soul music

Coachella Band Preview: Elderbrook

We’re midway through February and there’s officially 2 months til Coachella! I’m back in Mexico finishing up the second round of work down here for the winter, but as usual all I can think about is Coachella, especially now that I’m officially locked in for the festival and have my flights booked! This week I’m taking a look at a British electronic artist known as Elderbrook.

Alexander Kotz, also known as Elderbrook, began his music career in 2015. He released his first EP that year too. In his almost 8 years in existence, he’s collaborated with many artists and remixed plenty of songs as well. His most notable song, “Cola,” is a collab with CamelPhat. It was nominated for a Grammy Award for Best Dance Song in 2018 and topped music charts in both the U.S. and the UK. His music style has a deep house vibe, but also incorporates sounds from different genres of music, including indie pop, country, soul and gospel amongst others. He reminds me of Gryffin in a way as he incorporates both guitar and piano into his sets. He’s classically trained in both. In my opinion, there’s nothing cooler than an electronic artists who also adds instruments to their shows.

I’ve never had the opportunity to see Elderbrook perform since being introduced to him in late 2018. His song “Talking” was what got me interested and I’ve been listening to his releases ever since. If there’s anyone who I’m most interested in seeing this year on the polo fields, it’s him. His music is so vibey and chill. I’m honestly hoping he plays an early evening set at Sahara. His style just feels right for the night time. He plays Saturday. Historically, I’ve always found Saturday to be stacked with artists I want to see, but this year it’s not the case. I’ll definitely be checking him out. Catch me at his set enjoying all these songs:

  1. Cola
  2. Talking
  3. Numb
  4. Back to My Bed
  5. Something About You
  6. Feels Like A Sunday
  7. Inner Light
  8. I’ll Find My Way To You
  9. Howl
  10. Beautiful Morning

30: Album Review

Since May of 2019 when Adele made a social media post about her 30th year, fans across the globe (me included) waited for a new album. After speculation it would come in 2020, getting delayed, and plenty of teasing moments of her name trending on social media, Adele finally released the first single, “Easy On Me”, from her new album 30 back in October 2021. This also came with the announcement that her new record would drop on November 19th. I knew I would be in LA that day and while there I made sure I stayed up long enough to listen to the new record that dropped at midnight EST. From the brief run through that night, I realized this was Adele’s most musically diverse album yet.

Adele’s albums are usually pretty predictable – heart breaking ballads and occasionally a bop like “Rolling in the Deep”. This album had a mix of all of it plus some tracks that sound straight out of the 40’s or 50’s. There’s a track that adds an electronic flavor to her repertoire with “Oh My God,” one of two bops from 30. You also get some classic 19 era Adele with “Cry Your Heart Out.” The album is different, but it works.

I pre-ordered the album a few weeks earlier because I knew I wouldn’t be in town to grab it right away. I got the Target version which included 3 exclusive tracks, “Wild Wild West,” “Can’t Be Together,” and a version of “Easy on Me” with Chris Stapleton. Honestly I’m glad I got it because I really dig “Wild Wild West” and especially “Can’t Be Together.” Both songs could have easily been on the standard version of the record.

Overall, I don’t think this is Adele’s best album. I like that she diversified her music a bit and I like some of it, maybe even most of it, but I just wasn’t into all of it. 21 and 25 are tough to beat too. 30 does have several songs that will be Adele faves for years to come though. “Easy on Me” is the perfect first single. “I Drink Wine” is so relatable and I still can’t get over “Oh My God” and “Can I Get It.” The point is even if this album isn’t my fave it’s still going to be massively successful, because even if it’s not the best, it’s still Adele and she’s the best. She’s a superstar. She can definitely get it and I’m not sure we’ll ever be able to get enough.

CHAMPION: Album Review

A few weeks ago Bishop Briggs released her sophomore album CHAMPION. Her debut came out about a year and a half ago and in that time Briggs has been touring while simultaneously working on new music. Bishop Briggs released the bonus track “Hold On” in 2018 as well as the single “Baby”. Neither made the cut for the new album. In the weeks leading up to the release, Briggs released several new songs featured on the album. One of those singles was the title track “CHAMPION” which has since reached the number 22 position on the Billboard Alternative Songs chart.

