Lana Del Rey

Lust For Life: Album Review

It’s been a busy two weeks. I worked two festivals and I have another one coming up this weekend. As a result the blog has taken a back seat. Luckily I have a little time to review the second album that came out July 21st from one of my two favorite artists. I haven’t had much time to listen to it because I decided to listen to Foster the People’s (the other July 21st release) latest first. I saw them at Lollapalooza last weekend and I needed some prep time with their new material. Yesterday though, I began listening to Lust For Life, Lana Del Rey’s fourth full length album.

In late February, Lana released the first single from the album, “Love”, claiming that this album was for her fans and those who have supported her throughout the years. In the months following, Lana released two other singles from the album “Lust for Life” ft. The Weeknd and “Coachella – Woodstock on my Mind”. She also announced that the album would feature collaborations with A$AP Rocky, Stevie Nicks, Sean Lennon, and Playboy Carti.

Lana’s newest album offers music with a brighter feel than her sensual darkness heard in previous works. Her hypnotizing vocals are still a staple in Lust For Life though. The lyrics are what gives each song on the new record a more positive vibe. The music also gives a bit of a hip-hop/electronic feel.

As a fan of almost all of Lana Del Rey’s work, I think this album is a great comeback for the pop starlet. I fell in love with her because of Born to Die. I loved her even more after the Paradise EP. Ultraviolence was my go-to album for weeks after its debut, but then Honeymoon happened. I felt like I wasn’t into as many songs and I thought Lana was letting her music go downhill. So for me, Lust For Life is definitely a comeback with a sound that gives a nod to Born to Die as far as the hip-hop beats go.

Even though I’ve just started getting into this album because my listening binge began yesterday, I’m telling you it’s a good one. Is it at the level of Born to Die? I don’t think so, but it’s a damn good album. The amount of collaborations alone is a selling point. There are songs for everyone on it. My personal favorites are “In My Feelings”, “Coachella – Woodstock on my Mind”, and “Beautiful People, Beautiful Problems” ft. Stevie Nicks. It’s worth listening to. Even if you’re hesitant on buying it based on what I just said, listen to it on Spotify first. I’m sure it’ll convince you. Lana has come back with a vengeance and you don’t want to miss out!

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hopeless fountain kingdom: Album Review

As you know, all-new albums from some of my favorite artists will be dropping throughout the summer. The album releases began over the weekend. I’m going to try to review as many of them as I can, especially because I’ll be busy traveling and it will at least give me a few planned topics to write about.

On Friday, along with alt-J’s Relaxer, Halsey released her sophomore album hopeless fountain kingdom. Although it’s currently #1 on iTunes, it’s a disappointment for me. I’ve always liked Halsey’s darkness and edge that she brought to her music. Her new album seems generic. She tried to bring in this artsy, creative aspect to it by having it reflect a Romeo & Juliet type of scenario, but instead I feel like she’s trying too hard. I previously compared her styles and sound to a mix of Lana Del Rey and Lorde. Although this album brings in some of that Lana Del Rey creativeness, she’s strayed from the Lorde-ish type of sound and Lana-ish lyrical content heard on Badlands. If there are any songs that I enjoy/appreciate from this new album, it’s “Bad at Love” and “Eyes Closed”. “Eyes Closed” was released as a single a few weeks ago and I liked it initially. There’s really nothing more to it than that for me. Upon listening to the album though, “Bad at Love” was the song that stood out to me in sound and lyrics. It’s catchy, but the lyrics also give representation to Halsey’s bi-sexuality, which she’s been open about in the past. Sure the lyrics aren’t genius. They’re kind of just average pop lyrics. It’s definitely no “New Americana”, but I like the fact that the song reflects Halsey as an LGBT artist, which is something you don’t always get in music.

The new album also features a few collaborations. Quavo from the hip-hop group Migos, Lauren Jauregui from girl band Fifth Harmony, and Norwegian DJ Cashmere Cat all make appearances on hopeless fountain kingdom.

