rock

Coachella Band Preview: Turnstile

Only another 2 weeks before people from all over the world descend upon the fields at the Empire Polo Club. The stages are being built as we speak while all attendees get in any final preparations for their time in the desert. My hype level is high as I leave in just under a week from now. I still can’t believe it. In the last few months, I’ve been consistently listening to bands and artists I want to see at Coachella. This next band is one that I’ve recently been trying to get into in anticipation of seeing them at the festival. Their hardcore punk style of music is a genre I haven’t listened to much since I was in high school and college, but I kind of like it. They’re Turnstile from Baltimore, MD.

The band formed in 2010 and released their debut album Nonstop Feeling in 2015. The band is comprised of Brendan Yates, Franz Lyons, Daniel Fang, Brady Ebert, and Pat McCrory. They released two EPs prior with Pressure to Succeed in 2011 and Step 2 Rhythm in 2013. Their third EP Move Thru Me came out in 2016 followed by their second full length album Time & Space in 2018. Two more EPs Share A View (2020) and Turnstile Love Connection (2021) were released before their latest album Glow On dropped this past September. The album debuted at #30 on the Billboard Top 200 Albums Chart and was listed as #8 on Rolling Stone’s list of Top Albums from 2021. For a hardcore band, that doesn’t happen very often. The hype surrounding the band has built up over the years, and it’s for good reason. They’re putting out great music. They have a much harder sound being a hardcore punk band, but also remind me of Turnover and other modern alternative rock bands.

Turnstile plays on Saturday during Coachella. I expect them to play in the heat of the afternoon sun. I would guess you might catch them at Mojave, Outdoor, or the Main stage depending on what time they play. I would love to see them at Sonora, similar to Turnover’s 2019 set, but I think they’re a little more popular than Turnover and will likely draw a bigger crowd. The only requirement for their set is that there needs to be enough room for a mosh pit. Their set will likely have the sweatiest and hardest dancing crowd. Sahara and Yuma aren’t even a competition. If you’re trying to mosh at Coachella, here are the Turnstile songs you should be listening to:

  1. MYSTERY
  2. BLACKOUT
  3. Real Thing
  4. HOLIDAY
  5. Gravity
  6. Generator
  7. I Don’t Wanna Be Blind
  8. ALIEN LOVE CALL
  9. UNDERWATER BOI
  10. Keep It Moving

Give Me the Future: Album Review

In February, while I was solely focused on writing Coachella Band Previews, several of my favorite bands dropped some new albums and I neglected to review them. The first of those was Bastille. On February 4th, Bastille released Give Me the Future. They dropped several tracks during 2021 in anticipation of the new album. Give Me the Future is Bastille’s fourth full length album and their latest since 2019.

Bastille is a band that has such a defining sound from Dan Smith’s smooth vocals. Their sound has always been a welcome consistency for me. That consistency lacks for a handful of artists so it’s nice when it exists. I will say the sound on the new album incorporates this modern, tech-y, futuristic style sound that is unique to other Bastille records, but it’s just enough to make their album sound different without making them sound different. A perfect example of this is “Plug In…” or “Back to the Future.” The theme of the album has such a deep, meaningful nature with the lyrical content too. The band credits that to the wild turn the world took in 2020 with the pandemic and what came from it.

As much as I always enjoy the music Bastille puts out, I have to say this album as a whole didn’t really do much for me. There’s a few songs I enjoy like “Shut Off the Lights” and “No Bad Days,” but overall as a whole it hasn’t really stuck out. Nonetheless, I’m grateful for the new tunes, many of which I heard over the last year before the whole album came out! Maybe that’s part of the reason why I haven’t felt as hype about it. Many of the songs I like came out before the album release. The ones I hadn’t heard yet didn’t really stick out. That could be it. I feel like I’m being picky about it. As a fan of Bastille and indie pop though, I still say it’s worth listening to and something you should decide on for yourself.

The Return of Live Music and the Top Tunes of 2021

I came into this year believing it would be a transition. I knew it wouldn’t be the best year ever, but I truly believed we were going to transition back into some weird period of normalcy that wasn’t quite exactly normal yet. Sure enough after 15 long months, we did and live music came back into our lives. I went back to work. I saw my friends again, made new ones, and got closer to others, which is something I’m so grateful as someone who works in live events. Usually at the end of the year, I recap some of my favorite music, but this year, after talking to a friend of mine, I’ve decided to include something extra. This was the first year in a while that I didn’t have a stand out favorite song of the year. For me, this year was a comeback to music I know and love with a few new faves along the way. You’ll see what I mean. So let’s get to it, here are my 2021 favorites in music:

Torches X -Foster the People

I knew going into 2021 that Torches, one of my all time favorite albums by my favorite band Foster the People, would be turning 10. Last fall, I was hoping they would play a drive-in show in May in honor of the 10th anniversary. Needless to say I never expected I would get to see them play a 10th anniversary show in LA in November nor did I expect a deluxe edition of the album with some of my favorite early Foster the People songs. That’s what I got though and I’m more stoked about it than you know. Plus after years of hoping and wishing, “Broken Jaw” is now on Spotify. It can’t get any better than that.

30 -Adele

After 6 years, Adele finally put out new music in 2021. As I wrote recently, 30 hasn’t been my favorite Adele album, but it was still something I anticipated for quite a while. It deserves recognition for that, especially after the endless amount of Twitter teases over the past 2 years. It’s still one of my favorite albums of 2021 and has several great tracks that I love. I’m stoked Adele is finally back.

