2020 Sucked But Here’s Some Music That Didn’t

In 2016, which everyone claimed was a terrible year, I started a personal music recap for the year as a way to find something good to talk about. I kept it up because 2017 was an absolutely amazing year for music and then just kept going with it. 2016 was nothing compared to this year though. To be honest I had a pretty good 2016, but like most people, I didn’t have a great 2020. I’m usually a pretty positive person and try to look for good things when bad shit happens, but this time around there wasn’t a lot of good. Barely any actually. The bad far outweighed it. Where I found my hopefulness though is that someday it will get better. If I made it through high school and my emo years, I knew I’d be able to get through this emo year. Thankfully, even in the absence of live music and the career path I started for myself in 2016, artists still released albums. Some albums were delayed, but eventually got released. Some albums were even unplanned such as Taylor Swift’s folklore and evermore. Music discovery was one thing that wasn’t cancelled this year and for that I am grateful. So here you go, my top music faves from 2020:

“Heat Waves”, Dreamland -Glass Animals

I usually only pick a song, album, or artist to focus on for each of these, but this one was tough to distinguish. In 2020, there are no rules though. Glass animals released their latest album Dreamland back in August but a month earlier dropped the song “Heat Waves”. I fell absolutely in love with song immediately. I knew a few days after I first listened to it that it was the song of the year for me. I couldn’t stop listening to it for weeks even after the album was released. It was my most played on Spotify as well. The album was also my favorite of the year. It featured other great bangers like “Tangerine” and “Your Love (Déjà Vu)” and several other great ones as well. The album was an ode to childhood in the 90’s, but still captured the smooth yet trippy, groove style of indie music that Glass Animals is so well known for. I feel like it’s highly underrated and most definitely my favorite album of 2020.

Women in Music Part III -HAIM

Before Dreamland was released, if you asked me, I would have told you that Women in Music Part III or WIMPIII for short was going to be my favorite album of the year. I knew earlier on from the single releases in the spring that the Haim sisters were about to release a hit of an album. I’m not the only one that took notice either. The album was recently nominated for album of the year by the Grammys and their song “The Steps” was nominated for Best Rock Performance, a category dominated by women this year. I bought the album in July and was able to secure a signed album poster! I still have yet to hang it up, but I have plans to make it happen soon. Much like Dreamland, this album is top to bottom filled with great songs. My favorite is “Don’t Wanna”, but that’s followed by “I’ve Been Down”, “Gasoline”, “I Know Alone”, and “The Steps”. I could honestly go on with the songs too. Like I said, top to bottom, it’s fire. HAIM’s third full-length is really something special and my other top fave from this past year.

Daft Punk

Daft Punk has been around since the 90’s. I’ve known about them since the Random Access Memories era, but I didn’t quite realize that I knew them way longer than that until I watched the Coachella Documentary this past spring. There was such a focus on Daft Punk’s iconic 2006 set that I began really going through their discography. I wrote a blog post about them and how even without a physical Coachella this year, Coachella still helped me discover some new artists. They were one of my top artists of the year. I even bought Discovery on vinyl back in April. The song “One More Time” was in my top 5 most played songs of the year and I’m now one of those people who want them to headline Coachella. I’m definitely late to the game on this robotic electronic duo, but it’s better late than never.

Notes on a Conditional Form -The 1975

The 1975 dropped their latest album in the spring with plenty of track releases in the lead up to the full album that began in 2019. It was an album I highly anticipated during the spring lockdown. In fact during those weeks, I was living for new music Fridays. I claimed back in my blog post review of the album that it might be one of their best works yet. However, I’m not sure if anything will able to top their debut self-titled, but I definitely believe Notes On A Conditional Form is one of the best of the year. I spent weeks listening to the full album. I love “If You’re Too Shy (Let Me Know)” and “Jesus Christ 2005 God Bless America” which features Phoebe Bridgers, who had a big year herself. “People”, “Frail State of Mind”, “Me & You Together Song”, and “Tonight (I Wish I Was Your Boy)” are all great too. This album came at the perfect time and I’m incredibly grateful for it and all the new music that helped me through this crazy year.

“POWER” -Kanye West

“POWER” by Kanye West is not a new song. It actually came out 10 years ago. I never even knew it back then. It first came into my life with the Power Rangers reboot movie in 2017. Then last year during Sunday Service at Coachella it also popped back in. Then yet again this past spring in the Coachella Doc it also made an appearance. It was this time though that I finally got hooked. It was another staple song of my spring time work out playlist and even a go-to I would listen to at other random moments. The intro and subsequent background music for the song which was taken from the song “Afromerica” by Continent Number 6 is just so damn catchy too. It was another better late than never situation, but it worked out fine. There were plenty of songs that got me through the spring but this one is definitely a stand out.

“New Daze” -Bay Ledges

In the summer Bay Ledges released a 6 song EP titled New Daze. The EP included a song of the same name that I really connected with. It’s my favorite new song of theirs since I heard “Safe” in 2018. The song exemplifies their chill indie vibe sound, but has that same uplifting feel that “Safe” also contains. The lyrics themselves do too. It gives such a hopeful perspective for this trash year and I really love the song for that reason as well.

“Giants” -Dermot Kennedy

Dermot Kennedy was huge for me in 2019. His show was actually the last concert I was able to attend before the music industry shut down on March 12th. After such a big year with his first album in October, I wouldn’t have expected any new releases in 2020, but in June he dropped the new track “Giants”. It’s another powerful upbeat track similar to “Power Over Me” and “Outnumbered”. He recently released a “Complete Edition” version of his debut album which contains “Giants” among other collabs, a cover, another new song, and alternate versions of old songs. “Giants” was just the new track I needed for my summer work out playlist to even further my love for Dermot Kennedy. I even enjoyed the Sam Feldt remix of the track and got a double dose of the track by including that version in my fall work out playlist. It’s quite a banger and one of my favorites of the year.

