indie rock

The Last Goodbye: Album Review

Last month, electronic duo, Odesza, released their latest album The Last Goodbye. Their last album came 5 years prior with 2017’s A Moment Apart. It was during that time that I got into Odesza and ended up seeing them 4 times between 2017-2019. I was excited in the spring when they announced their latest album, and much like others was wondering if the title hinted at the end of Odesza? After listening though, I can say the title has much more to do with the meaning behind the album than the band.

Each of Odesza’s albums have a solid foundation in their dreamy, indietronica sound but vary slightly. The Last Goodbye is no different. It has that well-known Odesza feel, but with a slightly funkier, edgier sound. I think it’s a bit heavier on the future bass as well. A few of the songs, like “The Last Goodbye,” “Equal,” and “Behind the Sun,” give me Flume vibes, which I’m kind of a huge fan of.

I have to say the album didn’t quite “hit” at first for me, but took a couple replays before I found a song or two that I really liked. “Forgive Me” is my favorite on the new album. It’s an elctropop banger. “Better Now” is another favorite. It feels like it could have fit on A Moment Apart but ended up landing on their new record instead.

Odesza’s comeback this year was highly anticipated. The group recently embarked on a tour in support of the album with drumline in tow. I was able to catch a show last week and was dancing almost the entire time. They’re so fun live and their production was even better than I remembered. I feel as though fans are really digging this album as much as any past Odesza album, so I think it’s worth a listen. You’ll definitely find a song you enjoy, as there are plenty of different sounding songs and energies on the record. As Odesza said in a recent interview, this album definitely isn’t “The Last Goodbye.” It’s “about stepping back in, returning to each other in celebration,” which is exactly the effect it’s having.

Dance Fever: Album Review

I’m coming at you quick with an album review for another album that dropped 2 months ago. I was in DC at the time seeing HAIM and on the brink of an EDC Las Vegas departure when it was released. I will say I was about to order the album at one point when I realized after receiving a copy in the mail, I must have pre-ordered it earlier in the year. I honestly forgot amidst all the things I had going on and patted myself on the back for that one. I have yet to sit down and really listen to the album in full though. It’s mostly because I’ve been distracted by the band Wallows, who I got into after seeing at Coachella. I’ve been in a huge Wallows phase since Coachella Weekend 1 and it’s still yet to let up. In fact I’ll be seeing them for the 5th time in 4 months next week! Let’s get back to Florence though.

Dance Fever is Florence + the Machine’s fifth studio album. Their last studio album was released in 2018. I have to say I was excited for new music for one of my favorite groups, headed by female indie pop vocalist Florence Welch. I expected an album with a title like Dance Fever to be full energy upbeat tracks all the time, but it really isn’t. There’s a few bops like “Free”, “My Love,” and “Choreomania”, but many slower, chill, entrancing melodies like “The Bomb”, “Good Morning Elvis”, and “Girls Against God.”

Dance Fever is a solid indie pop/rock album from a group that has been putting out similar albums since 2009. Florence’s vocals drive this album, especially on the interludes and the other slower tracks. I’m not shocked though as her vocals really drive all their music.

I don’t think this is one of Florence + the Machine’s best albums though. Their earlier albums are a force to be reckoned with. Dance Fever is promising though with several great songs that deserve plenty of praise and hype. “King” is one of those from the album. I plan on spending more time listening to the album, but I’m sure a Wallows song will pop in to my head and I’ll revert back to listening to them again. That seems to be a theme lately. Florence + the Machine are embarking on a fall tour in support of the album starting in September. I’m disappointed to say I won’t be able to make a show this time around due to work obligations. If you get the chance though, I wouldn’t pass up the opportunity to see Florence and her machine. I also don’t think you should pass up the chance to listen to their latest record, despite it not being one of their best in my opinion. I’m sure you’ll find something you love and can dance to on it. It’s Dance Fever after all.

The Dream: Album Review

When I was in the midst of previewing Coachella and almost ready to head out for the second leg of my Mexico adventure in February, alt-J dropped their fourth full length album The Dream. The band also recently embarked on a North American tour with Portugal. The Man in support of their latest with more dates planned for this year worldwide. The Dream is their first album in five years since 2017’s Relaxer. Overall, alt-j’s latest album maintains their unique indie rock style of sound that is prevalent throughout their first three records with a slightly more Americanized rock sound.

