punk

Legendary Venues: CBGB

About 2 weeks ago I was hired for a gig at The Stone Pony in Asbury Park, NJ. My position for the show was since cut, but at the time I was super stoked to work a show there. For those who don’t know, The Stone Pony is a legendary venue known for launching the careers of famed New Jersey rockers Bon Jovi and Bruce Springsteen. It got me thinking about music venues. There’s plenty of famous venues across the country and I should probably write about them some time. So here we are. I thought at first I’d write one epic blog post about a bunch of them, but then I figured it would get too long. Instead, I’ll be doing a new blog series spotlighting each one. The first on that list is one of the most legendary venues I can think of, CBGB (& OMFUG).

The now defunct CBGB was founded in 1973 by Hilly Kristal. CBGB, which stands for “Country Bluegrass Blues” (& “Other Music For Uplifting Gormandizers”), was located at 315 Bowery in the Bowery neighborhood of Lower Manhattan, NYC. CBGB originally was opened to house the genres it was named for but became a haven for late 70’s punk rock bands. It is often referred to as the birth place of punk rock. The venue gave rise to many bands who frequented it’s grounds like The Ramones, Patti Smith, Blondie, Television, Talking Heads, Misfits, The Dead Boys, and Joan Jett. It’s decor was somewhat legendary too. Graffiti covered the walls of the venue making CBGB look just as edgy and original as the bands who played there.

In the 1980’s it became a mainstay for hardcore bands like Gorilla Biscuits, Agnostic Front, Youth of Today, Sick of It All, Cro-Mags, and Murphy’s Law. By the 90’s, bands like Green Day, Sum-41, and Korn became synonymous with the famed venue.

CBGB operated until the mid 00’s when rent became an issue and forced its closure in October of 2006. Patti Smith played the final show at CBGB on October 15th of that year. Since its closure, the site where CBGB once stood has transformed into a John Varvatos retail store, but remnants of its existence still stand. Outside the store, the pavement is engraved with the marker “CBGB 73” to commemorate the venue’s existence and the year in which it was founded. The store itself pays homage to the venue through its decor as well.

I first learned about CBGB shortly before it closed in 2006. At the time my music of choice was from alternative genres like indie, emo, punk, ska, and hardcore, so the venue had a significance to me. Although I listened to more modern bands from those genres I went through a period where I listened to classic punk bands like The Ramones, The Sex Pistols, and The Clash. Besides the music, the culture of punk rock really stood out to me, making the CBGB seem like the coolest venue ever. After learning about The Ramones and more about punk rock history, I added The Ramones classic logo band tee along with a CBGB t-shirt to my collection. I wore both with pride. By the time I realized I wanted to visit the CBGB though, it was about ready to close its doors. After it closed, I remember thinking I should just go see it, even if it was only from the outside, but I didn’t visit NYC much then so it never happened. In fact, even though I visit NYC more now, I always forget that I still need to make a stop at 315 Bowery even if it is just a John Varvatos store.

Though the venue ceases to exist, it’s still a prominent tourist spot in NYC. There was also a music festival honoring the legendary venue from 2012-2014. I actually had CBGB feels while writing this because I just watched my favorite band play a “Blitzkrieg Bop” cover last night knowing I’ll never get to see The Ramones play it in the place that made them famous. Even though the venue isn’t around anymore, its spirit is still alive and well making CBGB & OMFUG one of, if not the most legendary music venues ever.

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Sacred Hearts Club: Album Review

July 21st was a big day. I worked Check-In for travel packages for a Phish show and two of my favorite music artists released their new albums. I didn’t have much of a chance to listen to both because of work, but I got on it this morning. I figured I’d start with a review of Foster the People’s latest work Sacred Hearts Club because I’ll be seeing them in two weeks when I head to Chicago for my second Lollapalooza. At this point, binging on their new album is necessary.

