30: Album Review

Since May of 2019 when Adele made a social media post about her 30th year, fans across the globe (me included) waited for a new album. After speculation it would come in 2020, getting delayed, and plenty of teasing moments of her name trending on social media, Adele finally released the first single, “Easy On Me”, from her new album 30 back in October 2021. This also came with the announcement that her new record would drop on November 19th. I knew I would be in LA that day and while there I made sure I stayed up long enough to listen to the new record that dropped at midnight EST. From the brief run through that night, I realized this was Adele’s most musically diverse album yet.

Adele’s albums are usually pretty predictable – heart breaking ballads and occasionally a bop like “Rolling in the Deep”. This album had a mix of all of it plus some tracks that sound straight out of the 40’s or 50’s. There’s a track that adds an electronic flavor to her repertoire with “Oh My God,” one of two bops from 30. You also get some classic 19 era Adele with “Cry Your Heart Out.” The album is different, but it works.

I pre-ordered the album a few weeks earlier because I knew I wouldn’t be in town to grab it right away. I got the Target version which included 3 exclusive tracks, “Wild Wild West,” “Can’t Be Together,” and a version of “Easy on Me” with Chris Stapleton. Honestly I’m glad I got it because I really dig “Wild Wild West” and especially “Can’t Be Together.” Both songs could have easily been on the standard version of the record.

Overall, I don’t think this is Adele’s best album. I like that she diversified her music a bit and I like some of it, maybe even most of it, but I just wasn’t into all of it. 21 and 25 are tough to beat too. 30 does have several songs that will be Adele faves for years to come though. “Easy on Me” is the perfect first single. “I Drink Wine” is so relatable and I still can’t get over “Oh My God” and “Can I Get It.” The point is even if this album isn’t my fave it’s still going to be massively successful, because even if it’s not the best, it’s still Adele and she’s the best. She’s a superstar. She can definitely get it and I’m not sure we’ll ever be able to get enough.

CHAMPION: Album Review

A few weeks ago Bishop Briggs released her sophomore album CHAMPION. Her debut came out about a year and a half ago and in that time Briggs has been touring while simultaneously working on new music. Bishop Briggs released the bonus track “Hold On” in 2018 as well as the single “Baby”. Neither made the cut for the new album. In the weeks leading up to the release, Briggs released several new songs featured on the album. One of those singles was the title track “CHAMPION” which has since reached the number 22 position on the Billboard Alternative Songs chart.

CHAMPION picks up right where Church of Scars left off. It’s filled with more soulful alternative/indie rock jams. It’s a great follow up, especially with sure hits like CHAMPION, the break up anthem “TATTOOED ON MY HEART”, and “CAN YOU HEAR ME NOW?”. If anything I think this album differs only slightly stylistically due to the less predominant bass in the tracks. Even with that slight difference, the bass is still there, just a bit less than in Bishop Briggs’ debut.

This album is definitely worthy of a listen for alternative/indie music fans, especially those who love Bishop Briggs and her powerhouse vocals. Bishop Briggs has yet to announce any 2020 tour dates but is currently finishing up this year touring in Europe. I suspect she’ll be going strong into the new year with more shows and festivals after this new release late in 2019. Keep an eye out for her and her tunes in the new year because she’s bound to be on the 2020 concert/festival radar.

Bishop Briggs

2017 is almost over. It’s been such a great year in so many ways. However there were two times I could’ve done something better. I realized I failed twice this year. The first time was with Glass Animals. I started listening to them after they played a bunch of festivals I worked at. Their tour dates were also sold out by then. I found out yesterday the second time I failed was with Bishop Briggs.

Last night I was going through a few pre-made Spotify playlists looking for new music and I decided to listen to a song called “Dream” by Bishop Briggs. I’d known her name since working Coachella back in April. While working at the festival, I was taking a few of our Safari guests to their desired location while we talked about music. I mentioned I thought that BANKS had such a draw at her set that she was too big to be performing at the Gobi Tent. I said she should have been on the Main Stage or the Outdoor Stage (both allow for more space). Then one of the guests agreed and said she thought the same thing about Bishop Briggs. Up until that point Bishop Briggs was just a name on the Coachella lineup to me. I told the guest I never listened to Bishop Briggs and she started talking about her and how great she was. I told her I’d check her out. I never really did until yesterday. Fail.

