Music

Legendary Venues: Troubadour

It’s been a minute between work, life, and Coachella that I wrote something for my legendary venue series. I started it last fall and it’s time that I get back into it. As far as venues go I haven’t touched on anywhere in the mecca of entertainment, Los Angeles. L.A. is home to plenty of great live venues. The Greek, The Hollywood Bowl, Whisky A Go-Go, The Shrine, The Palladium, The Wiltern, The Fonda Theatre, and El Rey Theatre are just some of L.A.’s finest. I definitely plan on writing about a few in this series at some point, but for now it’s one of Los Angeles’ most famous night clubs, the Troubadour.

The Troubadour opened in West Hollywood in 1957 by Doug Weston. It was first just a coffee house on La Cienega Boulevard before it moved to it’s current location at 9081 Santa Monica Boulevard in 1961. The Troubadour is known as a primary foundation for the careers of many great bands and musicians including Elton John, who made his U.S. debut there in 1970 after being introduced by Neil Diamond, The Eagles, whose founding members Glenn Frey and Don Henley met there also in 1970, Buffalo Springfield, who made their live debut there in 1966, Guns N’ Roses, who played their first show at the venue and were discovered by Geffen Records on the same night, and James Taylor, who made his solo debut there in 1969. Taylor also debuted “You’ve Got A Friend” at the venue with then piano player and opening act Carole King in 1970 and first met future wife, Carly Simon, there for the first time. Many bands and musicians have also recorded live albums there such as Neil Diamond, Tim Buckley, Van Morrison, and Miles Davis among others. The venue is not only known for rock music. It is known for having stand-up comedy and was essential in the careers of comedians Cheech and Chong who were discovered there.

The music history at the Troubadour is endless. It was the place that Janis Joplin partied at the day before he was found dead of a heroin overdose. It’s been a spot for album debuts, L.A. debuts, U.S. debuts, and just first live-performances in general. Unlike some legendary venues, the Troubadour still sits at the same spot it moved to in 1961. Many bands and artists consider it a right of passage to play at the Troubadour while visiting L.A. Recently, bands like Bastille and One Direction member Harry Styles have performed there. It’s the definition of a small venue with a capacity of only 500, which makes its performance history all the more meaningful. I’ve unfortunately never been to the venue. I’ve only actually been to L.A. once (technically 3 times in one trip to California) despite the amount of visits I’ve made to So Cal, but it’s on my list as a place to visit for the next time I’m there. In general, it’s a place where live music fans should visit and if possible attend a show it because it’s definitely one of Los Angeles’ most famous and legendary venues.

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First the Window, Then It’s to the Wall

Last week I worked my third Lollapalooza in the box office/ticketing department, but for the first time, I managed my own ticket help. Lolla was where I started working in ticketing 2 years ago so it felt like a full circle moment being able to work Lolla in a higher position. Another full circle moment happened on Saturday night when I was able to see Vampire Weekend. I found out about the band in 2008 way before I was even into the indie rock scene. A friend of mine in my Music 101 class in college told me about them. He was also the first person to tell me about Lollapalooza so being able to say the first time I saw Vampire Weekend was at Lollapalooza is super cool and special to me. All that aside, much like Arctic Monkeys, Vampire Weekend is back from their 5 year hiatus and will be releasing a new album soon!

Vampire Weekend was formed when founding members Ezra Koenig (vocals, guitar), Chris Tomson (drums), Chris Baio (bass, backing vocals), and Rostam Batmanglij (keyboard) were in college at Columbia University. Their name comes from a summer project of Koenig’s inspired by the 1980 film The Lost Boys. With the project, he decided to create basically the Northeastern version of the film. The project also inspired the song “Walcott” as well even though he abandoned it after working on the short film for only a few days. The band started playing shows around 2006 by performing at battle of the bands around Columbia. Then in 2007 they opened for The Shins on their UK tour. They self-produced their self-titled debut album while simultaneously working full time jobs. The album was released on January 29, 2008. It peaked at number 17 on the Billboard Top 200 Albums Chart and number 15 on the UK Albums Chart.

