live music

Live Music is Back?!

It’s been over a year now since Coachella got “postponed” and the live music industry shut down indefinitely. Thanks to vaccines and an ever growing need to re-open the economy, those of us who work in events amongst massive amounts of people are finally starting to get back to work. Maybe some of us aren’t quite “back” yet but we’re starting to see the light at the end of the tunnel. Gigs are popping up. Fall tour dates and festival dates are being announced. We know people who have gotten called back to work or have gotten their jobs back. It’s all quite optimistic and honestly feels pretty good after a year where optimism was lacking. So is live music officially back? I’d say there’s a good chance.

First and foremost, we definitely wouldn’t be at this point without the vaccines. It was a slow roll out to start when the FDA gave the go-ahead for that emergency-use authorization back in December 2020. At this point though, about 1/3 of the eligible population has received at least one dose and more people are getting vaccinated each week. Although these disease protectors aren’t 100% full proof, they’ve been pretty damn effective so far and probably the best mechanism we have for defense against the virus. It’s key if you want have thousands of people hanging out together at a concert or festival. It was never going to be “safe” enough without them either unless there was zero virus risk which wasn’t an option here in the U.S., as it was in most countries as well.

Secondly, after a year of losing tons of money money money, capitalism says we gotta get back to work. I feel like most of us are eager to anyway. It’s fulfilling. I think if there’s any fear though it’s in the risk of getting sick with going back to work and of course others getting sick too. Vaccination has eased my mind a lot on that though, especially for myself. Again shoutout to those vaxes! Most states are trying to open their economies fully in the coming months. Restrictions are lightening and have been lightening since mid-March or so. The desire for normalcy is so real too which brings me to my most important and final point.

We miss the life we had before March 2020. I think we all do in a lot of ways. It was easier in ways that we didn’t even realize. There was a lot less to think about. I know I miss the easiness of it all. I’m sure you could name plenty of things you miss too. In that list, I think you could include concerts and festivals which is why many festivals that have sold tickets for the fall or beyond have sold out. The demand even seems unprecedented! Everyone is excited about the return of live music because I think so many of us missed those special moments that only live music can offer. Music heals. It’s always been true. But a lot of us feel a void without that aspect of music where you can go see your favorite bands or artists perform and truly be IN that moment (sorry livestreams!). So yes, FINALLY we are so close to getting that part back! For those of us who loved music enough to chase it as a career, it’s even more special. Obviously we’re all fans to begin with too.

When I was thinking about what to write today I almost decided to make a full post about EDC Las Vegas. The monster of all festivals announced its return for May (so soon!) on Thursday night. I had heard about the intent to have it in May prior to the official announcement and felt unsure. It felt too soon. I didn’t believe they could possibly have it. Even at this point, I’m still holding my breath a bit. Yet, do you know how exciting it is to talk to my friends/co-workers about upcoming gigs that are a month away?! It feels SO good. There’s still a lot more kinks to work out with EDC and a lot of work to be done in preparation in this short amount of time. You never know what can happen between now and then either. I think generally we can’t believe it’s happening so soon. We also feel like it’s too soon, but at the same time we’re all extremely stoked! Hopefully that makes sense to you. Needless to say it’s PLUR season baby!

If EDC goes off as planned, it’ll be a true test. EDC Las Vegas is the biggest music festival in the country. It doesn’t have the hype that Coachella gets but as far as attendance goes, it’s the biggest. It’s 150,000+ people each day for three days from 6 p.m. to 6 a.m. It’s a beast and unlike any other festival in that regard. So we’ll see what happens. Right now the hype and the optimism are real. Although it’s not official until festivals and concerts actually happen, I think the real phrase is that live music is ALMOST back. In the name of positivity and good vibes though, I still think we gotta hype it up. So buy those tickets because live music is back!

Daft Punk ISN’T playing at my house, my house

I knew I wanted to make a post today, but I didn’t expect it would be something Coachella related. Here we are though! As of this morning, Daft Punk (my way, way, way late music discovery of 2020) are no more. The iconic electronic duo have called it quits after 28 years together. They posted a video entitled “Epilogue” to their website which includes a scene of one of the robots blowing up followed by an image of two robot hands formed into a triangle (a representation of the pyramid they used on their Alive Tour in 2007) with “1993-2021” written beneath the image. Many media outlets reported the news with confirmation from the group’s publicists saying they are in fact retiring. Big sad!

About 10 months ago during what was dubbed as “Couchella” because of the panny d related Coachella postponement, I took an interest in Daft Punk and proclaimed that I’ve become one of those people who want them to headline every year. When my friend sent me this news earlier today, I was shocked and heartbroken for a solid…oh I don’t know 5-10 minutes? The reason being….retirement isn’t always forever. Reunions happen and there’s a certain festival FAMOUS for reunions. What festival is that? Coachella! Duh! Even if the reunion never actually happens, or it takes years and years, there’s still hope that we get to see Daft Punk live. This isn’t something to be devastated about. Obviously take it seriously because as of right now, yeah, they’re serious about it. Appreciate Daft Punk for what they gave for 28 years. Appreciate them for their impact on the electronic music world. Appreciate their music that you love because you know you’ll still be playing it for years to come. But do NOT be sad about this! Things change. Reunions happen. Bands get back together. Your odds of seeing them live now are just about as much as they were yesterday before this announcement. I swear. These guys do not tour often.