Decco

Decco was a huge discovery for me this past spring. I spent a good amount of time listening to their songs after finding them because of a Kygo song on my Release Radar Spotify playlist. I’m actually surprised their song “I Didn’t Know” wasn’t my most listened to song of 2021 because I surely spent a lot of time listening to that track this past spring and summer. I’m hoping there are more solid Decco songs released in the future and maybe even a festival set or two. They’re great and I’m glad I found them.

“Chapstick” -COIN

I added this song to my work out playlist in mid-October after returning home from ACL and it’s been a song that I haven’t been able to get enough of since. I’ve been listening to COIN here and there for the last few years, but this song just hits different for me. It’s got such a great edgy, rock feel. I’ve kept it on repeat for the past 2 months and I’ll likely be keeping it that way into the new year.

“Dissolve” -Absofacto

My friend Hailey told me about this song during Lollapalooza because Absofacto played the festival. She said the song was a big hit, but I hadn’t heard it. She played it for me and I was hooked. I added it to my summer work out playlist and much like “Chapstick” it was a song I kept playing on repeat. In fact, I even extended the listening period by putting it on my fall work out playlist too. It’s been a song I’ve loved since the summer and one of my favorites of 2021.

“Low Rider” -War

This 1975 classic has been the official/unofficial song of the year for me. What started as a joke over the radio at Peach just carried on for the rest of the year. I kept hearing this song at random times after that and it’s always a jam. I even bought the single on vinyl 2 weeks ago. Glad this song made a comeback this year for me and the festie pals because it’s truly the best.

Loving in Stereo -Jungle

Jungle’s Loving in Stereo was another one of my favorite albums of the year. It has such a complete track-listing with so many songs I enjoy. I had it playing in my car for months too. I’ve been listening to Jungle since their debut album was released in 2014 and caught them at Coachella in 2015 and Lollapalooza in 2018. This is definitely my favorite album of theirs so far and I’m disappointed I didn’t see them on their tour this fall in support of it. I’m hoping for some festival appearances next year that I’ll be able to catch because this album made me love Jungle even more.

“Sweet Talk” -Fitz Leland

In early 2021, I discovered this jam by independent artist Fitz Leland. It was one of my favorites to listen to last winter, especially during my weekly adventures on the slopes. It was always such a vibe hearing it while on the lift or while lifting (you know it was on the work out playlist too!). This one definitely helped carry me through a winter I tried to make the best of. It’s such a mood.

So I know I usually do a top 10 followed by some runners up, but this year wasn’t about music I listened to. It was about music I saw. Being sidelined for 15 months from shows and work made me want to see music as much as I could as soon as I was able to. I also appreciated seeing live music much more. After thinking about it and looking back on my calendar, I’ve seen 39 full and partial sets this year since June, when I saw my first concert since Dermot Kennedy back in February 2020. So instead of just songs, albums, or artists, here’s something extra that I’ve never done yet. Here are my favorite sets from concerts and festivals (in the order in which I saw them) once live music came back this year:

The Suicide Machines & Less Than Jake

This was my first concert in 15 months. I saw both bands play AC Beer Fest on the first weekend of June at a time when everything was starting to transition into a normal-ish time again. AC Beer Fest was an outdoor festival that we tailgated on a beautiful Saturday. I can’t even express what it felt like in that moment to be together with my friends at a ska punk show again. Tears were had. Songs were sung. We skanked and I got beer accidentally dumped on me on the way out to the parking lot. It was the best day with my pals.

Carrie Underwood at Country Jam

Country Jam was my first big gig/festival that I worked since Mexico in the winter of 2020. I also got to work a role that I wanted to try to get involved in on my next festival season, credentials. The last night of the festival Carrie Underwood headlined. I’m not a country fan but of course I know Carrie Underwood, even if it’s only like 2-3 songs. So I anticipated her set all weekend. After a successful week on the Jam Ranch, I watched her Saturday night set with my co-worker friends. Again, it was an incredible feeling to be back to work and back at a music festival and that realization set in while taking in Carrie Underwood. The set culminated in “Before He Cheats.” We went so hard that we probably could have taken a Louisville slugger to both head lights in that moment that truly felt like live music was back.

Miley Cyrus at Lollapalooza

Lollapalooza has always been one of my favorite festivals. Unlike other festivals, I didn’t get to work Lolla in 2019 so it made the return to Lollapalooza this year even more special for me. I actually felt an excitement coming into work the first show day that I hadn’t felt at all yet despite working 2 festivals at that point. It was a different feeling that comes with working my favorite festivals though so that’s probably why. Miley Cyrus headlined the first day of Lollapalooza this year and I figured once I closed up my ticket help I would catch the end of her set. I met up with a girl on my team who I had met 2 days prior and that I clicked with instantly along with my VIP one-off turned festival worker homie Finnerty. Two of our other friends popped out of the VIP area that we were standing next to when Miley went into “7 Things.” We all went so hard. I kind of forgot the song existed until that moment. After that, she just kept playing all the hits. I couldn’t believe how many Miley songs I actually knew. She killed it too. I loved watching everyone get emotional during “The Climb.” The production during “Can’t Be Tamed” was fantastic. Then she closed with “Party in the USA” a half hour after her set was supposed to end which felt like a true party with people being together, dancing, and singing in the heart of downtown Chicago at the first major music festival since the panny d began. It was a special moment, granted some news about new variants and such changed everything the next day. That first night was a true celebration though and I was grateful to take it in from the crowd.

