Rock music

Coachella Band Preview: the Neighbourhood, alt-J, BØRNS, Odesza, & Hayley Kiyoko

It’s only been 2 days since my last post, but that’s okay. This week I’ve decided to do two blog posts because there’s still a ton of bands to talk about and not much time left. So let’s talk about five bands who I’ve written about before that are playing the festival this year. Two of them are actually 3 of my top 4 must-see sets of Coachella 2018.

A lot of time has passed since I wrote about the Neighbourhood in the fall of 2015. Since then, there hasn’t been much news surrounding the band until late last year. In September they released their first new music since 2015’s Wiped Out!, the EP Hard. Then in early January the band dropped a second EP To Imagine followed by the release of their third album, The Neighbourhood, on March 9th. With a bunch of new music out, playing Coachella for the first time in 5 years seems fitting. They play on Friday. I’ve never seen them live and I’ve been obsessed with “Sweater Weather” since 2013. It was probably my favorite song of that year. There’s no doubt I’d love to check them out if I had the time making them 1 of the 3 bands on this list that are must-sees for me. If you plan on checking them out, here’s a few songs to get you ready:

  1. Sweater Weather
  2. Afraid
  3. Daddy Issues
  4. Scary Love
  5. Sadderdaze
  6. R.I.P to My Youth
  7. Cry Baby
  8. You Get Me So High
  9. Stuck With Me
  10. Let It Go

alt-J are no strangers to Coachella. They’ve played twice but haven’t been back to the Indio desert since 2015. Since their last Coachella, alt-J has released a new album. It came out last June. I reviewed it here. I’ve also written about alt-J two other times on this blog. Once previewing them for Coachella in 2015, where I saw them live for the first time and another time reviewing a concert I saw them play in Philly in September 2015. I really like alt-J and I love how different their music sounds from other stuff I like. They played Panorama last summer and I was able to catch part of their set. If it wasn’t for my work schedule and several other concerts I already spent money on in the fall, I would have seen them play again. They’re a band that I would rarely turn down if I had the opportunity to see, making them another one of my top choice sets for Coachella 2018 along with Haim and the Neighbourhood. They play Saturday and probably at night on either the Main or Outdoor stage. What would be the biggest heartbreak is if they overlapped with Haim. Here’s my recommendations for you if you decide to follow my lead and check them out:

  1. Left Hand Free
  2. Breezeblocks
  3. In Cold Blood
  4. Every Other Freckle
  5. 3WW
  6. Tessellate
  7. Fitzpleasure
  8. Deadcrush
  9. Something Good
  10. Hunger of the Pine

BØRNS is back at Coachella after a year break from the famous Southern California music festival. He just released his second album, Blue Madonna, back in January. The album features a collaboration with Lana Del Rey as well as plenty of new music from the “Electric Love” writer. I saw BØRNS play live in 2016. It was kind of a last-minute decision since my friend and I bought tickets about a week before the performance. It was a fun set, so I’d definitely want to see him perform again if I had the chance. He plays on Saturday as well. I would guess BØRNS would be a late afternoon-early evening set, but we’ll see what happens. These are the songs you need to prep for his set:

  1. Electric Love
  2. Seeing Stars
  3. 10,000 Emerald Pools
  4. God Save Our Young Blood
  5. Sweet Dreams
  6. American Money
  7. Past Lives
  8. I Don’t Want U Back
  9. Faded Heart
  10. The Emotion

I only got into Odesza about 6 months ago because of planning to see them in NYC with my friend, but getting into them definitely wasn’t a waste of my time. The concert we went to in December was incredible so I have no doubt that their Coachella set predictably on Sunday night at the now larger Sahara Tent will be just as good and a large draw amongst festival-goers. I would guess they headline the Sahara and overlap with Eminem as the overall headliner Sunday evening. Initially, I believed Odesza would be my Sunday night choice no question, but the inner early 2000’s middle-schooler in me has been fighting hard. Odesza will no doubt put on an incredible live performance, but I just saw Odesza. I’ve never seen Eminem nor do I think I’d ever buy tickets or choose to see Eminem, but I used to be a fan at one point. It’s definitely up for debate. What would be ideal is to be able to catch parts of both sets. However if you so choose to skip out on the Real Slim Shady, here’s a few Odesza tracks you should hear:

  1. Sun Models
  2. Higher Ground
  3. Across the Room
  4. Say My Name
  5. Falls
  6. Line of Sight
  7. A Moment Apart
  8. All We Need
  9. It’s Only
  10. Late Night

