pop

Melodrama: Album Review

Last Friday Lorde released her highly anticipated second full length album, Melodrama. The announcement of the album came in March shortly after she released the album’s debut single “Green Light”. In the mean time she also released two other singles, “Liability” and “Perfect Places”.

So far the album has been received with high praise and it’s only been out for a week. I was away for a work trip last weekend so I first listened to the album last Thursday night/Friday morning on Spotify. I loved it. I knew I was gonna head out immediately once I got home to purchase it. I bought it Wednesday. It’s a fantastic album. It’s everything you could ever want from Lorde, especially as a follow-up to Pure Heroine. The songs are emotional, catchy, and have that edgy sound Lorde is so well known for.  It takes listeners on an emotional roller coaster from start to finish. It will have you dancing with songs like “Green Light” and “Supercut”, singing to “Perfect Places” and “Homemade Dynamite”, crying while listening to “Liability”, and loving everything else in between.

Lorde created the album with well-known producer/musician, Jack Antonoff. He has production credits on almost every song on the album. I’d be surprised if this album doesn’t earn the Lorde/Antonoff duo a few Grammy nods. I highly recommend purchasing it as soon as possible. Make it one of the soundtracks to your summer. It’s that good so stop reading, go listen, and fall in love with Melodrama.

hopeless fountain kingdom: Album Review

As you know, all-new albums from some of my favorite artists will be dropping throughout the summer. The album releases began over the weekend. I’m going to try to review as many of them as I can, especially because I’ll be busy traveling and it will at least give me a few planned topics to write about.

On Friday, along with alt-J’s Relaxer, Halsey released her sophomore album hopeless fountain kingdom. Although it’s currently #1 on iTunes, it’s a disappointment for me. I’ve always liked Halsey’s darkness and edge that she brought to her music. Her new album seems generic. She tried to bring in this artsy, creative aspect to it by having it reflect a Romeo & Juliet type of scenario, but instead I feel like she’s trying too hard. I previously compared her styles and sound to a mix of Lana Del Rey and Lorde. Although this album brings in some of that Lana Del Rey creativeness, she’s strayed from the Lorde-ish type of sound and Lana-ish lyrical content heard on Badlands. If there are any songs that I enjoy/appreciate from this new album, it’s “Bad at Love” and “Eyes Closed”. “Eyes Closed” was released as a single a few weeks ago and I liked it initially. There’s really nothing more to it than that for me. Upon listening to the album though, “Bad at Love” was the song that stood out to me in sound and lyrics. It’s catchy, but the lyrics also give representation to Halsey’s bi-sexuality, which she’s been open about in the past. Sure the lyrics aren’t genius. They’re kind of just average pop lyrics. It’s definitely no “New Americana”, but I like the fact that the song reflects Halsey as an LGBT artist, which is something you don’t always get in music.

The new album also features a few collaborations. Quavo from the hip-hop group Migos, Lauren Jauregui from girl band Fifth Harmony, and Norwegian DJ Cashmere Cat all make appearances on hopeless fountain kingdom.

Overall though, I think this is one album I’m going to bypass on purchasing. It was a disappointment for me after such quality work with Badlands. I feel like Halsey is just falling into the main stream pop, where she had potential to be more than that. I’m going to just blame “Closer” and The Chainsmokers for this one. Hopefully her follow-up delivers in a big way. For those of you who really like this album, I’m sorry I don’t agree with you. I was hoping for this album to be just as good as Halsey’s debut. Unfortunately that’s not always the case and I’ll just hope for something better next time.

A R I Z O N A the band, not the state

It’s been two weeks since I last posted, but to be fair I had a show to work and I was sidelined with a sprained ankle (a “sprankle” if you will). I was also out of ideas for new topics. I want to be excited about everything I write here so I didn’t want to just pick something and give you a lackluster effort. The end of last week finally gave me a topic though. I saw that a band I’ve been following for the last year or so released their debut album on May 19th.

A R I Z O N A is an alternative electro-pop band from Glen Rock, New Jersey (no, not Arizona). The band is comprised of members Zach Hannah (vocals), Nathan Esquite (guitar), and David Labuguen (keyboard). The trio all attended college in Boston and initially went their separate ways before reuniting in their home state to form A R I Z O N A. The band’s name stems from a hat Dave was wearing during a random Facetime call with his bandmates.

A R I Z O N A started releasing music on streaming platforms in 2015. They’ve periodically released singles from then on. Their major breakthrough came when German electronic DJ Robin Schulz released a remix of their song “I Was Wrong” last summer. Originally the group thought of releasing an EP first, but then they realized they had enough songs to put out a full length album. Their debut album, Gallery, was released a few days ago. It contains all the music they’ve released so far plus a few new jams. The group is also playing the festival circuit this summer and embarking on their first headlining tour.

Back in November, on the night I saw Tegan and Sara, my friend and I bought tickets to the Hayley Kiyoko show that was happening in another room at the same venue. A R I Z O N A was the opener that night. I didn’t even realize they were the opener until I recognized the second song they played. It was a spontaneously awesome moment of the evening. I first started listening to them the previous winter when I heard the song “Where I Wanna Be” off a twitter recommendation and since that time I followed up with the group any time they released new music.

A R I Z O N A’s music style combines indie/alternative music with electronic music. When I first heard them I was slowly getting into electronic music. I liked an occasional song here and there (Let’s be honest, I still do). “Where I Wanna Be” was one of those songs. During the time I listened to that song frequently, I figured A R I Z O N A was probably the name of some DJ. I don’t think I even fully realized that the group was a band until I saw them perform live. It was good to know that a band like A R I Z O N A existed because most of the time electronic music to me was DJ’s. A R I Z O N A is a band. They have a lead singer (Zach). They have a guitarist (Nate), but they also have someone who plays the keyboard/synth elements of their songs (Dave) that gives their music its electronic feel.

I highly recommend checking these guys out if you’re into indie music, electronic music, or both. Even if you’re not, check this band out anyway because they have a pop element to their music as well. As I mentioned before, you can also catch them this summer. They’re playing a few big festivals (Gov Ball, Firefly, and Lollapalooza) and of course they’re touring all over too. Here’s a few songs that will make you fall for this band as much as I have:

  1. Where I Wanna Be
  2. I Was Wrong
  3. Electric Touch
  4. Cross My Mind
  5. Oceans Away

 

2017….The Best Year of Music?

Coming back from two weeks in So Cal has been a bummer to say the least. With Coachella, sunshine, warmth, palm trees, new friends, old friends, etc., I’ve been in a withdrawal. It’s also tough to come up with weekly blog topics because I feel like I gave it my all for the past 3 months writing about Coachella bands. However, there’s one thing that’s helped with all of the sad feelings recently. It’s the constant stream of new music flooding in from a bunch of my favorite bands and artists. Over the last 2 weeks, I’ve lost count of how many of my faves have released new tunes. I had a realization this past week that 2017 is shaping up to be the best year for music, or at least new music so I figured I’d write about it and give you a little preview of what’s to come.

Obviously there’s a ton of bands and artists releasing new music this year, way more than I plan to write about. The acts I’m mentioning are some of my favorites. Some I’ve written about in the past already. Actually that’s a lie. I’ve written about almost all of them before. The first is someone who I haven’t talked about for a while, but she’s one of my all-time favorites of the past 6 years, Lana Del Rey.