Green Day at Hella Mega

When the Hella Mega Tour was announced in 2019, I knew I wanted to work it. I even got to the point this year thinking I might attend if I didn’t get the chance to work. Fortunately though, I was able to work two dates on the tour and it was the coolest VIP event I worked all year. It was a no stress, low energy type of work day that ended as soon as the headliner, Green Day, took the stage. Green Day is such an iconic band and anyone who has ever listened to alternative/punk music has listened to Green Day. The first date I worked was in Hershey in August. I was entranced when I walked in the venue and I saw Bille Joe Armstrong strumming hard to “Holiday.” Green Day played all their hits on the tour from “Boulevard of Broken Dreams” to “Basket Case” to “21 Guns.” It was all around awesome. They were so entertaining to see live and that was my first time ever seeing them. I, of course, popped in the venue for one or two Fall Out Boy songs earlier and heard their entire set along with Weezer and the Interrupters’ from the VIP check-in spot too. We were set up right near the stage. It was a great day overall and I felt so lucky to have experienced it.

Lizzo at Firefly

Firefly was a rough week and half for me due to some personal feelings and such, but being able to actually be at the festival is always a rarity these days and one I cherished about my time in the Woodlands. After the Lizzo hype of 2019, I was so stoked to see her Sunday night set in one of her first performances back since early 2020. I got to see it from the VIP area with several of my friends who were working in VIP that weekend. It was a nonstop hour and a half dance party filled with endless joy that felt “good as hell!”

Glass Animals

After Firefly ended, I had 2 days before flying out to Austin for ACL. I was home for a total of 26 hours because the night before flying out I saw Glass Animals with my friend Amanda. We bought the tickets when the tour was announced back in May cause I anticipated being able to make the Tuesday night date. I made it happen and it was another night of nonstop dancing. Before I got into Glass Animals, I saw bits and pieces of their July 2017 Panorama set. That following fall I started listening to Glass Animals and felt bummed when I missed the call on them earlier that year. Dreamland was one of my favorite albums of 2020. I spent so much time at home listening to them last year that finally getting to see them perform in late September after all that time felt so satisfying. We had such a good time that we’re even thinking about seeing them again next year at Red Rocks because we don’t wanna talk we just wanna dance to Glass Animals again and again.

Dermot Kennedy at ACL

I made my return to ACL this year after working my first one ever in 2019. It was always a festival that I wanted to work but couldn’t figure out an in for. I was asked at Lolla if I wanted to do it again and I immediately said yes to spending two weeks in Austin. ACL brought a ton of great times and reunions with my ticketing fam and Austin friends, but none was more special than my reunion with my friend Danny, who I lovingly refer to as the Danimal. It had been just over 2 years since we last saw each other and after taking a full time role with a major event company he came to the 2nd weekend of ACL for fun. Thanks to my amazing team I was able to take some time to see all of Dermot Kennedy’s set with Danny. Danny was with me at Coachella 2019 when I first discovered Dermot. I caught Dermot’s set at Lolla, but seeing his ACL set with my favorite festival buddy was more special. We sang along to everything and danced harder than one would expect at a Dermot Kennedy set to the point that we created a mini mosh pit with two strangers during “Giants.” It was one of the most fun live music moments I experienced all year.

Foster the People (Torches X Show)

I already dedicated a whole blog to this show, so please check it out for all the detail. Just to reiterate though, I can’t believe I got to experience this show. It still feels surreal. Favorite band, favorite album, in one of my favorite places. Surreal.

LCD Soundsystem

When I wrote my end of 2020 music recap, I wrote about hoping to hear from LCD Soundsystem again in 2021. Well they came back. They announced a 20 show residency in NYC in November and December in early October and I spent one morning before heading to site at ACL struggling to get tickets. I managed to secure tickets to one of the early December shows with plans to see them again with my friends at their final date of the residency. The residency got cut short due to the unrelenting panny d, but I was still able to go to the show I purchased tickets for in the beginning of December. It became a whole weekend of shows with my friend Hailey who flew in to hang with me and to see James, Nancy, Pat and the rest of the crew. We spent some time hanging in NYC too. LCD Soundsystem always gets me hyped since I never thought I would get to see them after getting into them in 2012 post-break up. This time was no different as I planned to dance myself clean for the third time. We heard, in my opinion, one of the best set lists of the residency too. I danced myself clean with all my friends as daft punk played at my house and New York, which I love brought me down. It was so good that I could do it on repeat.

Streetlight Manifesto

The day after LCD Soundsystem Hailey and I made our way to Philly to attend mine and my friends’ annual Christmas celebration at Streetlight Manifesto. Usually it happens in central Jersey with just me and my two friends Ashley and Noah, but this year with an announced Philly date, we decided to do it there with a bunch of other pals. I convinced Hailey to come even though she wasn’t into Streetlight with the promise that she would get to experience this incredible tradition we started in 2018. Despite not playing “Point/Counterpoint” into “Keasbey Nights” back into “Point/Counterpoint,” we had the best time singing along with our arms around each other to the uptempo ska songs we loved listening to in high school after a year not being able to see Streetlight. It was another one of my favorite concert moments of the year.

