punk

Coachella Band Preview: Turnstile

Only another 2 weeks before people from all over the world descend upon the fields at the Empire Polo Club. The stages are being built as we speak while all attendees get in any final preparations for their time in the desert. My hype level is high as I leave in just under a week from now. I still can’t believe it. In the last few months, I’ve been consistently listening to bands and artists I want to see at Coachella. This next band is one that I’ve recently been trying to get into in anticipation of seeing them at the festival. Their hardcore punk style of music is a genre I haven’t listened to much since I was in high school and college, but I kind of like it. They’re Turnstile from Baltimore, MD.

The band formed in 2010 and released their debut album Nonstop Feeling in 2015. The band is comprised of Brendan Yates, Franz Lyons, Daniel Fang, Brady Ebert, and Pat McCrory. They released two EPs prior with Pressure to Succeed in 2011 and Step 2 Rhythm in 2013. Their third EP Move Thru Me came out in 2016 followed by their second full length album Time & Space in 2018. Two more EPs Share A View (2020) and Turnstile Love Connection (2021) were released before their latest album Glow On dropped this past September. The album debuted at #30 on the Billboard Top 200 Albums Chart and was listed as #8 on Rolling Stone’s list of Top Albums from 2021. For a hardcore band, that doesn’t happen very often. The hype surrounding the band has built up over the years, and it’s for good reason. They’re putting out great music. They have a much harder sound being a hardcore punk band, but also remind me of Turnover and other modern alternative rock bands.

Turnstile plays on Saturday during Coachella. I expect them to play in the heat of the afternoon sun. I would guess you might catch them at Mojave, Outdoor, or the Main stage depending on what time they play. I would love to see them at Sonora, similar to Turnover’s 2019 set, but I think they’re a little more popular than Turnover and will likely draw a bigger crowd. The only requirement for their set is that there needs to be enough room for a mosh pit. Their set will likely have the sweatiest and hardest dancing crowd. Sahara and Yuma aren’t even a competition. If you’re trying to mosh at Coachella, here are the Turnstile songs you should be listening to:

  1. MYSTERY
  2. BLACKOUT
  3. Real Thing
  4. HOLIDAY
  5. Gravity
  6. Generator
  7. I Don’t Wanna Be Blind
  8. ALIEN LOVE CALL
  9. UNDERWATER BOI
  10. Keep It Moving

The Return of Live Music and the Top Tunes of 2021

I came into this year believing it would be a transition. I knew it wouldn’t be the best year ever, but I truly believed we were going to transition back into some weird period of normalcy that wasn’t quite exactly normal yet. Sure enough after 15 long months, we did and live music came back into our lives. I went back to work. I saw my friends again, made new ones, and got closer to others, which is something I’m so grateful as someone who works in live events. Usually at the end of the year, I recap some of my favorite music, but this year, after talking to a friend of mine, I’ve decided to include something extra. This was the first year in a while that I didn’t have a stand out favorite song of the year. For me, this year was a comeback to music I know and love with a few new faves along the way. You’ll see what I mean. So let’s get to it, here are my 2021 favorites in music:

Torches X -Foster the People

I knew going into 2021 that Torches, one of my all time favorite albums by my favorite band Foster the People, would be turning 10. Last fall, I was hoping they would play a drive-in show in May in honor of the 10th anniversary. Needless to say I never expected I would get to see them play a 10th anniversary show in LA in November nor did I expect a deluxe edition of the album with some of my favorite early Foster the People songs. That’s what I got though and I’m more stoked about it than you know. Plus after years of hoping and wishing, “Broken Jaw” is now on Spotify. It can’t get any better than that.

30 -Adele

After 6 years, Adele finally put out new music in 2021. As I wrote recently, 30 hasn’t been my favorite Adele album, but it was still something I anticipated for quite a while. It deserves recognition for that, especially after the endless amount of Twitter teases over the past 2 years. It’s still one of my favorite albums of 2021 and has several great tracks that I love. I’m stoked Adele is finally back.

Decco

Decco was a huge discovery for me this past spring. I spent a good amount of time listening to their songs after finding them because of a Kygo song on my Release Radar Spotify playlist. I’m actually surprised their song “I Didn’t Know” wasn’t my most listened to song of 2021 because I surely spent a lot of time listening to that track this past spring and summer. I’m hoping there are more solid Decco songs released in the future and maybe even a festival set or two. They’re great and I’m glad I found them.

“Chapstick” -COIN

I added this song to my work out playlist in mid-October after returning home from ACL and it’s been a song that I haven’t been able to get enough of since. I’ve been listening to COIN here and there for the last few years, but this song just hits different for me. It’s got such a great edgy, rock feel. I’ve kept it on repeat for the past 2 months and I’ll likely be keeping it that way into the new year.

“Dissolve” -Absofacto

My friend Hailey told me about this song during Lollapalooza because Absofacto played the festival. She said the song was a big hit, but I hadn’t heard it. She played it for me and I was hooked. I added it to my summer work out playlist and much like “Chapstick” it was a song I kept playing on repeat. In fact, I even extended the listening period by putting it on my fall work out playlist too. It’s been a song I’ve loved since the summer and one of my favorites of 2021.

“Low Rider” -War

This 1975 classic has been the official/unofficial song of the year for me. What started as a joke over the radio at Peach just carried on for the rest of the year. I kept hearing this song at random times after that and it’s always a jam. I even bought the single on vinyl 2 weeks ago. Glad this song made a comeback this year for me and the festie pals because it’s truly the best.