Overall though, I think this is one album I’m going to bypass on purchasing. It was a disappointment for me after such quality work with Badlands. I feel like Halsey is just falling into the main stream pop, where she had potential to be more than that. I’m going to just blame “Closer” and The Chainsmokers for this one. Hopefully her follow-up delivers in a big way. For those of you who really like this album, I’m sorry I don’t agree with you. I was hoping for this album to be just as good as Halsey’s debut. Unfortunately that’s not always the case and I’ll just hope for something better next time.

2017….The Best Year of Music?

Coming back from two weeks in So Cal has been a bummer to say the least. With Coachella, sunshine, warmth, palm trees, new friends, old friends, etc., I’ve been in a withdrawal. It’s also tough to come up with weekly blog topics because I feel like I gave it my all for the past 3 months writing about Coachella bands. However, there’s one thing that’s helped with all of the sad feelings recently. It’s the constant stream of new music flooding in from a bunch of my favorite bands and artists. Over the last 2 weeks, I’ve lost count of how many of my faves have released new tunes. I had a realization this past week that 2017 is shaping up to be the best year for music, or at least new music so I figured I’d write about it and give you a little preview of what’s to come.

Obviously there’s a ton of bands and artists releasing new music this year, way more than I plan to write about. The acts I’m mentioning are some of my favorites. Some I’ve written about in the past already. Actually that’s a lie. I’ve written about almost all of them before. The first is someone who I haven’t talked about for a while, but she’s one of my all-time favorites of the past 6 years, Lana Del Rey.

Lana Del Rey released a new single in February called “Love”. Upon its release, she said her upcoming new music was inspired by her fans and the people who supported her throughout the years. “Love” was the first of the new releases to give back to them. Until February, Lana hadn’t released new music since 2015’s Honeymoon. Then while I was at Coachella she released another new single, “Lust for Life” featuring The Weeknd. She also confirmed a few weeks before the single’s release that her new album would also be entitled Lust for Life. Although no release date has been confirmed for the new album (EDIT: The new album will be out July 21st.), there’s rumors that it will feature a few other collaborations with the likes of Stevie Nicks and Sean Lennon, son of John Lennon.

Another artist with new music out this year is Lorde. I, of course, wrote about her as a Coachella preview, but it was before she put out her new material. Along with Lana Del Rey, Lorde was one of the first to put out music this year. In early March she dropped her single “Green Light”. Then a little over a week after that she performed another new single when she appeared on SNL, “Liability”. I loved “Green Light” the first time I heard it. It’s the kind of song that makes you want to get up and dance. It’s the Pure Heroine follow up hit that I was looking for from Lorde. It got me so hyped for her new album Melodrama, which I thought may come out before Coachella, but isn’t going to be released until June 16th. “Liability” is the complete opposite. The song is so raw and emotional. It’s not something I’ve ever heard from Lorde. It sounds more like something Adele would sing. I denounced the song immediately after I heard it, but then I heard it again live at Coachella. It was incredible. Not just the song, but the entire moment surrounding the festival and the two weeks I spent in California.

She performed Sunday night and I was only able to see her performance on Weekend 2, the final night of what was the most incredible festival-working experience I’ve had thus far. Lorde spoke to the crowd of probably close to 100,000 people as if she were in a tiny dive bar and explained how much the song meant to her. Then she went on to sing her newest piece of music with everyone who cared to join her amongst the beautiful night scene at Coachella with the cool breeze blowing and lit up palm trees swaying as the ferris wheel glowed in the background. I took in the moment with two new friends I met while working the festival focusing on Lorde, the entire setting, and my one friend almost in tears because the song affected her that much. It was epic enough to force me to give “Liability” a second chance and I haven’t stopped listening to it since.

Then I came back from California and within days there was new music from my favorite band, Foster the People. I’ve liked Foster the People for 6 years now. They were one of the first bands that I liked when I started getting into the indie rock scene (See here for the story). They haven’t released new music since 2014 and I’ve been craving something new from them for the last 2 years. On April 27th, the indie rock trio released III, a three song EP with songs from their upcoming album. I listened immediately and have been listening to the songs non-stop ever since, “Doing It For the Money” in particular. I feel like the new music combines that old Torches sound with the newer Supermodel sound to create this in-between to both albums giving fans the best of both worlds. For me, it’s almost impossible to top Torches. I still keep the album in my car and pop it into my CD player on occasion. It’s one of my favorite records of the modern era, but this new album (at least indicated by the EP) has shades of Torches that gets me hyped for its release. As of today, the title and release date have yet to be announced, but I read that it should be out in June or July (EDIT: Foster the People’s new album, Sacred Hearts Club, will be July 21st).

