pop music

Coachella 2018 Lineup Release

Not 48 hours into the new year and the Coachella 2018 lineup drops. Last night at 4:15 PT Coachella released their lineup on social media and as always people have opinions, me included. Since last year I expected the 2018 lineup to be the best since 2014. If you know me, you know that I believe 2014 had the best lineup to date and every year after has  been incomparable. 2018 had so much potential. There were so many bands who released new music in 2017 that did not play the festival plus a handful of other greats expected to release new music this year. But when rumors spread just before Christmas about the headliners, I knew this year wasn’t going to meet my expectations.

Going into 2018 everyone knew Beyoncé was supposed to headline. She was supposed to headline last year but dropped out shortly after the announcement of her twin pregnancy paving the way for Lady Gaga to take her spot. The biggest question was who would accompany her on top of the poster. On December 20th, Consequence of Sound reported that Eminem and The Weeknd were slated to join Beyoncé as the 2018 headliners, much to my dismay. Here’s why. The Weeknd headlined Coachella in 2015. Was he supposed to be a headliner? No. However he played in the headliner spot. Jack White, the headliner for that night, took an early spot for whatever the case may be leaving The Weeknd to close out the night.

In my opinion Eminem is a pretty cool choice for a headliner. He fits that formerly popular/still popular angle. He’s a rapper and for the past few years Coachella has plugged that genre (or R&B) into one of their headlining spots. Plus he just released a new album. Here’s the issue: Beyoncé already filled that genre spot this year. I mean come on! The entire headlining lineup is rap/R&B. This is the first time in the history of the festival that a rock band isn’t headlining. Disappointing.

In fact, looking at the lineup, rap/hip-hop/R&B has taken over the festival this year. I think Louis Tomlinson’s (of One Direction fame) reaction on Twitter summarizes my feelings exactly. He stated, “Just seen the Coachella lineup …. Where the fuck are all the bands!? It’s a festival!?” Yes Louis, you’re right. Where are all the bands?! All I see are rappers, R&B singers, or electronic DJ’s. As I went through the lineup last night making a list of who I would see for my annual Coachella preview, there were names lacking for each day and more “possible” acts to see than definites. For Friday, I only listed 4 acts. Four. It’s a headshaker, for sure, given that this year had some high expectations. Anyway, let’s get down to this lineup analysis.

The Headliners: The Weeknd, Beyoncé, Eminem

I already summarized my thoughts on all these acts above. So re-read that.

The Other Highly Billed Performers: SZA, Kygo, Jamiroquai, St. Vincent, the War on Drugs, Vince Staples, Haim, Tyler the Creator, David Byrne, alt-J, Post Malone, Fleet Foxes, Odesza, Portugal. The Man, Migos, A Perfect Circle, Cardi B, Miguel, Soulwax, Jean-Michel Jarre, Daniel Caesar, Kali Uchis, Los Ángeles Azueles, Deorro, Chromeo, Chic feat. Nile Rodgers, BØRNS, Louis the Child, Angel Olsen, Jungle, blackbear, MØ, King Krule, Illenium, Kamasi Washington, French Montana, 6lack, Vance Joy, Russ, LANY

As always, there’s a few names in this group that I’m pretty excited about. If I were attending this year, I’d definitely be hitting up Kygo, St. Vincent, Haim, alt-J, Fleet Foxes, Odesza, Portugal. The Man, BØRNS, Illenium, and LANY. There’s a few that I’d definitely check out here too if there were no overlaps like David Byrne, Post Malone, Chromeo, Jungle, MØ, and Vance Joy. I’m mostly excited about Haim and alt-J. Even though I’ve seen both live before, they’re fantastic and two of my favorite bands. Odesza is an incredible electronic act and I can attest from seeing them live last month. I’ve seen BØRNS live before as well and it was so enjoyable. After working St. Vincent in November and listening to her VIP Q&A, I’ve gained a new respect for Annie Clark and her music. I was able to stay for half of her show but would love to see her again. The others I’ve never seen live.

As I said in my 2017 music recap blog post, I would be reviewing Portugal. The Man soon. It might now be even sooner than I thought. I’ve been stoked on their latest album since buying it on vinyl in NYC and I’d love to see them live especially since knowing about them since college. Since getting into electronic music, I’ve always been partial to tropical house, making Kygo an artist I would love to check out. I also got into Illenium’s latest album for a short time two months ago making him another electronic act I’d want to see. I’ve listened to LANY a few times over the past few years so they’re a group I’d love to see too. If you’re looking for the most indie band at Coachella this year, I’d have to say that would be Fleet Foxes. I’ve liked them for a while now and would definitely want to see them live.