Vampire Weekend’s second album Contra was released just short of 2 years later. It debuted at number 1 on the Billboard 200. The band also began a large festival circuit in 2010 making stops at Coachella, Bonnaroo, Austin City Limits, and Glastonbury. They had played their first Lollapalooza the previous summer. They also toured in support of the album in 2010. Contra was nominated for a Grammy for Best Alternative Album, but did not win.

Their most recent album to date Modern Vampires of the City was released in May 2013 after much talk of its release in 2011 and 2012. Like Contra, it debuted at number 1 on Billboard’s Top 200 Albums Chart making them the first indie rock band to accomplish this feat with two consecutive albums. The album won Vampire Weekend a Grammy for Best Alternative Album in 2014.

In 2016, Rostam Batmanglij announced his leave from Vampire Weekend via Twitter, but also noted that he would still continue to collaborate with Ezra Koenig. Koenig confirmed this by saying the band was working on a new album with help from Batmanglij. At Lollapalooza last week, the band announced that the 4th album was complete after playing a set list of all old hits including the song “A-Punk” three times in a row to open the set (…and I missed it!).

Vampire Weekend is a pretty standard indie rock band. Their sound is a mixture of indie rock, indie pop, baroque pop, afro-pop, and art pop. Most of their hits have an upbeat, joyfulness to their sound. You can’t help but want to dance to their tracks like “A-Punk”, “Unbelievers”, or “Diane Young”.

As I said, I found out about Vampire Weekend 10 years ago. I kept up with them by periodically adding songs to my iTunes as new releases would come out. I never saw them live though, until last week. They were on my “must-see” list for a while. Since seeing them last week, I haven’t been able to stop listening to them. It was like Lollapalooza revitalized Vampire Weekend for me. It did the same thing for me last year with The Killers. I guess that’s another reason why I like Lollapalooza so much.

If you haven’t been listening to Vampire Weekend for the last 10 years or started somewhere in between there, here’s my call for you to listen to them asap. An album release date for their fourth full length has yet to be announced, but it’s coming soon! I’m sure I’ll probably review it once it’s out, but until then there’s tons of jams to help you wait it out. I swear. Like Lil Jon, I always tell the truth.

Got More Boom Than A Dynamite Store

I know it’s been awhile again, but summer means festivals and festivals mean I get really busy. That’s a good thing though! Unfortunately, because of that, my blog is suffering this year. But, no worries because I’m back with a new post and a new band to tell you about!

Magic City Hippies from Miami, FL is the band that started when Robby Hunter was forced to stop his career as a street performer and take his talents to some place where he could play a real show. That place became a local dive bar. He recruited Pat Howard and John Coughlin to join him. The trio performed under the moniker Robby Hunter Band.

The band self-produced their first LP Magic City Hippies in 2013 and then adopted the title as their new band name. Magic City Hippies released their first EP Hippie Castle in July 2015. Their single “Fanfare” reached #1 on charts on both Spotify and Hype Machine. The group released two more singles, “HUSH” and “Heart Wants”, in 2016, and began touring as the opening act for Hippo Campus in 2017. They also played Bonnaroo last year, which was their first festival appearance. In 2018, they’ve continued touring and playing festivals with stops at Okeechobee in March and Electric Forest in June.

Their sound is primarily indie pop but there’s definitely some electronic/funk/reggae mixed in. It’s different, yet super chill. There’s even a hip hop vibe to their sound at times just from the way Hunter speaks on a few of their tracks. It’s pretty hard to classify. Super chill is probably the best description I can give you. I’m not going to say they sound like alt-j because they don’t, but their sound originality is comparable to that.

I found out about Magic City Hippies about 2 months ago when my friend Jen sent me the song “Heart Wants”. I was into them initially, but after finding out they were playing Electric Forest I decided to take a greater interest and listen to more of their tunes (since I was working at Electric Forest and would be able to see some music). I took a liking to “Limestone” and fell harder for “Heart Wants”. It’s safe to say I’d definitely buy one of their records. The great news is that they have yet to release a debut album! I’ll be looking forward to that.