On the same day that the world was blessed with three new Foster the People songs, Haim announced their upcoming sophomore album Something To Tell You and released a preview of the track “Right Now”. They also announced they would release a single from their upcoming album on May 3rd. Last summer when I saw Haim play at Lollapalooza they played a few of their new songs. I don’t remember what songs they played, but I do remember liking each one I heard. Each new song still maintained their signature sound. It got me excited for their new record and I’ve been anticipating it ever since. The album comes out July 7th, but until then we have the song “Want You Back” (the May 3rd single) to hold us over and any other new songs the sisters Haim decide to drop along the way.

alt-J is another band with a new album out this year. I really got into alt-J after seeing them perform at Coachella in 2015. My friends and I then saw them while they toured a few months later. Both shows were fantastic. alt-J released the first single, “3WW”, from their new record in the beginning of March. Then a few weeks later they released “In Cold Blood”. alt-J has always had this unique style of indie music and it’s again evident in their new music so far. Their new record Relaxer comes out on June 2nd.

If you thought five new records were enough, you haven’t been paying attention to music news because there’s a few more to be excited for. One of those is a record that doesn’t have a title or release date yet, but I expect it to be out later than the rest. I’m guessing it could be out any time between late summer and winter (EDIT: The new album, American Dream, comes out September 1st.), but I’m so grateful for the two new songs that were just released this past Friday at midnight in anticipation of it. After announcing their reunion last winter and headlining festivals throughout 2016, LCD Soundsystem finally released new music! They played several shows at the opening of the new venue, Brooklyn Steel, in New York City last month and debuted both songs there. The songs “call the police” and “american dream” were also just performed by the band on SNL over the weekend. I haven’t had much of a chance to binge listen to the songs yet, but I can’t wait to listen on my road trips I have coming up this month. Both songs are different and yet so good. At this point, I think I’d feel that way about anything LCD Soundsystem puts out.

So those are all my favorites that have new albums coming out soon, but there’s also a few other good music acts that I like with new tunes on the way too. Halsey just released two singles over the last month from her new album Hopeless Fountain Kingdom due out in June. So far from the new releases, her album seems like it’ll be less dark than Badlands. Phoenix will be releasing their sixth album and first since 2013, Ti Amo, on June 9th. They just dropped the first single from the new record, “J-Boy”, on April 27th. Finally a band I recently previewed before Coachella, Oh Wonder, will be releasing their second album, Ultralife, on June 16th. Over my two weeks spent in Indio, my love for and desire to see Oh Wonder grew a little more (I couldn’t see them at Coachella). Now I’m definitely stoked for their follow-up to 2015’s debut self-titled masterpiece.

Along with all that’s to come this summer, several great bands that I like have already released new music this year. The xx just released I See You on January 13th. I missed them at Coachella, but I’ll be seeing them live next week! Andrew McMahon in the Wilderness released Zombies on Broadway on February 10th and his new record has some great jams that give off a brand new electronic feel not usually heard in Andrew McMahon music. Lastly and most recently, Cold War Kids just dropped their newest album L.A. Divine on April 7th.

In total that’s 12 new albums from bands I like, about half of those being my favorites. I’ve said recently that all I need is for Florence and the Machine to release a new album this year to really put that final piece in the puzzle. Even without them this year is shaping up to be one of if not the best in music! I’m stoked so you guys better get stoked too because there’s so much to listen to!