“Bodies” -The Knocks ft. MUNA

Obviously the spring and summer were filled with plenty of new tunes and discoveries of old for me this year, but I found this gem by The Knocks featuring MUNA in the fall. The song was recommended to me by Spotify after my playlist finished one night and I thought it was great. After I added the song, I couldn’t get enough of it when it played during my nightly work outs. “Bodies” was released in the summer, but it didn’t come into my life until early November. For almost the last two months, I’ve been obsessed with this song. It’s a late comer to this list of my favorites for 2020, but it deserves to be here. It’s a keeper.

“Believer” -LUDVIC, Mathoma

Spring was such a time of music discovery for me thanks to the Coachella Documentary and my weekends of “Couchella”. In that time I also discovered the song “Believer” by LUDVIC and Mathoma thanks to checking out my friends’ Spotify playlists. I love being a creep on Spotify but it’s truly a great way to discover new music and find out what your friends are listening to. Although this jam wasn’t directly because of Coachella, it came to me around that time and joined my spring playlist in the midst of some great tunes. This was one song I couldn’t get enough of though. I would frequently replay it or listen to it when I wasn’t working out thus earning this trop house style track a spot on this list of my faves from 2020.

Golden Hour -Kygo

After seeing Kygo perform at Coachella in 2018, I became a huge fan. I’ve always been partial towards the trop house style of electronic music, but that 2018 performance really set in my affinity for the Norwegian DJ. Golden Hour was another album I was anticipating in the spring with new track releases every few weeks. Kygo’s third album dropped at the end of May and I already had some favorites from the new record. “Freedom”, “Lose Somebody”, and “Higher Love” caught on quick for me. I also love “Like It Is”, “I’ll Wait”, and “How Would I Know.”

Kygo decided to do a virtual live stream festival from his home in Norway to promote the new album and support LiveNation’s Crew Nation Fund among several other relief funds. As we know, streaming shows became a thing this year. I think they’re trash. They will never compare with going to a concert or festival, but in the mean time, they’re something to watch. I watched two streams in the spring and this was one of them. The thing that kept me around was the beauty of Norway. Kygo’s set was shot partially with a drone that exhibited the entire landscape of his community. People were out on the lake watching his set from boats. It was so cool. Who would have thought this music which usually sets the vibe at in the desert of southern California so perfectly would create an insane vibe in a different setting like Bergen, Norway. It was great and it gave me another chance to hear this solid new record.

Honorable Mentions:

The New Abnormal -The Strokes (the first Strokes album since 2013, full of indie rock goodness)

girl in red (the indie version of Hayley “Lesbian Jesus” Kiyoko)

“Good” -TWIN XL (indie pop summer jam)

“Palm Springs” -Luna Shadows (pure Palm Springs vibe and I bet you can’t get it out of your head)

“Anywhere” -Dillon Francis ft. Will Heard (Thanks to a re-watch of his 2019 Coachella set it became a spring fave of mine)

I typically end these posts filled with excitement knowing I’ll be anticipating the Coachella lineup to drop within days, but this time around that excitement for my favorite festival is non-existant. Instead, I’ll be looking for another postponement to the Indio festival that was only a month away before corona dragged it and the rest of live music down. The good thing is that there’s finally a light on at the end of this tunnel. The vaccines are probably the hottest records to drop this year with a few more slated for early 2021. We’re all hoping that these creations will help get us back to the things (concerts and festivals) and people we love the most at some point next year. So I’m definitely urging you to give them a chance, because the faster you do the faster we can move forward away from this crazy upside down world we’ve been living in since March.

Besides hopefully a fresh start for the live music and events industry, 2021 should be filled with some highly anticipated new music. In May 2019, Adele hinted at a new record that was to come out in 2020. I’m not sure if this year put a damper on production, but it has yet to be released. A brief stint on SNL in October gave us some hope for new music but Adele quickly squashed those hopes in her opening monologue and shifted gears towards 2021. So as the saying goes, “rumor has it” that we’ll have some new Adele music next year after over 5 years since 25.

Lorde has also hinted at the release of new music. It will be 4 years ago in June that Lorde released her Grammy nominated sophomore album Melodrama. So this third full-length will be a highly anticipated record in 2021.

As I mentioned girl in red in my honorable mentions, her debut album should be dropping next year as well. The first single from it, “Rue”, was released in late August and I’m sure there will be more songs coming in anticipation of the release. After the big year girl in red had, thanks in large part to Tik Tok, I’m sure this debut will help grow her fan base even more.

Lana Del Rey, who just never stops making music, has an album due out for 2021 as well with Chemtrails over the Country Club. We should be seeing new music from Bleachers, St. Vincent, Spoon, Weezer, and Greta Van Fleet in the new year too.

Although it has been over 3 years now that my favorite band, Foster the People, released an album, they released an EP called In the Darkest of Nights, Let the Birds Sing on December 11th. They’ve dropped plenty of new music since their last record Sacred Hearts Club (2017) too. Hopefully touring returns at some point next year and I’ll have the chance to see Mark and the boys again soon. I miss them. I actually said the same thing at the end of last year too, but now I miss them even more.

It’s also been awhile since LCD Soundsystem has put out music so I hope to hear from them next year as well as Florence & The Machine whose last album came out in 2018. As for the next few months though, instead of going to Mexico and anticipating Coachella, I’ll be trying to ski as much as I can and keep my eyes and ears peeled for a return to the work I love so much. If all goes well, the new roaring 20’s might be in full swing by the fall. Stay tuned for that.