The album much like it’s title is very dreamy. It’s very chill and sometimes somber indie rock with minimal bops. It’s the perfect soundtrack for a long scenic drive in my opinion. “Hard Drive Gold” is the “Left Hand Free”, “Breezeblocks”, or “In Cold Blood” of The Dream. I feel like each alt-j album so far has one of those and “Hard Drive Gold”, the song about crypto, is that hit of their latest release. “U&Me”, “Get Better”, & “Happier When You’re Gone” are solid tracks reminiscent of that classic alt-J sound as well. The main difference from this album compared to their first three is that alt-j’s sound has steered from the Middle Eastern sounds found in their earlier music. It’s more rock heavy yet the vocals are still smooth and distinguishable as alt-J tracks.

I don’t think this is alt-J’s best work, but the album does have a good handful of quality tracks that will stick around on set lists in the future. I feel like any time a band slightly strays from their original sound this tends to happen. It’s worth listening to as an alt-J fan though and is probably worth adding to your music collection too. I added it to mine on vinyl yesterday and I’m stoked to listen to it on this rainy spring weekend. If you haven’t already, check it out on a chill day or when you need a good soundtrack for a long drive. It’s quality new alt-J ∆.

Give Me the Future: Album Review

In February, while I was solely focused on writing Coachella Band Previews, several of my favorite bands dropped some new albums and I neglected to review them. The first of those was Bastille. On February 4th, Bastille released Give Me the Future. They dropped several tracks during 2021 in anticipation of the new album. Give Me the Future is Bastille’s fourth full length album and their latest since 2019.

Bastille is a band that has such a defining sound from Dan Smith’s smooth vocals. Their sound has always been a welcome consistency for me. That consistency lacks for a handful of artists so it’s nice when it exists. I will say the sound on the new album incorporates this modern, tech-y, futuristic style sound that is unique to other Bastille records, but it’s just enough to make their album sound different without making them sound different. A perfect example of this is “Plug In…” or “Back to the Future.” The theme of the album has such a deep, meaningful nature with the lyrical content too. The band credits that to the wild turn the world took in 2020 with the pandemic and what came from it.

As much as I always enjoy the music Bastille puts out, I have to say this album as a whole didn’t really do much for me. There’s a few songs I enjoy like “Shut Off the Lights” and “No Bad Days,” but overall as a whole it hasn’t really stuck out. Nonetheless, I’m grateful for the new tunes, many of which I heard over the last year before the whole album came out! Maybe that’s part of the reason why I haven’t felt as hype about it. Many of the songs I like came out before the album release. The ones I hadn’t heard yet didn’t really stick out. That could be it. I feel like I’m being picky about it. As a fan of Bastille and indie pop though, I still say it’s worth listening to and something you should decide on for yourself.

Coachella Band Preview: Phoebe Bridgers

As we near the end of February we’re another week closer to desert sunsets, festival fashion, chill vibes, and incredible music. I’m closing in on the end of my 2022 Mexico run and what a time it’s been this year. It’s always such a unique experience living and working in another country. With this year came plenty of other new challenges too, but I’m thankful for my team and friends who were there through all of it. Mexico is just the Coachella pre-party anyway right? I’ve spent some time listening to several 2022 performers, while working south of the border, including a woman who has gained significant popularity over the past few years, Phoebe Bridgers.

Phoebe Bridgers started her solo career in 2015 after leaving her first band Sloppy Jane. She released her first EP, Killer, around that time. The record was produced by then boyfriend, Ryan Adams, and released under his label PAX AM. Phoebe released her debut album Stranger in the Alps in 2017 shortly after signing with independent label Dead Oceans. The album was an independent success. Bridgers then joined up with fellow independent artists Julien Baker and Lucy Dacus to form the indie rock super group Boygenius. They only dropped one EP and embarked on a U.S. tour in the fall of 2018 before again continuing on with their solo projects. However, Bridgers also joined another side project with Bright Eyes front man Conor Oberst in 2018 when the two formed Better Oblivion Community Center and released their debut album in January 2019. The two embarked on a sell out tour that spring as well.

In 2020, Bridgers was supposed to tour with the 1975 in support of the release of her second solo album Punisher. Of course we know what happened there and the tour was ultimately cancelled. Punisher went on to major success though receiving tons of publication accolades and three Grammy nominations, one for Best Alternative Music Album and two for Best Rock Performance and Best Rock Song for the single “Kyoto.” Bridgers, herself, also received a Grammy nomination for Best New Artist, even though the “new” felt pretty relative as she’s been making music for several years.