Runners-Up:

All Time Low

Thanks to my friend Emily and her homie at the Bottom Lounge in Chicago I was able to attend All Time Low’s Lollapalooza aftershow during Lolla week (the show was Wednesday before the festival started). After Hailey hooked it up with providing a place to stay, we both started talking about attending a show the night before Day 1 of the festival. We both had an interest in All Time Low and it just happened to work out that Emily had connections at the venue when I told her we wanted to attend. The only problem was I worked onsite until 7 PM the day of the show which was when it started. There was an opener though so I figured ATL wouldn’t hit the stage til 8:30 or show and we would be fine. We were not, in fact, fine. All Time Low came on at 8 and we got to the venue around 8:40 by the time I left work, moved my stuff to the place we were staying, quickly changed, and ubered there. We saw the last 4-5 songs though. They were all bangers and it was enjoyable for the brief time we were there. I got to hear “Dear Maria…” their most iconic song, which was really cool because I’ve known that song since high school and I had never seen All Time Low before that night. Overall, it was fun to take in a show with Hailey since we were getting to know each other and realized we had similar music tastes. It really kicked off my return to Lollapalooza too and I knew it would be a great week.

The Killers at Firefly

As I mentioned before, I was able to see a bunch of music at Firefly given my role and hours for the week. I was able to see everything I wanted to see on Friday and Sunday at the festival, which included Friday night’s headliner, The Killers. Both times I saw the Killers previously were with my mom, so this was the first time seeing them without her. I was sure to record her favorite song though and send it to her as I took in the set with some of my festie friends. It was another set of the weekend that included tons of dancing as I sang along to mostly every song. The Killers always put on a good show and this was no different even if they didn’t end with “Mr. Brightside.”

Nelly at Firefly

My inner middle school self was so excited to see Nelly at Firefly. That’s the great thing about festivals, being able to see music you wouldn’t normally buy a concert ticket to. I took advantage of the opportunity and it was such a fun set. Nelly was so big during my middle school and high school years that I knew almost every song he performed. There was a huge crowd for his set and almost everyone was singing/rapping along to hits like “Ride Wit Me”, “Hot in Herre”, “Air Force Ones”, and “Grillz.” As a former fan, it was definitely a highlight to be able to see Nelly this year.

Now that I did a double review for the year that brought live music back into our lives, what’s next? Well there’s still plenty of concerts and events that didn’t get to happen this year so next year the comeback is still on. I’m highly anticipating new Arctic Monkeys next year and a Foster the People tour that they mentioned at their Torches X show. I’m also still hoping for new music from LCD Soundsystem. At least they came back to play shows these past 2 months. I’m also excited for new alt-J and Bastille. Both have new albums dropping in February. I’m still hoping for more Florence and the Machine as I was last year, but it would also be great to add Tegan & Sara to that list too.

If all goes well, in a few days there should be a certain well-known festival that will be dropping a lineup. I have my fingers crossed that all goes accordingly with it this year since it’s been 3 years since the last one. I know so many others are hopeful as well. In any event, once that lineup drops there will be several blog posts coming straight from the marathon month I’ll be spending in Mexico, since those events are back as well. 2021 will definitely go down as a return to live music and I hope it all keeps going smoothly into the next year. Until then, don’t stop listening and buying tickets!

We’re Going Down Down

It’s been 2 months since I last posted, which is something I’ve never done since I started this blog 7 years ago. I always tried to update each month, if not each week. I have good reason though. Over the last several weeks, I got caught up in this weird, transitional year. I finally returned to work onsite at a music festival in late June. Then the week after I was onsite at another. They were the first major events I worked in 15 months. It was awesome. Words can’t even explain how great it feels to be back at work doing what I love. Then after having visitors throughout the rest of July and dealing with some personal ongoing issues (tooth problems!), I made my huge return to Lollapalooza last week. Lollapalooza has always been one of my favorite festivals since I started working music festivals in 2016. Unlike other festivals, I did not work Lolla in 2019 so it was three years since my last time in Grant Park. The feeling of excitement for Lolla was what I was yearning for throughout 2020 and early 2021.

Before Lolla though, as I mentioned, I had several visitors throughout the month of July. One of them was my best buddy, my little cousin, Hudson. Over the last year, Hudson has gotten into alternative/pop punk band Fall Out Boy. I was a Fall Out Boy fan during high school. I saw them at my first Warped Tour in 2005. While Hudson was here, it was cool revisiting Fall Out Boy with him, especially since he knows the words to almost every song on From Under the Cork Tree. Currently, FOB is still in the news as they recently joined Green Day and Weezer for the Hella Mega Tour. Before we get into that though, let’s get into some band history.

Fall Out Boy formed was formed in Chicago in 2001 by bassist Pete Wentz and lead guitarist Joe Trohman. The group then recruited front man Patrick Stump and drummer Andy Hurley to the group, after trying out the group with other members. The band eventually signed with indie label Fueled by Ramen. They released their debut album Take This to Your Grave, under the label in May 2003. The album hurtled the band into the spotlight and substantially grew their fanbase.

In 2005, Fall Out Boy released their sophomore album From Under the Cork Tree. The album debuted at number 9 on the Billboard Top 200. The album’s top single “Sugar We’re Goin’ Down” peaked at number 8 on the Billboard Hot 100 that year as well. Their second single from the album “Dance, Dance” also hit the top ten. It was post sophomore album that the band started touring in arenas and playing music festivals other than Warped Tour. The album also earned them a Grammy nomination for Best New Artist.

The band dropped their third album Infinity on High in 2007 to much success. The album debuted at number one on the Billboard Top 200. The band headlined two major tours in support of their third album and also had several successful singles including “The Carpal Tunnel of Love”, “This Ain’t A Scene, It’s an Arms Race”, and “Thnks fr th Mmrs”. In December 2008, the band released Folie á Deux, their fourth full length album. Again, the album became a top ten hit, but did not quite reach the level of popularity as their prior two albums.