Anyway, if you’ve learned anything from the last year, it should be that anything is possible! Both good and bad, but let’s think about the good instead because no one like a Debbie Downer. I’ve been all about a few mantras this year and I’m gonna give them to you (and also relate them to music for the sake of the blog)…..

  1. “2021 Energy” – The point of this is to get out of that negative 2020 mindset. Bad shit always happens. Last year was very bad, but this year will be better. Stay hopeful! Stay optimistic! This year isn’t last year and it will be better. Just start believing it. I’m a firm believer that I’m going to be back working music related things at some point this year. I already was able to work again once which although was not at a concert or festival, was something and one of my goals for 2021. Small things matter. Baby steps matter. That brings me to the second mantra…
  2. “Transition” – See this year as a transitional year. It’s not going to be the exact life we want quite yet, but we’re slowly getting back to it. Baby steps. Small accomplishments. We’ll get there. One step at a time. And before you know it we’ll be back at Coachella!
  3. “Panny D” – Change the name of the game. Pandemic felt so damn serious and scary and yes of course it’s still happening. We’re still working on those vaccines. People can still get sick. People are still dying! So yeah it’s serious. But this name changing is more of a mental thing. I feel like last year we let the pandemic own us. This year let’s own it. By changing the name, it feels less serious (mentally). It’s more casual. I know you’re probably worried that making it like this might make people take it less seriously literally, but you know what, everyone was already doing that anyway. Stop worrying and trying to control everyone else. You can’t do it. What you can do though is take care of yourself. Put yourself first. If changing the name isn’t for you, then so be it. Don’t do it. But it’s helped me get out of that negative mindset and you just gotta do what works best for you. That’s not saying to not be safe. Be safe when you need to be, cause we’re getting there. But you can still, be safe and not let it get you down.

That’s it. Those are my big three so far. There might be more on the way, but until then this is all I’ve got. It’s the mental set and it’s helped me refocus this year. There’s a light at the end of the tunnel and we can see it. I promise. Concerts will be back. Festivals will be back. Coachella will be back. Daft Punk will be back. See what I did there?! Ha!

So for now, spend the rest of the day listening to Daft Punk, dream about hearing them play live again because guess what? It’s still possible. As long as Thomas Bangalter and Guy-Manuel de Homem-Christo, are “alive” and well, it can happen. Maybe they headline Coachella in a few years as a reunion set. Maybe they bring out LCD Soundsystem as a surprise guest and they perform “Daft Punk is Playing at My House” together. I mean I can dream right? Maybe they don’t? Who knows? But anyway…robots can be rebuilt and anything is possible. So stay positive and keep the vibes up that maybe we’ll “get lucky” enough to hear them perform “one more time” because if you know Daft Punk you know that their “work is never over!”

6 Months Later

It’s crazy that when I started this blog 6 years ago I planned to keep up with it and that I’m still sort of doing that. Once I started working more, it became tougher though. When work stopped and music shut down 6 months ago, I thought I would write more. Turns out my lack of motivation in everything aside from working out dropped. So here we are 6 months later with not much change.

The world has changed a lot, but I keep feeling like it’s more of a regress than progress. We went from unexpected, catastrophic change to an uncertain, gradual return. Nothing quite feels as good as it used to. We’re not locked down anymore (were we ever really?), but I still stay home almost as much. Honestly that was pretty standard for me before as well. I’m good at staying home when I’m home. Home feels comforting now though because the world is strange.

I do miss work though. I miss the grind. I miss being busy. I miss making one festival my entire world for a week or two then feeling a sadness when it ends, yet an excitement for the next one or the next event I have coming up. I miss one day gigs in the cities and driving all over to work them. I miss wearing a radio and doing radio calls. “Copy that.” I miss catering when I was allowed to have it. I miss live music. I miss the lights going dark before a band appears on stage. I miss being in a crowd of people losing myself to music. I miss creating aspects of these live music experiences and making people happy because they get to see or meet the bands they love. I miss my work friends the most though. I miss getting it done with them and the good vibes and positive energy they bring. They’re a huge part of the reason why I love what I do. I truly do love it and miss it so much.

We still don’t have a clear timeline on when live music will return to its greatest state. There have been some drive-in shows and of course livestreams. Neither can live up to the energy that’s created in a large crowd of people standing next to one another. We’re hoping next year at some point that we’ll be back. The rest of this year is pretty much shot. There won’t be a Mexico this year either. At minimum it’ll be 6 more months, but as time keeps moving we’ll find out if it’ll be more. I just can’t wait for the light at the end of this long tunnel. The brightest spot will be the next Coachella for sure. I’ll be back writing previews and the excitement will be better than ever.

Until then, this was just checking in. Things are okay. They could be worse, but they could also be a lot better. They will get better though. I still think about the feeling I had the day the local favorite ice cream spot re-opened after being closed for a year. The owner died. We weren’t sure at the time if it would be closed forever. Then the following summer it was back. The hype was unreal. It was a great day in the beginning of summer. That’s the feeling I expect to have the next time I get to work or be at a show and I expect it to last for a while. It’ll be so great and that’s what’s keeping me going.