Stylistically, their new album has a much different feel than their last two. There are songs that have the classic Foster the People sound like “Doing It For the Money” and “SHC”, which were both released in April as part of their 3 song EP entitled III and others that add elements from other styles of music. “III” sounds like a deep house track. If it wasn’t for Mark Foster’s signature vocals, I’d think I was listening to a Flume song. There’s more electronic influence in songs like “Loyal Like Sid & Nancy” and “Harden” too. Foster the People has always used synth in their music but these songs just sound more electronic. Maybe it’s me and how my listening style has developed, but I’d argue regardless. I even feel like there’s a jazz influence in some of their songs, particularly in “Static Space Lover”.

As I said before, I believe this album sounds different to me, but Foster the People has been blending genres since their first record. There’s dance, punk, and hip-hop blended into their previous albums. There’s just something about this one that stands out though. The band wanted this record to be a uniting voice amongst a world filled with negativity too. I think it has the potential to be just that as many songs express camaraderie lyrically. I believe listeners will be able to relate and use this music to rise above the hate in the world.

If you asked me who my top 5 favorite bands are at this point in my life, the first band I’d name would be Foster the People. Torches is still one of my favorite albums of all time. So for me, buying this album was a no-brainer. I would have even bought it blindly. Therefore, it might be hard to believe my opinion is unbiased when I say that I think this album would appeal to more than just Foster the People fans because of the development of their music style. I promise it’s worth checking out though so do yourself a favor and pick-up a copy.

Warped

For 7 years from age 16 to age 22, I attended the Vans Warped Tour every summer. I remember finding out about Warped Tour when I was 15 from a friend in high school. It was at the time when I first discovered alternative music. Every year Warped Tour also releases a compilation album containing one song from every artist on that year’s tour. I became super interested in a few songs on the 2003 compilation that my friend had. That’s when she explained to me what the Vans Warped Tour was. I decided to purchase the 2003 compilation for myself and I was stoked to get the 2004 album upon its release (this was in the spring of 2004). More importantly I was extremely interested in going to Warped Tour that summer. Much to my dismay though, the tour wasn’t coming to my hometown. The closest venue that hosted the tour was 1 hour and 40 minutes away. At age 15, without a driver’s license and a car, it just wasn’t happening for me that summer. When the 2005 dates were announced a few months after the 2004 tour finished, I was pumped. The Vans Warped Tour was coming to my local concert venue and there was no way I was missing it.

Warped Tour began in 1995 as a skate punk/ska festival. It was founded by Kevin Lyman. In 1996, the skate shoe manufacturer and clothing brand, Vans, became the tour’s main sponsor. The Vans Warped Tour is the longest running touring festival in North America and the largest touring festival in the United States. In the late 90’s, the tour even went overseas to play dates in Australia, Japan, New Zealand, and Europe. It returned overseas to play a date in London in 2012 and again in 2015. Through the years, Warped Tour expanded on its music genres to include pop-punk, hardcore, emo, screamo, metalcore, and even some hip-hop and pop bands and artists. Many bands like Fall Out Boy, Blink-182, and Paramore, got their start on the Warped Tour. There’s even one notable pop artist who got her start on Warped Tour, but I’ll tell you more about it as you read on. It’s been said that Warped Tour is an initiation of sorts for bands because its a non-stop, all day touring event with many other bands that goes across the country over the entire summer. It’s intense to say the least, but from what I hear, tons of fun too. From the perspective of an attendee, it’s also fun for the festival-goers.

I attended my first Warped Tour in 2005.  I went with two friends and my mom because of course at age 16 I clearly wasn’t old enough to attend a music event with a chaperone (*sarcasm*). I also didn’t have my driver’s license by then so it worked out to have her as a ride. One thing different about Warped Tour compared to other music festivals is that you never know the lineup until the day of the festival. When you arrive you have to locate the giant board of set times and make a list of when and where your favorite bands are playing. It was always the craziest part of the day because everyone goes to that board upon entry. It gets so crowded on the way to there. At least I knew about the board in advance in 2005 despite being a Warped Tour rookie. That year I saw Fall Out Boy (only some of their set because Relient K overlapped), Relient K, The Offspring, and The Starting Line. I also planned to see Something Corporate, but they cancelled all their dates. It was the year their lead singer, Andrew McMahon (now of Andrew McMahon and the Wilderness and formerly of Jack’s Mannequin too), was diagnosed with cancer and was undergoing treatment. I still had the best time and knew from then on I would be making Warped Tour an annual event in my life.

