Raise Up to Your Ability

It’s rare that I write a specific post dedicated to a personal music experience outside of Coachella especially with the amount of music I see, but I recently had a worthy one. About two weeks ago I traveled to LA to see my favorite band, Foster the People. They played a 3 night run at the Wiltern. Aside from a gig in Mexico a few days prior, it was their first live performances since 2018 (understandably so given the live music shutdown for over a year). This stint wasn’t just regular shows though. It was a 10 year celebration of the release of their first album, Torches. The band played the entire album in order during their sets each night.

A year ago, when I stayed home most of the time and spent my days working out, looking forward to meals and the occasional visits with friends, and missing live music, I started thinking about the fact that Torches would be turning 10 in 2021. I thought to myself then that Foster the People would be the only band I would compromise my feelings about drive-in shows for (I thought they were dumb), if they played a 10 year Torches anniversary show in May (Torches came out in May 2011). I didn’t know what the status of regular shows would be at the time and I wasn’t trying to jump the gun either. Then in August, after almost 2 months of a close to normal return of live music, Foster the People announced their 3 night run of Torches anniversary shows in LA. I had no choice but to maintain that promise I made to myself last fall and go.

So on a chilly LA evening in late November, I ubered to the Wiltern from my hotel in Venice. I met friends in a line that wrapped around the block upon arrival. That was followed by another wait in an extensive merchandise line so I could buy the special poster for the anniversary shows. Thank god for drinks and my pals. We secured a spot relatively close to the stage, house right after I secured the commemorative poster.

Foster the People came on around 9 PM. I attended the Friday night show and for the first time in a very long time, I had not looked at the set lists from the previous two nights. Other than a spoiler of “Lamb’s Wool” I saw as I scrolled through Twitter two days before, I knew nothing about their sets. They opened with “Style”, a song released in 2019 on the Pick U UP EP and proceeded to play a mix of old songs and new songs, including one of their earliest songs “Chin Music For the Unsuspecting Hero”, before that all too familiar drum and synth intro of “Helena Beat” began.

By this point, I had not stopped dancing or singing along to every song. Thankfully one of my friends went on a bathroom run and grabbed us some waters. After “Helena Beat”, I knew what was coming, Foster the People’s most famous song “Pumped Up Kicks.” The cheers were loud when that bass line started. It’s the song that everyone knows, but given all the controversy, I tried to take it in as much as possible because I wasn’t sure if it would be the last time I hear it live. It felt amazing knowing I had one last time hearing the hit song live though in case they don’t play it anymore.

“Call It What You Want” and “Don’t Stop (Color on the Walls)” were next. I didn’t chug my water until after “Houdini”, which featured an appearance of blow up Torches album art creatures that flailed along as we rose up to our ability. When Mark and the boys (without Mark Pontius for the first time since his departure from the group in mid-October) finished “Warrant,” the applause and cheers lasted for at least a minute. I couldn’t even believe I had just heard one of my all time favorite albums played live front to back. It was a special feeling. I was sweaty and so ready for more.

The band played five more songs after that. It was another mix of new and old with live debuts of “Cadillac” and “Walk With a Big Stick” amongst “Ruby”, the cult favorite “Broken Jaw”, and Sacred Hearts Club hit “Sit Next to Me”, which featured the Sacred Hearts Club tour neon light dropping into the background. After a brief departure from the stage, Foster the People returned to encore with 3 more songs, “Under the Moon”, “Lotus Eater” sans cover of “Blitzkrieg Bop” by the Ramones that they played during their last tour, and finally ended the night with Supermodel jam “Pseudologia Fantastica.”

When the house lights returned, it was 11 PM. Foster the People played a 2 hour long set, longer than any other night during their brief run at the Wiltern. It was the second time I heard them play that long. The other was the last time I had seen them, September 18th, 2017 at the Fillmore in Philly. That was the best concert I’ve ever been to. They played countless hits from every album released until that point. I was up against the bar watching every movement and action on stage. I even caught the set list. This was just as special in a different way.