Although music was partially shut out this year, at least we have the technology to release, find, and hear new songs, EPs, and albums. I’m not going to try to tell you that music saved this year like it did in 2016. This year could never be saved and that’s okay. The good news is that we made it so here’s to shutting the door on a wild, lameass year and opening the next door for a better one. Onward and upwards!

Coachella Band Preview: Haim

2 weeks to go! Anticipation is building. Fashion is being planned. The Sahara Tent is even being moved (Yes! You can check out this article to hear about the new location.) Most importantly though, music is being listened to. I was about to do my blog post of bands I’ve already blogged about when I had a realization. I’ve never actually written a whole post about Haim. I thought I had because I reviewed their album over the summer. I was mistaken, which means it’s time to finally do that.

Haim, a Los Angeles based band comprised of sisters Este, Danielle, and Alana all with the last name Haim, decided to form a band in 2007. Growing up they were encouraged by their parents to play music. Danielle played guitar and Este played bass. They even joined their parents as a band to play benefits and church gigs while growing up. Danielle and Este also were part of the band Valli Girls, who were featured on the soundtrack to The Sisterhood of the Traveling Pants with their song “Always There in You”.

When Haim initially formed, each sister was involved in their own projects. They stuck to playing local shows because of it and didn’t receive much attention in their early days. Este went to UCLA and graduated in 2010 with a degree in Ethnomusicology. Danielle was noticed by musician Jenny Lewis, formerly of the indie rock band Rilo Kiley, and was asked to join her touring band. That lead to touring opportunities with The Strokes’ lead singer, Julian Casablancas on his solo tour. She even joined CeeLo Green’s all female backing band for a short time, but ultimately decided she’d rather make music with her sisters.

After playing SXSW and releasing their debut EP Forever in 2012, the group started receiving attention from the music industry. They signed with UK label Polydor Records in June 2012 and from there began making some noise in the industry, in Europe in particular. They toured there that year both on their own and opening for Florence and the Machine. They then returned to SXSW in 2013 as a more experienced and slightly better known act.

2013 was spent working on their first album in between live shows. The sisters played Glastonbury that summer and released the first single, “The Wire”, from their album on July 29th. The album, Days Are Gone, was released on September 30, 2013. The album has since received accolades from media oulets Pitchfork, NME, Consequence of Sound, Spin, and Rolling Stone, among others.

Haim spent the spring of 2014 touring the U.S. As part of that tour, the band made their first Coachella appearance. The end of 2014 featured a few collaborative projects with Fleetwood Mac lead singer Stevie Nicks and Calvin Harris, but until last summer Haim had yet to release new tunes themselves aside from contributions to movie soundtracks from Insurgent of the Divergent series and Mockingjay – Part 1 of the Hunger Games trilogy. They joined their friend Taylor Swift on her 1989 World Tour in the summer of 2015 for a few dates and also received a Grammy nomination that year for Best New Artist. The band spent 2016 hyping upcoming new music by playing a few festivals including Lollapalooza, Bonnaroo, Governors’ Ball, Boston Calling, and Austin City Limits. Then finally last summer on July 7th Haim released their second studio album, Something To Tell You, which I reviewed shortly after its release.

Since finding out about Haim in early 2014, I’ve always thought their music sounds like late 80’s/early 90’s pop rock. Surely enough, they’re considered a pop/indie rock band. All three sisters harmonize in their songs and are proficient in more than one musical instrument, but for live shows sake, you’ll see Este on bass, Danielle on lead guitar and lead vocals, and Alana on rhythm guitar, keyboards, and percussion. Their sound has been compared to Fleetwood Mac. Although I can’t think of a specific band to compare them to I still feel like their sound replicates bands of the 80’s & 90’s. One song that comes to mind that reminds me of Haim is the 1986 hit by Bruce Hornsby “Every Little Kiss”. There are definitely others too so if you can think of any specific songs or bands let me know!

For about 2 years since I discovered them, I desperately wanted to see Haim live. My desire began after I saw them perform on the Coachella 2014 live stream. I actually debated seeing them perform a few weeks after that, but ultimately passed on it because of having a few other conflicting travel obligations. Fortunately, I was able to work Lollapalooza in 2016 and caught them performing there. They were incredible live. Although they’re not a jam band, they do like to jam onstage and add special musical aspects to their live performances. For instance at Lolla, all three sisters played different rhythms on a giant drum at the same time right before their set ended. It was super cool. Their musical ability shines through in their live performances making them one of my top must-see artists this year at Coachella. They’re also one of my favorite bands, which puts them to the top of my list too.

Haim plays Saturday at Coachella. I’d expect a late day set on the Main or Outdoor stage from them, particularly as the sun sets or maybe even as the darkness encompasses the polo fields. If I’m able to, I definitely plan on seeing them, but if I can’t I won’t be that disappointed either because I have tickets to see them this spring. They’re embarking on a world tour that I couldn’t pass up on. If you want to see Haim, which I highly recommend you should, here’s the songs you need to listen to:

1. The Wire
2. Don’t Save Me
3. Want You Back
4. Little Of Your Love
5. Falling
6. My Song 5
7. Forever
8. Right Now
9. Nothing’s Wrong
10. Ready For You

Coachella Band Preview: Vance Joy

Coachella 2018 Weekend 1 is just over six weeks away and I can finally say I’ll be back out there for my third Coachella! I just received an offer to work the festival again at the end of last week. My hype level was at a high for sure. After working last year and soaking up every minute, I always felt like I would be the luckiest person ever to return the following year to do the same thing. Now it’s actually happening! So cool. So so cool. Another cool thing about Coachella this year is that Vance Joy is performing.