Lana Del Rey released a new single in February called “Love”. Upon its release, she said her upcoming new music was inspired by her fans and the people who supported her throughout the years. “Love” was the first of the new releases to give back to them. Until February, Lana hadn’t released new music since 2015’s Honeymoon. Then while I was at Coachella she released another new single, “Lust for Life” featuring The Weeknd. She also confirmed a few weeks before the single’s release that her new album would also be entitled Lust for Life. Although no release date has been confirmed for the new album (EDIT: The new album will be out July 21st.), there’s rumors that it will feature a few other collaborations with the likes of Stevie Nicks and Sean Lennon, son of John Lennon.

Another artist with new music out this year is Lorde. I, of course, wrote about her as a Coachella preview, but it was before she put out her new material. Along with Lana Del Rey, Lorde was one of the first to put out music this year. In early March she dropped her single “Green Light”. Then a little over a week after that she performed another new single when she appeared on SNL, “Liability”. I loved “Green Light” the first time I heard it. It’s the kind of song that makes you want to get up and dance. It’s the Pure Heroine follow up hit that I was looking for from Lorde. It got me so hyped for her new album Melodrama, which I thought may come out before Coachella, but isn’t going to be released until June 16th. “Liability” is the complete opposite. The song is so raw and emotional. It’s not something I’ve ever heard from Lorde. It sounds more like something Adele would sing. I denounced the song immediately after I heard it, but then I heard it again live at Coachella. It was incredible. Not just the song, but the entire moment surrounding the festival and the two weeks I spent in California.

She performed Sunday night and I was only able to see her performance on Weekend 2, the final night of what was the most incredible festival-working experience I’ve had thus far. Lorde spoke to the crowd of probably close to 100,000 people as if she were in a tiny dive bar and explained how much the song meant to her. Then she went on to sing her newest piece of music with everyone who cared to join her amongst the beautiful night scene at Coachella with the cool breeze blowing and lit up palm trees swaying as the ferris wheel glowed in the background. I took in the moment with two new friends I met while working the festival focusing on Lorde, the entire setting, and my one friend almost in tears because the song affected her that much. It was epic enough to force me to give “Liability” a second chance and I haven’t stopped listening to it since.

Then I came back from California and within days there was new music from my favorite band, Foster the People. I’ve liked Foster the People for 6 years now. They were one of the first bands that I liked when I started getting into the indie rock scene (See here for the story). They haven’t released new music since 2014 and I’ve been craving something new from them for the last 2 years. On April 27th, the indie rock trio released III, a three song EP with songs from their upcoming album. I listened immediately and have been listening to the songs non-stop ever since, “Doing It For the Money” in particular. I feel like the new music combines that old Torches sound with the newer Supermodel sound to create this in-between to both albums giving fans the best of both worlds. For me, it’s almost impossible to top Torches. I still keep the album in my car and pop it into my CD player on occasion. It’s one of my favorite records of the modern era, but this new album (at least indicated by the EP) has shades of Torches that gets me hyped for its release. As of today, the title and release date have yet to be announced, but I read that it should be out in June or July (EDIT: Foster the People’s new album, Sacred Hearts Club, will be July 21st).

On the same day that the world was blessed with three new Foster the People songs, Haim announced their upcoming sophomore album Something To Tell You and released a preview of the track “Right Now”. They also announced they would release a single from their upcoming album on May 3rd. Last summer when I saw Haim play at Lollapalooza they played a few of their new songs. I don’t remember what songs they played, but I do remember liking each one I heard. Each new song still maintained their signature sound. It got me excited for their new record and I’ve been anticipating it ever since. The album comes out July 7th, but until then we have the song “Want You Back” (the May 3rd single) to hold us over and any other new songs the sisters Haim decide to drop along the way.

alt-J is another band with a new album out this year. I really got into alt-J after seeing them perform at Coachella in 2015. My friends and I then saw them while they toured a few months later. Both shows were fantastic. alt-J released the first single, “3WW”, from their new record in the beginning of March. Then a few weeks later they released “In Cold Blood”. alt-J has always had this unique style of indie music and it’s again evident in their new music so far. Their new record Relaxer comes out on June 2nd.

If you thought five new records were enough, you haven’t been paying attention to music news because there’s a few more to be excited for. One of those is a record that doesn’t have a title or release date yet, but I expect it to be out later than the rest. I’m guessing it could be out any time between late summer and winter (EDIT: The new album, American Dream, comes out September 1st.), but I’m so grateful for the two new songs that were just released this past Friday at midnight in anticipation of it. After announcing their reunion last winter and headlining festivals throughout 2016, LCD Soundsystem finally released new music! They played several shows at the opening of the new venue, Brooklyn Steel, in New York City last month and debuted both songs there. The songs “call the police” and “american dream” were also just performed by the band on SNL over the weekend. I haven’t had much of a chance to binge listen to the songs yet, but I can’t wait to listen on my road trips I have coming up this month. Both songs are different and yet so good. At this point, I think I’d feel that way about anything LCD Soundsystem puts out.

So those are all my favorites that have new albums coming out soon, but there’s also a few other good music acts that I like with new tunes on the way too. Halsey just released two singles over the last month from her new album Hopeless Fountain Kingdom due out in June. So far from the new releases, her album seems like it’ll be less dark than Badlands. Phoenix will be releasing their sixth album and first since 2013, Ti Amo, on June 9th. They just dropped the first single from the new record, “J-Boy”, on April 27th. Finally a band I recently previewed before Coachella, Oh Wonder, will be releasing their second album, Ultralife, on June 16th. Over my two weeks spent in Indio, my love for and desire to see Oh Wonder grew a little more (I couldn’t see them at Coachella). Now I’m definitely stoked for their follow-up to 2015’s debut self-titled masterpiece.

Along with all that’s to come this summer, several great bands that I like have already released new music this year. The xx just released I See You on January 13th. I missed them at Coachella, but I’ll be seeing them live next week! Andrew McMahon in the Wilderness released Zombies on Broadway on February 10th and his new record has some great jams that give off a brand new electronic feel not usually heard in Andrew McMahon music. Lastly and most recently, Cold War Kids just dropped their newest album L.A. Divine on April 7th.

In total that’s 12 new albums from bands I like, about half of those being my favorites. I’ve said recently that all I need is for Florence and the Machine to release a new album this year to really put that final piece in the puzzle. Even without them this year is shaping up to be one of if not the best in music! I’m stoked so you guys better get stoked too because there’s so much to listen to!

Coachella Band Preview: Tove Lo

This is it. The final blog post before the big first weekend. I make my journey out there in two days and I can’t wait to be among that festival atmosphere. Hopefully I get a chance to see one or two of these amazing bands or artists I’ve previewed, but I keep my expectations low to avoid disappointment just in case. The final artist I decided to preview is a Swedish singer/songwriter known as Tove Lo.

Tove Lo, whose real name is Ebba Tove Elsa Nilsson, first came on to the music scene in 2014. Her career journey started way before that though. While growing up she went to music school and even became friends with Caroline Hjelt, who went on to form Icona Pop. By the end of her teenage years she formed the rock band Tremblebee. After the band broke up she decided to go after a songwriting career and earned a publishing deal with Warner/Chappell Music in 2011. Through that she often wrote and recorded her own compositions which lead to her eventual record deal.

