Music

Bishop Briggs

2017 is almost over. It’s been such a great year in so many ways. However there were two times I could’ve done something better. I realized I failed twice this year. The first time was with Glass Animals. I started listening to them after they played a bunch of festivals I worked at. Their tour dates were also sold out by then. I found out yesterday the second time I failed was with Bishop Briggs.

Last night I was going through a few pre-made Spotify playlists looking for new music and I decided to listen to a song called “Dream” by Bishop Briggs. I’d known her name since working Coachella back in April. While working at the festival, I was taking a few of our Safari guests to their desired location while we talked about music. I mentioned I thought that BANKS had such a draw at her set that she was too big to be performing at the Gobi Tent. I said she should have been on the Main Stage or the Outdoor Stage (both allow for more space). Then one of the guests agreed and said she thought the same thing about Bishop Briggs. Up until that point Bishop Briggs was just a name on the Coachella lineup to me. I told the guest I never listened to Bishop Briggs and she started talking about her and how great she was. I told her I’d check her out. I never really did until yesterday. Fail.

Sarah Grace McLaughlin, aka Bishop Briggs, is relatively new on the music scene first making her mark with the song “Wild Horses” in 2015, then under the name “BISHOP”. She changed her name to Bishop Briggs in 2016 to avoid any legal confrontation with a metal band by the same name. The name comes from the town where her Scottish parents are from in East Dunbartonshire, Scotland. She was born in London, England but spent her formative years growing up in Tokyo and Hong Kong, eventually moving to the U.S. to attend college in Los Angeles. She developed a love for music at a young age after performing in a karaoke bar when she was 4.

After being discovered by a former A&R rep. in 2015, Bishop Briggs gained popularity when “Wild Horses” appeared in an Acura commercial. In early 2016, she released her second single “River”. The song made Alternative charts on Billboard and iTunes as well as topping Spotify’s U.S. Viral 50 chart and reaching #2 on its Global Viral 50 chart. By late 2016 “Wild Horses” started climbing the charts. The song was featured on Billboard’s Alternative Songs chart and Twitter Emerging Artists chart as well as iTunes Alternative charts.

She released 3 other singles last year which culminated in her first EP which was released in limited capacity as a vinyl on Record Store Day Black Friday 2016 and in full on April 14, 2017. The full self-titled EP also featured two unreleased songs. She also contributed the song, “Mercy”, to the xXx: Return of Xander Cage Soundtrack and collaborated with Cold War Kids on their song “So Tied Up”. She’s spent time on tours opening for Coldplay, Kaleo, and alt-J as well as playing some major music festivals this past summer. She’s currently on tour opening for Bleachers.

Briggs has described her music as being a trap-soul style. Her singing is dark, deep, and soulful. Her music is also considered to be part of the indie pop, alternative rock genres. I agree with all of these classifications. To me, her sound is comparable to BANKS, but their songs differ slightly too. Bishop Briggs almost has this indie folk type sound with deeper, scratchier vocals, whereas BANKS offers cleaner vocals with more of an electronic sound to her songs. Both sing with a powerful sound though and are alternative in their own rights.

I realized shortly before starting this blog that I listened to some of Bishop Briggs’ Panorama performance this summer. I remember thinking then that she was definitely good and I’d have to spend some time listening to her. I also was exposed to her from the Cold War Kids collaboration which I heard for the first time back in June. I loved the collab. Last night her newest single, “Dream”, is what made it click for me. I fell in love with the song immediately after hearing it for the first time. So I decided to listen to her other music along with playing “Dream” on repeat a few more times. I had so many opportunities to see her this past year that I never capitalized on and one opportunity where I didn’t appreciate her enough, similar to my Glass Animals experience, which was coincidentally at Panorama too. The good part about this though is that Bishop Briggs has yet to release her first full-length album, which usually means a headlining tour. So maybe I still have a chance? Until then though I’ll just keep playing “Dream” on repeat, listen to her other songs in there too, and hope for the best. Do yourself a favor and listen to her. But, unlike me, actually do it. “Dream” is fire and her other singles are pretty damn awesome too.