25 Years of Lollapalooza

For the last two years since this blog’s inception, Coachella has been a primary subject from January through April. It started because I attended Coachella last year and I had an overwhelming excitement for my trip to Indio that I wanted to preview all of my favorite bands who were playing the festival. I decided to preview bands again this year because of the solid response to last year’s posts. Coachella has become this blog’s sole music festival focus. It’s also one of the most popular and well-known festivals in the world, but especially in the U.S. The United States has plenty of other big, well-known festivals as well. One of those festivals is coming up this weekend and is celebrating its 25th year. It’s called Lollapalooza and its home base is at Grant Park in Chicago, IL. I’m lucky enough to be working at the festival this weekend and I’m excited to also be able to experience all that Lolla has to offer.

The first Lollapalooza happened in 1991. It began as a touring festival created by Perry Farrell who came up with it as a farewell tour of sorts for his band, Jane’s Addiction. The festival grew in the 90’s as an alternative rock, grunge festival, which were two popular music genres during that decade.The festival toured from 1991-1997 but ceased to exist in 1998 as the tour failed to find a headliner. The decline of alternative rock is also credited for the festival’s cancellation that year.

In 2003, Jane’s Addiction got back together. Farrell decided to revive the tour. It planned to go through 30 cities in July and August that year, but ultimately had to cancel some dates due to poor ticket sales. The tour again was planned for 2004 but low ticket sales due to high ticket prices caused its cancellation. In 2005, Farrell teamed with Capital Sports & Entertainment (now known as C3 Presents) to produce the festival. It was that year that Lollapalooza became a destination festival in Grant Park. Lollapalooza 2005 spanned over two days and featured 70 acts on 5 different stages which generated a crowd of 65,000+. After returning to much success in 2006, Chicago Park District and Capital Sports & Entertainment signed a 5 year deal that would keep Lollapalooza in Chicago through 2011. After the 2008 festival, the parties again agreed on another deal that would keep the festival in Chicago through 2018. This year’s festival will be the first time that the event spans over 4 days. The 4th day was added in celebration of the festival’s 25th anniversary this year.

Since 2011, the festival has expanded beyond Grant Park to countries in South America. Lollapalooza festivals started up in Chile, Brazil, and Argentina in recent years. Last year the festival even made its way to Europe with an appearance in Berlin, Germany. Many up and coming artists have graced a stage at Lollapalooza before their popularity increased such as The Black Keys, Passion Pit, Manchester Orchestra, Haim, Foals, Frank Ocean, Macklemore & Ryan Lewis, Fun., Tame Impala, and MGMT. As one of the most well known festivals in America in recent years, along with Coachella, Bonnaroo, and Austin City Limits, Lollapalooza has consistently attracted solid lineups and high-billed performers. This year’s headliners include Lana Del Rey, Radiohead, Red Hot Chili Peppers, and LCD Soundsystem. While not the most incredible set of headliners Grant Park has ever seen (but to each their own of course!), this year’s performances will surely be memorable since each headliner knows how to put on an incredible show.

When it comes to my history with the festival, it actually goes further back than Coachella. Lollapalooza was one of the first music festivals I had ever heard of. During the 2nd semester of my freshman year of college in a Music 101 class, one of my friends mentioned the festival. He was also the first to introduce me to the band Vampire Weekend, who played the festival a year earlier. I remember him saying that he would love to attend Lollapalooza that following summer. Up until then, all I knew of festivals were the Vans Warped Tour and the now non-existent, Bamboozle, so later that day I looked up Lollapalooza to find out who was playing and what kind of festival it was. At that time in my life, I didn’t know many of the bands playing. Now I can look back at the 2008 lineup and shake my head over what I didn’t know in the spring of 2008.

Since my love for indie/alternative music grew in 2011, I’ve always considered Lollapalooza as a prominent music festival in the United States, making the opportunity to be a part of this year’s festival that much greater. The festival weekend begins in 2 days and I head to Chicago in less than 24 hours. I can’t wait to experience this festival and see what Chicago has to offer. Hopefully this 25th anniversary will be legendary!

