something corporate

Coachella Band Preview: Emo Nite

So January is almost over. Just like that, there’s 1 month down and 2 to go until Coachella. I hope you’ve been listening to your favorite artists or maybe some new ones you want to check out. There’s a handful of artists I’m pretty stoked to see this year, but I’m also pretty excited about checking out an act that I might not have to do much preparation for. That act is Emo Nite.

Emo Nite started in LA in late 2014. It began when friends Babs Szabo, T.J. Petracca, and Morgan Freed wanted to host an emo themed bar party with their friends. The friends initially met and bonded over their love of emo music and growing up in the emo/pop-punk scene. They made a facebook group for their event and 500 people showed up. They tried again and the same thing happened. A lot of people love emo music so Emo Nite became a thing.

Over the past 5 years it has began touring around the country and playing other festivals like Life Is Beautiful and Firefly to name a few. The group has recruited guest DJs from emo and pop punk bands to come to Emo Nite like Blink-182’s Travis Barker, All Time Low, Good Charlotte, The All-American Rejects, Circa Survive’s Anthony Green, and Andrew McMahon of Something Corporate, Jack’s Mannequin, and Andrew McMahon and the Wilderness. They’ve even had non-emo artists like Halsey and Post Malone come out.

I’ve been to emo nights before (I’ve actually gone to 3 over the last year!), but never the official Emo Nite. I’m stoked to go at Coachella though. After the hype and rumors surrounding My Chemical Romance playing Coachella this year and then ultimately the band not being on the lineup, I think Emo Nite will help fulfill that void for everyone who expected to sing “Welcome to the Black Parade” with Gerard Way. Also this is Emo Nite at Coachella, a festival synonymous with epic guest appearances. I think we’ll be in for some great surprises at their set. Maybe a member or two of My Chemical Romance shows up? Or who knows who could be there? It’s definitely not worth it to sleep on Emo Nite though, especially if you were ever a fan of emo music.

I can’t even come up with a great guess on when or where Emo Nite will be. I would guess either Gobi or Mojave. I would also hope in the evening, but I think set time/stage possibilities really depend on what’s going to happen at Emo Nite and that we won’t know until the schedule comes out in the days before Weekend 1. Emo Nite is a tough one to prep for because let’s be honest, you’re only going to Emo Nite if you like/liked emo music and if you do or did, you’ve probably spent most of your teenage years prepping. Instead of giving you a bunch of songs to listen to, I’m gonna leave you with some bands you’ll probably hear at Emo Nite. Prep if you want, re-visit some of your favorite songs, or show up and have all the old lyrics come rushing back to you. Do whatever you want except don’t sleep on Emo Nite!

  1. Dashboard Confessional
  2. Brand New
  3. Taking Back Sunday
  4. Fall Out Boy
  5. Panic! At the Disco
  6. My Chemical Romance
  7. All Time Low
  8. Something Corporate
  9. Green Day
  10. Blink-182
  11. Good Charlotte
  12. Simple Plan
  13. The Starting Line
  14. Forever the Sickest Kids
  15. Bayside
  16. Jimmy Eat World
  17. Saves the Day
  18. Say Anything
  19. The Get Up Kids
  20. Death Cab For Cutie

 

Why Are There No New Christmas Songs?

Christmas time is unique in that it’s the only time of year with designated songs describing the season. I mean I guess you can make a case for Halloween songs, but when it comes to Christmas songs, they can’t really compete. Christmas music is played way more frequently. The thing about Christmas music though is that every year radio stations, stores, malls, and other entities play the same songs on repeat. Unlike music in general, you don’t often hear new songs when it comes to Christmas ones. But why?

It’s not that new songs aren’t being created. Every year there’s probably several new Christmas songs, but apparently it’s difficult to make one popular to the masses. More often you’ll hear modern artists covering traditional Christmas music rather than creating new songs. In fact, the most recent successful Christmas song came out 22 years ago. It was Mariah Carey’s “All I Want For Christmas Is You”. Most of you know the song too. It’s now a holiday staple. You can make an argument for others though. *NSYNC’s “Merry Christmas, Happy Holidays” came out in 1998. Then there’s Britney Spears’s “My Only Wish” which was released in 1995.You might hear the *NSYNC song throughout the holidays, but it’s rare to hear the Britney one. Mariah still beats them both.

There’s been a couple of artists who have tried to put out a modern Christmas song in more recent years like Justin Bieber, Taylor Swift, Lady Gaga, Rihanna, Ariana Grande, and Meghan Trainor. I bet you didn’t know that unless you’re a huge fan of a particular artist because none of their songs were that successful. I honestly don’t know what their holiday songs are called or how they go. Do you? That’s enough proof to show their lack of success.

I had a few Christmas songs that I listened to during high school and college that were original songs. Those songs weren’t by bands or artists you’d hear on mainstream radio though. A lot of the songs had sad themes too, which aren’t people’s favorite thing to listen to around the holidays (take “Christmas Shoes” for example). One of my favorites was “Forget December” by Something Corporate. The songs was released in 2003 as part of the album A Santa Cause: It’s a Punk Rock Christmas, an album that was released to benefit The Elizabeth Glaser Pediatric AIDS Foundation in which punk bands created original holiday songs or recorded covers of Christmas classics. The first volume was released in 2003 and a second was released in 2006 to benefit a different charity (Cure Autism Now). A decent portion of those songs were on my Christmas playlist over the years.

