Lorde

Coachella Band Preview: Disclosure

January was a total blur for me being in Mexico. However it’s finally February and I’m home for just under two weeks! Can’t wait to ski for days and think of the hot afternoons and cool evenings on the polo fields. It warms my heart. I have another 2 1/2 weeks in Mexico next month into the beginning of March, but after that it’s full on Coachella prep. I’m crossing my fingers that I get to be there again this year, but after a few discussions over this past month I think I will be. However, we’re 2 1/2 months away from another spring in Indio after a 3 year hiatus and it’s time to preview more bands. This week it’s Disclosure.

In 2020, I anticipated seeing Disclosure at Coachella. I hadn’t yet previewed the band when the festival was first postponed so I figured I should dive into them early this year. Disclosure is a British electronic duo composed of siblings Howard and Guy Lawrence. The brothers first started recording music and posting it to Myspace in 2010, which earned them a record deal. After several hit singles in their first few years, they dropped their first album Settle in June 2013, which was a big year for the duo. They toured worldwide playing shows and festivals. Settle was also nominated for a Grammy for Best Dance Album.

Their second album, Caracal, came in 2015. This album also received a Grammy nomination along with a number one spot on the UK Albums Chart upon release. After a one year hiatus from 2017-2018 and a few other breaks along the way, the band released their third album Energy in August 2020. They likely booked Coachella 2020 in anticipation of this, but unfortunately the event didn’t get to happen. The album released as planned though and the group received a Grammy nomination for it.

Disclosure plays a house/deep house style of electronic music. I always feel like deep house music has such a vibey sound and Disclosure’s music is no different. Their tunes will likely take a late set time spot at the main stage or Outdoor Theatre or even a headlining spot at Sahara.

They last played Coachella in 2016 and played the main stage on Saturday night. They play Saturday this year too and will be bringing plenty of new material to the desert. I hope to be able to be at their set. I’m not a huge Disclosure fan, but I know this is one electronic set not to miss this year. Start prepping your looks and get ready for this non-stop vibe of a dance party by listening to:

  1. Latch
  2. You & Me (Flume remix)
  3. Magnets
  4. Know Your Worth
  5. You’ve Got to Let Go if You Wanna Be Free
  6. Talk
  7. Omen
  8. Ultimatum
  9. Help Me Lose My Mind
  10. In My Arms

2020 Sucked But Here’s Some Music That Didn’t

In 2016, which everyone claimed was a terrible year, I started a personal music recap for the year as a way to find something good to talk about. I kept it up because 2017 was an absolutely amazing year for music and then just kept going with it. 2016 was nothing compared to this year though. To be honest I had a pretty good 2016, but like most people, I didn’t have a great 2020. I’m usually a pretty positive person and try to look for good things when bad shit happens, but this time around there wasn’t a lot of good. Barely any actually. The bad far outweighed it. Where I found my hopefulness though is that someday it will get better. If I made it through high school and my emo years, I knew I’d be able to get through this emo year. Thankfully, even in the absence of live music and the career path I started for myself in 2016, artists still released albums. Some albums were delayed, but eventually got released. Some albums were even unplanned such as Taylor Swift’s folklore and evermore. Music discovery was one thing that wasn’t cancelled this year and for that I am grateful. So here you go, my top music faves from 2020:

“Heat Waves”, Dreamland -Glass Animals

I usually only pick a song, album, or artist to focus on for each of these, but this one was tough to distinguish. In 2020, there are no rules though. Glass animals released their latest album Dreamland back in August but a month earlier dropped the song “Heat Waves”. I fell absolutely in love with song immediately. I knew a few days after I first listened to it that it was the song of the year for me. I couldn’t stop listening to it for weeks even after the album was released. It was my most played on Spotify as well. The album was also my favorite of the year. It featured other great bangers like “Tangerine” and “Your Love (Déjà Vu)” and several other great ones as well. The album was an ode to childhood in the 90’s, but still captured the smooth yet trippy, groove style of indie music that Glass Animals is so well known for. I feel like it’s highly underrated and most definitely my favorite album of 2020.

Women in Music Part III -HAIM

Before Dreamland was released, if you asked me, I would have told you that Women in Music Part III or WIMPIII for short was going to be my favorite album of the year. I knew earlier on from the single releases in the spring that the Haim sisters were about to release a hit of an album. I’m not the only one that took notice either. The album was recently nominated for album of the year by the Grammys and their song “The Steps” was nominated for Best Rock Performance, a category dominated by women this year. I bought the album in July and was able to secure a signed album poster! I still have yet to hang it up, but I have plans to make it happen soon. Much like Dreamland, this album is top to bottom filled with great songs. My favorite is “Don’t Wanna”, but that’s followed by “I’ve Been Down”, “Gasoline”, “I Know Alone”, and “The Steps”. I could honestly go on with the songs too. Like I said, top to bottom, it’s fire. HAIM’s third full-length is really something special and my other top fave from this past year.

Daft Punk

Daft Punk has been around since the 90’s. I’ve known about them since the Random Access Memories era, but I didn’t quite realize that I knew them way longer than that until I watched the Coachella Documentary this past spring. There was such a focus on Daft Punk’s iconic 2006 set that I began really going through their discography. I wrote a blog post about them and how even without a physical Coachella this year, Coachella still helped me discover some new artists. They were one of my top artists of the year. I even bought Discovery on vinyl back in April. The song “One More Time” was in my top 5 most played songs of the year and I’m now one of those people who want them to headline Coachella. I’m definitely late to the game on this robotic electronic duo, but it’s better late than never.

Notes on a Conditional Form -The 1975

The 1975 dropped their latest album in the spring with plenty of track releases in the lead up to the full album that began in 2019. It was an album I highly anticipated during the spring lockdown. In fact during those weeks, I was living for new music Fridays. I claimed back in my blog post review of the album that it might be one of their best works yet. However, I’m not sure if anything will able to top their debut self-titled, but I definitely believe Notes On A Conditional Form is one of the best of the year. I spent weeks listening to the full album. I love “If You’re Too Shy (Let Me Know)” and “Jesus Christ 2005 God Bless America” which features Phoebe Bridgers, who had a big year herself. “People”, “Frail State of Mind”, “Me & You Together Song”, and “Tonight (I Wish I Was Your Boy)” are all great too. This album came at the perfect time and I’m incredibly grateful for it and all the new music that helped me through this crazy year.

“POWER” -Kanye West

“POWER” by Kanye West is not a new song. It actually came out 10 years ago. I never even knew it back then. It first came into my life with the Power Rangers reboot movie in 2017. Then last year during Sunday Service at Coachella it also popped back in. Then yet again this past spring in the Coachella Doc it also made an appearance. It was this time though that I finally got hooked. It was another staple song of my spring time work out playlist and even a go-to I would listen to at other random moments. The intro and subsequent background music for the song which was taken from the song “Afromerica” by Continent Number 6 is just so damn catchy too. It was another better late than never situation, but it worked out fine. There were plenty of songs that got me through the spring but this one is definitely a stand out.