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The Film Playlist: We Are Your Friends

While at my cousin’s house over the weekend, we watched another movie that easily makes The Film Playlist. It’s been a while since I wrote about a movie for this series so let me explain. The Film Playlist is a blog series I started about movies that are about music. It’s been about a year since I added anything to it, but as soon as we started watching We Are Your Friends this past weekend, I knew I had to write about it this week.

The 2015 drama stars Zac Efron, Wes Bentley, Emily Ratajkowski, Shiloh Fernandez, Alex Shaffer, and Jonny Weston. It was written by Max Joseph and Meaghan Oppenheimer based off a story by Richard Silverman. Joseph also directed the film which marked his directorial debut. The movie is about an electronic music DJ named Cole Carter (Efron) who is trying to work his way up in the music industry. It’s also partly a coming of age story because Cole and his friends are young adults trying to figure out their lives in the midst of partying at night clubs, selling drugs, and being part of the electronic music scene. While booked to play a gig at a club one night, Cole meets the headliner, who was once a hot commodity in the electronic music world, James Reed (Bentley). Reed in a way becomes a mentor for Cole once he realizes his talent and helps Cole to understand how to create music that doesn’t sound like every other electronic song.

As soon as we started watching this film Friday night, I knew I would love it. The plot is average though. It’s nothing out of the ordinary or exceptional. I strictly loved it for the fact that it was about music and electronic music in particular. I’ve never seen another film that surrounds the electronic music scene. It was cool to see scenes about creating electronic music and also scenes featuring EDC Vegas, which is an electronic music festival done by one of the leading electronic festival promoters Insomniac Events. The soundtrack for the film was excellent. Its feature track “We Are Your Friends” by Justice featuring Simian is where the film got its title from. It also features songs by Years and Years with Gryffin, AlunaGeorge with Tchami, Seinabo Sey with Kygo and Deorro ft. Erin McCarley.

If you’re expecting an award winning film, that’s not what We Are Your Friends is. It’s really just a fictional coming of age film that surrounds the electronic music industry. If you’re at all into electronic music, I suggest you check it out. It’s a film you don’t have to think much about and can purely enjoy, especially if you have a love for music, especially electronic music.

Legendary Venues: The Stone Pony

The reason I started this Legendary Venue series was because I was scheduled to work a show at The Stone Pony in Asbury Park, NJ. I was stoked about it because The Stone Pony is pretty well-known and because I’ve never been there. It’s is actually a street away from the Asbury Park boardwalk on the east coast of New Jersey. Originally the venue was a restaurant named Mrs. Jay’s. In the 1960’s the restaurant began allowing bands to perform, but after the restaurant moved to a new location in 1968 the building became dormant.

In February 1974 The Stone Pony opened its doors as a music venue. It was opened under the management of John P. “Jack” Roig and Robert “Butch” Pielka. The first year was rough for the new venue, but it was the “house bands” that kept the venue going. The first notable “house band” was The Blackberry Booze Band which later became Southside Johnny and the Asbury Jukes, whose founding member Steve Van Zandt became a member of the E Street Band, the famous backers of rock and roll legend, Bruce Springsteen. Many other members of the E Street Band frequently played at The Stone Pony, including Springsteen himself. The venue is credited with giving Bruce Springsteen his rise to stardom. Springsteen has been known to drop by the Pony from time to time. He’s played there more than any other venue, yet none of his appearances are ever billed.

Before Sayreville native, Jon Bon Jovi, had the status he has now, he played some of his earliest gigs at The Stone Pony. Many other famed artists and bands have made stops at the venue during their prime as well, including Elvis Costello, KISS, The Allman Brothers, Blondie, The Ramones, The Replacements, and Patti Smith. It has also given the rise to local Jersey bands like The Bouncing Souls and Gaslight Anthem.

The Stone Pony went through periods of opening and closing, but in 2000 after it closed its doors, it was refurbished and reopened by an effort from the local community to keep the venue open for good. It was noted to be a staple, not only to the Asbury Park community, but to so many all over the country as a legendary music venue.