In the mean time, you should check them out while they’re fresh. I always like learning about bands or artists when they’re relatively new. It’s cool to see them work their way up in the music world and build a fan base. So definitely check out Magic City Hippies as soon as you can, because they could be about to blow up!

Palo Santo: Album Review

It’s been 3 years since Years & Years released their debut album Communion. They’re finally back today with their sophomore release Palo Santo. Often, upon listening to an album for the first time, I’m not sure what to say about it. A lot of times it’s because the album needs to grow on me. I just started listening to this new Years & Years album about a half hour ago and I’m already in love though. It’s a gem. I had a similar feeling when I listened to Lorde’s Melodrama for the first time. That album was nominated for a Grammy for album of the year last year so as you can tell, I already have great expectations for this new Years & Years release.

A lot of times the sound on a second record might diverge after creating a solid debut. Palo Santo isn’t that at all. It’s an electropop masterpiece. Olly Alexander’s hypnotizing vocals make each track stand out. The beginning of the album has songs that make you want to get up and dance, while the middle is filled with songs that really create a soulful, electronic vibe. Those tracks almost remind me of something Banks or Bishop Briggs would put out. They just have more of an electronic dance feel than you’d hear from both female powerhouses. Then the album picks up the energy again and finishes with a bang. Honestly, there’s not one song I haven’t liked. It’s that good.

Lyrically, LGBTQ themes come to the forefront. With Communion, those notions were subtle. Palo Santo is the opposite. It’s almost a “coming out” of sorts even though lead singer Alexander is already an out gay man. Between this album and Hayley Kiyoko’s Expectations the LGBTQ community has plenty of music representation this year and honestly both albums are killer without that being a focus. It’s just a plus.

I didn’t plan on leaving my home today, but I might make an exception to go pick up a copy of Palo Santo. It’s one of the best records I’ve heard all year next to Vance Joy’s Nation of Two. I highly recommend it to everyone. Go listen on Spotify or Apple Music! Download a copy! Buy a copy! Just check this shit out. Years & Years have officially made a strong comeback in 2018.

Tranquility Base Hotel: Album Review

It took almost 5 years for Arctic Monkeys to release a new album. They went on hiatus after supporting AM, which is arguably their best album to date. 2018 is the return of the British indie rock band though. On May 11th, they released their 6th album Tranquility Base Hotel. The album title has never been truer though because tranquil is definitely a word to describe this record.

It has a different sound than many of their prior records. Arctic Monkeys have been labeled as a quinessential modern indie rock band. This record strays from the pure rock sound they’ve been known for. It’s more melodic and vibe-y.  Aside from Alex Turner’s crooning vocals, it doesn’t sound like an Arctic Monkeys record. I’ve been listening to the band Magic City Hippies and it reminds me of them a lot. It’s missing that edge and uptempo sound. It’s the kind of thing you’d listen to on a rainy afternoon.

After anticipating this album for at least a year and a half, I was disappointed. I got stoked on the Monkeys for a little while there in 2016 after being a casual fan since AM‘s release. I was waiting to hear some brand new bangers from the boys from Sheffield, but instead I got music that could probably put me to sleep. Maybe I’m just being picky and this record will take time to get used to, but I needed another “Do I Wanna Know?”, “Snap Out of It” or “Fluorescent Adolescent.”

Despite my disappointment in the new record, I’m still stoked that Arctic Monkeys are now touring again. I plan on working a show of theirs in July and sticking around to see their set. I’m definitely stoked for it and need to binge on their old records. I guess I have to listen to their new one too. After hearing the album, I decided not to purchase it. I was disappointed. I need to let it grow on me before I revisit the buying option. That’s what happens sometimes though. Sometimes an album isn’t what you expect or what you want to hear, but that’s what makes the good ones even better!