As for the others that I’d like to check out, I’ve seen Jungle and Vance Joy before. Both played in 2015 when I attended and I made it to both sets. I even saw Vance Joy at Panorama last summer. They’re always a solid set. I was super hyped about Jungle in 2015, but this time around they’re not a definite for me. They’ve got new music out, which I plan on checking out soon They just didn’t make a huge impact on me last time. I’ve casually listened to Chromeo and MØ so I would casually see them. Post Malone is burning up right now. I’m not into rap, but Post Malone has a song that is more indie than rap that I enjoy. I think I’m solely interested in seeing this dude play live because of the hype surrounding him right now. David Byrne is the most intriguing to me. Honestly I had no idea who he was until I did a little research. After I found out, it felt like I failed at music so excuse me for that one. As the lead singer and guitarist of the Talking Heads, I would love to hear his set. He’s got a solo career going, but you know he’ll be playing some Talking Heads covers. Who knows maybe there’s a reunion in store?! I mean who doesn’t like the Talking Heads?!

The Rest: Maceo Plex, Alan Walker, the Neighbourhood, Alison Wonderland, Kelela, REZZ, Bleachers, Black Coffee, SuperDuperKyle, Justin Martin, Belly, TroyBoi, Dreams, Perfume Genius, PVRIS, Moses Sumney, LÉON, Greta Van Fleet, Tank and the Bangas, Cash Cash, Whethan, Skip Marley, Elohim, Detroit Love (Carl Craig, Kyle Hall, Moodymann), Benjamin Clementine, Carpenter Brat, the Blaze, Knox Fortune, MHD, Slow Magic, Avalon Emerson, Fazerdaze, Moon Boots, HITO, Helado Negro, the Buttertones, the Regrettes, Boogarins, the Marias, Señor Kino, Tash Sultana, BROCKHAMPTON, Marian Hill, Alina Baraz, First Aid Kit, Snakehips, Highly Suspect, Wizkid, Jorja Smith, Alvvays, the Black Madonna, Tom Misch, Django Django, X Japan, Benjamin Booker, Flatbush Zombies, Ekali, Yaeji, Party Favor, Big Thief, Jason Bentley, Oh Sees, Sigrid, Busy P, the Bronx, AC Slater, Sudan Archives, Jackmaster, Otoboke Beaver, Chloe x Halle, Sir Sly, Hundred Waters, Pachanga Boys, Bedouin, Cherry Glazerr, Mild High Club, Priests, Ron Gallo, Declan McKenna, Bane’s World, KITTENS, the Drums, Aminé, Jessie Ware, Jamie Jones, Kamaiyah, San Holo, FIDLAR, DeJ Loaf, Petit Biscuit, Ibeyi, LP, Motor City Drum Ensemble, Princess Nokia, AURORA, Noname, Jacob Banks, Chris Liebing, Jidenna Hayley Kiyoko, Barclay Crenshaw, LION BABE, Giraffage, Talaboman, THEY., Cuco, Joseph Capriati, Hannah Wants, Nothing But Thieves, John Maus, Kölsch, Japanese Breakfast, MAGIC GIANT, Omar-S, Michael Mayer, Westside Gunn + Conway, Buscabulla, Peggy Gou, Snail Mail, Rolling Blackouts Coastal Fever, B Boys, the Delirians

My favorite name that showed up on the Coachella lineup this year is in this group, Hayley Kiyoko. As you know, I saw her last year in what I consider to be one of the most epic nights in music for me, seeing 2 shows in one night. One of those was Hayley Kiyoko and she played in a small venue in Philadelphia. I was beyond excited to see her name on the poster and so stoked that she’s playing Coachella this year in time with releasing her debut album. Another band that’s on my must see list is in this group too, The Neighbourhood. I’ve been digging The Neighbourhood since 2013 and I’ve never seen them live. They’re a must-see for sure. There’s a few on this list that I’d want to catch if I had time too. Bleachers, Tash Sultana, Sir Sly, Declan McKenna, and Marian Hill are the big ones among that bunch.

As a whole I feel like this is the smallest group of bands I’ve been interested in since starting my Coachella previews in 2015. I had such high hopes for this year’s festival and it all came crashing down last night. Some names I would have liked to see on this year’s lineup include Arctic Monkeys (as a headliner or part of that second line of acts), Vampire Weekend, MGMT, Foster the People, Lana Del Rey, Cold War Kids, Halsey, Phoenix, Andrew McMahon in the Wilderness, ARIZONA, the 1975, Sigala, Cigarettes After Sex, Passion Pit, The Kooks, AWOLNATION, and either The Killers, Arcade Fire, or Kings of Leon as a headliner (most likely The Killers though). There’s probably more bands as well, but those are a few off the top of my head.