The band then went on hiatus from 2009 until 2013, when in February they announced their fifth record Save Rock and Roll and a reunion tour. The album’s top single “My Songs Know What You Did in the Dark (Light Em Up)” peaked at number 13 on the Billboard Hot 100. In 2015, the band released their sixth album American Beauty/American Psycho. This album produced hits like “Centuries”, “Uma Thurman”, and “Immortals”.

The band’s latest album “Mania” was released in September of 2017. The band embarked on the yearlong Mania tour in support of the album, which included a stop at Wrigley Field in Chicago, the band’s largest headlining stadium show to date. As I mentioned, the band is currently playing on the Hella Mega Tour with Green Day and Weezer. The tour was announced in 2019 and was delayed in 2020 due to the “panny D”.

Fall Out Boy is widely considered a pop punk band, but their music bridges into alternative, emo, pop, and punk along with other sub-genres. Through the years, I feel like Fall Out Boy’s music went from punk heavy to more pop-mainstream. Their shows have too. From playing, general admission small shows to seated larger venue shows, Fall Out Boy’s persona has changed. As an early Fall Out Boy fan, it was weird working their show in 2017 and not seeing a place for a pit. Nonetheless, I’m sure there have been some pits during their sets at Hella Mega.

After some family deliberation, my cousin and his wife decided they want to wait for a Fall Out Boy headlining tour to take Hudson to see them, instead of splurging on Hella Mega tickets. Until then, I guess we’ll just keep up this Fall Out Boy phase. They’ve become a band that has spanned the decades, which is something I didn’t really expect or even think about when I started listening to them in high school. It’s to the point that Fall Out Boy has truly become a family show. If you haven’t already, give Fall Out Boy a shot, but I’m sure you probably already have at some moment through the years. I guess we truly will remember them for centuries.

Fruit Bangers

It’s not a secret that I make a new work out playlist every couple months. I’ve been doing this on Spotify since 2015-2016. My song selection is very simple. Sometimes one of my favorite artists releases new music and other times I’ll go through new music on my Release Radar or Discovery Weekly playlists and add songs that I like after my first listen and I feel are upbeat enough to work out to. Regardless, most times I’m not listening to a song repeatedly before I add it to my playlist. I’m usually going from new music or at least music that is new to me. This can cause me to occasionally find a song that I really really like after I keep hearing it day after day, which is exactly what happened two weeks ago.

While working out and listening to my first work out playlist of this year, I realized I really liked this one song I kept hearing. Until I realized what it was, I would constantly check to see the name of the song and the artist when it played. The song was called “Nectarines” by MELVV featuring Royal & The Serpent. Then it hit me. It’s only been a few months since I found another song I like about citrus fruit! Before “Nectarines” it was “Tangerine” by Glass Animals. In the summer, I found another guilty pleasure in listening to “Watermelon Sugar” by Harry Styles. That’s a ton of fruit music in a short period of time!

I decided to start doing some research. Although it’s not super common, there are plenty of songs written that have food titles. Most of the songs aren’t really about food though. They’re usually metaphors for one thing or another, but even so, there are a solid amount of songs with food titles out there. “Chocolate” by the 1975, “Banana Pancakes” by Jack Johnson, “Cherry Pie” by Warrant, and “Flaming Hot Cheetos” by Clairo are just a few of the food songs I thought of. I’m sure you know a few others. As I researched, I realized that there was also plenty of drink songs. There might be even more than there are for food. Some that I found and thought of are “Soco Amaretto Lime” by Brand New, “Beer” by Reel Big Fish, “Cola” and one of my personal faves “Diet Mountain Dew” by Lana Del Rey, “Poprocks and Coke” by Green Day which is kind of a food and drink song, “Strawberry Wine” by The Chicks, and then some of the most notable ones like “Gin and Juice” by Snoop Dog, “Tequila” by The Champs, and “Escape (The Piña Colada Song)” by Rupert Holmes (I counted it because it is in the parentheses and I mean come on!). I’m sure you could think of more as well, especially if you like country music (booze songs for days!).

When I started doing research on food songs, I was specifically searching for fruit songs though. I mean after two citrus bangers within months of each other, there had to be more right? Of course! I mentioned “Watermelon Sugar” earlier, which wasn’t Harry Styles’ first fruit song. “Kiwi” was on his debut album. “Peaches” by The Presidents of the United States of America was a hit too. “Raspberry” is a deep-cut by Grouplove. Besides drink songs, Lana Del Rey also has her own fruit track called “Cherry” and then Bay Ledges, whose song “Safe” was one of my top songs of 2018, has a song called “Mango”. There are other fruit songs out there too. It was just surprising to me that there have been so many that I’ve liked in a short period of time.

For now, instead of trying to find more fruit bangers, I’m just gonna keep jamming (fruit joke…get it?) to “Nectarines” and maybe soon enough there will be another fruit song I love. So here’s to all the fruit songs, the food songs, the drink songs, and even the songs that mention all of the above which is way more than I want to research. That shit would be bananas…B-A-N-A-N-A-S.

Women in Music Pt. III: Album Review

I’ve been patiently waiting for Haim’s third album, Women in Music Pt. III to drop. Some of the bright spots of this year have been the release of new music so I’ve been looking forward to this brand new album by one of my favorite bands. The album was slated for release on April 24th, but due to the current world wide crisis was pushed back for a late summer release. Then it was bumped up to a June 26th release date. June 26th was Friday, which means the album is finally out!