As you know by the fact that I was supposed to work a show there a few weeks ago, The Stone Pony still exists to this day on the corner of 2nd Avenue and Ocean Avenue in Asbury Park, NJ. Although I didn’t have a chance to work there recently because my position at the show was cancelled, I may have the chance to at least check it out from the outside next week since the venue for a show I’m working was recently changed from a place in Toms River, NJ to another venue in Asbury Park. I’ll definitely be stoked to check it out and if you ever have the chance to, you should too. You never know, you just might have the chance to hear Bruce Springsteen play some time since his appearances are never planned.

 

Legendary Venues: The Fillmore

You may have heard of The Fillmore if you live in Philadelphia, Detroit, DC, Baltimore, or Charlotte, but The Fillmore name actually started in San Francisco at a venue located on the corner of Fillmore Street and Geary Boulevard and it still exists today. The Fillmore originally opened in 1912 as a dance hall under the name “The Majestic Hall and Majestic Academy of Dancing”. Through the 1930’s the legendary venue continued to operate as a dance hall under various names and management. It became a roller rink through the 1940’s, but in the 1950’s the venue transformed into a place where live music filled the space between walls.

In 1954 The Fillmore began operating as a music venue under the leadership of Charles Sullivan. Sullivan began booking some of the best names in black music at the time such as James Brown, Ike & Tina Turner, and Bobby “Blue” Bland. By the 60’s, San Francisco was at the height of hip culture in the United States and The Fillmore was just a small piece in that thanks to then up and coming concert promoter, Bill Graham.

Graham began using the venue with the approval of Sullivan in 1965 to book bands. Bill Graham was responsible for giving The Fillmore a name due to his ability to hire and promote bands who played new, creative styles of music (which became known as psychedelic music). Some of those bands were Jefferson Airplane, Moby Grape, Santana, Quicksilver Messenger Service, Big Brother and the Holding Company, the Butterfield Blues Band, and legendary jam band, the Grateful Dead. Other notable bands and musicians who came through the doors of The Fillmore thanks to Graham were Jimi Hendrix, Otis Redding, Cream, Muddy Waters, The Who, The Doors, Steve Miller Band, Led Zeppelin, and Pink Floyd.

It was during Graham’s era at The Fillmore that many of the venue’s traditions which are still in place today began. The Fillmore always has a greeter at the door who welcomes music fans with a cheery, “Welcome to The Fillmore!” There’s also always a large tub of free apples located near the entrance. The last tradition which still takes place at the venue might be the coolest of all. Upon exiting, all fans receive a poster from the night’s show. In the 60’s, the posters were designed by two artists who became leaders in psychedelic poster design, Wes Wilson and Rick Griffin.

In the 70’s, The Fillmore became a private neighborhood club, but in the 80’s Paul Rat pioneered the punk rock movement at The Fillmore. He brought in punk rock bands like The Dead Kennedys, Black Flag, and Bad Brains. Bill Graham again took hold of The Fillmore by the mid-80’s, but in 1989 the venue was closed because of the damage it took from the Loma Prieta earthquake. Two years later, Graham died in a helicopter crash. It was one of his final wishes to reopen the venue where he first began his career.

In 1994, it happened. On April 27th, The Smashing Pumpkins played a secret show at the newly reopened venue followed by Primus, who played the first official show the following evening. The Fillmore has been in operation since. In 2007, Live Nation began to lease and operate the original Fillmore location and have since branded the name at old and new venues throughout the country. In my opinion, there’s nothing like the original though especially with all the history it represents and traditions that are still kept alive to this day, making The Fillmore in San Francisco a legendary venue.

 

Music is Sacred

I honestly don’t know or remember what I wanted to write about this week. All I’ve been able to think about since waking up Monday morning is what happened in Las Vegas Sunday night.

There are tragedies that happen every day. Some are uncontrollable like natural disasters. Some could be prevented if the proper procedures and legislation are in place.

Since last November, I’ve been deeply upset about the state of our nation. I never cared as much, but leading up to the 2016 Presidential Election, my support for a certain democratic candidate was stronger than ever. I actually began to follow some politics. So naturally, when favored candidate (and of course my favorite candidate), Hilary Clinton, lost the election to become the first female President of the U.S., I was crushed. The only good that came out of it was that I became more in tune with political issues.