Loving in Stereo -Jungle

Jungle’s Loving in Stereo was another one of my favorite albums of the year. It has such a complete track-listing with so many songs I enjoy. I had it playing in my car for months too. I’ve been listening to Jungle since their debut album was released in 2014 and caught them at Coachella in 2015 and Lollapalooza in 2018. This is definitely my favorite album of theirs so far and I’m disappointed I didn’t see them on their tour this fall in support of it. I’m hoping for some festival appearances next year that I’ll be able to catch because this album made me love Jungle even more.

“Sweet Talk” -Fitz Leland

In early 2021, I discovered this jam by independent artist Fitz Leland. It was one of my favorites to listen to last winter, especially during my weekly adventures on the slopes. It was always such a vibe hearing it while on the lift or while lifting (you know it was on the work out playlist too!). This one definitely helped carry me through a winter I tried to make the best of. It’s such a mood.

So I know I usually do a top 10 followed by some runners up, but this year wasn’t about music I listened to. It was about music I saw. Being sidelined for 15 months from shows and work made me want to see music as much as I could as soon as I was able to. I also appreciated seeing live music much more. After thinking about it and looking back on my calendar, I’ve seen 39 full and partial sets this year since June, when I saw my first concert since Dermot Kennedy back in February 2020. So instead of just songs, albums, or artists, here’s something extra that I’ve never done yet. Here are my favorite sets from concerts and festivals (in the order in which I saw them) once live music came back this year:

The Suicide Machines & Less Than Jake

This was my first concert in 15 months. I saw both bands play AC Beer Fest on the first weekend of June at a time when everything was starting to transition into a normal-ish time again. AC Beer Fest was an outdoor festival that we tailgated on a beautiful Saturday. I can’t even express what it felt like in that moment to be together with my friends at a ska punk show again. Tears were had. Songs were sung. We skanked and I got beer accidentally dumped on me on the way out to the parking lot. It was the best day with my pals.

Carrie Underwood at Country Jam

Country Jam was my first big gig/festival that I worked since Mexico in the winter of 2020. I also got to work a role that I wanted to try to get involved in on my next festival season, credentials. The last night of the festival Carrie Underwood headlined. I’m not a country fan but of course I know Carrie Underwood, even if it’s only like 2-3 songs. So I anticipated her set all weekend. After a successful week on the Jam Ranch, I watched her Saturday night set with my co-worker friends. Again, it was an incredible feeling to be back to work and back at a music festival and that realization set in while taking in Carrie Underwood. The set culminated in “Before He Cheats.” We went so hard that we probably could have taken a Louisville slugger to both head lights in that moment that truly felt like live music was back.

Miley Cyrus at Lollapalooza

Lollapalooza has always been one of my favorite festivals. Unlike other festivals, I didn’t get to work Lolla in 2019 so it made the return to Lollapalooza this year even more special for me. I actually felt an excitement coming into work the first show day that I hadn’t felt at all yet despite working 2 festivals at that point. It was a different feeling that comes with working my favorite festivals though so that’s probably why. Miley Cyrus headlined the first day of Lollapalooza this year and I figured once I closed up my ticket help I would catch the end of her set. I met up with a girl on my team who I had met 2 days prior and that I clicked with instantly along with my VIP one-off turned festival worker homie Finnerty. Two of our other friends popped out of the VIP area that we were standing next to when Miley went into “7 Things.” We all went so hard. I kind of forgot the song existed until that moment. After that, she just kept playing all the hits. I couldn’t believe how many Miley songs I actually knew. She killed it too. I loved watching everyone get emotional during “The Climb.” The production during “Can’t Be Tamed” was fantastic. Then she closed with “Party in the USA” a half hour after her set was supposed to end which felt like a true party with people being together, dancing, and singing in the heart of downtown Chicago at the first major music festival since the panny d began. It was a special moment, granted some news about new variants and such changed everything the next day. That first night was a true celebration though and I was grateful to take it in from the crowd.

Green Day at Hella Mega

When the Hella Mega Tour was announced in 2019, I knew I wanted to work it. I even got to the point this year thinking I might attend if I didn’t get the chance to work. Fortunately though, I was able to work two dates on the tour and it was the coolest VIP event I worked all year. It was a no stress, low energy type of work day that ended as soon as the headliner, Green Day, took the stage. Green Day is such an iconic band and anyone who has ever listened to alternative/punk music has listened to Green Day. The first date I worked was in Hershey in August. I was entranced when I walked in the venue and I saw Bille Joe Armstrong strumming hard to “Holiday.” Green Day played all their hits on the tour from “Boulevard of Broken Dreams” to “Basket Case” to “21 Guns.” It was all around awesome. They were so entertaining to see live and that was my first time ever seeing them. I, of course, popped in the venue for one or two Fall Out Boy songs earlier and heard their entire set along with Weezer and the Interrupters’ from the VIP check-in spot too. We were set up right near the stage. It was a great day overall and I felt so lucky to have experienced it.

Lizzo at Firefly

Firefly was a rough week and half for me due to some personal feelings and such, but being able to actually be at the festival is always a rarity these days and one I cherished about my time in the Woodlands. After the Lizzo hype of 2019, I was so stoked to see her Sunday night set in one of her first performances back since early 2020. I got to see it from the VIP area with several of my friends who were working in VIP that weekend. It was a nonstop hour and a half dance party filled with endless joy that felt “good as hell!”