The artist I’m most excited for who is playing Coachella this year is Hayley Kiyoko. From seeing her a little over a year ago play a tiny venue in Philly that wasn’t even sold out to playing the most well-known U.S. music festival, my stoke level couldn’t be higher for Hayley Kiyoko. Her debut album, Expectations, came out today! Until this point, she’s only released EP’s, but those have gained a huge appreciation from her small, dedicated fan base. The new album builds on Kiyoko’s previous hits with bangers like “Curious” and “Feelings”. It’s got a mystical, feel good sound giving true meaning to Kiyoko’s dreampop style. As an openly gay singer, the theme in her music involves being in love with girls and complications that may arise with being gay and falling for girls. This new album is consistent with Hayley’s style that her fans have grown to love over the past few years. (I just had to give you a mini-album review here too.) She plays on Sunday at Coachella. I will definitely try my hardest to catch her set one of the weekends making her the 4th and final must-see for me. My guess would be an early Sunday afternoon set, but you never know. She may play later in the day at Gobi or Mojave. We’re a little over a week from the schedule release and probably a few days from the food vendor list, then the official planning can begin. In the mean time, check out Expectations along with these other songs:

  1. Girls Like Girls
  2. Cliff’s Edge
  3. Gravel to Tempo
  4. Palace
  5. This Side of Paradise

(On Expectations, pay special attention to “Curious”, “Feelings”, “Sleepover”, “Let It Be”, and “What I Need (ft. Kehlani)”)

 

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Coachella Band Preview: Haim

2 weeks to go! Anticipation is building. Fashion is being planned. The Sahara Tent is even being moved (Yes! You can check out this article to hear about the new location.) Most importantly though, music is being listened to. I was about to do my blog post of bands I’ve already blogged about when I had a realization. I’ve never actually written a whole post about Haim. I thought I had because I reviewed their album over the summer. I was mistaken, which means it’s time to finally do that.

Haim, a Los Angeles based band comprised of sisters Este, Danielle, and Alana all with the last name Haim, decided to form a band in 2007. Growing up they were encouraged by their parents to play music. Danielle played guitar and Este played bass. They even joined their parents as a band to play benefits and church gigs while growing up. Danielle and Este also were part of the band Valli Girls, who were featured on the soundtrack to The Sisterhood of the Traveling Pants with their song “Always There in You”.

When Haim initially formed, each sister was involved in their own projects. They stuck to playing local shows because of it and didn’t receive much attention in their early days. Este went to UCLA and graduated in 2010 with a degree in Ethnomusicology. Danielle was noticed by musician Jenny Lewis, formerly of the indie rock band Rilo Kiley, and was asked to join her touring band. That lead to touring opportunities with The Strokes’ lead singer, Julian Casablancas on his solo tour. She even joined CeeLo Green’s all female backing band for a short time, but ultimately decided she’d rather make music with her sisters.

After playing SXSW and releasing their debut EP Forever in 2012, the group started receiving attention from the music industry. They signed with UK label Polydor Records in June 2012 and from there began making some noise in the industry, in Europe in particular. They toured there that year both on their own and opening for Florence and the Machine. They then returned to SXSW in 2013 as a more experienced and slightly better known act.

2013 was spent working on their first album in between live shows. The sisters played Glastonbury that summer and released the first single, “The Wire”, from their album on July 29th. The album, Days Are Gone, was released on September 30, 2013. The album has since received accolades from media oulets Pitchfork, NME, Consequence of Sound, Spin, and Rolling Stone, among others.

Haim spent the spring of 2014 touring the U.S. As part of that tour, the band made their first Coachella appearance. The end of 2014 featured a few collaborative projects with Fleetwood Mac lead singer Stevie Nicks and Calvin Harris, but until last summer Haim had yet to release new tunes themselves aside from contributions to movie soundtracks from Insurgent of the Divergent series and Mockingjay – Part 1 of the Hunger Games trilogy. They joined their friend Taylor Swift on her 1989 World Tour in the summer of 2015 for a few dates and also received a Grammy nomination that year for Best New Artist. The band spent 2016 hyping upcoming new music by playing a few festivals including Lollapalooza, Bonnaroo, Governors’ Ball, Boston Calling, and Austin City Limits. Then finally last summer on July 7th Haim released their second studio album, Something To Tell You, which I reviewed shortly after its release.

Since finding out about Haim in early 2014, I’ve always thought their music sounds like late 80’s/early 90’s pop rock. Surely enough, they’re considered a pop/indie rock band. All three sisters harmonize in their songs and are proficient in more than one musical instrument, but for live shows sake, you’ll see Este on bass, Danielle on lead guitar and lead vocals, and Alana on rhythm guitar, keyboards, and percussion. Their sound has been compared to Fleetwood Mac. Although I can’t think of a specific band to compare them to I still feel like their sound replicates bands of the 80’s & 90’s. One song that comes to mind that reminds me of Haim is the 1986 hit by Bruce Hornsby “Every Little Kiss”. There are definitely others too so if you can think of any specific songs or bands let me know!