Nochella 2020

It’s been several days since the news finally broke about the year’s biggest party in the Indio desert being cancelled. 3 months ago I would have been absolutely devastated to hear about Coachella being cancelled. In fact I spent a weekend crying about it. Over the first few weeks after Coachella got postponed and live music every where ceased to exist, it became evident that Coachella in October was probably not going to be a thing. I stopped thinking about it. I hosted my own Couchella during the Coachella weekends. I watched the new documentary and decorated a room in my house like the polo fields. I even watched former live Coachella sets. I tried to celebrate Coachella as it should be celebrated in the best way I could.

Even though I expected this to happen, I’m still bummed about the news. This year has really become the year without live music and it’s absolutely heartbreaking. Times are so strange right now. Life feels so weird and everything is upside down. I actually prefer being home these days since at least it’s comfortable. Home is the world I’ve always known, but I still miss the rest of the world as I knew it too. I miss the days when two weeks in the southern California desert listening to music with thousands of people on fields at a polo club would cure any similar heart break.

Time felt like it moved so slowly in March. Then it started to speed up. Now, 3 months later, it feels like we’re 3 months closer to be able to live, breathe, exist, and listen as we’ve done for our entire lives. Coachella 2021 dates have already been set, but even next April is in question right now. The uncertainty of it all feels like someone has taken a bat to my stomach and knocked all the air out of me. The only thing we know is that live music will be back the way we knew it at some point, we just don’t know how long it will take and I really hate thinking about it. I’m just trying to focus on right now and enjoy what I have in the present.

However, until it’s back, I’ll also still be here yearning for the days spent admiring flower crowns, sweating in the afternoon sun at the Outdoor Theatre, capturing pictures of art installations and that iconic ferris wheel, losing myself to the electronic beats of the Sahara tent, relaxing in the air conditioned Arctic Dome, drinking yerba mate and living my best life with my co-workers, indulging at catering, appreciating the palm trees and snow peaked mountains, eating In-N-Out Burger, catching one of my favorite bands at sunset, spying celebrities, witnessing ground-breaking headlining performances at the main stage, and getting lost in the good vibes and good tunes that only Coachella has to offer. We’ll be back there some day and I can’t wait for that moment. Can’t wait to see you again Coachella. You know I’ll be prepped and ready and I hope you will be too.

Coachella Band Preview: Lost Kings

Greetings from Mexico! I’m back down south of the border working for the next two weeks, but don’t worry this is just the Coachella pre-game. We’re one week closer to the most wonderful time of year and this week I’m previewing the electronic duo Lost Kings.

Lost Kings are comprised of Robert Abisi and Nick Shanholtz. The duo, both LA transplants originally from Boston (Abisi) and Baltimore (Shanholtz), formed in 2014. Their name comes from feeling lost after moving to Los Angeles and how they had goals they wanted to accomplish. They gained popularity through their remixes of music from artists such as Imagine Dragons, Halsey, Vance Joy, Echosmith and Disclosure to name a few. Their remix of Disclosure’s “Latch” featuring Sam Smith gained them the most attention when it replaced the original on Sirius XM’s BPM, a Dance/Electronic channel. Once they dropped their first EP The Bad in late 2015, it also gained popularity pretty quickly. A few months later in March 2016, they dropped their second EP The Good. They were signed to Disrupter/RCA Records in the fall of 2016. They credit their success to streaming sites like SoundCloud and Spotify as well as the music aggregator Hype Machine.

Their style of music fits under the progressive house style of electronic music. The duo has stated that they don’t want to be classified inside a specific box when it comes to music style. This is why you might be able to group them into other styles of house music such as melodic or bass house. Their collaborations make their tracks seem like they’re part of that electronic/pop crossover spectrum though.

Lost Kings play Friday at Coachella. I’d expect them to be at Sahara. There aren’t a ton of bigger name electronic artists playing Friday so who knows when their set time will be. I personally am hoping for a late time or I won’t be able to catch their set. I have this feeling like they’ll end up in a late afternoon-early evening slot. You have plenty of time to listen to their music prior to Day 1 of Coachella so here’s the list of what you should check out:

  1. You (ft. Katelyn Tarver)
  2. Phone Down (ft. Emily Warren)
  3. First Love (ft. Sabrina Carpenter)
  4. LA & The Parties (ft. Sevyn Streeter)
  5. Quit You (ft. Tinashe)
  6. Something Good
  7. When We Were Young (ft. Norma Jean Martine)
  8. Marathon (ft. Cosmos and Creatures)
  9. Bad (ft. Jessame)
  10. Ain’t The Same (ft. CXLOE)

Legendary Venues: Troubadour

It’s been a minute between work, life, and Coachella that I wrote something for my legendary venue series. I started it last fall and it’s time that I get back into it. As far as venues go I haven’t touched on anywhere in the mecca of entertainment, Los Angeles. L.A. is home to plenty of great live venues. The Greek, The Hollywood Bowl, Whisky A Go-Go, The Shrine, The Palladium, The Wiltern, The Fonda Theatre, and El Rey Theatre are just some of L.A.’s finest. I definitely plan on writing about a few in this series at some point, but for now it’s one of Los Angeles’ most famous night clubs, the Troubadour.