Flash forward to January. Upon the day of the Women’s March on Washington and the previous day of the Presidential inauguration, I was still ready to fight for my beliefs going forward. Then somewhere along the way I lost my thunder. I got busy. I went to Southern California for two weeks to work at the festival I fell in love with 2 1/2 years ago. Work started to pick up and more opportunities arose. I made new friends. Got closer to others. I worked at concerts, festivals, and a comic con in different cities all over the country all while enjoying one of my lifelong passions, music. I had the time of my life. Then Labor Day came as it does every year. Work began to slow down. I wasn’t traveling as much. Plans for work changed due to uncontrollable circumstances as well. Nevertheless I began to reflect on what an incredible year it’s been, but at the same time I still felt bummed that festival season was coming to a close. I tried to combat those sad feelings though. In the past few weeks I booked new work opportunities, enjoyed some amazing live music experiences as a fan, and planned to attend a few others in the coming months. Then, I woke up Monday morning to news that shattered me.

22,000+ people affected. Several hundred people injured. Over 50 people killed. But it was where it happened that made the biggest difference to me. It happened at a music festival, a type of event where happiness and being carefree is the norm, a type of event that people come together to have a good time and experience the magic of live music, a type of event that I frequent regularly, a type of event that I one day aspire to be in charge of planning.

Music is everything to me. I love it. I’ve loved it since way back. I even wrote a blog about it this past year. It’s important to many others too. It has an ultimate power to cause a range of emotions and feelings. There’s even something more special about hearing the music you listen to being played right in front of your eyes by the musicians and artists who created it. I’ve always felt that. I always found shows, concerts, and festivals to be special places because of that. To have someone destroy those incredible moments that happen at a concert or festival is devastating and infuriating to me. I know it’s happened elsewhere in the past. Paris. Manchester. I definitely was upset about both of those situations too, but this one is different.

It’s different because it happened in the country that I live in and in a city that I’ve visited where I now know someone who lives there. It’s also different because I watched snapchats from the festival throughout the weekend because a friend of mine was working there for the week. That friend of mine was working at the festival Sunday night and had to experience what happened. That friend of mine will have to live with that memory for the rest of their life along with so many other friends of my friends. Not only is it my friends and my friends’ friends, it’s 22,000+ people, who attended, played at, or worked at a music festival, that have to live with it. That’s why it’s different and that’s what hurts the most.

It could have been me working. It could have been more of my friends. And the fact of the matter is that it still could be any of us because in this country our laws indicate that it’s okay for this to happen again and again. But the thing is….it’s really NOT okay. It’s not okay for it to be legal for someone to own weapons that could cause mass casualty or to buy enhancements that would make other weapons capable of the same. It’s not okay for someone to be able to walk into a gun show or go on the internet and purchase a gun without any difficulty. It’s not okay for someone who has a disregard for human life to hurt or kill as many people as possible with a gun because there are poor excuses for human beings in charge of creating legislation, who refuse to do it, that allow this to happen.

I know it’s been a few months since I had a fire in my heart ready to fight the establishment, but it’s back with a vengeance. This was a wake up call for me to get as fired up as I was in January since I was too focused on my work all summer. It’s just unfortunate that it took hurting my office, my work family (because that’s what we are in the music industry), and the music lovers I try to bring joy to on a daily basis for the fire to burn brighter again.

I’m sorry for being a little off topic on my blog this week, but I needed to get it off my chest. It’s been on my mind constantly. If you read this blog and are a music fan, I urge you to find a way to get involved in trying to create change in legislation that lowers the chance for these disasters to happen at concerts and festivals. Whether it be as simple as calling your representatives and demanding change, donating to causes that support gun control, attending a peaceful protest or gathering, or simply joining an organization like Everytown.org that are trying to fight the lack of gun legislation in America. It’s easy to become complacent but we need to keep going and keep fighting to make the places we love as safe and enjoyable as possible because live music events are special and music is scared.

 

Legendary Venues: Madison Square Garden

Next up in the Legendary Venues Series is another New York staple. This venue has been in existence since the 1800’s. It is also widely known as the world’s most famous arena and it is none other than Madison Square Garden.

The Garden, which sits between 7th and 8th Avenues from 31st to 33rd street in Midtown Manhattan, New York City, is actually the fourth structure to bear the name “Madison Square Garden”. The first two existed from 1879-1890 and 1890-1925, respectively. The third which stood from 1925-1968 is now the location for One Worldwide Plaza, which was built after the third Garden was demolished.