Now whether it’s lack of Christmas spirit, a desire for something new, or a combo of both reasons, I don’t listen to Christmas music if I don’t have to (because when you go shopping near the holidays you’re bound to hear it). I haven’t for the last 4-5 years. I haven’t been excited to hear it either, even my old favorite songs. I think the reason for that is because I don’t listen to the same bands that I listened to in high school and college. In general Christmas and its music isn’t as exciting anymore, but especially since modern Christmas music really isn’t a thing. We’re mostly still listening to music that came out decades ago.

Last year, LCD Soundsystem released an original Christmas song, “Christmas Will Break Your Heart”. I listened to it, but I wished it was more upbeat like the songs “Dance Yrself Clean” or “Daft Punk Is Playing At My House”. It sounded more like “New York I Love You But You’re Bringing Me Down” and I just wasn’t feeling it at the time (I do like the song “New York I Love You….” though). I listened to it again last month and I liked it a little better probably due to my renewed love of LCD. That’s the only band I can think of that I like that released an original Christmas song in the past few years.

If more indie pop/rock bands released some Christmas songs, I might actually find a renewed taste for Christmas music. It would also be pretty sweet if an electronic artist did one too. I can imagine that would create an energetic Christmas vibe. I doubt any of those songs would make it to mainstream listeners though (not that I’d be complaining) so take that as you will.

Maybe one of the closest things to a Christmas song I’ve enjoyed in the last 4-5 years was a combination of a classic Christmas song and a modern day hit that debuted on the TV show The Real O’Neals last Tuesday. They performed O Holy Night and mashed it with Sia’s “The Greatest”. It was the coolest Christmas related musical piece I’ve heard in a while. It blended an old religious holiday ballad and a newly released non-Christmas single perfectly. It got me so hyped last week when they cut into the carol and started singing Sia. I’ve been promoting it ever since and I wish they recorded a full version.

Something like that gives me hope that maybe soon enough we’ll have more modern Christmas songs so we can stop listening to Burl Ives, Bing Crosby, or even Mariah Carey. I know many people may not want to, but I’ve never been part of the majority. Here’s a few newer-ish original Christmas songs to listen to if you’re looking for something more modern:

  1. Forget December -Something Corporate (2003)
  2. Yule Shoot Your Eye Out -Fall Out Boy (2003)
  3. I Won’t Be Home For Christmas -Blink-182 (2003)
  4. This Time of Year -The Mighty Mighty Bosstones (2003)
  5. Icicles -Punchline (2003)
  6. City Trucks -Paper Route (2006)
  7. My Christmas List -Simple Plan (2001)
  8. Right Where You Want Me To Be -A Day to Remember (2010)
  9. Christmas Will Break Your Heart -LCD Soundsystem (2015)
  10. Not Giving In -Rediscover (2006)
  11. The Christmas Song -Owl City (2008)
  12. Christmas Gifts -Foxes (2009)
  13. Merry Christmas, Kiss My Ass -All Time Low (2011)
  14. The Lights and Buzz -Jack’s Mannequin (2005)
  15. Merry Frickin’ Christmas -Frickin’ A (2004)

Also here is the O Holy Night/Sia Mashup from The Real O’Neals.

When I Say Shotgun, You Say Wedding

I’m always surprised when I hear about bands that I liked in high school still being relevant in the music world. I know most of those bands are still out there making music. Just because I don’t listen to their music or follow them anymore doesn’t mean they cease to exist. What really surprises me though is when those bands reach a level of success greater than the level I knew them at. For instance, take Andrew McMahon in the Wilderness. Sure, I guess I can argue that the band is new, but Andrew McMahon is no stranger to music. He was the front man for indie punk band Something Corporate and then for Jack’s Mannequin. He even sang about his SoCo life (“been around the world in a punk rock band”) in the Andrew McMahon in the Wilderness hit “Cecilia and the Satellite”. Despite ventures with two different bands who were well-known in their respective scenes, he never bridged the mainstream gap until Andrew McMahon in the Wilderness. Now another band from my high school years has my attention.

I first heard about this band, by the name of Panic! at the Disco when I was a junior in high school. I got their debut album A Fever You Can’t Sweat Out, which was released in September 2005, around the time I got my driver’s license. Their debut was the soundtrack to my early driving days where I gained and maintained the independence a driver’s license offers. It played as I drove to pick up friends, grab some Burger King, or take drives on a long strip of road in a nearby town known as The Ave.The first song of theirs that caught my attention was “Time to Dance”. I downloaded a demo version of the song that was different from the album version and received some attention from friends who recognized the distinction. I listened to both versions anyway and loved the rest of the songs too.

Panic! at the Disco was founded in 2004 by childhood friends, Ryan Ross and Spencer Smith, while they were still in high school in a suburb of Las Vegas, Nevada. They recruited friend, Brent Wilson to join and Wilson encouraged his classmate, Brendon Urie to join the band as well. Initially the group started out as a blink-182 cover band, but then they recorded three original songs. They decided to send Fall Out Boy bassist Pete Wentz a link to their Purevolume account just for the hell of it, but the tables turned in their favor. Wentz liked what he heard. He met the band and asked them to sign with his very own Decaydence Records (now known as DCD2), an imprint of Fueled By Ramen, which Fall Out Boy was signed with. They signed with Wentz before even playing a live show, which came a few month before their first album was released.

Their debut album had a slow rise to the top, but in a way Panic! at the Disco needed that. They needed to learn how to be a band. They all recently graduated high school (aside from Ross who dropped out of college to focus on music) and were still young kids. In March of 2006, the band announced a headlining tour and by August of that year the album was certified platinum and their single “I Write Sins Not Tragedies” won Video of the Year at the 2006 MTV Video Music Awards. Pretty amazing for a bunch of teenagers right? However the Panic! at the Disco who had that crazy rise to fame isn’t the same Panic! at the Disco that exists today.