Glass Animals

After Firefly ended, I had 2 days before flying out to Austin for ACL. I was home for a total of 26 hours because the night before flying out I saw Glass Animals with my friend Amanda. We bought the tickets when the tour was announced back in May cause I anticipated being able to make the Tuesday night date. I made it happen and it was another night of nonstop dancing. Before I got into Glass Animals, I saw bits and pieces of their July 2017 Panorama set. That following fall I started listening to Glass Animals and felt bummed when I missed the call on them earlier that year. Dreamland was one of my favorite albums of 2020. I spent so much time at home listening to them last year that finally getting to see them perform in late September after all that time felt so satisfying. We had such a good time that we’re even thinking about seeing them again next year at Red Rocks because we don’t wanna talk we just wanna dance to Glass Animals again and again.

Dermot Kennedy at ACL

I made my return to ACL this year after working my first one ever in 2019. It was always a festival that I wanted to work but couldn’t figure out an in for. I was asked at Lolla if I wanted to do it again and I immediately said yes to spending two weeks in Austin. ACL brought a ton of great times and reunions with my ticketing fam and Austin friends, but none was more special than my reunion with my friend Danny, who I lovingly refer to as the Danimal. It had been just over 2 years since we last saw each other and after taking a full time role with a major event company he came to the 2nd weekend of ACL for fun. Thanks to my amazing team I was able to take some time to see all of Dermot Kennedy’s set with Danny. Danny was with me at Coachella 2019 when I first discovered Dermot. I caught Dermot’s set at Lolla, but seeing his ACL set with my favorite festival buddy was more special. We sang along to everything and danced harder than one would expect at a Dermot Kennedy set to the point that we created a mini mosh pit with two strangers during “Giants.” It was one of the most fun live music moments I experienced all year.

Foster the People (Torches X Show)

I already dedicated a whole blog to this show, so please check it out for all the detail. Just to reiterate though, I can’t believe I got to experience this show. It still feels surreal. Favorite band, favorite album, in one of my favorite places. Surreal.

LCD Soundsystem

When I wrote my end of 2020 music recap, I wrote about hoping to hear from LCD Soundsystem again in 2021. Well they came back. They announced a 20 show residency in NYC in November and December in early October and I spent one morning before heading to site at ACL struggling to get tickets. I managed to secure tickets to one of the early December shows with plans to see them again with my friends at their final date of the residency. The residency got cut short due to the unrelenting panny d, but I was still able to go to the show I purchased tickets for in the beginning of December. It became a whole weekend of shows with my friend Hailey who flew in to hang with me and to see James, Nancy, Pat and the rest of the crew. We spent some time hanging in NYC too. LCD Soundsystem always gets me hyped since I never thought I would get to see them after getting into them in 2012 post-break up. This time was no different as I planned to dance myself clean for the third time. We heard, in my opinion, one of the best set lists of the residency too. I danced myself clean with all my friends as daft punk played at my house and New York, which I love brought me down. It was so good that I could do it on repeat.

Streetlight Manifesto

The day after LCD Soundsystem Hailey and I made our way to Philly to attend mine and my friends’ annual Christmas celebration at Streetlight Manifesto. Usually it happens in central Jersey with just me and my two friends Ashley and Noah, but this year with an announced Philly date, we decided to do it there with a bunch of other pals. I convinced Hailey to come even though she wasn’t into Streetlight with the promise that she would get to experience this incredible tradition we started in 2018. Despite not playing “Point/Counterpoint” into “Keasbey Nights” back into “Point/Counterpoint,” we had the best time singing along with our arms around each other to the uptempo ska songs we loved listening to in high school after a year not being able to see Streetlight. It was another one of my favorite concert moments of the year.

Runners-Up:

All Time Low

Thanks to my friend Emily and her homie at the Bottom Lounge in Chicago I was able to attend All Time Low’s Lollapalooza aftershow during Lolla week (the show was Wednesday before the festival started). After Hailey hooked it up with providing a place to stay, we both started talking about attending a show the night before Day 1 of the festival. We both had an interest in All Time Low and it just happened to work out that Emily had connections at the venue when I told her we wanted to attend. The only problem was I worked onsite until 7 PM the day of the show which was when it started. There was an opener though so I figured ATL wouldn’t hit the stage til 8:30 or show and we would be fine. We were not, in fact, fine. All Time Low came on at 8 and we got to the venue around 8:40 by the time I left work, moved my stuff to the place we were staying, quickly changed, and ubered there. We saw the last 4-5 songs though. They were all bangers and it was enjoyable for the brief time we were there. I got to hear “Dear Maria…” their most iconic song, which was really cool because I’ve known that song since high school and I had never seen All Time Low before that night. Overall, it was fun to take in a show with Hailey since we were getting to know each other and realized we had similar music tastes. It really kicked off my return to Lollapalooza too and I knew it would be a great week.

The Killers at Firefly

As I mentioned before, I was able to see a bunch of music at Firefly given my role and hours for the week. I was able to see everything I wanted to see on Friday and Sunday at the festival, which included Friday night’s headliner, The Killers. Both times I saw the Killers previously were with my mom, so this was the first time seeing them without her. I was sure to record her favorite song though and send it to her as I took in the set with some of my festie friends. It was another set of the weekend that included tons of dancing as I sang along to mostly every song. The Killers always put on a good show and this was no different even if they didn’t end with “Mr. Brightside.”