Haim has been releasing new music for almost a year now with “Summer Girl” dropping at the end of last July. Several other singles have also dropped in the lead up to the album release. Before live music ceased in March, Haim was in the midst of a Deli tour that honored their Jewish roots. The band was playing small shows at famous delis in a few locations around the country in honor of their first show ever being at Canter’s Deli in L.A. in 2000. The band played two of those scheduled dates before the country began to shut down. In honor of the album’s release though, the band did a live stream on Friday from Canter’s.

The biggest difference between Women in Music Pt. III and Haim’s first two albums is that this one hits deeper. The song topics get personal and more sad than their earlier works. Many songs on the album sound like the total opposite of that though. I’ve heard them described as “sad bangers”. A few tracks also add hints of jazz and Caribbean/tropical vibes to Haim’s west coast style pop/soft rock. Overall the album offers versatility in sound and lyrics compared to Days Are Gone and Something to Tell You. It’s got the Haim we’ve always loved (my favorite song “Don’t Wanna”) plus the Haim that is growing and pushing their style more (“Los Angeles”).

When live music is finally a thing again, expect plenty of tour dates and festival dates from these three sisters. I would even expect them to join the lineup for Taylor Swift’s festival next summer. Until then, bask in the greatness of this new music we were given in the strangest of times. It’s a great soundtrack for the summer and one you should take in before you can see them perform again. For me, new music is one of the only things that has felt the way it’s supposed to feel and I owe Haim and whoever else is releasing new music this year for this piece of comfort in a very uncomfortable year.

Notes On A Conditional Form: Album Review

In a time where there’s not much in the immediate future to look forward to, we thankfully still have music. New albums and songs are still being released. Some releases may have been delayed, but they’re still happening this year. For an industry that’s been crushed by this world wide crisis, it offers a glimmer of hope and an abundance of jams.

Today, The 1975 dropped their highly anticipated fourth album, Notes On A Conditional Form. The album release was twice delayed already this year, but every few weeks a new single from the album was released in the lead up to this weekend’s official release. To me, this feels like The 1975’s most ambitious album to date. Stylistically, it crosses genres, yet still maintains the indie/synth pop sound well associated with The 1975.

An inkling of this genre breach happened when the band dropped one of the new album’s first songs, “People.” The track sounds more like a punk rock/hardcore anthem than anything you’ve ever heard from The 1975 in the past. I remember being pleasantly surprised with the vibe of the new song as someone who grew up listening to punk and hardcore music, but I still questioned where the band was going with it. As more songs were released, I was assured that their new album would be full of stylistic surprises.

In early April, The 1975 released the song “Jesus Christ 2005 God Bless America,” which features indie folk rock artist, Phoebe Bridgers, who was supposed to join the band on their 2020 tour until it was inevitably postponed. The song is a testament to Bridgers’ folk rock style. The only thing that gives it away is Matty Healy’s vocals, but even Healy’s sound succumbs to the song style. “Playing on My Mind” also has that indie folk feel.

“Roadkill,” which wasn’t released prior to the full album, sounds like it could’ve come off a Sam Hunt record. It’s got an unmistakable country twang. Despite the country vibe, it still feels like a 1975 indie pop song. I kind of love it. There’s also a few interlude tracks on the record that bridge into another genre as well. These songs take the standard synth pop sound of the band into a more electronic sound. “Shiny Collarbone” and about halfway through “Having No Head” are those dance tracks.

The album is full of songs that sound like what you would expect from The 1975 too. There’s several bangers like “Me & You Together Song”, “If You’re Too Shy (Let Me Know)”, and “Frail State of Mind” and smooth rock ballads like “Guys”, “The Birthday Party”, “Don’t Worry”, and “Nothing Revealed/Everything Denied.” It’s honestly such a great mix of music.

Like I said, this album feels different than what we’re used to from The 1975, but it blends genres remarkably well and still gives us the sound that we’re looking for. It may have taken me an album to actually get into The 1975 (I really got into them after “The Sound” from I like it when you sleep…), but I’ve been a fan ever since. I’ve always really been into their hits. “The Sound” (obviously), “Sex”, “Heart Out”, “Chocolate”, and “It’s Not Living (If It’s Not With You)” are a few of my favorites. This new album feels different in a good way though and even the songs I don’t typically fall for, I love. I think if you’re an indie music fan or a music fan in general, you can find something on this record that you’ll like. It’s got something for everyone. But really, you might just love it all, it’s that good. So give it a shot. If you don’t find it appealing, my solution is that maybe you would like it better if you took off your clothes. (Of course, that one is my favorite!)

Music’s Got Me Feeling So Free

Couchella Weekend 1 was a huge success. The documentary was fantastic and a great reminder of happier times both in the past and to come. I learned a lot about Coachella from it. I watched it each day of what would have been Coachella 2020 Weekend 1 including a special Friday premiere viewing party with a few of my Coachella coworkers. I decorated the room a bit to feel like Coachella and trust me it kind of did. It helped me separate from the outside world much like actually working a festival does. It also introduced me to new music, which is what I need to write about today. I mean new as in the sense of I wasn’t really into the music before last weekend because this group has been around since the 90’s. Their set in 2006 was very notable in the history of Coachella and that group is Daft Punk.