Vance Joy, a.k.a. James Gabriel Wanderson Keogh, is a musician from Melbourne, Australia. He came on to the music scene in 2013 with his smash hit “Riptide” and hasn’t gone back since. He just released his second studio album, Nation of Two on Friday.

Vance Joy, whose name comes from the Peter Carey book Bliss, released his debut EP God Loves You When You’re Dancing in March 2013. In the time between the EP release and his debut album in 2014, “Riptide” peaked at the number 6 spot on the ARIA Singles Chart. It was also used in a U.S. GoPro commerical and reached spot 30 on the Billboard Hot 100 and number 1 on the Alternative and Rock Airplay charts.

His debut album Dream Your Life Away was released in September 2014. He toured worldwide in support of the album, then joined Taylor Swift on her 1989 World Tour as an opening act. Besides opening for Taylor Swift in 2015, Vance Joy played Coachella, Governor’s Ball, and Austin City Limits among others. He also won an ARIA Award for Best Male Artist and was nominated for awards in six other categories for Dream Your Life Away. In 2014, he made festival appearances at Bonnaroo, Firefly, Glastonbury, and Lollapalooza. Tour life continued into 2016 with the Fire and the Flood Tour. The extensive touring ceased in 2017, but Vance Joy still played a few shows and festivals last year.

Vance Joy’s music is part of the indie music spectrum. It falls into the indie pop and indie folk categories. His music really does sound like a fitting combination of the two genres. One of Vance Joy’s signature elements is the use of a ukulele in several of his songs, “Riptide” being part of that group.

I first heard of Vance Joy because of the song “Riptide” (of course!). When I downloaded the song in the spring of 2014, it was before his first album was released. Since then, I’ve gotten into several Vance Joy songs. I even heard his performance at Coachella in 2015. He played at either the Gobi or Mojave Tent and it was too crowded to actually see his set. My cousin and I sat outside and listened instead. I also saw him perform at Panorama last summer. I caught some of his set since I was working the entire day. I definitely enjoyed it. He puts on a great live show.

I’m guessing that since the last time he played Coachella and his set was over-crowded that he’ll probably perform at either the Coachella Stage or the Outdoor Stage. He plays Sunday. He’s not listed as one of the top acts that day but I’m sure he’ll be performing in the late afternoon hours on one of the larger stages. It wouldn’t make sense to for him to have another time slot at a different stage. If I were just attending, his set would definitely be one I would try to catch. From a working perspective though, I would only catch it if I was off work at the time he performed. He’s a great musician and I love his music, but I have seen him before. Plus there are a couple others on Sunday that I would pick first if it came down to that. Regardless, if you’re attending, go to his set! I guarantee you’ll know something (even if it’s just “Riptide”) and you’ll be entranced by what you don’t know. Here’s a few songs you might want to check out to get you ready though:

1. Riptide
2. Georgia
3. Like Gold
4. Fire and the Flood
5. Mess is Mine
6. Lay It On Me
7. Saturday Sun

 

Why Are There No New Christmas Songs?

Christmas time is unique in that it’s the only time of year with designated songs describing the season. I mean I guess you can make a case for Halloween songs, but when it comes to Christmas songs, they can’t really compete. Christmas music is played way more frequently. The thing about Christmas music though is that every year radio stations, stores, malls, and other entities play the same songs on repeat. Unlike music in general, you don’t often hear new songs when it comes to Christmas ones. But why?

It’s not that new songs aren’t being created. Every year there’s probably several new Christmas songs, but apparently it’s difficult to make one popular to the masses. More often you’ll hear modern artists covering traditional Christmas music rather than creating new songs. In fact, the most recent successful Christmas song came out 22 years ago. It was Mariah Carey’s “All I Want For Christmas Is You”. Most of you know the song too. It’s now a holiday staple. You can make an argument for others though. *NSYNC’s “Merry Christmas, Happy Holidays” came out in 1998. Then there’s Britney Spears’s “My Only Wish” which was released in 1995.You might hear the *NSYNC song throughout the holidays, but it’s rare to hear the Britney one. Mariah still beats them both.

There’s been a couple of artists who have tried to put out a modern Christmas song in more recent years like Justin Bieber, Taylor Swift, Lady Gaga, Rihanna, Ariana Grande, and Meghan Trainor. I bet you didn’t know that unless you’re a huge fan of a particular artist because none of their songs were that successful. I honestly don’t know what their holiday songs are called or how they go. Do you? That’s enough proof to show their lack of success.

I had a few Christmas songs that I listened to during high school and college that were original songs. Those songs weren’t by bands or artists you’d hear on mainstream radio though. A lot of the songs had sad themes too, which aren’t people’s favorite thing to listen to around the holidays (take “Christmas Shoes” for example). One of my favorites was “Forget December” by Something Corporate. The songs was released in 2003 as part of the album A Santa Cause: It’s a Punk Rock Christmas, an album that was released to benefit The Elizabeth Glaser Pediatric AIDS Foundation in which punk bands created original holiday songs or recorded covers of Christmas classics. The first volume was released in 2003 and a second was released in 2006 to benefit a different charity (Cure Autism Now). A decent portion of those songs were on my Christmas playlist over the years.