Sarah Grace McLaughlin, aka Bishop Briggs, is relatively new on the music scene first making her mark with the song “Wild Horses” in 2015, then under the name “BISHOP”. She changed her name to Bishop Briggs in 2016 to avoid any legal confrontation with a metal band by the same name. The name comes from the town where her Scottish parents are from in East Dunbartonshire, Scotland. She was born in London, England but spent her formative years growing up in Tokyo and Hong Kong, eventually moving to the U.S. to attend college in Los Angeles. She developed a love for music at a young age after performing in a karaoke bar when she was 4.

After being discovered by a former A&R rep. in 2015, Bishop Briggs gained popularity when “Wild Horses” appeared in an Acura commercial. In early 2016, she released her second single “River”. The song made Alternative charts on Billboard and iTunes as well as topping Spotify’s U.S. Viral 50 chart and reaching #2 on its Global Viral 50 chart. By late 2016 “Wild Horses” started climbing the charts. The song was featured on Billboard’s Alternative Songs chart and Twitter Emerging Artists chart as well as iTunes Alternative charts.

She released 3 other singles last year which culminated in her first EP which was released in limited capacity as a vinyl on Record Store Day Black Friday 2016 and in full on April 14, 2017. The full self-titled EP also featured two unreleased songs. She also contributed the song, “Mercy”, to the xXx: Return of Xander Cage Soundtrack and collaborated with Cold War Kids on their song “So Tied Up”. She’s spent time on tours opening for Coldplay, Kaleo, and alt-J as well as playing some major music festivals this past summer. She’s currently on tour opening for Bleachers.

Briggs has described her music as being a trap-soul style. Her singing is dark, deep, and soulful. Her music is also considered to be part of the indie pop, alternative rock genres. I agree with all of these classifications. To me, her sound is comparable to BANKS, but their songs differ slightly too. Bishop Briggs almost has this indie folk type sound with deeper, scratchier vocals, whereas BANKS offers cleaner vocals with more of an electronic sound to her songs. Both sing with a powerful sound though and are alternative in their own rights.

I realized shortly before starting this blog that I listened to some of Bishop Briggs’ Panorama performance this summer. I remember thinking then that she was definitely good and I’d have to spend some time listening to her. I also was exposed to her from the Cold War Kids collaboration which I heard for the first time back in June. I loved the collab. Last night her newest single, “Dream”, is what made it click for me. I fell in love with the song immediately after hearing it for the first time. So I decided to listen to her other music along with playing “Dream” on repeat a few more times. I had so many opportunities to see her this past year that I never capitalized on and one opportunity where I didn’t appreciate her enough, similar to my Glass Animals experience, which was coincidentally at Panorama too. The good part about this though is that Bishop Briggs has yet to release her first full-length album, which usually means a headlining tour. So maybe I still have a chance? Until then though I’ll just keep playing “Dream” on repeat, listen to her other songs in there too, and hope for the best. Do yourself a favor and listen to her. But, unlike me, actually do it. “Dream” is fire and her other singles are pretty damn awesome too.

19, 21, 25

No the title of this post does not refer to lottery numbers. Nor are they the “lucky numbers” I received on the back of a fortune cookie. If you’re in tune to the music world, no pun intended, you’ll know those numbers are more than just numbers. They’re the album titles of three records made by one of the most popular musical artists in recent time.

Almost five years ago, right before I became a hipster in style and music taste, I bought an album from the local record store. I don’t even remember what album it was. Along with the album though, I received a free compilation CD of newly released music. This wasn’t an unusual occurrence. From time to time, the store gave out these compilation CD’s when you made a music purchase. I would always listen to them to see if I was missing out on any new music. On this particular occasion, there were a few songs that caught my ears, but there was one that really stood out. It was a song called “Rolling in the Deep” by a singer named Adele.

Pop singer/songwriter, Adele Laurie Blue Adkins, from Tottenham, London, England grew up with a strong affinity for music. She attended the BRIT School for Performing Arts & Technology and graduated in 2006 (Jessie J. and Leona Lewis were among her classmates). The same year she was given her first recording contract from XL Recordings after a friend posted her demo on Myspace. By 2008, she released her debut album, 19. It went seven times platinum in the UK and double platinum in America. She received the Grammy Awards for Best New Artist and Best Female Pop Vocal Performance in 2009 for her work on it. Her second album, 21, was released on January 24, 2011. The following year she swept the Grammy’s winning a record-tying six awards including Album of the Year. 21 reached number 1 on the charts in more than 26 countries, has been certified 16 times platinum and is the fourth best selling album of all time in the UK, certified Diamond in the U.S., and has sold over 30 million copies world wide. It’s safe to say 21 surpassed the success of her debut record.