I started doing a bit of research on this year’s lineup compared to my favored 2014 lineup. I plan on editing this post later today or tomorrow with my findings. Until then, you should start listening to some bands on this lineup. There’s plenty I know nothing about and a few that I do. Maybe you’re stoked on this lineup. Maybe you’re not. The fact is that Coachella is in 3 months and the prep officially began yesterday. One thing is certain though, regardless of who is on the lineup and the amount of complaining done, people are still gonna go to Coachella. It’s the festival to be at. It’s Coachella. You’re bound to have a great time because although I strongly believe music festivals should be about the music, Coachella is more than music. It’s art. It’s atmosphere. It’s good food. It’s being with people you care about and have a good time with. It’s hot days and cool nights. It’s palm trees, and mountains, and desert. It’s fashion. It’s celebrities. It’s social media. It’s sponsors. It’s ferris wheels and hip merch. Mostly it’s the best kind of positivity and vibes you’ll ever experience. So Coachella 2018, I’m ready for you! Here’s to hoping I can be part of the magic again.

(EDIT: I spent the last hour or more doing some research and the numbers I came up with are unreal. I analyzed the 2014 Coachella lineup vs. the 2018 Coachella lineup. I looked at the first 3 lines of each poster plus the headliners and I grouped performers in 4 categories, Rap/R&B, Electronic, Pop, Rock/Indie. In 2014, out of the 165 acts, there were 71 featured on the first 3 lines of the poster including the headliners. Out of those 71, 14% were Rap/R&B, 28% were Electronic, 6% were Pop, and 37% were Rock/Indie. In 2018, out of 165 acts, there are 69 featured on the first 3 lines of the poster including the headliners. Out of those 69, 33% are Rap/R&B, 25% are Electronic, 9% are Pop, and 33% are Rock/Indie. Compared to 2014, the number of Rap/R&B acts have more than doubled. Is Rap/R&B back on the rise and I didn’t know about it? If you asked me, I would tell you no. So what’s the deal this year? What’s even more shocking is that I also compared the number of Bands to Artists for each year. I defined “Band” as a group or single performer with a backing band that plays classic instruments (guitar, drums, bass, keyboards, etc. as opposed to electronic equipment). Artists included rappers, R&B singers, electronic DJ’s, and pop singers. In 2014, out of 71 acts, 55% were Bands and 45% were Artists. In 2018, out of 69 acts, 30% are Bands and 68% are artists. To me those numbers, are staggering. Louis Tomlinson noticed it and he’s right. The bands have decreased this year in favor of the artists. So seriously Coachella, WHERE ARE THE BANDS?! And why are you straying from what made you amazing in the first place? #Coachella2018thefestivalthatcouldhavebeen)

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2017: The Best Year in Music Recap

Last year around New Year’s, I wrote about how music saved 2016. It was a pretty shitty year for the country and in the grand scheme of things. Although people would say 2017 might not have been the best for some similar reasons, I would have to argue. 2017 was a great year. Personally, I worked more events than last year, worked new festivals including my all-time favorite, Coachella, had the opportunity to work a few different roles, saw tons of incredible live music, made new friends, got closer to friends I already had, and figured out what my ultimate goal is. Overall yes there were several bad and upsetting events that happened especially in America. There were even a few hiccups in my own life. However, despite the bad, there were plenty of instances of hope. As for music, as much as I thought it was the best part of 2016, it doesn’t hold a candle to this past year.

So many artists released new albums this year. I mean I guess that’s pretty standard for every year but this year was special for me. It was all of my favorites (minus Florence and the Machine) putting out new albums. I also discovered so many more great bands thanks to the incredible people I met and grew closer to this year.

I could do a detailed recap of all the music I loved from this year, but I wrote about it so many times so I’ll give you all the links in a ranking of my favorite albums of 2017.

My 2017 Top 10 Favorite New Albums

10. Zombies on Broadway   -Andrew McMahon in the Wilderness

The follow-up to Andrew McMahon’s debut had a handful of hits. I never reviewed this album and I’m so sorry because it was a good one, making it #10 on my list.

9. Something to Tell You   -Haim

Although Something to Tell You wasn’t quite what Days Are Gone was for me, I was super stoked to hear some new music from the Haim sisters. The new album had a few great jams like “Little of Your Love” and “Want You Back” which helped it earn my #9 spot.

