new album

CHAMPION: Album Review

A few weeks ago Bishop Briggs released her sophomore album CHAMPION. Her debut came out about a year and a half ago and in that time Briggs has been touring while simultaneously working on new music. Bishop Briggs released the bonus track “Hold On” in 2018 as well as the single “Baby”. Neither made the cut for the new album. In the weeks leading up to the release, Briggs released several new songs featured on the album. One of those singles was the title track “CHAMPION” which has since reached the number 22 position on the Billboard Alternative Songs chart.

CHAMPION picks up right where Church of Scars left off. It’s filled with more soulful alternative/indie rock jams. It’s a great follow up, especially with sure hits like CHAMPION, the break up anthem “TATTOOED ON MY HEART”, and “CAN YOU HEAR ME NOW?”. If anything I think this album differs only slightly stylistically due to the less predominant bass in the tracks. Even with that slight difference, the bass is still there, just a bit less than in Bishop Briggs’ debut.

This album is definitely worthy of a listen for alternative/indie music fans, especially those who love Bishop Briggs and her powerhouse vocals. Bishop Briggs has yet to announce any 2020 tour dates but is currently finishing up this year touring in Europe. I suspect she’ll be going strong into the new year with more shows and festivals after this new release late in 2019. Keep an eye out for her and her tunes in the new year because she’s bound to be on the 2020 concert/festival radar.

Norman Fucking Rockwell!: Album Review

On Labor Day Weekend, Lana Del Rey released her sixth full length album Norman Fucking Rockwell! The new album brings more of that haunting pop sound that Lana is so famous for. Lana collaborated with famed producer and Bleachers front man Jack Antonoff on the record. Leading up to the release, she released several singles contained on the new record including a cover of Sublime’s “Doin’ Time”.

I’ve been a fan of Lana Del Rey since the Born to Die days. In my opinion, her first three albums had a similar sound and feel. But since Honeymoon, her fourth album, her sound has chilled out even more, which is saying something for Lana Del Rey. Norman Fucking Rockwell! brings back some of what I’ve been missing from Lana Del Rey music for the past few years, yet still ties in that melodic, haunting and peaceful sound that has been a primary element of her last two records.

I will say lyrically Lana’s later records have more meaning and depth compared to her earlier works. However, there is something pretty awesome about the line “My pussy tastes like Pepsi cola…” This new record brings in plenty of summer and west coast vibes with songs like “California”, “Doin’ Time”, “Fuck It I Love You” and the nearly 10 minute long track “Venice Bitch”. A lot of Lana Del Rey’s music has a similar carefree Bohemian style quality with themes involving love, sex, partying, America, and the west coast. I feel like her music is something I should be against yet, I fucking love it.

If you’re into Lana Del Rey, you’ve clearly already checked out this album. Otherwise, you probably don’t need to listen to this one. It’s nothing extraordinary unless you’re already a Lana fan. Although, if you’re a west coast fan, you may find a few gems in the track listing. If you’re a Lana Del Rey fan who hasn’t listened to this one yet, you should definitely listen to Norman Fucking Rockwell! asap.

Between Us: Album Review

This album review is coming in two months late, but better late than never, especially for the debut album from electronic artist, Hayden James. I wrote a blog post about Hayden James last year. I became obsessed with his song “NUMB” last May and it was a song I continually listened to through the rest of 2018. This summer he released his debut album Between Us on June 14, 2019. The Australian DJ has been in the music world since 2013. He had only released 1 EP and plenty of singles up until his album release in June, but he’s been known for some killer tracks.

His first album features a few of those songs. “NUMB”, “Just Friends”, and “Better Together” are on the record amongst several new tracks. All three were released over the last two years. Leading up to the album release, James dropped the song “Nowhere to Go” as well. The album features collaborations with indie electronic artists Elderbrook and Running Touch. Between Us is filled with house music that will get you in the groove from top to bottom. I can hear a lot of these songs being played in clubs worldwide, if they’re not already.