Over the past 11 years the band has had plenty of turnover. Lead vocalist, Brendon Urie is the only founding member still in the band. There’s various reasons for that though. Creative differences was one of the reasons. I totally understand this because the band’s sound has changed drastically from its debut album.

Their first record has an electronic dance punk sound. Their second record Pretty Odd, released on March 21, 2008, sounds like something you’d hear from the Beatles. It was a drastic change in sound. It was one that I, as a huge fan of their first album, wasn’t happy about. I remember looking forward to their sophomore album, but while listening to it for the first time I was confused as to who I was actually listening to because it didn’t sound like them at all. It resulted in my disinterest in the band from then on.

The band released 3 more albums since Pretty. Odd.: Vices & Virtues (2011), Too Weird to Live, Too Rare to Die! (2013), and most recently Death of a Bachelor, which came out in January of 2016. Now Panic! at the Disco’s sound falls into the pop rock genre. I have to admit as a fan of early Panic! at the Disco, their most recent album sounds more like their debut than the second album did. The only consistent thing throughout their five albums is Urie’s signature vocals.

Now back to the first paragraph of this blog when I was saying how it surprises me when bands I used to listen to in high school reach a level of success greater than the one I knew them at. Yesterday I was looking at upcoming concerts on the Bandsintown app, my go-to app for upcoming concerts and music events. I was looking into Saint Motel’s future shows as an idea for a Christmas present for my mom who happens to be a Saint Motel fan. I saw they were playing a few shows next year nearby, but the shows were in arenas. For a band like Saint Motel, that’s not the norm. I figured they must be opening for someone so I did some research to see who they were opening for. Turns out they’re opening for Panic! at the Disco on their Death of a Bachelor Tour. I couldn’t believe it. Only a few of the shows are sold out (who knows if they’re true sell outs or not) as of right now, but it still floored me that this band is currently able to play arena sized venues especially since I haven’t heard of Panic! at the Disco making much noise since “I Write Sins Not Tragedies”. Actually, the last time Brendon Urie came into my life was over the past year at Coachella 2016 when he joined Halsey on stage as part of her set. Panic! at the Disco must be doing something right though, even if I haven’t noticed it.

If you’re interested in listening to this band, here are some of my favorite songs and a few other good ones by the band who got their name from The Smiths’ song “Panic”:

  1. Time to Dance
  2. The Only Difference Between Martydom and Suicide is Press Coverage
  3. I Write Sins Not Tragedies
  4. Lying is the Most Fun a Girl Can Have Without Taking Her Clothes Off
  5. Victorious
  6. But It’s Better If You Do
  7. Nine in the Afternoon

Warped

For 7 years from age 16 to age 22, I attended the Vans Warped Tour every summer. I remember finding out about Warped Tour when I was 15 from a friend in high school. It was at the time when I first discovered alternative music. Every year Warped Tour also releases a compilation album containing one song from every artist on that year’s tour. I became super interested in a few songs on the 2003 compilation that my friend had. That’s when she explained to me what the Vans Warped Tour was. I decided to purchase the 2003 compilation for myself and I was stoked to get the 2004 album upon its release (this was in the spring of 2004). More importantly I was extremely interested in going to Warped Tour that summer. Much to my dismay though, the tour wasn’t coming to my hometown. The closest venue that hosted the tour was 1 hour and 40 minutes away. At age 15, without a driver’s license and a car, it just wasn’t happening for me that summer. When the 2005 dates were announced a few months after the 2004 tour finished, I was pumped. The Vans Warped Tour was coming to my local concert venue and there was no way I was missing it.

Warped Tour began in 1995 as a skate punk/ska festival. It was founded by Kevin Lyman. In 1996, the skate shoe manufacturer and clothing brand, Vans, became the tour’s main sponsor. The Vans Warped Tour is the longest running touring festival in North America and the largest touring festival in the United States. In the late 90’s, the tour even went overseas to play dates in Australia, Japan, New Zealand, and Europe. It returned overseas to play a date in London in 2012 and again in 2015. Through the years, Warped Tour expanded on its music genres to include pop-punk, hardcore, emo, screamo, metalcore, and even some hip-hop and pop bands and artists. Many bands like Fall Out Boy, Blink-182, and Paramore, got their start on the Warped Tour. There’s even one notable pop artist who got her start on Warped Tour, but I’ll tell you more about it as you read on. It’s been said that Warped Tour is an initiation of sorts for bands because its a non-stop, all day touring event with many other bands that goes across the country over the entire summer. It’s intense to say the least, but from what I hear, tons of fun too. From the perspective of an attendee, it’s also fun for the festival-goers.

I attended my first Warped Tour in 2005.  I went with two friends and my mom because of course at age 16 I clearly wasn’t old enough to attend a music event with a chaperone (*sarcasm*). I also didn’t have my driver’s license by then so it worked out to have her as a ride. One thing different about Warped Tour compared to other music festivals is that you never know the lineup until the day of the festival. When you arrive you have to locate the giant board of set times and make a list of when and where your favorite bands are playing. It was always the craziest part of the day because everyone goes to that board upon entry. It gets so crowded on the way to there. At least I knew about the board in advance in 2005 despite being a Warped Tour rookie. That year I saw Fall Out Boy (only some of their set because Relient K overlapped), Relient K, The Offspring, and The Starting Line. I also planned to see Something Corporate, but they cancelled all their dates. It was the year their lead singer, Andrew McMahon (now of Andrew McMahon and the Wilderness and formerly of Jack’s Mannequin too), was diagnosed with cancer and was undergoing treatment. I still had the best time and knew from then on I would be making Warped Tour an annual event in my life.