Phoebe Bridgers music style is substantially indie folk, but can also be considered indie pop or indie rock. Nevertheless, she’ll fill that indie music spot for Coachella this spring and will likely attract a huge audience due to her 2020 success. 2022 will mark Bridgers first time performing the iconic southern California music festival. I’m hoping to be able to see one of her performances over the two weekends. I first heard about her in 2018 when a coworker of mine thought I would like her music and gave me a song to listen to. Again I can’t say I fell into the hype over her during the past few years, but I’d still love to see her. I suspect she’ll be playing Friday night on the main stage before Harry Styles. I plan on doing all the prepping I can for her set, because I feel like I should like her more than I do. Here’s what I’ve been listening to and what you should too:

  1. Funeral
  2. Kyoto
  3. Motion Sickness
  4. Garden Song
  5. Scott Street
  6. I Know the End
  7. Smoke Signals
  8. Graceland Too
  9. ICU
  10. Georgia

(Bonus: Jesus Christ 2005 God Bless America (the 1975 song but feature Phoebe Bridgers because I just love it))

Coachella Band Preview: girl in red

Now that it’s February, we’re closing in on the two month mark until Weekend 1! It feels so weird writing this anticipating Coachella like it’s any other year. It’s not though. We haven’t been thriving on the polo fields since 2019. So much has happened and changed since then, but at the same time, having Coachella back will feel like another part of normal life has returned. I keep writing these blogs like I have for years, but god knows I’m so much more excited and emotional about getting back to Coachella this year than I ever was. That being said, this week I’m stoked to preview an artist I didn’t know much about when the 2020 lineup came out. She was on it but I had no idea at the time. Thankfully over the last two years I got to know and love girl in red.

When girl in red was booked for Coachella 2020, she was up and coming. She was an undercard. But thanks to tik tok and lesbians everywhere, girl in red has since exploded. Last spring girl in red, aka Marie Ulven Ringheim, released her debut album, if i could make it go quiet. The album reached top 10 spots on music charts worldwide. I was able to catch a few songs of her ACL set during Weekend 2. She played the main stage early in the day. She wasn’t drawing a huge crowd at the time, but I guarantee she will at Coachella. This time her name has moved up on the lineup poster and I suspect she’ll be playing a late afternoon or early evening set on the main stage or at Outdoor.

Since I first wrote about girl in red, as I already mentioned, she has gotten a lot bigger. Over the last year, she’s stuck to the festival circuit, in support of her debut album. Her name has been rising higher on every festival lineup though. She has a completely sold out spring North American tour lined up that includes her stops in Indio, before she heads back overseas for the European leg of the tour. The European leg is completely sold out too.

girl in red is an act that you won’t want to miss in April. She fills the indie rock card that now seems a lot more rare at Coachella. However, she’s part of that new wave of Gen Z indie rock, so you’d expect a lot more younger fans at her set. She’s definitely going to crush her first Coachella appearance though. Here’s a few tracks that you’ll need to know before you catch her:

  1. we fell in love in october
  2. Serotonin
  3. i wanna be your girlfriend
  4. bad idea!
  5. midnight love
  6. girls
  7. I’ll Call You Mine
  8. summer depression
  9. Rue
  10. You Stupid Bitch

The Return of Live Music and the Top Tunes of 2021

I came into this year believing it would be a transition. I knew it wouldn’t be the best year ever, but I truly believed we were going to transition back into some weird period of normalcy that wasn’t quite exactly normal yet. Sure enough after 15 long months, we did and live music came back into our lives. I went back to work. I saw my friends again, made new ones, and got closer to others, which is something I’m so grateful as someone who works in live events. Usually at the end of the year, I recap some of my favorite music, but this year, after talking to a friend of mine, I’ve decided to include something extra. This was the first year in a while that I didn’t have a stand out favorite song of the year. For me, this year was a comeback to music I know and love with a few new faves along the way. You’ll see what I mean. So let’s get to it, here are my 2021 favorites in music:

Torches X -Foster the People

I knew going into 2021 that Torches, one of my all time favorite albums by my favorite band Foster the People, would be turning 10. Last fall, I was hoping they would play a drive-in show in May in honor of the 10th anniversary. Needless to say I never expected I would get to see them play a 10th anniversary show in LA in November nor did I expect a deluxe edition of the album with some of my favorite early Foster the People songs. That’s what I got though and I’m more stoked about it than you know. Plus after years of hoping and wishing, “Broken Jaw” is now on Spotify. It can’t get any better than that.

30 -Adele

After 6 years, Adele finally put out new music in 2021. As I wrote recently, 30 hasn’t been my favorite Adele album, but it was still something I anticipated for quite a while. It deserves recognition for that, especially after the endless amount of Twitter teases over the past 2 years. It’s still one of my favorite albums of 2021 and has several great tracks that I love. I’m stoked Adele is finally back.