8. Lust For Life   -Lana Del Rey

As advertised, Lust for Life was an album for the fans. In my opinion it wasn’t Lana’s best nor her worst. “Coachella – Woodstock on My Mind” and “Beautiful People, Beautiful Problems” featuring Stevie Nicks were two of my favorites, but it wasn’t quite what I was hoping for by one of my favorite artists, putting Lana at #8.

7. Woodstock   -Portugal. The Man

I owe the love of this album to our self-planned Hipster Day in NYC when we went to Brooklyn, checked out cool street art, and spent time in a record store where I purchased the album on vinyl. Who would have thought 2017 would have re-introduced me to Portugal. The Man? After a banger like “Feel It Still” it, it happened though. I never reviewed this album or this band on my blog yet, but don’t worry it’s coming soon. My recent hype and appreciation for Portugal. The Man’s hit album helped it reach the #7 spot on my list.

6. American Dream   -LCD Soundsystem

American Dream was the highly anticipated comeback album from LCD Soundsystem. It might not be Sound of Silver, but it’s got plenty of great tracks that will be played at LCD’s show until they decide to break up for good this time.

5. A Moment Apart   -Odesza

Odesza was a new discovery for me this year. When this album was released, I had never listened to them so I wasn’t anticipating the release nor planning an album review (I linked my general blog post from a few weeks ago instead). It took a special trip that included an Odesza concert to force me to listen to the album, but it was definitely worth it as it comes in as my #5.

4. Ultralife   -Oh Wonder

2017 became the year that I really fell for Oh Wonder. I owe it to Coachella, Denise, and a shitty work schedule, yet I’m so grateful it worked out that way. Their new album picked up where their self-titled debut album left off and added a few new hits to their repertoire making Ultralife my #4 top album this year.

3. GALLERY   -A R I Z O N A

After discovering A R I Z O N A last year, listening to almost every new single they released, and loving each and every one, their debut album had to be high on my list. The album is basically a compilation of each single plus a few new tracks. I don’t even own the album, but I’ve spent a lot of time listening to their songs. Again, I linked up my general blog post from this year about the band.

2. Melodrama   -Lorde

If I wasn’t biased, this would hands down be the best album of the year. Every song on Melodrama is fantastic. The album was the kind of sophomore album bands and artists dream of, but not many can achieve. Lorde crushed it with this one giving her second full length my #2 spot.

1. Sacred Hearts Club   –Foster the People

Like I said, I’m biased on this. I’ve always said Foster the People was one of my favorite bands, but this album made me fall in love with them all over again. It’s not quite Torches, but it’s close. “Sit Next To Me” became my favorite song of the year. Seeing them live twice and up close was everything I needed. They’re always my #1.

Honorable Mentions: I See You -the xx, Relaxer -alt-J, Wonderful Wonderful -The Killers, Everything Now -Arcade Fire, L.A. Divine -Cold War Kids, Masseduction -St. Vincent

So there you have it My Top 10 Favorite Albums of 2017…the Best Year in Music, at least in my opinion. 2018 has a lot to live up to. There’s sure to be plenty of good music this year, but it’ll be hard to beat all the new stuff from my favorites. Still we have a few to look forward to. I heard some rumors about upcoming albums from Arctic Monkeys, Vampire Weekend, and MGMT. Hayley Kiyoko will be releasing her debut album this spring and the 1975 is supposed to drop their third full length album. Chrvches and Bastille are also on radar for some new albums. As you can see there’s still good things to come. Plus the Coachella lineup drops this week and you know what that means. So thanks 2017 for being so special. 2018…”just come over here and sit next to me” because I’m ready for you and all the music you have to offer.

Everyday is Christmas: Album Review

For the last 5 years or so when it comes to Christmas, I’m the Scrooge. Christmas used to be my favorite holiday because I loved Christmas time and everything that came with it – the lights, trees, gifts, music, everything. Now, I lack Christmas spirit. Sure, I still shop for gifts and decorate and just go through the motions, but I lack the enthusiasm I used to have. Another thing I’ve stopped doing is listening to Christmas music. I used to search for Christmas music by bands I liked at the time instead of listening to classics. Although, I would listen to a few like “Grandma Got Run Over By a Reindeer” and “Dominic the Donkey”. It was something I always used to do until I got over the whole Christmas thing. I thought this year was going to be pretty much the same, but then Sia dropped a Christmas album filled with all original music.

