stagecoach

Coacheligible

2019 is almost over. The festival season is surely winding down as well. I consider Austin City Limits as the last major festival of the year even though there’s still several smaller festivals in the weeks following ACL until the holidays. With the end of the year approaching, there’s only 2 months until announcements for the 2020 festival season begin (some like Okeechobee and Stagecoach already have), particularly like Coachella, the first major music festival of the year.

For the last 5 years, I’ve previewed Coachella consistently. As you might have already figured out, and if you didn’t already know, Coachella is my favorite music festival. It’s one of the reasons why I work in music. With that being said, I spent a good portion of last night talking with a coworker friend about potential Coachella 2020 artists. We discussed artists and bands who have dropped or have upcoming new music, who haven’t played Coachella in a while, and who we’d love to see at the festival next year. Playing major music festivals like Coachella also comes with one more component for bands and artists: the radius clause.

Based on some internet finds, what we know about Coachella’s radius clause is that between December 15th prior to Coachella until May 1st after Coachella acts cannot play any festival in North America and cannot play any “hard ticket” concerts in Southern California. In addition, they’re also not allowed to publicize any tour stops in California, Arizona, Oregon, or Washington until after the Coachella lineup is announced, publicize any performances at competing festivals in California, its bordering states, and Washington, or a headlining concert in Southern California, until May 8, or publicize any performances at competing festivals in the remainder of the United States again until the Coachella lineup is announced. Exceptions to this are the New Orleans Jazz & Heritage Festival, South by Southwest, and Ultra Music Festival as well as appearances at Las Vegas casinos, or tour stops in other parts of Nevada minus any Las Vegas festival appearances.

Coachella isn’t the only music festival that imposes these clauses. Most music festivals have some type of radius clause which includes major contenders like Lollapalooza, Bonnaroo, and South by Southwest to name a few. However, Coachella’s clauses are notable as they made news for the 2018 lawsuit imposed by a smaller music festival called Soul’d Out in Oregon. The lawsuit has since been dismissed.

The radius clause was another thing we considered last night when discussing possible Coachella performers. I’m even realizing today the clause throws out Vampire Weekend as one of my Coachella hopefuls since they’re headlining Okeechobee in March. That is unless they negotiated around the clause. This is always a possibility for performers. Sometimes smaller acts get around the clause because it would hurt them financially to not play shows, but other times it’s not always smaller acts. In 2018, top-billed Coachella artist SZA headlined Buku, but her team most likely negotiated and she was given permission to do so. More often than not though, bands and artists abide by the rules. Adding Coachella to your resume is a big deal. It’s one of the most well-known, popular, largest, and most talked about music festivals in the United States, if not the world so playing the festival is always a special accomplishment no matter how many times you do it. The same goes for working and attending the festival!

In the coming weeks I’m sure headliner rumors will start popping up and there will be more speculation over who will play in Indio this spring. Regardless of the lineup, which since 2014 hasn’t entirely impressed me, I’ll be stoked and on high alert for a twitter notification with a new lineup poster come January 2nd. Coachella will always be special for me no matter who plays, but there’s no shame in getting excited for possibility!

 

 

Coachella 2019 Recap

I never got a chance to post about the set times. As soon as I arrived in Indio, I got down to business and before we all knew it Weekend 1 began. I haven’t posted a Coachella recap since I attended because I really didn’t get much free time working the festival the last two years. This year that changed a bit. I took a new position about 2 weeks before I flew to California and the rest is history.

I worked a lot during the days leading up to the festival. I also worked Thursday and Friday, Day 1, but by Saturday I was free to have fun and prepped at my leisure for the following week. I worked offsite at the Renaissance Hotel in Indian Wells doing check-in for the campground I work at. On Thursday we were open from 12 p.m. until 2 a.m. and Friday from 9 a.m. until 9 p.m., which changed to 8 p.m. during Weekend 2 because of the road closures happening around 9. We also opened for an extra 6 hours on Saturday morning-early afternoon of Weekend 1 because more people than expected did not check in. However our check-in manager released me around 7 p.m. Friday night of Weekend 1 so I went to the festival and was able to see every Friday night act I wanted to see.

The 1975 set was my favorite of the festival. It was crazy because I walked into Coachella and went straight to the Main Stage for the set. I didn’t stop to take Coachella in like I normally do when I get in the festival for the first time. There was barely time to look at the art or anything else. It was worth it though for the set I was about to see. Matt Healy brought it, from cool visuals to a moving platform onstage that Healy walked and danced on. I also stood next to two members of the band All Time Low, which made for an added bonus to the set. I danced my face off and had the best time. As soon as the 1975 ended we went straight to Outdoor for the end of RÜFÜS DU SOL. I tried not to prioritize RÜFÜS because I’ll be seeing them in August, but I was happy to catch some of their set. They killed it as usual. Once they ended, it was back to Main Stage for Janelle Monaé. She was a lot of fun and brought tons of female fire power to the Main Stage. She even brought out Lizzo during her set.

Throughout the two weeks I was able to see all of if not part of almost every artist I wrote about. I saw Turnover, Bob Moses, part of Maggie Rogers, part of Gryffin, part of Tame Impala, Mansionair, Lizzo, Zedd, and Ariana Grande Weekend 1. Maggie Rogers played at the Gobi tent which was way too small for the masses that she brought to her set. That was the only reason I went to Gryffin instead during Weekend 1 since their sets overlapped. I stayed for her entire set Weekend 2 since it was slightly less crowded. During Weekend 2 I saw ARIZONA, all of Maggie Rogers, Weezer, part of Billie Eilish, part of Lizzo, Dermot Kennedy, most of Zedd, CHVRCHES, and NGHTMRE. I also attended Kanye’s Sunday Service, which was a once in a lifetime experience. I skipped Mac DeMarco overall. I feel like I really attended Coachella this year, but worked at the same time. Dermot Kennedy was really the surprise set for me this year. He was incredible and made me a fan. His style is very Bon Iver-esque, but Irish. CHVRCHES was also an incredible set. It was definitely my second favorite, which worked out to be the second to the last Coachella set I saw Weekend 2. My favorite set, The 1975, was the first set I saw Weekend 1. I definitely started and ended Coachella strong.

Once Saturday hit, I had time to take in the art, which payed homage to art of the past 20 years, and enjoyed plenty of ice cream in the festival as well. The astronaut from 2014 came back with a new design, as well as the hippos from 2015. The Spectra tower will be there for a few more years and was also back. The event also had several more pieces for Coachella fans to take in. The antarctic dome became one of my favorite attractions on the final day since it featured a RÜFÜS DU SOL theme this year. I went inside 3 times. I was also inside the festival for the ideal sunset hours and fully immersed myself in the Coachella vibe.

I love Coachella so much as you all know, and I’ve loved working it and attending it. This year held a special place in my heart though. I met new people, got closer with people I knew before, and got to hang out with so many of my friends over the 3 weeks I spent in the desert (Stagecoach included as Week 3). I felt a happiness that made me appreciate music, my life, my job, and the people I’m surrounded with. I don’t really have the appropriate words to describe it. It was beyond words for me this year, and I hope next year can compete.

Thanks again Coachella for all the big moods, good vibes, and sick times. There’s no place I’d rather be.