Her stage name comes from a nickname she had growing up. Tove is part of her real name and Lo is the Swedish word for Lynx, which was her favorite animal growing up. Tove Lo’s first performances were in London and at SXSW in 2014 right around the time she released her first EP Truth Serum. The EP contained one of her most popular hits, “Habits”, which she released independently even before the EP came out. The track was re-titled “Habits (Stay High)” for Truth Serum and earned her breakout success as one of the hottest new artists of 2014. Her debut album Queen of the Clouds was released on September 24, 2014. It had much success making the top 20 on album charts in the U.S., the U.K., and Sweden. In Sweden the album is certified platinum. Towards the end of 2014, Tove Lo joined the third leg of Katy Perry’s Prismatic World Tour as the opening artist.

By early 2015 though, the breakout artist needed to take a little time away from singing as she had to have surgery on her vocal chords to remove cysts that had developed. Near the end of the year she was back at it touring across North America in support of the re-packaged edition of Queen of the Clouds which was released in October of 2015. The year rewarded Tove Lo with two Grammi Awards (Swedish version of the Grammys) and a Grammy nomination for her writing credit on Ellie Goulding’s song “Love Me Like You Do”.

In 2016 the Swedish singer announced she would be releasing her second album later in the year. She toured as the opening act for Maroon 5 to promote the upcoming release. She released the first single from her new album Lady Wood in early August called “Cool Girl”. The album was released on October 28, 2016. Tove Lo recently went on a solo tour in support of Lady Wood and has plans to join Coldplay’s upcoming tour as an opening act this summer.

Along with her own success, Tove Lo has also been involved in many successful collaborations with artists such as Nick Jonas, Coldplay, and Flume, as well as earning songwriting credits for many well known artists such as Ellie Goulding, Hillary Duff, Victoria Justice, Lea Michele, and Icona Pop. One of her most successful collaborations came in 2015 when she sang on Swedish DJ Alesso’s track “Heroes (We Could Be)”. The single had high chart success in Sweden, the U.K., and the U.S.

Tove Lo’s music style is an alternative style of pop music. It might be considered synthpop or electropop. It definitely has an electronic influence and is a bit darker than your standard pop music as well. A lot of her songs have this sexual type of feel and sound. I’m not saying that’s the intention with her music either. Her style is just perfect baby making music.

I don’t remember when I first heard of Tove Lo. I know I knew her song “Habits (Stay High)” before anything else. I didn’t really like the song though, which is probably because I would only ever hear it on mainstream pop radio. Even though I’m not a huge fan of listening to that type of radio, I have a guilty pleasure song or two that gets overplayed. “Habits” was not one of those. “Talking Body” was though. I first heard “Talking Body” on a Spotify playlist and I really liked the song. It was even part of my work out playlist for a while. I never really got hooked on any of her other songs though, but I think at that point I appreciated her as more of an alternative pop artist.

So for the second week in a row why am I previewing this artist that I’ve never gotten into? In fact compared to Two Door Cinema Club, I don’t even own any of Tove Lo’s records. Well it’s pretty simple. Tove Lo plays Sunday at Coachella and I’ve only previewed two other Sunday acts, Lorde and Grouplove. If I had the whole festival to just hang out and see music, there would only be 2 performances that I’d really wanna see on Sunday which frees up a ton of the day. My familiarity with Tove Lo would make me want to check her set out. I think she’ll put on a great set and I definitely suggest you check her out if you have time on Sunday. Here’s a few songs you might want to know first:

  1. Habits (Stay High)
  2. Talking Body
  3. Cool Girl
  4. True Disaster
  5. Influence
  6. Moments
  7. Not On Drugs
  8. Got Love
  9. Heroes (We Could Be) (w/ Alesso)
  10. Say It (w/ Flume)

 

 

Coachella 2017 Lineup Release

Beyoncé, can you handle this? I don’t think you can handle this!

Yes, it’s that time of year again: festival season lineup announcements and in particular…Coachella. The Coachella lineup just dropped yesterday around 1:30 p.m. and I’m stoked (as always)! I heard lineup rumors during the past few weeks and certain predictions had me feeling some kind of jealous. However, upon the announcement yesterday I feel like 2017 still won’t be topping the 2014 lineup (toughest lineup to top ever). 2017 is still pretty epic because the Queen Bey herself, Beyoncé, is headlining. That’s why I felt the need to quote her former group, Destiny’s Child, to start this post. It was fitting, don’t you think? Anyway, this will be a first for the pop superstar, whose sure to draw a massive crowd as the Saturday night headliner. I can’t put all the focus on Bey though since there’s two other headliners. So, without further ado, the Coachella 2017 lineup is as follows:

The Headliners: Radiohead, Beyoncé, Kendrick Lamar

Obviously the big story from this is Beyoncé as I already mentioned and again yes this will be her first solo performance at the festival. She made a surprise appearance in 2014 at her sister Solange’s set.

Radiohead is no stranger to the Indio desert. Thom Yorke & company headlined Coachella twice in 2004 and 2012. They’ve even played “Creep” once while headlining there, so it’s obviously a pretty special place (they rarely play “Creep”). After the release of their most recent album, A Moon Shaped Pool, last summer, it seems fitting that the group once again headlines a Coachella festival.

Lastly there’s rapper Kendrick Lamar. He played on the Main Stage in 2012 and came out as a guest during the Dre and Snoop set that year. Kendrick Lamar has been on the rise since 2010-2011. Last year he headlined Goldenvoice’s (same promoter as Coachella) Panorama Festival, also dubbed “East Coast Coachella”, in its first year of existence. He apparently crushed his set there and drew a crowd of epic proportions, which might give you an indication of how he’ll be closing out Coachella this year on Sunday night.

Usually Coachella headliners are primarily alternative, rock, or indie or some form of a combo of those genres. In recent years, there have been rap headliners such as Jay-Z (2010), Kanye West (2011), Dr. Dre & Snoop Dogg (2012) or Drake (2015) and last year saw electronic artists take the headlining spot with Calvin Harris and, if you consider them to be indie eletronic-ish, LCD Soundsystem. This year is the first time a major pop/ pop-R&B artist is headlining the festival (Beyoncé). Each night sees a different genre of music as the headliner making Coachella even more appealing to the masses.

The Other Highly Billed Performers: the XX, Travis Scott, Father John Misty, Empire of the Sun, Dillon Francis, Bon Iver, Future, DJ Snake, Martin Garrix, ScHoolboy Q, Gucci Mane, Lorde, Justice, New Order, Porter Robinson & Madeon, Future Islands, Mac Miller, Steve Angello, Glass Animals, Phantogram, Mac DeMarco, Little Dragon, BANKS, the Head and the Heart, Two Door Cinema Club, Nicolas Jaar, Bastille, Tycho, Tory Lanez, Röyksopp, Hans Zimmer, DJ Khaled, Marshmello, Lil Uzi Vert, Galantis, Kehlani, Grouplove, Kaytranada

Out of the the other top acts coming to the festival this year, the ones who stick out most to me (a.k.a. the ones I would see) are the XX, Empire of the Sun, Bon Iver, Lorde, Phantogram, BANKS, and Bastille. That means in weeks to come be on the look out for Coachella Band Previews featuring these bands and artists. Bon Iver, Lorde, Phantogram, BANKS, and Bastille will each be making their second Coachella appearance, while the XX and Empire of the Sun will be performing for the third time. All of these acts have released an album over the past year with the exception of the XX, whose third album comes out next week, and Lorde. Lorde is expected to release a new album this spring so I’m excited to hear her new material.

Other notable acts (for me) from this list are Two Door Cinema Club, Glass Animals, Mac DeMarco, and Grouplove. I would check out these acts if it fit in my schedule for sure, especially Mac DeMarco, who I missed at sweetlife last year, and Grouplove, who is a fun indie pop band that fits the Coachella atmosphere perfectly.