Nelly at Firefly

My inner middle school self was so excited to see Nelly at Firefly. That’s the great thing about festivals, being able to see music you wouldn’t normally buy a concert ticket to. I took advantage of the opportunity and it was such a fun set. Nelly was so big during my middle school and high school years that I knew almost every song he performed. There was a huge crowd for his set and almost everyone was singing/rapping along to hits like “Ride Wit Me”, “Hot in Herre”, “Air Force Ones”, and “Grillz.” As a former fan, it was definitely a highlight to be able to see Nelly this year.

Now that I did a double review for the year that brought live music back into our lives, what’s next? Well there’s still plenty of concerts and events that didn’t get to happen this year so next year the comeback is still on. I’m highly anticipating new Arctic Monkeys next year and a Foster the People tour that they mentioned at their Torches X show. I’m also still hoping for new music from LCD Soundsystem. At least they came back to play shows these past 2 months. I’m also excited for new alt-J and Bastille. Both have new albums dropping in February. I’m still hoping for more Florence and the Machine as I was last year, but it would also be great to add Tegan & Sara to that list too.

If all goes well, in a few days there should be a certain well-known festival that will be dropping a lineup. I have my fingers crossed that all goes accordingly with it this year since it’s been 3 years since the last one. I know so many others are hopeful as well. In any event, once that lineup drops there will be several blog posts coming straight from the marathon month I’ll be spending in Mexico, since those events are back as well. 2021 will definitely go down as a return to live music and I hope it all keeps going smoothly into the next year. Until then, don’t stop listening and buying tickets!

We’re Going Down Down

It’s been 2 months since I last posted, which is something I’ve never done since I started this blog 7 years ago. I always tried to update each month, if not each week. I have good reason though. Over the last several weeks, I got caught up in this weird, transitional year. I finally returned to work onsite at a music festival in late June. Then the week after I was onsite at another. They were the first major events I worked in 15 months. It was awesome. Words can’t even explain how great it feels to be back at work doing what I love. Then after having visitors throughout the rest of July and dealing with some personal ongoing issues (tooth problems!), I made my huge return to Lollapalooza last week. Lollapalooza has always been one of my favorite festivals since I started working music festivals in 2016. Unlike other festivals, I did not work Lolla in 2019 so it was three years since my last time in Grant Park. The feeling of excitement for Lolla was what I was yearning for throughout 2020 and early 2021.

Before Lolla though, as I mentioned, I had several visitors throughout the month of July. One of them was my best buddy, my little cousin, Hudson. Over the last year, Hudson has gotten into alternative/pop punk band Fall Out Boy. I was a Fall Out Boy fan during high school. I saw them at my first Warped Tour in 2005. While Hudson was here, it was cool revisiting Fall Out Boy with him, especially since he knows the words to almost every song on From Under the Cork Tree. Currently, FOB is still in the news as they recently joined Green Day and Weezer for the Hella Mega Tour. Before we get into that though, let’s get into some band history.

Fall Out Boy formed was formed in Chicago in 2001 by bassist Pete Wentz and lead guitarist Joe Trohman. The group then recruited front man Patrick Stump and drummer Andy Hurley to the group, after trying out the group with other members. The band eventually signed with indie label Fueled by Ramen. They released their debut album Take This to Your Grave, under the label in May 2003. The album hurtled the band into the spotlight and substantially grew their fanbase.

In 2005, Fall Out Boy released their sophomore album From Under the Cork Tree. The album debuted at number 9 on the Billboard Top 200. The album’s top single “Sugar We’re Goin’ Down” peaked at number 8 on the Billboard Hot 100 that year as well. Their second single from the album “Dance, Dance” also hit the top ten. It was post sophomore album that the band started touring in arenas and playing music festivals other than Warped Tour. The album also earned them a Grammy nomination for Best New Artist.

The band dropped their third album Infinity on High in 2007 to much success. The album debuted at number one on the Billboard Top 200. The band headlined two major tours in support of their third album and also had several successful singles including “The Carpal Tunnel of Love”, “This Ain’t A Scene, It’s an Arms Race”, and “Thnks fr th Mmrs”. In December 2008, the band released Folie á Deux, their fourth full length album. Again, the album became a top ten hit, but did not quite reach the level of popularity as their prior two albums.

The band then went on hiatus from 2009 until 2013, when in February they announced their fifth record Save Rock and Roll and a reunion tour. The album’s top single “My Songs Know What You Did in the Dark (Light Em Up)” peaked at number 13 on the Billboard Hot 100. In 2015, the band released their sixth album American Beauty/American Psycho. This album produced hits like “Centuries”, “Uma Thurman”, and “Immortals”.

The band’s latest album “Mania” was released in September of 2017. The band embarked on the yearlong Mania tour in support of the album, which included a stop at Wrigley Field in Chicago, the band’s largest headlining stadium show to date. As I mentioned, the band is currently playing on the Hella Mega Tour with Green Day and Weezer. The tour was announced in 2019 and was delayed in 2020 due to the “panny D”.

Fall Out Boy is widely considered a pop punk band, but their music bridges into alternative, emo, pop, and punk along with other sub-genres. Through the years, I feel like Fall Out Boy’s music went from punk heavy to more pop-mainstream. Their shows have too. From playing, general admission small shows to seated larger venue shows, Fall Out Boy’s persona has changed. As an early Fall Out Boy fan, it was weird working their show in 2017 and not seeing a place for a pit. Nonetheless, I’m sure there have been some pits during their sets at Hella Mega.