I had some amazing times throughout 7 Warped Tours. I saw tons of my favorite bands play, sang my lungs out, skanked in skanking circles (ska music), considered crowd-surfing (although I never actually did), drank overpriced water and gatorade (hydration was always important), was involved in a torrential downpour, and even saw Katy Perry play. Yeah that’s right Katy Perry played Warped Tour in 2008! Told you I’d tell you more about that pop star who got her start on Warped Tour. Well, it was Katy Perry. It was while she had the “I Kissed a Girl” single out. My friends and I were resting and talking in the amphitheater a decent length away from the stage where a performance was happening and all of sudden I heard the “I Kissed a Girl” song. We realized we were relaxing during Katy Perry’s set. We watched the rest of the song, which happened to be her last one. Thinking back on it now, it’s kind of crazy to be able to say I saw Katy Perry play Warped Tour given the level of popularity she’s reached, but I did. It happened.

I could go on about Warped Tour. My memories of the festival are countless. I could tell you about the time I skipped The Bouncing Souls set for Four Year Strong and missed the first words to “Lean On Sheena” getting screamed in my friends’ faces (it was our song), or watching Hellogoodbye and all their friends parade around in costumes during their set, or skanking to my favorite Less Than Jake song in a giant skanking circle. One year a friend who I attended with asked me if I thought we would still attend Warped Tour as we got into our 20’s and 30’s like some of the older people we would see at the festival. My response was something along the lines of, “Hell yeah! Why wouldn’t we?” At the time, I never thought I’d stop liking Warped Tour style music or wanting to attend the festival. I guess I was wrong about that though.

I attended yearly through 2011. I almost went in 2012 as well but decided against it because I didn’t feel like getting rained on again in the festival like I did in 2008 (plus I would have been going alone). That ended my 7 year Warped Tour run and I haven’t been back since. The reason being is that I stopped listening to the type of bands that play Warped Tour. I grew and so did my music interests. The last year I attended I could tell it was already happening. There were less and less bands I was interested in seeing. My focus instead became attending festivals like Coachella, Lollapalooza, or Bonnaroo, ones that played the kind of music I was listening to. Warped Tour was my first festival though (“you never forget your first”). It was also my second, third, fourth, and so on. It prepped me for future festivals and gave me plenty of amazing music experiences a long the way. It also gave me many memories with friends who I attended with and met up with at the festival throughout my years of attending. It was the summer event to attend while I was in high school and college. For all those reasons, it will always hold a special place in my heart.

If you’re interested in attending Warped Tour this year or checking out some bands playing the festival, head to the Vans Warped Tour website. Since this isn’t one specific band that plays the Warped Tour and therefore I can’t leave you a list of songs to check out, here’s a few links to some of my favorite Warped Tour performances and some pictures I took during my years attending the event.

“Rooftops” by Mest, Warped Tour 2003 (Also one of my all-time favorite songs.)

“The Words ‘Best Friend’ Becomes Redefined” by Chiodos, Warped Tour 2009

“I Kissed a Girl” by Katy Perry, Warped Tour 2008

“Sugar We’re Going Down” by Fall Out Boy, Warped Tour 2005

“Bada Bing! Wit’ a Pipe!” by Four Year Strong, Warped Tour 2010

“Devotion and Desire” by Bayside, Warped Tour 2009

 

 

 

Say That You’re Into Me

Yesterday while checking out the Discover Weekly playlist on Spotify, I made an amazing, mind blowing discovery. It was the coolest music discovery I’ve made in quite some time. For you to understand it though, I need to flashback to 9 years ago. *cue cloudy flashback transition*

It was the summer of 2006. I just finished my junior year of high school. I was into the punk rock, pop punk, emo, and alternative music genres. My favorite bands were Brand New, Dashboard Confessional, Taking Back Sunday, Something Corporate, and The Format. I attended my second Vans Warped Tour in August that summer. I saw Cartel, The Academy Is, Gym Class Heroes, Motion City Soundtrack, Less Than Jake, and Hellogoodbye play sets that day. All of those bands fit my style of music at the time too. My favorite set of the day was Hellogoodbye’s. They played all my favorite songs and had people run around the stage dressed in random costumes. It was absolute mayhem. Hellogoodbye even played a surprise Blink-182 cover set that day on a different stage which I also attended. It turned out to be a surprisingly great day despite the fact that I didn’t anticipate a great day. *cue transition to current day*

As I was looking at the Discover Weekly playlist, I noticed there was a song by Hellogoodbye listed. I was surprised because usually music on the Discover Weekly playlist isn’t the kind of pop punk, powerpop music that Hellogoodbye played when I listened to them. However, I didn’t recognize the title of the song. It was safe to say they had released some new music since I last listened to them. I was super curious to see what it sounded like so of course I hit play on the song. Out of the speakers on my iPad came the most mind blowing revelation. Hellogoodbye sounded like a band I would listen to now. They weren’t those same guys who got up on stage at Warped Tour dressed in random costumes. They were like current day hipsters playing music I would listen to on vinyl in my apartment in Williamsburg, Brooklyn while wearing my v-neck t-shirt. They progressed in their music style like I progressed in my music style. How freaking cool is that?! Usually I hate when bands change their sound because it seems like most of the time they get popular and try to fit the mold of popular bands. This wasn’t the case. They progressed alternatively.