“New Daze” -Bay Ledges

In the summer Bay Ledges released a 6 song EP titled New Daze. The EP included a song of the same name that I really connected with. It’s my favorite new song of theirs since I heard “Safe” in 2018. The song exemplifies their chill indie vibe sound, but has that same uplifting feel that “Safe” also contains. The lyrics themselves do too. It gives such a hopeful perspective for this trash year and I really love the song for that reason as well.

“Giants” -Dermot Kennedy

Dermot Kennedy was huge for me in 2019. His show was actually the last concert I was able to attend before the music industry shut down on March 12th. After such a big year with his first album in October, I wouldn’t have expected any new releases in 2020, but in June he dropped the new track “Giants”. It’s another powerful upbeat track similar to “Power Over Me” and “Outnumbered”. He recently released a “Complete Edition” version of his debut album which contains “Giants” among other collabs, a cover, another new song, and alternate versions of old songs. “Giants” was just the new track I needed for my summer work out playlist to even further my love for Dermot Kennedy. I even enjoyed the Sam Feldt remix of the track and got a double dose of the track by including that version in my fall work out playlist. It’s quite a banger and one of my favorites of the year.

“Bodies” -The Knocks ft. MUNA

Obviously the spring and summer were filled with plenty of new tunes and discoveries of old for me this year, but I found this gem by The Knocks featuring MUNA in the fall. The song was recommended to me by Spotify after my playlist finished one night and I thought it was great. After I added the song, I couldn’t get enough of it when it played during my nightly work outs. “Bodies” was released in the summer, but it didn’t come into my life until early November. For almost the last two months, I’ve been obsessed with this song. It’s a late comer to this list of my favorites for 2020, but it deserves to be here. It’s a keeper.

“Believer” -LUDVIC, Mathoma

Spring was such a time of music discovery for me thanks to the Coachella Documentary and my weekends of “Couchella”. In that time I also discovered the song “Believer” by LUDVIC and Mathoma thanks to checking out my friends’ Spotify playlists. I love being a creep on Spotify but it’s truly a great way to discover new music and find out what your friends are listening to. Although this jam wasn’t directly because of Coachella, it came to me around that time and joined my spring playlist in the midst of some great tunes. This was one song I couldn’t get enough of though. I would frequently replay it or listen to it when I wasn’t working out thus earning this trop house style track a spot on this list of my faves from 2020.

Golden Hour -Kygo

After seeing Kygo perform at Coachella in 2018, I became a huge fan. I’ve always been partial towards the trop house style of electronic music, but that 2018 performance really set in my affinity for the Norwegian DJ. Golden Hour was another album I was anticipating in the spring with new track releases every few weeks. Kygo’s third album dropped at the end of May and I already had some favorites from the new record. “Freedom”, “Lose Somebody”, and “Higher Love” caught on quick for me. I also love “Like It Is”, “I’ll Wait”, and “How Would I Know.”

Kygo decided to do a virtual live stream festival from his home in Norway to promote the new album and support LiveNation’s Crew Nation Fund among several other relief funds. As we know, streaming shows became a thing this year. I think they’re trash. They will never compare with going to a concert or festival, but in the mean time, they’re something to watch. I watched two streams in the spring and this was one of them. The thing that kept me around was the beauty of Norway. Kygo’s set was shot partially with a drone that exhibited the entire landscape of his community. People were out on the lake watching his set from boats. It was so cool. Who would have thought this music which usually sets the vibe at in the desert of southern California so perfectly would create an insane vibe in a different setting like Bergen, Norway. It was great and it gave me another chance to hear this solid new record.

Honorable Mentions:

The New Abnormal -The Strokes (the first Strokes album since 2013, full of indie rock goodness)

girl in red (the indie version of Hayley “Lesbian Jesus” Kiyoko)

“Good” -TWIN XL (indie pop summer jam)

“Palm Springs” -Luna Shadows (pure Palm Springs vibe and I bet you can’t get it out of your head)

“Anywhere” -Dillon Francis ft. Will Heard (Thanks to a re-watch of his 2019 Coachella set it became a spring fave of mine)

I typically end these posts filled with excitement knowing I’ll be anticipating the Coachella lineup to drop within days, but this time around that excitement for my favorite festival is non-existant. Instead, I’ll be looking for another postponement to the Indio festival that was only a month away before corona dragged it and the rest of live music down. The good thing is that there’s finally a light on at the end of this tunnel. The vaccines are probably the hottest records to drop this year with a few more slated for early 2021. We’re all hoping that these creations will help get us back to the things (concerts and festivals) and people we love the most at some point next year. So I’m definitely urging you to give them a chance, because the faster you do the faster we can move forward away from this crazy upside down world we’ve been living in since March.

Besides hopefully a fresh start for the live music and events industry, 2021 should be filled with some highly anticipated new music. In May 2019, Adele hinted at a new record that was to come out in 2020. I’m not sure if this year put a damper on production, but it has yet to be released. A brief stint on SNL in October gave us some hope for new music but Adele quickly squashed those hopes in her opening monologue and shifted gears towards 2021. So as the saying goes, “rumor has it” that we’ll have some new Adele music next year after over 5 years since 25.

Lorde has also hinted at the release of new music. It will be 4 years ago in June that Lorde released her Grammy nominated sophomore album Melodrama. So this third full-length will be a highly anticipated record in 2021.

As I mentioned girl in red in my honorable mentions, her debut album should be dropping next year as well. The first single from it, “Rue”, was released in late August and I’m sure there will be more songs coming in anticipation of the release. After the big year girl in red had, thanks in large part to Tik Tok, I’m sure this debut will help grow her fan base even more.

Lana Del Rey, who just never stops making music, has an album due out for 2021 as well with Chemtrails over the Country Club. We should be seeing new music from Bleachers, St. Vincent, Spoon, Weezer, and Greta Van Fleet in the new year too.

Although it has been over 3 years now that my favorite band, Foster the People, released an album, they released an EP called In the Darkest of Nights, Let the Birds Sing on December 11th. They’ve dropped plenty of new music since their last record Sacred Hearts Club (2017) too. Hopefully touring returns at some point next year and I’ll have the chance to see Mark and the boys again soon. I miss them. I actually said the same thing at the end of last year too, but now I miss them even more.

It’s also been awhile since LCD Soundsystem has put out music so I hope to hear from them next year as well as Florence & The Machine whose last album came out in 2018. As for the next few months though, instead of going to Mexico and anticipating Coachella, I’ll be trying to ski as much as I can and keep my eyes and ears peeled for a return to the work I love so much. If all goes well, the new roaring 20’s might be in full swing by the fall. Stay tuned for that.

Although music was partially shut out this year, at least we have the technology to release, find, and hear new songs, EPs, and albums. I’m not going to try to tell you that music saved this year like it did in 2016. This year could never be saved and that’s okay. The good news is that we made it so here’s to shutting the door on a wild, lameass year and opening the next door for a better one. Onward and upwards!

Top Albums of the Decade

For the last few years, I’ve been ending each year with a list of my faves in music from the past year. I plan on doing it again but since 2019 is the last year in this decade I thought I’d also include a list of my favorite albums of the last 10 years. I definitely have a clear cut favorite and second favorite, but after those two, there’s really no particular order.