Decco

Decco was a huge discovery for me this past spring. I spent a good amount of time listening to their songs after finding them because of a Kygo song on my Release Radar Spotify playlist. I’m actually surprised their song “I Didn’t Know” wasn’t my most listened to song of 2021 because I surely spent a lot of time listening to that track this past spring and summer. I’m hoping there are more solid Decco songs released in the future and maybe even a festival set or two. They’re great and I’m glad I found them.

“Chapstick” -COIN

I added this song to my work out playlist in mid-October after returning home from ACL and it’s been a song that I haven’t been able to get enough of since. I’ve been listening to COIN here and there for the last few years, but this song just hits different for me. It’s got such a great edgy, rock feel. I’ve kept it on repeat for the past 2 months and I’ll likely be keeping it that way into the new year.

“Dissolve” -Absofacto

My friend Hailey told me about this song during Lollapalooza because Absofacto played the festival. She said the song was a big hit, but I hadn’t heard it. She played it for me and I was hooked. I added it to my summer work out playlist and much like “Chapstick” it was a song I kept playing on repeat. In fact, I even extended the listening period by putting it on my fall work out playlist too. It’s been a song I’ve loved since the summer and one of my favorites of 2021.

“Low Rider” -War

This 1975 classic has been the official/unofficial song of the year for me. What started as a joke over the radio at Peach just carried on for the rest of the year. I kept hearing this song at random times after that and it’s always a jam. I even bought the single on vinyl 2 weeks ago. Glad this song made a comeback this year for me and the festie pals because it’s truly the best.

Loving in Stereo -Jungle

Jungle’s Loving in Stereo was another one of my favorite albums of the year. It has such a complete track-listing with so many songs I enjoy. I had it playing in my car for months too. I’ve been listening to Jungle since their debut album was released in 2014 and caught them at Coachella in 2015 and Lollapalooza in 2018. This is definitely my favorite album of theirs so far and I’m disappointed I didn’t see them on their tour this fall in support of it. I’m hoping for some festival appearances next year that I’ll be able to catch because this album made me love Jungle even more.

“Sweet Talk” -Fitz Leland

In early 2021, I discovered this jam by independent artist Fitz Leland. It was one of my favorites to listen to last winter, especially during my weekly adventures on the slopes. It was always such a vibe hearing it while on the lift or while lifting (you know it was on the work out playlist too!). This one definitely helped carry me through a winter I tried to make the best of. It’s such a mood.

So I know I usually do a top 10 followed by some runners up, but this year wasn’t about music I listened to. It was about music I saw. Being sidelined for 15 months from shows and work made me want to see music as much as I could as soon as I was able to. I also appreciated seeing live music much more. After thinking about it and looking back on my calendar, I’ve seen 39 full and partial sets this year since June, when I saw my first concert since Dermot Kennedy back in February 2020. So instead of just songs, albums, or artists, here’s something extra that I’ve never done yet. Here are my favorite sets from concerts and festivals (in the order in which I saw them) once live music came back this year:

The Suicide Machines & Less Than Jake

This was my first concert in 15 months. I saw both bands play AC Beer Fest on the first weekend of June at a time when everything was starting to transition into a normal-ish time again. AC Beer Fest was an outdoor festival that we tailgated on a beautiful Saturday. I can’t even express what it felt like in that moment to be together with my friends at a ska punk show again. Tears were had. Songs were sung. We skanked and I got beer accidentally dumped on me on the way out to the parking lot. It was the best day with my pals.

Carrie Underwood at Country Jam

Country Jam was my first big gig/festival that I worked since Mexico in the winter of 2020. I also got to work a role that I wanted to try to get involved in on my next festival season, credentials. The last night of the festival Carrie Underwood headlined. I’m not a country fan but of course I know Carrie Underwood, even if it’s only like 2-3 songs. So I anticipated her set all weekend. After a successful week on the Jam Ranch, I watched her Saturday night set with my co-worker friends. Again, it was an incredible feeling to be back to work and back at a music festival and that realization set in while taking in Carrie Underwood. The set culminated in “Before He Cheats.” We went so hard that we probably could have taken a Louisville slugger to both head lights in that moment that truly felt like live music was back.

