Sonder: Album Review

After some delays, Dermot Kennedy released his sophomore album Sonder on Friday. It’s been a 3 year wait since Kennedy’s debut album, but not a tough one for fans. Over the last 3 years, he’s released several singles that have made their way on to the new album. Sonder picks up where Without Fear left off musically. It’s got several bops and plenty of songs that are so painstakingly beautiful that may damage you if you’ve ever had feelings.

Sonder is a quality pop record with hints of hip-hop on a few tracks similar to Kennedy’s last release. It’s a style of pop with such powerful vocals where you can hear his Irish accent in every song. Honestly his music hits you deeply to the core and this album has that and everything else you’ve already loved about Dermot Kennedy. “Innocence and Sadness”, “Any Love”, and “Already Gone”, are some of those deeply aching songs for me. I’ve been jamming to hits like “Something to Someone”and “Kiss Me” over the course of this year and then “Divide” and “Homeward” since the album dropped. “Better Days” was released last year as a hopeful song when the world was in such a dark place due to the ever existing panny d. He has even said how much joy it brings him performing that song live now.

Speaking of live shows, Dermot Kennedy will be embarking on the Sonder Tour next year. He has a few shows before the end of this year then starts the European leg of the tour in March. He begins his American dates in May. I already have tickets. This was the first time I was willing to drop significant money on him too. I’ve seen him 4 times and almost all have been for free. Dermot Kennedy was my favorite find of Coachella 2019. His concert in February 2020 ended up being my last show for a good 15 months and I was stoked to be able to see him twice last year at Lollapalooza and ACL after the whole ordeal. Finally though, it was time for me to admit that I’m a fan and go all in on tickets. This Sonder tour is going to be an epic celebration of this beautiful new album.

Being Funny in a Foreign Language: Album Review

About a week ago I returned from a 6 week run of festivals. It was one of my longest and most challenging runs since I started working in the industry. I’m pleased to say it went so well and I’m so grateful for all of the experiences I had this fall. Alternatively, about a week and a half ago, the 1975 released their newest record Being Funny in a Foreign Language. It’s their fifth full length album since 2013’s self-titled debut album and their latest since 2020’s Notes on a Conditional Form. Unlike some bands, the 1975 never toured in support of their 2020 release, but instead went back in the studio to produce an entirely new catalog of music.

Being Funny in a Foreign Language is the perfect fall/early winter album, with a few songs referencing winter or Christmas (“Wintering” and “When We Are Together”). The first song titled “The 1975”, like every first song on every album they’ve ever released, even gives LCD Soundsystem “All My Friends” vibes. The album as a whole is so focused on love in such a happy way. It’s unique to other 1975 albums in this regard. The band partnered with famed producer Jack Antonoff on the album. I feel like when artists work with Jack their albums could be hit or miss for me. Lorde was a hard miss, whereas Lana Del Rey was a hit. The 1975 is definitely a hit as well. Despite the cliché love focused lyricism, the album is filled with a mix of indie pop ballads and bops, reminiscent of other 1975 records. That being said the album has a more pop feel than other records as well, but still stays true to the band’s sound that can be heard on their earliest hits like “Chocolate”, “Girls”, and “Heart Out”.

The 1975 kicks off the tour for their new record on November 3rd. I’ve seen the 1975 play 4 times. Each time I’ve seen them at a festival I worked. This is the first time I’ll be catching them on tour and actually paying for a ticket. I cannot wait! I’ve slowly developed a love for these guys that didn’t exist when my friends saw them play a show in 2014 at a small venue about an hour away from here. I didn’t quite get it then, but sometimes that stuff takes time. Now I’m a fan and ready to see Matty Healy and company tear through this excellent new record while playing all their hits from past albums especially the ones we all missed in 2020. If you’re a fan of the 1975, you’re likely going to like Being Funny in a Foreign Language just as much as you’ve liked past records. It’s definitely something different from the British indie rockers, but never strays too far from what you’re used to.

The Last Goodbye: Album Review

Last month, electronic duo, Odesza, released their latest album The Last Goodbye. Their last album came 5 years prior with 2017’s A Moment Apart. It was during that time that I got into Odesza and ended up seeing them 4 times between 2017-2019. I was excited in the spring when they announced their latest album, and much like others was wondering if the title hinted at the end of Odesza? After listening though, I can say the title has much more to do with the meaning behind the album than the band.

Each of Odesza’s albums have a solid foundation in their dreamy, indietronica sound but vary slightly. The Last Goodbye is no different. It has that well-known Odesza feel, but with a slightly funkier, edgier sound. I think it’s a bit heavier on the future bass as well. A few of the songs, like “The Last Goodbye,” “Equal,” and “Behind the Sun,” give me Flume vibes, which I’m kind of a huge fan of.

