them in high school so I thought she’d appreciate seeing them at least once. The show was fantastic. I loved it, especially lead vocalist/guitarist Chris Carrabba’s stage presence. It definitely evolved over the years. It was fun to stay for the whole thing this time around and sing all my favorite songs again with a few new ones in between. Speaking of new songs, a week before the show they released another single, “Heart Beat Here.” This time upon listening, I was hooked. The song was a perfect blend of something I would listen to now mixed with that classic Dashboard Confessional sound (essentially Chris Carrabba’s voice). At that point, I thought to myself, “I might actually have to get this new album.” On Friday, I did.

Crooked Shadows, Dashboard Confessional’s seventh full length album, was released on Friday. The album is relatively short compared to the others. It’s only 9 songs long. Within those 9 songs though is the complete re-birth of a 2000’s emo band to a 2018 indie/alternative rock band. This album is far from emo. It’s purely indie rock mixed with indie folk, electronic, and alternative rock. It’s such a great blend of my current interests with classic Dashboard that I fell in love with it in a matter of hours. If you want anything reminiscent of old Dashboard, I’d recommend listening to the songs “Open My Eyes” featuring violinist Lindsey Stirling or “Just What to Say” featuring Chrissy Costanza. “Heart Beat Here” has an old Dashboard feel as well. At the Dashboard show I attended two weeks ago, Chris said the song is a continuation of “Hands Down.” I don’t know if I’d agree as far as the sound goes, but it’s definitely a great song. That track along with the other first five are absolute jams. My favorites are “About Us” and “Belong” (with Cash Cash) which I had on repeat Friday afternoon. “We Fight” is included in that bunch as well. I currently have the album in my car and I’m sure I’ll be listening to it on repeat for the next week or more.

This is the second time in less than a year that I’ve fallen in love all over again with one of my favorites (the first was Foster the People over the summer). Although I think this time, I’ve just fallen in love with new Dashboard so it’s kind of like falling love all over again. I would recommend their new album to anyone at this point, but especially to those whose music interests have grown and changed, much like mine have. Dashboard Confessional is back in the best way possible.

Coachella Band Preview: Tash Sultana

Because I forgot to post last week’s blog after I wrote it and instead posted it this week, you’re getting two band previews this week! We’re almost near the end of January. We’re still a while away from Weekend 1, but I can feel it looming. Can’t you?! Since I already gave you plenty of Kygo to listen to this week, I thought I’d preview an artist who has a little less music to listen to. What she does have out is pretty awesome and original.

Natasha “Tash” Sultana is an Australian musician/singer/songwriter who grew up in Melbourne. She took to music at the age of three when she received a guitar from her grandfather. Now at age 22, she can play over 10 instruments. 2016 was her breakthrough year, but until then Tash struggled to find regular work and used street performing as her way to get by. She was however the lead vocalist of the band Mindpilot from 2008 through 2012.

She started receiving attention in 2016 through social media and the internet. She also released her first EP, Notion on September 16th independently through her own label Lonely Lands Records. The EP peaked at number 4 on ARIA Australian Albums Chart. It included two songs that were voted to Australia’s Triple J Hottest 100, “Jungle” (#3) and “Notion” (#32). She also embarked on a world tour in support of Notion.

In 2017, Tash continued to tour and also announced that her debut album would be released in the spring of 2018. She released the singles “Murder to the Mind” in April and “Mystik” in October along with being nominated for 4 ARIA Awards (Breakthrough Artist, Best Independent Release (Notion), Best Blues and Roots Album (Notion), and Best Australian Live Act).

Her rock music style features elements of reggae and psychedelic music. Her style can also be classified as indie rock. Each of her tracks have a different sound and her vocals are mesmerizing. It’s the kind of music you can just chill to. I love it because the sound meshed with her vocals is unique to my usual listening tastes.

I first found out about her in early October after my friend worked at All Things Go Fall Classic in Washington, DC. A patron at the festival told her about Tash Sultana so she checked out Tash and told me about her as well. Then I checked her out and enjoyed what I heard. My friend then saw her perform a week later at Austin City Limits. I wasn’t so fortunate. She is relatively new to the music scene and is just starting to get some attention in America. She recently performed on Late Night with Seth Meyers in October. That makes me think I’ll have plenty of time to get to see her live, especially if I get to be a part of Coachella this year and can catch her set.

She plays Saturday at Coachella. In my opinion Saturday’s lineup is stacked. I would expect to see Tash play an earlier set on Saturday. You never know though. She might end up with a mid-afternoon spot at the Gobi or Mojave Tent. If you have a chance, I would check her out though. She’s under that “up and coming” title for the festival this year. She’s also got a debut album coming out soon. Here’s what you can check out by her so far though:

  1. Jungle
  2. Mystik
  3. Notion
  4. Gemini
  5. Synergy
  6. Murder to Mind
  7. Big Smoke (Pts. 1 & 2)

Coachella Band Preview: Portugal. The Man

It’s been over a week since Coachella released their 2018 lineup. Tickets went on sale last Friday and sold out in just over 3 1/2 hours. Preparations have officially begun. So if you’re headed to the desert this April, I hope you’ve been listening to one of Coachella’s Spotify playlists or curating your own. I’ve checked out Coachella’s (which are so good by the way!) and already found 1 or 2 new bands to listen to. They might even get previewed leading up to the festival.