Since the current Madison Square Garden opened in 1968, it has held many epic concerts with the biggest names in music history. Up until recently Elton John held the record for most concerts at the Garden with 62 appearances. It was broken by Billy Joel. Since 2014, Joel, the Grammy winning recording artist, has maintained a residency at MSG and has played 44 consecutive shows since beginning his tenure (He will play his 45th on Saturday). Regardless of who holds the record, when a band or an artist can amass a crowd large enough to play at an arena, it’s always an honor to play at the legendary Madison Square Garden.

Besides being a large scale concert venue, Madison Square Garden has also held a multitude of sporting events since opening its doors. It is the home venue of the New York Rangers of the NHL and the New York Knicks of the NBA. It also hosted some of boxing’s biggest fights before Las Vegas boxing became a thing.

Despite all the notable names and greatest concerts to ever grace the stage at MSG, the one that stands out to me (with liking the bands that I like) was LCD Soundsystem’s “final” concert. I say “final” because the band ended up getting back together last year and just released an album at the beginning of the month, which I wrote about after it came out. In that moment in 2011 though, it was a 4 hour long final goodbye of the band’s entire discography. It was all captured and put into the documentary “Shut Up and Play the Hits”, which came out the following year. I began liking LCD Soundsystem shortly before the documentary was released so I had no idea about the incredible spectacle that happened, until the documentary came out. As a band from NYC, there was no greater venue to host LCD’s last show than the Garden.

This past February I worked my first show at Madison Square Garden. It was The Lumineers’ first night of their two night stand. Obviously at that point, I never worked a show there, but I had also never actually been in the Garden period. I decided to stay to see the rest of the performance that night after I finished my shift: 1. Because I actually like The Lumineers and 2. Because it was at Madison Square Garden. When I finally was able to find a way down to watch the show (long story), I couldn’t help but take in the fact that I was watching a show at the Garden. Besides watching the actual performance, I admired the familiar circular ceiling that on a regular basis houses a large scoreboard at the center for its sporting events. I looked around the venue, at the crowd, and up at the banners earned by the Knicks and the Rangers. The Lumineers concert was sold out that night and although it probably won’t go down as one of the greatest concerts in the arena’s history, it was definitely a highlight for me in my career of both watching and working music events.

It’s definitely worth a trip to New York City to catch an event at Madison Square Garden, but a concert would be the best event in my opinion (wink wink). Although it’s not the only famous venue in the city, it’s one of legendary status and one of the most well-known in the world. Its history and incredible past performances can attest to that.

Glass Animals

Now that all of my highly anticipated albums have been released, it’s time to get back into the boring posts about sports, music and entertainment…kidding! Of course my first regular post in a while is about music though. Over the summer I’ve discovered a few new musical interests from friends and from working festivals so I wanted to let you know what I’ve been listening to besides all the new albums.

The first is a band I’ve known about for a year or two but never listened to that much. I saw and heard them perform at the Panorama Music Festival in NYC over the summer and several of my friends were into them. I decided I needed to give them a chance.

Oxford (UK) indie rock band Glass Animals formed in 2010 while members Dave Bayley (lead vocals, guitar) , Drew Macfarlane (guitar), Edmund Irwin-Singer (bass), and Joe Seaward (drums) were in university. The group were friends since they were 13 but had not played music together until the time that Bayley approached the group with a few demos and they decided to form the band.

They initially thought forming a band would be just for fun, but it became serious really fast. They played their first show in April 2010 and released their first EP Leaflings in May of 2012. After catching the ear of Adele’s producer, Paul Epworth, Glass Animals were signed to his label. The band released their second EP which was self-titled in November of 2013 and followed up by releasing three more singles. Those singles, “Pools”, “Gooey”, and “Hazey”, along with the singles “Black Mambo” and “Cocoa Hooves” were all featured on their debut album Zaba, which was released in June 2014. The album gave the band success, which increased their Spotify listener totals, allowed them to tour worldwide with plenty sold out shows through 2015, and earned them spots performing on late night television in America. Glass Animals’ second album How to Be a Human Being was released a little over a year ago in August 2016 with the singles “Life Itself” and “Youth” being released in the lead up. Their sophomore album was met with mix reviews, but the band has been touring in promotion of it ever since its release.