Miley Cyrus at Lollapalooza

Lollapalooza has always been one of my favorite festivals. Unlike other festivals, I didn’t get to work Lolla in 2019 so it made the return to Lollapalooza this year even more special for me. I actually felt an excitement coming into work the first show day that I hadn’t felt at all yet despite working 2 festivals at that point. It was a different feeling that comes with working my favorite festivals though so that’s probably why. Miley Cyrus headlined the first day of Lollapalooza this year and I figured once I closed up my ticket help I would catch the end of her set. I met up with a girl on my team who I had met 2 days prior and that I clicked with instantly along with my VIP one-off turned festival worker homie Finnerty. Two of our other friends popped out of the VIP area that we were standing next to when Miley went into “7 Things.” We all went so hard. I kind of forgot the song existed until that moment. After that, she just kept playing all the hits. I couldn’t believe how many Miley songs I actually knew. She killed it too. I loved watching everyone get emotional during “The Climb.” The production during “Can’t Be Tamed” was fantastic. Then she closed with “Party in the USA” a half hour after her set was supposed to end which felt like a true party with people being together, dancing, and singing in the heart of downtown Chicago at the first major music festival since the panny d began. It was a special moment, granted some news about new variants and such changed everything the next day. That first night was a true celebration though and I was grateful to take it in from the crowd.

Green Day at Hella Mega

When the Hella Mega Tour was announced in 2019, I knew I wanted to work it. I even got to the point this year thinking I might attend if I didn’t get the chance to work. Fortunately though, I was able to work two dates on the tour and it was the coolest VIP event I worked all year. It was a no stress, low energy type of work day that ended as soon as the headliner, Green Day, took the stage. Green Day is such an iconic band and anyone who has ever listened to alternative/punk music has listened to Green Day. The first date I worked was in Hershey in August. I was entranced when I walked in the venue and I saw Bille Joe Armstrong strumming hard to “Holiday.” Green Day played all their hits on the tour from “Boulevard of Broken Dreams” to “Basket Case” to “21 Guns.” It was all around awesome. They were so entertaining to see live and that was my first time ever seeing them. I, of course, popped in the venue for one or two Fall Out Boy songs earlier and heard their entire set along with Weezer and the Interrupters’ from the VIP check-in spot too. We were set up right near the stage. It was a great day overall and I felt so lucky to have experienced it.

Lizzo at Firefly

Firefly was a rough week and half for me due to some personal feelings and such, but being able to actually be at the festival is always a rarity these days and one I cherished about my time in the Woodlands. After the Lizzo hype of 2019, I was so stoked to see her Sunday night set in one of her first performances back since early 2020. I got to see it from the VIP area with several of my friends who were working in VIP that weekend. It was a nonstop hour and a half dance party filled with endless joy that felt “good as hell!”

Glass Animals

After Firefly ended, I had 2 days before flying out to Austin for ACL. I was home for a total of 26 hours because the night before flying out I saw Glass Animals with my friend Amanda. We bought the tickets when the tour was announced back in May cause I anticipated being able to make the Tuesday night date. I made it happen and it was another night of nonstop dancing. Before I got into Glass Animals, I saw bits and pieces of their July 2017 Panorama set. That following fall I started listening to Glass Animals and felt bummed when I missed the call on them earlier that year. Dreamland was one of my favorite albums of 2020. I spent so much time at home listening to them last year that finally getting to see them perform in late September after all that time felt so satisfying. We had such a good time that we’re even thinking about seeing them again next year at Red Rocks because we don’t wanna talk we just wanna dance to Glass Animals again and again.

Dermot Kennedy at ACL

I made my return to ACL this year after working my first one ever in 2019. It was always a festival that I wanted to work but couldn’t figure out an in for. I was asked at Lolla if I wanted to do it again and I immediately said yes to spending two weeks in Austin. ACL brought a ton of great times and reunions with my ticketing fam and Austin friends, but none was more special than my reunion with my friend Danny, who I lovingly refer to as the Danimal. It had been just over 2 years since we last saw each other and after taking a full time role with a major event company he came to the 2nd weekend of ACL for fun. Thanks to my amazing team I was able to take some time to see all of Dermot Kennedy’s set with Danny. Danny was with me at Coachella 2019 when I first discovered Dermot. I caught Dermot’s set at Lolla, but seeing his ACL set with my favorite festival buddy was more special. We sang along to everything and danced harder than one would expect at a Dermot Kennedy set to the point that we created a mini mosh pit with two strangers during “Giants.” It was one of the most fun live music moments I experienced all year.

Foster the People (Torches X Show)

I already dedicated a whole blog to this show, so please check it out for all the detail. Just to reiterate though, I can’t believe I got to experience this show. It still feels surreal. Favorite band, favorite album, in one of my favorite places. Surreal.