For about 2 years since I discovered them, I desperately wanted to see Haim live. My desire began after I saw them perform on the Coachella 2014 live stream. I actually debated seeing them perform a few weeks after that, but ultimately passed on it because of having a few other conflicting travel obligations. Fortunately, I was able to work Lollapalooza in 2016 and caught them performing there. They were incredible live. Although they’re not a jam band, they do like to jam onstage and add special musical aspects to their live performances. For instance at Lolla, all three sisters played different rhythms on a giant drum at the same time right before their set ended. It was super cool. Their musical ability shines through in their live performances making them one of my top must-see artists this year at Coachella. They’re also one of my favorite bands, which puts them to the top of my list too.

Haim plays Saturday at Coachella. I’d expect a late day set on the Main or Outdoor stage from them, particularly as the sun sets or maybe even as the darkness encompasses the polo fields. If I’m able to, I definitely plan on seeing them, but if I can’t I won’t be that disappointed either because I have tickets to see them this spring. They’re embarking on a world tour that I couldn’t pass up on. If you want to see Haim, which I highly recommend you should, here’s the songs you need to listen to:

  1. The Wire
  2. Don’t Save Me
  3. Want You Back
  4. Little Of Your Love
  5. Falling
  6. My Song 5
  7. Forever
  8. Right Now
  9. Nothing’s Wrong
  10. Ready For You

Coachella Band Preview: St. Vincent

February is finally almost over. It seems like winter tends to drag on because life moves slower. It does for me at least. There are less shows, barely any festivals, and the snow sucks. Thankfully, Coachella and the rest of festival season is inching closer and closer. This week to prep for the Coachella Valley’s finest I’m previewing an artist who goes by the name of St. Vincent.

Anne “Annie” Erin Clark, better known to the world as St. Vincent, began her music career as a member of the choral rock band the Polyphonic Spree, after attending the Berklee College of Music for 3 years. Before starting her own group in 2006, she was a member of Sufjan Stevens touring band too. During her childhood, Clark began playing guitar at the age of 12 and was a roadie for her aunt and uncle, jazz duo Tuck & Patti. She got her stage name of St. Vincent from a lyric in Nick Cave & the Bad Seeds’ song “There She Goes, My Beautiful World”.

In 2007, St. Vincent released her debut album Marry Me. After extensive touring for the album over that year, Clark began her second album in 2008. The album, Actor, was then released on May 5, 2009. It was more well received than her debut as it peaked at 90 on the Billboard 200 Chart as well as 9 on the Independent Albums Chart and 5 on the Tastemaker Albums Chart.

Strange Mercy, St. Vincent’s third album, was released on September 13, 2011 receiving tons of critical acclaim and peaking at 19 on the Billboard 200. Clark toured worldwide through 2012 then it was back to the studio to work on her next album. In 2012 she also released a collaborative album with with former Talking Heads lead guitarist and vocalist and fellow Coachella 2018 performer David Byrne.

Her fourth album, St. Vincent, was released in February of 2014. A few months prior she announced a world tour in 2014 and released two singles in anticipation of the self-titled album. Again the album was well received and ranked highly in multiple publications. The album earned her a Grammy nomination for Best Alternative Music Album which she subsequently won. Her touring for the album continued into 2015.

Her most recent album to date, Masseduction, was released on October 13, 2017. It was Clark’s first album to peak in the top 10 of Billboard’s 200 Chart upon release. It reached the 10 spot. It also sold close to 30,000 copies in the first week of its release with 25,000 of those being traditional album sales.

St. Vincent has a very unique music style. You may classify it as indie rock, but the sound often uses complex arrangements and an array of instruments. Sometimes it sounds pretty wild and almost like music in the background of a horror movie. It’s music in a true artistic form and complemented by lyrics that often diverge into madness. Clark’s voice is that of a former choir girl and adds beauty to the mixture of sound.

I first heard of St. Vincent while reading one of the Pretty Little Liars novels. In the book, it mentioned one of the girls on a drive listening to St. Vincent’s “Actor Out of Work” and singing it at the top of her lungs. I decided to listen to the song after reading that part of the book since I had never listened to St. Vincent before then. I really liked it and decided to download it. Since then I had only downloaded “Digital Witness” after hearing it in 2014. I never really got into Clark’s music as a whole, but for some reason, I began listening to the singles released for her most recent album “New York” and “Los Ageless” over the summer. At the end of November, I worked one of her shows on her “Fear the Future” Tour. I was also able to listen in on some of her VIP  Q & A and stay for most of the show after I finished work. I always appreciate a Q & A because I feel like you get to learn a bit about band or artist. This was no exception. I developed an appreciation for St. Vincent and Annie Clark. Not to mention, I had recently purchased Masseduction. The show was overcrowded though. I couldn’t see much from where I was standing and I ended up leaving a little over halfway through to make it home. I did enjoy it though and would love to see her again if I had the opportunity.