First thing’s first though, it’s time to get into the first band preview of the year. I bought this group’s latest album while in NYC a few weeks ago. I decided to buy it at random too, only knowing two songs from the album. It was a great decision and understandably so as it’s already been nominated for a Grammy. Although this blog post is a few weeks overdue, let me tell you a little something about Portugal. The Man.

Portugal. The Man has been around for quite a while before their latest album, Woodstock, and hit single “Feel It Still” invaded music charts over the last year. Hailing from Wasilla, Alaska, they formed in 2004 as a side project band of lead singer John Gourley and bassist Zach Carothers. The band has gone through several lineup changes but Gourley and Carothers have been the true mainstays. Currently they’re joined by Kyle O’Quin on keyboards/synth, Jason Sechrist on drums, and Eric Howk on guitar. I would try to explain their band name, but it’s a bit complicated so I’ll let this 2009 interview description by John Gourley do it, “It’s hard to explain, but it made perfect sense at the time. Over the 5 years that we’ve had the band name it’s just kind of gotten lost, but the idea was that we wanted to back somebody up. I guess in choosing Portugal, it was just kind of a random choice. We really wanted a country to be the name of our person because a country is a group of people. The man just states that Portugal is a person. So really Portugal is the band’s name and the man is just stating that he is the man.” They released demos in the summer of 2004 and embarked on a U.S. tour that fall. They released their debut album Waiter: “You Vultures!” on January 24, 2006.

In June 2007, they released their sophomore album Church Mouth and toured for the following year both in the U.S. and Europe in support of it. In 2008, the band released yet another record, Censored Colors, their third full length album. 2009 brought the band festival spots at Bonnaroo and Lollapalooza as well as a fourth album, The Satanic Satanist, and  The Majestic Majesty, an acoustic album of The Satanic Satanist. The band released another new album, American Ghetto, in 2010 marking the band’s fifth album in five years. 2010 also marked Portugal. The Man’s first Coachella appearance. Following suit of the previous years, their sixth album came out in July of 2011 after the band signed with record label, Atlantic Records in April 2010 (they had previously been a part of Fearless Records as well as a partnership with Equal Vision Records). The album, In the Mountain in the Cloud, brought the band another two years of touring and two more stops at Bonnaroo and Lollapalooza.

In 2012, Portugal. The Man did not release a new album, but in 2013, they did. They released their seventh full length album, Evil Friends. The album featured backing vocals by Danielle and Este Haim of fellow Coachella 2018 act, Haim. They announced an eighth album in 2016, but said album “failed to complete” and was scrapped after 3 years of work. After the lead single “Feel It Still” was released in March, the band dropped, Woodstock on June 16, 2017. With the success of “Feel It Still”, which has topped music charts nationwide, Woodstock has become the band’s most successful album to date after 13 years and seven previous albums.

Portugal. The Man plays an alternative rock style of music with a somewhat psychedelic/jam band flavor as well. At times their music even sounds a bit experimental. Their sound has definitely progressed and changed throughout the years and through each album. Gourley’s vocals have been a defining factor in their sound though.

I found out about Portugal. The Man while working as a radio DJ during college on my school’s radio station. Our station specialized in alternative, rap, and metal, and I had a weekly alternative radio show in which I would play a mix of my own songs combined with the music on our system. One of the songs I used to play during my show was the Portugal. The Man song “People Say”. I remember when the alternative director and her boyfriend introduced me to the band one time while we were in the studio together.  There may have been one or two other Portugal. The Man songs available on our rotation but I routinely played and enjoyed “People Say”.

I partially kept up with Portugal. The Man after I graduated and ended my radio show. I was into and downloaded the songs “Purple, Yellow, Red, and Blue” and “Modern Jesus” after Evil Friends came out. However, I was never fully into Portugal. The Man. The first time I heard “Feel It Still” was this past summer in August (I know I was so late) on a fellow Coachella coworker’s Snapchat story. I was into it immediately upon first listen. I didn’t know whose song it was either and I thought it might be by the band Electric Guest. The song sounded similar to their song “This Head I Hold”. All I knew was I was hooked no matter what. I was surprised to find out it was Portugal. The Man because it just didn’t fit the sound I was used to from them. It was and still is an absolute banger though.

Like I’ve said in my last two blogs, as well as earlier in this one, I purchased Woodstock a few weeks ago just because of my interest in “Feel It Still” and “Live in the Moment” (another great track from that record). I don’t own any other Portugal. The Man records either, despite knowing about them and having a slight interest in their music for several years now. Within the first few days of owning the record, I had it spinning on repeat. It’s great. I even put it on my list of favorite albums from 2017 after owning it for only two weeks prior to writing that blog.