Hellogoodbye hails from Huntington Beach, California and was formed in 2001 by front-man Forrest Kline. They were part of the Drive-Thru Records label from 2003-2010 which housed some of my favorite bands from high school like Dashboard Confessional, Something Corporate, New Found Glory, The Starting Line, Midtown, The Early November, and Senses Fail. They released their first full-length, Zombies! Aliens! Vampires! Dinosaurs!, in 2006 (I bought it at Warped Tour that summer). I knew of and listened to them before that though because of their self-titled EP. Between the release of their first and second album, Would It Kill You?, which was released in 2010, the single “Here (In Your Arms)” gained some major radio airplay. It reached the number 14 spot on Billboard’s Hot 100 and went platinum in the U.S.

After the second album, the band went through a few transitions. Band members dropped out and were replaced. The band parted with Drive-Thru and signed with a new label. They also released an EP during that time and re-released their second album. It wasn’t until 2013 that they their third full-length album, Everything Is Debatable, came out after signing with another label, Old Friend Records. Following the release of the album, they toured and opened for Paramore. They probably should’ve been touring with a band like The Kooks or Generationals because their newest album gives off an entirely new indie pop sound. They really do sound like a mixture between those two bands with a hint of MGMT and Belle & Sebastian thrown in. There’s still a little bit of that old school Hellogoodbye essence heard in some songs as well. It’s incredible. If you can’t already tell, I was and am still amazed by it. As far as song recommendations go, it’s probably best to split it up between old Hellogoodbye and new Hellogoodbye, so here goes:

Song recommendations (Old):

**And remember these are definitely pop punk/powerpop style songs, so if you’re not into that, skip ahead**

  1. Call & Return
  2. Touchdown Turnaround
  3. Bonnie Taylor Shakedown
  4. Here (In Your Arms)
  5. All of Your Love

Song recommendations (New):

  1. (Everything Is) Debatable
  2. Just Don’t Let Go Just Don’t
  3. The Magic Hour Is Now
  4. Swear You’re In Love
  5.  And Everything Becomes A Blur
Hellogoodbye performing at the Vans Warped Tour in 2006 during their Blink-182 cover set.

Hellogoodbye performing at the Vans Warped Tour in 2006 during their Blink-182 cover set.

Coachella 2015 Recap

It’s with great pride and pleasure that I can now say I’ve lost my Coachella virginity. As you know, if you’ve been keeping up with my blog, I was beyond stoked to go to the epic three day festival in Indio, CA. Now that I’ve been there though, it’s difficult to put into words just how special it is. The atmosphere is filled with the best vibes imaginable. It’s incredibly relaxed (possibly due to all the pot smoking). People are in good moods (mostly…I ran into a girl who seemed a little angry the last day before the Florence and the Machine set when I put my hand on the bar she was going to lean on). The bands and artists bring their best performances because they’re just as excited to be there as everyone else. The artwork is innovative. The food, although overpriced, is delicious and there are plenty of options to choose from. The setting makes it though. It’s so beautiful. Palm trees line the polo fields with vast mountains in the background as the signature ferris wheel from the California State Fair rotates giving riders the ultimate view of the festival. It’s incredible and it’s difficult to appreciate when you’re there since you want to catch as much music as possible. That’s really the most important thing about Coachella. It’s about the music. Without it, Coachella wouldn’t exist. Everything else is extra. Fortunately I only experienced a few conflicts but I made it work so that I was able to catch at least part of, if not all of the sets I wanted to see.

On Friday, I planned to see Angus & Julia Stone, Alabama Shakes, Tame Impala, and AC/DC. My cousin (she attended with me) and I got to the festival early the first day to do a bit of exploring before the Angus & Julia Stone set in the late afternoon. We rode the ferris wheel, got some merch, checked out the stages, saw the artwork, and relaxed in the field before the set. Angus & Julia Stone play mellow indie music so the set was very laid back. A lot of people were sitting and relaxing while they listened. We were too.

Alabama Shakes hit the Outdoor Stage just as the sun was setting. Brittany Howard brought the house down with her powerful vocals. I was a little disappointed the band didn’t play my favorite song (“Hold On”) but they did debut some new material from their soon to be released album Sound & Color (April 20th on iTunes, in stores April 21st). Either way they killed it.

Tame Impala hit the main stage right before Friday night headliner, AC/DC. The crowd really started buzzing when they launched into their hits “Elephant” and “Feels Like It Only Goes Backwards”. They also debuted some new tunes at the festival and the crowd was totally loving it.

AC/DC closed out Friday with a mixture of new tunes and old favorites. We were spent by the time AC/DC started and only ended up staying for half the set. They put on a great show though. I heard some of my favorites like Back in Black, Thunderstruck, and You Shook Me All Night Long. I was even singing along to the faint sounds of T.N.T. as we made our way to the shuttles. I was glad I had the opportunity to see them live.

On Saturday with the reminders of how tired we were, how late we got to bed, how much cell phone charge we had left by the end of the night (the charging stations didn’t work…such false advertising), and by the desire to sample local eats, we decided to head to the festival about 2 hours later than we did on Friday. We were both more pumped for Saturday’s planned lineup which featured Andrew McMahon in the Wilderness, Milky Chance, Jungle, Belle and Sebastian, alt-J, and Jack White because there was less waiting time in between sets (we had lot on Friday and we were getting antsy). After a longer than planned ride/entrance to the festival due to security reasons, we made it in with a little over a half hour to spare before Andrew McMahon in the Wilderness took over the Outdoor Stage. We grabbed some drinks and headed over there. Upon arrival, the crowd was small. It was so small that I could have managed being in what would be considered the second row. It was hot though so I was fine with hanging back a bit. By the set time more people had come in behind me, but unlike some sets I went to on Sunday there was enough room to breathe.