Everyday is Christmas was released on November 17th. The album features 10 original Christmas themed songs. Sia also released a music video for the single “Santa’s Coming For Us” which stars Kristen Bell and her husband Dax Shepherd, Caleb McLaughlin, Sophia Lillis, Wyatt Oleff, Susan Lucci, Henry Winkler, and J.B. Smoove. It was released a few days after the album. The album, as well as several songs from it, have made their way on to music charts throughout the world despite receiving mixed album reviews. I can understand the mixed reviews though.

The sound of the album strays somewhat from Sia’s regular albums solely for the fact that it is a Christmas album. It’s jazzier at times. The lyrics are frivolous and kind of ridiculous (I mean she sings a song about puppies!). However, Sia’s vocals are so powerfully distinct that it saves the album. There’s also several Sia style ballads that stray from a few of the jazzier Christmas jams.

Personally, I love it. I’ve been waiting for a while for an artist I like to release a Christmas album like this. Most times bands or artists just sing Christmas covers or write a new song or two and the rest cover the classics. Not this. It’s all original. So even though, yeah it is ridiculous, it’s also Christmas music and Christmas music is ridiculous. As someone who hasn’t been vibing anything Christmas for a few years, this got me to listen to Christmas music this year. So if you’re up for a change from the regular Christmas stuff, this is a great refresher.

Legendary Venues: Red Rocks Amphitheatre

It’s been over 75 years since Red Rocks Amphitheatre opened in Morrison, Colorado. The venue first opened on June 15, 1941, but had been hosting open-air music performances since the early 1900’s when John Brisben Walker envisioned the geological phenomenon as a place for live music.

Red Rocks Amphitheatre is much different than any other music venue in the world because it’s the only naturally-occurring, acoustically perfect outdoor theater ever. What creates this natural perfection are two 300 foot rock structures known as Ship Rock to the south and Creation Rock to the north. The amphitheater sits between these monoliths that date back 160 million years and contain dinosaur fossil fragments from the Jurassic period. Both are bigger than Niagra Falls. There’s also a rock structure behind the stage (east) known as Stage Rock. Besides the incredible rock formation, the amphitheater overlooks downtown Denver, which creates one of the most beautiful, picturesque views offered at a music venue.

The city of Denver purchased Red Rocks from Walker in 1928 and hired Denver architect, Burnham Hoyt to design the area into a music venue while including the preservation of the land’s natural elements as part of the transformation. The construction took 12 years but was well worth the finished product that has since attracted musical acts from all over the world.

The Beatles concert on August 26, 1964 is considered to be one of the first notable rock concert performances in Red Rocks history. Another notable performance was the Jethro Tull concert in 1971 which resulted in a 5 year ban of rock concerts at the venue. Fans without tickets to the event attempted to barge through police lines and throw rocks at officers resulting in the deployment of tear gas to control the riot, which eventually carried into the venue affecting all in attendance.

The unique venue attracts bands across music genres from rock to pop to electronic to jam bands. Many bands have recorded performances at the famous venue as well. It has also been used in film and television. Then, in 2015, it became a national landmark.

I’ve never had the pleasure of going to Red Rocks. I’ve actually never even been in Colorado. After I began traveling around the country for work though, I learned about Red Rocks and it’s been high on my list of venues to see/work at ever since. I’d be beyond honored to work an event in such a place and I’d even be more awestruck by seeing a concert there. I’m not even sure if I can imagine what it’s like to be there. It sounds like such a spectacular venue. I think it’s one of those places you have to experience to understand how special it is even if pictures and descriptions already convince you. It’s one of those places where a picture really doesn’t do it justice. If Red Rocks isn’t the definition of legendary venue, I don’t know what is. It’s legacy has spanned the test of time and it continues to be a favored venue of many bands and artists. It’s definitely a place that concert and music lovers need to experience at least once or even countless times.

I Gotta Be On My Own

Over the last year, there’s been several times within blog posts where I’ve mentioned having an epic concert night last November. I first wrote about it shortly after it happened when I wrote about Tegan & Sara. Then I wrote about it again while writing about ARIZONA. It’s almost been a year since I saw two concerts in one night so I figured it’s finally time to write about the other concert I attended on November 3rd besides Tegan & Sara, the one that ARIZONA was the opener for.