Portugal. The Man plays Sunday night this year at Coachella. My guess is they play the main stage prior to Eminem. This is Portugal. The Man’s third Coachella. They played in 2010, as I mentioned, and 2013. If I was attending this year, I’d definitely have them on my must see list. My only concern is that they have such a large discography that I’m not sure what they’d play or what I’d know. Hence listening prep is key here. I wouldn’t spend hours listening to all 8 albums they’ve released. I would just get a few of their older hits and focus on the last 2-3 albums. Their most recent stuff is what’s given them the spotlight anyway, making it the obvious choice for set list selection. At least at this point you have plenty of time regardless. 3 months is so far, yet so so close that you can taste that sunshine and those good vibes.

Edit: I’m sorry everyone! Totally messed this up and forgot to put song recommendations to listen to so here they are (better late than never!):

1. Feel It Still

2. Live in the Moment

3. Purple, Yellow, Red and Blue

4. People Say

5. Modern Jesus

6. So Young

7. Noise Pollution

8. Rich Friends

9. Easy Tiger

10. So American

Coachella 2018 Lineup Release

Not 48 hours into the new year and the Coachella 2018 lineup drops. Last night at 4:15 PT Coachella released their lineup on social media and as always people have opinions, me included. Since last year I expected the 2018 lineup to be the best since 2014. If you know me, you know that I believe 2014 had the best lineup to date and every year after has  been incomparable. 2018 had so much potential. There were so many bands who released new music in 2017 that did not play the festival plus a handful of other greats expected to release new music this year. But when rumors spread just before Christmas about the headliners, I knew this year wasn’t going to meet my expectations.

Going into 2018 everyone knew Beyoncé was supposed to headline. She was supposed to headline last year but dropped out shortly after the announcement of her twin pregnancy paving the way for Lady Gaga to take her spot. The biggest question was who would accompany her on top of the poster. On December 20th, Consequence of Sound reported that Eminem and The Weeknd were slated to join Beyoncé as the 2018 headliners, much to my dismay. Here’s why. The Weeknd headlined Coachella in 2015. Was he supposed to be a headliner? No. However he played in the headliner spot. Jack White, the headliner for that night, took an early spot for whatever the case may be leaving The Weeknd to close out the night.

In my opinion Eminem is a pretty cool choice for a headliner. He fits that formerly popular/still popular angle. He’s a rapper and for the past few years Coachella has plugged that genre (or R&B) into one of their headlining spots. Plus he just released a new album. Here’s the issue: Beyoncé already filled that genre spot this year. I mean come on! The entire headlining lineup is rap/R&B. This is the first time in the history of the festival that a rock band isn’t headlining. Disappointing.

In fact, looking at the lineup, rap/hip-hop/R&B has taken over the festival this year. I think Louis Tomlinson’s (of One Direction fame) reaction on Twitter summarizes my feelings exactly. He stated, “Just seen the Coachella lineup …. Where the fuck are all the bands!? It’s a festival!?” Yes Louis, you’re right. Where are all the bands?! All I see are rappers, R&B singers, or electronic DJ’s. As I went through the lineup last night making a list of who I would see for my annual Coachella preview, there were names lacking for each day and more “possible” acts to see than definites. For Friday, I only listed 4 acts. Four. It’s a headshaker, for sure, given that this year had some high expectations. Anyway, let’s get down to this lineup analysis.

The Headliners: The Weeknd, Beyoncé, Eminem

I already summarized my thoughts on all these acts above. So re-read that.

The Other Highly Billed Performers: SZA, Kygo, Jamiroquai, St. Vincent, the War on Drugs, Vince Staples, Haim, Tyler the Creator, David Byrne, alt-J, Post Malone, Fleet Foxes, Odesza, Portugal. The Man, Migos, A Perfect Circle, Cardi B, Miguel, Soulwax, Jean-Michel Jarre, Daniel Caesar, Kali Uchis, Los Ángeles Azueles, Deorro, Chromeo, Chic feat. Nile Rodgers, BØRNS, Louis the Child, Angel Olsen, Jungle, blackbear, MØ, King Krule, Illenium, Kamasi Washington, French Montana, 6lack, Vance Joy, Russ, LANY

As always, there’s a few names in this group that I’m pretty excited about. If I were attending this year, I’d definitely be hitting up Kygo, St. Vincent, Haim, alt-J, Fleet Foxes, Odesza, Portugal. The Man, BØRNS, Illenium, and LANY. There’s a few that I’d definitely check out here too if there were no overlaps like David Byrne, Post Malone, Chromeo, Jungle, MØ, and Vance Joy. I’m mostly excited about Haim and alt-J. Even though I’ve seen both live before, they’re fantastic and two of my favorite bands. Odesza is an incredible electronic act and I can attest from seeing them live last month. I’ve seen BØRNS live before as well and it was so enjoyable. After working St. Vincent in November and listening to her VIP Q&A, I’ve gained a new respect for Annie Clark and her music. I was able to stay for half of her show but would love to see her again. The others I’ve never seen live.

As I said in my 2017 music recap blog post, I would be reviewing Portugal. The Man soon. It might now be even sooner than I thought. I’ve been stoked on their latest album since buying it on vinyl in NYC and I’d love to see them live especially since knowing about them since college. Since getting into electronic music, I’ve always been partial to tropical house, making Kygo an artist I would love to check out. I also got into Illenium’s latest album for a short time two months ago making him another electronic act I’d want to see. I’ve listened to LANY a few times over the past few years so they’re a group I’d love to see too. If you’re looking for the most indie band at Coachella this year, I’d have to say that would be Fleet Foxes. I’ve liked them for a while now and would definitely want to see them live.