Flume

This weekend I’m volunteering at the Sweetlife Music Festival in Columbia, MD, which is right outside of the Baltimore/Washington, D.C. area. The festival is sponsored by the organic health food chain sweetgreen and focuses on both music and food under the belief of combining passion with purpose. I attended the festival 2 years ago when Foster the People and Lana Del Rey headlined. It was a blast despite the constant rain drizzle for most of the day and the monsoon that happened as Foster the People played “Coming of Age”. As a perk of volunteering, I get to attend the festival for free when I’m not working my shift. In my opinion, the lineup isn’t as good as it was in 2014. At the time I applied to volunteer, I only listened to two of the artists on a normal basis. That changed a few weeks ago. After listening to some Spotify playlists, I discovered a new tune by an Australian DJ who also happened to play Coachella this year. So yes, I probably could’ve done a Coachella Band Preview on this guy. I discovered him around the time the festival was happening though, so it was too late by then. Luckily he’s playing Sweetlife this weekend. Hopefully I’ll be able to catch his set because he seems to be all the rage this summer.

Flume, aka Harley Edward Streten, out of Sydney, Australia, first came onto the electronic scene in 2011 after he won a music competition managed by Australian record company, Future Classic. Upon winning, he signed a record deal and released his debut self-titled album on November 9, 2012 in Australia. The album reached the number one spot on the ARIA (Australia Recording Industry Association) Albums Chart. The American release of the album happened in February of 2013. That same year he headlined his first tour in Australia and played SXSW (South by Southwest) in Austin, Texas. He was named one of Fuse TV’s 30 “Must-See Acts” at the annual Texas music and film festival. 2013 also brought the DJ 4 wins at the ARIA Music Awards in the categories of Best Male Artist, Breakthrough Artist – Release, Best Dance Release, and Producer of the Year. In 2014, Flume toured internationally which included some stops on the festival circuit at Coachella and Lollapalooza. This year, after playing Coachella for the second time, Flume has the release of his sophomore album planned for May 27th. He also recently announced a World Tour which kicks off in New Zealand in July. The tour consists of stops in North America, Europe, and Australia. Tickets for the North American leg went on sale today and many dates already seemed to be sold out. It’s a hot ticket this summer for sure.

As an electronic music producer, Flume’s music fits the EDM spectrum. It’s primarily electronica, but it does have a hip hop influence. There’s tons of focus on beats in his songs. It also has this relaxed, chill feel to it so that despite the beats his tracks are much more toned down than upbeat dance/club/house music.

Like I said, I only started listening to a few of his songs a couple weeks ago, which was too late for a preview for Coachella. Apparently though, his Coachella set was incredible. If the ticket sales for this upcoming tour are any indication, he’s a must see artist right now. Hopefully my shift doesn’t overlap with his set so I can catch what might be one of the best sets of the festival. Crossing my fingers right now. If you feel like checking him out, here are a few songs you should listen to:

  1. Sleepless
  2. Holdin’ On
  3. Say It (feat. Tove Lo)
  4. Never Be Like You (feat. Kai)
  5. Drop the Game
  6. Insane
  7. This Song Is Not About A Girl

Honeymoon: Album Review

It wasn’t my intention to not post for the last month, but sometimes life happens. And so it goes. But, what better time to get back into the swing of blog posting than with the release of Lana Del Rey’s fourth studio album, Honeymoon?

Yesterday the pop goddess released her fourth full length to the masses of her adoring fans. As one of those adoring fans, I, of course, needed to buy it. Compared to 2014’s Ultraviolence and 2012’s Born to Die, Honeymoon is missing something for me. It feels like it lacks varying melodies and is less upbeat. Let’s be real though, Lana Del Rey doesn’t sing upbeat bubble gum pop music. She’s not Taylor Swift and she definitely won’t be shaking it off anytime soon. Still, even for her usual, many songs off the new album like “Honeymoon”, “Terrence Loves You”, and “God Knows I Tried”, are soft, slow and missing that little edgy background beat. Sure there’s still background music to her songs, but it’s slower than what we’re used to for the singer. This album focuses more on Lana’s powerful hypnotic vocals.