Almost Everyday: Album Review

Another album that was released within the last two months was Matt & Kim’s Almost Everyday. I was also fortunate enough to finally be able to see Matt & Kim perform live at the end of April. It was one of, if not the most fun show I’ve ever been to. I was starting to get tired waiting for them to come on, but as soon as they did it was pure joy for the hour and a half set they performed at Brooklyn Steel complete with blow up dolls, balloons, and a wall of death. After seeing that show, there was no question that I was going to pick up their album that was due out less than a week later.

I was eager to check out this new album because I really liked the single “Forever” that they released in the weeks prior to the album release. Almost Everyday doesn’t stray from the quality indie pop featuring synth and drums that Matt & Kim are known for. I think some of the synth sounds have even grown on this particular record.

After listening to the album, I didn’t feel like any songs jumped out at me in particular. I had a similar feeling when New Glow was released. With that album, I had to listen to it several times for a few songs to really start sticking with me. Eventually I got into a few songs on that record though. As for Almost Everyday, I’ve taken a liking to “Glad I Tried” and “Like I Used To Be”, along with “Forever”, which I already enjoyed before I heard the full length album.

Several of the songs have a lot of meaning and depth. The album was written over a time when Kim was recovering from her ACL injury and the band’s future felt like it was in jeopardy for a brief time. Thankfully Kim made it through! Truly, they both did though and this new album is a reflection of that.

Church of Scars: Album Review

It’s been close to 2 months since I last posted, so let me update you on what’s been going on.

 I planned to post after I returned from Coachella, but honestly I had 2 1/2 weeks before I left to go to Las Vegas for EDC and I got busy. I worked. I traveled to NYC and Washington, D.C. Then, I prepped for one of the biggest music festivals in the country (EDC Las Vegas) and for being away for another week and a half.

EDC was a roller coaster. It’s a chaotic mess of a festival and nothing compared to the glory that is Coachella. Our ticketing team had great moments and terrible ones. I’ve never seen my best friend feel so stressed at times. On a personal level, I made things happen, had some amazing times, and a lot of laughs, but there were other moments that made me feel unwanted, unnecessary and useless. It truly was a roller coaster. After I returned, the aftermath of EDC spilled over and this blog got pushed to the back burner. 

I leave for another festival in 2 weeks, so again there’s gonna be more posting delays. I’m trying to catch up on what I missed posting since Coachella though, which are a lot of new album reviews. Sure the 2018 hype isn’t as high as it was last year for me when it comes to new music, but a lot that I like has been released in the past 2 months.

One of those is the debut album from Bishop Briggs, Church of Scars. Church of Scars was released on April 20th. I was still at Coachella. I didn’t even go out to buy it until 2 weeks after I returned. When I first discovered Bishop Briggs last year, I was excited to know that she hadn’t released a full length album yet. It felt like I could still be part of the anticipation for that. Plus, I knew after the music high of 2017, it was something I could look forward to this year. 

Three tracks from the debut album were also part of her self-titled EP, which was released in full in April 2017. Two other tracks “Dream” and “White Flag” were released in the build up to the album release date. Fans (me included) were already familiar with half of the album upon its release because of that. The other tracks follow suit to her dark, soulful, indie/alternative pop/rock style and provide you with more of what you already love from Bishop Briggs.

Out of the completely new songs, I really enjoy “Tempt My Trouble”. It’s a jam for sure. The other previously unreleased tracks are a little slower and a lot more soulful, but they’re still everything you’d hope for from her full length debut. 

Although Bishop Briggs played a number of festivals I worked at last year and I even saw part of her set at one of them without really knowing her music, I feel like I’ve never really seen her perform because I wasn’t paying attention to her before last fall. I’ll be working Electric Forest for the last 2 1/2 weeks of June and she’ll be performing both weekends. It’s safe to say that if there’s one performance I’d like to see at Forest, it’s hers. 