As for the others that I’d like to check out, I’ve seen Jungle and Vance Joy before. Both played in 2015 when I attended and I made it to both sets. I even saw Vance Joy at Panorama last summer. They’re always a solid set. I was super hyped about Jungle in 2015, but this time around they’re not a definite for me. They’ve got new music out, which I plan on checking out soon They just didn’t make a huge impact on me last time. I’ve casually listened to Chromeo and MØ so I would casually see them. Post Malone is burning up right now. I’m not into rap, but Post Malone has a song that is more indie than rap that I enjoy. I think I’m solely interested in seeing this dude play live because of the hype surrounding him right now. David Byrne is the most intriguing to me. Honestly I had no idea who he was until I did a little research. After I found out, it felt like I failed at music so excuse me for that one. As the lead singer and guitarist of the Talking Heads, I would love to hear his set. He’s got a solo career going, but you know he’ll be playing some Talking Heads covers. Who knows maybe there’s a reunion in store?! I mean who doesn’t like the Talking Heads?!

The Rest: Maceo Plex, Alan Walker, the Neighbourhood, Alison Wonderland, Kelela, REZZ, Bleachers, Black Coffee, SuperDuperKyle, Justin Martin, Belly, TroyBoi, Dreams, Perfume Genius, PVRIS, Moses Sumney, LÉON, Greta Van Fleet, Tank and the Bangas, Cash Cash, Whethan, Skip Marley, Elohim, Detroit Love (Carl Craig, Kyle Hall, Moodymann), Benjamin Clementine, Carpenter Brat, the Blaze, Knox Fortune, MHD, Slow Magic, Avalon Emerson, Fazerdaze, Moon Boots, HITO, Helado Negro, the Buttertones, the Regrettes, Boogarins, the Marias, Señor Kino, Tash Sultana, BROCKHAMPTON, Marian Hill, Alina Baraz, First Aid Kit, Snakehips, Highly Suspect, Wizkid, Jorja Smith, Alvvays, the Black Madonna, Tom Misch, Django Django, X Japan, Benjamin Booker, Flatbush Zombies, Ekali, Yaeji, Party Favor, Big Thief, Jason Bentley, Oh Sees, Sigrid, Busy P, the Bronx, AC Slater, Sudan Archives, Jackmaster, Otoboke Beaver, Chloe x Halle, Sir Sly, Hundred Waters, Pachanga Boys, Bedouin, Cherry Glazerr, Mild High Club, Priests, Ron Gallo, Declan McKenna, Bane’s World, KITTENS, the Drums, Aminé, Jessie Ware, Jamie Jones, Kamaiyah, San Holo, FIDLAR, DeJ Loaf, Petit Biscuit, Ibeyi, LP, Motor City Drum Ensemble, Princess Nokia, AURORA, Noname, Jacob Banks, Chris Liebing, Jidenna Hayley Kiyoko, Barclay Crenshaw, LION BABE, Giraffage, Talaboman, THEY., Cuco, Joseph Capriati, Hannah Wants, Nothing But Thieves, John Maus, Kölsch, Japanese Breakfast, MAGIC GIANT, Omar-S, Michael Mayer, Westside Gunn + Conway, Buscabulla, Peggy Gou, Snail Mail, Rolling Blackouts Coastal Fever, B Boys, the Delirians

My favorite name that showed up on the Coachella lineup this year is in this group, Hayley Kiyoko. As you know, I saw her last year in what I consider to be one of the most epic nights in music for me, seeing 2 shows in one night. One of those was Hayley Kiyoko and she played in a small venue in Philadelphia. I was beyond excited to see her name on the poster and so stoked that she’s playing Coachella this year in time with releasing her debut album. Another band that’s on my must see list is in this group too, The Neighbourhood. I’ve been digging The Neighbourhood since 2013 and I’ve never seen them live. They’re a must-see for sure. There’s a few on this list that I’d want to catch if I had time too. Bleachers, Tash Sultana, Sir Sly, Declan McKenna, and Marian Hill are the big ones among that bunch.

As a whole I feel like this is the smallest group of bands I’ve been interested in since starting my Coachella previews in 2015. I had such high hopes for this year’s festival and it all came crashing down last night. Some names I would have liked to see on this year’s lineup include Arctic Monkeys (as a headliner or part of that second line of acts), Vampire Weekend, MGMT, Foster the People, Lana Del Rey, Cold War Kids, Halsey, Phoenix, Andrew McMahon in the Wilderness, ARIZONA, the 1975, Sigala, Cigarettes After Sex, Passion Pit, The Kooks, AWOLNATION, and either The Killers, Arcade Fire, or Kings of Leon as a headliner (most likely The Killers though). There’s probably more bands as well, but those are a few off the top of my head.