After some family deliberation, my cousin and his wife decided they want to wait for a Fall Out Boy headlining tour to take Hudson to see them, instead of splurging on Hella Mega tickets. Until then, I guess we’ll just keep up this Fall Out Boy phase. They’ve become a band that has spanned the decades, which is something I didn’t really expect or even think about when I started listening to them in high school. It’s to the point that Fall Out Boy has truly become a family show. If you haven’t already, give Fall Out Boy a shot, but I’m sure you probably already have at some moment through the years. I guess we truly will remember them for centuries.

Fruit Bangers

It’s not a secret that I make a new work out playlist every couple months. I’ve been doing this on Spotify since 2015-2016. My song selection is very simple. Sometimes one of my favorite artists releases new music and other times I’ll go through new music on my Release Radar or Discovery Weekly playlists and add songs that I like after my first listen and I feel are upbeat enough to work out to. Regardless, most times I’m not listening to a song repeatedly before I add it to my playlist. I’m usually going from new music or at least music that is new to me. This can cause me to occasionally find a song that I really really like after I keep hearing it day after day, which is exactly what happened two weeks ago.

While working out and listening to my first work out playlist of this year, I realized I really liked this one song I kept hearing. Until I realized what it was, I would constantly check to see the name of the song and the artist when it played. The song was called “Nectarines” by MELVV featuring Royal & The Serpent. Then it hit me. It’s only been a few months since I found another song I like about citrus fruit! Before “Nectarines” it was “Tangerine” by Glass Animals. In the summer, I found another guilty pleasure in listening to “Watermelon Sugar” by Harry Styles. That’s a ton of fruit music in a short period of time!

I decided to start doing some research. Although it’s not super common, there are plenty of songs written that have food titles. Most of the songs aren’t really about food though. They’re usually metaphors for one thing or another, but even so, there are a solid amount of songs with food titles out there. “Chocolate” by the 1975, “Banana Pancakes” by Jack Johnson, “Cherry Pie” by Warrant, and “Flaming Hot Cheetos” by Clairo are just a few of the food songs I thought of. I’m sure you know a few others. As I researched, I realized that there was also plenty of drink songs. There might be even more than there are for food. Some that I found and thought of are “Soco Amaretto Lime” by Brand New, “Beer” by Reel Big Fish, “Cola” and one of my personal faves “Diet Mountain Dew” by Lana Del Rey, “Poprocks and Coke” by Green Day which is kind of a food and drink song, “Strawberry Wine” by The Chicks, and then some of the most notable ones like “Gin and Juice” by Snoop Dog, “Tequila” by The Champs, and “Escape (The Piña Colada Song)” by Rupert Holmes (I counted it because it is in the parentheses and I mean come on!). I’m sure you could think of more as well, especially if you like country music (booze songs for days!).

When I started doing research on food songs, I was specifically searching for fruit songs though. I mean after two citrus bangers within months of each other, there had to be more right? Of course! I mentioned “Watermelon Sugar” earlier, which wasn’t Harry Styles’ first fruit song. “Kiwi” was on his debut album. “Peaches” by The Presidents of the United States of America was a hit too. “Raspberry” is a deep-cut by Grouplove. Besides drink songs, Lana Del Rey also has her own fruit track called “Cherry” and then Bay Ledges, whose song “Safe” was one of my top songs of 2018, has a song called “Mango”. There are other fruit songs out there too. It was just surprising to me that there have been so many that I’ve liked in a short period of time.

For now, instead of trying to find more fruit bangers, I’m just gonna keep jamming (fruit joke…get it?) to “Nectarines” and maybe soon enough there will be another fruit song I love. So here’s to all the fruit songs, the food songs, the drink songs, and even the songs that mention all of the above which is way more than I want to research. That shit would be bananas…B-A-N-A-N-A-S.

Sad Philly Boy Music/Coachella Band Preview?

It’s been a while since I last blogged. It almost feels like I actually did go to Coachella since this is what usually happens. I write Coachella blogs until I leave for Coachella then stop until I return from being out in the desert for a few weeks. At this point I should have no excuse for not writing. I’m home. The problem was I couldn’t figure out what to write about. There’s a few upcoming albums I plan to review, but until then I haven’t really discovered anything new I like, until Saturday.

I’ve been talking to my friend Kelsey for most of quarantine. We’re quarantine buddies for sure and we’ve agreed that it feels a lot like being in high school since we’re both with our families. Kick in the nostalgia. We often talk about bands we grew up listening to like Brand New and Taking Back Sunday. We were both emo/punk/alternative kids. Lately though, quarantine has brought in some deep cut local bands and musicians that were a part of our teen scenes. I started talking about Title Fight and how my friends and I watched them play small venues in our area as they grew bigger in their scene. She sent me a picture of her and her prom date Alex and then told me how he’s now in a band that sells out large venues. That’s when I first heard of (Sandy) Alex G.

According to Kelsey, (Sandy) Alex G, aka her high school friend Alex Giannascoli, really started when he was in high school. He was in a pop punk band called The Skin Cells with several of their other friends. Kelsey even sent me one of their songs Saturday night. It was great. She said Alex was super dedicated to music and would record his own stuff in his room, put it on CD, and personally decorate the CD. She said it felt like he did this at least once a month. He was good too. She always thought he would be famous one day and she wasn’t lying. He’s now an indie recording artist.