Now whether it’s lack of Christmas spirit, a desire for something new, or a combo of both reasons, I don’t listen to Christmas music if I don’t have to (because when you go shopping near the holidays you’re bound to hear it). I haven’t for the last 4-5 years. I haven’t been excited to hear it either, even my old favorite songs. I think the reason for that is because I don’t listen to the same bands that I listened to in high school and college. In general Christmas and its music isn’t as exciting anymore, but especially since modern Christmas music really isn’t a thing. We’re mostly still listening to music that came out decades ago.

Last year, LCD Soundsystem released an original Christmas song, “Christmas Will Break Your Heart”. I listened to it, but I wished it was more upbeat like the songs “Dance Yrself Clean” or “Daft Punk Is Playing At My House”. It sounded more like “New York I Love You But You’re Bringing Me Down” and I just wasn’t feeling it at the time (I do like the song “New York I Love You….” though). I listened to it again last month and I liked it a little better probably due to my renewed love of LCD. That’s the only band I can think of that I like that released an original Christmas song in the past few years.

If more indie pop/rock bands released some Christmas songs, I might actually find a renewed taste for Christmas music. It would also be pretty sweet if an electronic artist did one too. I can imagine that would create an energetic Christmas vibe. I doubt any of those songs would make it to mainstream listeners though (not that I’d be complaining) so take that as you will.

Maybe one of the closest things to a Christmas song I’ve enjoyed in the last 4-5 years was a combination of a classic Christmas song and a modern day hit that debuted on the TV show The Real O’Neals last Tuesday. They performed O Holy Night and mashed it with Sia’s “The Greatest”. It was the coolest Christmas related musical piece I’ve heard in a while. It blended an old religious holiday ballad and a newly released non-Christmas single perfectly. It got me so hyped last week when they cut into the carol and started singing Sia. I’ve been promoting it ever since and I wish they recorded a full version.

Something like that gives me hope that maybe soon enough we’ll have more modern Christmas songs so we can stop listening to Burl Ives, Bing Crosby, or even Mariah Carey. I know many people may not want to, but I’ve never been part of the majority. Here’s a few newer-ish original Christmas songs to listen to if you’re looking for something more modern:

1. Forget December -Something Corporate (2003)
2. Yule Shoot Your Eye Out -Fall Out Boy (2003)
3. I Won’t Be Home For Christmas -Blink-182 (2003)
4. This Time of Year -The Mighty Mighty Bosstones (2003)
5. Icicles -Punchline (2003)
6. City Trucks -Paper Route (2006)
7. My Christmas List -Simple Plan (2001)
8. Right Where You Want Me To Be -A Day to Remember (2010)
9. Christmas Will Break Your Heart -LCD Soundsystem (2015)
10. Not Giving In -Rediscover (2006)
11. The Christmas Song -Owl City (2008)
12. Christmas Gifts -Foxes (2009)
13. Merry Christmas, Kiss My Ass -All Time Low (2011)
14. The Lights and Buzz -Jack’s Mannequin (2005)
15. Merry Frickin’ Christmas -Frickin’ A (2004)

Also here is the O Holy Night/Sia Mashup from The Real O’Neals.

2016 Coachella Valley Arts and Music Festival Lineup Release

A yearly ritual right after the New Year begins for music fans is the release of the Coachella Valley Arts and Music Festival lineup. Last year I paid more attention to it than ever because, as you all know, I attended the festival last April. Again, I can’t adequately express how great of an experience Coachella is, and this is from someone who didn’t even camp out. My soul felt totally at home while listening to live music and soaking up the sun and chill vibes in the desert for 3 days last year. It’s something you have to experience to understand. Since I previewed the bands at the festival last year in the hype leading up to the main event, and the response went well, I plan on doing the same thing this year even though it might not have the same meaning for me (Yeah, I’m not attending Coachella 2016 and I’m a little bummed about it). Before looking in depth at each band, I have to give an overview of all the acts. Since the lineup was released around 9:45 p.m. ET last evening, I can finally talk about them. First up, the headliners.

The Headliners: LCD Soundsystem, Guns N’ Roses, Calvin Harris

In the days leading up to the lineup release, I actually found out that LCD Soundsystem and Guns N’ Roses would be headlining. Safe to say I anticipated a great lineup this year and I was a little jealous (mostly because of LCD Soundsystem). 80’s rock band, Guns N’ Roses, are reuniting for the first time in 20 years for this upcoming Coachella performance. They’re the old school rock band performer this year, similar to AC/DC at last year’s event. The Saturday night set should be an epic rock n’ roll event for all who attend. Another band reuniting for Coachella 2016 is LCD Soundsystem. The band, who announced their split in 2011 and played their “final show ever” at Madison Square Garden that same year, is getting back together to play Coachella for the third time. They headline on Friday night. Lastly, Scottish DJ, EDM artist, and current boyfriend of Taylor Swift, Calvin Harris is set to close out the festival on Sunday evening. As a Coachella veteran and this year’s headlining EDM act, the Calvin Harris set should be the biggest of the festival. His set in 2014 was the second largest ever in festival history. As I learned last year, EDM is a huge deal at Coachella (I mean that Kaskade set though) so you can count on Calvin Harris’s as being one for the ages.

The Other Highly Billed Performers (aka the next two lines on each day of the poster): Ellie Goulding, Sufjan Stevens, Jack Ü, M83, Underworld, The Kills, Foals, Ice Cube, Disclosure, Zedd, A$AP Rocky, CHVRCHES, Halsey, James Bay, Sia, Major Lazer, Flume, Beach House, The 1975, Rancid, Miike Snow, Of Monsters and Men, G-Eazy, Purity Ring, Rae Sremmurd, Volbeat, 2manysdjs, Lord Huron, St. Germain, Savages, Grimes, Courtney Barnett, Run the Jewels, The Arcs, RL Grime, Gary Clark Jr., Silversun Pickups, Lush, ZHU, Edward Sharpe and the Magnetic Zeros, Matt and Kim, Chris Stapleton, Cold War Kids, Death Grips, The Chainsmokers.