I started doing a bit of research on this year’s lineup compared to my favored 2014 lineup. I plan on editing this post later today or tomorrow with my findings. Until then, you should start listening to some bands on this lineup. There’s plenty I know nothing about and a few that I do. Maybe you’re stoked on this lineup. Maybe you’re not. The fact is that Coachella is in 3 months and the prep officially began yesterday. One thing is certain though, regardless of who is on the lineup and the amount of complaining done, people are still gonna go to Coachella. It’s the festival to be at. It’s Coachella. You’re bound to have a great time because although I strongly believe music festivals should be about the music, Coachella is more than music. It’s art. It’s atmosphere. It’s good food. It’s being with people you care about and have a good time with. It’s hot days and cool nights. It’s palm trees, and mountains, and desert. It’s fashion. It’s celebrities. It’s social media. It’s sponsors. It’s ferris wheels and hip merch. Mostly it’s the best kind of positivity and vibes you’ll ever experience. So Coachella 2018, I’m ready for you! Here’s to hoping I can be part of the magic again.

(EDIT: I spent the last hour or more doing some research and the numbers I came up with are unreal. I analyzed the 2014 Coachella lineup vs. the 2018 Coachella lineup. I looked at the first 3 lines of each poster plus the headliners and I grouped performers in 4 categories, Rap/R&B, Electronic, Pop, Rock/Indie. In 2014, out of the 165 acts, there were 71 featured on the first 3 lines of the poster including the headliners. Out of those 71, 14% were Rap/R&B, 28% were Electronic, 6% were Pop, and 37% were Rock/Indie. In 2018, out of 165 acts, there are 69 featured on the first 3 lines of the poster including the headliners. Out of those 69, 33% are Rap/R&B, 25% are Electronic, 9% are Pop, and 33% are Rock/Indie. Compared to 2014, the number of Rap/R&B acts have more than doubled. Is Rap/R&B back on the rise and I didn’t know about it? If you asked me, I would tell you no. So what’s the deal this year? What’s even more shocking is that I also compared the number of Bands to Artists for each year. I defined “Band” as a group or single performer with a backing band that plays classic instruments (guitar, drums, bass, keyboards, etc. as opposed to electronic equipment). Artists included rappers, R&B singers, electronic DJ’s, and pop singers. In 2014, out of 71 acts, 55% were Bands and 45% were Artists. In 2018, out of 69 acts, 30% are Bands and 68% are artists. To me those numbers, are staggering. Louis Tomlinson noticed it and he’s right. The bands have decreased this year in favor of the artists. So seriously Coachella, WHERE ARE THE BANDS?! And why are you straying from what made you amazing in the first place? #Coachella2018thefestivalthatcouldhavebeen)

2017: The Best Year in Music Recap

Last year around New Year’s, I wrote about how music saved 2016. It was a pretty shitty year for the country and in the grand scheme of things. Although people would say 2017 might not have been the best for some similar reasons, I would have to argue. 2017 was a great year. Personally, I worked more events than last year, worked new festivals including my all-time favorite, Coachella, had the opportunity to work a few different roles, saw tons of incredible live music, made new friends, got closer to friends I already had, and figured out what my ultimate goal is. Overall yes there were several bad and upsetting events that happened especially in America. There were even a few hiccups in my own life. However, despite the bad, there were plenty of instances of hope. As for music, as much as I thought it was the best part of 2016, it doesn’t hold a candle to this past year.

So many artists released new albums this year. I mean I guess that’s pretty standard for every year but this year was special for me. It was all of my favorites (minus Florence and the Machine) putting out new albums. I also discovered so many more great bands thanks to the incredible people I met and grew closer to this year.

I could do a detailed recap of all the music I loved from this year, but I wrote about it so many times so I’ll give you all the links in a ranking of my favorite albums of 2017.

My 2017 Top 10 Favorite New Albums

10. Zombies on Broadway   -Andrew McMahon in the Wilderness

The follow-up to Andrew McMahon’s debut had a handful of hits. I never reviewed this album and I’m so sorry because it was a good one, making it #10 on my list.

9. Something to Tell You   -Haim

Although Something to Tell You wasn’t quite what Days Are Gone was for me, I was super stoked to hear some new music from the Haim sisters. The new album had a few great jams like “Little of Your Love” and “Want You Back” which helped it earn my #9 spot.

8. Lust For Life   -Lana Del Rey

As advertised, Lust for Life was an album for the fans. In my opinion it wasn’t Lana’s best nor her worst. “Coachella – Woodstock on My Mind” and “Beautiful People, Beautiful Problems” featuring Stevie Nicks were two of my favorites, but it wasn’t quite what I was hoping for by one of my favorite artists, putting Lana at #8.

7. Woodstock   -Portugal. The Man

I owe the love of this album to our self-planned Hipster Day in NYC when we went to Brooklyn, checked out cool street art, and spent time in a record store where I purchased the album on vinyl. Who would have thought 2017 would have re-introduced me to Portugal. The Man? After a banger like “Feel It Still” it, it happened though. I never reviewed this album or this band on my blog yet, but don’t worry it’s coming soon. My recent hype and appreciation for Portugal. The Man’s hit album helped it reach the #7 spot on my list.

6. American Dream   -LCD Soundsystem

American Dream was the highly anticipated comeback album from LCD Soundsystem. It might not be Sound of Silver, but it’s got plenty of great tracks that will be played at LCD’s show until they decide to break up for good this time.