This list is defined by albums that I’ve listened to in full for days, weeks, months, or just repeatedly for no set amount of time. It’s a list of albums that I couldn’t get enough of. My two favorites on this list have been in my car since I bought them in 2011 and 2012. I still listen to them occasionally. You could probably chalk them up on the list of my favorite albums of all time, but the others are special to me as well.

So let’s get down to it. Here are my top 15 (plus a few honorable mentions!) favorite albums of the 2010’s:

Torches -Foster the People (2011)

My absolute, number one, favorite album and Foster the People’s debut album. I wrote once about how Foster the People really shaped the music I got into this decade going from being into punk/emo/alternative music to indie pop/indie rock. This album did it for me in 2011. Foster the People was a new, hype band on the music scene. They played SXSW and Coachella the spring before their first album dropped. When I got into them I learned about Coachella for the first time. So this band and album really shaped a lot about this decade for me.

I’ve loved Torches from top to bottom since I purchased it in May 2011. “Helena Beat” was the first song that hooked me, but despite any criticism it’s received over the years, “Pumped Up Kicks” kept me around. It’s filled with other bangers like “Houdini” and “Don’t Stop (Color on the Walls)”, but it has plenty of underrated hits like “Call It What You Want”, “I Would Do Anything For You”, “Life on the Nickel” and “Warrant”. Since I bought a record player in 2012, I’ve been adamant about not purchasing records that I already have on CD. This month I broke that rule for this album. It’s one of my all-time favorite works of music and the best of this decade for me. It was about time that I own it on vinyl too.

Born to Die -Lana Del Rey (2012)

Born to Die is Lana Del Rey’s debut album. It came out in 2012 and I’ve loved it ever since. I listened to it constantly once I bought it. Like Torches, it’s the only other album that’s stayed in my car since I purchased it. I remember thinking Lana Del Rey and her music were completely ridiculous when I bought the album, but I fell into it and the rest of her music. It was the song “National Anthem” that convinced me. It’s still my favorite Lana Del Rey song to this day. “Diet Mountain Dew” was always another favorite of mine as well. Born to Die is filled with several other classics like “Born to Die” the title track, “Blue Jeans”, “Off to the Races”, “Video Games” the album’s first single, and Lana’s biggest hit “Summertime Sadness”. I’ll always love Pabst Blue Ribbon because of “This Is What Makes Us Girls” too.  This album was always on in my car for a few months in the summer of 2012. It got me into Lana Del Rey and she became one of my favorite artists of the decade as well.

Days Are Gone -HAIM (2013)

In early 2014, I discovered the sister trio band Haim. I decided to buy their debut album Days Are Gone because I liked their songs “Falling” and “Don’t Save Me”. I might have taken a risk on two songs but it was a great risk to take. I loved the album and had it in my car for quite some time. I really got into “The Wire”. I also loved “If I Could Change Your Mind”, “Forever”, “Honey & I”, and “Days Are Gone” in addition to the others I already liked.

I had Haim’s album in my car for a very long time as well. It ended up on repeat in my car once again in the summer of 2016 shortly before I saw them perform for the first time at my first Lollapalooza. It’s definitely an album I’ve loved a lot this decade and the reason why I’ve loved Haim a lot too.

An Awesome Wave -alt-J (2012)

Compared to the rest of the albums on this list An Awesome Wave is a little bit different for me. I got it on vinyl years after I started listening to the music on it. I also listened to each song at different points. It all started with “Breezeblocks” though. Pretty Little Liars actress Troian Bellisario posted about the song on social media and after listening once, I downloaded the song. Then a day later it was “Something Good”. Then “Fitzpleasure”, “Taro”, and “Tessellate”, in that order, through the course of 5 years. In the meantime, their second album This is All Yours came out and “Left-Hand Free” became my jam too. When I saw them perform at Coachella in 2018, I was with several co-workers when we all danced freely to “Dissolve Me”. By that point their third album Relaxer was already out as well. I got into “Dissolve Me” though and decided last year that it was time to own An Awesome Wave. I then completed listening to the album by getting into “Matilda”, “Ms”, “Bloodflood”, and “Hand-Made”.

An Awesome Wave really spanned the decade for me, but so did alt-J. I saw them play about 5 times over the last 5 years and it’s always been an enjoyable set every time. Their unique sound has always been a catch for me and I’m sure they’ll be releasing new music in this new decade before we know it.

21 -Adele (2011)

Up until I got into Adele’s album, 21, I despised pop music. The song “Rolling in the Deep” was the one that really got me interested in Adele. It was on a sampler CD from my local record store. I bought the album around the same time I bought Torches and both albums became the soundtrack to one of my favorite vacations of all time. I listened to both albums repeatedly on that early June trip to Williamsburg, Virginia and my love for Adele began.

Of course I was into 25 when it came out in late 2015 and 19 somewhere around that time, but it was 21 that made me feel okay with liking a pop artist again. I also just really liked the album. “Rumour Has It”, “Set Fire to Rain”, “Someone Like You”, “I’ll Be Waiting”, and “One and Only” are pretty great songs even though “Rolling in the Deep” always has my heart. 21 does too. It came out of the blue uninvited, but it came to stay.

Heartthrob -Tegan and Sara (2013)

I got into Tegan and Sara while I was still in college in 2009, but their album Heartthrob really made me a fan. It was the album that put them into the mainstream music world for a bit. I didn’t get into the album until a year after its release in 2014. I fell hard for it though. It became the soundtrack of another trip to Williamsburg, Virginia. The hit song “Closer” was the one that suckered me in. I got into so many others though like “I Was A Fool”, “I’m Not Your Hero”, “Drove Me Wild”, “Now I’m All Messed Up” and “Goodbye, Goodbye”. Heartthrob revitalized my interest in Tegan and Sara and I’ve been a bigger fan ever since because of it.

Pure Heroine -Lorde (2013)

I was introduced to Lorde in the summer of 2013 from her breakout song “Royals”. From there I also got into the song “Tennis Court” and “Bravado”. I remember anticipating her debut album during my first trip to California especially because of the line in “Tennis Court” that goes “pretty soon I’ll be getting on my first plane.” That flight to California wasn’t my first flight, but it was my first flight in 9 years. I purchased the album as soon as I got home from Cali. It was my go-to album for a few weeks as I got into several other tracks on the record like “400 Lux”, “Team”, “White Teeth Teens”, “Glory and Gore”, and “A World Alone”.

Sacred Hearts Club -Foster the People (2017)

In the last 10 years Foster the People solidified their spot as my favorite band. I remember being so excited for their second album after Torches but Supermodel didn’t quite live up to my expectations. After their sophomore release, it was then a few years of silence before the group released new tunes. 2017 was one of the best years in music of this decade for me. It was filled with great albums by plenty of my favorite bands and artists, which included Sacred Hearts Club by Foster the People.