He began self-releasing music on Bandcamp between 2010-2012. His music spread by word of mouth and music blogs and eventually lead to his signing with Orchid Tapes who he released his debut album DSU under in 2014. At that time he was just Alex G. In 2015 he signed with Domino Recording Company and began releasing records under that label. He released three albums with Domino in 2015, Rules, Trick, and Beach Music.

In 2017, Alex G announced that he would be changing his name from Alex G to (Sandy) Alex G shortly before the release of his album Rocket. The album ranked on many indie publications’ lists as being in the Top 50 of the year. In September, Alex released his latest album House of Sugar, which again received similar accolades

(Sandy) Alex G is a typical indie artist. His music also bridges into that post-punk/pop-punk/alternative scene that bands like Turnover and Tigers Jaw are a part of. He’s also from suburban Philly. Based on his style, he probably attracts a large following of “sad Philly boy” fans, which is a term I’ve heard referring to the new indie scene of young urban outfitter wearing 20-somethings that originated in Philly. Regardless of what your style is, if you’re an indie music fan, you’d dig what (Sandy) Alex G has been putting out.

Normally, at this point of the year Coachella would already have passed and we would be looking forward to next year. Unfortunately at this point, 2020 hasn’t happened and no one’s really sure if it will. That being said who knows what happens to the 2020 lineup? If it happens this year, will the same artists be playing? If it doesn’t, do they play next year? I’m sure Goldenvoice has already started booking a 2021 lineup that looks much different than this year, but I bet if Coachella 2020 doesn’t happen in the fall there may be some smaller acts booked for the following spring. The reason I’m even talking about this is because (Sandy) Alex G was supposed to be on the lineup this year! He was slated to play Sunday. Even though everything is very TBD right now, I’m hoping he still plays in October and if not, I’m hoping he’s on the 2021 lineup. I’d love to see him out on the polo fields and I now have plenty of time to listen to his music. So big shoutout to Kelsey for the introduction and big shoutout to Alex for putting out this great music since high school.

 

 

 

Coachella Band Preview: Emo Nite

So January is almost over. Just like that, there’s 1 month down and 2 to go until Coachella. I hope you’ve been listening to your favorite artists or maybe some new ones you want to check out. There’s a handful of artists I’m pretty stoked to see this year, but I’m also pretty excited about checking out an act that I might not have to do much preparation for. That act is Emo Nite.

Emo Nite started in LA in late 2014. It began when friends Babs Szabo, T.J. Petracca, and Morgan Freed wanted to host an emo themed bar party with their friends. The friends initially met and bonded over their love of emo music and growing up in the emo/pop-punk scene. They made a facebook group for their event and 500 people showed up. They tried again and the same thing happened. A lot of people love emo music so Emo Nite became a thing.

Over the past 5 years it has began touring around the country and playing other festivals like Life Is Beautiful and Firefly to name a few. The group has recruited guest DJs from emo and pop punk bands to come to Emo Nite like Blink-182’s Travis Barker, All Time Low, Good Charlotte, The All-American Rejects, Circa Survive’s Anthony Green, and Andrew McMahon of Something Corporate, Jack’s Mannequin, and Andrew McMahon and the Wilderness. They’ve even had non-emo artists like Halsey and Post Malone come out.

I’ve been to emo nights before (I’ve actually gone to 3 over the last year!), but never the official Emo Nite. I’m stoked to go at Coachella though. After the hype and rumors surrounding My Chemical Romance playing Coachella this year and then ultimately the band not being on the lineup, I think Emo Nite will help fulfill that void for everyone who expected to sing “Welcome to the Black Parade” with Gerard Way. Also this is Emo Nite at Coachella, a festival synonymous with epic guest appearances. I think we’ll be in for some great surprises at their set. Maybe a member or two of My Chemical Romance shows up? Or who knows who could be there? It’s definitely not worth it to sleep on Emo Nite though, especially if you were ever a fan of emo music.

I can’t even come up with a great guess on when or where Emo Nite will be. I would guess either Gobi or Mojave. I would also hope in the evening, but I think set time/stage possibilities really depend on what’s going to happen at Emo Nite and that we won’t know until the schedule comes out in the days before Weekend 1. Emo Nite is a tough one to prep for because let’s be honest, you’re only going to Emo Nite if you like/liked emo music and if you do or did, you’ve probably spent most of your teenage years prepping. Instead of giving you a bunch of songs to listen to, I’m gonna leave you with some bands you’ll probably hear at Emo Nite. Prep if you want, re-visit some of your favorite songs, or show up and have all the old lyrics come rushing back to you. Do whatever you want except don’t sleep on Emo Nite!

  1. Dashboard Confessional
  2. Brand New
  3. Taking Back Sunday
  4. Fall Out Boy
  5. Panic! At the Disco
  6. My Chemical Romance
  7. All Time Low
  8. Something Corporate
  9. Green Day
  10. Blink-182
  11. Good Charlotte
  12. Simple Plan
  13. The Starting Line
  14. Forever the Sickest Kids
  15. Bayside
  16. Jimmy Eat World
  17. Saves the Day
  18. Say Anything
  19. The Get Up Kids
  20. Death Cab For Cutie

 

Hey I’m Just Like You: Album Review

A few weeks ago Tegan and Sara released their ninth studio album. The Canadian duo has been making music since the early 2000’s, but this album is a bit more special than the others they released prior. The album coincides with the debut of their memoir High School. The book is about their musical beginnings, growing up, and attending high school in the 90’s. While working on the book, the twins found a bunch of cassettes with early recordings of songs they wrote during that time and decided to re-work and re-record the songs. From there, Hey I’m Just Like You was born.