The Troubadour opened in West Hollywood in 1957 by Doug Weston. It was first just a coffee house on La Cienega Boulevard before it moved to it’s current location at 9081 Santa Monica Boulevard in 1961. The Troubadour is known as a primary foundation for the careers of many great bands and musicians including Elton John, who made his U.S. debut there in 1970 after being introduced by Neil Diamond, The Eagles, whose founding members Glenn Frey and Don Henley met there also in 1970, Buffalo Springfield, who made their live debut there in 1966, Guns N’ Roses, who played their first show at the venue and were discovered by Geffen Records on the same night, and James Taylor, who made his solo debut there in 1969. Taylor also debuted “You’ve Got A Friend” at the venue with then piano player and opening act Carole King in 1970 and first met future wife, Carly Simon, there for the first time. Many bands and musicians have also recorded live albums there such as Neil Diamond, Tim Buckley, Van Morrison, and Miles Davis among others. The venue is not only known for rock music. It is known for having stand-up comedy and was essential in the careers of comedians Cheech and Chong who were discovered there.

The music history at the Troubadour is endless. It was the place that Janis Joplin partied at the day before he was found dead of a heroin overdose. It’s been a spot for album debuts, L.A. debuts, U.S. debuts, and just first live-performances in general. Unlike some legendary venues, the Troubadour still sits at the same spot it moved to in 1961. Many bands and artists consider it a right of passage to play at the Troubadour while visiting L.A. Recently, bands like Bastille and One Direction member Harry Styles have performed there. It’s the definition of a small venue with a capacity of only 500, which makes its performance history all the more meaningful. I’ve unfortunately never been to the venue. I’ve only actually been to L.A. once (technically 3 times in one trip to California) despite the amount of visits I’ve made to So Cal, but it’s on my list as a place to visit for the next time I’m there. In general, it’s a place where live music fans should visit and if possible attend a show it because it’s definitely one of Los Angeles’ most famous and legendary venues.

Coachella 2018 Lineup Release

Not 48 hours into the new year and the Coachella 2018 lineup drops. Last night at 4:15 PT Coachella released their lineup on social media and as always people have opinions, me included. Since last year I expected the 2018 lineup to be the best since 2014. If you know me, you know that I believe 2014 had the best lineup to date and every year after has  been incomparable. 2018 had so much potential. There were so many bands who released new music in 2017 that did not play the festival plus a handful of other greats expected to release new music this year. But when rumors spread just before Christmas about the headliners, I knew this year wasn’t going to meet my expectations.

Going into 2018 everyone knew Beyoncé was supposed to headline. She was supposed to headline last year but dropped out shortly after the announcement of her twin pregnancy paving the way for Lady Gaga to take her spot. The biggest question was who would accompany her on top of the poster. On December 20th, Consequence of Sound reported that Eminem and The Weeknd were slated to join Beyoncé as the 2018 headliners, much to my dismay. Here’s why. The Weeknd headlined Coachella in 2015. Was he supposed to be a headliner? No. However he played in the headliner spot. Jack White, the headliner for that night, took an early spot for whatever the case may be leaving The Weeknd to close out the night.

In my opinion Eminem is a pretty cool choice for a headliner. He fits that formerly popular/still popular angle. He’s a rapper and for the past few years Coachella has plugged that genre (or R&B) into one of their headlining spots. Plus he just released a new album. Here’s the issue: Beyoncé already filled that genre spot this year. I mean come on! The entire headlining lineup is rap/R&B. This is the first time in the history of the festival that a rock band isn’t headlining. Disappointing.

In fact, looking at the lineup, rap/hip-hop/R&B has taken over the festival this year. I think Louis Tomlinson’s (of One Direction fame) reaction on Twitter summarizes my feelings exactly. He stated, “Just seen the Coachella lineup …. Where the fuck are all the bands!? It’s a festival!?” Yes Louis, you’re right. Where are all the bands?! All I see are rappers, R&B singers, or electronic DJ’s. As I went through the lineup last night making a list of who I would see for my annual Coachella preview, there were names lacking for each day and more “possible” acts to see than definites. For Friday, I only listed 4 acts. Four. It’s a headshaker, for sure, given that this year had some high expectations. Anyway, let’s get down to this lineup analysis.

The Headliners: The Weeknd, Beyoncé, Eminem

I already summarized my thoughts on all these acts above. So re-read that.