One thing remains true when it comes to Lana Del Rey: girl can sing. Focusing on the singing gives Honeymoon a different feel than her other albums where many of her songs are the whole package. Her choice of lyrics and themes also don’t stray much from standard Lana songs. None of the lyrics reach to the level of quality like “my pussy tastes like Pepsi cola” did, but there’s still some gems. I mean one of her singles off the new album is called “High By the Beach” with the line “all I wanna do is get high by the beach” repeated continuously throughout the song. One of my personal favorite lines comes from the song “24”, “if you lie down with dogs, then you’ll get fleas.” I also dig the chorus in “Freak”, particularly the lines that go “baby if you want to leave, come to California, be a freak like me too.”

Overall, I’ll probably fall in love with this album after listening to it a few times. For my tastes though, it needs to grow on me. I have no doubt it will. I love Lana Del Rey as a music artist, so it shouldn’t be a problem. If you love her as much as I do, I highly recommend purchasing the album.

My song recommendations (favorites) from Honeymoon:

  1. High By the Beach
  2. Music to Watch Boys to
  3. Freak
  4. Art Deco

We Are the New Americana

One of the best things someone can do (in my mind) is recommend music. I don’t care if it’s a personal recommendation (the person recommends to you specifically), a recommendation through social media, a website, blog, etc., or even if it’s not a direct recommendation at all, meaning someone just talks or posts about a band/song/lyrics. I love it. I love it because I love music (if you haven’t already figured that out). I love finding new music or bands to listen to and it’s so refreshing when someone else can offer you new music by word of mouth (or word of the web). What’s even better, when someone recommends music, is if they recommend artists or songs that fit your music style. Lately, I’ve found out a few new things to listen to this way. Most recently, it was the singer, Halsey.

Halsey, a.k.a. Ashley Frangipane, who hails from the New Jersey/New York region has been working her way into the indie pop scene in the past year. Halsey is an anagram of her real name Ashley and it’s also a street in Brooklyn where she hung out growing up. She started her career playing acoustic shows to afford rent. When she recorded her song “Ghost” about a year ago, it was almost an overnight success. Shortly after, she had meetings with five major record labels. She signed with Astralwerks.

The last year has been nothing short of amazing for the 20 year old recording artist. She released an EP, Room 93, in October 2014, while on tour opening for The Kooks. She was the most talked about artist at SXSW. She headlined The American Youth Tour along with Young Rising Sons this past spring and in a little less than 2 weeks her debut album, Badlands, will be released (August 28th). To be honest, girl is killing it. There’s no doubt once her album comes out that she’ll get even more attention too.

Her sound can definitely be labeled pop, but could also fit the alternative, indie spectrum. Think along the lines of Lorde or Banks. Her lyrics are the catch though. They’re at times angsty and angry, but always raw and honest. She doesn’t really fit the mold of any of her sound comparisons in that regard. If you read the lyrics to the song “New Americana”, which is a single off Badlands, you might confuse it for a Lana Del Rey song. “New Americana” is almost the new “National Anthem”. Also like Lana, her passion for artistry through her music is beyond her years.

I first heard “New Americana” about a week and a half ago because someone I follow on Twitter tweeted out the lyrics (grateful for these people as you can tell from what I mentioned above). It was catchy so I added it to my workout Spotify playlist. I’ve listened to many times since. I’ve also listened to her other music. I love it as much as I love when people recommend music. She doesn’t have many songs out right now, but she’ll have a solid bunch of tunes once her album debuts. I can’t wait to hear it. I highly recommend checking her out asap before you feel like you’d just be hopping on the bandwagon. It might even be considered a slight bandwagon at this point, but who knows.

Song recommendations:

  1. New Americana
  2. Hold Me Down
  3. Ghost
  4. Hurricane (check out the Arty Remix if you’d rather a more upbeat track)
  5. Empty Gold
  6. Is There Somewhere
  7. The rest of Badlands once it’s released on August 28th

Live Fast. Die Young. Be Wild. And Have Fun.

Enigma. It’s a word that means someone or something that is difficult to explain (according to Merriam-Webster Online). When I was in middle school we had a word study class to help prepare us for SAT’s. We had a new word list every week and we would do exercises to help us become familiar with the words and their meanings. This was my first exposure to the word enigma. But only in recent times can I think of someone to perfectly fit the description: Lana Del Rey…or if you want to get technical, Elizabeth Grant.