His set was one of my favorites of the entire weekend. He engaged the crowd and you could tell just how excited he was to play Coachella (he stated it as well but he didn’t even need to). He included a Jack’s Mannequin song (“Dark Blue”) and a Something Corporate song (“I Woke Up in a Car”) in the set which were both favorites among the small crowd who sang along with vigor. Then he followed up with their single “Cecilia and the Satellite”. At some point during the set large balloons were brought out and members of  the Andrew McMahon team held them in the crowd. Near the end of the set (it might have been during “Cecilia and the Satellite), the balloons popped and confetti was released from them. It was such a fun moment and added to the already enjoyable performance. I think the most memorable part came during the last song when gym class parachutes were given to and held by the crowd and Andrew came off the stage and sang with everyone standing under them. The set was a great way to kick off my Day 2 and left me pumped for the rest of the evening.

Next on the list was Milky Chance. We could only stay for some of the set because Jungle overlapped slightly. I wanted to make it to the Jungle set to get a good spot. I only knew two songs they played including the one everyone knows, “Stolen Dance”. We were able to hear both but I thought the performance of “Stolen Dance” wasn’t as great as I had hoped. They only sang the verses of the song. When the chorus came around Clemens Rehbein (vocals) left it up to the crowd. However the crowd wasn’t large enough to get the desired effect of everyone singing along. From where we were standing all you could hear was the music. It was disappointing so we left for Jungle.

Jungle’s set was jam packed with songs off their debut album. The crowd danced and sang along to their funk inspired sound. A favorite amongst everyone in attendance was “Burnin’ Easy”. It got the flower headband wearing hippies moving. Their final song “Time” had the same effect.

Shortly after Jungle finished, Belle and Sebastian began their Coachella set. We only stayed for a few songs because I knew we needed to be at Main Stage early for alt-J. Belle and Sebastian were a perfect example of an indie band playing the festival. Their songs are both mellow and upbeat. It’s not the type of music you’d necessarily bounce around and shake your head furiously to. It’s the stuff you would sway your body around to, which was what the audience did to the few songs we heard. I read the band played a lot of good hits near the end of the set (the part we missed) and the crowd was really into it, but I think the spot for alt-J was worth it.

We ended up with a spot on the barrier next to the V.I.P. area, which allowed for a celebrity sighting during the set (Breaking Bad’s Aaron Paul), but it was also close enough to be in the thickness of fans. Alt-J opened with “Hunger of the Pine” (Miley didn’t show much to my displeasure) and had the crowd bumping the whole time to a mixture of songs off both An Awesome Wave and This Is All Yours. Of course the most pleasurable reactions came from current hit “Left Hand Free” and closing/well-known song “Breezeblocks”. It was another favorite set of the day for me.

Jack White took the stage after alt-J. His performance and talent on the guitar was unreal. It began to my surprise with a White Stripes song, “Icky Thump”. His whole set included a bunch of White Stripes songs including the last song “Seven Nation Army” which had the crowd chanting “O-O-O-O-O-O” at one point when they cut the music during the song. The set wasn’t all White Stripes of course and had songs like “Lazaretto”, “Love Interruption”, “High Ball Stepper”, “Would You Fight For My Love?”, “The Black Bat Licorice”, and “Sixteen Saltines”. Jack White’s beliefs and passion for music were evident through what he spoke about in between songs. He was my favorite headliner. We were able to see the entirety of the set since his time slot was pushed down in favor of the Weeknd closing out Saturday night. I’m glad it was.

Sunday was the busiest day of the festival for us. It was the only day with conflicting set times. The biggest one was deciding between RAC and St. Lucia (St. Lucia started 15 minutes after RAC). Since I had listened to RAC more in prep for Coachella and because my cousin also likes one of their songs, we went with RAC (although still managed to make it to the Main Stage for the last 2 St. Lucia songs). They were also first on the list for Sunday. Like the day before, we decided to head to the festival around the same time since we needed to check into our flight around 1 and wanted to try a pizza place for lunch about 2 blocks from our hotel (it was better to only eat once or so at the festival since it was overpriced). Because of that, I missed the Night Terrors of 1927 and Saint Motel sets. It would have been nice to check those guys out but it wasn’t a necessity since I don’t know that much of their stuff anyway (two good bands nonetheless).

RAC’s set was a blast. They played all my favorites off their album Strangers including “Tear You Down”, “All I Got”, “Hollywood” which special guest Penguin Prison came out to perform, and “Cheap Sunglasses”. It did surprise me that RAC only had one special guest since Matthew Koma performed on Saturday and could have easily made an appearance. Unfortunately St. Lucia couldn’t join them for the song they collaborated on because they were playing at the same time. Still, it was a great set and I was dancing and singing along the whole time.

After RAC we rushed over to hear the end of St. Lucia’s set. We heard “September” and “Elevate”, both were good so I’m sure the rest was great too. I think seeing either band (RAC or St. Lucia) would have been comparable as far as enjoyment level goes for me, but I got a little of both with the choice I made.

My cousin decided she wanted to hear Vance Joy’s set so on the way over I caught one song by Conor Oberst and his punk band Desaparecidos. I didn’t even recognize Oberst as he looks way different now than he did as the dark haired, emo Bright Eyes front man. The set also attracted a smaller crowd and would have been fun to attend if it didn’t overlap with others.