LCD Soundsystem

When I wrote my end of 2020 music recap, I wrote about hoping to hear from LCD Soundsystem again in 2021. Well they came back. They announced a 20 show residency in NYC in November and December in early October and I spent one morning before heading to site at ACL struggling to get tickets. I managed to secure tickets to one of the early December shows with plans to see them again with my friends at their final date of the residency. The residency got cut short due to the unrelenting panny d, but I was still able to go to the show I purchased tickets for in the beginning of December. It became a whole weekend of shows with my friend Hailey who flew in to hang with me and to see James, Nancy, Pat and the rest of the crew. We spent some time hanging in NYC too. LCD Soundsystem always gets me hyped since I never thought I would get to see them after getting into them in 2012 post-break up. This time was no different as I planned to dance myself clean for the third time. We heard, in my opinion, one of the best set lists of the residency too. I danced myself clean with all my friends as daft punk played at my house and New York, which I love brought me down. It was so good that I could do it on repeat.

Streetlight Manifesto

The day after LCD Soundsystem Hailey and I made our way to Philly to attend mine and my friends’ annual Christmas celebration at Streetlight Manifesto. Usually it happens in central Jersey with just me and my two friends Ashley and Noah, but this year with an announced Philly date, we decided to do it there with a bunch of other pals. I convinced Hailey to come even though she wasn’t into Streetlight with the promise that she would get to experience this incredible tradition we started in 2018. Despite not playing “Point/Counterpoint” into “Keasbey Nights” back into “Point/Counterpoint,” we had the best time singing along with our arms around each other to the uptempo ska songs we loved listening to in high school after a year not being able to see Streetlight. It was another one of my favorite concert moments of the year.

Runners-Up:

All Time Low

Thanks to my friend Emily and her homie at the Bottom Lounge in Chicago I was able to attend All Time Low’s Lollapalooza aftershow during Lolla week (the show was Wednesday before the festival started). After Hailey hooked it up with providing a place to stay, we both started talking about attending a show the night before Day 1 of the festival. We both had an interest in All Time Low and it just happened to work out that Emily had connections at the venue when I told her we wanted to attend. The only problem was I worked onsite until 7 PM the day of the show which was when it started. There was an opener though so I figured ATL wouldn’t hit the stage til 8:30 or show and we would be fine. We were not, in fact, fine. All Time Low came on at 8 and we got to the venue around 8:40 by the time I left work, moved my stuff to the place we were staying, quickly changed, and ubered there. We saw the last 4-5 songs though. They were all bangers and it was enjoyable for the brief time we were there. I got to hear “Dear Maria…” their most iconic song, which was really cool because I’ve known that song since high school and I had never seen All Time Low before that night. Overall, it was fun to take in a show with Hailey since we were getting to know each other and realized we had similar music tastes. It really kicked off my return to Lollapalooza too and I knew it would be a great week.

The Killers at Firefly

As I mentioned before, I was able to see a bunch of music at Firefly given my role and hours for the week. I was able to see everything I wanted to see on Friday and Sunday at the festival, which included Friday night’s headliner, The Killers. Both times I saw the Killers previously were with my mom, so this was the first time seeing them without her. I was sure to record her favorite song though and send it to her as I took in the set with some of my festie friends. It was another set of the weekend that included tons of dancing as I sang along to mostly every song. The Killers always put on a good show and this was no different even if they didn’t end with “Mr. Brightside.”

Nelly at Firefly

My inner middle school self was so excited to see Nelly at Firefly. That’s the great thing about festivals, being able to see music you wouldn’t normally buy a concert ticket to. I took advantage of the opportunity and it was such a fun set. Nelly was so big during my middle school and high school years that I knew almost every song he performed. There was a huge crowd for his set and almost everyone was singing/rapping along to hits like “Ride Wit Me”, “Hot in Herre”, “Air Force Ones”, and “Grillz.” As a former fan, it was definitely a highlight to be able to see Nelly this year.

Now that I did a double review for the year that brought live music back into our lives, what’s next? Well there’s still plenty of concerts and events that didn’t get to happen this year so next year the comeback is still on. I’m highly anticipating new Arctic Monkeys next year and a Foster the People tour that they mentioned at their Torches X show. I’m also still hoping for new music from LCD Soundsystem. At least they came back to play shows these past 2 months. I’m also excited for new alt-J and Bastille. Both have new albums dropping in February. I’m still hoping for more Florence and the Machine as I was last year, but it would also be great to add Tegan & Sara to that list too.

If all goes well, in a few days there should be a certain well-known festival that will be dropping a lineup. I have my fingers crossed that all goes accordingly with it this year since it’s been 3 years since the last one. I know so many others are hopeful as well. In any event, once that lineup drops there will be several blog posts coming straight from the marathon month I’ll be spending in Mexico, since those events are back as well. 2021 will definitely go down as a return to live music and I hope it all keeps going smoothly into the next year. Until then, don’t stop listening and buying tickets!