The French electronic music duo Daft Punk was formed in 1993. After their lack of success in the punk band Darlin’ (which also included Laurent Brancowitz of Phoenix), Guy-Manuel de Homem-Christo and Thomas Bangalter created Daft Punk. They went in a different direction musically, after being introduced to the rave scene. The name “Daft Punk” came from a negative review of Darlin’ which referred to their music as “a daft punky thrash.” The group got their break at a rave in 1993 when they handed off a demo to Stuart McMillan of the Scottish electronic duo Slam. Slam had their own record label Soma.

The duo hired Pedro Winter to be their manager and signed with Virgin Records in 1996. In 1997 they released their highly anticipated debut album Homework, which included their earlier singles “Alive” and “Da Funk” along with “Around the World.” They released their second album Discovery in 2001. The album had a more of a synth-pop sound than what the group was known for from their debut album, but it lead Daft Punk to commercial success. The album reached the Top 10 in music charts throughout Europe, Australia, New Zealand, Canada, and the U.S. When performing during their earlier days, the duo would cover their faces with different masks. It wasn’t until Discovery came out that they adopted their robot alter egos.

In 2005, Daft Punk released their third album Human After All. Despite reaching high positions on music charts throughout the world, the album didn’t quite have the success that Discovery did. In the early 2000’s Daft Punk also got into the visual entertainment sector and released two films, Interstella 5555: The 5tory of the 5ecret 5tar 5ystem in 2003 and Daft Punk’s Electroma in 2006. As I mentioned before, 2006 also brought Daft Punk to Coachella for their first and only Coachella appearance. They debuted their famous pyramid that they also used on tour that year.

In the years between their third and fourth album, the duo was again busy working on films, specifically the soundtrack for Disney’s Tron: Legacy. Then, they won their first Grammy in 2009 for Best Electronic/Dance Album for their live album Alive 2007. They also won a Grammy for Best Dance Recording for “Harder, Better, Faster, Stronger.”

On May 13, 2013 Daft Punk released their fourth studio album Random Access Memories. The album featured collaborations with Nile Rodgers of Chic, Pharrell Williams, and Julian Casablancas of The Strokes. The album became their most successful album to date with hits like “Get Lucky”, “Instant Crush”, and “Lose Yourself to Dance.” The record earned them peak positions on music charts worldwide as well as numerous accolades and awards including a Grammy for Album of the Year. In many countries the album has reached Platinum status or beyond. Daft Punk were also co-producers on Kanye West’s 2013 album Yeezus.

Since Random Access Memories and the few years that followed, Daft Punk has been relatively quiet. Their most notable project came in the form of collaboration with The Weeknd on his hit singles “Starboy” and “I Feel It Coming” in 2016. They’ve since been working on solo projects.

Daft Punk’s style of electronic music is very much house music. Through the years though, it’s varied album by album. It also incorporates elements of rock and disco. Personally I think Daft Punk’s music is ahead of its time, especially the album Discovery, but again I might not know that much about the history of electronic music since I’ve started listening to it only in the past few years.

I first learned of Daft Punk around the time of Random Access Memories due to the popularity of the album. I wasn’t a fan of their biggest hit song “Get Lucky” though. It was still at a point where I detested main stream music nor did I like EDM. I didn’t understand the hype and in the past few years as I got into electronic music, Daft Punk wasn’t really a name I heard often unless it involved headliner predictions for Coachella.

The Coachella documentary shed some light on Daft Punk for me. After watching the scene about their 2006 set, I thought to myself, “Wow this looked like a lot of fun! Maybe I should see what Daft Punk is about.” So I started listening to some of their stuff on Spotify. I realized I heard plenty of Daft Punk tracks over the years, but it was probably just background music for me. So I went through their discography and listened to tracks from all their albums. I listened to them while I attempted to cook my favorite dish from Coachella catering last weekend. It hit me that I’d been missing out on Daft Punk for a while now. I finally understood the hype. I’ve now become one of those people who hope Daft Punk is on every Coachella lineup. I would love to see them live. I want to see them live and I want to see them at Coachella.

With all the negative outlooks for the relatively near future, no one is sure when live music will be back, especially large-scale events like music festivals. Who knows when the next Coachella will happen, but when it does happen again it will likely be an epic event. In the mean time, I can always remind myself it took me 4 years to get to Coachella from when I first wanted to go. I can also do my best to take in Weekend 2 of what would have been Coachella 2020 as best as I can. I plan on watching the documentary each day of Weekend 2 just like I did during Weekend 1 and I also plan on watching some full Coachella sets from past years that I found online. I watched RÜFÜS DU SOL’s 2019 Weekend 1 set last weekend (I was actually at the set for the end half too!). This Weekend I have Dillon Francis’ 2019 set, Foster the People’s 2011 set, and yes, Daft Punk’s 2006 set because I found it in full on YouTube. I can’t wait to see how fun it actually was and I can’t wait for the day we’re all back at Coachella. Hopefully we’ll be listening to Daft Punk live one more time. It could happen. We could get lucky.

Coachella Band Preview: Emo Nite

So January is almost over. Just like that, there’s 1 month down and 2 to go until Coachella. I hope you’ve been listening to your favorite artists or maybe some new ones you want to check out. There’s a handful of artists I’m pretty stoked to see this year, but I’m also pretty excited about checking out an act that I might not have to do much preparation for. That act is Emo Nite.

Emo Nite started in LA in late 2014. It began when friends Babs Szabo, T.J. Petracca, and Morgan Freed wanted to host an emo themed bar party with their friends. The friends initially met and bonded over their love of emo music and growing up in the emo/pop-punk scene. They made a facebook group for their event and 500 people showed up. They tried again and the same thing happened. A lot of people love emo music so Emo Nite became a thing.