I had some amazing times throughout 7 Warped Tours. I saw tons of my favorite bands play, sang my lungs out, skanked in skanking circles (ska music), considered crowd-surfing (although I never actually did), drank overpriced water and gatorade (hydration was always important), was involved in a torrential downpour, and even saw Katy Perry play. Yeah that’s right Katy Perry played Warped Tour in 2008! Told you I’d tell you more about that pop star who got her start on Warped Tour. Well, it was Katy Perry. It was while she had the “I Kissed a Girl” single out. My friends and I were resting and talking in the amphitheater a decent length away from the stage where a performance was happening and all of sudden I heard the “I Kissed a Girl” song. We realized we were relaxing during Katy Perry’s set. We watched the rest of the song, which happened to be her last one. Thinking back on it now, it’s kind of crazy to be able to say I saw Katy Perry play Warped Tour given the level of popularity she’s reached, but I did. It happened.

I could go on about Warped Tour. My memories of the festival are countless. I could tell you about the time I skipped The Bouncing Souls set for Four Year Strong and missed the first words to “Lean On Sheena” getting screamed in my friends’ faces (it was our song), or watching Hellogoodbye and all their friends parade around in costumes during their set, or skanking to my favorite Less Than Jake song in a giant skanking circle. One year a friend who I attended with asked me if I thought we would still attend Warped Tour as we got into our 20’s and 30’s like some of the older people we would see at the festival. My response was something along the lines of, “Hell yeah! Why wouldn’t we?” At the time, I never thought I’d stop liking Warped Tour style music or wanting to attend the festival. I guess I was wrong about that though.

I attended yearly through 2011. I almost went in 2012 as well but decided against it because I didn’t feel like getting rained on again in the festival like I did in 2008 (plus I would have been going alone). That ended my 7 year Warped Tour run and I haven’t been back since. The reason being is that I stopped listening to the type of bands that play Warped Tour. I grew and so did my music interests. The last year I attended I could tell it was already happening. There were less and less bands I was interested in seeing. My focus instead became attending festivals like Coachella, Lollapalooza, or Bonnaroo, ones that played the kind of music I was listening to. Warped Tour was my first festival though (“you never forget your first”). It was also my second, third, fourth, and so on. It prepped me for future festivals and gave me plenty of amazing music experiences a long the way. It also gave me many memories with friends who I attended with and met up with at the festival throughout my years of attending. It was the summer event to attend while I was in high school and college. For all those reasons, it will always hold a special place in my heart.

If you’re interested in attending Warped Tour this year or checking out some bands playing the festival, head to the Vans Warped Tour website. Since this isn’t one specific band that plays the Warped Tour and therefore I can’t leave you a list of songs to check out, here’s a few links to some of my favorite Warped Tour performances and some pictures I took during my years attending the event.

“Rooftops” by Mest, Warped Tour 2003 (Also one of my all-time favorite songs.)

“The Words ‘Best Friend’ Becomes Redefined” by Chiodos, Warped Tour 2009

“I Kissed a Girl” by Katy Perry, Warped Tour 2008

“Sugar We’re Going Down” by Fall Out Boy, Warped Tour 2005

“Bada Bing! Wit’ a Pipe!” by Four Year Strong, Warped Tour 2010

“Devotion and Desire” by Bayside, Warped Tour 2009

 

 

 

Well I Guess This is Growing Up

When I was in 5th grade, I liked mostly mainstream pop music. It was all the stuff you’d hear on local popular radio stations. I also liked a small amount of good music too thanks to Tony Hawk’s Pro Skater (Superman by Goldfinger anyone?!). Fortunately, on occasion, good music gets played on mainstream radio, which is what happened while I was in 5th grade. I totally fell for it. The song was “All the Small Things” and the band as you may already know was Blink-182.