It was an incredible night that reminded me about the importance of live music. Last year I spent so much time wondering when I would get to go to another show. I felt frustrated in losing so much of what I loved. My only consolation was to tell myself that we would be back soon enough. Although I didn’t know it at the time, this concert was one of the reasons I got through last year. It was my favorite band, playing my favorite album in one of my favorite places (California) and I felt beyond grateful to experience it.

Legendary Venues: Troubadour

It’s been a minute between work, life, and Coachella that I wrote something for my legendary venue series. I started it last fall and it’s time that I get back into it. As far as venues go I haven’t touched on anywhere in the mecca of entertainment, Los Angeles. L.A. is home to plenty of great live venues. The Greek, The Hollywood Bowl, Whisky A Go-Go, The Shrine, The Palladium, The Wiltern, The Fonda Theatre, and El Rey Theatre are just some of L.A.’s finest. I definitely plan on writing about a few in this series at some point, but for now it’s one of Los Angeles’ most famous night clubs, the Troubadour.

The Troubadour opened in West Hollywood in 1957 by Doug Weston. It was first just a coffee house on La Cienega Boulevard before it moved to it’s current location at 9081 Santa Monica Boulevard in 1961. The Troubadour is known as a primary foundation for the careers of many great bands and musicians including Elton John, who made his U.S. debut there in 1970 after being introduced by Neil Diamond, The Eagles, whose founding members Glenn Frey and Don Henley met there also in 1970, Buffalo Springfield, who made their live debut there in 1966, Guns N’ Roses, who played their first show at the venue and were discovered by Geffen Records on the same night, and James Taylor, who made his solo debut there in 1969. Taylor also debuted “You’ve Got A Friend” at the venue with then piano player and opening act Carole King in 1970 and first met future wife, Carly Simon, there for the first time. Many bands and musicians have also recorded live albums there such as Neil Diamond, Tim Buckley, Van Morrison, and Miles Davis among others. The venue is not only known for rock music. It is known for having stand-up comedy and was essential in the careers of comedians Cheech and Chong who were discovered there.

The music history at the Troubadour is endless. It was the place that Janis Joplin partied at the day before he was found dead of a heroin overdose. It’s been a spot for album debuts, L.A. debuts, U.S. debuts, and just first live-performances in general. Unlike some legendary venues, the Troubadour still sits at the same spot it moved to in 1961. Many bands and artists consider it a right of passage to play at the Troubadour while visiting L.A. Recently, bands like Bastille and One Direction member Harry Styles have performed there. It’s the definition of a small venue with a capacity of only 500, which makes its performance history all the more meaningful. I’ve unfortunately never been to the venue. I’ve only actually been to L.A. once (technically 3 times in one trip to California) despite the amount of visits I’ve made to So Cal, but it’s on my list as a place to visit for the next time I’m there. In general, it’s a place where live music fans should visit and if possible attend a show it because it’s definitely one of Los Angeles’ most famous and legendary venues.

I Gotta Be On My Own

Over the last year, there’s been several times within blog posts where I’ve mentioned having an epic concert night last November. I first wrote about it shortly after it happened when I wrote about Tegan & Sara. Then I wrote about it again while writing about ARIZONA. It’s almost been a year since I saw two concerts in one night so I figured it’s finally time to write about the other concert I attended on November 3rd besides Tegan & Sara, the one that ARIZONA was the opener for.

Before the Tegan & Sara concert last year, my friend and I decided to grab tickets for Hayley Kiyoko. Kiyoko grew up involved in the music and acting communities in Los Angeles, CA. Before even hearing of her music, I knew of her from watching the Disney Channel. She starred in a few episodes of Wizards of Waverly Place and the 2010 Disney Channel Original Movie Lemonade Mouth. She was also involved with Cartoon Network starring as Velma Dinkley in the 2009 TV film Scooby-Doo! The Mystery Begins and then reprising her role in the sequel Scooby-Doo! Curse of the Lake Monster. She has of course acted in other small parts on various television channels and networks as well, but the roles I just mentioned are what she is best known for.