To all my electronic music fans out there, I urge you to check out Hayden James if you haven’t already. This new record is filled with bangers. Hayden James just started his fall tour in support of the album. He’ll be hitting several U.S. cities in September and October as well as playing dates in Australia and Europe. The tour seems relatively small based on the amount of dates and venues, but that might not be for long as I’m sure his fan base is currently growing. It’s time to hop on the Hayden James train because it’s moving at full speed and not stopping any time soon.

Doom Days: Album Review

Since Bastille released their sophomore album in September 2016, they’ve still been very much active in the touring and music world. They toured through 2017 and released new music in 2018 including the chart topping hit “Happier” in collaboration with EDM DJ Marshmello. It all lead up to the release of their third album Doom Days on June 14th.

Bastille’s new album is another indie pop/rock masterpiece from the British band. I feel like every Bastille album is just a continuation of the prior. Their tracks have catchy hooks that seem to stick in your head well beyond the 3-4 minutes you spend listening to a song. The consistency of their sound and vibe is a thing of beauty. I think part of the reason for that is Dan Smith’s smooth, hypnotizing vocals. Their sound also dives a little bit deeper into electronic music this time around. “Another Place” has a tropical house feel to it. “Million Pieces” also bridges that gap into electronic music. Lyrically the new record feels like it’s about getting through tough times. Songs like “Quarter Past Midnight”, “Joy”, and “Those Nights” are perfect examples of that theme. 

Bastille will be embarking on a fall tour in support of the album across the U.S. and Canada. They also have announced dates across the U.K. and in Australia. I’ve already picked up a copy of the new record and have planned to try to catch them on this tour. Bastille has put out consistently good records since their debut in 2013. They also put on a great live show. Definitely listen to this new record whether you’re a fan or casual listener because it’s another good one. You’ll probably fall into it just like I did and just like “The Waves”, you may even “get carried away.”

Fever Dream: Album Review

After working two festivals and being forgetful about the blog for a month and a half, I’m back with an album review. In fact, in the past few weeks several artists I like have released new music and I’ll probably do a couple more reviews in the coming days/weeks.  First up is the latest from Of Monsters and Men, Fever Dream.

Fever Dream is the third full length album from the Icelandic indie folk pop group. It was released on July 26th. This is also the band’s latest album since 2015. The band hinted working on new music in spring 2017 via their instagram, but “Alligator”, the first single from Fever Dream, dropped a little under two years later. Fever Dream is full of melodic indie pop jams similar to their first two albums. There’s not one particular track that stands out as being “that song” like “Little Talks” was on their debut, but there are several songs that will surely grow to be popular amongst fans of the band and indie music fans alike. One of those songs is “Wars” which is about a mind war between loving and not loving someone. One of my personal favorites is “Ahay”. What I can say about the track is that the chorus is extremely catchy.

As I mentioned, over the years Of Monsters and Men has stayed consistent on their sound. The vocals of Nanna Bryndís Hilmarsdóttir and Ragnar Þórhallsson create a beautiful harmony which have become a signature mark of the band. They’ve also stayed within the realms of a mixture of indie pop and indie folk music, which is always a good thing as a fan. They’ve also routinely used native instruments like the glockenspiel as part of their music.

I’m definitely a fan of Fever Dream because I’m a fan of Of Monsters and Men. Even if you’re not a huge fan, the album is still worth a listen if you’re a fan of the indie pop genre. The new record is a great album to put in your car while heading on a road trip during these summer months. I felt like it was at least while driving to my gig the other day. This fall, the band will be embarking on a tour in support of their latest work. Check out Fever Dream when you have the chance and check them out in a city near you soon.

Brighter Days: Album Review

I like to think that the spring of 2016 is when I started to get into electronic music even though I know it was a progressive interest up until that point. There were several songs I had been listening to in 2015 through the beginning of that year but it was in spring 2016 when I actually got into an electronic artist, Australian DJ, Flume. Like I said though, by that point I was listening to several electronic songs regularly. One of those was the hit “Sweet Lovin'” by British electronic artist, Sigala.

I sampled a song or two of Sigala’s other music, but really only took a liking to “Sweet Lovin'”. Interestingly enough, it helped me bond with a fellow co-worker when I worked my first music festival that summer and I actually caught part of Sigala’s set at it.