5. A Moment Apart   -Odesza

Odesza was a new discovery for me this year. When this album was released, I had never listened to them so I wasn’t anticipating the release nor planning an album review (I linked my general blog post from a few weeks ago instead). It took a special trip that included an Odesza concert to force me to listen to the album, but it was definitely worth it as it comes in as my #5.

4. Ultralife   -Oh Wonder

2017 became the year that I really fell for Oh Wonder. I owe it to Coachella, Denise, and a shitty work schedule, yet I’m so grateful it worked out that way. Their new album picked up where their self-titled debut album left off and added a few new hits to their repertoire making Ultralife my #4 top album this year.

3. GALLERY   -A R I Z O N A

After discovering A R I Z O N A last year, listening to almost every new single they released, and loving each and every one, their debut album had to be high on my list. The album is basically a compilation of each single plus a few new tracks. I don’t even own the album, but I’ve spent a lot of time listening to their songs. Again, I linked up my general blog post from this year about the band.

2. Melodrama   -Lorde

If I wasn’t biased, this would hands down be the best album of the year. Every song on Melodrama is fantastic. The album was the kind of sophomore album bands and artists dream of, but not many can achieve. Lorde crushed it with this one giving her second full length my #2 spot.

1. Sacred Hearts Club   –Foster the People

Like I said, I’m biased on this. I’ve always said Foster the People was one of my favorite bands, but this album made me fall in love with them all over again. It’s not quite Torches, but it’s close. “Sit Next To Me” became my favorite song of the year. Seeing them live twice and up close was everything I needed. They’re always my #1.

Honorable Mentions: I See You -the xx, Relaxer -alt-J, Wonderful Wonderful -The Killers, Everything Now -Arcade Fire, L.A. Divine -Cold War Kids, Masseduction -St. Vincent

So there you have it My Top 10 Favorite Albums of 2017…the Best Year in Music, at least in my opinion. 2018 has a lot to live up to. There’s sure to be plenty of good music this year, but it’ll be hard to beat all the new stuff from my favorites. Still we have a few to look forward to. I heard some rumors about upcoming albums from Arctic Monkeys, Vampire Weekend, and MGMT. Hayley Kiyoko will be releasing her debut album this spring and the 1975 is supposed to drop their third full length album. Chrvches and Bastille are also on radar for some new albums. As you can see there’s still good things to come. Plus the Coachella lineup drops this week and you know what that means. So thanks 2017 for being so special. 2018…”just come over here and sit next to me” because I’m ready for you and all the music you have to offer.

Legendary Venues: Red Rocks Amphitheatre

It’s been over 75 years since Red Rocks Amphitheatre opened in Morrison, Colorado. The venue first opened on June 15, 1941, but had been hosting open-air music performances since the early 1900’s when John Brisben Walker envisioned the geological phenomenon as a place for live music.

Red Rocks Amphitheatre is much different than any other music venue in the world because it’s the only naturally-occurring, acoustically perfect outdoor theater ever. What creates this natural perfection are two 300 foot rock structures known as Ship Rock to the south and Creation Rock to the north. The amphitheater sits between these monoliths that date back 160 million years and contain dinosaur fossil fragments from the Jurassic period. Both are bigger than Niagra Falls. There’s also a rock structure behind the stage (east) known as Stage Rock. Besides the incredible rock formation, the amphitheater overlooks downtown Denver, which creates one of the most beautiful, picturesque views offered at a music venue.

The city of Denver purchased Red Rocks from Walker in 1928 and hired Denver architect, Burnham Hoyt to design the area into a music venue while including the preservation of the land’s natural elements as part of the transformation. The construction took 12 years but was well worth the finished product that has since attracted musical acts from all over the world.

The Beatles concert on August 26, 1964 is considered to be one of the first notable rock concert performances in Red Rocks history. Another notable performance was the Jethro Tull concert in 1971 which resulted in a 5 year ban of rock concerts at the venue. Fans without tickets to the event attempted to barge through police lines and throw rocks at officers resulting in the deployment of tear gas to control the riot, which eventually carried into the venue affecting all in attendance.

The unique venue attracts bands across music genres from rock to pop to electronic to jam bands. Many bands have recorded performances at the famous venue as well. It has also been used in film and television. Then, in 2015, it became a national landmark.

I’ve never had the pleasure of going to Red Rocks. I’ve actually never even been in Colorado. After I began traveling around the country for work though, I learned about Red Rocks and it’s been high on my list of venues to see/work at ever since. I’d be beyond honored to work an event in such a place and I’d even be more awestruck by seeing a concert there. I’m not even sure if I can imagine what it’s like to be there. It sounds like such a spectacular venue. I think it’s one of those places you have to experience to understand how special it is even if pictures and descriptions already convince you. It’s one of those places where a picture really doesn’t do it justice. If Red Rocks isn’t the definition of legendary venue, I don’t know what is. It’s legacy has spanned the test of time and it continues to be a favored venue of many bands and artists. It’s definitely a place that concert and music lovers need to experience at least once or even countless times.