Hayley Kiyoko (Alcroft) has always been about music though. She started drum lessons at the age of 6 and learned several other instruments over her lifetime such as guitar, bass, piano, and accordion. In 2007, she became part of the all-girl pop group The Stunners which was formed by former pop star Vitamin C. The Stunners lasted as a group until 2011. They broke up before a full album was ever released.

Kiyoko released her debut EP A Belle to Remember in March 2013. Her second EP This Side of Paradise was released a little less than two years later in February of 2015. She co-directed and directed two music videos from the EP for the songs “Girls Like Girls” and “Cliff’s Edge”, respectively. In August 2016, she released the upcoming single, “Gravel to Tempo”, from her latest EP Citrine as well as the music video for it. The EP itself was released just over a year ago on September 30, 2016. Since then she directed two more music videos for the songs “One Bad Night” and “Sleepover”, another new single. Today she debuts her latest single, “Feelings” on MTV’s TRL.

Most of Kiyoko’s following comes from the internet. Her video for “Girls Like Girls” currently has over 79 million views. Last spring she went on her first nationwide headlining tour, which was nearly sold out. Her music draws a lot of attention from the LGBT community because of its subjects. As an out gay woman, Kiyoko wanted to write music that girls and women like her could relate to.

Her music is part of the dreampop/synthpop genre. I’ve always thought her songs have a subtle edge along with a hypnotic flow to them as well. They almost have an R&B style sexual feel going on too.

Last year when my friend and I decided to see her we both knew a handful of her songs. The tickets were pretty cheap too and the show only had some overlap with Tegan & Sara (Hayley Kiyoko was on during the Tegan & Sara opener, but finished before the Canadian twin duo took the stage). Also both shows were in different parts of the same venue. It worked out well for us and made for an epic concert night, one that I’m not sure we’d be able to replicate. It was kind of special occurrence too since we decided to attend Hayley Kiyoko’s show on the day of. It was one I didn’t prepare for, which in some ways made it more exciting. Plus I was super stoked when I realized ARIZONA was the opener for Hayley Kiyoko. She played a short set list, but played all of the songs we both knew and a quality mix from her 3 EP’s. She even covered Hailee Steinfeld’s “Starving”. My friend and I were both glad we went. The venue was small. The setting was intimate. It made for a great opportunity to see her since we both expected her popularity to rise and it has already. We’re lucky we took advantage of the chance to see her.

If you’re into the kind of music she plays, I suggest you check her out. I also recommend that if there’s any artists or bands on the rise that you like that you should go see them live. See them in a small venue. See them in an intimate setting. See them like that because it’s special and you may never get another chance to. I’m glad we saw Hayley Kiyoko like that and I’m glad she gave us an epic concert night we never expected.

 

Local Natives

It’s crazy to think, but it’s been almost a month since my last blog post and yet it honestly doesn’t feel like it was that long ago. I guess that’s what happens when you spend the fastest two weeks in the Coachella Valley working at your favorite and one of the most well-known music festivals in the world.

So yeah, I did it. I worked Coachella. It was amazing, special, wild, epic, unreal, and all sorts of other positive adjectives that you can think of. It was mostly indescribable though. I knew what to expect, but at the same time I didn’t at all. I can say though that experiencing Coachella in an entirely different way made me appreciate it so much more because it’s a first class, well-run music festival. I’m not gonna go into deep detail about my trip here. I will say that out of the bands I previewed I was able to see Kungs, Grouplove, Lorde, and Lady Gaga. If you wanna know more about my experience though, just ask.