There’s also plenty of top electronic artists who will set the Sahara Stage on fire. Look for Dillon Francis, DJ Snake, Martin Garrix, Justice, Porter Robinson & Madeon, Steve Angello, Nicolas Jaar, Tycho, Röyksopp, DJ Khaled, Marshmello (who is basically the new Deadmau5/Daft Punk with his visual persona), Galantis, and Kaytranada there or even on the main stage. There’s no doubt that Dillon Francis and Martin Garrix should be closing out their respective nights on at the Sahara Tent. It’s bound to be lit.

The most interesting artist of this bunch is German composer Hans Zimmer. This guy is a legendary film composer so to earn a spot at Coachella is out of the ordinary. I’m interested to see what his set will be like. Will there be an orchestra there that he directs? Will it be some sort of DJ set? Will everyone sit out on blankets drinking wine and eating cheese if it is an orchestral set? There’s endless questions for this one. Interesting doesn’t even begin to describe it for me.

Another note from this group is the amount of top rap/hip-hop artists. It actually feels like an overwhelming amount of rap artists at Coachella this year compared to the usual. It might be the year for rap there. Just by the look of the lineup, they’ve booked solid acts with Travis Scott, Future, Mac Miller, and Gucci Mane, and not to mention Kendrick as a headliner.

The Rest: Bonobo, Richie Hawtin, DJ Shadow, Loco Dice, Dixon, Capital Cities, Big Gigantic, Crystal Castles, SOHN, Jagwar Ma, Francis and the Lights, BROODS, Guided By Voices, Preservation Hall, Jazz Band, Sampha, BICEP, Raury, the Martinez Brothers, Oh Wonder, Stormzy, Zipper Club, Tennis, SNBRN, King Gizzard & the Lizard Wizard, Kungs, Floorplan, Denzel Curry, the Lemon Twigs, Nora En Pure, Joseph, the Interrupters, Sam Gellaitry, Klangstof, Tacocat, Alison Swing, Local Natives, Majid Jordan, DREAMCAR, Four Tet, Róisín Murphy, Moderat, the Avalanches, Mura Masa, Nav, Solomun, Warpaint, Banks & Steelz, Hot Since 82, Classixx, Kaleo, Breakbot, GRYFFIN, Car Seat Headrest, Daphni, Brodinski, Mitski, Floating Points, Thundercat, SURVIVE, Arkells, the Atomics, Ben UFO, Bishop Briggs, Blossoms, Chicano Batman, Autograf, Moss Kena, Red Axes, Shura, Honey Dijon, Declan McKenna, Eli & Fur, Swet Shop Boys, Chris Cruse, Tale of Us, Toots and the Maytals, Devendra Banhart, Tove Lo, Jai Wolf, Jack Garratt, Sasha, Kiiara, Real Estate, the Belleville Three, Maya Jane Coles, What So Not, PNL, Lee Fields & the Espressions, NAO, GoldLink, Allah-Las, King Sunny Adé, Marcel Dettmann, SOFI TUKKER, Whitney, Patrick Topping, HONNE, Twin Peaks, Tourist, Preoccupations, Hinds, Ezra Furman, Pond, Hannah Wants, Anna Lunoe, Grace Mitchell, Los Blenders, Show Me the Body, Caveman, Jen Ferrer

A lot of these bands and artists are playing Coachella for the first time. Some of them are new to their respective music scenes and some may only get bigger from here. Take this year’s headliner Kendrick Lamar for instance. When he played in 2012, his name was listed on the last line of Friday’s acts. Not all of these bands may make it as a headliner, but you may see some of them in the coming years selling out shows and playing festivals as a top-act.

If I were attending, I would definitely want to see BROODS, Oh Wonder, Kungs, Local Natives, GRYFFIN, and Tove Lo. I missed Local Natives in favor of Halsey at Lollapalooza, but caught the tail end of their set. They’re a great indie alternative band who I’d love to see live, or at least all of their set live. BROODS is a brother-sister music duo who just came on to the music scene in the past few years. I’ve liked everything I’ve heard by them so far. If I had the chance, I would definitely listen to them more and see them at the festival if I had the chance. I’ve also just started to get into Oh Wonder and seeing their name on the Coachella lineup makes me want to listen to more of their stuff and check them out live. I doubt these guys will be climbing the festival lineups soon but they put out some great tunes.

I’m also not sure why Tove Lo isn’t listed higher on the festival lineup. I’m sure she’ll be playing on the Outdoor Stage or the Main Stage though because she’s already selling out smaller venues. Her appeal kind of reminds me of Ellie Goulding and I’m guessing in the coming years she’ll be making her way to the top just as Ellie’s done.

Out of the few electronic artists I like, GRYFFIN is one I would love to check out at Coachella. If you read my Music Saved 2016 post from last week, you’d know I had a GRYFFIN song on the list. He’s also got a song called “Heading Home” that I’m a fan of too. Another electronic artist that you should see/pay attention to is Kungs. This kid, because yeah he’s only 20 years old, came on to the electronic scene huge with his hit “This Girl” feat. Cookin’ on 3 Burners (another song listed on said Music saved 2016 blog post). I actually just listened to some of his other stuff about 2 days ago. I liked what I heard. He released his debut album on November 4th and I’m sure you’ll hear more from him in the future. Like I said pay attention to him and see him now if you have the chance.

Some other bands worth checking out are electronic duo HONNE, rock group Arkells, and indie band Twin Peaks. You may even want to check out solo artist Jack Garratt, who reminds me of combo between Bon Iver and the Weeknd, and indie/alternative rock artist Declan McKenna, who won Glastonbury Festival’s emerging talent competition in 2015.

To those of you scored tickets and are heading to Indio this spring, have the best time of your lives. Coachella is an incredible experience filled with music that spans across genres so there really is something for everyone to see. At this current moment, I’m not officially going to Coachella as a festival attendee, but there is a possibility that I could work there. I’m not getting my hopes up yet though because I could very well be spending this year watching from my computer again. As such, I’ll be previewing bands playing the festival this year as I’ve done the last two years and writing as if I were going like I did last year in 2016 (because I did go in 2015, which started all this preview hype to begin with). So stay tuned for all the previews because festival season is almost here!

Music Saved 2016

2016 can be defined as being a shit ass year for Americans (maybe for other countries too but I can only go by U.S. standards). There were a few good moments, like the Cubs winning the World Series for the first time in 108 years or the Pittsburgh Penguins winning their 4th Stanley Cup (It was good for me as a Pens fan), but for the most part many agree that 2016 sucked. We lost some truly great artists, story tellers, athletes, and human beings and it hasn’t stopped even in the days before the new year. As I sat down to write this, I found out that Hollywood legend Carrie Fisher passed away and then as I sat down to finish it two days later Carrie’s just as famous mother, Debbie Reynolds (her most substantial role, in my opinion, was Agatha Cromwell in the DCOM Halloweentown), had passed as well. Crazy. More importantly we lost progress, decency, and democracy from a shocking presidential election outcome. 2016 took so much from us and most of us are glad it’s almost over.

