Steve Lacy

Father of the Bride: Album Review

On Friday, one of my most anticipated albums of the last year came out. Since early 2018, I’ve been waiting for the release a new Vampire Weekend record. Friday it happened. Vampire Weekend’s latest album, since Modern Vampires of the City came out in 2013, Father of the Bride was released. The album’s been teased for months with the release of singles like “Harmony Hall”, “2021”, “Sunflower”, “Big Blue”, and most recently “This Life” and “Unbearably White”. Finally the full album is out and I must say it’s not what I was expecting, but it hasn’t disappointed me yet either.

Father of the Bride is one of those albums that need to grow on you. It’s clear that in the last six years things have changed for frontman and songwriter Ezra Koenig as well as for the band itself (original member Rostam Batmanglij left the band in 2016). The sound is much more different than prior Vampire Weekend records. Koenig’s vocals are the one thing that distinguishes many of the new tracks as being Vampire Weekend songs. There are elements of country, jam, and pop in the record, which is much different from the former albums that have taken sounds from music of other cultures.

Another new addition to this album is the collaboration with Danielle Haim from the sister trio group Haim. She’s featured on three tracks and provides background vocals for a few other songs as well. As a big Haim fan, I’m into this. I never expected the collaboration, but I sort of love it? It adds a female voice to Vampire Weekend that didn’t exist prior. The songs featuring Haim are the ones that sound much different than typical Vampire Weekend. I do like it, but I also kind of wish the songs were more Vampire Weekend sounding with a Haim addition instead of being more Haim sounding with a Vampire Weekend addition.

It’s evident that with FOTB Vampire Weekend has grown and matured in life and in music. In fact, I noticed while seeing them at Lollapalooza last summer that the people attending their set were all older, probably in their 30’s or late 20’s, which if you’ve been to Lolla you know is rare because there’s an overflow of high school and college kids every where. It was pretty cool. So I guess in a way with their new music, Vampire Weekend is growing with their fans. Overall I like the album. I don’t love it. There are a few tracks that are sure bangers, mainly “Harmony Hall” and “This Life”.  The rest really need to grow on me. As I listen to the album more and more though in preparation of seeing Vampire Weekend in concert in September I’m sure I’ll be into a few more songs. I’ll probably still be jamming to “A-Punk”, “Walcott”, “Unbelievers”, and “Oxford Comma” though too. And if you’re a big Vampire Weekend fan I’m sure you’ll be doing the same.

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