The Other Highly Billed Performers: SZA, Kygo, Jamiroquai, St. Vincent, the War on Drugs, Vince Staples, Haim, Tyler the Creator, David Byrne, alt-J, Post Malone, Fleet Foxes, Odesza, Portugal. The Man, Migos, A Perfect Circle, Cardi B, Miguel, Soulwax, Jean-Michel Jarre, Daniel Caesar, Kali Uchis, Los Ángeles Azueles, Deorro, Chromeo, Chic feat. Nile Rodgers, BØRNS, Louis the Child, Angel Olsen, Jungle, blackbear, MØ, King Krule, Illenium, Kamasi Washington, French Montana, 6lack, Vance Joy, Russ, LANY

As always, there’s a few names in this group that I’m pretty excited about. If I were attending this year, I’d definitely be hitting up Kygo, St. Vincent, Haim, alt-J, Fleet Foxes, Odesza, Portugal. The Man, BØRNS, Illenium, and LANY. There’s a few that I’d definitely check out here too if there were no overlaps like David Byrne, Post Malone, Chromeo, Jungle, MØ, and Vance Joy. I’m mostly excited about Haim and alt-J. Even though I’ve seen both live before, they’re fantastic and two of my favorite bands. Odesza is an incredible electronic act and I can attest from seeing them live last month. I’ve seen BØRNS live before as well and it was so enjoyable. After working St. Vincent in November and listening to her VIP Q&A, I’ve gained a new respect for Annie Clark and her music. I was able to stay for half of her show but would love to see her again. The others I’ve never seen live.

As I said in my 2017 music recap blog post, I would be reviewing Portugal. The Man soon. It might now be even sooner than I thought. I’ve been stoked on their latest album since buying it on vinyl in NYC and I’d love to see them live especially since knowing about them since college. Since getting into electronic music, I’ve always been partial to tropical house, making Kygo an artist I would love to check out. I also got into Illenium’s latest album for a short time two months ago making him another electronic act I’d want to see. I’ve listened to LANY a few times over the past few years so they’re a group I’d love to see too. If you’re looking for the most indie band at Coachella this year, I’d have to say that would be Fleet Foxes. I’ve liked them for a while now and would definitely want to see them live.

As for the others that I’d like to check out, I’ve seen Jungle and Vance Joy before. Both played in 2015 when I attended and I made it to both sets. I even saw Vance Joy at Panorama last summer. They’re always a solid set. I was super hyped about Jungle in 2015, but this time around they’re not a definite for me. They’ve got new music out, which I plan on checking out soon They just didn’t make a huge impact on me last time. I’ve casually listened to Chromeo and MØ so I would casually see them. Post Malone is burning up right now. I’m not into rap, but Post Malone has a song that is more indie than rap that I enjoy. I think I’m solely interested in seeing this dude play live because of the hype surrounding him right now. David Byrne is the most intriguing to me. Honestly I had no idea who he was until I did a little research. After I found out, it felt like I failed at music so excuse me for that one. As the lead singer and guitarist of the Talking Heads, I would love to hear his set. He’s got a solo career going, but you know he’ll be playing some Talking Heads covers. Who knows maybe there’s a reunion in store?! I mean who doesn’t like the Talking Heads?!

The Rest: Maceo Plex, Alan Walker, the Neighbourhood, Alison Wonderland, Kelela, REZZ, Bleachers, Black Coffee, SuperDuperKyle, Justin Martin, Belly, TroyBoi, Dreams, Perfume Genius, PVRIS, Moses Sumney, LÉON, Greta Van Fleet, Tank and the Bangas, Cash Cash, Whethan, Skip Marley, Elohim, Detroit Love (Carl Craig, Kyle Hall, Moodymann), Benjamin Clementine, Carpenter Brat, the Blaze, Knox Fortune, MHD, Slow Magic, Avalon Emerson, Fazerdaze, Moon Boots, HITO, Helado Negro, the Buttertones, the Regrettes, Boogarins, the Marias, Señor Kino, Tash Sultana, BROCKHAMPTON, Marian Hill, Alina Baraz, First Aid Kit, Snakehips, Highly Suspect, Wizkid, Jorja Smith, Alvvays, the Black Madonna, Tom Misch, Django Django, X Japan, Benjamin Booker, Flatbush Zombies, Ekali, Yaeji, Party Favor, Big Thief, Jason Bentley, Oh Sees, Sigrid, Busy P, the Bronx, AC Slater, Sudan Archives, Jackmaster, Otoboke Beaver, Chloe x Halle, Sir Sly, Hundred Waters, Pachanga Boys, Bedouin, Cherry Glazerr, Mild High Club, Priests, Ron Gallo, Declan McKenna, Bane’s World, KITTENS, the Drums, Aminé, Jessie Ware, Jamie Jones, Kamaiyah, San Holo, FIDLAR, DeJ Loaf, Petit Biscuit, Ibeyi, LP, Motor City Drum Ensemble, Princess Nokia, AURORA, Noname, Jacob Banks, Chris Liebing, Jidenna Hayley Kiyoko, Barclay Crenshaw, LION BABE, Giraffage, Talaboman, THEY., Cuco, Joseph Capriati, Hannah Wants, Nothing But Thieves, John Maus, Kölsch, Japanese Breakfast, MAGIC GIANT, Omar-S, Michael Mayer, Westside Gunn + Conway, Buscabulla, Peggy Gou, Snail Mail, Rolling Blackouts Coastal Fever, B Boys, the Delirians

My favorite name that showed up on the Coachella lineup this year is in this group, Hayley Kiyoko. As you know, I saw her last year in what I consider to be one of the most epic nights in music for me, seeing 2 shows in one night. One of those was Hayley Kiyoko and she played in a small venue in Philadelphia. I was beyond excited to see her name on the poster and so stoked that she’s playing Coachella this year in time with releasing her debut album. Another band that’s on my must see list is in this group too, The Neighbourhood. I’ve been digging The Neighbourhood since 2013 and I’ve never seen them live. They’re a must-see for sure. There’s a few on this list that I’d want to catch if I had time too. Bleachers, Tash Sultana, Sir Sly, Declan McKenna, and Marian Hill are the big ones among that bunch.