Flash forward a little over 2 years since then and Sigala’s debut album Brighter Days is out. It was released last weekend. I wasn’t even aware that he had a debut in the works, but after releasing new music over the last 3 years since he stepped onto the electronic scene, it was bound to happen.

Sigala, better known to the world as Bruce Fielder, from Norwich, Norfolk, England released his first single in 2015. The single includes samples from the Jackson 5’s “ABC”. It debuted at number 71 on the UK Singles Chart, then hit number 1 the following week. Sigala’s second single “Sweet Lovin'” reached number 3 on the chart. In 2016, Sigala began touring. He played shows and festivals throughout Europe with three appearances in the United States, Ultimate Music Experience, Ultra Music Festival, and Firefly Music Festival. He continued touring mostly in Europe in 2017 and 2018 as well. In fact his appearances at Ultimate, Ultra, and Firefly mark his only U.S. appearances to date.

His first full length album Brighter Days came out last week on September 28th. The album features 16 tracks and includes many of his singles from the last few years like, “Easy Love”, “Sweet Lovin'”, “Say You Do”, “Give Me Your Love”, “Came Here For Love”, “Lullaby”, “Feels Like Home”, and “We Don’t Care”. Every song on the album is one that makes you want to dance. Sigala’s signature house/trop house/dance-pop style is evident on each track. The new album already features a few new bangers like latest single “Just Got Paid” featuring Ella Eyre, Meghan Trainor, and French Montana and “Ain’t Giving Up” featuring Craig David.

Sigala is briefly touring in the UK this month in support of his debut’s release, but there’s no doubt that the release should bring more touring for the English producer. Hopefully he’ll be back in the states soon and I’ll have another opportunity to check him out. I’m proud to say that I was at one of his only U.S. appearances to date. I only stuck around for a few songs though so seeing him again would be amazing, especially since I got more into his music after I last saw him perform. Sigala is definitely one of my favorite electronic artists so I’m telling you now to go check out his first album before he’s appearing in a city near you! It’s great music to dance to, chill to, drive to, and especially work out to. It has kept “me coming cause it’s all that I need” so it’s safe to say that it might for you too and you won’t be disappointed!

 

Palo Santo: Album Review

It’s been 3 years since Years & Years released their debut album Communion. They’re finally back today with their sophomore release Palo Santo. Often, upon listening to an album for the first time, I’m not sure what to say about it. A lot of times it’s because the album needs to grow on me. I just started listening to this new Years & Years album about a half hour ago and I’m already in love though. It’s a gem. I had a similar feeling when I listened to Lorde’s Melodrama for the first time. That album was nominated for a Grammy for album of the year last year so as you can tell, I already have great expectations for this new Years & Years release.

A lot of times the sound on a second record might diverge after creating a solid debut. Palo Santo isn’t that at all. It’s an electropop masterpiece. Olly Alexander’s hypnotizing vocals make each track stand out. The beginning of the album has songs that make you want to get up and dance, while the middle is filled with songs that really create a soulful, electronic vibe. Those tracks almost remind me of something Banks or Bishop Briggs would put out. They just have more of an electronic dance feel than you’d hear from both female powerhouses. Then the album picks up the energy again and finishes with a bang. Honestly, there’s not one song I haven’t liked. It’s that good.

Lyrically, LGBTQ themes come to the forefront. With Communion, those notions were subtle. Palo Santo is the opposite. It’s almost a “coming out” of sorts even though lead singer Alexander is already an out gay man. Between this album and Hayley Kiyoko’s Expectations the LGBTQ community has plenty of music representation this year and honestly both albums are killer without that being a focus. It’s just a plus.

I didn’t plan on leaving my home today, but I might make an exception to go pick up a copy of Palo Santo. It’s one of the best records I’ve heard all year next to Vance Joy’s Nation of Two. I highly recommend it to everyone. Go listen on Spotify or Apple Music! Download a copy! Buy a copy! Just check this shit out. Years & Years have officially made a strong comeback in 2018.

Tranquility Base Hotel: Album Review

It took almost 5 years for Arctic Monkeys to release a new album. They went on hiatus after supporting AM, which is arguably their best album to date. 2018 is the return of the British indie rock band though. On May 11th, they released their 6th album Tranquility Base Hotel. The album title has never been truer though because tranquil is definitely a word to describe this record.