Another thing I will mention is that I had a realization while at the festival during Saturday of Weekend 1. I definitely should have previewed Local Natives in the build-up to Coachella 2017. I was able to catch part of their set that Saturday before my shift started and I knew about 4 of the 5 songs I heard. I didn’t realize how many Local Natives songs I knew, but apparently I know a lot. I know enough that I feel like I need to go to one of their shows sometime. So I figured it was better late than never to write about them, so here goes…

Local Natives is an indie rock band from Los Angeles, CA. Members Kelcey Ayer, Ryan Hahn, and Taylor Rice all met while in high school together in neighboring Orange County, but it was after graduating college from UCLA that the group really started to focus on music. Along with Matt Frazier and former member Andy Hamm (replaced by Nik Ewing in 2012), the group moved into a house together in the Silver Lake section of Los Angeles and began working on their first record, Gorilla Manor. The album was released in November 2009 in the UK and then in the U.S. in February 2010.

The band began generating some hype before the album’s release though. They played SXSW in 2009 which garnered attention from music critics. They received comparisons to well known indie bands, Arcade Fire, Fleet Foxes, and Vampire Weekend, making them a new notable act on the indie scene.

On January 29, 2013 the band released their second album, Hummingbird. The album was produced by guitarist Aaron Dessner of The National and featured a darker lyrical turn due to life events, such as the departure of Andy Hamm and the death of Kelcey Ayer’s mother, that had influenced the band’s writing process. The album also received generally positive reviews.

Last year the band released their third and most recent album, Sunlit Youth, in September. The first single for the album, “Past Lives”, was released a few months before the album drop. The album, like it’s predecessor, received similarly favorable reviews.

Local Natives is your standard indie rock band. There’s no other genre that their music fits into. I can see why they were initially compared to the likes of those other well-known indie bands. Out of the three I mentioned above, their music sounds most similar to a combination of Arcade Fire and Fleet Foxes. I think Vampire Weekend has more of an indie pop feel to their songs that isn’t heard as much with Local Natives. Another reassuring fact about Local Natives’ music is that the sound hasn’t changed much through three albums. Maybe the lyrical content has developed and changed, but you’re still getting that familiar Gorilla Manor sound on Sunlit Youth.

I first heard of Local Natives in the prime of my indie/hipster music transition phase in the spring of 2011. From then on, every so often I would add a new Local Natives song to my iTunes and playlist rotation. While on my first trip to California in 2013, I made it a point to go to Amoeba Music. Amoeba is the world’s largest independent record store. They have three locations in California, one in Berkeley (the original), one in San Francisco, and one in Hollywood, which is the one I went to. I, of course, wanted to get something at Amoeba, but traveling by plane made it difficult to purchase any vinyl so I opted for a CD. The CD I purchased was Hummingbird. Despite all this evidence, it never occurred to me that Local Natives should be a must-see for me at Coachella this year and a must among the list of bands I previewed. I didn’t even realize it after catching the end of their set at Lollapalooza last summer and realizing I knew every song I heard them play. I do now though and I won’t disregard them anymore. I plan on going to one of their shows next time they tour near me. They crushed it at Coachella and I don’t want to miss out anymore.

If you’re a big indie music follower and you don’t know of Local Natives, it’s time you do. They’re a great band to listen to if you’re just relaxing on quiet evening or if you’re driving on a road trip. It’s time to make these guys known or recognized whatever the case may be. Here’s a few songs you should check out.

1. Airplanes
2. Who Knows Who Cares
3. Ceilings
4. Heavy Feet
5. Mt. Washington
6. Past Lives
7. Wide Eyes
8. Dark Days
9. We Come Back
10. Sun Hands

Coachella Band Preview: Grouplove

We are 2 months and 1 week away from Coachella Weekend 1. That means it’s the perfect time to start dusting off those flower headbands. It’s also the perfect time to check out another band playing the festival this year, Grouplove. This band is no stranger to the Indio desert having played Coachella in 2012 and 2014. Their 3rd and latest album was released in September making 2017 the year they make their return to the Empire Polo Fields.