As a whole I feel like this is the smallest group of bands I’ve been interested in since starting my Coachella previews in 2015. I had such high hopes for this year’s festival and it all came crashing down last night. Some names I would have liked to see on this year’s lineup include Arctic Monkeys (as a headliner or part of that second line of acts), Vampire Weekend, MGMT, Foster the People, Lana Del Rey, Cold War Kids, Halsey, Phoenix, Andrew McMahon in the Wilderness, ARIZONA, the 1975, Sigala, Cigarettes After Sex, Passion Pit, The Kooks, AWOLNATION, and either The Killers, Arcade Fire, or Kings of Leon as a headliner (most likely The Killers though). There’s probably more bands as well, but those are a few off the top of my head.

I started doing a bit of research on this year’s lineup compared to my favored 2014 lineup. I plan on editing this post later today or tomorrow with my findings. Until then, you should start listening to some bands on this lineup. There’s plenty I know nothing about and a few that I do. Maybe you’re stoked on this lineup. Maybe you’re not. The fact is that Coachella is in 3 months and the prep officially began yesterday. One thing is certain though, regardless of who is on the lineup and the amount of complaining done, people are still gonna go to Coachella. It’s the festival to be at. It’s Coachella. You’re bound to have a great time because although I strongly believe music festivals should be about the music, Coachella is more than music. It’s art. It’s atmosphere. It’s good food. It’s being with people you care about and have a good time with. It’s hot days and cool nights. It’s palm trees, and mountains, and desert. It’s fashion. It’s celebrities. It’s social media. It’s sponsors. It’s ferris wheels and hip merch. Mostly it’s the best kind of positivity and vibes you’ll ever experience. So Coachella 2018, I’m ready for you! Here’s to hoping I can be part of the magic again.

(EDIT: I spent the last hour or more doing some research and the numbers I came up with are unreal. I analyzed the 2014 Coachella lineup vs. the 2018 Coachella lineup. I looked at the first 3 lines of each poster plus the headliners and I grouped performers in 4 categories, Rap/R&B, Electronic, Pop, Rock/Indie. In 2014, out of the 165 acts, there were 71 featured on the first 3 lines of the poster including the headliners. Out of those 71, 14% were Rap/R&B, 28% were Electronic, 6% were Pop, and 37% were Rock/Indie. In 2018, out of 165 acts, there are 69 featured on the first 3 lines of the poster including the headliners. Out of those 69, 33% are Rap/R&B, 25% are Electronic, 9% are Pop, and 33% are Rock/Indie. Compared to 2014, the number of Rap/R&B acts have more than doubled. Is Rap/R&B back on the rise and I didn’t know about it? If you asked me, I would tell you no. So what’s the deal this year? What’s even more shocking is that I also compared the number of Bands to Artists for each year. I defined “Band” as a group or single performer with a backing band that plays classic instruments (guitar, drums, bass, keyboards, etc. as opposed to electronic equipment). Artists included rappers, R&B singers, electronic DJ’s, and pop singers. In 2014, out of 71 acts, 55% were Bands and 45% were Artists. In 2018, out of 69 acts, 30% are Bands and 68% are artists. To me those numbers, are staggering. Louis Tomlinson noticed it and he’s right. The bands have decreased this year in favor of the artists. So seriously Coachella, WHERE ARE THE BANDS?! And why are you straying from what made you amazing in the first place? #Coachella2018thefestivalthatcouldhavebeen)

Legendary Venues: Red Rocks Amphitheatre

It’s been over 75 years since Red Rocks Amphitheatre opened in Morrison, Colorado. The venue first opened on June 15, 1941, but had been hosting open-air music performances since the early 1900’s when John Brisben Walker envisioned the geological phenomenon as a place for live music.

Red Rocks Amphitheatre is much different than any other music venue in the world because it’s the only naturally-occurring, acoustically perfect outdoor theater ever. What creates this natural perfection are two 300 foot rock structures known as Ship Rock to the south and Creation Rock to the north. The amphitheater sits between these monoliths that date back 160 million years and contain dinosaur fossil fragments from the Jurassic period. Both are bigger than Niagra Falls. There’s also a rock structure behind the stage (east) known as Stage Rock. Besides the incredible rock formation, the amphitheater overlooks downtown Denver, which creates one of the most beautiful, picturesque views offered at a music venue.

The city of Denver purchased Red Rocks from Walker in 1928 and hired Denver architect, Burnham Hoyt to design the area into a music venue while including the preservation of the land’s natural elements as part of the transformation. The construction took 12 years but was well worth the finished product that has since attracted musical acts from all over the world.

The Beatles concert on August 26, 1964 is considered to be one of the first notable rock concert performances in Red Rocks history. Another notable performance was the Jethro Tull concert in 1971 which resulted in a 5 year ban of rock concerts at the venue. Fans without tickets to the event attempted to barge through police lines and throw rocks at officers resulting in the deployment of tear gas to control the riot, which eventually carried into the venue affecting all in attendance.