CHAMPION picks up right where Church of Scars left off. It’s filled with more soulful alternative/indie rock jams. It’s a great follow up, especially with sure hits like CHAMPION, the break up anthem “TATTOOED ON MY HEART”, and “CAN YOU HEAR ME NOW?”. If anything I think this album differs only slightly stylistically due to the less predominant bass in the tracks. Even with that slight difference, the bass is still there, just a bit less than in Bishop Briggs’ debut.

This album is definitely worthy of a listen for alternative/indie music fans, especially those who love Bishop Briggs and her powerhouse vocals. Bishop Briggs has yet to announce any 2020 tour dates but is currently finishing up this year touring in Europe. I suspect she’ll be going strong into the new year with more shows and festivals after this new release late in 2019. Keep an eye out for her and her tunes in the new year because she’s bound to be on the 2020 concert/festival radar.

Coachella Band Preview: Janelle Monáe

Another week in Mexico and another week wishing I was in Southern California instead. Don’t get me wrong I love being in a warm climate in the winter, I just wish there was less humidity here. California has that kind of weather and they have it year round. We’re a little under 2 months away from Coachella now. The clock keeps ticking. The weeks become less. The planning intensifies and the time to listen to this year’s performers decreases. This week I’m previewing a female powerhouse who will be playing her second Coachella.

Janelle Monáe Robinson better known to the world as just Janelle Monáe hails from Atlanta, Georgia. She was discovered in Atlanta when she was 18 by rapper, songwriter, and producer Big Boi of Outkast fame. Monáe was born and raised in Kansas City, Kansas though. Upon connecting with Big Boi, she was signed to Bad Boy records in 2006 after Big Boi’s friend and fellow artist and producer Sean Combs (Puff Daddy, P. Diddy, Diddy) decided to take a chance on her. She initially released her first EP prior to her signing with Bad Boy, but her debut was then re-released with a slightly different title Metropolis: The Chase Suite (Special Edition). The record included two bonus tracks as well. It was received so well that Monáe earned a Grammy nomination for Best Urban/Alternative Performance for her single “Many Moons”.

Janelle Monáe’s debut album The ArchAndroid was released on May 18, 2010. Since her initial idea with Metropolis was to create a concept album that was to be released in 4 parts, The ArchAndroid contains parts 2 and 3 from the concept. The album debuted at number 17 on the Billboard 200 and earned Monáe another Grammy nomination for Best Contemporary R&B Album.

She released her sophomore album The Electric Lady in September 2013. The album continued with the same sci-fi theme as its predecessors. The album debuted at number 5 on the Billboard Top 200. It was just prior to her album released that Monáe played at her first Coachella in 2013.

In 2015, Janelle Monáe created her own independent label Wondaland Arts Society (now known as Wondaland Records) in conjunction with Epic Records. Along with 4 other artists signed to her new label, the EP The Eephus was created. Monáe contributed to the EP with the song “Yoga”. She also collaborated with Nile Rodgers & Chic that year on the song “Pressure Off”. 2016 brought Monáe a new type of entertainment exposure when she appeared in Academy Award nominated films Moonlight and Hidden Figures. Prior to her film debuts, she voiced the character Dr. Monae in Rio 2.

Janelle Monáe released her third studio album Dirty Computer on April 27, 2018. It included the release of what was referred to as an “emotion picture”, which was a visual representation of the songs and story of the album. It debuted at number 6 on the Billboard Top 200 and has since received 2 Grammy nominations for Album of the Year and for Best Music Video for the song “Pynk”. Over the last year Janelle Monáe has toured and played the festival circuit in promotion of her latest release, which makes sense of her slated Coachella 2019 performance.