Out of every band I’ve written about, Grouplove has the best formation story of any I’ve learned so far. Usually I’ll tell you where a band comes from, but with Grouplove the members come from all over the map. They officially formed in Los Angeles in 2009, but met before that in Crete at an artist commune in the village of Avdou. Members Hannah Hooper (vocals, keyboards) and Christian Zucconi (vocals, guitar) met on the Lower East Side of Manhattan after Hooper heard Zucconi’s band perform. She fell for him and ended up inviting him to the artist residency in Crete where they met future band members Sean Gadd (bass), Andrew Wessen (guitar, vocals) and Ryan Rabin (drums). Rabin and Wessen were also friends who grew up in Los Angeles. Gadd hails from London, England. The band formed a year after that fateful trip to Crete when Gadd, Hooper, and Zucconi decided to venture out to LA to pay a visit to Rabin’s father’s recording studio (his dad is Trevor Rabin, former guitarist of English rock band Yes).

The band played their first show in LA in 2010 and shortly after toured with Florence and the Machine and The Joy Formidable. Grouplove released their first self-titled EP in early 2011. That same year they joined forces with Foster the People on a co-headlining tour and played several music festivals including Lollapalooza, Glastonbury, and Reading and Leeds. After their busy and travel filled spring and summer, they released their debut album, Never Trust A Happy Song, in September of 2011. Arguably the group’s two biggest singles, “Colours” and “Tongue Tied” were a part of the record. Following the release, Grouplove embarked on a fall North American headlining tour in support of the album. The touring and travel life continued into and through 2012 and included the group’s first stop at Coachella.

They released their sophomore album, Spreading Rumours, in September 2013 almost exactly 2 years after their debut, which brought on another album support tour. This time though Daniel Gleason became a temporary replacement for Sean Gadd, but by the following spring the replacement became permanent. In 2014 the band again played the festival circuit hitting Coachella, Bonnaroo, Firefly, and Lollapalooza.

This past September (clearly the month for Grouplove record releases) Grouplove released their third album, Big Mess, and toured in support of it from August through November. It’s only fitting that the band would play Coachella again after releasing their latest album since they played the festival after their first two releases.

Grouplove is your standard indie band. They play an indie rock/indie pop style of music. I’ve always felt like their songs have this summery sort of vibe. In my opinion their records are the perfect soundtrack to a pool party, laying out on the beach, or taking a road trip along the California coast line with friends. It’s that kind of indie rock.

I first heard of Grouplove in 2011. I feel like that was a prime year for indie rock for me. However though, I never got into Grouplove as a whole. I’ve liked a song here and there, particularly the song “Ways to Go”, but I don’t own any Grouplove albums or have more than a few of their singles on my iTunes. So why am I previewing them for Coachella? Well the reason is I think they’re a great live band. I’ve never seen them in person, but I watched part of their Coachella set in 2014. Their set seemed like so much fun to be at. It made me want to see them in person at a festival. Ideally that festival would be Coachella because their music kind of embodies the Coachella spirit.

Grouplove plays Coachella on Sunday. I recommend going to their set because like I said their music and style perfectly represents the essence of the festival. Their music is good too! I just never got into it like I did with other bands. That doesn’t mean I don’t like it though. If I were attending this year, I’d probably be listening to their music more. Maybe even enough that I might get into them just in time to see them at Coachella. Here’s what you should check out to prep for their set:

1. Tongue Tied
2. Ways To Go
3. Colours
4. Let Me In
5. Welcome To Your Life
6. Itchin’ On A Photograph
7. Good Morning
8. Shark Attack
9. Naked Kids
10. Do You Love Someone

 

The Countdown Continues: Send Off Series Game 2 USA vs. MEX

TWO….