Foster the People dropped three songs from the record in the spring “Pay the Man”, “Doing it For the Money”, and “SHC” and I listened to those three quite frequently until the album came out in July. When it did, I immediately fell in love with the song “Sit Next to Me”. I listened to it non-stop along with the rest of the album and songs like “Lotus Eater”, “Static Space Lover”, “Loyal Like Sid & Nancy”, and “I Love My Friends”. It was only about 2 weeks after the album dropped that I was able to see Foster the People live again at Lollapalooza (the last time I saw them was in 2014). They were incredible. I then bought tickets to see them play in Philly in September as a treat to myself after my position was cut from a festival I was supposed to work. It was one of the best shows I’ve ever been to and was filled with 2 full hours of music from my favorite band including the best encore that I could have ever imagined. I caught the set list too! I owe that night to Foster the People and Sacred Hearts Club.

Wild World -Bastille (2016)

When Bastille’s sophomore album dropped, I got into Bastille. Sure I knew about Bastille before that. There were a few songs I liked from Bad Blood. Some might even argue saying Bastille’s Bad Blood really set the tone for the band, but for me it was the second album Wild World. “Good Grief” and “Send Them Off!” were always my go-to songs, but “The Currents”, “Power”, “Warmth”, and “Blame” were great songs as well. I listened to the album for weeks. Bastille recently released their third album this year. Even though the album is great, it still doesn’t do for me what Wild World did.

Ultraviolence -Lana Del Rey (2014)

Lana Del Rey’s second album was highly anticipated for me after my love of Born to Die. In between the albums, she also released the EP Paradise which was another incredible compilation of music. When Ultraviolence came out, it successfully did for me what Foster the People’s Supermodel couldn’t and since both Foster the People and Lana Del Rey were my faves I expected the best from them. Ultraviolence gave me that. “Money Power Glory”, “Brooklyn Baby”, “Ultraviolence”, “West Coast”, and “Fucked My Way Up To The Top” were my favorites. The album picked up where Born to Die left off and that’s all you can really ask from a band or artist.

Melodrama -Lorde (2017)

I always knew Foster the People and Lana Del Rey would be on this list more than once, but who knew I liked Lorde so much? Melodrama was also an incredible follow-up album to Pure Heroine. Like Sacred Hearts Club, it was part of that 2017 wave of new music. Lorde released the first single “Green Light” in early March. That song got me stoked for the new album because it was an absolute banger. Then she dropped “Liability”. I hated the song at first. It took hearing the song live on the last night of Coachella Weekend 2 to make me fall in love with it. The album released 2 months later and I remember being so pleased with how good it was. “Homemade Dynamite”, “Perfect Places”, “Sober”, and “Supercut” added to my love for “Green Light” and “Liability” made the album a hit. I wasn’t the only one that thought so either since it was nominated for a Grammy for Album of the Year.

Woodstock -Portugal. The Man (2017)

Who would have thought Portugal. The Man would have made a statement with their 8th album? They did though and it was the hit “Feel It Still” that did it. The entirety of Woodstock is fantastic though. In fact, I feel like “Feel It Still” is the song that doesn’t quite fit with the album. The first time I heard the song I thought it was Electric Guest but was shocked to find out it was in fact Portugal. The Man, whose song “People Say” was one of my favorites when I was a radio DJ in college. “Live in the Moment”, “Tidal Wave”, “Number One”, and “Keep On” are a few other great jams from Woodstock. The album left an impression and I’m sure we’ll be feeling it still even when Portugal. The Man releases more music.

El Camino -The Black Keys (2012)

The Black Keys had plenty of albums before El Camino and those albums, particularly its pre-cursor Brothers, were big in the indie rock music scene. El Camino is the album that got me into The Black Keys though. I got the album in 2012 and saw the band perform live two years later. “Lonely Boy” was the song that got me started on The Black Keys, but El Camino was full of hits like “Gold on the Ceiling”, “Little Black Submarine”, “Stop Stop” and “Dead and Gone”. I learned how to play a few of those on guitar too. The Black Keys haven’t stopped making music in the last decade and have released two albums since El Camino, the most recent being this year, but El Camino will always be special to me.

Heard It In A Past Life -Maggie Rogers (2019)

Last winter I debated buying this album on vinyl while I was listening to Maggie Rogers as part of my Coachella preparations. Ultimately I decided with the help of my instagram followers that I should buy the vinyl. I did and it was a great purchase. The debut album from Maggie Rogers is a thing of beauty. “Light On”, “Fallingwater”, “Give a Little”, “Alaska”, and “Burning” are incredible. Oh and there’s also “Back in My Body”, but I’ll get more into that song when I recap this past year. The album was one of my favorites of the last year and I was pretty shocked when it didn’t get a Grammy nomination. The album is still tops in my book and one of my favorites of the last decade.

This Is Happening -LCD Soundsystem (2010)

When I think about it, there’s only three words that can describe This Is Happening: “Dance Yrself Clean”. It was the song that got me into LCD Soundsystem a year after the “final” show at Madison Square Garden thanks to Suits actor Patrick J. Adams and Troian Bellisario (yes, again!). Over the years I got into LCD Soundsystem and their small-ish, but excellent discography. I never thought I’d be able to see the band until right before Christmas in 2015 when the band dropped a Christmas song, “Christmas Will Break Your Heart” (which I’ve actually listened to twice today) which sort of signified their return. A few weeks later they were on the Coachella lineup and officially back. They dropped a new album American Dream in 2017 and I was able to see them twice once they returned, at Lollapalooza in 2016 and at my favorite venue in Philly in 2017 with a friend who was actually at their “last” show.

Oddly enough, I don’t own This Is Happening in any form. It kind of doesn’t fit this list in that regard, except it’s kind of like An Awesome Wave. I’ve listened to all the songs on this album at different points over the last decade. “Drunk Girls” is one of my favorite LCD Soundsystem songs. “You Wanted A Hit” was the song I got into after seeing them play for the first time. Then there’s “I Can Change”, “Home” and “All I Want”, which I actually just got into recently. Over the last 10 years, LCD Soundsystem earned a special place in my heart, but I sort of owe that to This Is Happening.

Honorable Mentions:

The 1975 -The 1975 (2013)

How Big, How Blue, How Beautiful -Florence + the Machine (2015)

AM -Arctic Monkeys (2013)

Without Fear -Dermot Kennedy (2019)

So there you have it. All my favorite albums from the last 10 years. Actually, there’s probably more, but these are the ones that stood out the most. Thanks to music for all that I love and thanks to these great bands and artists for putting amazing tunes into the world. I can’t wait to see what the next 10 years brings or where music will take me both personally and professionally. I can only hope for the best, but so far it’s been nothing short of incredible.

2017: The Best Year in Music Recap

Last year around New Year’s, I wrote about how music saved 2016. It was a pretty shitty year for the country and in the grand scheme of things. Although people would say 2017 might not have been the best for some similar reasons, I would have to argue. 2017 was a great year. Personally, I worked more events than last year, worked new festivals including my all-time favorite, Coachella, had the opportunity to work a few different roles, saw tons of incredible live music, made new friends, got closer to friends I already had, and figured out what my ultimate goal is. Overall yes there were several bad and upsetting events that happened especially in America. There were even a few hiccups in my own life. However, despite the bad, there were plenty of instances of hope. As for music, as much as I thought it was the best part of 2016, it doesn’t hold a candle to this past year.