While waiting for Vance Joy to come out, the Mojave stage got super crowded. After he played one song my cousin decided she’d rather get out of the tight bunch of people and listen from a more comfortable spot. I agreed. Vance Joy could have easily been an Outdoor or Main Stage performer as his set attracted an overflow of people from the covered Mojave. I tried to listen to Vance Joy in preparation for the event but I wasn’t feeling his music. I like “Riptide” but beyond that it wasn’t my vibe. I guess it wasn’t my cousin’s either so we listened as we “Coachilled” (A Coachella term meaning to sit and relax) from a spot just outside the crowd and tented stage. We sang along with “Riptide” as Vance Joy closed out his set then made our way back to the stage as the crowd filtered out. Brand New was on next.

I was hyped for Brand New. I decided I wanted to be closer than the previous times we saw bands on the Mojave stage. I was so ready to go hard to one of my favorite high school bands. To my dismay though, Brand New’s set was mostly songs off the two most recent albums Daisy and The Devil and God Are Raging Inside Me (my two least favorite Brand New albums). I planned on going so hard to all the Brand New songs but it didn’t work out that way. However, when the beginning of “Sic Transit Gloria” started and the whole crowd let out a scream, I did as well. Everyone belted out the Deja Entendu classic. That was followed by “Okay I Believe You But My Tommy Gun Don’t” another favorite amongst the crowd (I went so hard). It seemed like those two songs along with “Jesus Christ” and “Sowing Season (Yeah)” got the biggest crowd reaction (they closed out the show with those two along with “Degausser” in between). The set featured no songs from “Your Favorite Weapon”. I think because of my high hopes for that I was disappointed and found the set less enjoyable than expected. Don’t get me wrong the set was great and everyone there was dancing hard while screaming out the lyrics to their favorite songs, but from my perspective, it was disappointing.

St. Vincent was next on my list for the day followed by Florence and the Machine (one of my most anticipated acts of the weekend). We saw St. Vincent perform a few songs. “Digital Witness” was one of them, but once I noticed Kaskade finished his extremely popular set on the main stage (which was right by the stage St. Vincent performed at) we headed there to get a good spot for Florence.

My cousin’s back was sore so I told her to sit in the back next to a speaker pole (A9 to be exact) while I made my way closer to the stage. It was a difficult task. I planned to try to go to the opposite side of the stage from where we were for alt-J, but with the amount of people it didn’t work out like that. I was near the same spot I was at for alt-J (near the V.I.P. area). It was so cramped. A girl was annoyed that I tried to “steal her spot”. To be fair I left enough room for her to stand near the bar where we were, but she just didn’t want to share. It was dark by then. The V.I.P. area filled up too so it was difficult to see if anyone famous was hanging out, which I’m sure there was. When Florence and the Machine took the stage, I couldn’t see anything. All I saw was the big screen which showed what I could’ve easily watched at home on YouTube. I made the decision to leave the cramped spot during the second song “What Kind of Man” (she opened with “What the Water Gave Me”). Cell reception was at its worst of the weekend so I had a hard time figuring out where my cousin was (she was not at pole A9). I visually missed a large chunk of the set because I was looking for her. I did stop to watch at times though. It was just a difficult moment. We finally reunited (she was at pole A7) and I was able to watch the end of the set which included new song “Ship to Wreck”, “Shake It Out”, and “Dog Days Are Over”. Singing and dancing along to “Shake It Out” and “Dog Days..” made up for lost time. During “Dog Days..” she had the crowd embrace each other, take off an article of clothing and wave it around, and jump up and down, which she took part in as well (She took off her shirt. It was wild!). If it weren’t for all my issues during the set (being cramped and losing my cousin) I would have fully enjoyed it. Everything I saw of it was amazing. Florence and the Machine put on a hell of a live performance. I’d love to see them again in a more intimate capacity (you know just a Florence show rather than at a festival).

The last set of the night was Drake (my cousin’s choice and I figured “Hey I’ll see him just to say I saw him” because Drake is not my type of music). His set started a half hour late. I knew zero songs. My cousin knew one which he only sang/rapped part of. We left around 11 which was 15 minutes or so after it started. We missed the whole Madonna thing. It wasn’t a big deal to us though. The best part of the Drake set for me was his pre-show playlist. It included Eminem’s “Lose Yourself” which got the whole crowd going. Back in the day when I liked rap and Eminem, I used to listen to the song before every 8th grade basketball game so it was fun to sing/rap to again.

Leaving the venue during the Drake set concluded my first Coachella experience. Like I said it was incredible. I feel so blessed to have gone and experienced it. I would recommend it to anyone to attend. Sure there are other huge similar style festivals like Bonnaroo, Lollapalooza, and now even Firefly, but there’s something special about Coachella. Maybe it’s the atmosphere or maybe it’s the hype with the parties and fashion and tons of celebrities that go every year. No matter the reason, it was a dream experience. For me, it was the music. It’s always the music. To quote something Jack White said during his set, “I hope you realize for a few seconds every day that music is scared. That music is sacred! That music is sacred! That music is sacred!” I agree Jack. So whether it be Coachella or any concert or festival or radio station or CD or record or ipod/iphone playlist, let’s remember that. Music is sacred.

 

 

Coachella Band Preview: Andrew McMahon in the Wilderness

10 days til Coachella! Yes I said it. It’s almost here. I fly out in a little over a week and the anticipation is killing me. I’m beyond stoked. I’ll probably have one more festival blog post between now and then, but this is it. Home stretch. If you haven’t been listening to any of the bands playing the festival, now is the time to cram. This band I’m about to preview is one of those smaller festival sets that you might not have heard of yet. Maybe you have though. If you’re like me and grew up with the punk/emo/indie/alternative scene in the early to mid-00’s, you may very well know the name of this guy who is responsible for Andrew McMahon in the Wilderness. His name is Andrew McMahon (duh).