Finish. It’s what the United States Women’s National Team needed to do to secure a 5-1 win against continental rival Mexico Sunday night at Stub Hub Center in Los Angeles, CA in front of a sold-out crowd of 27,000. After entering the locker room at the half with the score tied 1-1, some may have started to worry. The USWNT controlled most of the game. They had the possession. They had the confidence. They had the playmaking. They had an incredible amount of chances and missed opportunities including a header off the crossbar, a wide open net with Mexican keeper, Cecilia Santiago, out of position and a sequence of blocked shots in the 14th minute that left fans scratching their heads after no goal came from it (it was an unreal effort by Santiago and her defense to not let any shots get through). They stepped off the gas slightly for a few minutes and had a few lapses in decision making. It lead to a Mexican goal off a free kick from a dangerous area left of the 18 yard box. The only U.S. goal came in the 28th minute off a great run from Sydney Leroux who converted a Megan Rapinoe through ball from a sharp left angle. In the first half, the USWNT had almost everything. All they needed to do was finish. When they came back out for the next forty-five, that’s what they did.

The attack started promptly in the opening minute when halftime sub Abby Wambach reached a deflected ball and passed it back to fellow halftime sub Lori Chalupny who sent the ball past a diving Santiago near post for the game’s second tally. In the 58th minute Mexican defender Arianna Romero tried to clear a U.S. corner that deflected off her outstretched hand resulting in a penalty. Wambach converted the ensuing PK to give the U.S. a 3-1 edge. The fourth goal came three minutes later off another great run by Leroux who took a touch around Santiago and sent a shot from the right side into the back netting. 4-1 USA. No big deal. It made the 1-1 score at the half seem laughable, but they weren’t finished yet. In what was the play of the entire match, Tobin Heath, who entered the game for Lauren Holiday at the 62nd minute mark, used a sick, ankle-breaking cut move to leave a Mexican defender in the dust near the end line and sent a cross to the far post where Wambach finished it with her head. It happened in the 72nd minute. Even though the goal was Abby’s for the taking, the move by Heath brought fans to their feet. Heath made the whole play happen. It was an incredible show of talent and skill by the midfielder. 5-1 USA. Finished.

This match was exciting from the start. Despite the halftime score, the USA had the opportunities. In the second half they were able to convert those opportunities. It was a thrilling performance by a talent group of soccer players. I could argue that the USWNT is the most exciting soccer team to watch out of any soccer team in the entire world, men’s and women’s teams combined. I think that’s what captivated me back in 2011. The women’s game was so exciting. Just the other day before the match, I was reflecting on how I like watching  women’s professional soccer now (especially the USWNT) and how I distinctly remember at one point in my life thinking soccer was the only professional major team sport I’d never get into. Of course at the time I think I may have been flicking through the channels on TV and caught a glimpse of men’s game. So in a way, I was partially right. I’m really not into men’s soccer. I just didn’t realize I would/could fall for the women’s game.

As the start of the 2015 Women’s World Cup rapidly approaches (19 days say whaaaat?!), another player from the U.S. squad to watch out for is Sydney Leroux. After a slow start to the year because of an injury and lack of playing time, Leroux made it known in last evening’s match that she’ll be an attacking threat for the United States this summer in Canada. Her speed, tenacity, and skill as a forward make her a weapon for the U.S. Not to mention, she’s half Canadian and will no doubt be the recipient of some taunting by Canadian fans, who consider her a traitor to the nation. Leroux’s mother is Canadian and her father is American which gave her the privilege to play for the U.S. Soccer program through her youth and professional career despite being born in Canada. I’m sure she’ll use whatever harassment she receives next month to motivate her to the fullest because that’s the kind of determined player and person she is. She really is a force to be reckoned with. Then again, the United States is loaded with them. They have everything they need to go all the way to lift the coveted World Cup trophy. All they need to do is finish.

(Link to the Tobin Heath move to set up the 5th goal.)