Raise Up to Your Ability

It’s rare that I write a specific post dedicated to a personal music experience outside of Coachella especially with the amount of music I see, but I recently had a worthy one. About two weeks ago I traveled to LA to see my favorite band, Foster the People. They played a 3 night run at the Wiltern. Aside from a gig in Mexico a few days prior, it was their first live performances since 2018 (understandably so given the live music shutdown for over a year). This stint wasn’t just regular shows though. It was a 10 year celebration of the release of their first album, Torches. The band played the entire album in order during their sets each night.

A year ago, when I stayed home most of the time and spent my days working out, looking forward to meals and the occasional visits with friends, and missing live music, I started thinking about the fact that Torches would be turning 10 in 2021. I thought to myself then that Foster the People would be the only band I would compromise my feelings about drive-in shows for (I thought they were dumb), if they played a 10 year Torches anniversary show in May (Torches came out in May 2011). I didn’t know what the status of regular shows would be at the time and I wasn’t trying to jump the gun either. Then in August, after almost 2 months of a close to normal return of live music, Foster the People announced their 3 night run of Torches anniversary shows in LA. I had no choice but to maintain that promise I made to myself last fall and go.

So on a chilly LA evening in late November, I ubered to the Wiltern from my hotel in Venice. I met friends in a line that wrapped around the block upon arrival. That was followed by another wait in an extensive merchandise line so I could buy the special poster for the anniversary shows. Thank god for drinks and my pals. We secured a spot relatively close to the stage, house right after I secured the commemorative poster.

Foster the People came on around 9 PM. I attended the Friday night show and for the first time in a very long time, I had not looked at the set lists from the previous two nights. Other than a spoiler of “Lamb’s Wool” I saw as I scrolled through Twitter two days before, I knew nothing about their sets. They opened with “Style”, a song released in 2019 on the Pick U UP EP and proceeded to play a mix of old songs and new songs, including one of their earliest songs “Chin Music For the Unsuspecting Hero”, before that all too familiar drum and synth intro of “Helena Beat” began.

By this point, I had not stopped dancing or singing along to every song. Thankfully one of my friends went on a bathroom run and grabbed us some waters. After “Helena Beat”, I knew what was coming, Foster the People’s most famous song “Pumped Up Kicks.” The cheers were loud when that bass line started. It’s the song that everyone knows, but given all the controversy, I tried to take it in as much as possible because I wasn’t sure if it would be the last time I hear it live. It felt amazing knowing I had one last time hearing the hit song live though in case they don’t play it anymore.

“Call It What You Want” and “Don’t Stop (Color on the Walls)” were next. I didn’t chug my water until after “Houdini”, which featured an appearance of blow up Torches album art creatures that flailed along as we rose up to our ability. When Mark and the boys (without Mark Pontius for the first time since his departure from the group in mid-October) finished “Warrant,” the applause and cheers lasted for at least a minute. I couldn’t even believe I had just heard one of my all time favorite albums played live front to back. It was a special feeling. I was sweaty and so ready for more.

The band played five more songs after that. It was another mix of new and old with live debuts of “Cadillac” and “Walk With a Big Stick” amongst “Ruby”, the cult favorite “Broken Jaw”, and Sacred Hearts Club hit “Sit Next to Me”, which featured the Sacred Hearts Club tour neon light dropping into the background. After a brief departure from the stage, Foster the People returned to encore with 3 more songs, “Under the Moon”, “Lotus Eater” sans cover of “Blitzkrieg Bop” by the Ramones that they played during their last tour, and finally ended the night with Supermodel jam “Pseudologia Fantastica.”

When the house lights returned, it was 11 PM. Foster the People played a 2 hour long set, longer than any other night during their brief run at the Wiltern. It was the second time I heard them play that long. The other was the last time I had seen them, September 18th, 2017 at the Fillmore in Philly. That was the best concert I’ve ever been to. They played countless hits from every album released until that point. I was up against the bar watching every movement and action on stage. I even caught the set list. This was just as special in a different way.

It was an incredible night that reminded me about the importance of live music. Last year I spent so much time wondering when I would get to go to another show. I felt frustrated in losing so much of what I loved. My only consolation was to tell myself that we would be back soon enough. Although I didn’t know it at the time, this concert was one of the reasons I got through last year. It was my favorite band, playing my favorite album in one of my favorite places (California) and I felt beyond grateful to experience it.

if i could make it go quiet: Album Review

Since discovering girl in red last fall, I’ve joined the fans anticipating her debut album and finally it’s here. if i could make it go quiet, the debut album from girl in red, was released on Friday. The album was released through indie label AWAL and produced by girl in red herself, Marie Ulven, along with Matias Tellez and includes some production credit from Finneas O’Connell (aka Finneas, the brother of Billie Eilish). Throughout the past year girl in red released a few tracks in anticipation of the album including, “midnight love” and “Rue” last year, followed by “Serotonin” in March 2021 and “You Stupid Bitch” two weeks ago.