Before the Tegan & Sara concert last year, my friend and I decided to grab tickets for Hayley Kiyoko. Kiyoko grew up involved in the music and acting communities in Los Angeles, CA. Before even hearing of her music, I knew of her from watching the Disney Channel. She starred in a few episodes of Wizards of Waverly Place and the 2010 Disney Channel Original Movie Lemonade Mouth. She was also involved with Cartoon Network starring as Velma Dinkley in the 2009 TV film Scooby-Doo! The Mystery Begins and then reprising her role in the sequel Scooby-Doo! Curse of the Lake Monster. She has of course acted in other small parts on various television channels and networks as well, but the roles I just mentioned are what she is best known for.

Hayley Kiyoko (Alcroft) has always been about music though. She started drum lessons at the age of 6 and learned several other instruments over her lifetime such as guitar, bass, piano, and accordion. In 2007, she became part of the all-girl pop group The Stunners which was formed by former pop star Vitamin C. The Stunners lasted as a group until 2011. They broke up before a full album was ever released.

Kiyoko released her debut EP A Belle to Remember in March 2013. Her second EP This Side of Paradise was released a little less than two years later in February of 2015. She co-directed and directed two music videos from the EP for the songs “Girls Like Girls” and “Cliff’s Edge”, respectively. In August 2016, she released the upcoming single, “Gravel to Tempo”, from her latest EP Citrine as well as the music video for it. The EP itself was released just over a year ago on September 30, 2016. Since then she directed two more music videos for the songs “One Bad Night” and “Sleepover”, another new single. Today she debuts her latest single, “Feelings” on MTV’s TRL.

Most of Kiyoko’s following comes from the internet. Her video for “Girls Like Girls” currently has over 79 million views. Last spring she went on her first nationwide headlining tour, which was nearly sold out. Her music draws a lot of attention from the LGBT community because of its subjects. As an out gay woman, Kiyoko wanted to write music that girls and women like her could relate to.

Her music is part of the dreampop/synthpop genre. I’ve always thought her songs have a subtle edge along with a hypnotic flow to them as well. They almost have an R&B style sexual feel going on too.

Last year when my friend and I decided to see her we both knew a handful of her songs. The tickets were pretty cheap too and the show only had some overlap with Tegan & Sara (Hayley Kiyoko was on during the Tegan & Sara opener, but finished before the Canadian twin duo took the stage). Also both shows were in different parts of the same venue. It worked out well for us and made for an epic concert night, one that I’m not sure we’d be able to replicate. It was kind of special occurrence too since we decided to attend Hayley Kiyoko’s show on the day of. It was one I didn’t prepare for, which in some ways made it more exciting. Plus I was super stoked when I realized ARIZONA was the opener for Hayley Kiyoko. She played a short set list, but played all of the songs we both knew and a quality mix from her 3 EP’s. She even covered Hailee Steinfeld’s “Starving”. My friend and I were both glad we went. The venue was small. The setting was intimate. It made for a great opportunity to see her since we both expected her popularity to rise and it has already. We’re lucky we took advantage of the chance to see her.

If you’re into the kind of music she plays, I suggest you check her out. I also recommend that if there’s any artists or bands on the rise that you like that you should go see them live. See them in a small venue. See them in an intimate setting. See them like that because it’s special and you may never get another chance to. I’m glad we saw Hayley Kiyoko like that and I’m glad she gave us an epic concert night we never expected.

 

Lust For Life: Album Review

It’s been a busy two weeks. I worked two festivals and I have another one coming up this weekend. As a result the blog has taken a back seat. Luckily I have a little time to review the second album that came out July 21st from one of my two favorite artists. I haven’t had much time to listen to it because I decided to listen to Foster the People’s (the other July 21st release) latest first. I saw them at Lollapalooza last weekend and I needed some prep time with their new material. Yesterday though, I began listening to Lust For Life, Lana Del Rey’s fourth full length album.

In late February, Lana released the first single from the album, “Love”, claiming that this album was for her fans and those who have supported her throughout the years. In the months following, Lana released two other singles from the album “Lust for Life” ft. The Weeknd and “Coachella – Woodstock on my Mind”. She also announced that the album would feature collaborations with A$AP Rocky, Stevie Nicks, Sean Lennon, and Playboy Carti.

Lana’s newest album offers music with a brighter feel than her sensual darkness heard in previous works. Her hypnotizing vocals are still a staple in Lust For Life though. The lyrics are what gives each song on the new record a more positive vibe. The music also gives a bit of a hip-hop/electronic feel.

As a fan of almost all of Lana Del Rey’s work, I think this album is a great comeback for the pop starlet. I fell in love with her because of Born to Die. I loved her even more after the Paradise EP. Ultraviolence was my go-to album for weeks after its debut, but then Honeymoon happened. I felt like I wasn’t into as many songs and I thought Lana was letting her music go downhill. So for me, Lust For Life is definitely a comeback with a sound that gives a nod to Born to Die as far as the hip-hop beats go.