Coachella would be the perfect opportunity if I was attending this year. She would definitely be on my must-see list for Friday. She’s listed as a highly billed act this year so I would expect a late afternoon-evening set. If you’ve never seen her or listened to her music before, it’s pretty artistic. I think that element alone can make people curious to hear her and/or see her live. She also has plenty of visuals during her performance that add to the artistic nature of her music. To get you prepped for her third Coachella performance here’s a few staples you should check out:

  1. Digital Witness
  2. Cruel
  3. New York
  4. Masseduction
  5. Actor Out of Work
  6. Marry Me
  7. Cheerleader
  8. Birth in Reverse
  9. Los Ageless
  10. Surgeon

 

Crooked Shadows: Album Review

Way back when I started this blog, I wrote about my love for Dashboard Confessional. They changed my life in high school and got me into good music (click here for a more detailed description). They were my favorite band back then. For the past 9 years though, they’ve been M.I.A. as far as new music goes. Honestly, if you were to tell me a year ago that I’d buy a new Dashboard album, I wouldn’t have believed you because the style of music Dashboard plays doesn’t match my current interests. Plus their music reminds me of a specific time in my life that I’ve grown past. I still appreciate them for that time though. I’ve just moved on.

A little over a year and a half ago, I worked a Dashboard Confessional show. They were on the Taste of Chaos Tour with Taking Back Sunday, Saosin (with Anthony Green), and The Early November. It was an honor to work and one of my greatest full circle moments to date. I had the opportunity to stay for the show after I finished work and I, of course, took advantage it. I left early to watch the Stanley Cup Final (my team, the Penguins, were on the verge of winning the Cup) but stayed for about 5-6 Dashboard songs. However, I doubt I would have attended if I wasn’t working. That’s the best example I can give you of my recent feelings towards Dashboard Confessional. Three months ago that changed slightly.

Dashboard Confessional released their first single from their new album Crooked Shadows in November (the album was released on Friday). I saw it as a new music release on Spotify and decided to listen because I was curious. The single, “We Fight”, was pretty good. It was better than I expected. I wouldn’t say I was hooked, but I was happy their new song was something I would listen to. I felt the exact same way upon hearing Brand New’s “I Am a Nightmare” in June 2016 and The Movielife’s “Mercy is Asleep at the Wheel” over the summer. At that time, I also saw that Dashboard announced a new show date in my hometown in late January. I thought to myself that I’d definitely go to the show as long as I had nothing else going on. I even tried to see if a few friends were interested, but I delayed getting tickets in case something came up.

I ended up being able to go and took my mom to the show. She was always a fan of Dashboard when I listened to them in high school so I thought she’d appreciate seeing them at least once. The show was fantastic. I loved it, especially lead vocalist/guitarist Chris Carrabba’s stage presence. It definitely evolved over the years. It was fun to stay for the whole thing this time around and sing all my favorite songs again with a few new ones in between. Speaking of new songs, a week before the show they released another single, “Heart Beat Here.” This time upon listening, I was hooked. The song was a perfect blend of something I would listen to now mixed with that classic Dashboard Confessional sound (essentially Chris Carrabba’s voice). At that point, I thought to myself, “I might actually have to get this new album.” On Friday, I did.

Crooked Shadows, Dashboard Confessional’s seventh full length album, was released on Friday. The album is relatively short compared to the others. It’s only 9 songs long. Within those 9 songs though is the complete re-birth of a 2000’s emo band to a 2018 indie/alternative rock band. This album is far from emo. It’s purely indie rock mixed with indie folk, electronic, and alternative rock. It’s such a great blend of my current interests with classic Dashboard that I fell in love with it in a matter of hours. If you want anything reminiscent of old Dashboard, I’d recommend listening to the songs “Open My Eyes” featuring violinist Lindsey Stirling or “Just What to Say” featuring Chrissy Costanza. “Heart Beat Here” has an old Dashboard feel as well. At the Dashboard show I attended two weeks ago, Chris said the song is a continuation of “Hands Down.” I don’t know if I’d agree as far as the sound goes, but it’s definitely a great song. That track along with the other first five are absolute jams. My favorites are “About Us” and “Belong” (with Cash Cash) which I had on repeat Friday afternoon. “We Fight” is included in that bunch as well. I currently have the album in my car and I’m sure I’ll be listening to it on repeat for the next week or more.

This is the second time in less than a year that I’ve fallen in love all over again with one of my favorites (the first was Foster the People over the summer). Although I think this time, I’ve just fallen in love with new Dashboard so it’s kind of like falling love all over again. I would recommend their new album to anyone at this point, but especially to those whose music interests have grown and changed, much like mine have. Dashboard Confessional is back in the best way possible.