Glass Animals

Now that all of my highly anticipated albums have been released, it’s time to get back into the boring posts about sports, music and entertainment…kidding! Of course my first regular post in a while is about music though. Over the summer I’ve discovered a few new musical interests from friends and from working festivals so I wanted to let you know what I’ve been listening to besides all the new albums.

The first is a band I’ve known about for a year or two but never listened to that much. I saw and heard them perform at the Panorama Music Festival in NYC over the summer and several of my friends were into them. I decided I needed to give them a chance.

Oxford (UK) indie rock band Glass Animals formed in 2010 while members Dave Bayley (lead vocals, guitar) , Drew Macfarlane (guitar), Edmund Irwin-Singer (bass), and Joe Seaward (drums) were in university. The group were friends since they were 13 but had not played music together until the time that Bayley approached the group with a few demos and they decided to form the band.

They initially thought forming a band would be just for fun, but it became serious really fast. They played their first show in April 2010 and released their first EP Leaflings in May of 2012. After catching the ear of Adele’s producer, Paul Epworth, Glass Animals were signed to his label. The band released their second EP which was self-titled in November of 2013 and followed up by releasing three more singles. Those singles, “Pools”, “Gooey”, and “Hazey”, along with the singles “Black Mambo” and “Cocoa Hooves” were all featured on their debut album Zaba, which was released in June 2014. The album gave the band success, which increased their Spotify listener totals, allowed them to tour worldwide with plenty sold out shows through 2015, and earned them spots performing on late night television in America. Glass Animals’ second album How to Be a Human Being was released a little over a year ago in August 2016 with the singles “Life Itself” and “Youth” being released in the lead up. Their sophomore album was met with mix reviews, but the band has been touring in promotion of it ever since its release.

Glass Animals style of music is indie rock mixed with psychedelic pop, art pop, and trip hop. Their sound almost reminds me of alt-J mixed with Tame Impala. They can sound kind of trippy at times so it’s much different than your standard indie rock band.

I feel like I may have listened to Glass Animals before this summer, but at the time I wasn’t feeling what I heard. I think it was the suggestions and peer pressure from my friends this summer that really got me to give them another chance. For me, they’re kind of an acquired taste, but now I really like them. Surprisingly, I prefer the singles off their second album even though they earned their fans mostly from their first album. How to Be a Human Being has a greater rock feel than Zaba, which I think eased me into their sound. Now I can’t stop listening to them.

If you haven’t heard of these guys yet or have been reluctant to listen to them, give them a chance. You might just find a new band you like. I can attest to it. I think I’d even love another chance to see Glass Animals perform again. They put on a great show from what I did see and their music is filled with pretty sweet peanut butter vibes.

I Got Soul But I’m Not A Solider

As stoked as I was about all of my favorites releasing new music this year, there’s so many other great bands and artists releasing new music too. One of them is kind of an old favorite for me, but because of finally getting the chance to see them at Lollapalooza, they’ve become a new favorite as well.

The Killers, a rock band from, Las Vegas, Nevada first formed in 2001. After getting fired from his first band, Brandon Flowers (lead vocals, keyboards, bass) began searching for like-minded musicians to join his musical pursuit. He recruited Dave Keuning (guitar, backing vocals) to work with him after seeing an ad the musician posted in a Las Vegas newspaper. The two bonded immediately and began writing together. They recorded a demo later that year, which included the first song the pair wrote together, (and The Killers’ biggest hit) “Mr. Brightside”.

By 2002, after a few lineup changes, The Killers became solidified with the additions of Ronnie Vannucci Jr. (drums) and Mark Stoermer (bass, guitar, backing vocals). They put together their first album, Hot Fuss, in the band room at UNLV (where Vannucci was studying classical percussion) coming up with future hits like “Somebody Told Me” and “Smile Like You Mean It”. By playing small venues in the Las Vegas area, they eventually caught the attention of a few A&R reps, which lead to signing with the British label Lizard King in 2003.

The deal with Lizard King gave The Killers, whose name was derived from a logo on a bass drum of the band in the music video for New Order’s song “Crystal”, some airplay with the song “Mr. Brightside”. They were eventually noticed by American labels and signed with Island Def Jam.

The group released their debut album, Hot Fuss, in June of 2004. The album was received well worldwide going 7x Platinum in the UK and Ireland, triple Platinum in the United States, Australia, and Canada, Platinum in New Zealand, and Gold in Argentina, Belgium, Germany, and France. The Killers and their debut album received 4 Grammy nominations including Best Rock Album.

After completing the touring for Hot Fuss, The Killers began working on their second album, Sam’s Town, which was released in October 2006. The lead single, “When You Were Young”, earned the group two more Grammy nominations and the album was again well received worldwide going 5x Platinum in the UK, 4x Platinum in Ireland, 2x Platinum in Australia, Canada, and New Zealand, Platinum in the United States, and Gold in Argentina, Belgium, Germany, and Russia. By 2007, The Killers began playing in large scale venues and headlined Glastonbury for the first time.

Their third album Day & Age was released two years later in October of 2008. The lead single “Human” became a worldwide hit despite a confusing lyric in its refrain (“are we dancer?”). For the third time, the band had a worldwide successful album and headlined Lollapalooza and Coachella for the first time in 2009. By 2010 though, the band decided to take a short hiatus after 6 years of going nonstop.