I highly recommend picking up her debut or at least listening to it. She’s an artist you don’t want to miss out on because her music is fantastic and she can kill it on vocals. If you’re a fan, I’m sure you already have or you’ve at least listened to it on Spotify. You still have time to hop on her fan train though because Bishop Briggs’ music career is just getting started.

Coachella Band Preview: Petit Biscuit

Hey! Hi! What’s up?! Coachella is this weekend!!! I’m not next level hyped or anything (<——— That’s a lie.) Last year I was pretty excited about Kungs playing Coachella. He was a slightly known, slightly up and coming electronic artist. This year I have similar feelings about Petit Biscuit, who is similar to Kungs in other ways as well. Both are French electronic DJ’s. Both are also pretty young. Kungs was 20 when he played Coachella last year. Petit Biscuit is a mere 18 years old.

Petit Biscuit is the DJ name for France’s Mehdi Benjelloun. He released his hit single “Sunset Lover” in 2015 when he was only 15 years old. Since then, the single has close to 285 million streams on Spotify and SoundCloud combined. Benjelloun played instruments growing up like the cello, piano, and guitar, but took interest in playing electronic music because of the variety of sounds he could create. He recently graduated high school and started university, but decided to take a leave to pursue his musical success.

His music style is a combination of electronic music genres. Spotify describes his music as being ambient, techno, and house. His background in classical instruments and his interest in electronic music allows him to express himself through the crossing of different genres.Vocal chops, which are fragmented vowels that act as melodic or percussive pseudo-vocal elements, are a big part of his style. His music reminds me of a combination of Odesza and Flume put together.

I first discovered Petit Biscuit while I was analyzing this year’s Coachella lineup. I never heard of him before that. As I was going through the lineup in January, I listened to his tracks and was pretty surprised by what I heard. I really liked it. Initially I had been listening to a lot of Odesza so I kind of got that vibe from the song “Sunset Lover”. Then after reading an interview with Petit Biscuit, where he described Flume as being influential to him as an artist, I was able to see that reflected in his music as well.

Coachella 2018 will mark his first major festival appearance. Petit Biscuit plays on Friday (Edit: He plays Sunday. Gotta fact check myself. Sorry about that!), much like Kungs did last year. Also like Kungs, I’m guessing he’ll play an earlier set at the Sahara Tent. If Sahara is your shit or you have an appreciation for electronic music at all, I highly recommend going to his set. He could be the next big thing in electronic music. I know you have zero time to listen to anything but here’s a few songs you should turn on if you plan on seeing him:

  1. Sunset Lover
  2. Memories
  3. Alone
  4. Waterfall
  5. Problems

As for me, I’m headed out to California tomorrow to work my second Coachella and be there for the third time. I didn’t think I would be back again, but after some positive peer pressure I decided to make it happen. I’m stoked and I hope I get to see some of these acts I’ve previewed the last 3 months. It should be amazing regardless. Happy Coachella and I’ll see you all on the polo fields!

Coachella Band Preview: Bleachers

Okay guys….it’s a week and a half til Coachella! Who else is stoked besides me?! Even if you’re not going, that live stream is a cool way to spend your weekend (I’ve done it! Ha!). That being said, these band preview blogs are coming to an end. This will be my second to the last post before the festival. I felt like I’ve put this one off for a while for one reason or another. I guess it mostly comes down to the fact that Jack Antonoff is a badass and I felt like I could write so much about him (I condensed this post though). So in case you didn’t already know, this one is about Bleachers.

Bleachers is an indie pop band from New York City. This side project band was started by producer, musician, singer, songwriter, Jack Antonoff. He’s literally a “Jack” of all trades.  His older sister Rachel is also a well-known power house in her respected profession (fashion designer). They’re a talented family, but back to Bleachers.

Bleachers started when Jack was on the road with his former band Fun. of “Some Nights” and “We Are Young” fame. He kept his music making a secret until he eventually dropped the single “I Wanna Get Better” in 2014 along with launching a website, social media, and tour dates. Bleachers debut album, Strange Desire, was released on July 15, 2014. For the following year or more, Bleachers toured in support of the album.