Blink-182 was formed in the early to mid 90’s when guitarist and vocalist Tom DeLonge, bassist and vocalist Mark Hoppus, and drummer Scott Raynor decided to play music together. The band was formed in Poway, California which is a city located in southern California just north of San Diego. The band was originally called Blink but changed their name to Blink-182 to avoid legal complications with an Irish band of the same name. Before releasing their first record Chesire Cat in 1995 under indie label Cargo Records, the band played at a variety of venues in the San Diego area. They garnered some local attention upon the release of their debut album as well as attention from other well known punk bands and their management. The guitarist of one of those bands, Fletcher Dragge of Pennywise, even convinced the founder of the Vans Warped Tour, Kevin Lyman, to sign Blink-182 for their 1996 festival. By 1996 major record labels began to notice the band, which resulted in a bidding war. Eventually Blink-182 signed with MCA.

Blink-182 released their sophomore album Dude Ranch on June 17, 1997. The album included the single “Dammit”, which earned them mainstream fame. They again spent another summer on Warped Tour and toured extensively afterwards, promoting their newest album. Tensions in the band began to fly in 1998 due to the long touring and issues involving heavy drinking with Scott Raynor causing his eventual departure. Raynor was replaced by drummer Travis Barker.

In 1999, Blink-182 released their third full length album, Enema of State. The album featured three singles, “All the Small Things”, “What’s My Age Again?”, and “Adam’s Song”, that garnered more mainstream radio and MTV airplay for the band. Enema of State gave the band multi-platinum success by January of 2000 and sold 4 times as fast as their previous album.

After gaining greater popularity and playing arenas throughout North America and Australia, the band got together to record a fourth album. Take Off Your Pants and Jacket was released in 2001 continuing the bands fame with mainstream singles “The Rock Show”, “Stay Together for the Kids”, and “First Date”. Between the release of Take Off Your Pants and Jacket and the band’s 2003 self-titled album, tensions again began building between bandmates fueled by DeLonge’s interest to pursue other music styles. The tensions lead to the hiatus of the band in 2005. During the hiatus, Hoppus and Barker continued to make music together in the band +44 and DeLonge began his new project Angels & Airwaves. It wasn’t until a traumatic plane crash involving Travis Barker and 5 others (4 were killed) that the band decided to regroup.

In 2009 the band announced their reunion on their website and joined Weezer and Fall Out Boy on tour that summer. The group recorded a sixth album, Neighborhoods, together that was released in 2011. Neighborhoods didn’t receive as much success as anticipated. In the following years, the band toured, released an EP, and again parted ways with Tom DeLonge, who yet again wasn’t focused on making music with Blink-182, in the midst of planning a seventh album.

Since then, Alkaline Trio frontman and guitarist, Matt Skiba joined the band in DeLonge’s place. The group released the band’s seventh album California a week ago. Blink-182 will begin a tour in support of their newest album on July 22nd.

Blink-182 was a punk rock band from the start. Through their success their music began to have a more pop-punk feel. Whether you call that selling out or developing their sound, the Blink-182 most people are familiar with plays pop-punk music. It’s upbeat, sometimes fast, and has that punk edge. Their roots are strictly punk though.

As I mentioned before I began paying attention to Blink-182 in 5th grade. By 9th grade, I was supposed to attend a Blink-182 concert with my best friend at the time but it fell through. I was bummed it didn’t happen for several reasons (TBS opened, seeing Blink would have been amazing, and I totally wanted to spend as much time as possible with this friend for…certain reasons *wink wink*). I might still be slightly bummed too. During high school, as my music interests developed I began to appreciate Blink-182 more, especially after I purchased their Greatest Hits album. I guess my knowledge of Blink-182 to a certain extent is their greatest hits, but I still know a few more beyond that. Throughout high school, college, and even after Blink-182’s music was a part of my life. They’ll always be a legendary band in my mind for that. “Dammit” will always be the number one coming of age/nostalgic song. “All the Small Things” will always be my first favorite Blink-182 song and “Going Away to College” will always be one of my favorite songs to play on guitar. As with many other bands, much of their music is a part of me and my life. It’s pretty incredible how music can do that.