The group reconvened in 2011 and began touring again while working on their fourth studio album. They headlined the inaugural Firefly Music Festival in June 2012 in support of their upcoming album. They released Battle Born in September 2012. The tour for Battle Born was their most widespread, which included visits to China and Russia. The tour included their biggest show to date at the 90,000 capacity Wembley Stadium.

In 2013, the band released a greatest hits compilation, Direct Hits, which became a ten year anniversary marker of their existence. The album also featured two new songs, “Shot at the Night” and “Just Another Girl”.

In just a few short weeks, the band will be releasing their fifth album, Wonderful Wonderful. They headlined Lollapalooza three weeks ago and even played a secret set at Glastonbury in promotion of their upcoming fifth album. The first single from the new album, “The Man”, was released in late June.

It’s always a surprise to me knowing that The Killers are from Las Vegas even though I’ve known this for a while now. Every time it comes up, it’s an “Oh….yeah!” moment for me. Due to their success in the UK, they’ve seemed like a British rock band. They’re just the best non-British British rock band there is I guess. Their music style is mostly alternative and indie rock and Flowers vocals sound somewhat signature to their sound. Their style of sound gives that British rock band impression too, even though they’re from the biggest city in Nevada.

I first heard of The Killers some time around the winter of 2004 to early spring of 2005. I don’t remember the exact time and any evidence I had of listening to them around that time doesn’t exist anymore. I do know that by the spring of 2005 “Mr. Brightside” became a staple track to listen to on my way to hockey games and while I first learned how to drive. My mom also fell in love with the song since she was with me in the car when I listened to it so much. I even purchased Hot Fuss at some point and became familiar with a few songs on that record, mainly “Somebody Told Me” and “Smile Like You Mean It”. The band also appeared on one of my favorite TV shows at the time, The OC. Through the years I occasionally listened to other songs by the band, such as “When You Were Young”, which was a Guitar Hero 3 hit and “All These Things That I’ve Done” and “Spaceman”, which I actually listened to most frequently in the past 4-6 years post-college.

It wasn’t until I realized I would get to see The Killers at Lollapalooza that I began listening to them more than I ever had before. It was basically a re-discovery of a band I’ve known for over 12 years. I even learned a few “new” old hits as well. I was definitely well prepared to see them at Lolla and as a result, I thoroughly enjoyed their set. The coolest part was having my mom there, since she purchased a 1-day ticket to see them along with Foster the People and Tegan & Sara among others, and hearing them close with “Mr. Brightside”, a song we used to listen to together many years ago. There were also several other songs I enjoyed hearing live too. Seeing them perform was a long time coming, but now I know I would actually purchase tickets to see them again. They were fantastic.

I’m sure you’ve heard of The Killers at some point in the last two decades, but I suggest you re-discover them, especially if you’re like me and only listened to them in their early days. They’ve already released a few singles from their new album and have announced a world tour in support of it. They’ll be touring in the U.S. in January after playing a few U.S. festivals this fall. I promise it’ll be worth your while to see them, check them out, or just listen to their new album. If you’re already a fan, I’m sure you’re stoked so I don’t have to persuade you much. Whether you last listened to them in “February of last year”, 12 years ago, or yesterday, The Killers are still one of the best non-British British rock bands and they’re sticking around for the time being.

 

Sacred Hearts Club: Album Review

July 21st was a big day. I worked Check-In for travel packages for a Phish show and two of my favorite music artists released their new albums. I didn’t have much of a chance to listen to both because of work, but I got on it this morning. I figured I’d start with a review of Foster the People’s latest work Sacred Hearts Club because I’ll be seeing them in two weeks when I head to Chicago for my second Lollapalooza. At this point, binging on their new album is necessary.

Stylistically, their new album has a much different feel than their last two. There are songs that have the classic Foster the People sound like “Doing It For the Money” and “SHC”, which were both released in April as part of their 3 song EP entitled III and others that add elements from other styles of music. “III” sounds like a deep house track. If it wasn’t for Mark Foster’s signature vocals, I’d think I was listening to a Flume song. There’s more electronic influence in songs like “Loyal Like Sid & Nancy” and “Harden” too. Foster the People has always used synth in their music but these songs just sound more electronic. Maybe it’s me and how my listening style has developed, but I’d argue regardless. I even feel like there’s a jazz influence in some of their songs, particularly in “Static Space Lover”.

As I said before, I believe this album sounds different to me, but Foster the People has been blending genres since their first record. There’s dance, punk, and hip-hop blended into their previous albums. There’s just something about this one that stands out though. The band wanted this record to be a uniting voice amongst a world filled with negativity too. I think it has the potential to be just that as many songs express camaraderie lyrically. I believe listeners will be able to relate and use this music to rise above the hate in the world.

If you asked me who my top 5 favorite bands are at this point in my life, the first band I’d name would be Foster the People. Torches is still one of my favorite albums of all time. So for me, buying this album was a no-brainer. I would have even bought it blindly. Therefore, it might be hard to believe my opinion is unbiased when I say that I think this album would appeal to more than just Foster the People fans because of the development of their music style. I promise it’s worth checking out though so do yourself a favor and pick-up a copy.