Andrew McMahon in the Wilderness is the solo project of former Something Corporate and Jack’s Mannequin front man, Andrew McMahon. Compared to both of those bands Andrew McMahon in the Wilderness sounds a lot like Jack’s Mannequin’s pop rock, piano rock style but with a slight indie sound as well (Something Corporate was more pop punk). Even though the sound is similar to Jack’s Mannequin, the lyrics represent a different time period in this artist’s life. Jack’s Mannequin songs were more about breaking free, dealing with the struggles life brings, and then rising above them. Andrew McMahon in the Wilderness’s first single “Cecelia and the Satellite” is about McMahon’s daughter who was born in February 2014. The music in this new band is a lyrical progression of his life. The band’s debut self-titled album was just released in October (2014). McMahon has since been playing venues around the country in promotion of his new band and album. He’s also playing a bunch of festivals and events this summer with a few solo dates mixed in. To get a full history on this new project though, you really have to understand where he started.

Vocalist and pianist, Andrew McMahon, along with bassist, Kevin Page, drummer, Brian Ireland, and guitarists, Josh Partington and Reuben Hernandez (later replaced by William Tell) formed Something Corporate in 1998. Through their time as a band the group released three albums, Ready… Break (2000), Leaving Through the Window (2002), and North (2003). By 2004-2005 the pop-punk band decided to go on hiatus with a promise that the break wasn’t an end to the group (the band played a few shows together at various times since their hiatus began and had a reunion tour in 2010 but did not release any new material since North). During the break, McMahon took the time to work on his side project Jack’s Mannequin, but life had other plans for the musician.

While on tour in 2005, McMahon woke up one morning with an inability to speak, so he went to the doctor to get checked out. After getting some tests done, McMahon was diagnosed with acute lymphoblastic leukemia. He was 22. That summer tours were cancelled and he went through intense cancer treatments. The day Jack’s Mannequin’s debut album, Everything in Transit, was released, McMahon received a stem cell transplant from his sister Katie. The album sold 25,000 copies in its first week. By December, McMahon had made a full recovery and played his first show in 6 months. Jack’s Mannequin released two more albums The Glass Passenger (2008) and People and Things (2011), but by 2012 McMahon was ready to close the door on Jack’s and that time period of his life.

Now flashback to late 2003 when I still listened to the radio and pop music. I was a freshman in high school and had yet to hear of bands like Dashboard Confessional, Brand New, and Taking Back Sunday. One of my friends told me about this song I should listen to that she heard about from this boy she liked for several months called “Punk Rock Princess” by a band called Something Corporate. I listened and got into the song for the sake of my friend. Sometime after that though, within the next year to be precise, I really started listening to Something Corporate. Sure it might have been after the whole Dashboard discovery, but still. I purchased Leaving Through the Window and fell in love with songs like “Hurricane” (one of my favorite songs of all time), “Cavanaugh Park”, and “I Woke Up in A Car”. I got North around fall/winter of 2004 and fell more in love with the band with songs like “She Paints Me Blue”, “Ruthless”, “21 and Invincible”, and “Space”.

When Warped Tour announced in 2005 that they were coming to my area, I had all intentions of going. I had heard about the festival for the past year and was super excited to be able to experience it. I was even more excited when I found out Something Corporate was on the tour and playing my date. Unfortunately, that was 2005, the same year McMahon was diagnosed with leukemia and SoCo cancelled their Warped Tour dates. I was bummed because Something Corporate played a show near me in the spring of 2005, but I had missed out on it. That summer at my first Warped Tour, I remember there was a Jack’s Mannequin merch table that I guess stayed on the tour after SoCo announced they wouldn’t be playing. It was promoting the new album due out a few weeks later (my date was in early August). I ended up buying a t-shirt from them. I also bought Everything In Transit upon its release and loved it (although not as much as those SoCo albums). Three years later I finally saw Andrew McMahon perform as part of the annual spring concert at my college. He was still with Jack’s Mannequin, but of course the show didn’t go without a few Something Corporate songs. After that, I really didn’t follow Jack’s Mannequin or Andrew McMahon as much. Only within the last year when Andrew began touring with his new band did I find out what he had been up to.

Andrew McMahon in the Wilderness plays both Saturdays at Coachella 2015. Seeing this new Andrew McMahon band at Coachella would be another case of nostalgia for me (like with Brand New). However, since the opportunity to see him again has presented itself, I may as well take advantage of it (just like I hopefully plan on doing with Brand New). If other bands I want to see play at the same time, I might have to pass. If not though, I’ll definitely be at the Andrew McMahon set. I’m guessing the set won’t just be songs off the self-titled album either. There will probably be some Jack’s Mannequin and Something Corporate songs thrown in the mix. I’ll cross my fingers for “Konstantine” (one can only hope). I have listened to his new stuff though and it’s good so either way I know I’ll enjoy it. If you check him out, hopefully you will too (even if he is a dad now and doesn’t still spell confusion with a “k”).

Song recommendations:

1. Cecelia and the Satellite

2. Canyon Moon

3. High Dive

4. Halls

5. Black and White Movies

(Just in case you really want to be prepared…Something Corporate recommendations:

1. Hurricane

2. Space

3. Konstantine

4. The Astronaut

5. I Woke Up In A Car

AND…. Jack’s Mannequin recommendations:

1. The Mixed Tape

2. Holiday From Real

3. Dark Blue

4. Bruised

5. Kill the Messenger)