Last week I watched a YouTube video about the good in 2016 (because like I said there were a few good moments) and a statement was made that I agreed with wholeheartedly: “Music saved 2016.” It did, but for me especially. This year I embarked on an adventure into the music industry by working concerts, shows, and festivals all over the country. I learned new things, met amazing new people from all over the country, stepped outside my comfort zone, and had some incredible experiences especially over the summer. I’m entirely grateful for every single one and for the company that gave me a chance. This year I attended more live music events than ever. I saw some incredible bands and artists perform. I learned new music and fell in love all over again with bands I’ve listened to before. Music was everything to me this year. Because of that I wanted to share with you my favorite/most listened to music of 2016. Some of it might not have come out this year but I might have discovered it for the first time this year or rediscovered it, if you will. I’ll be including songs, artists, or albums as part of the list but each has a relevant meaning to my year of music.

1. “Holdin’ On” by Flume. This song was the song of the year for me. I discovered it shortly before I volunteered at the Sweetlife Festival in May, but the full impact of the song occurred the day of the festival. As you may already know from the post I did back in April, Flume is an electronic artist. This song is a hit from his first album which came out in 2012. He also released a new album this year, Skin, which had a few huge hits, like “Never Be Like You” ft. Kai and “Say It” ft. Tove Lo, earning Flume 2017 Grammy nominations. For me though, it was “Holdin’ On” that stood out the most. I feel like the song has more energy than his other stuff. Part of the song has this slowed down warp type of sound that leads into the refrain with a POW! At Sweetlife, my friend and I went to Flume’s set with no expectations. “Holdin’ On” stole the show that was marred by technical difficulties causing us to leave early (we were planning on leaving early anyway to not miss another set). After we left though, it was the song that played in my head the rest of the day. That day turned out to be one of, if not, the best day(s) of my whole year. The faulty set aided in our decision to buy tickets to see Flume perform 3 months later, which was also pretty sick but didn’t have the same impact as Sweetlife weekend and the first time I heard “Holdin’ On”.

2. LCD Soundsystem. 2016 saw the return of a band we thought was gone after 2011. Electronic dance-punk band LCD Soundsystem got back together in 2016 and played festivals all summer long. I was stoked by the news last year and jealous of everyone attending Coachella 2016 who would see them headline. After working at the Firefly Music Festival in mid-June, I rediscovered LCD Soundsystem because of the great people I worked with on the Dover Downs Speedway and Spotify Premium. We listened to LCD several times throughout the weekend and talked about the band, which earned my re-interest in the group who hails from NYC. Following Firefly, I started listening to LCD again. Then the universe came together and I was lucky enough to get a spot working at Lollapalooza in July, thus earning me the privilege of being able to see LCD Soundsystem perform on the final night of the Chicago festival. It was something else. I danced myself clean for the entirety of the set.

3. Sia. Sia’s been around for years, but she soared to the top of music charts with her 2014 album 1000 Forms of Fear. In the beginning of 2016, I fell in love with the 1000 Forms of Fear song “Elastic Heart”, only to hear the newly released single, “Cheap Thrills”, off Sia’s newest record This Is Acting a few weeks later. I loved “Cheap Thrills” even more than “Elastic Heart” and it became part of my nightly workout playlist. I even introduced the song to my then 4 year old cousin Hudson when he came to visit me in early March. He loved the song too. So much so that he corrected me for singing the wrong lyrics during a visit in May. “Cheap Thrills” progressively became a hit of 2016 and Sia’s newest album was a hit too (not as much as 1000 Forms of Fear, but still a good album nonetheless). She also played several music festivals including Coachella and Panorama (Coachella East) and toured the U.S. for the first time since 2011. Singing Sia songs with Hudson, “Cheap Thrills” in particular and now “The Greatest”, which was a newly released single in the fall and a track on the deluxe edition of This Is Acting, was a huge part of my year. Hudson and I live 3 hours apart but still managed to see each other at least once a month, so there was plenty of singing (we crush long distance relationship/friendship standards). I doubt we’re the only ones who were singing Sia a lot this year though. She slayed 2016.

4. “The Sound” by the 1975. Before 2016, I liked the 1975. I knew a few of their songs. Three to be exact. I liked each one. Then I heard “The Sound” and I forgot all my previous thoughts on the band. That song was it for me. The 1975 released a new record this year called I Like It When You Sleep, for You Are So Beautiful yet So Unaware of It. “The Sound” was released as a single before the record. I thought at that time if “The Sound” is any indication, then the new record will be stellar. It turned out to be pretty good. “Somebody Else” is great. “She’s American” and “Love Me” aren’t too bad either. Some may argue I Like It When You Sleep… is not as good as the debut self-titled. I might argue that too, but “The Sound” is in a league of its own. That song made me want to see The 1975 live and I did. Twice (at Sweetlife and Lollapalooza). Both times The 1975 put on a great set, but I bet you can take a guess what my favorite song played was.

5. “Seeing Stars” by BØRNS. “Seeing Stars” became an instant favorite song of mine after listening to it a few times. It’s a happy, good feeling type of song. It was exactly what I needed in the spring after going through some disappointing and shocking moments. It was my positive jam for a while. I even played it a few times driving to Sweetlife. Then two weeks later my friend and I purchased last minute tickets to see BØRNS perform at the Electric Factory. It was a great decision and a fun show even though there were a few off moments that night like a 30 minute wait at Taco Bell and a speeding ticket. I loved hearing my song of the spring live regardless.

6. “Gold Rays” by Vinyl Pinups. In early 2016, this song was MY. JAM. The only downfall was that I liked it in the dead of winter and it’s the perfect spring/summer song. I did listen to it on my workout playlist for several months though well into the spring. However in the summer, I was listening to other things and I didn’t play it as much as I would have liked. It’s one of my favorite songs of the year by far. It’s also a great feel-good song by a smaller-name band.

7. “T-Shirt Weather” by Circa Waves. Like “Gold Rays”, this was another perfect summer song that I fell in love with during the winter. It made me long for warm days in late January, early February 2016. I constantly imagined listening to this song while driving in the summer on a road trip with friends. Then like “Gold Rays” it was rarely played during the summer months. It’s another favorite of the year for sure.

8. Tegan and Sara. I’ve liked Tegan and Sara since college. I rediscovered them again in 2014 when I purchased Heartthrob. If it wasn’t for bonds over women’s soccer, I probably wouldn’t have fell into their web of smooth, catchy rock tunes again this fall, but I’m so thankful it happened anyway. I went to see Tegan and Sara live in early November with a friend, her roommate, and her roommate’s girlfriend. It was another last minute decision that ended up being even better than BØRNS. It was a night where everything felt right. I was exactly where I was supposed to be and I wished it would never end. It was so much fun. We even saw two shows at the same venue. How epic right?! Tegan and Sara were great live and almost everyone there could sing along to every song. It was because of that night that I gained a new appreciation for the song “The Con”. I listened to it with a greater affinity afterwards. Because of how insanely amazing that night was, Tegan and Sara are high on my list for the year, but they deserve it regardless. They’re incredible talent that has been around for over 17 years.

9. Adele. Adele ended my 2015 with a bang. Her new album 25 was released in November of last year. Right before the new year I scored tickets to her sold out World Tour for a show in early September. That show became a huge anticipation of 2016. I loved bringing it up any time Adele came up. Adele came up often too. She had a few singles that came out in 2016 and her album earned her several Grammy nominations for the 2017 awards show. As for the concert I saw in September, it was well worth the almost 9 month wait. It was incredible seeing her perform live. She’s got a killer voice and sang for 2 hours straight with no openers. There was some stand-up comedy in between songs of course. She’s hilarious if you didn’t already know. It was an epic 2016 music event and one I won’t soon forget.