It has a different sound than many of their prior records. Arctic Monkeys have been labeled as a quinessential modern indie rock band. This record strays from the pure rock sound they’ve been known for. It’s more melodic and vibe-y.  Aside from Alex Turner’s crooning vocals, it doesn’t sound like an Arctic Monkeys record. I’ve been listening to the band Magic City Hippies and it reminds me of them a lot. It’s missing that edge and uptempo sound. It’s the kind of thing you’d listen to on a rainy afternoon.

After anticipating this album for at least a year and a half, I was disappointed. I got stoked on the Monkeys for a little while there in 2016 after being a casual fan since AM‘s release. I was waiting to hear some brand new bangers from the boys from Sheffield, but instead I got music that could probably put me to sleep. Maybe I’m just being picky and this record will take time to get used to, but I needed another “Do I Wanna Know?”, “Snap Out of It” or “Fluorescent Adolescent.”

Despite my disappointment in the new record, I’m still stoked that Arctic Monkeys are now touring again. I plan on working a show of theirs in July and sticking around to see their set. I’m definitely stoked for it and need to binge on their old records. I guess I have to listen to their new one too. After hearing the album, I decided not to purchase it. I was disappointed. I need to let it grow on me before I revisit the buying option. That’s what happens sometimes though. Sometimes an album isn’t what you expect or what you want to hear, but that’s what makes the good ones even better!

Church of Scars: Album Review

It’s been close to 2 months since I last posted, so let me update you on what’s been going on.

 I planned to post after I returned from Coachella, but honestly I had 2 1/2 weeks before I left to go to Las Vegas for EDC and I got busy. I worked. I traveled to NYC and Washington, D.C. Then, I prepped for one of the biggest music festivals in the country (EDC Las Vegas) and for being away for another week and a half.

EDC was a roller coaster. It’s a chaotic mess of a festival and nothing compared to the glory that is Coachella. Our ticketing team had great moments and terrible ones. I’ve never seen my best friend feel so stressed at times. On a personal level, I made things happen, had some amazing times, and a lot of laughs, but there were other moments that made me feel unwanted, unnecessary and useless. It truly was a roller coaster. After I returned, the aftermath of EDC spilled over and this blog got pushed to the back burner. 

I leave for another festival in 2 weeks, so again there’s gonna be more posting delays. I’m trying to catch up on what I missed posting since Coachella though, which are a lot of new album reviews. Sure the 2018 hype isn’t as high as it was last year for me when it comes to new music, but a lot that I like has been released in the past 2 months.

One of those is the debut album from Bishop Briggs, Church of Scars. Church of Scars was released on April 20th. I was still at Coachella. I didn’t even go out to buy it until 2 weeks after I returned. When I first discovered Bishop Briggs last year, I was excited to know that she hadn’t released a full length album yet. It felt like I could still be part of the anticipation for that. Plus, I knew after the music high of 2017, it was something I could look forward to this year. 

Three tracks from the debut album were also part of her self-titled EP, which was released in full in April 2017. Two other tracks “Dream” and “White Flag” were released in the build up to the album release date. Fans (me included) were already familiar with half of the album upon its release because of that. The other tracks follow suit to her dark, soulful, indie/alternative pop/rock style and provide you with more of what you already love from Bishop Briggs.

Out of the completely new songs, I really enjoy “Tempt My Trouble”. It’s a jam for sure. The other previously unreleased tracks are a little slower and a lot more soulful, but they’re still everything you’d hope for from her full length debut. 

Although Bishop Briggs played a number of festivals I worked at last year and I even saw part of her set at one of them without really knowing her music, I feel like I’ve never really seen her perform because I wasn’t paying attention to her before last fall. I’ll be working Electric Forest for the last 2 1/2 weeks of June and she’ll be performing both weekends. It’s safe to say that if there’s one performance I’d like to see at Forest, it’s hers. 

I highly recommend picking up her debut or at least listening to it. She’s an artist you don’t want to miss out on because her music is fantastic and she can kill it on vocals. If you’re a fan, I’m sure you already have or you’ve at least listened to it on Spotify. You still have time to hop on her fan train though because Bishop Briggs’ music career is just getting started.