So many artists released new albums this year. I mean I guess that’s pretty standard for every year but this year was special for me. It was all of my favorites (minus Florence and the Machine) putting out new albums. I also discovered so many more great bands thanks to the incredible people I met and grew closer to this year.

I could do a detailed recap of all the music I loved from this year, but I wrote about it so many times so I’ll give you all the links in a ranking of my favorite albums of 2017.

My 2017 Top 10 Favorite New Albums

10. Zombies on Broadway   -Andrew McMahon in the Wilderness

The follow-up to Andrew McMahon’s debut had a handful of hits. I never reviewed this album and I’m so sorry because it was a good one, making it #10 on my list.

9. Something to Tell You   -Haim

Although Something to Tell You wasn’t quite what Days Are Gone was for me, I was super stoked to hear some new music from the Haim sisters. The new album had a few great jams like “Little of Your Love” and “Want You Back” which helped it earn my #9 spot.

8. Lust For Life   -Lana Del Rey

As advertised, Lust for Life was an album for the fans. In my opinion it wasn’t Lana’s best nor her worst. “Coachella – Woodstock on My Mind” and “Beautiful People, Beautiful Problems” featuring Stevie Nicks were two of my favorites, but it wasn’t quite what I was hoping for by one of my favorite artists, putting Lana at #8.

7. Woodstock   -Portugal. The Man

I owe the love of this album to our self-planned Hipster Day in NYC when we went to Brooklyn, checked out cool street art, and spent time in a record store where I purchased the album on vinyl. Who would have thought 2017 would have re-introduced me to Portugal. The Man? After a banger like “Feel It Still” it, it happened though. I never reviewed this album or this band on my blog yet, but don’t worry it’s coming soon. My recent hype and appreciation for Portugal. The Man’s hit album helped it reach the #7 spot on my list.

6. American Dream   -LCD Soundsystem

American Dream was the highly anticipated comeback album from LCD Soundsystem. It might not be Sound of Silver, but it’s got plenty of great tracks that will be played at LCD’s show until they decide to break up for good this time.

5. A Moment Apart   -Odesza

Odesza was a new discovery for me this year. When this album was released, I had never listened to them so I wasn’t anticipating the release nor planning an album review (I linked my general blog post from a few weeks ago instead). It took a special trip that included an Odesza concert to force me to listen to the album, but it was definitely worth it as it comes in as my #5.

4. Ultralife   -Oh Wonder

2017 became the year that I really fell for Oh Wonder. I owe it to Coachella, Denise, and a shitty work schedule, yet I’m so grateful it worked out that way. Their new album picked up where their self-titled debut album left off and added a few new hits to their repertoire making Ultralife my #4 top album this year.

3. GALLERY   -A R I Z O N A

After discovering A R I Z O N A last year, listening to almost every new single they released, and loving each and every one, their debut album had to be high on my list. The album is basically a compilation of each single plus a few new tracks. I don’t even own the album, but I’ve spent a lot of time listening to their songs. Again, I linked up my general blog post from this year about the band.

2. Melodrama   -Lorde

If I wasn’t biased, this would hands down be the best album of the year. Every song on Melodrama is fantastic. The album was the kind of sophomore album bands and artists dream of, but not many can achieve. Lorde crushed it with this one giving her second full length my #2 spot.

1. Sacred Hearts Club   –Foster the People

Like I said, I’m biased on this. I’ve always said Foster the People was one of my favorite bands, but this album made me fall in love with them all over again. It’s not quite Torches, but it’s close. “Sit Next To Me” became my favorite song of the year. Seeing them live twice and up close was everything I needed. They’re always my #1.

Honorable Mentions: I See You -the xx, Relaxer -alt-J, Wonderful Wonderful -The Killers, Everything Now -Arcade Fire, L.A. Divine -Cold War Kids, Masseduction -St. Vincent

So there you have it My Top 10 Favorite Albums of 2017…the Best Year in Music, at least in my opinion. 2018 has a lot to live up to. There’s sure to be plenty of good music this year, but it’ll be hard to beat all the new stuff from my favorites. Still we have a few to look forward to. I heard some rumors about upcoming albums from Arctic Monkeys, Vampire Weekend, and MGMT. Hayley Kiyoko will be releasing her debut album this spring and the 1975 is supposed to drop their third full length album. Chrvches and Bastille are also on radar for some new albums. As you can see there’s still good things to come. Plus the Coachella lineup drops this week and you know what that means. So thanks 2017 for being so special. 2018…”just come over here and sit next to me” because I’m ready for you and all the music you have to offer.

Melodrama: Album Review

Last Friday Lorde released her highly anticipated second full length album, Melodrama. The announcement of the album came in March shortly after she released the album’s debut single “Green Light”. In the mean time she also released two other singles, “Liability” and “Perfect Places”.

So far the album has been received with high praise and it’s only been out for a week. I was away for a work trip last weekend so I first listened to the album last Thursday night/Friday morning on Spotify. I loved it. I knew I was gonna head out immediately once I got home to purchase it. I bought it Wednesday. It’s a fantastic album. It’s everything you could ever want from Lorde, especially as a follow-up to Pure Heroine. The songs are emotional, catchy, and have that edgy sound Lorde is so well known for.  It takes listeners on an emotional roller coaster from start to finish. It will have you dancing with songs like “Green Light” and “Supercut”, singing to “Perfect Places” and “Homemade Dynamite”, crying while listening to “Liability”, and loving everything else in between.

Lorde created the album with well-known producer/musician, Jack Antonoff. He has production credits on almost every song on the album. I’d be surprised if this album doesn’t earn the Lorde/Antonoff duo a few Grammy nods. I highly recommend purchasing it as soon as possible. Make it one of the soundtracks to your summer. It’s that good so stop reading, go listen, and fall in love with Melodrama.

hopeless fountain kingdom: Album Review

As you know, all-new albums from some of my favorite artists will be dropping throughout the summer. The album releases began over the weekend. I’m going to try to review as many of them as I can, especially because I’ll be busy traveling and it will at least give me a few planned topics to write about.

On Friday, along with alt-J’s Relaxer, Halsey released her sophomore album hopeless fountain kingdom. Although it’s currently #1 on iTunes, it’s a disappointment for me. I’ve always liked Halsey’s darkness and edge that she brought to her music. Her new album seems generic. She tried to bring in this artsy, creative aspect to it by having it reflect a Romeo & Juliet type of scenario, but instead I feel like she’s trying too hard. I previously compared her styles and sound to a mix of Lana Del Rey and Lorde. Although this album brings in some of that Lana Del Rey creativeness, she’s strayed from the Lorde-ish type of sound and Lana-ish lyrical content heard on Badlands. If there are any songs that I enjoy/appreciate from this new album, it’s “Bad at Love” and “Eyes Closed”. “Eyes Closed” was released as a single a few weeks ago and I liked it initially. There’s really nothing more to it than that for me. Upon listening to the album though, “Bad at Love” was the song that stood out to me in sound and lyrics. It’s catchy, but the lyrics also give representation to Halsey’s bi-sexuality, which she’s been open about in the past. Sure the lyrics aren’t genius. They’re kind of just average pop lyrics. It’s definitely no “New Americana”, but I like the fact that the song reflects Halsey as an LGBT artist, which is something you don’t always get in music.