Coachella Band Preview: Tash Sultana

Because I forgot to post last week’s blog after I wrote it and instead posted it this week, you’re getting two band previews this week! We’re almost near the end of January. We’re still a while away from Weekend 1, but I can feel it looming. Can’t you?! Since I already gave you plenty of Kygo to listen to this week, I thought I’d preview an artist who has a little less music to listen to. What she does have out is pretty awesome and original.

Natasha “Tash” Sultana is an Australian musician/singer/songwriter who grew up in Melbourne. She took to music at the age of three when she received a guitar from her grandfather. Now at age 22, she can play over 10 instruments. 2016 was her breakthrough year, but until then Tash struggled to find regular work and used street performing as her way to get by. She was however the lead vocalist of the band Mindpilot from 2008 through 2012.

She started receiving attention in 2016 through social media and the internet. She also released her first EP, Notion on September 16th independently through her own label Lonely Lands Records. The EP peaked at number 4 on ARIA Australian Albums Chart. It included two songs that were voted to Australia’s Triple J Hottest 100, “Jungle” (#3) and “Notion” (#32). She also embarked on a world tour in support of Notion.

In 2017, Tash continued to tour and also announced that her debut album would be released in the spring of 2018. She released the singles “Murder to the Mind” in April and “Mystik” in October along with being nominated for 4 ARIA Awards (Breakthrough Artist, Best Independent Release (Notion), Best Blues and Roots Album (Notion), and Best Australian Live Act).

Her rock music style features elements of reggae and psychedelic music. Her style can also be classified as indie rock. Each of her tracks have a different sound and her vocals are mesmerizing. It’s the kind of music you can just chill to. I love it because the sound meshed with her vocals is unique to my usual listening tastes.

I first found out about her in early October after my friend worked at All Things Go Fall Classic in Washington, DC. A patron at the festival told her about Tash Sultana so she checked out Tash and told me about her as well. Then I checked her out and enjoyed what I heard. My friend then saw her perform a week later at Austin City Limits. I wasn’t so fortunate. She is relatively new to the music scene and is just starting to get some attention in America. She recently performed on Late Night with Seth Meyers in October. That makes me think I’ll have plenty of time to get to see her live, especially if I get to be a part of Coachella this year and can catch her set.

She plays Saturday at Coachella. In my opinion Saturday’s lineup is stacked. I would expect to see Tash play an earlier set on Saturday. You never know though. She might end up with a mid-afternoon spot at the Gobi or Mojave Tent. If you have a chance, I would check her out though. She’s under that “up and coming” title for the festival this year. She’s also got a debut album coming out soon. Here’s what you can check out by her so far though:

  1. Jungle
  2. Mystik
  3. Notion
  4. Gemini
  5. Synergy
  6. Murder to Mind
  7. Big Smoke (Pts. 1 & 2)

Coachella Band Preview: Portugal. The Man

It’s been over a week since Coachella released their 2018 lineup. Tickets went on sale last Friday and sold out in just over 3 1/2 hours. Preparations have officially begun. So if you’re headed to the desert this April, I hope you’ve been listening to one of Coachella’s Spotify playlists or curating your own. I’ve checked out Coachella’s (which are so good by the way!) and already found 1 or 2 new bands to listen to. They might even get previewed leading up to the festival.

First thing’s first though, it’s time to get into the first band preview of the year. I bought this group’s latest album while in NYC a few weeks ago. I decided to buy it at random too, only knowing two songs from the album. It was a great decision and understandably so as it’s already been nominated for a Grammy. Although this blog post is a few weeks overdue, let me tell you a little something about Portugal. The Man.

Portugal. The Man has been around for quite a while before their latest album, Woodstock, and hit single “Feel It Still” invaded music charts over the last year. Hailing from Wasilla, Alaska, they formed in 2004 as a side project band of lead singer John Gourley and bassist Zach Carothers. The band has gone through several lineup changes but Gourley and Carothers have been the true mainstays. Currently they’re joined by Kyle O’Quin on keyboards/synth, Jason Sechrist on drums, and Eric Howk on guitar. I would try to explain their band name, but it’s a bit complicated so I’ll let this 2009 interview description by John Gourley do it, “It’s hard to explain, but it made perfect sense at the time. Over the 5 years that we’ve had the band name it’s just kind of gotten lost, but the idea was that we wanted to back somebody up. I guess in choosing Portugal, it was just kind of a random choice. We really wanted a country to be the name of our person because a country is a group of people. The man just states that Portugal is a person. So really Portugal is the band’s name and the man is just stating that he is the man.” They released demos in the summer of 2004 and embarked on a U.S. tour that fall. They released their debut album Waiter: “You Vultures!” on January 24, 2006.