The new album pays homage to their rock and punk rock roots while still incorporating the pop sound they’ve grown into over the years. The best example of this is the track “I’ll Be Back Someday”, which was one of the first songs from the album that Tegan and Sara released. The song has a very clear and distinct punk influence. The lyrics reference themes of their adolescence like drug use, relationships, friendship, love, and self-reflection. Hey I’m Just Like You is also the first Tegan and Sara album recorded by an all female team.

Tegan and Sara are currently on tour in support of the album and book. Many of the tour dates are sold out. Fortunately, I’ll be attending one of their shows next week. I already picked up a copy of the book before I left to work Austin City Limits. Then I bought the album while visiting Waterloo Records on one of my off days in Austin. It’s safe to say I’ve been prepping for the last 2 1/2 weeks, but I love a good Tegan and Sara show. I highly recommend the album if you’re a Tegan and Sara fan. This one is definitely unique and yet at the same time I think you’ll be satisfied because you’re still getting what we all know and love from Tegan and Sara.

When You Say “Best Friends” Means Friends Forever

It started with a girl. Last weekend I went to a punk show in Philadelphia. Rancid, Pennywise, and Suicidal Tendencies are all on tour together with a few other bands and they played a well known Philly venue that we all still refer to as the Electric Factory. I was supposed to attend with my friend Ashley and her friend Kelsey, but when Ashley took an offer to sell merch for Rancid, that left me and Kelsey to attend together. I just met Kelsey earlier this month so going to Rancid together really gave us the chance to hang out and get to know each other. We started talking about music and eventually got into talking about Brand New and Taking Back Sunday. They were two of my favorite bands in high school and Kelsey’s all time favorite bands. Since my Rancid hang with Kelsey, I’ve listened to both bands a couple times and for nostalgia’s sake, started reminiscing about how wild it is for someone to love both bands so much given their history.

Again it started with a girl. Jesse Lacey of Brand New and John Nolan of Taking Back Sunday were childhood best friends. They both were part of the famed Long Island music scene in the early 2000’s. As rumor has it, at some point in their friendship there was a girl that got in the way. No one knows the exact story of what happened. From what I know, it was something along the lines of Jesse was with a girl that cheated on him with John. It incited a well-known emo music feud between both bands. Songs from both bands’ first albums pointed anger and hatred towards each other (Brand New’s “Seventy Times Seven” and Taking Back Sunday’s “There’s No “I” in Team”). There was even band merch that did the same (“Because mics are for singing not swinging”, a dig at TBS frontman Adam Lazzara’s mic swinging style and “Proudly Swinging Since 1999”). Yet, while listening to these bands in high school, I loved both of them. Sure, I favored Brand New over Taking Back Sunday, but I definitely loved both and listened to each during certain periods of high school. Most of my friends did too. In fact, I’m not sure I’ve ever met anyone who has chosen one and hated the other? Do those people even exist?

That’s what got me thinking about it this week. It’s crazy that we loved both of these bands. The songs they wrote that took aim at each other had some incredibly violent lyrics. “And you can think of me when you forget your seatbelt and again when your head goes through the windshield!” or “Best friends means I pulled the trigger. Best friends means you get what you deserve!” I mean come on! These are intense words. They’re actually threats! But when you’re in high school in the mid-2000’s, you don’t think of it that way. You just love the music and you relate to the lyrics.

I will say though “Seventy Times Seven” was the fuel for a lot of my own teen angst towards friendships. In fact, I think both of these bands taught me about friendships through their songs. I realized the importance of calling someone a best friend and what that meant. Of course, actions speak louder than words, but…words can be powerful. You don’t want to waste words on lower cases and capitals. You want them to mean something. So in high school, I started using the term “best friend” sparingly because in my mind “best friends” meant friends forever. I learned that from Brand New. It’s still something I hold with me to this day. I actually took those words for granted recently and I needed to remind myself to not do that again after it happened so again I looked towards “Seventy Times Seven”. This is why it’s still relevant 15 years later.

Sadly though, in recent years, a lot of people began to have mixed feelings about Brand New. In late 2017, Jesse Lacey was accused of sexual misconduct and a lot of fans were upset by the allegations. Mostly, I think people realized that Jesse Lacey wasn’t who they thought he was. Before that happened, Brand New released one final album, Science Fiction, before calling it quits last year. Taking Back Sunday however is still touring. They’re embarking on a 20 year anniversary tour this fall. John Nolan is still part of the band even though he took a brief break from the group in the mid-2000’s to form Straylight Run. On the tour they’re playing their first album Tell All Your Friends in full. It’s definitely going to bring up a lot of feelings for fans and maybe even for the band. Who knows maybe we’ll find out exactly what happened between Brand New and Taking Back Sunday? Maybe not though. I will say I think the feud might have been blown up out of proportion and there’s evidence of that as well (cue the video of Jesse and John playing with Say Anything). It was still enough that we never got a Brand New/Taking Back Sunday tour. Despite everything surrounding both bands, I’m glad they gave us the music that they did. It was the soundtrack to my youth. Even if I no longer feel like a failure by design or a wishful thinker with the worst intentions, their music is still relevant to me at times and I still love connecting with people over it.