The unique venue attracts bands across music genres from rock to pop to electronic to jam bands. Many bands have recorded performances at the famous venue as well. It has also been used in film and television. Then, in 2015, it became a national landmark.

I’ve never had the pleasure of going to Red Rocks. I’ve actually never even been in Colorado. After I began traveling around the country for work though, I learned about Red Rocks and it’s been high on my list of venues to see/work at ever since. I’d be beyond honored to work an event in such a place and I’d even be more awestruck by seeing a concert there. I’m not even sure if I can imagine what it’s like to be there. It sounds like such a spectacular venue. I think it’s one of those places you have to experience to understand how special it is even if pictures and descriptions already convince you. It’s one of those places where a picture really doesn’t do it justice. If Red Rocks isn’t the definition of legendary venue, I don’t know what is. It’s legacy has spanned the test of time and it continues to be a favored venue of many bands and artists. It’s definitely a place that concert and music lovers need to experience at least once or even countless times.

Music is Sacred

I honestly don’t know or remember what I wanted to write about this week. All I’ve been able to think about since waking up Monday morning is what happened in Las Vegas Sunday night.

There are tragedies that happen every day. Some are uncontrollable like natural disasters. Some could be prevented if the proper procedures and legislation are in place.

Since last November, I’ve been deeply upset about the state of our nation. I never cared as much, but leading up to the 2016 Presidential Election, my support for a certain democratic candidate was stronger than ever. I actually began to follow some politics. So naturally, when favored candidate (and of course my favorite candidate), Hilary Clinton, lost the election to become the first female President of the U.S., I was crushed. The only good that came out of it was that I became more in tune with political issues.

Flash forward to January. Upon the day of the Women’s March on Washington and the previous day of the Presidential inauguration, I was still ready to fight for my beliefs going forward. Then somewhere along the way I lost my thunder. I got busy. I went to Southern California for two weeks to work at the festival I fell in love with 2 1/2 years ago. Work started to pick up and more opportunities arose. I made new friends. Got closer to others. I worked at concerts, festivals, and a comic con in different cities all over the country all while enjoying one of my lifelong passions, music. I had the time of my life. Then Labor Day came as it does every year. Work began to slow down. I wasn’t traveling as much. Plans for work changed due to uncontrollable circumstances as well. Nevertheless I began to reflect on what an incredible year it’s been, but at the same time I still felt bummed that festival season was coming to a close. I tried to combat those sad feelings though. In the past few weeks I booked new work opportunities, enjoyed some amazing live music experiences as a fan, and planned to attend a few others in the coming months. Then, I woke up Monday morning to news that shattered me.

22,000+ people affected. Several hundred people injured. Over 50 people killed. But it was where it happened that made the biggest difference to me. It happened at a music festival, a type of event where happiness and being carefree is the norm, a type of event that people come together to have a good time and experience the magic of live music, a type of event that I frequent regularly, a type of event that I one day aspire to be in charge of planning.

Music is everything to me. I love it. I’ve loved it since way back. I even wrote a blog about it this past year. It’s important to many others too. It has an ultimate power to cause a range of emotions and feelings. There’s even something more special about hearing the music you listen to being played right in front of your eyes by the musicians and artists who created it. I’ve always felt that. I always found shows, concerts, and festivals to be special places because of that. To have someone destroy those incredible moments that happen at a concert or festival is devastating and infuriating to me. I know it’s happened elsewhere in the past. Paris. Manchester. I definitely was upset about both of those situations too, but this one is different.

It’s different because it happened in the country that I live in and in a city that I’ve visited where I now know someone who lives there. It’s also different because I watched snapchats from the festival throughout the weekend because a friend of mine was working there for the week. That friend of mine was working at the festival Sunday night and had to experience what happened. That friend of mine will have to live with that memory for the rest of their life along with so many other friends of my friends. Not only is it my friends and my friends’ friends, it’s 22,000+ people, who attended, played at, or worked at a music festival, that have to live with it. That’s why it’s different and that’s what hurts the most.

It could have been me working. It could have been more of my friends. And the fact of the matter is that it still could be any of us because in this country our laws indicate that it’s okay for this to happen again and again. But the thing is….it’s really NOT okay. It’s not okay for it to be legal for someone to own weapons that could cause mass casualty or to buy enhancements that would make other weapons capable of the same. It’s not okay for someone to be able to walk into a gun show or go on the internet and purchase a gun without any difficulty. It’s not okay for someone who has a disregard for human life to hurt or kill as many people as possible with a gun because there are poor excuses for human beings in charge of creating legislation, who refuse to do it, that allow this to happen.

I know it’s been a few months since I had a fire in my heart ready to fight the establishment, but it’s back with a vengeance. This was a wake up call for me to get as fired up as I was in January since I was too focused on my work all summer. It’s just unfortunate that it took hurting my office, my work family (because that’s what we are in the music industry), and the music lovers I try to bring joy to on a daily basis for the fire to burn brighter again.