Maybe a name change is the first clue to the perplexing modern day singer, Lana Del Rey. In fact she started to get bigger once she made the change (she released an album under the name Lana Del Ray called A.K.A. Lizzy Grant). The world’s first exposure to LDR, mine included, came in 2011 when she released the single “Video Games” and shortly after made a highly criticized appearance performing it on SNL.

I must admit I downloaded the song prior to seeing her SNL appearance, but the song never stood out to me. It was one I would skip while listening to my most recently added songs on iTunes during that time period. Up until the following summer I didn’t really hear much about her but as the record states, she released her “debut” album in January 2012, Born to Die (she bought back the rights from that 2010 A.K.A. Lizzy Grant one and pulled it from the shelves hence the quotations around debut). The summer of 2012 is when she hit me though, like a ton of bricks near the end of June. I watched her video for “National Anthem” and I was hooked.

See the thing is the 4th of July is my favorite holiday. Years prior to hearing “National Anthem” I created a playlist for the 4th of July of songs that referred to or mentioned the holiday, fireworks, or anything else that had to do with Independence Day. For instance, I’m in no way a Katy Perry fan, but I listen to her song “Fireworks” around the 4th every year just cause it has something to do with the holiday. So you can understand why I found an instant attraction to “National Anthem”. Not only that, but it was/is a pretty good song (believe me…I have songs on that playlist that aren’t that great but they made the cut cause there are limited 4th of July songs). After listening to “National Anthem” repetitively for weeks, even after the 4th holiday, I bought Born to Die. It was about a month after I first heard “National Anthem”. I fell in love with the album and loved Lana Del Rey ever since.

But let’s get back to enigma. Why is Lana an enigma? If you have ever read an article about her or listened to an interview with her, you’d understand why. She’s made some interesting decisions in her life. Her life also always seemed to be filled with controversy. She spent time living in a trailer park (not because she had to for lack of resources). Her song lyrics glorify violence, sex, money, and degradation of women. She’s made statements that disregard feminism. There’s even questions about how she or whoever came up with name Lana Del Rey. She’s just an entire mystery. But maybe it’s just the case that she’s entirely misunderstood.

I love Lana Del Rey, but I disagree with a lot of the meaning behind her lyrics. I disagree with her views on feminism and I probably wouldn’t engage in the same questionable behavior she does/did (I have my own fair share of strangeness anyway). Yet I still love her. I’ll buy a new record if she releases one. I’d go to see her again if she had a show near me (saw her last spring…it was amazing and she was amazing). Why? Because I don’t take her statements/lyrics/decisions/etc. too seriously. I honestly don’t think she takes her words or behavior seriously either (I could be wrong but it’s just an opinion). At least not as seriously as most of her critics do. She’s an artist. She’s trying to make and create art with and through her music. Instead of over-analyzing her songs and videos about what they represent, I just take them for what they are. Artwork. She bases her music/videos on what she feels and what inspires her and that’s something we can’t take away from anyone. Sure sometimes her lyrics can seem pretty ridiculous, but her music is deep, alluring, and hypnotizing. It has an old school vibe to it too. It creates a nostalgic sensation like you could have heard something similar in the 60’s or 70’s. So despite any negative views associated with her, you still have to credit her for the way she sounds and the artistry she demonstrates. I think that’s the sure way to fully appreciate the enigma that is Lana Del Rey.

(As a side note, Lana Del Rey released an EP and another album since Born to Die. In the fall of 2012 she released the EP Paradise along with Born to Die: Paradise Edition which contained all the songs on Born to Die as well as the Paradise EP and a few additional songs. In June 2014 she released the full length album Ultraviolence. She also wrote and starred in her own short film in 2013, Tropico. This summer she’ll embark on The Endless Summer Tour.)

Lana Del Rey Song Recommendations:

1. “National Anthem”

2. “Diet Mountain Dew”

3. “Ride”

4. “Money, Power, Glory”

5. “American”

6. “West Coast”

7. “Brooklyn Baby”

8. “Cola”

9. “Blue Jeans”

10. “Young & Beautiful” (Song from The Great Gatsby Soundtrack)