Glass Animals style of music is indie rock mixed with psychedelic pop, art pop, and trip hop. Their sound almost reminds me of alt-J mixed with Tame Impala. They can sound kind of trippy at times so it’s much different than your standard indie rock band.

I feel like I may have listened to Glass Animals before this summer, but at the time I wasn’t feeling what I heard. I think it was the suggestions and peer pressure from my friends this summer that really got me to give them another chance. For me, they’re kind of an acquired taste, but now I really like them. Surprisingly, I prefer the singles off their second album even though they earned their fans mostly from their first album. How to Be a Human Being has a greater rock feel than Zaba, which I think eased me into their sound. Now I can’t stop listening to them.

If you haven’t heard of these guys yet or have been reluctant to listen to them, give them a chance. You might just find a new band you like. I can attest to it. I think I’d even love another chance to see Glass Animals perform again. They put on a great show from what I did see and their music is filled with pretty sweet peanut butter vibes.

American Dream: Album Review

Summer 2017 has almost reached its conclusion. There’s only a few weeks left, but after Labor Day, pumpkin spice lattes are all the rage, temps start decreasing, and sweaters and flannels cover the upper torsos of most. Summer isn’t officially over until September 22nd, but still we’re less than a month away.

That being said this summer was epic for both me and the rest of the music world. I worked all over the country, had amazing experiences, made new friends, and strengthened relationships with old friends. It was incredible. It was also incredible because a plethora of new albums were released this summer by so many of my favorite bands and artists. Before the end of summer though, there’s one more highly anticipated album that was just released. The album was a long time coming for NYC alternative dance band, LCD Soundsystem. So after 7 long years, an apparent break-up, a final show at Madison Square Garden and a film to tell its tale, a Christmas song, and a comeback no one ever thought was happening, American Dream is here.

American Dream is the 4th full length album from James Murphy and his posse. This album is more melodious than their previous works, yet it combines the great electronic/techno indie dance style that LCD Soundsystem is known for. If you’re looking for that classic LCD sound, look to the songs “tonite”, “call the police”, “emotional haircut”, and “other voices”. Songs like “change yr mind” and “how do you sleep?” combine a dance style with more melody, as they both start slow and build to a pace where you’re able to get into the groove.

LCD Soundsystem records have been known to include a slower song or something with more melody on more than one occasion. “New York I Love, But You’re Bringing Me Down” or “All I Want” are perfect examples of this. Each are on separate albums though. The latest from LCD Soundsystem incorporates 4 of these kind of tracks with “oh baby”, “i used to”, “american dream”, and “black screen”. “i used to” and “black screen” remind me of songs I’d hear from bands like Brand New or Circa Survive. They have an alternative rock/post-hardcore feel where all that’s missing is Murphy adding some screaming to his vocals. “oh baby” and “american dream” are filled with love, longing, and nostalgia lyrics reminiscent to the waltz style track “New York I Love You…”.

Normally I hate when bands change their sound, but in this case LCD Soundsystem hasn’t really changed much. They’re still playing the same style of music that made them famous in the mid to late 00’s. They’re just progressing. They got older even though they were never that young to begin with. They’re the same, but new. Anyway, to me, this record is one that no one ever thought they’d hear and LCD Soundsystem is back with a vengeance.

I urge you to check out this album. I first started listening to LCD Soundsystem in 2012 (yes after they broke up!) but fell in love with them all over again last summer after preparing for and seeing them live at Lollapalooza. They’re different than most bands I’m into and most bands you might listen to, but they combine an EDM style of music with an indie style. You just can’t help but want to dance yrself clean when you listen to them.

Almost every show on their upcoming tour is already sold out and they haven’t even begun to play shows yet. There’s no question that the rest of the shows will sell out in due time. So if you plan on seeing the revival of LCD Soundsystem on their touring circuit this time around, you either have to grab a ticket to one of the few remaining shows quickly, buy an overpriced resale ticket, or you’re S.O.L. Fortunately I have tickets to their upcoming tour and plenty of time to indulge in this new masterpiece of an album. Their American shows begin in mid-October so for those looking to see a live performance you have plenty of time as well as long as you start today. Check out American Dream as soon as you can!