Anyway, the reason I decided to write a post about Blink-182, besides being a legendary pop-punk/punk rock band, is to talk about the new album. I recently found out that Matt Skiba joined the band after listening to a few of the new tracks. As a former Alkaline Trio fan, I feel like this new version of Blink-182 combines the two bands musically. It’s epic! The new music has a classic Blink-182 sound but lacks DeLonge’s notable vocals. Instead there are elements of the new material that remind me of Alkaline Trio, especially with Skiba’s singing. Only time will tell how successful this record will be with the new Blink-182 lineup, but for anyone who grew up listening to both of these bands, it’s worth a listen. Here’s two lists. One contains all my old faves and the other contains songs off the brand new record you should listen to.

New Songs

  1. Sober
  2. California
  3. Bored to Death
  4. Kings of the Weekend
  5. San Diego

Old Songs

  1. Dammit
  2. Going Away to College
  3. All The Small Things
  4. What’s My Age Again?
  5. M+M’s
  6. Adam’s Song
  7. First Date
  8. Feeling This
  9. I Miss You
  10. The Rock Show

 

Streetlight Manifesto

Within the last two years since I started this blog I’ve written about many bands, specifically ones that I find appealing. If you’ve been following for a while, you know my music tastes have changed over the years and you also know the bands that brought about those changes. More often than not though, I write about bands that I currently like with a few old band interests thrown in every once in a while. However I’m surprised I’ve never once written about any ska bands (unless you count Rancid since they have a few ska songs).

Although I had heard ska songs before, I became more interested in that style of music as a junior in high school. A friend of mine made me a mix tape that included several ska songs because he loved ska music. We ended up becoming best friends throughout our senior year (even forming a band) and my love of ska music grew. One of the first ska bands I was ever interested in, dating back to that junior year mix tape, was Streetlight Manifesto.

Streetlight Manifesto out of New Brunswick, New Jersey was formed in 2002. The band came together when Tom Kalnoky of the band Catch 22 decided to recruit other members of Catch 22 and members from the band One Cool Guy to make music together. The band initially recorded an EP under the name Bandits of the Acoustic Revolution before they began releasing music as Streetlight Manifesto. Streetlight’s first album Everything Goes Numb was released on August 26, 2003. The group’s second album was a re-recorded re-release of the Catch 22 album Keasbey Nights. The new Keasbey Nights featured a few musical and lyrical changes from the Catch 22 version. It was released in 2006.

In November 2007, Streetlight Manifesto’s third album Somewhere in the Between was released. The album featured all original tracks by the band much like their first album. The band then released a collaborative project album with Bandits of the Acoustic Revolution (BOTAR had many of the same members as the original Streetlight Manifesto lineup) that included an album consisting entirely of covering songs in 2010. The project was called 99 Songs of Revolution. The band’s most recent album, The Hands That Thieve, came out in 2013. Throughout the years Streetlight Manifesto’s lineup has changed multiple times with founder Tomas Kalnoky being the only original member. Recently the band experienced legal issues with their label Victory Records after a few years of bad relations. In October 2015 it was reported that Victory Records filed a lawsuit against Kalnoky for not fulfilling their record deal of releasing four albums under the label.

Streetlight Manifesto plays a ska punk style of ska music. Ska music originated in Jamaica in the 1950’s. Reggae, which is typically associated with Jamaica, was derived from ska music. The style combines elements of Jamaican folk music, known as mento, and Afro-Caribbean calypso with American jazz and R&B. A distinguishing factor of ska is a walking bass line with accented rhythms on the upbeat. Another distinguishable trait of ska is the use of horns like trumpets, trombones, and saxophones. Streetlight’s style combines ska with fast-paced punk rock similar to the style of bands like Rancid, Goldfinger, The Suicide Machines, Less Than Jake, and Reel Big Fish.