10. Wild World, Bastille. In September 2016, Bastille released his sophomore album Wild World. After hearing 2-3 songs off the new album (one during the summer months and the others post album release), I knew I needed the band’s newest compilation of music. I don’t even regret buying it for $4-5 more than what I would have paid if I waited to get it on Black Friday. I couldn’t wait. It’s actually that good. So good that it’s my favorite new album of 2016. Bad Blood put Bastille’s name into the music world, but Wild World is just as good. I actually believe it’s underrated considering it hasn’t received as much hype as their debut album. “Send Them Off” is currently (still!) one of my favorite songs to listen to. “Good Grief” is amazing. “Warmth” is a solid jam too. I can’t say enough good things about Wild World. It’s my album of the year for sure.

11. Hayley Kiyoko. Remember when I said I saw two shows in one night in early November? Yes, one of them was Tegan and Sara. The other was Hayley Kiyoko. I mentioned it in my Tegan and Sara blog post but didn’t talk about it further. I found out about Hayley Kiyoko while doing some reading online last winter. The referenced song in the reading fit the story so well.  I obviously listened to it when I saw there was a song reference. I liked the song itself too. Throughout the year Hayley Kiyoko songs just kept wandering into my life here and there. I liked and downloaded every single one I listened to. The music is traditional pop but the themes are a little different. I’ll have to do a full blog post on Hayley some day and explain it further, but you know what I mean if you’ve heard her stuff. The fact that she’s not a mainstream artist despite the traditional pop sound makes her more appealing to me as well.

12. ARIZONA. I first heard ARIZONA last winter. It was a song called “Where I Want to Be”. It popped up on a twitter account I follow. I loved the song and it was a perfect fit for my workout playlist (I workout a lot if you couldn’t tell by how many times I’ve mentioned my workout playlist). Several times throughout the year I checked ARIZONA’s Spotify page for new music because of how much I liked “Where I Want to Be”. That lead to liking one or two more ARIZONA. Then the night I saw Tegan and Sara and Hayley Kiyoko in one night I was in for a surprise. My friend and I walked into the Hayley Kiyoko show shortly before it started. We got some drinks and the first band came on. While the band played their first song, I said to my friend that I liked the music but wasn’t a fan of the song’s melody. It reminded me of some electronic artists that I listened to. Then the second song started. I knew what song they were playing. I asked my friend who the opener was as I tried to remember what band played that song. Then it hit me. ARIZONA! I looked it up to double check. I was right and instantly stoked. I didn’t pay attention to who Hayley’s opener was, but it ended up being a band I liked. That moment was another reason for how epic that evening was.

13. Arctic Monkeys. It’s a shame I never heard of the Arctic Monkeys until 2013. It’s also I a shame that I didn’t appreciate them enough until 2016. I totally fell in love with them this year and began listening to more of their music. Hence writing a blog post about them just for the sake of writing about them. I’m also dying to see them live. So hey guys if you see this, please put out another record and tour again soon! Thanks! Cheers!

14. “Collide” by EVVY. This was another song of last winter. I really got into it during my trip to Baltimore/DC at the end of January/beginning of February. I took that trip because I worked at a Muse concert at the Verizon Center in Washington, D.C. It was the first music event I ever worked. I didn’t know what to expect for the show or for the rest of the year as far as my life choices were going. The song was calming and positive at the time. During my drive to my cousin’s apartment the night before the concert, to work the show the next day, and back to my cousin’s apartment after the concert, I listened to the song. A multitude of thoughts and feelings went through me during those drives. I was nervous, yet confident and then relieved, yet overjoyed. I reflected on my whole experience while listening to the song on the way home and knew that my choice to go after music was the right one.

15. “Capsize” by FRENSHIP. “Capsize” is another song I added to my workout playlist and my iPod in general after I heard it on my favorite soccer player’s monthly playlists. A large handful of my workout songs are electronic and this one was no exception. It also became the song that reminds me of the first multi-day festival I worked because I played it a lot at the time (it was Firefly, in case you were wondering). In fact, I introduced the song to a friend I made during the festival who is a huge electronic fan. She didn’t know the song at the time, but it apparently blew up afterwards. It ended up being a song I played throughout the summer months while driving, relaxing, and of course working out.

16. “Whole Heart” by Gryffin. The first time I heard this song was after a trip I took to see my favorite NWSL team in their first home playoff match. The team won the match and earned a spot in the Championship game. The week after the win, the club posted a “Thank You” video to the fans and this song played in the background along with highlights and video clips from the season. It made me amped for the final even though the song is a much slower electronic song than the norm. Then in another depressing 2016 moment for fans of the team I followed for 4 years (myself included), the opposing team scored a game tying goal in the final minute of stoppage time during the championship match. They opposing team went on to win in penalty kicks. I was heartbroken for the team. I hadn’t been as heartbroken over a sporting event since 2011. I didn’t even care as much when the USWNT got knocked out in the Olympic quarterfinal almost two months earlier (another bummer 2016 moment and I was working a festival at the time). It was a devastating blow. Listening to “Whole Heart” after the loss made me feel a tremendous amount of sadness because the song describes giving your whole heart to something, which the team did and came up short. I felt similar listening to this song after the 2016 Presidential Election especially with the hate that ensued post-results. With time, the song no longer feels as sad as it did in those moments and it still reminds me of the positive thoughts I had when I first heard it.

17. “home” by morgxn. Addicting. That’s the word that first comes to mind to describe this song. I heard it on Spotify in November and it’s been one of my favorites to listen to ever since. It’ll probably be one of my faves going into 2017 as well.

18. Sigala. At the same time I added “Capsize” to my music rotation, I added the song “Sweet Lovin'” by Sigala as well. It’s another song that I listened to on my way to Firefly. Sigala, in general, became part of a joke between me and a friend I met during the festival because she couldn’t pronounce the artist’s name correctly (it’s pronounced Sig-AH-lah not Sig-ah-LAH (stress on the second syllable) in case you were wondering). Sigala was the only artist she wanted to see perform during the festival since our schedules didn’t really allow for more than one performance each. She was able to attend Sigala’s set and I happened to catch “Sweet Lovin'” live too during the only time we both spent in the festival (I chose to see Florence and the Machine who played before Sigala though. Well worth it.). I would have just put the song “Sweet Lovin'” by Sigala on here, but that wasn’t the only Sigala song I got into this year. “Give Me Your Love” was another jam from the fall. It was the only Sigala song I heard since “Sweet Lovin'” that had the same kind of energy.

19. “Fever” by Roosevelt. I heard this song on the “Discover Weekly” Playlist on Spotify in mid-September. I liked it immediately upon hearing it. It reminded me of a nickname of a soccer player I like and got me pumped to attend that NWSL Playoff game that I mentioned before. It was my go-to song for several weeks in September and October.

20. “Starving” by Hailee Steinfeld ft. Zedd. I’m embarrassed this song is on my list, but it was a 2016 fave so I had to include it. It’s definitely been my biggest guilty pleasure song of the year even though I’ve only known it for the past few months. I can also do a mean cover of it on guitar. The Zedd version is by far better than the original. It adds electronic flare and more energy to an otherwise soft yet peppy love song.

21. “This Girl (Kungs vs. Cookin’ on 3 Burners) by Kungs & Cookin’ on 3 Burners. Last but not least, “This Girl”. My cousin played this song for me in late September on my trip to the soccer match. I stopped to visit Hudson for a day first. At dinner that day, my cousin played me this song. It was so familiar to me, but I couldn’t figure out where I heard it. It took me 20-30 minutes before I realized I heard it on an instagram video and that it was the song stuck in my head a few weeks prior. It’s such an interesting song, but yet so so good. When I returned home from the trip, I immediately added the song to my workout playlist and it has been a mainstay ever since.