Like always, the Coachella lineup consists of a variety of music styles. There’s plenty of pop, rock, indie, alternative, and electronic in this year’s group of top acts along with a mix of a few other genres as well. Ice Cube, A$AP Rocky, Death Grips, and G-Eazy make up the rap contingency, especially without a main Rap/R&B headliner this year. James Bay, Sia, Halsey, and Ellie Goulding make up the pop acts. Sufjan Stevens and Lord Huron hold the crown for indie performers this year. Then there’s indie/rock/alternative bands like CHVRCHES, Grimes, Foals, M83, The 1975, The Kills, Of Monsters & Men, Silversun Pickups, Purity Ring, Beach House, Edward Sharpe and the Magnetic Zeros, Matt and Kim and Cold War Kids and the ever popular electronic/dance/house music with Jack Ü, Disclosure, Zedd, Miike Snow, ZHU,  RL Grime, Major Lazer, The Chainsmokers. There’s even some old school punk in the mix with Rancid.

If I was attending this year, I’d definitely want to hit up the Matt and Kim set the most. I’ve wanted to see them play for the last couple years and I passed up on the opportunity last summer. I’d also love to see CHVRCHES, M83, The 1975, Of Monsters & Men, Edward Sharpe and the Magnetic Zeros, Cold War Kids, Halsey, Sufjan Stevens, and Major Lazer. Since I wanted to see the 1975 and Cold War Kids within the last few months, it would be cool to finally see these guys in the desert. I hyped Halsey a few months ago as being one of the hottest new up and coming performers so her set is bound to be a great one. CHVRCHES is a band I recently got more into and really enjoy, especially their latest album. I feel like M83, Of Monsters & Men, Sufjan Stevens, and Edward Sharpe and the Magnetic Zeros have been quiet for a while and I’ve liked all three groups for a few years now so they’ll be worth a listen. Then there’s electronic band, Major Lazer, who recently became more well-known with their song “Lean On”. If there was time I’d also love to check out Sia, Ellie Goulding, Beach House, James Bay, The Chainsmokers, Silversun Pickups, Rancid, Grimes, and Foals. I think Sia’s performance is going to be as huge as the three main headliners. It’ll be worth it to check out her set. Rancid is such a legendary punk band too that it would be hard to pass up an opportunity to see them. The other artists I mentioned would be fun to check out as well even though I may not be as familiar with their music as the acts I first listed. In all, this group definitely makes a great selection of top-billed talent worth seeing this year.

The Rest: The Last Shadow Puppets, Joey Bada$$, DJ Mustard, BØRNS, Christine and the Queens, Snakehips, Robert DeLong, Bob Moses, Ibeyi, Marco Carola, Parov Stelar, Black Coffee, Years & Years, Nicole Moudaber & Skin, Lido, HEALTH, Mavis Staples, Sasha, Goldroom, Carla Morrison, Nic Fanciulli, The Front Bottoms, Skepta, Sam Feldt, Lemaitre, Louis the Child, Frances, George FitzGerald, DJ EZ, Gallant, HÆLOS, Låpsley, Miami Horror, SG Lewis, Sheer Mag, Mbongwana Star, Nina Las Vegas, Nora En Pure, Masha, Deerhunter, Unknown Mortal Orchestra, Rhye, Bat for Lashes, The Damned, Vince Staples, Tchami, Nina Kraviz, Snails, RÜFÜS DU SOL, Lost Frequencies, Chronixx, Vanic, Justin Martin, AlunaGeorge, Mano Le Tough, Shamir, DJ Koze, BADBADNOTGOOD, Moon Taxi, SZA, Ex Hex, Mr. Carmack, SOPHIE, Protoje, Alvvays, Zella Day, Dubfire, Matthew Dear, DMA’s, Matoma, Algiers, GoGo Penguins, The Black Madonna, Cloves, Strangers You Know, Amine Edge & DANCE, Phases, The Dead Ships, Maceo Plex, Baauer, KSHMR, Nathaniel Rateliff & the Night Sweats, Adam Beyer & Ida Engberg, Wolf Alice, Pete Yorn, Hudson Mohawke, Kamasi Washington, Claptone, TOKiMONSTA, Melody’s Echo Chamber, Autolux, John Digweed, Thomas Jack, Anderson .Paak, Nosaj Thing, Deafheaven, Epik High, Tensnake, Alessia Cara, Crystal Fighters, The Vandals, Joywave, PRAYERS, Young Fathers, The Heavy, Tei Shi, Meg Myers, Soul Clap, Cassy, De Lux, Girlpool, Fur Coat, AC Slater

Out of the rest of the acts performing this year, only a few stand out to me. This might be bad news for me as a self-proclaimed music expert since I’ve only heard of a few of these bands. Guess I need to step up my game and learn about these bands. The few that do stand out though are BØRNS, Years & Years, Matoma, and Joywave. Over the summer I wrote about Years & Years and the release of their debut album. After selling out their fall tour, they’ll be supporting Ellie Goulding on her upcoming tour this spring, which I guess, from the looks of it, also includes a stop in the Coachella Valley for both in April. I’ve listened to BØRNS and Joywave a few times on Spotify and I’ve always enjoyed what I heard.