Even though I’ve just started getting into this album because my listening binge began yesterday, I’m telling you it’s a good one. Is it at the level of Born to Die? I don’t think so, but it’s a damn good album. The amount of collaborations alone is a selling point. There are songs for everyone on it. My personal favorites are “In My Feelings”, “Coachella – Woodstock on my Mind”, and “Beautiful People, Beautiful Problems” ft. Stevie Nicks. It’s worth listening to. Even if you’re hesitant on buying it based on what I just said, listen to it on Spotify first. I’m sure it’ll convince you. Lana has come back with a vengeance and you don’t want to miss out!

Something To Tell You: Album Review

I have some amazing news! Haim released their new album today! Can I get a hell yeah?! (Hell YEAH!) Something To Tell You, Haim’s latest release, is their second full length album and first in 3 years since 2014’s Days Are Gone. In the months leading up to the release, the sister trio debuted a few singles from the album with “Want You Back”, “Right Now”, and “Little of Your Love”.

Based on my first listen to the album, it seems like a quality follow-up to Days. The thing I love about Something To Tell You is that it incorporates sound from different genres and decades of music. To me, Haim’s vocals have given their music an 80’s type of sound, but on this new record I feel like their vocals create a 90’s to modern day feel along with that go-to 80’s vibe. The music itself takes pieces from different genres to give the band a unique sound on each track too. There were moments where I thought to myself, “this song sounds like an 80’s song (“Nothing’s Wrong”) to this song has a rockabilly thing going on (“Little of Your Love”), or this one has a sort of R&B/deep house/electronic feel (“Walking Away”).” There are many instances of this on the album and if you sit down and really listen to the songs, you’ll hear them. Their songs are just as catchy as the ones on Days too. It’s only a matter of time and repetition before I’m singing along to this album.

I will say a noticeable difference between Something To Tell You and Days Are Gone is that I think there are more songs that are more mellow and chill on the new album, which I feel like is a natural progression. The debut album was full of some great jams. The new one is too but also calms it down a bit. It seems fitting as well since the band has said this album’s lyrical content is full of highs and lows.

For all the Haim fans out there, you’re definitely gonna want to hit up a record store this weekend to pick-up the new album (or online store, or iTunes, or whatever you use). I’ll probably do the same. Haim has already started to post a few tour dates in support of this new record, but I’ll be damned if they don’t add more in the coming days, weeks, or months. Until then, listen to Something To Tell You on repeat! The Haim sisters created some incredible combinations of sound and it’s worthy of your ears.

Melodrama: Album Review

Last Friday Lorde released her highly anticipated second full length album, Melodrama. The announcement of the album came in March shortly after she released the album’s debut single “Green Light”. In the mean time she also released two other singles, “Liability” and “Perfect Places”.

So far the album has been received with high praise and it’s only been out for a week. I was away for a work trip last weekend so I first listened to the album last Thursday night/Friday morning on Spotify. I loved it. I knew I was gonna head out immediately once I got home to purchase it. I bought it Wednesday. It’s a fantastic album. It’s everything you could ever want from Lorde, especially as a follow-up to Pure Heroine. The songs are emotional, catchy, and have that edgy sound Lorde is so well known for.  It takes listeners on an emotional roller coaster from start to finish. It will have you dancing with songs like “Green Light” and “Supercut”, singing to “Perfect Places” and “Homemade Dynamite”, crying while listening to “Liability”, and loving everything else in between.

Lorde created the album with well-known producer/musician, Jack Antonoff. He has production credits on almost every song on the album. I’d be surprised if this album doesn’t earn the Lorde/Antonoff duo a few Grammy nods. I highly recommend purchasing it as soon as possible. Make it one of the soundtracks to your summer. It’s that good so stop reading, go listen, and fall in love with Melodrama.

hopeless fountain kingdom: Album Review

As you know, all-new albums from some of my favorite artists will be dropping throughout the summer. The album releases began over the weekend. I’m going to try to review as many of them as I can, especially because I’ll be busy traveling and it will at least give me a few planned topics to write about.