Aside from the legal dealings, Streetlight Manifesto has been non-existent in the music scene for the past few years. They’ve also been sort of non-existent from my life for the last 5 years or so. By the end of high school and through college, I listened to Streetlight Manifesto and plenty of ska bands. Then indie music happened and my ska punk days faded away. Even though I don’t listen to Streetlight Manifesto regularly anymore, I still appreciate them and the fact that they are a part of my music history. As I wrote this post, I listened to several of my favorite old Streetlight songs. I sang along like I used to 6-9 years ago and almost had the desire to get up and skank (a style of dance used when dancing to ska music). Here’s a few of the songs I listened to and some you need to check out because Streetlight Manifesto is one of the best ska bands around:

  1. Keasbey Nights
  2. Point/Counterpoint
  3. On & On & On
  4. We Are the Few
  5. The Big Sleep
  6. The Three of Us
  7. Dear Sergio
  8. We Will Fall Together
  9. Somewhere in the Between
  10. Everything Went Numb

 

Coachella Band Preview: Rancid

It’s April 1st and Coachella is no joke 2 weeks away! I feel like there’s a bunch more bands to preview but I may only do 1 or 2 more after today. Bummer! I know! But it’s okay cause Coachella is soooo soon! Last year at Coachella there were a couple bands playing the festival that I would consider “old school” as far as my music taste goes. I guess by my definition that means I used to listen to them in high school. Brand New and Bad Religion fit that spectrum last year. Andrew McMahon in the Wilderness and Desaparecidos even gave off that “old school” feel too, especially with Andrew McMahon playing a Jack’s Mannequin and Something Corporate song during his set and Connor Oberst shredding guitar on stage with his new band. This year the band that falls into the “old school” category is a punk rock band who has been in existence since the early 90’s. They’re called Rancid and I’m sure you may have heard of them before.

Formed in 1991, Rancid hails from Berkeley, California. The group is composed of Tim Armstrong (guitar and vocals), Matt Freeman (bass and vocals), Lars Frederiksen (guitar and vocals), and Brandon Steineckert (drums). Steineckert replaced original member Brett Reed in 2006. In the 90’s, Rancid was part of the revival of mainstream punk rock along with bands like Green Day and The Offspring. Since their inception the band has released 8 studio albums, splits, compilations, extended plays, and online-only live albums. Their self-titled first album was released all the way back in 1993 under Epitaph Records. Their breakthrough came from their third album, …And Out Come the Wolves, which was released in 1995. The singles “Time Bomb” and “Ruby Soho” became synonymous with the band. In 2003, after the band released their sixth studio album, Indestructible, they even received a bit of backlash from fans. It was the first time that the independent band released an album that was distributed by a major label (Warner Bros.) and fans believed the group became sell-outs. The album was met with mixed reactions from fans who believed the album sounded more “poppy” than normal. After that the band went on hiatus for 2 years and didn’t release another studio album until 2009. Their latest album, …Honor Is All We Know, was released in September 2014.

Rancid is about as punk rock as you can get. They do have some roots in ska though since both Tim Armstrong and Matt Freeman were part of influential ska band Operation Ivy. You can actually hear that ska sound in several of their songs including one of their most well known  and one of my personal favorite songs “Time Bomb”. Their sound in general is pretty distinct as well. Despite that more “poppy” album even the songs on their latest album have that same punk rock sound we’ve heard over the years.

I first heard of Rancid while I was in high school. According to my iTunes, I downloaded my first Rancid song a little over 9 years ago. I was never a huge Rancid fan during that time, but with my love for punk rock, pop-punk, and ska, I always enjoyed an occasional song. “Time Bomb” and “Fall Back Down” were and still are my two favorite songs. Despite not listening to punk rock music that often anymore, I’ll always appreciate Rancid because they influenced plenty of bands that I listened to in high school and college.