The new album also features a few collaborations. Quavo from the hip-hop group Migos, Lauren Jauregui from girl band Fifth Harmony, and Norwegian DJ Cashmere Cat all make appearances on hopeless fountain kingdom.

Overall though, I think this is one album I’m going to bypass on purchasing. It was a disappointment for me after such quality work with Badlands. I feel like Halsey is just falling into the main stream pop, where she had potential to be more than that. I’m going to just blame “Closer” and The Chainsmokers for this one. Hopefully her follow-up delivers in a big way. For those of you who really like this album, I’m sorry I don’t agree with you. I was hoping for this album to be just as good as Halsey’s debut. Unfortunately that’s not always the case and I’ll just hope for something better next time.

2017….The Best Year of Music?

Coming back from two weeks in So Cal has been a bummer to say the least. With Coachella, sunshine, warmth, palm trees, new friends, old friends, etc., I’ve been in a withdrawal. It’s also tough to come up with weekly blog topics because I feel like I gave it my all for the past 3 months writing about Coachella bands. However, there’s one thing that’s helped with all of the sad feelings recently. It’s the constant stream of new music flooding in from a bunch of my favorite bands and artists. Over the last 2 weeks, I’ve lost count of how many of my faves have released new tunes. I had a realization this past week that 2017 is shaping up to be the best year for music, or at least new music so I figured I’d write about it and give you a little preview of what’s to come.

Obviously there’s a ton of bands and artists releasing new music this year, way more than I plan to write about. The acts I’m mentioning are some of my favorites. Some I’ve written about in the past already. Actually that’s a lie. I’ve written about almost all of them before. The first is someone who I haven’t talked about for a while, but she’s one of my all-time favorites of the past 6 years, Lana Del Rey.

Lana Del Rey released a new single in February called “Love”. Upon its release, she said her upcoming new music was inspired by her fans and the people who supported her throughout the years. “Love” was the first of the new releases to give back to them. Until February, Lana hadn’t released new music since 2015’s Honeymoon. Then while I was at Coachella she released another new single, “Lust for Life” featuring The Weeknd. She also confirmed a few weeks before the single’s release that her new album would also be entitled Lust for Life. Although no release date has been confirmed for the new album (EDIT: The new album will be out July 21st.), there’s rumors that it will feature a few other collaborations with the likes of Stevie Nicks and Sean Lennon, son of John Lennon.

Another artist with new music out this year is Lorde. I, of course, wrote about her as a Coachella preview, but it was before she put out her new material. Along with Lana Del Rey, Lorde was one of the first to put out music this year. In early March she dropped her single “Green Light”. Then a little over a week after that she performed another new single when she appeared on SNL, “Liability”. I loved “Green Light” the first time I heard it. It’s the kind of song that makes you want to get up and dance. It’s the Pure Heroine follow up hit that I was looking for from Lorde. It got me so hyped for her new album Melodrama, which I thought may come out before Coachella, but isn’t going to be released until June 16th. “Liability” is the complete opposite. The song is so raw and emotional. It’s not something I’ve ever heard from Lorde. It sounds more like something Adele would sing. I denounced the song immediately after I heard it, but then I heard it again live at Coachella. It was incredible. Not just the song, but the entire moment surrounding the festival and the two weeks I spent in California.

She performed Sunday night and I was only able to see her performance on Weekend 2, the final night of what was the most incredible festival-working experience I’ve had thus far. Lorde spoke to the crowd of probably close to 100,000 people as if she were in a tiny dive bar and explained how much the song meant to her. Then she went on to sing her newest piece of music with everyone who cared to join her amongst the beautiful night scene at Coachella with the cool breeze blowing and lit up palm trees swaying as the ferris wheel glowed in the background. I took in the moment with two new friends I met while working the festival focusing on Lorde, the entire setting, and my one friend almost in tears because the song affected her that much. It was epic enough to force me to give “Liability” a second chance and I haven’t stopped listening to it since.

Then I came back from California and within days there was new music from my favorite band, Foster the People. I’ve liked Foster the People for 6 years now. They were one of the first bands that I liked when I started getting into the indie rock scene (See here for the story). They haven’t released new music since 2014 and I’ve been craving something new from them for the last 2 years. On April 27th, the indie rock trio released III, a three song EP with songs from their upcoming album. I listened immediately and have been listening to the songs non-stop ever since, “Doing It For the Money” in particular. I feel like the new music combines that old Torches sound with the newer Supermodel sound to create this in-between to both albums giving fans the best of both worlds. For me, it’s almost impossible to top Torches. I still keep the album in my car and pop it into my CD player on occasion. It’s one of my favorite records of the modern era, but this new album (at least indicated by the EP) has shades of Torches that gets me hyped for its release. As of today, the title and release date have yet to be announced, but I read that it should be out in June or July (EDIT: Foster the People’s new album, Sacred Hearts Club, will be July 21st).

On the same day that the world was blessed with three new Foster the People songs, Haim announced their upcoming sophomore album Something To Tell You and released a preview of the track “Right Now”. They also announced they would release a single from their upcoming album on May 3rd. Last summer when I saw Haim play at Lollapalooza they played a few of their new songs. I don’t remember what songs they played, but I do remember liking each one I heard. Each new song still maintained their signature sound. It got me excited for their new record and I’ve been anticipating it ever since. The album comes out July 7th, but until then we have the song “Want You Back” (the May 3rd single) to hold us over and any other new songs the sisters Haim decide to drop along the way.

alt-J is another band with a new album out this year. I really got into alt-J after seeing them perform at Coachella in 2015. My friends and I then saw them while they toured a few months later. Both shows were fantastic. alt-J released the first single, “3WW”, from their new record in the beginning of March. Then a few weeks later they released “In Cold Blood”. alt-J has always had this unique style of indie music and it’s again evident in their new music so far. Their new record Relaxer comes out on June 2nd.

If you thought five new records were enough, you haven’t been paying attention to music news because there’s a few more to be excited for. One of those is a record that doesn’t have a title or release date yet, but I expect it to be out later than the rest. I’m guessing it could be out any time between late summer and winter (EDIT: The new album, American Dream, comes out September 1st.), but I’m so grateful for the two new songs that were just released this past Friday at midnight in anticipation of it. After announcing their reunion last winter and headlining festivals throughout 2016, LCD Soundsystem finally released new music! They played several shows at the opening of the new venue, Brooklyn Steel, in New York City last month and debuted both songs there. The songs “call the police” and “american dream” were also just performed by the band on SNL over the weekend. I haven’t had much of a chance to binge listen to the songs yet, but I can’t wait to listen on my road trips I have coming up this month. Both songs are different and yet so good. At this point, I think I’d feel that way about anything LCD Soundsystem puts out.