Bonus Music: “Hand Clap” by Fitz and the Tantrums, Mac DeMarco, “I Am A Nightmare” by Brand New, “Better Off” by Haim, “Dancing on Glass” by St. Lucia, “Roses” by The Chainsmokers ft. ROZES, “Cake By the Ocean” by DNCE (Yep, guilty pleasure #2)

So you can see from this list, 2016 wasn’t too bad if you just look at it from a music perspective. Yes I know we lost Bowie, Prince, and Leonard Cohen, but just check out all the other amazing music we did have, whether it’s on this list or not. Music is the good thing from 2016. It’s usually a good thing most years. It saved 2016, but let’s be real music saves everything.

I Won’t Treat You Like You’re Typical

I’ve always liked alternative styles of music. I’ve listened to alternative rock, indie rock, indie pop, emo, screamo, pop punk, punk rock, ska, hardcore, and lately even some of that mainstream EDM stuff. After I graduated from college, my music interests started to shift a bit towards the indie music genre. I wrote about it once and refer to it as my second musical enlightenment. Since then, I’ve been into the indie rock/indie pop scene. However, there were times during high school and college where I’ve been interested in indie artists. I think my first interest in indie bands came from watching The OC. Bands like Death Cab For Cute, Band of Horses, Spoon, Rooney, and Nada Surf had musical influence on the show. Indie music was a huge part of the series due to Seth Cohen’s (one of the main characters) interest in the indie scene. After the OC went off the air in 2007, I had interests in indie bands here and there before my main indie phase took over in 2011. One of those bands was the indie pop/rock duo, Tegan and Sara.

Identical twin sisters, Tegan Rain Quin and Sara Keirsten Quin formed their band in the late 90’s while still in high school. The Canadian duo, who hail from Calgary, Alberta, recorded their first demos in high school and began touring shortly after graduation. They released their first album, Under Feet Like Ours, in 1999. Since then, the band has released 7 other records. Their latest and eighth album, Love You to Death, was released June 3, 2016. They’ve also toured numerous times worldwide on both headlining tours and in support of many well-known acts and have played countless music festivals. Their seventh album, Heartthrob, released in 2013 is their highest charting album to date (number 3 on Billboard’s Top 200) and sold 49,000 copies in its first week. The album earned them more attention in the music world as well as a growth in their dedicated fan base.

Tegan and Sara’s sound has progressed since their debut in 1999. They went from folk/alternative rock to indie rock to indie pop and now to more of a straight pop sound. Their ability to grow musically along with having a devout following has allowed them to continue to make music for 20 years, even though the sisters are only in their mid-30’s.

Tegan and Sara have used their platform beyond the music world too. As out lesbians, both are huge advocates for LGBT equality, thus gaining a large following from the LGBT community. They’ve also advocated in support of other causes but their strong involvement in LGBT rights is well known and has made them a favorite act of community members.

I first heard of Tegan and Sara through a friend who had lyrics from their song “Take Me Anywhere” on her MySpace profile. At the time, I always confused Tegan and Sara and fellow girl duo Meg & Dia. Eventually Tegan and Sara won my heart over once I became interested in their music during my sophomore and junior year of college. I don’t remember how, why, or exactly when my interest started, but I do remember listening to their music while driving to class during the winter. I can honestly say they’ve never been my favorite band. I’ve only been a casual listener since around 2009 while in college. In fact, I purchased my first Tegan and Sara album in 2014 on a Black Friday deal. A few months prior I got into the song “Closer”, a year after it was all over mainstream radio, so a $7 copy of Heartthrob was a great deal in my mind. I had the album on repeat during my Christmas trip to visit family and Busch Gardens Williamsburg’s Christmas Town. It was one of my favorite Black Friday CD purchases and was my go to album of the time.

A few weeks ago, my friend told me she had tickets for a Tegan and Sara show in the beginning of November. She planned on attending with her roommate and her roommate’s girlfriend. When she told me, I expressed interest in going and she said I should join them. I decided to go for it, purchasing my tickets a solid three weeks before the show. Last Thursday night was the night. I saw Tegan and Sara live for the first time (along with Hayley Kiyoko and ARIZONA, but that’s another show and another story). As a casual fan, I wasn’t as stoked for the show as I’ve been for others, but it surely exceeded my expectations. I had the best time. Tegan and Sara played a variety of songs from older albums along with ones from their newer releases. They also took the time to tell stories in between songs and advocate for the upcoming Presidential election. Even as Canadians they let us know they had our backs no matter the results. It was evident that the crowd was made up of plenty of longtime fans who knew the words to every song and created an energy difficult to replicate by singing a-long and dancing for the entirety of their set. There was something special about the atmosphere at the show that made it unlike other shows I’ve been to. Not to mention, I also attended with a great group of people who appreciate the twins’ music and music in general.

I feel like Tegan and Sara’s music can appeal to so many people because of how their music has grown and changed through the years. If you’ve never heard of them, please check them out soon. They’re good. If you have, you can totally vouch for me and if you ever have a chance to see them live in a smaller venue, go for it. It’s better than you know. Here’s some of my favorite Tegan and Sara songs, but there’s plenty to pick from with 8 albums so feel free to scan through all their tunes:

  1. Nineteen
  2. Walking With the Ghost
  3. The Con
  4. Closer
  5. Hell
  6. I Couldn’t Be Your Friend
  7. I Was A Fool
  8. Boyfriend
  9. Goodbye, Goodbye
  10. Stop Desire

Coachella Band Preview: Years & Years, Halsey, Cold War Kids, & The 1975

Coachella Weekend 1 is 23 days away, which means 3 more weeks! I only have 3 weeks left and so many more bands to preview. That’s why this week I’m combining 4 bands into one preview since I covered them each in depth on the blog before. They are Years & Years, Halsey, Cold War Kids, & The 1975. You’ll notice links on the names of each band to their respective blog posts for a little more background information, but for now I’m just going to give a simple breakdown/recap on each.

Years & Years is a band I started listening to near the end of summer. They’re kind of on that EDM spectrum, but can also be considered pop, indie pop, or synth pop. Since I wrote about them in the summer, the group has toured the U.S. and booked several music festivals along with Coachella this summer. They’ll also be supporting fellow Coachella act Ellie Goulding on tour this spring. As a somewhat newer band (their first full length album was just released last year), it’ll be their first time playing the Coachella festival. They play Friday.

I also started listening to Halsey around the same time I started listening to Years & Years. Halsey is a pop/electropop/indie pop singer. As I mentioned in my prior blog post on the artist, she has a comparable sound to Lorde but lyrically is comparable to Lana Del Rey. Since writing about Halsey, she released her debut album, Badlands, and like Years & Years also toured performing in venues throughout the U.S. She will perform for her first time in the Indio desert this year as well. Her set is on Saturday.

Both Cold War Kids and The 1975 are no strangers to Coachella. The 1975 played Coachella for the first time in 2014 and are making their big return this year following the release of their sophomore album, I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It. Since writing about the indie pop/indie rock band from the UK in early December 2015, they released their new album at the end of February. It debuted at the number one spot on both the UK Albums Chart and the Billboard 200 in the U.S. They play Sunday and I anticipate them drawing a decent sized crowd, especially now that they’re playing more of a headlining role compared to their last Coachella appearance. Cold War Kids on the other hand will be playing Coachella for the third time. They first played the festival in 2008, but haven’t performed there since 2011. There was actually some speculation that they might have been on last year’s lineup, but as you know that didn’t happen. Since I wrote about these alternative rock/indie rock music vets in the fall, they haven’t been up to much besides touring. However the band announced last week via instagram that lead guitarist Dann Gallucci was parting ways with the group and will be replaced by David Quon. I’m sure he’ll be in the mix when the group takes the stage on Sunday.