Lastly, I need to mention Matoma strictly for my jam of last spring, “Old Thing Back (Matoma remix)”. In fact, I used to listen to this song on repeat in my lead up to leaving for Coachella. Pretty sure I even played it for my cousin during our 2-3 hour drive to Palm Desert the day we arrived in So Cal. It sets the mood for some good vibes despite the explicit lyrics. Of course, the song was originally released as a song on The Notorious B.I.G.’s Greatest Hits Compilation in 2007. It was one of two songs unreleased previously. In late 2014-early 2015 the song regained popularity when it was released as a remix by Norwegian DJ Matoma. It’s kind of ironic that I’m writing this small bit about “Old Thing Back” today since a few days ago the song popped in my head when I realized I hadn’t listened to it in a while. Now I’m sitting here listening to it again on repeat. Matoma, you’re playing a year too late for me, but I’m sure festival-goers will be dancing their hearts out to the “Old Thing Back” remix in April.

After last year, I thought the lineup would make me super jealous that I wasn’t attending this year. It always seems like there’s a strong lineup every other year according to my tastes. 2014 was unreal in my mind and after 2015’s decent lineup, I thought 2016 would blow me away, especially after I heard LCD Soundsystem was reuniting to headline. To be honest though, it didn’t. I find it comparable to last year in a lot of regards. That means next year might be incredible. I should probably start saving up now since I vowed that the next time I go, I’m getting VIP tickets. I guess we’ll see what happens, but 2016 will no doubt be memorable for all attending despite opinions, whether good or bad, on the lineup. It was for me anyway.

19, 21, 25

No the title of this post does not refer to lottery numbers. Nor are they the “lucky numbers” I received on the back of a fortune cookie. If you’re in tune to the music world, no pun intended, you’ll know those numbers are more than just numbers. They’re the album titles of three records made by one of the most popular musical artists in recent time.

Almost five years ago, right before I became a hipster in style and music taste, I bought an album from the local record store. I don’t even remember what album it was. Along with the album though, I received a free compilation CD of newly released music. This wasn’t an unusual occurrence. From time to time, the store gave out these compilation CD’s when you made a music purchase. I would always listen to them to see if I was missing out on any new music. On this particular occasion, there were a few songs that caught my ears, but there was one that really stood out. It was a song called “Rolling in the Deep” by a singer named Adele.

Pop singer/songwriter, Adele Laurie Blue Adkins, from Tottenham, London, England grew up with a strong affinity for music. She attended the BRIT School for Performing Arts & Technology and graduated in 2006 (Jessie J. and Leona Lewis were among her classmates). The same year she was given her first recording contract from XL Recordings after a friend posted her demo on Myspace. By 2008, she released her debut album, 19. It went seven times platinum in the UK and double platinum in America. She received the Grammy Awards for Best New Artist and Best Female Pop Vocal Performance in 2009 for her work on it. Her second album, 21, was released on January 24, 2011. The following year she swept the Grammy’s winning a record-tying six awards including Album of the Year. 21 reached number 1 on the charts in more than 26 countries, has been certified 16 times platinum and is the fourth best selling album of all time in the UK, certified Diamond in the U.S., and has sold over 30 million copies world wide. It’s safe to say 21 surpassed the success of her debut record.

However, for the last four years, Adele has been on hiatus. The only music she released was the song “Skyfall” for the James Bond movie of the same name in 2012. She received a Grammy, an Academy Award, and a Golden Globe for the song. A few weeks ago, on October 23rd, Adele dropped the first single from her third studio album entitled “Hello”. In its debut week, the single sold over one million digital copies. The music video for “Hello” surpassed Taylor Swift’s video for “Bad Blood” by 7 million views on Vevo in the first 24 hours after its release. Finally, today, after almost 5 years, Adele released her new album, 25. If the success of “Hello” is any indication, this album is bound to go far in the music world.

To put it bluntly, Adele is a big fucking deal. The woman has the voice of an angel. Her music is incredibly full of soul and power. It’s been known to make entire civilizations weep. Between her singing, the music, and the lyrics, the whole message she sends with her songs can deeply touch the toughest of souls. It’s truly beautiful. She is one of the greatest singers of this generation.

When I first heard her single “Rolling in the Deep”, I had no idea who Adele was. I just liked her song. I even purchased 21 a few months later because of that sole reason (and I guess because I thought she was a good singer). At the time I was a senior in college on the verge of graduation and since high school, I was a self-proclaimed pop music hater. I guess Adele sort of changed that, but if you ask me I don’t think she creates and sings the same kind of pop music that singers like, Katy Perry, Taylor Swift, or Lady Gaga do. It’s a different kind of pop music. It’s not something you really rock out to on the radio or dance to in a club, but more so music you sing along to at the top of your lungs on a long drive (or listen to in your bed with a tub of ice cream, box of chocolate, and tissues after a bad day), which is kind of how my love grew for Adele in the first place.

I purchased 21 right around the time of my college graduation. Three weeks after I graduated I went on vacation with my mother and our very close family friends. It took six hours to reach our destination and the whole trip I alternated between listening to 21 and Foster the People’s Torches. That’s when I truly fell in love with Adele. When we were about 15-20 minutes from our hotel, I blasted “Rolling in the Deep” and “Rumor Has It” on repeat partly because I loved those songs and partly because they were upbeat, it was around midnight, and I was trying not to fall asleep. For those reasons, 21 (and Torches) will always remind me of that trip.