Crooked Shadows: Album Review

Way back when I started this blog, I wrote about my love for Dashboard Confessional. They changed my life in high school and got me into good music (click here for a more detailed description). They were my favorite band back then. For the past 9 years though, they’ve been M.I.A. as far as new music goes. Honestly, if you were to tell me a year ago that I’d buy a new Dashboard album, I wouldn’t have believed you because the style of music Dashboard plays doesn’t match my current interests. Plus their music reminds me of a specific time in my life that I’ve grown past. I still appreciate them for that time though. I’ve just moved on.

A little over a year and a half ago, I worked a Dashboard Confessional show. They were on the Taste of Chaos Tour with Taking Back Sunday, Saosin (with Anthony Green), and The Early November. It was an honor to work and one of my greatest full circle moments to date. I had the opportunity to stay for the show after I finished work and I, of course, took advantage it. I left early to watch the Stanley Cup Final (my team, the Penguins, were on the verge of winning the Cup) but stayed for about 5-6 Dashboard songs. However, I doubt I would have attended if I wasn’t working. That’s the best example I can give you of my recent feelings towards Dashboard Confessional. Three months ago that changed slightly.

Dashboard Confessional released their first single from their new album Crooked Shadows in November (the album was released on Friday). I saw it as a new music release on Spotify and decided to listen because I was curious. The single, “We Fight”, was pretty good. It was better than I expected. I wouldn’t say I was hooked, but I was happy their new song was something I would listen to. I felt the exact same way upon hearing Brand New’s “I Am a Nightmare” in June 2016 and The Movielife’s “Mercy is Asleep at the Wheel” over the summer. At that time, I also saw that Dashboard announced a new show date in my hometown in late January. I thought to myself that I’d definitely go to the show as long as I had nothing else going on. I even tried to see if a few friends were interested, but I delayed getting tickets in case something came up.

I ended up being able to go and took my mom to the show. She was always a fan of Dashboard when I listened to them in high school so I thought she’d appreciate seeing them at least once. The show was fantastic. I loved it, especially lead vocalist/guitarist Chris Carrabba’s stage presence. It definitely evolved over the years. It was fun to stay for the whole thing this time around and sing all my favorite songs again with a few new ones in between. Speaking of new songs, a week before the show they released another single, “Heart Beat Here.” This time upon listening, I was hooked. The song was a perfect blend of something I would listen to now mixed with that classic Dashboard Confessional sound (essentially Chris Carrabba’s voice). At that point, I thought to myself, “I might actually have to get this new album.” On Friday, I did.

Crooked Shadows, Dashboard Confessional’s seventh full length album, was released on Friday. The album is relatively short compared to the others. It’s only 9 songs long. Within those 9 songs though is the complete re-birth of a 2000’s emo band to a 2018 indie/alternative rock band. This album is far from emo. It’s purely indie rock mixed with indie folk, electronic, and alternative rock. It’s such a great blend of my current interests with classic Dashboard that I fell in love with it in a matter of hours. If you want anything reminiscent of old Dashboard, I’d recommend listening to the songs “Open My Eyes” featuring violinist Lindsey Stirling or “Just What to Say” featuring Chrissy Costanza. “Heart Beat Here” has an old Dashboard feel as well. At the Dashboard show I attended two weeks ago, Chris said the song is a continuation of “Hands Down.” I don’t know if I’d agree as far as the sound goes, but it’s definitely a great song. That track along with the other first five are absolute jams. My favorites are “About Us” and “Belong” (with Cash Cash) which I had on repeat Friday afternoon. “We Fight” is included in that bunch as well. I currently have the album in my car and I’m sure I’ll be listening to it on repeat for the next week or more.

This is the second time in less than a year that I’ve fallen in love all over again with one of my favorites (the first was Foster the People over the summer). Although I think this time, I’ve just fallen in love with new Dashboard so it’s kind of like falling love all over again. I would recommend their new album to anyone at this point, but especially to those whose music interests have grown and changed, much like mine have. Dashboard Confessional is back in the best way possible.