Over the past 5 years it has began touring around the country and playing other festivals like Life Is Beautiful and Firefly to name a few. The group has recruited guest DJs from emo and pop punk bands to come to Emo Nite like Blink-182’s Travis Barker, All Time Low, Good Charlotte, The All-American Rejects, Circa Survive’s Anthony Green, and Andrew McMahon of Something Corporate, Jack’s Mannequin, and Andrew McMahon and the Wilderness. They’ve even had non-emo artists like Halsey and Post Malone come out.

I’ve been to emo nights before (I’ve actually gone to 3 over the last year!), but never the official Emo Nite. I’m stoked to go at Coachella though. After the hype and rumors surrounding My Chemical Romance playing Coachella this year and then ultimately the band not being on the lineup, I think Emo Nite will help fulfill that void for everyone who expected to sing “Welcome to the Black Parade” with Gerard Way. Also this is Emo Nite at Coachella, a festival synonymous with epic guest appearances. I think we’ll be in for some great surprises at their set. Maybe a member or two of My Chemical Romance shows up? Or who knows who could be there? It’s definitely not worth it to sleep on Emo Nite though, especially if you were ever a fan of emo music.

I can’t even come up with a great guess on when or where Emo Nite will be. I would guess either Gobi or Mojave. I would also hope in the evening, but I think set time/stage possibilities really depend on what’s going to happen at Emo Nite and that we won’t know until the schedule comes out in the days before Weekend 1. Emo Nite is a tough one to prep for because let’s be honest, you’re only going to Emo Nite if you like/liked emo music and if you do or did, you’ve probably spent most of your teenage years prepping. Instead of giving you a bunch of songs to listen to, I’m gonna leave you with some bands you’ll probably hear at Emo Nite. Prep if you want, re-visit some of your favorite songs, or show up and have all the old lyrics come rushing back to you. Do whatever you want except don’t sleep on Emo Nite!

  1. Dashboard Confessional
  2. Brand New
  3. Taking Back Sunday
  4. Fall Out Boy
  5. Panic! At the Disco
  6. My Chemical Romance
  7. All Time Low
  8. Something Corporate
  9. Green Day
  10. Blink-182
  11. Good Charlotte
  12. Simple Plan
  13. The Starting Line
  14. Forever the Sickest Kids
  15. Bayside
  16. Jimmy Eat World
  17. Saves the Day
  18. Say Anything
  19. The Get Up Kids
  20. Death Cab For Cutie

 

Coachella Band Preview: Rage Against the Machine

Week 2 in Mexico and I’m back with another Coachella Band Preview. It’s kind of funny actually. This is my 6th year of doing band previews for Coachella. When I first started, most acts I previewed were bands. Now it feels like this week’s preview is one of the only bands I’m previewing this year. A lot of the other acts I’m interested in are DJs and singers. It makes me sad, yet hopeful there will be a Coachella when I’m back to previewing bands. For now let’s take a look at legendary political rock band and inaugural Coachella performers, Rage Against the Machine.

Rage Against the Machine formed in 1991 in Los Angeles, California. The band is comprised of lead vocalist Zack de la Rocha, guitarist Tom Morello, bassist and backing vocalist Tim Commerford, and drummer Brad Wilk. Their self-titled debut album was released in 1992. The album went on to critical and commercial success. It includes their most well-known song to date “Killing in the Name” and earned them a spot at Lollapalooza in 1993. They released two more albums Evil Empire (1996) and The Battle of Los Angeles (1999). After the release of their cover album Renegades in 2000, the band broke-up over creative difference with de la Rocha.

In the years following their break-up, the remaining members united with Soundgarden frontman Chris Cornell to form the band Audioslave. Audioslave released several albums in the 00’s before breaking up in 2007. That year brought back Rage Against the Machine though. The band reunited to play Coachella. They stayed together for a few years after playing shows and festivals worldwide. Now 20 years after their last album, they’re reuniting at Coachella again. There’s also a rumor that they’re planning a tour in 2020, so maybe Coachella won’t be the only place where you can see RATM this year.

Their music is well-known for it’s unique hip-hop style of rock/metal music. Like their name describes, it’s also very well-known for being politically progressive. De la Rocha’s vocals are where the hip-hop influence comes in to their music as well as in Morello’s guitar technique. However the sound itself is very rock and metal heavy.

Rage Against the Machine headlines the main stage on Friday night. You can expect moshing. You can expect a wild time. You can also expect Coachella at its roots. Rage Against the Machine is one of the only legacy/rock acts to play the festival this year, which makes it a special set for old school Coachella fans. I’m pretty stoked myself. One of my high school friends introduced me to Rage Against the Machine shortly after I graduated. Although I’m not familiar with all of their songs, I know the big ones and I’m excited to see Rage Against the Machine play. Hopefully I’ll be able to get to the festival to see it. With the political climate in America these days, Rage Against the Machine is just what we all need to take out any frustrations we have. Before you head to the pit Friday night, here’s a few songs you might want to check out first:

  1. Killing in the Name
  2. Bulls on Parade
  3. Guerrilla Radio
  4. Testify
  5. Wake Up
  6. Know Your Enemy
  7. Sleep Now in the Fire
  8. Take the Power Back
  9. Bullet in the Head
  10. How I Could Just Kill a Man (Cypress Hill cover)