I would define her music as experimental. It’s experimental in the sense that it combines a variety of genres. It obviously infuses R&B, hip-hop, and pop, but also incorporates elements of soul, funk, and new wave. It’s musically advanced and brilliant, especially the concepts behind her music.

Honestly, I knew about Janelle Monáe as an actress before I knew about her as a music artist. Once I started seeing her name on festival lineups in 2018, I realized her talents went beyond film. I was introduced to her music this past fall, when a friend of mine told me to watch the Dirty Computer video. I did. I was impressed and I enjoyed several of the songs. There was also a lot of hype surrounding her from several of my co-worker friends who caught her performing at festivals or in concert last summer. Despite my exposure to her music, I can’t even say I’m a huge fan yet. I like her music, but I haven’t been listening to her constantly. I’ve just heard great things about her live performances, which is why I think her performance at Coachella this year is one that can’t be missed.

Janelle Monáe plays Friday. She’s billed as a top performer. To me, there’s no reason why she wouldn’t be playing the Main Stage right before Childish Gambino or overlapping his set and headlining the Outdoor Stage. Even though this will be her second Coachella performance as a solo artist, it’s not her second appearance. She joined Outkast on stage during their headlining set in 2014 and Grimes in 2016. I think she’s grown in popularity over the last year as well, which means her set will most likely be crowded. I’ll say it again…you don’t want to miss this set. Here’s a few songs you’ll probably hear during it:

  1. Make Me Feel
  2. Pynk
  3. Tightrope
  4. I Like That
  5. Django Jane
  6. Q.U.E.E.N.
  7. Yoga
  8. I Got the Juice
  9. Electric Lady
  10. Dirty Computer

Coachella Band Preview: Sia

As I say almost every time I post a Coachella Band Preview, the days keep dwindling until the epic festival in the desert. At this point, less than 2 months remain until Coachella Weekend 1. This week I’m actually not previewing any band though. I’m previewing a singer who’s been active since the mid-90’s, but has only received great acclaim in the last 2 years. I’m not sure if you’d be able to recognize her if you saw her out on the streets somewhere due to her somewhat recent decision to not show her face when she performs. You may however know her from her over-sized platinum blonde wigs that cover most of her face. If that rings a bell, then yes it’s Sia and she’ll be performing at Coachella this year for the first time (sort of, but I’ll explain later).

Australian singer-songwriter, Sia Furler, known to the world as Sia, began her singing career shortly after she graduated high school in 1994 as a singer for acid jazz band, Crisp. By 1997 the band broke up and Sia released her debut solo album, OnlySee, but the album didn’t receive much success. Sia then moved to London where she performed as a background singer for the band Jamiroquai and lead vocalist for the band Zero 7. During the time she fronted Zero 7, she released her second and third solo albums entitled Hearing is Difficult (2001) and Colour the Small One (2004), respectively. The single “Breathe Me” off Colour the Small One received commercial success throughout several countries in Europe and even gained Sia some attention in America as the track was featured in the final episode of the HBO series Six Feet Under. By 2005, Sia decided to make the move to America in an effort to further her music career.

Between 2007 and 2010, Sia released three more albums. The first was a live album in 2007, Lady Croissant, which featured songs performed at the Bowery Ballroom in New York City in April 2006 while she was on tour and one studio track, “Pictures”. The following year she released her fourth studio album, Some People Have REAL Problems and in 2010 released her fifth album, We Are Born. Both albums had a few successful singles that were charted in a few European countries and Australia. We Are Born even won the artist two ARIA (Australian Recording Industry Association) Awards in 2010. After touring in North America, Europe, and Australia to promote We Are Born, Sia decided to retire from her career as a recording artist and focus on becoming a pop songwriter. It was at that point that the unexpected happened.

Sia wrote a song for recording artist Alicia Keys. However, the song was sent to French DJ and EDM artist David Guetta. David Guetta ended up using the song with Sia’s original demo vocals without her approval and the song, called “Titanium”, became a worldwide mainstream success. Despite the popularity of the song, Sia wasn’t pleased since she had recently retired and wanted to focus on songwriting. She did co-write songs from 2011-2013 for many artists like Beyonce, Flo Rida, and Rihanna. In a similar situation to the one with David Guetta, Flo Rida used Sia’s vocals on the song “Wild Ones”.