On Friday, along with alt-J’s Relaxer, Halsey released her sophomore album hopeless fountain kingdom. Although it’s currently #1 on iTunes, it’s a disappointment for me. I’ve always liked Halsey’s darkness and edge that she brought to her music. Her new album seems generic. She tried to bring in this artsy, creative aspect to it by having it reflect a Romeo & Juliet type of scenario, but instead I feel like she’s trying too hard. I previously compared her styles and sound to a mix of Lana Del Rey and Lorde. Although this album brings in some of that Lana Del Rey creativeness, she’s strayed from the Lorde-ish type of sound and Lana-ish lyrical content heard on Badlands. If there are any songs that I enjoy/appreciate from this new album, it’s “Bad at Love” and “Eyes Closed”. “Eyes Closed” was released as a single a few weeks ago and I liked it initially. There’s really nothing more to it than that for me. Upon listening to the album though, “Bad at Love” was the song that stood out to me in sound and lyrics. It’s catchy, but the lyrics also give representation to Halsey’s bi-sexuality, which she’s been open about in the past. Sure the lyrics aren’t genius. They’re kind of just average pop lyrics. It’s definitely no “New Americana”, but I like the fact that the song reflects Halsey as an LGBT artist, which is something you don’t always get in music.

The new album also features a few collaborations. Quavo from the hip-hop group Migos, Lauren Jauregui from girl band Fifth Harmony, and Norwegian DJ Cashmere Cat all make appearances on hopeless fountain kingdom.

Overall though, I think this is one album I’m going to bypass on purchasing. It was a disappointment for me after such quality work with Badlands. I feel like Halsey is just falling into the main stream pop, where she had potential to be more than that. I’m going to just blame “Closer” and The Chainsmokers for this one. Hopefully her follow-up delivers in a big way. For those of you who really like this album, I’m sorry I don’t agree with you. I was hoping for this album to be just as good as Halsey’s debut. Unfortunately that’s not always the case and I’ll just hope for something better next time.

A R I Z O N A the band, not the state

It’s been two weeks since I last posted, but to be fair I had a show to work and I was sidelined with a sprained ankle (a “sprankle” if you will). I was also out of ideas for new topics. I want to be excited about everything I write here so I didn’t want to just pick something and give you a lackluster effort. The end of last week finally gave me a topic though. I saw that a band I’ve been following for the last year or so released their debut album on May 19th.

A R I Z O N A is an alternative electro-pop band from Glen Rock, New Jersey (no, not Arizona). The band is comprised of members Zach Hannah (vocals), Nathan Esquite (guitar), and David Labuguen (keyboard). The trio all attended college in Boston and initially went their separate ways before reuniting in their home state to form A R I Z O N A. The band’s name stems from a hat Dave was wearing during a random Facetime call with his bandmates.

A R I Z O N A started releasing music on streaming platforms in 2015. They’ve periodically released singles from then on. Their major breakthrough came when German electronic DJ Robin Schulz released a remix of their song “I Was Wrong” last summer. Originally the group thought of releasing an EP first, but then they realized they had enough songs to put out a full length album. Their debut album, Gallery, was released a few days ago. It contains all the music they’ve released so far plus a few new jams. The group is also playing the festival circuit this summer and embarking on their first headlining tour.

Back in November, on the night I saw Tegan and Sara, my friend and I bought tickets to the Hayley Kiyoko show that was happening in another room at the same venue. A R I Z O N A was the opener that night. I didn’t even realize they were the opener until I recognized the second song they played. It was a spontaneously awesome moment of the evening. I first started listening to them the previous winter when I heard the song “Where I Wanna Be” off a twitter recommendation and since that time I followed up with the group any time they released new music.

A R I Z O N A’s music style combines indie/alternative music with electronic music. When I first heard them I was slowly getting into electronic music. I liked an occasional song here and there (Let’s be honest, I still do). “Where I Wanna Be” was one of those songs. During the time I listened to that song frequently, I figured A R I Z O N A was probably the name of some DJ. I don’t think I even fully realized that the group was a band until I saw them perform live. It was good to know that a band like A R I Z O N A existed because most of the time electronic music to me was DJ’s. A R I Z O N A is a band. They have a lead singer (Zach). They have a guitarist (Nate), but they also have someone who plays the keyboard/synth elements of their songs (Dave) that gives their music its electronic feel.

I highly recommend checking these guys out if you’re into indie music, electronic music, or both. Even if you’re not, check this band out anyway because they have a pop element to their music as well. As I mentioned before, you can also catch them this summer. They’re playing a few big festivals (Gov Ball, Firefly, and Lollapalooza) and of course they’re touring all over too. Here’s a few songs that will make you fall for this band as much as I have:

  1. Where I Wanna Be
  2. I Was Wrong
  3. Electric Touch
  4. Cross My Mind
  5. Oceans Away