Unless I missed something in my research, 2016 will be Rancid’s first ever appearance at Coachella, which I find hard to believe given the band’s 25 year existence (you can correct me if I’m wrong). Guns N’ Roses may be a headliner but Rancid is just as legendary in their scene. If you’re into that sort of legendary band thing, liked punk rock in high school like me, or still like punk rock, Rancid is a band to see at the festival. They play Sunday. It’s tough to give you some prep recommendations because of the countless songs the band has, but here’s a few of my faves:

  1. Time Bomb
  2. Fall Back Down
  3. Maxwell Murder
  4. Ruby Soho
  5. California Sun
  6. You Don’t Care Nothin’
  7. As Wicked

The Early November

I know I’ve only had this blog for a little over a year now, but I’m still not sure why I didn’t make a post about this band at this time last year. Yesterday it occurred to me when I was trying to think of a blog topic for the week that it would be the perfect time to write about the band The Early November because ironically it is early November (obviously intentional). I used to listen them back in high school. I wouldn’t say they were one of my favorite bands, but I had quite a few of their songs downloaded.

I first heard of The Early November sometime between mid 2004-late 2005. I can’t exactly pinpoint the moment like I often times do with many of the bands I write about. I’m guessing it was some time after I purchased the 2003 Vans Warped Tour Compilation, which was in the summer of 2004 (“Every Night’s Another Story” is listed on my iTunes as being from that album). They came into existence a few years before I first listened to them though.

The Hammonton, New Jersey band was founded in 1999 by guitarist and front man Arthur “Ace” Enders, along with former member Jim Sacco (later replaced by Joseph Marro), Sergio Anello, and Jeff Kummer. The band signed with Drive-Thru records in 2002 releasing two EP’s that year, For All of This and The Acoustic EP (acoustic versions of all the songs on For All of This), with the label. The Early November played dates on the Vans Warped Tour and the Skate and Surf Fest the same year. While still touring, the band debuted their first full length album, The Room’s Too Cold, in the fall of 2003.

In 2006 the band released their sophomore record, a triple disc album, The Mother, The Mechanic, The Path. The album debuted at #31 on the Billboard Top 200, which was their highest charting album to date. It was around the release of the second album that guitarist Bill Lugg was added to the ensemble. In 2007 the band announced an indefinite hiatus and played their final show at Bamboozle on May 6th. At the time, the future of the group was uncertain, but they did not rule out a possible reformation, which is exactly what happened four years later.

The band reunited in the fall of 2011 to play several shows on the east coast. At one of the shows (Starland Ballroom in Sayreville, NJ), it was confirmed that Ace was working on a new album for the group. The Early November’s third album and first album in 6 years, In Currents, was released in July of 2012. Since then, the band has toured and released a fourth album, Imbue,  which came out in May of this past year.

When I was in high school and college, I never had the opportunity to see The Early November live. I did see Ace Enders perform an acoustic show once though in early 2012 along with Anthony Raneri of Bayside, Matt Pryor of The Get Up Kids, Chris Conley of Saves the Day, and Evan Weiss of Into It. Over It. on the Where’s The Band? Tour. I’m pretty sure I remember Ace playing a few Early November songs along with songs from his side project band I Can Make A Mess Like Nobody’s Business. It was a fantastic acoustic show. I highly recommend seeing any of your favorite bands play acoustic if you ever have the opportunity.

Truth be told though, I haven’t listened to The Early November in a very long time. It’s been so long that I haven’t even heard any of the music they released post-hiatus. The last time might have been at that acoustic show almost 4 years ago and even then I wasn’t listening to them like I had in the past. Even now as I played their songs while writing this post, it occurred to me that things are so much different for me than they were back in high school. Their music falls under the emo, alternative, indie, punk rock genres. I can’t listen to their music and relate to it in the same way. I’m a much different person. I have more confidence, more hope, and an overall more positive outlook than I did as a teenager. Although my life is currently nowhere near where I’d like it to be and I’m still trying to achieve my goals, it does get better. For nostalgia’s sake though here are some of my former favorite songs by The Early November:

  1. Ever So Sweet
  2. Come Back
  3. All We Ever Needed
  4. Hair
  5. Sesame, Smeshame
  6. I Want To Hear You Sad
  7. Sunday Drive
  8. For All of This