In 2013, Sia came out of retirement, so to speak, and released the single “Elastic Heart” featuring The Weeknd and Diplo as a song on The Hunger Games: Catching Fire soundtrack. In July 2014, she released her sixth album, 1000 Forms of Fear, which she intended to be the last album she needed to release in order to release her from her record deal, but the album became her most successful to date. It debuted in the top spot on the Billboard Top 200 and sold 52,000 copies in the first week. It reached the top ten on numerous European charts and number 1 in Australia. Along with “Elastic Heart”, which she released as a solo version on the album and as a single, the track “Chandelier” received high praise worldwide. Sia even received four Grammy nominations in 2015 for “Chandelier”, Record of the Year, Song of the Year, Best Pop Solo Performance, and Best Music Video. After the Grammys last year, Sia announced she had completed a follow up album to 1000 Forms of Fear because of her success.

Sia’s seventh album This Is Acting was released January 29, 2016. Her first single from the album, “Alive”, which she co-wrote with Adele, debuted prior to the album release in September 2015. In the following months leading up to the album debut, she also released several other singles, “Bird Set Free”, “One Million Bullets”, “Cheap Thrills”, “Reaper”, and “Unstoppable”. I’m not sure if her latest album will achieve the same success as her prior release, but with the quality of the newest album, it may come close.

Sia’s music can be considered pop, indie pop, and electropop, but her vocals incorporate elements of hip-hop, funk, and soul. I feel like her most recent work (1000 Forms of Fear and This Is Acting) exhibits more power in her vocals than in past records as well, especially in the songs “Alive”, “Chandelier”, “Unstoppable”, and “Eye of the Needle”. If you listen to We Are Born the last album before her “retirement”, it has a much more indie pop vibe. Some People Have REAL Problems is more pop with elements of soul included and Colour the Small One is very pop as well. Healing is Difficult has a hip-hop style and almost reminds me of 90’s hip-hop/R&B girl group, TLC. It’s evident that throughout the years of her career Sia’s style has fluctuated, but it seems that she’s finally found her niche with her power pop vocals and pop/indie pop sound.

I’d be lying if I said I hadn’t heard of Sia before she was featured on “Titanium” and released her latest two albums. I definitely heard of her throughout the 00’s, but never listened to her music because it didn’t fit with what I was listening to at the time and also because she wasn’t a “big deal” musically. Even within the last two years, I didn’t listen to her music. It’s only been during the last few weeks or so that I really started getting to know this talented artist. I added the song “Elastic Heart” to my Spotify playlist of recent music finds after seeing it on my favorite soccer player’s monthly music playlist and liking the song after listening to it a few times. It was recent single “Cheap Thrills”, which again was featured on that player’s monthly playlist, that hooked me on Sia though. I just purchased her latest album on Friday and have been listening to it since. It’s good. She’s good. I may just have to purchased 1000 Forms of Fear as well, except, I definitely want it on vinyl.

As I mentioned before, it will sort of be Sia’s first time performing at Coachella this spring. She appeared during David Guetta’s set in 2012 to perform “Titanium”, but has not ever done a solo set at the annual event. Sia’s Coachella appearance will actually be her first live set in five years, so it should attract a huge audience. Not to mention in the last five years Sia’s popularity has sky rocketed. Sia plays Sunday at Coachella. If I had to make a guess, even though set times won’t be released for weeks, I’ll say she probably plays the main stage before Calvin Harris closes out the weekend. You’re most likely not gonna want to miss her performance, so to get you ready:

  1. Chandelier
  2. Elastic Heart
  3. Cheap Thrills
  4. Alive
  5. Breathe Me
  6. Big Girls Cry
  7. Unstoppable
  8. Clap Your Hands
  9. Bird Set Free
  10. Fire Meets Gasoline
  11. Eye of the Needle