As for 25, I picked up my copy earlier today. Like the rest of the world, I’ve been anticipating it for weeks. I’ve actually been listening to it on my boombox (cause yes I still buy CD’s) on repeat while I wrote this entire blog. I can’t say I have any complaints either. Much like Adele’s singing, the album is flawless. The message in 25 is much different than her previous works though. 19 and 21 were break-up albums, full of angsty, heart-breaking tunes. Just like a lot of us out there, Adele was once an emo kid and now she’s in her 20’s, she has child, and she’s done some maturing since her last album. 25 is about growing up. Being in the same generation as Adele, this album is so relate-able. When you’re in your 20’s, you’re caught between youth and adulthood, and that’s really the whole theme of the album. The songs are filled with nostalgia. “Hello” is a heartbreak apology. “When We Were Young”, “I Miss You”, and “Remedy” reminisce an old love. “Water Under the Bridge”, “Love in the Dark”, “All I Ask”, and “Sweetest Devotion” show maturity and understanding of what being in an adult relationship is about, and “Million Years Ago” is a reminder of youth. As much as I love all of Adele’s music, my favorites are the more upbeat songs. One of my favorites on the new album, “Send My Love (To Your New Lover)”, has this pop/folk feel to it, and I fell in love the first time I heard it. The same is true for “River Lea”. It’s an upbeat track full of memories. Target also released an exclusive version of the album containing three extra tracks, “Can’t Let Go”, “Lay Me Down”, and “Why Do You Love Me?”. Since I didn’t buy the album from Target, I’ve yet to hear these songs. Don’t worry though, I plan on hearing them and loving them soon enough.

In reference to the string of numbers for album titles, each title obviously reflects the singer’s age when she wrote the music. It’s a pretty clever way of categorizing your work, if you ask me. 19 launched Adele’s career and who knows if she will ever release an album as successful as 21. I’m sure 25 is on its way to put up a good fight and earn Adele a few more accolades in the process. If you don’t feel like missing out on this completely relate-able musical journey of Adele’s life, I would recommend listening to her music and buying/downloading a copy of 25. To get you started though, here are some other songs to check out:

1. “Rolling in the Deep”
2. “Rumor Has It”
3. “Someone Like You”
4. “Set Fire to Rain”
5. “Chasing Pavements”
6. “Hiding My Heart”
7. “Hometown Glory”
8. “Make You Feel My Love”

 

The Biggest Night in Music…or Something Like That

If you watched the Grammy Awards last night, I’m sure the one question running through your mind is “Was there anything Sam Smith didn’t win?” The answer is surprisingly “Yes!” no matter how you look at it. Sure you can say he didn’t win a Grammy for every category, but he wasn’t nominated for every category. However, he also did not win in every category he was nominated for (Pharrell won with “Happy” for Best Pop Performance), although it sure seemed like he did.

Anyway, I originally had planned to do a Grammy Awards recap today but then right before the show started last night I realized I really didn’t care to watch it. Prior to this I saw three of the categories I cared about were already awarded. Best Rock Performance went to Jack White for “Lazaretto”, Best Rock Song went to Paramore for “Ain’t It Fun” and Best Alternative Album went to St. Vincent for her self-titled album (see you at Coachella Jack and Annie!). After that I only cared if The Black Keys won Best Rock Album or if Haim won Best New Artist. Neither did. So there wasn’t much else for me to see. The performances weren’t my cup of tea nor were the other categories. I might have been mildly interested to see if Taylor Swift won anything for “Shake It Off”. That song may be a guilty pleasure of mine but I will not confirm or deny that (she didn’t win at all). Still, that was something I could wait to find out later without watching the show.

So I barely watched the Grammys. Instead it got me thinking, “Why do people watch the Grammys? Why are they so special? Heck, why do people watch any award shows and what makes some more important or better than others?” So I did some research and decided to answer those questions here.

First “Why do people watch the Grammys?” and “Why are they so special?” Well to give an answer to both of these questions at once (sorta) is because the Grammys are the oldest and most prestigious awards in music. The show started in the late 50’s and has continued until this point. So that’s why they’re special and I think part of why people watch. Another reason I think people watch is because they want to see if their favorite artists receive a major achievement. I’m sure some people watch to see the performances and drama that occurs with a live award show. There’s probably people that watch just so they can feel included to talk about the show the next day at work or school. Then there’s the people who watch for the fashion. There’s probably other reasons too, but I think those are some of the big ones.

I guess the same can be said for why people watch any awards shows. They care about what the show celebrates whether it’s music, tv, movies, etc., or they care about fashion and pop culture, or they just watch it for pure entertainment. What makes some award shows better than others? Well I think like I said before is how old they are and how prestigious they are deemed by society.

That’s the thing though. The Grammy Awards (probably other award shows too) were criticized plenty of times for just being some big spectacle that celebrates the music industry, caters to people for entertainment, and is less about the actual music than they want you to believe. Like many things in our culture, award shows get blown out of proportion. It’s society that makes us believe that awards are important and certain awards are more important than others. That goes for anything. I guess it’s the case that people need to feel validated sometimes and awards help with that. But I think it’s important for those receiving awards to feel validated no matter what, like the people who make music purely to make music by expressing themselves and creating a beautiful compilation of sound. There’s validation in just being able to make music. One of my favorite Grammy moments of all time happened when Justin Vernon of Bon Iver won two Grammys in 2012 for Bon Iver, Bon Iver and Best New Artist (he wasn’t new at the time but we’ll let that slide). Through his acceptance speech he basically indicated that the awards meant so little compared to the music which was so much more important. I’ve always respected musicians like that who put the music first. It is what’s most important. Awards are just an added bonus.

So I think it’s important for those of us that actually care about what the awards are for to remember what is really important about them. Hell, even if you care about the fashion or the water cooler discussion the next day it’s important to know the real reason for having an award show. Music, television, movies, etc. are all forms of art. They’re beautiful creations of tremendous amounts of work that have been shared with us. That is what is so incredible about them. That is what is most important.