I’m sorry for being a little off topic on my blog this week, but I needed to get it off my chest. It’s been on my mind constantly. If you read this blog and are a music fan, I urge you to find a way to get involved in trying to create change in legislation that lowers the chance for these disasters to happen at concerts and festivals. Whether it be as simple as calling your representatives and demanding change, donating to causes that support gun control, attending a peaceful protest or gathering, or simply joining an organization like Everytown.org that are trying to fight the lack of gun legislation in America. It’s easy to become complacent but we need to keep going and keep fighting to make the places we love as safe and enjoyable as possible because live music events are special and music is scared.

 

I Won’t Treat You Like You’re Typical

I’ve always liked alternative styles of music. I’ve listened to alternative rock, indie rock, indie pop, emo, screamo, pop punk, punk rock, ska, hardcore, and lately even some of that mainstream EDM stuff. After I graduated from college, my music interests started to shift a bit towards the indie music genre. I wrote about it once and refer to it as my second musical enlightenment. Since then, I’ve been into the indie rock/indie pop scene. However, there were times during high school and college where I’ve been interested in indie artists. I think my first interest in indie bands came from watching The OC. Bands like Death Cab For Cute, Band of Horses, Spoon, Rooney, and Nada Surf had musical influence on the show. Indie music was a huge part of the series due to Seth Cohen’s (one of the main characters) interest in the indie scene. After the OC went off the air in 2007, I had interests in indie bands here and there before my main indie phase took over in 2011. One of those bands was the indie pop/rock duo, Tegan and Sara.

Identical twin sisters, Tegan Rain Quin and Sara Keirsten Quin formed their band in the late 90’s while still in high school. The Canadian duo, who hail from Calgary, Alberta, recorded their first demos in high school and began touring shortly after graduation. They released their first album, Under Feet Like Ours, in 1999. Since then, the band has released 7 other records. Their latest and eighth album, Love You to Death, was released June 3, 2016. They’ve also toured numerous times worldwide on both headlining tours and in support of many well-known acts and have played countless music festivals. Their seventh album, Heartthrob, released in 2013 is their highest charting album to date (number 3 on Billboard’s Top 200) and sold 49,000 copies in its first week. The album earned them more attention in the music world as well as a growth in their dedicated fan base.

Tegan and Sara’s sound has progressed since their debut in 1999. They went from folk/alternative rock to indie rock to indie pop and now to more of a straight pop sound. Their ability to grow musically along with having a devout following has allowed them to continue to make music for 20 years, even though the sisters are only in their mid-30’s.

Tegan and Sara have used their platform beyond the music world too. As out lesbians, both are huge advocates for LGBT equality, thus gaining a large following from the LGBT community. They’ve also advocated in support of other causes but their strong involvement in LGBT rights is well known and has made them a favorite act of community members.

I first heard of Tegan and Sara through a friend who had lyrics from their song “Take Me Anywhere” on her MySpace profile. At the time, I always confused Tegan and Sara and fellow girl duo Meg & Dia. Eventually Tegan and Sara won my heart over once I became interested in their music during my sophomore and junior year of college. I don’t remember how, why, or exactly when my interest started, but I do remember listening to their music while driving to class during the winter. I can honestly say they’ve never been my favorite band. I’ve only been a casual listener since around 2009 while in college. In fact, I purchased my first Tegan and Sara album in 2014 on a Black Friday deal. A few months prior I got into the song “Closer”, a year after it was all over mainstream radio, so a $7 copy of Heartthrob was a great deal in my mind. I had the album on repeat during my Christmas trip to visit family and Busch Gardens Williamsburg’s Christmas Town. It was one of my favorite Black Friday CD purchases and was my go to album of the time.

A few weeks ago, my friend told me she had tickets for a Tegan and Sara show in the beginning of November. She planned on attending with her roommate and her roommate’s girlfriend. When she told me, I expressed interest in going and she said I should join them. I decided to go for it, purchasing my tickets a solid three weeks before the show. Last Thursday night was the night. I saw Tegan and Sara live for the first time (along with Hayley Kiyoko and ARIZONA, but that’s another show and another story). As a casual fan, I wasn’t as stoked for the show as I’ve been for others, but it surely exceeded my expectations. I had the best time. Tegan and Sara played a variety of songs from older albums along with ones from their newer releases. They also took the time to tell stories in between songs and advocate for the upcoming Presidential election. Even as Canadians they let us know they had our backs no matter the results. It was evident that the crowd was made up of plenty of longtime fans who knew the words to every song and created an energy difficult to replicate by singing a-long and dancing for the entirety of their set. There was something special about the atmosphere at the show that made it unlike other shows I’ve been to. Not to mention, I also attended with a great group of people who appreciate the twins’ music and music in general.

I feel like Tegan and Sara’s music can appeal to so many people because of how their music has grown and changed through the years. If you’ve never heard of them, please check them out soon. They’re good. If you have, you can totally vouch for me and if you ever have a chance to see them live in a smaller venue, go for it. It’s better than you know. Here’s some of my favorite Tegan and Sara songs, but there’s plenty to pick from with 8 albums so feel free to scan through all their tunes:

  1. Nineteen
  2. Walking With the Ghost
  3. The Con
  4. Closer
  5. Hell
  6. I Couldn’t Be Your Friend
  7. I Was A Fool
  8. Boyfriend
  9. Goodbye, Goodbye
  10. Stop Desire