In June 2007, they released their sophomore album Church Mouth and toured for the following year both in the U.S. and Europe in support of it. In 2008, the band released yet another record, Censored Colors, their third full length album. 2009 brought the band festival spots at Bonnaroo and Lollapalooza as well as a fourth album, The Satanic Satanist, and  The Majestic Majesty, an acoustic album of The Satanic Satanist. The band released another new album, American Ghetto, in 2010 marking the band’s fifth album in five years. 2010 also marked Portugal. The Man’s first Coachella appearance. Following suit of the previous years, their sixth album came out in July of 2011 after the band signed with record label, Atlantic Records in April 2010 (they had previously been a part of Fearless Records as well as a partnership with Equal Vision Records). The album, In the Mountain in the Cloud, brought the band another two years of touring and two more stops at Bonnaroo and Lollapalooza.

In 2012, Portugal. The Man did not release a new album, but in 2013, they did. They released their seventh full length album, Evil Friends. The album featured backing vocals by Danielle and Este Haim of fellow Coachella 2018 act, Haim. They announced an eighth album in 2016, but said album “failed to complete” and was scrapped after 3 years of work. After the lead single “Feel It Still” was released in March, the band dropped, Woodstock on June 16, 2017. With the success of “Feel It Still”, which has topped music charts nationwide, Woodstock has become the band’s most successful album to date after 13 years and seven previous albums.

Portugal. The Man plays an alternative rock style of music with a somewhat psychedelic/jam band flavor as well. At times their music even sounds a bit experimental. Their sound has definitely progressed and changed throughout the years and through each album. Gourley’s vocals have been a defining factor in their sound though.

I found out about Portugal. The Man while working as a radio DJ during college on my school’s radio station. Our station specialized in alternative, rap, and metal, and I had a weekly alternative radio show in which I would play a mix of my own songs combined with the music on our system. One of the songs I used to play during my show was the Portugal. The Man song “People Say”. I remember when the alternative director and her boyfriend introduced me to the band one time while we were in the studio together.  There may have been one or two other Portugal. The Man songs available on our rotation but I routinely played and enjoyed “People Say”.

I partially kept up with Portugal. The Man after I graduated and ended my radio show. I was into and downloaded the songs “Purple, Yellow, Red, and Blue” and “Modern Jesus” after Evil Friends came out. However, I was never fully into Portugal. The Man. The first time I heard “Feel It Still” was this past summer in August (I know I was so late) on a fellow Coachella coworker’s Snapchat story. I was into it immediately upon first listen. I didn’t know whose song it was either and I thought it might be by the band Electric Guest. The song sounded similar to their song “This Head I Hold”. All I knew was I was hooked no matter what. I was surprised to find out it was Portugal. The Man because it just didn’t fit the sound I was used to from them. It was and still is an absolute banger though.

Like I’ve said in my last two blogs, as well as earlier in this one, I purchased Woodstock a few weeks ago just because of my interest in “Feel It Still” and “Live in the Moment” (another great track from that record). I don’t own any other Portugal. The Man records either, despite knowing about them and having a slight interest in their music for several years now. Within the first few days of owning the record, I had it spinning on repeat. It’s great. I even put it on my list of favorite albums from 2017 after owning it for only two weeks prior to writing that blog.

Portugal. The Man plays Sunday night this year at Coachella. My guess is they play the main stage prior to Eminem. This is Portugal. The Man’s third Coachella. They played in 2010, as I mentioned, and 2013. If I was attending this year, I’d definitely have them on my must see list. My only concern is that they have such a large discography that I’m not sure what they’d play or what I’d know. Hence listening prep is key here. I wouldn’t spend hours listening to all 8 albums they’ve released. I would just get a few of their older hits and focus on the last 2-3 albums. Their most recent stuff is what’s given them the spotlight anyway, making it the obvious choice for set list selection. At least at this point you have plenty of time regardless. 3 months is so far, yet so so close that you can taste that sunshine and those good vibes.

Edit: I’m sorry everyone! Totally messed this up and forgot to put song recommendations to listen to so here they are (better late than never!):

1. Feel It Still

2. Live in the Moment

3. Purple, Yellow, Red and Blue

4. People Say

5. Modern Jesus

6. So Young

7. Noise Pollution

8. Rich Friends

9. Easy Tiger

10. So American

Legendary Venues: Red Rocks Amphitheatre

It’s been over 75 years since Red Rocks Amphitheatre opened in Morrison, Colorado. The venue first opened on June 15, 1941, but had been hosting open-air music performances since the early 1900’s when John Brisben Walker envisioned the geological phenomenon as a place for live music.