As you already know, I like all these acts and I recommend seeing each one’s performance at Coachella. With Sunday’s strong lineup of acts, it might be tougher to make the Cold War Kids set or The 1975 set due to conflicts, but there’s less likely to be conflicting issues with seeing Halsey and Years & Years. To make sure you’re ready to see each band/artist’s performance though, here are my top three favorite songs by each (you can check my original blog posts on these 4 for more recommendations):

Years & Years

  1. Border
  2. King
  3. Shine

Halsey

  1. New Americana
  2. Drive
  3. Hold Me Down

Cold War Kids

  1. Miracle Mile
  2. First
  3. Hang Me Up To Dry

The 1975 (** but really check out their whole second album too!**)

  1. The Sound
  2. Girls
  3. Chocolate

Coachella Band Preview: Sia

As I say almost every time I post a Coachella Band Preview, the days keep dwindling until the epic festival in the desert. At this point, less than 2 months remain until Coachella Weekend 1. This week I’m actually not previewing any band though. I’m previewing a singer who’s been active since the mid-90’s, but has only received great acclaim in the last 2 years. I’m not sure if you’d be able to recognize her if you saw her out on the streets somewhere due to her somewhat recent decision to not show her face when she performs. You may however know her from her over-sized platinum blonde wigs that cover most of her face. If that rings a bell, then yes it’s Sia and she’ll be performing at Coachella this year for the first time (sort of, but I’ll explain later).

Australian singer-songwriter, Sia Furler, known to the world as Sia, began her singing career shortly after she graduated high school in 1994 as a singer for acid jazz band, Crisp. By 1997 the band broke up and Sia released her debut solo album, OnlySee, but the album didn’t receive much success. Sia then moved to London where she performed as a background singer for the band Jamiroquai and lead vocalist for the band Zero 7. During the time she fronted Zero 7, she released her second and third solo albums entitled Hearing is Difficult (2001) and Colour the Small One (2004), respectively. The single “Breathe Me” off Colour the Small One received commercial success throughout several countries in Europe and even gained Sia some attention in America as the track was featured in the final episode of the HBO series Six Feet Under. By 2005, Sia decided to make the move to America in an effort to further her music career.

Between 2007 and 2010, Sia released three more albums. The first was a live album in 2007, Lady Croissant, which featured songs performed at the Bowery Ballroom in New York City in April 2006 while she was on tour and one studio track, “Pictures”. The following year she released her fourth studio album, Some People Have REAL Problems and in 2010 released her fifth album, We Are Born. Both albums had a few successful singles that were charted in a few European countries and Australia. We Are Born even won the artist two ARIA (Australian Recording Industry Association) Awards in 2010. After touring in North America, Europe, and Australia to promote We Are Born, Sia decided to retire from her career as a recording artist and focus on becoming a pop songwriter. It was at that point that the unexpected happened.

Sia wrote a song for recording artist Alicia Keys. However, the song was sent to French DJ and EDM artist David Guetta. David Guetta ended up using the song with Sia’s original demo vocals without her approval and the song, called “Titanium”, became a worldwide mainstream success. Despite the popularity of the song, Sia wasn’t pleased since she had recently retired and wanted to focus on songwriting. She did co-write songs from 2011-2013 for many artists like Beyonce, Flo Rida, and Rihanna. In a similar situation to the one with David Guetta, Flo Rida used Sia’s vocals on the song “Wild Ones”.

In 2013, Sia came out of retirement, so to speak, and released the single “Elastic Heart” featuring The Weeknd and Diplo as a song on The Hunger Games: Catching Fire soundtrack. In July 2014, she released her sixth album, 1000 Forms of Fear, which she intended to be the last album she needed to release in order to release her from her record deal, but the album became her most successful to date. It debuted in the top spot on the Billboard Top 200 and sold 52,000 copies in the first week. It reached the top ten on numerous European charts and number 1 in Australia. Along with “Elastic Heart”, which she released as a solo version on the album and as a single, the track “Chandelier” received high praise worldwide. Sia even received four Grammy nominations in 2015 for “Chandelier”, Record of the Year, Song of the Year, Best Pop Solo Performance, and Best Music Video. After the Grammys last year, Sia announced she had completed a follow up album to 1000 Forms of Fear because of her success.

Sia’s seventh album This Is Acting was released January 29, 2016. Her first single from the album, “Alive”, which she co-wrote with Adele, debuted prior to the album release in September 2015. In the following months leading up to the album debut, she also released several other singles, “Bird Set Free”, “One Million Bullets”, “Cheap Thrills”, “Reaper”, and “Unstoppable”. I’m not sure if her latest album will achieve the same success as her prior release, but with the quality of the newest album, it may come close.

Sia’s music can be considered pop, indie pop, and electropop, but her vocals incorporate elements of hip-hop, funk, and soul. I feel like her most recent work (1000 Forms of Fear and This Is Acting) exhibits more power in her vocals than in past records as well, especially in the songs “Alive”, “Chandelier”, “Unstoppable”, and “Eye of the Needle”. If you listen to We Are Born the last album before her “retirement”, it has a much more indie pop vibe. Some People Have REAL Problems is more pop with elements of soul included and Colour the Small One is very pop as well. Healing is Difficult has a hip-hop style and almost reminds me of 90’s hip-hop/R&B girl group, TLC. It’s evident that throughout the years of her career Sia’s style has fluctuated, but it seems that she’s finally found her niche with her power pop vocals and pop/indie pop sound.

I’d be lying if I said I hadn’t heard of Sia before she was featured on “Titanium” and released her latest two albums. I definitely heard of her throughout the 00’s, but never listened to her music because it didn’t fit with what I was listening to at the time and also because she wasn’t a “big deal” musically. Even within the last two years, I didn’t listen to her music. It’s only been during the last few weeks or so that I really started getting to know this talented artist. I added the song “Elastic Heart” to my Spotify playlist of recent music finds after seeing it on my favorite soccer player’s monthly music playlist and liking the song after listening to it a few times. It was recent single “Cheap Thrills”, which again was featured on that player’s monthly playlist, that hooked me on Sia though. I just purchased her latest album on Friday and have been listening to it since. It’s good. She’s good. I may just have to purchased 1000 Forms of Fear as well, except, I definitely want it on vinyl.

As I mentioned before, it will sort of be Sia’s first time performing at Coachella this spring. She appeared during David Guetta’s set in 2012 to perform “Titanium”, but has not ever done a solo set at the annual event. Sia’s Coachella appearance will actually be her first live set in five years, so it should attract a huge audience. Not to mention in the last five years Sia’s popularity has sky rocketed. Sia plays Sunday at Coachella. If I had to make a guess, even though set times won’t be released for weeks, I’ll say she probably plays the main stage before Calvin Harris closes out the weekend. You’re most likely not gonna want to miss her performance, so to get you ready:

  1. Chandelier
  2. Elastic Heart
  3. Cheap Thrills
  4. Alive
  5. Breathe Me
  6. Big Girls Cry
  7. Unstoppable
  8. Clap Your Hands
  9. Bird Set Free
  10. Fire Meets Gasoline
  11. Eye of the Needle