Lust For Life: Album Review

It’s been a busy two weeks. I worked two festivals and I have another one coming up this weekend. As a result the blog has taken a back seat. Luckily I have a little time to review the second album that came out July 21st from one of my two favorite artists. I haven’t had much time to listen to it because I decided to listen to Foster the People’s (the other July 21st release) latest first. I saw them at Lollapalooza last weekend and I needed some prep time with their new material. Yesterday though, I began listening to Lust For Life, Lana Del Rey’s fourth full length album.

In late February, Lana released the first single from the album, “Love”, claiming that this album was for her fans and those who have supported her throughout the years. In the months following, Lana released two other singles from the album “Lust for Life” ft. The Weeknd and “Coachella – Woodstock on my Mind”. She also announced that the album would feature collaborations with A$AP Rocky, Stevie Nicks, Sean Lennon, and Playboy Carti.

Lana’s newest album offers music with a brighter feel than her sensual darkness heard in previous works. Her hypnotizing vocals are still a staple in Lust For Life though. The lyrics are what gives each song on the new record a more positive vibe. The music also gives a bit of a hip-hop/electronic feel.

As a fan of almost all of Lana Del Rey’s work, I think this album is a great comeback for the pop starlet. I fell in love with her because of Born to Die. I loved her even more after the Paradise EP. Ultraviolence was my go-to album for weeks after its debut, but then Honeymoon happened. I felt like I wasn’t into as many songs and I thought Lana was letting her music go downhill. So for me, Lust For Life is definitely a comeback with a sound that gives a nod to Born to Die as far as the hip-hop beats go.

Even though I’ve just started getting into this album because my listening binge began yesterday, I’m telling you it’s a good one. Is it at the level of Born to Die? I don’t think so, but it’s a damn good album. The amount of collaborations alone is a selling point. There are songs for everyone on it. My personal favorites are “In My Feelings”, “Coachella – Woodstock on my Mind”, and “Beautiful People, Beautiful Problems” ft. Stevie Nicks. It’s worth listening to. Even if you’re hesitant on buying it based on what I just said, listen to it on Spotify first. I’m sure it’ll convince you. Lana has come back with a vengeance and you don’t want to miss out!

Sacred Hearts Club: Album Review

July 21st was a big day. I worked Check-In for travel packages for a Phish show and two of my favorite music artists released their new albums. I didn’t have much of a chance to listen to both because of work, but I got on it this morning. I figured I’d start with a review of Foster the People’s latest work Sacred Hearts Club because I’ll be seeing them in two weeks when I head to Chicago for my second Lollapalooza. At this point, binging on their new album is necessary.

Stylistically, their new album has a much different feel than their last two. There are songs that have the classic Foster the People sound like “Doing It For the Money” and “SHC”, which were both released in April as part of their 3 song EP entitled¬†III and others that add elements from other styles of music. “III” sounds like a deep house track. If it wasn’t for Mark Foster’s signature vocals, I’d think I was listening to a Flume song. There’s more electronic influence in songs like “Loyal Like Sid & Nancy” and “Harden” too. Foster the People has always used synth in their music but these songs just sound more electronic. Maybe it’s me and how my listening style has developed, but I’d argue regardless. I even feel like there’s a jazz influence in some of their songs, particularly in “Static Space Lover”.

As I said before, I believe this album sounds different to me, but Foster the People has been blending genres since their first record. There’s dance, punk, and hip-hop blended into their previous albums. There’s just something about this one that stands out though. The band wanted this record to be a uniting voice amongst a world filled with negativity too. I think it has the potential to be just that as many songs express camaraderie lyrically. I believe listeners will be able to relate and use this music to rise above the hate in the world.

If you asked me who my top 5 favorite bands are at this point in my life, the first band I’d name would be Foster the People. Torches is still one of my favorite albums of all time. So for me, buying this album was a no-brainer. I would have even bought it blindly. Therefore, it might be hard to believe my opinion is unbiased when I say that I think this album would appeal to more than just Foster the People fans because of the development of their music style. I promise it’s worth checking out though so do yourself a favor and pick-up a copy.