 

Legendary Venues: CBGB

About 2 weeks ago I was hired for a gig at The Stone Pony in Asbury Park, NJ. My position for the show was since cut, but at the time I was super stoked to work a show there. For those who don’t know, The Stone Pony is a legendary venue known for launching the careers of famed New Jersey rockers Bon Jovi and Bruce Springsteen. It got me thinking about music venues. There’s plenty of famous venues across the country and I should probably write about them some time. So here we are. I thought at first I’d write one epic blog post about a bunch of them, but then I figured it would get too long. Instead, I’ll be doing a new blog series spotlighting each one. The first on that list is one of the most legendary venues I can think of, CBGB (& OMFUG).

The now defunct CBGB was founded in 1973 by Hilly Kristal. CBGB, which stands for “Country Bluegrass Blues” (& “Other Music For Uplifting Gormandizers”), was located at 315 Bowery in the Bowery neighborhood of Lower Manhattan, NYC. CBGB originally was opened to house the genres it was named for but became a haven for late 70’s punk rock bands. It is often referred to as the birth place of punk rock. The venue gave rise to many bands who frequented it’s grounds like The Ramones, Patti Smith, Blondie, Television, Talking Heads, Misfits, The Dead Boys, and Joan Jett. It’s decor was somewhat legendary too. Graffiti covered the walls of the venue making CBGB look just as edgy and original as the bands who played there.

In the 1980’s it became a mainstay for hardcore bands like Gorilla Biscuits, Agnostic Front, Youth of Today, Sick of It All, Cro-Mags, and Murphy’s Law. By the 90’s, bands like Green Day, Sum-41, and Korn became synonymous with the famed venue.

CBGB operated until the mid 00’s when rent became an issue and forced its closure in October of 2006. Patti Smith played the final show at CBGB on October 15th of that year. Since its closure, the site where CBGB once stood has transformed into a John Varvatos retail store, but remnants of its existence still stand. Outside the store, the pavement is engraved with the marker “CBGB 73” to commemorate the venue’s existence and the year in which it was founded. The store itself pays homage to the venue through its decor as well.

I first learned about CBGB shortly before it closed in 2006. At the time my music of choice was from alternative genres like indie, emo, punk, ska, and hardcore, so the venue had a significance to me. Although I listened to more modern bands from those genres I went through a period where I listened to classic punk bands like The Ramones, The Sex Pistols, and The Clash. Besides the music, the culture of punk rock really stood out to me, making the CBGB seem like the coolest venue ever. After learning about The Ramones and more about punk rock history, I added The Ramones classic logo band tee along with a CBGB t-shirt to my collection. I wore both with pride. By the time I realized I wanted to visit the CBGB though, it was about ready to close its doors. After it closed, I remember thinking I should just go see it, even if it was only from the outside, but I didn’t visit NYC much then so it never happened. In fact, even though I visit NYC more now, I always forget that I still need to make a stop at 315 Bowery even if it is just a John Varvatos store.

Though the venue ceases to exist, it’s still a prominent tourist spot in NYC. There was also a music festival honoring the legendary venue from 2012-2014. I actually had CBGB feels while writing this because I just watched my favorite band play a “Blitzkrieg Bop” cover last night knowing I’ll never get to see The Ramones play it in the place that made them famous. Even though the venue isn’t around anymore, its spirit is still alive and well making CBGB & OMFUG one of, if not the most legendary music venues ever.

Sacred Hearts Club: Album Review

July 21st was a big day. I worked Check-In for travel packages for a Phish show and two of my favorite music artists released their new albums. I didn’t have much of a chance to listen to both because of work, but I got on it this morning. I figured I’d start with a review of Foster the People’s latest work Sacred Hearts Club because I’ll be seeing them in two weeks when I head to Chicago for my second Lollapalooza. At this point, binging on their new album is necessary.

Stylistically, their new album has a much different feel than their last two. There are songs that have the classic Foster the People sound like “Doing It For the Money” and “SHC”, which were both released in April as part of their 3 song EP entitled III and others that add elements from other styles of music. “III” sounds like a deep house track. If it wasn’t for Mark Foster’s signature vocals, I’d think I was listening to a Flume song. There’s more electronic influence in songs like “Loyal Like Sid & Nancy” and “Harden” too. Foster the People has always used synth in their music but these songs just sound more electronic. Maybe it’s me and how my listening style has developed, but I’d argue regardless. I even feel like there’s a jazz influence in some of their songs, particularly in “Static Space Lover”.

As I said before, I believe this album sounds different to me, but Foster the People has been blending genres since their first record. There’s dance, punk, and hip-hop blended into their previous albums. There’s just something about this one that stands out though. The band wanted this record to be a uniting voice amongst a world filled with negativity too. I think it has the potential to be just that as many songs express camaraderie lyrically. I believe listeners will be able to relate and use this music to rise above the hate in the world.

If you asked me who my top 5 favorite bands are at this point in my life, the first band I’d name would be Foster the People. Torches is still one of my favorite albums of all time. So for me, buying this album was a no-brainer. I would have even bought it blindly. Therefore, it might be hard to believe my opinion is unbiased when I say that I think this album would appeal to more than just Foster the People fans because of the development of their music style. I promise it’s worth checking out though so do yourself a favor and pick-up a copy.