So those are all my favorites that have new albums coming out soon, but there’s also a few other good music acts that I like with new tunes on the way too. Halsey just released two singles over the last month from her new album Hopeless Fountain Kingdom due out in June. So far from the new releases, her album seems like it’ll be less dark than Badlands. Phoenix will be releasing their sixth album and first since 2013, Ti Amo, on June 9th. They just dropped the first single from the new record, “J-Boy”, on April 27th. Finally a band I recently previewed before Coachella, Oh Wonder, will be releasing their second album, Ultralife, on June 16th. Over my two weeks spent in Indio, my love for and desire to see Oh Wonder grew a little more (I couldn’t see them at Coachella). Now I’m definitely stoked for their follow-up to 2015’s debut self-titled masterpiece.

Along with all that’s to come this summer, several great bands that I like have already released new music this year. The xx just released I See You on January 13th. I missed them at Coachella, but I’ll be seeing them live next week! Andrew McMahon in the Wilderness released Zombies on Broadway on February 10th and his new record has some great jams that give off a brand new electronic feel not usually heard in Andrew McMahon music. Lastly and most recently, Cold War Kids just dropped their newest album L.A. Divine on April 7th.

In total that’s 12 new albums from bands I like, about half of those being my favorites. I’ve said recently that all I need is for Florence and the Machine to release a new album this year to really put that final piece in the puzzle. Even without them this year is shaping up to be one of if not the best in music! I’m stoked so you guys better get stoked too because there’s so much to listen to!

Local Natives

It’s crazy to think, but it’s been almost a month since my last blog post and yet it honestly doesn’t feel like it was that long ago. I guess that’s what happens when you spend the fastest two weeks in the Coachella Valley working at your favorite and one of the most well-known music festivals in the world.

So yeah, I did it. I worked Coachella. It was amazing, special, wild, epic, unreal, and all sorts of other positive adjectives that you can think of. It was mostly indescribable though. I knew what to expect, but at the same time I didn’t at all. I can say though that experiencing Coachella in an entirely different way made me appreciate it so much more because it’s a first class, well-run music festival. I’m not gonna go into deep detail about my trip here. I will say that out of the bands I previewed I was able to see Kungs, Grouplove, Lorde, and Lady Gaga. If you wanna know more about my experience though, just ask.

Another thing I will mention is that I had a realization while at the festival during Saturday of Weekend 1. I definitely should have previewed Local Natives in the build-up to Coachella 2017. I was able to catch part of their set that Saturday before my shift started and I knew about 4 of the 5 songs I heard. I didn’t realize how many Local Natives songs I knew, but apparently I know a lot. I know enough that I feel like I need to go to one of their shows sometime. So I figured it was better late than never to write about them, so here goes…

Local Natives is an indie rock band from Los Angeles, CA. Members Kelcey Ayer, Ryan Hahn, and Taylor Rice all met while in high school together in neighboring Orange County, but it was after graduating college from UCLA that the group really started to focus on music. Along with Matt Frazier and former member Andy Hamm (replaced by Nik Ewing in 2012), the group moved into a house together in the Silver Lake section of Los Angeles and began working on their first record, Gorilla Manor. The album was released in November 2009 in the UK and then in the U.S. in February 2010.

The band began generating some hype before the album’s release though. They played SXSW in 2009 which garnered attention from music critics. They received comparisons to well known indie bands, Arcade Fire, Fleet Foxes, and Vampire Weekend, making them a new notable act on the indie scene.

On January 29, 2013 the band released their second album, Hummingbird. The album was produced by guitarist Aaron Dessner of The National and featured a darker lyrical turn due to life events, such as the departure of Andy Hamm and the death of Kelcey Ayer’s mother, that had influenced the band’s writing process. The album also received generally positive reviews.

Last year the band released their third and most recent album, Sunlit Youth, in September. The first single for the album, “Past Lives”, was released a few months before the album drop. The album, like it’s predecessor, received similarly favorable reviews.

Local Natives is your standard indie rock band. There’s no other genre that their music fits into. I can see why they were initially compared to the likes of those other well-known indie bands. Out of the three I mentioned above, their music sounds most similar to a combination of Arcade Fire and Fleet Foxes. I think Vampire Weekend has more of an indie pop feel to their songs that isn’t heard as much with Local Natives. Another reassuring fact about Local Natives’ music is that the sound hasn’t changed much through three albums. Maybe the lyrical content has developed and changed, but you’re still getting that familiar Gorilla Manor sound on Sunlit Youth.

I first heard of Local Natives in the prime of my indie/hipster music transition phase in the spring of 2011. From then on, every so often I would add a new Local Natives song to my iTunes and playlist rotation. While on my first trip to California in 2013, I made it a point to go to Amoeba Music. Amoeba is the world’s largest independent record store. They have three locations in California, one in Berkeley (the original), one in San Francisco, and one in Hollywood, which is the one I went to. I, of course, wanted to get something at Amoeba, but traveling by plane made it difficult to purchase any vinyl so I opted for a CD. The CD I purchased was Hummingbird. Despite all this evidence, it never occurred to me that Local Natives should be a must-see for me at Coachella this year and a must among the list of bands I previewed. I didn’t even realize it after catching the end of their set at Lollapalooza last summer and realizing I knew every song I heard them play. I do now though and I won’t disregard them anymore. I plan on going to one of their shows next time they tour near me. They crushed it at Coachella and I don’t want to miss out anymore.

If you’re a big indie music follower and you don’t know of Local Natives, it’s time you do. They’re a great band to listen to if you’re just relaxing on quiet evening or if you’re driving on a road trip. It’s time to make these guys known or recognized whatever the case may be. Here’s a few songs you should check out.

  1. Airplanes
  2. Who Knows Who Cares
  3. Ceilings
  4. Heavy Feet
  5. Mt. Washington
  6. Past Lives
  7. Wide Eyes
  8. Dark Days
  9. We Come Back
  10. Sun Hands

Coachella Band Preview: BROODS

We are officially less than 2 months away from Weekend 1 of Coachella! The hype is increasing at this point and yesterday it increased for me too. I’m proud to say that I accepted a position to work at Coachella in its entirety (meaning both weekends)! I’m beyond stoked. However that being said, even though I’ll be out in the desert once again, I’m going to have some serious business to take care of. I have no idea if I’ll be able to see any music at all, but being in the Coachella atmosphere is a gift in and of itself. At least now you’ll know who I would be seeing if I get a chance out there. Anyway with this building anticipation, it’s time to ramp up that listening and preview another band playing the festival this year for their first time, BROODS.

BROODS is a brother-sister band duo who come from Nelson, New Zealand. Georgia Nott (lead vocals) and her brother Caleb (backing vocals, production, multi-instruments) grew up in a music-oriented family. They even performed in an ABBA tribute band growing up and were a part of an indie band while in college. Both ended up eventually dropping out of college to pursue BROODS. Their band name was suggested by their manager but has a relevant double meaning which they love. It relates to family but also deep upsetting thoughts that the siblings resolve through music. They formed the band in early 2013 and released their debut single “Bridges” by October of that year. The duo worked early on with music producer, Joel Little, who also worked with Lorde on her single “Royals”.

They released their debut self-titled EP in early January 2014 after signing a deal with Capitol Records/Polydor a month earlier and then toured the UK, North America, and Australia for the better part of 2014. Some of their tour gigs were in support of acts like Haim, Ellie Goulding, and Sam Smith. Their debut album, Evergreen, was released in August 2014. It debuted at No. 1 on the New Zealand Album Chart. In 2015 they returned to North America to tour making several stops on the festival circuit along the way. None of those included Coachella however, making this year their first Coachella appearance.