However, for the last four years, Adele has been on hiatus. The only music she released was the song “Skyfall” for the James Bond movie of the same name in 2012. She received a Grammy, an Academy Award, and a Golden Globe for the song. A few weeks ago, on October 23rd, Adele dropped the first single from her third studio album entitled “Hello”. In its debut week, the single sold over one million digital copies. The music video for “Hello” surpassed Taylor Swift’s video for “Bad Blood” by 7 million views on Vevo in the first 24 hours after its release. Finally, today, after almost 5 years, Adele released her new album, 25. If the success of “Hello” is any indication, this album is bound to go far in the music world.

To put it bluntly, Adele is a big fucking deal. The woman has the voice of an angel. Her music is incredibly full of soul and power. It’s been known to make entire civilizations weep. Between her singing, the music, and the lyrics, the whole message she sends with her songs can deeply touch the toughest of souls. It’s truly beautiful. She is one of the greatest singers of this generation.

When I first heard her single “Rolling in the Deep”, I had no idea who Adele was. I just liked her song. I even purchased 21 a few months later because of that sole reason (and I guess because I thought she was a good singer). At the time I was a senior in college on the verge of graduation and since high school, I was a self-proclaimed pop music hater. I guess Adele sort of changed that, but if you ask me I don’t think she creates and sings the same kind of pop music that singers like, Katy Perry, Taylor Swift, or Lady Gaga do. It’s a different kind of pop music. It’s not something you really rock out to on the radio or dance to in a club, but more so music you sing along to at the top of your lungs on a long drive (or listen to in your bed with a tub of ice cream, box of chocolate, and tissues after a bad day), which is kind of how my love grew for Adele in the first place.

I purchased 21 right around the time of my college graduation. Three weeks after I graduated I went on vacation with my mother and our very close family friends. It took six hours to reach our destination and the whole trip I alternated between listening to 21 and Foster the People’s Torches. That’s when I truly fell in love with Adele. When we were about 15-20 minutes from our hotel, I blasted “Rolling in the Deep” and “Rumor Has It” on repeat partly because I loved those songs and partly because they were upbeat, it was around midnight, and I was trying not to fall asleep. For those reasons, 21 (and Torches) will always remind me of that trip.

As for 25, I picked up my copy earlier today. Like the rest of the world, I’ve been anticipating it for weeks. I’ve actually been listening to it on my boombox (cause yes I still buy CD’s) on repeat while I wrote this entire blog. I can’t say I have any complaints either. Much like Adele’s singing, the album is flawless. The message in 25 is much different than her previous works though. 19 and 21 were break-up albums, full of angsty, heart-breaking tunes. Just like a lot of us out there, Adele was once an emo kid and now she’s in her 20’s, she has child, and she’s done some maturing since her last album. 25 is about growing up. Being in the same generation as Adele, this album is so relate-able. When you’re in your 20’s, you’re caught between youth and adulthood, and that’s really the whole theme of the album. The songs are filled with nostalgia. “Hello” is a heartbreak apology. “When We Were Young”, “I Miss You”, and “Remedy” reminisce an old love. “Water Under the Bridge”, “Love in the Dark”, “All I Ask”, and “Sweetest Devotion” show maturity and understanding of what being in an adult relationship is about, and “Million Years Ago” is a reminder of youth. As much as I love all of Adele’s music, my favorites are the more upbeat songs. One of my favorites on the new album, “Send My Love (To Your New Lover)”, has this pop/folk feel to it, and I fell in love the first time I heard it. The same is true for “River Lea”. It’s an upbeat track full of memories. Target also released an exclusive version of the album containing three extra tracks, “Can’t Let Go”, “Lay Me Down”, and “Why Do You Love Me?”. Since I didn’t buy the album from Target, I’ve yet to hear these songs. Don’t worry though, I plan on hearing them and loving them soon enough.

In reference to the string of numbers for album titles, each title obviously reflects the singer’s age when she wrote the music. It’s a pretty clever way of categorizing your work, if you ask me. 19 launched Adele’s career and who knows if she will ever release an album as successful as 21. I’m sure 25 is on its way to put up a good fight and earn Adele a few more accolades in the process. If you don’t feel like missing out on this completely relate-able musical journey of Adele’s life, I would recommend listening to her music and buying/downloading a copy of 25. To get you started though, here are some other songs to check out:

1. “Rolling in the Deep”
2. “Rumor Has It”
3. “Someone Like You”
4. “Set Fire to Rain”
5. “Chasing Pavements”
6. “Hiding My Heart”
7. “Hometown Glory”
8. “Make You Feel My Love”