Last summer Bleachers’ second album Gone Now was released and Jack and the band went on tour again promoting the new music. As part of the tour, Jack had his childhood bedroom recreated in a trailer that fans were allowed to enter and listen to the album before its release in June. Jack wanted fans to be able to understand where the new album came from as it was inspired by his youth. Spending time in his bedroom was a huge part of that.

When you think of indie pop music, Bleachers fits that stereotypical vision. The music is happy and upbeat, but still offers that indie sound put together by Antonoff. He records most of the music himself in studio. He brings friends on the road to accompany him for the live shows. He also provides the vocals for the band.

I first heard of the band in 2014 when “I Wanna Get Better” was getting radio airplay (me listening to the radio…weird! I know!). “Rollercoaster” was another song I also got familiar with around the same time due to the same reasons. Bleachers isn’t a band I got into more than their popular singles, but I still think they’d be fun to see at Coachella. I feel like an indie pop band fits the mood of the festival and I probably wouldn’t see Bleachers other than at a festival or at a concert where they’re not the only band being featured.

Bleachers plays Friday. It’s Antonoff’s first Coachella as Bleachers. For me there’s not many bands, I’d like to see that day. The Neighbourhood is definitely my first choice, but checking out Bleachers would be a great option. Bleachers isn’t listed highly on the bill, but I feel like they’ll play later in the day on either the Main or Outdoor stage. I think most people are familiar with the band and would head to see them if they don’t overlap any other favorites. That’s how they would be for me too, but with a small list of acts I’d like to see on Friday, Bleachers is a very viable option. If you’re planning on seeing them or casually dropping by, here’s the tunes to listen to this week:

  1. I Wanna Get Better
  2. Rollercoaster
  3. Don’t Take the Money
  4. I Miss Those Days
  5. Hate That You Know Me
  6. Wake Me
  7. Wild Heart
  8. Goodmorning
  9. Shadow
  10. Take Me Away

Coachella Band Preview: the Neighbourhood, alt-J, BØRNS, Odesza, & Hayley Kiyoko

It’s only been 2 days since my last post, but that’s okay. This week I’ve decided to do two blog posts because there’s still a ton of bands to talk about and not much time left. So let’s talk about five bands who I’ve written about before that are playing the festival this year. Two of them are actually 3 of my top 4 must-see sets of Coachella 2018.

A lot of time has passed since I wrote about the Neighbourhood in the fall of 2015. Since then, there hasn’t been much news surrounding the band until late last year. In September they released their first new music since 2015’s Wiped Out!, the EP Hard. Then in early January the band dropped a second EP To Imagine followed by the release of their third album, The Neighbourhood, on March 9th. With a bunch of new music out, playing Coachella for the first time in 5 years seems fitting. They play on Friday. I’ve never seen them live and I’ve been obsessed with “Sweater Weather” since 2013. It was probably my favorite song of that year. There’s no doubt I’d love to check them out if I had the time making them 1 of the 3 bands on this list that are must-sees for me. If you plan on checking them out, here’s a few songs to get you ready:

  1. Sweater Weather
  2. Afraid
  3. Daddy Issues
  4. Scary Love
  5. Sadderdaze
  6. R.I.P to My Youth
  7. Cry Baby
  8. You Get Me So High
  9. Stuck With Me
  10. Let It Go

alt-J are no strangers to Coachella. They’ve played twice but haven’t been back to the Indio desert since 2015. Since their last Coachella, alt-J has released a new album. It came out last June. I reviewed it here. I’ve also written about alt-J two other times on this blog. Once previewing them for Coachella in 2015, where I saw them live for the first time and another time reviewing a concert I saw them play in Philly in September 2015. I really like alt-J and I love how different their music sounds from other stuff I like. They played Panorama last summer and I was able to catch part of their set. If it wasn’t for my work schedule and several other concerts I already spent money on in the fall, I would have seen them play again. They’re a band that I would rarely turn down if I had the opportunity to see, making them another one of my top choice sets for Coachella 2018 along with Haim and the Neighbourhood. They play Saturday and probably at night on either the Main or Outdoor stage. What would be the biggest heartbreak is if they overlapped with Haim. Here’s my recommendations for you if you decide to follow my lead and check them out:

  1. Left Hand Free
  2. Breezeblocks
  3. In Cold Blood
  4. Every Other Freckle
  5. 3WW
  6. Tessellate
  7. Fitzpleasure
  8. Deadcrush
  9. Something Good
  10. Hunger of the Pine

BØRNS is back at Coachella after a year break from the famous Southern California music festival. He just released his second album, Blue Madonna, back in January. The album features a collaboration with Lana Del Rey as well as plenty of new music from the “Electric Love” writer. I saw BØRNS play live in 2016. It was kind of a last-minute decision since my friend and I bought tickets about a week before the performance. It was a fun set, so I’d definitely want to see him perform again if I had the chance. He plays on Saturday as well. I would guess BØRNS would be a late afternoon-early evening set, but we’ll see what happens. These are the songs you need to prep for his set:

  1. Electric Love
  2. Seeing Stars
  3. 10,000 Emerald Pools
  4. God Save Our Young Blood
  5. Sweet Dreams
  6. American Money
  7. Past Lives
  8. I Don’t Want U Back
  9. Faded Heart
  10. The Emotion

I only got into Odesza about 6 months ago because of planning to see them in NYC with my friend, but getting into them definitely wasn’t a waste of my time. The concert we went to in December was incredible so I have no doubt that their Coachella set predictably on Sunday night at the now larger Sahara Tent will be just as good and a large draw amongst festival-goers. I would guess they headline the Sahara and overlap with Eminem as the overall headliner Sunday evening. Initially, I believed Odesza would be my Sunday night choice no question, but the inner early 2000’s middle-schooler in me has been fighting hard. Odesza will no doubt put on an incredible live performance, but I just saw Odesza. I’ve never seen Eminem nor do I think I’d ever buy tickets or choose to see Eminem, but I used to be a fan at one point. It’s definitely up for debate. What would be ideal is to be able to catch parts of both sets. However if you so choose to skip out on the Real Slim Shady, here’s a few Odesza tracks you should hear:

  1. Sun Models
  2. Higher Ground
  3. Across the Room
  4. Say My Name
  5. Falls
  6. Line of Sight
  7. A Moment Apart
  8. All We Need
  9. It’s Only
  10. Late Night

The artist I’m most excited for who is playing Coachella this year is Hayley Kiyoko. From seeing her a little over a year ago play a tiny venue in Philly that wasn’t even sold out to playing the most well-known U.S. music festival, my stoke level couldn’t be higher for Hayley Kiyoko. Her debut album, Expectations, came out today! Until this point, she’s only released EP’s, but those have gained a huge appreciation from her small, dedicated fan base. The new album builds on Kiyoko’s previous hits with bangers like “Curious” and “Feelings”. It’s got a mystical, feel good sound giving true meaning to Kiyoko’s dreampop style. As an openly gay singer, the theme in her music involves being in love with girls and complications that may arise with being gay and falling for girls. This new album is consistent with Hayley’s style that her fans have grown to love over the past few years. (I just had to give you a mini-album review here too.) She plays on Sunday at Coachella. I will definitely try my hardest to catch her set one of the weekends making her the 4th and final must-see for me. My guess would be an early Sunday afternoon set, but you never know. She may play later in the day at Gobi or Mojave. We’re a little over a week from the schedule release and probably a few days from the food vendor list, then the official planning can begin. In the mean time, check out Expectations along with these other songs:

  1. Girls Like Girls
  2. Cliff’s Edge
  3. Gravel to Tempo
  4. Palace
  5. This Side of Paradise

(On Expectations, pay special attention to “Curious”, “Feelings”, “Sleepover”, “Let It Be”, and “What I Need (ft. Kehlani)”)