After the release of their debut album, they immediately began working on its successor. With a tour filled 2015 though, it wasn’t released until June of 2016. The album, Conscious, features collaborations with fellow 2017 Coachella performers Lorde (writing) and Tove Lo (singing) (surprise guest anyone?!). Both albums earned BROODS several New Zealand Music Awards. Since their debut on the music scene, the duo has racked up a total of 10 of the awards, along with 2 more nominations that didn’t result in wins. They were also nominated for the APRA Silver Scroll Award in 2014 but lost.

BROODS style of music is primarily indie pop with a mild electronic influence. Georgia Nott’s vocals are soft and hypnotizing to listen to. If I had to compare them to other artists, I would say their current sound is kind of like BANKS/Lorde/Tove Lo meets St. Lucia, but with a more BANKS/Lorde/Tove Lo sound than St. Lucia. It’s really just a few songs from their latest album that give off a St. Lucia style indie pop feel than their debut, especially the song “We Had Everything” (I mean come on…don’t you start hearing “Closer Than This” with that intro?).

I first heard of BROODS in late 2014 when a person I follow on twitter tweeted about how good the band was. I, of course, checked them out and loved their sound. I downloaded the songs “Bridges”, “Four Walls”, and “Mother & Father” and listened to them periodically. Over the last year I added two songs from their new album to my iTunes and again listened to them as they played on my “Most Recently Added” rotation.

I’ve never been a super fan of BROODS, only a casual listener, but I’ve always liked what I’ve listened to. If I have the opportunity to see BROODS live in a festival setting, I’ll definitely see them. As I said before, this is their first time playing Coachella. They play Friday. I’m not sure what kind of crowd they’ll attract in their first appearance at the festival, but I don’t think it will be overwhelming. So if you’re up to listen to some indie pop from the siblings Nott then check them out. You won’t be disappointed. Here’s a few songs to get you ready for their set:

  1. Bridges
  2. Heartlines
  3. Mother & Father
  4. Four Walls
  5. Free
  6. We Had Everything
  7. Freak of Nature (ft. Tove Lo)
  8. Never Gonna Change
  9. Couldn’t Believe
  10. Everytime

Bonus: Ease by Troye Sivan ft. BROODS

Coachella Band Preview: Lorde

Another week down in the countdown to Coachella 2017 means another band preview. This time it’s not a band I’m previewing. It’s a singer who hails from New Zealand named Ella Yelich-O’Connor. You may know her better as Lorde.

Lorde came on to the music scene as a 16 year old in 2013. She had an interest in music growing up and performed while in Intermediate School with her musician friend Louis McDonald. It was because of McDonald’s father that Lorde signed a deal for development with Universal Music Group. He sent an audio and video recording of his son and Lorde covering two songs together to A&R at UMG. The duo performed under the name Ella & Louis. When Lorde went solo, she decided on the stage name “Lorde” because she was fascinated by aristocracy and royal folk. Because “Lord” seemed to masculine, she added an “e” at the end of “Lord” to give it a more feminine touch.

Lorde self-released her first EP, The Love Club EP, in November of 2012 via her SoundCloud and also made the record free to download. After reaching high download numbers, UMG released the EP for sales in March of 2013. Lorde released her debut album Pure Heroine in late September 2013. She embarked on an international tour in conjunction with the album release that began in North America in early 2014 and made several festival stops along the way including the Laneway Festival in Australia, Lollapalooza and three South American Lollapaloozas, and Coachella. Her debut album featured the chart-topping single “Royals” which was also a track on The Love Club EP. “Royals” earned Lorde two Grammy Awards for “Best Pop Solo Performance” and “Song of the Year” in 2014 in addition to four New Zealand Music Awards in 2013, two Billboard Music Awards, three World Music Awards, one MTV Video Music Award, and the New Zealand APRA Silver Scroll Award in 2013.

Lorde’s music style is an edgier kind of pop music. Alternative pop is how I would define Lorde’s music style, but it’s truly a combo of indie pop, dream pop, and electropop. Since Lorde hasn’t released new music in over 3 years, it’ll be interesting to hear how her new music sounds, if it fits her current style, or evolves into something slightly different, which brings me to my next point.

Since 2014, Lorde has been relatively quiet. In September of that year, Lorde released a single for the Hunger Games series’ film Mockingjay – Part 1 called “Yellow Flicker Beat”. She was also featured on the Disclosure song “Magnets” in 2015. Otherwise Lorde has not released a new album since 2013’s Pure Heroine, which is expected to change this year. Although no official release date has been set yet, Lorde’s new album is expected to drop in Spring 2017. Perfect timing considering her Coachella performance. I’m sure the new album will also involve another tour and possibly more festival dates. Along with Coachella, she will also be performing at Governor’s Ball in NYC in early June followed by Bonnaroo a week later. Several festival lineups have yet to be released so like I said there might be a few more festivals for Lorde in 2017.

I’m pretty excited to hear what Lorde’s been working on. I’ve been a Lorde fan since August 2013 when I first heard the song “Royals”. It was around that time that I booked my flight for my first trip to California to visit my cousin who lived near Oceanside, and about a month later “Tennis Court” became a song I listened to in anticipation of the trip. There are lyrics in “Tennis Court” that go “pretty soon I’ll be getting on my first plane,” which I related to at the time. My flight to California was by no means my first plane trip. I flew to Florida three other times and Las Vegas as well, but before my trip to California my most recent flight was nine years prior. I obviously got older in those nine years. By getting older, I became more worried about things than I did when I was 15, so I was kind of nervous for my flight to Cali, which made it feel like my first time. During that month before hearing “Tennis Court” made me filled with anticipation, nerves, and excitement for my trip.

After Lorde played Coachella in 2014, she dropped off my radar for a bit, until last summer when I worked at the Firefly Music Festival. Lorde playing a secret DJ set in our lounge, a secret set at the festival, or just a random festival appearance became an inside joke amongst my fellow crew members. Someone even brought up that Lorde had just disappeared so it made the thought of a random appearance or set even funnier. The joke got even better when Lorde did show up in one of our lounges at another festival. I wasn’t working at that one, but I laughed pretty hard upon hearing the story. I guess that was just a precursor to the epic 2017 she’s expected to have.

That epic 2017 all begins with Coachella. The last time she played the festival she was a prime time act on Saturday night. This time she’ll be a prime time act on Sunday night. There’s no doubt she’ll take the main stage before Kendrick Lamar closes out each weekend. She’ll probably draw a huge crowd as well. If you plan to see her even remotely close, you’ll need to get there way before her set. Maybe even before the set before hers. Along with whatever singles she releases before the festival (or her new album if that comes out too), you’ll need to listen to these songs to prep for the starlet’s serenading:

  1. Royals
  2. Team
  3. Tennis Court
  4. Buzzcut Season
  5. Yellow Flicker Beat
  6. White Teeth Teens
  7. Glory and Gore
  8. The Love Club
  9. 400 Lux
  10. A World Alone