Red Rocks Amphitheatre is much different than any other music venue in the world because it’s the only naturally-occurring, acoustically perfect outdoor theater ever. What creates this natural perfection are two 300 foot rock structures known as Ship Rock to the south and Creation Rock to the north. The amphitheater sits between these monoliths that date back 160 million years and contain dinosaur fossil fragments from the Jurassic period. Both are bigger than Niagra Falls. There’s also a rock structure behind the stage (east) known as Stage Rock. Besides the incredible rock formation, the amphitheater overlooks downtown Denver, which creates one of the most beautiful, picturesque views offered at a music venue.

The city of Denver purchased Red Rocks from Walker in 1928 and hired Denver architect, Burnham Hoyt to design the area into a music venue while including the preservation of the land’s natural elements as part of the transformation. The construction took 12 years but was well worth the finished product that has since attracted musical acts from all over the world.

The Beatles concert on August 26, 1964 is considered to be one of the first notable rock concert performances in Red Rocks history. Another notable performance was the Jethro Tull concert in 1971 which resulted in a 5 year ban of rock concerts at the venue. Fans without tickets to the event attempted to barge through police lines and throw rocks at officers resulting in the deployment of tear gas to control the riot, which eventually carried into the venue affecting all in attendance.

The unique venue attracts bands across music genres from rock to pop to electronic to jam bands. Many bands have recorded performances at the famous venue as well. It has also been used in film and television. Then, in 2015, it became a national landmark.

I’ve never had the pleasure of going to Red Rocks. I’ve actually never even been in Colorado. After I began traveling around the country for work though, I learned about Red Rocks and it’s been high on my list of venues to see/work at ever since. I’d be beyond honored to work an event in such a place and I’d even be more awestruck by seeing a concert there. I’m not even sure if I can imagine what it’s like to be there. It sounds like such a spectacular venue. I think it’s one of those places you have to experience to understand how special it is even if pictures and descriptions already convince you. It’s one of those places where a picture really doesn’t do it justice. If Red Rocks isn’t the definition of legendary venue, I don’t know what is. It’s legacy has spanned the test of time and it continues to be a favored venue of many bands and artists. It’s definitely a place that concert and music lovers need to experience at least once or even countless times.

Legendary Venues: The Stone Pony

The reason I started this Legendary Venue series was because I was scheduled to work a show at The Stone Pony in Asbury Park, NJ. I was stoked about it because The Stone Pony is pretty well-known and because I’ve never been there. It’s is actually a street away from the Asbury Park boardwalk on the east coast of New Jersey. Originally the venue was a restaurant named Mrs. Jay’s. In the 1960’s the restaurant began allowing bands to perform, but after the restaurant moved to a new location in 1968 the building became dormant.

In February 1974 The Stone Pony opened its doors as a music venue. It was opened under the management of John P. “Jack” Roig and Robert “Butch” Pielka. The first year was rough for the new venue, but it was the “house bands” that kept the venue going. The first notable “house band” was The Blackberry Booze Band which later became Southside Johnny and the Asbury Jukes, whose founding member Steve Van Zandt became a member of the E Street Band, the famous backers of rock and roll legend, Bruce Springsteen. Many other members of the E Street Band frequently played at The Stone Pony, including Springsteen himself. The venue is credited with giving Bruce Springsteen his rise to stardom. Springsteen has been known to drop by the Pony from time to time. He’s played there more than any other venue, yet none of his appearances are ever billed.

Before Sayreville native, Jon Bon Jovi, had the status he has now, he played some of his earliest gigs at The Stone Pony. Many other famed artists and bands have made stops at the venue during their prime as well, including Elvis Costello, KISS, The Allman Brothers, Blondie, The Ramones, The Replacements, and Patti Smith. It has also given the rise to local Jersey bands like The Bouncing Souls and Gaslight Anthem.

The Stone Pony went through periods of opening and closing, but in 2000 after it closed its doors, it was refurbished and reopened by an effort from the local community to keep the venue open for good. It was noted to be a staple, not only to the Asbury Park community, but to so many all over the country as a legendary music venue.

As you know by the fact that I was supposed to work a show there a few weeks ago, The Stone Pony still exists to this day on the corner of 2nd Avenue and Ocean Avenue in Asbury Park, NJ. Although I didn’t have a chance to work there recently because my position at the show was cancelled, I may have the chance to at least check it out from the outside next week since the venue for a show I’m working was recently changed from a place in Toms River, NJ to another venue in Asbury Park. I’ll definitely be stoked to check it out and if you ever have the chance to, you should too. You never know, you just might have the chance to hear Bruce Springsteen play some time since his appearances are never planned.

 

Relaxer: Album Review

Yesterday alt-J released Relaxer, their 3rd studio album. Today I’m giving you my take on it.

Relaxer is shorter than the first two alt-J albums. It only consists of 8 songs and 39 minutes of play time making it alt-J’s shortest album thus far. However what it lacks in size, it makes up for in content. It’s a perfect combination of the alt-J music you know and love.