I have to say the album didn’t quite “hit” at first for me, but took a couple replays before I found a song or two that I really liked. “Forgive Me” is my favorite on the new album. It’s an elctropop banger. “Better Now” is another favorite. It feels like it could have fit on A Moment Apart but ended up landing on their new record instead.

Odesza’s comeback this year was highly anticipated. The group recently embarked on a tour in support of the album with drumline in tow. I was able to catch a show last week and was dancing almost the entire time. They’re so fun live and their production was even better than I remembered. I feel as though fans are really digging this album as much as any past Odesza album, so I think it’s worth a listen. You’ll definitely find a song you enjoy, as there are plenty of different sounding songs and energies on the record. As Odesza said in a recent interview, this album definitely isn’t “The Last Goodbye.” It’s “about stepping back in, returning to each other in celebration,” which is exactly the effect it’s having.

Dance Fever: Album Review

I’m coming at you quick with an album review for another album that dropped 2 months ago. I was in DC at the time seeing HAIM and on the brink of an EDC Las Vegas departure when it was released. I will say I was about to order the album at one point when I realized after receiving a copy in the mail, I must have pre-ordered it earlier in the year. I honestly forgot amidst all the things I had going on and patted myself on the back for that one. I have yet to sit down and really listen to the album in full though. It’s mostly because I’ve been distracted by the band Wallows, who I got into after seeing at Coachella. I’ve been in a huge Wallows phase since Coachella Weekend 1 and it’s still yet to let up. In fact I’ll be seeing them for the 5th time in 4 months next week! Let’s get back to Florence though.

Dance Fever is Florence + the Machine’s fifth studio album. Their last studio album was released in 2018. I have to say I was excited for new music for one of my favorite groups, headed by female indie pop vocalist Florence Welch. I expected an album with a title like Dance Fever to be full energy upbeat tracks all the time, but it really isn’t. There’s a few bops like “Free”, “My Love,” and “Choreomania”, but many slower, chill, entrancing melodies like “The Bomb”, “Good Morning Elvis”, and “Girls Against God.”

Dance Fever is a solid indie pop/rock album from a group that has been putting out similar albums since 2009. Florence’s vocals drive this album, especially on the interludes and the other slower tracks. I’m not shocked though as her vocals really drive all their music.

I don’t think this is one of Florence + the Machine’s best albums though. Their earlier albums are a force to be reckoned with. Dance Fever is promising though with several great songs that deserve plenty of praise and hype. “King” is one of those from the album. I plan on spending more time listening to the album, but I’m sure a Wallows song will pop in to my head and I’ll revert back to listening to them again. That seems to be a theme lately. Florence + the Machine are embarking on a fall tour in support of the album starting in September. I’m disappointed to say I won’t be able to make a show this time around due to work obligations. If you get the chance though, I wouldn’t pass up the opportunity to see Florence and her machine. I also don’t think you should pass up the chance to listen to their latest record, despite it not being one of their best in my opinion. I’m sure you’ll find something you love and can dance to on it. It’s Dance Fever after all.

The Dream: Album Review

When I was in the midst of previewing Coachella and almost ready to head out for the second leg of my Mexico adventure in February, alt-J dropped their fourth full length album The Dream. The band also recently embarked on a North American tour with Portugal. The Man in support of their latest with more dates planned for this year worldwide. The Dream is their first album in five years since 2017’s Relaxer. Overall, alt-j’s latest album maintains their unique indie rock style of sound that is prevalent throughout their first three records with a slightly more Americanized rock sound.

The album much like it’s title is very dreamy. It’s very chill and sometimes somber indie rock with minimal bops. It’s the perfect soundtrack for a long scenic drive in my opinion. “Hard Drive Gold” is the “Left Hand Free”, “Breezeblocks”, or “In Cold Blood” of The Dream. I feel like each alt-j album so far has one of those and “Hard Drive Gold”, the song about crypto, is that hit of their latest release. “U&Me”, “Get Better”, & “Happier When You’re Gone” are solid tracks reminiscent of that classic alt-J sound as well. The main difference from this album compared to their first three is that alt-j’s sound has steered from the Middle Eastern sounds found in their earlier music. It’s more rock heavy yet the vocals are still smooth and distinguishable as alt-J tracks.

I don’t think this is alt-J’s best work, but the album does have a good handful of quality tracks that will stick around on set lists in the future. I feel like any time a band slightly strays from their original sound this tends to happen. It’s worth listening to as an alt-J fan though and is probably worth adding to your music collection too. I added it to mine on vinyl yesterday and I’m stoked to listen to it on this rainy spring weekend. If you haven’t already, check it out on a chill day or when you need a good soundtrack for a long drive. It’s quality new alt-J ∆.