The album, as promised, features what we know and love about girl in red with a more mature feel. So yes, it’s indie pop/rock music about girls and love, but also with a jam about mental health and lacking serotonin. The quality of the record definitely feels more developed from girl in red’s earlier work too. This is the kind of album that could be the soundtrack to a solo drive in your car while on a road trip. I could also envision listening to this album while laying alone in a wide open field.

My early front-runners for favorite songs on the album are “Body And Mind”, “Serotonin”, which is an absolute banger, “You Stupid Bitch”, and “I’ll Call You Mine”. One thing I’ve always got from girl in red is that she doesn’t hold back in her writing. She says what she wants and it’s evident in so many of her tracks on the debut record. Listen to “Serotonin”, “Did You Come?”, and “hornylovesickness” if you want to see what I mean. I think this attribute to her music is what makes girl in red so great in her own way.

So far I feel like this year has had a slow start, both in general and musically, but even though we’re 5 months in, there’s still time. There’s plenty of potential for good things to happen and great new music to be released. girl in red’s debut album is one sign of that optimistic view for this year as it’s a solid indie album from front to back. Ironically, it boosted my serotonin and I hope it does the same for you as well.

Fruit Bangers

It’s not a secret that I make a new work out playlist every couple months. I’ve been doing this on Spotify since 2015-2016. My song selection is very simple. Sometimes one of my favorite artists releases new music and other times I’ll go through new music on my Release Radar or Discovery Weekly playlists and add songs that I like after my first listen and I feel are upbeat enough to work out to. Regardless, most times I’m not listening to a song repeatedly before I add it to my playlist. I’m usually going from new music or at least music that is new to me. This can cause me to occasionally find a song that I really really like after I keep hearing it day after day, which is exactly what happened two weeks ago.

While working out and listening to my first work out playlist of this year, I realized I really liked this one song I kept hearing. Until I realized what it was, I would constantly check to see the name of the song and the artist when it played. The song was called “Nectarines” by MELVV featuring Royal & The Serpent. Then it hit me. It’s only been a few months since I found another song I like about citrus fruit! Before “Nectarines” it was “Tangerine” by Glass Animals. In the summer, I found another guilty pleasure in listening to “Watermelon Sugar” by Harry Styles. That’s a ton of fruit music in a short period of time!

I decided to start doing some research. Although it’s not super common, there are plenty of songs written that have food titles. Most of the songs aren’t really about food though. They’re usually metaphors for one thing or another, but even so, there are a solid amount of songs with food titles out there. “Chocolate” by the 1975, “Banana Pancakes” by Jack Johnson, “Cherry Pie” by Warrant, and “Flaming Hot Cheetos” by Clairo are just a few of the food songs I thought of. I’m sure you know a few others. As I researched, I realized that there was also plenty of drink songs. There might be even more than there are for food. Some that I found and thought of are “Soco Amaretto Lime” by Brand New, “Beer” by Reel Big Fish, “Cola” and one of my personal faves “Diet Mountain Dew” by Lana Del Rey, “Poprocks and Coke” by Green Day which is kind of a food and drink song, “Strawberry Wine” by The Chicks, and then some of the most notable ones like “Gin and Juice” by Snoop Dog, “Tequila” by The Champs, and “Escape (The Piña Colada Song)” by Rupert Holmes (I counted it because it is in the parentheses and I mean come on!). I’m sure you could think of more as well, especially if you like country music (booze songs for days!).

When I started doing research on food songs, I was specifically searching for fruit songs though. I mean after two citrus bangers within months of each other, there had to be more right? Of course! I mentioned “Watermelon Sugar” earlier, which wasn’t Harry Styles’ first fruit song. “Kiwi” was on his debut album. “Peaches” by The Presidents of the United States of America was a hit too. “Raspberry” is a deep-cut by Grouplove. Besides drink songs, Lana Del Rey also has her own fruit track called “Cherry” and then Bay Ledges, whose song “Safe” was one of my top songs of 2018, has a song called “Mango”. There are other fruit songs out there too. It was just surprising to me that there have been so many that I’ve liked in a short period of time.

For now, instead of trying to find more fruit bangers, I’m just gonna keep jamming (fruit joke…get it?) to “Nectarines” and maybe soon enough there will be another fruit song I love. So here’s to all the fruit songs, the food songs, the drink songs, and even the songs that mention all of the above which is way more than I want to research. That shit would be bananas…B-A-N-A-N-A-S.