I’ve always found alt-J’s sound to be so original. At least none of the other bands I listen to sound similar to them. Some of their earlier music had an Arabic/Middle Eastern sound to it. “3WW” and “Deadcrush” have a bit of that sound, but each song’s sound goes beyond that too. “3WW” has this Egyptian-like sound, while “Deadcrush” incorporates an electronic/deep house type sound. “Hit Me Like That Snare” has an indie rock feel and “In Cold Blood” has the sound of a classic alt-J hit similar to “Breezeblocks”.  “Adeline” and “Last Year” are both soft and mellow. They’re comparable to “Warm Foothills” and “Pusher” from This Is All Yours or “Matilda” from An Awesome Wave. Finally, the intros of “Pleader” and “House of the Rising Sun” remind me of something I’d hear from a movie score.

Relaxer is the new album you’ve been waiting to hear from alt-J. It’s got everything you’d want from the indie rock band and it’s the perfect addition to your alt-J album collection. I will say though, alt-J isn’t for everyone. Their sound is unique no matter how you look at it so if you’re going to listen to them for the first time with this album, don’t expect your typical indie rock. It’s a bit beyond that. If you love alt-J though, you’ll definitely love or at least like this new album.

Coachella Band Preview: Kungs

Another week down, 11 more to go. It doesn’t feel like it at the end of January, but Coachella will be here before you know it. That’s why it’s time to preview another band performing in Indio this year. Like last week though, this week’s preview doesn’t feature a band (maybe I should change the name on these previews). It’s an electronic artist named Kungs.

Kungs is a French DJ whose real name is Valentin Brunel. He’s also only 20 years old (and freshly 20 might I add because his birthday was in December)! He grew up interested and involved in music with influences from his parents especially his dad who introduced him to rock n’ roll as well as other genres. By the age of 17, he began writing his own material and posting it to the internet. His remixes of Bob Marley’s “Jammin'” and Lost Frequencies’ “Are You With Me” as well as his Lana Del Rey “West Coast” cover ft. Molly have several million views on SoundCloud and Youtube. What turned into his breakthrough hit was released almost a year ago. It’s called “This Girl”, which he remixed. It was originally a 2009 song by Australian funk band Cookin’ On 3 Burners. It turned into a massive hit worldwide and paved the way for Kungs and his debut album Layers. The album was just released on November 4th.

Kungs electronic style is mostly house music. His particular style blends different genres of music together, which is what he aimed for on his debut album. I listened to the album a few weeks ago right before the Coachella lineup dropped and each song brings a different vibe. Besides “This Girl”, two of my favorites are “Don’t You Know” ft. Jamie N Commons and “Melody” ft. Luke Pritchard of The Kooks. I feel like both of those songs blend house with rock and indie rock, which might be why I like them so much. The album is so good that I actually took a little break while writing this to buy it online. So worth it. It’s that good.

I first heard Kungs via Instagram. A girl I follow posted a video with “This Girl” playing in the background. I didn’t take an interest in the song and it was kind of just “background music” for me. A few weeks later I found myself stuck with part of the song in my head and I couldn’t figure out where I knew the song from. It took me about a day before I realized it was the song from that Instagram video. Then about 2 weeks after that I stopped to visit my cousins before heading to the NWSL Semifinal. At dinner on the night I visited, my cousin started telling me about a song he was currently addicted to. It was, of course, “This Girl”. I didn’t recognize the song title or artist when he told me the name (cause I actually didn’t know who the artist was or what the song was called from that Instagram video), but once he played it I realized what I was listening to. The following week I added the song to my workout playlist and to my iTunes too. I was hooked on it ever since. Like I said I listened to Kungs’ debut album a few weeks ago and loved what I heard. I can’t wait to have the album in my grasp. Until then, I plan on doing some serious listening on Spotify.

Along with Coachella, Kungs is booked to play Europe’s biggest electronic music festival, Tomorrowland. I highly recommend seeing him play Coachella this year more than any other artist or band I preview. He’s already blowing up and there’s no doubt if he continues making solid music he’ll just get bigger. He’s not a highly billed artist at Coachella this year either and in my opinion there’s something special about seeing a band or artist before they reach headlining status. That’s not to say he won’t be given a spot later in the day. The kid has already opened for David Guetta on tour so I wouldn’t put it past him. He plays Friday. Here’s what you should know if you plan on seeing him (and you should!):

  1. This Girl ( vs. Cookin’ On 3 Burners)
  2. Melody (ft. Luke Pritchard)
  3. Don’t You Know (ft. Jamie N Commons)
  4. Crazy Enough (ft. Richard Judge)
  5. Are You With Me (Kungs Remix)
  6. I Feel So Bad (ft. Ephemerals)

Honestly, just listen to Layers and you should be good.