the killers

The Return of Live Music and the Top Tunes of 2021

I came into this year believing it would be a transition. I knew it wouldn’t be the best year ever, but I truly believed we were going to transition back into some weird period of normalcy that wasn’t quite exactly normal yet. Sure enough after 15 long months, we did and live music came back into our lives. I went back to work. I saw my friends again, made new ones, and got closer to others, which is something I’m so grateful as someone who works in live events. Usually at the end of the year, I recap some of my favorite music, but this year, after talking to a friend of mine, I’ve decided to include something extra. This was the first year in a while that I didn’t have a stand out favorite song of the year. For me, this year was a comeback to music I know and love with a few new faves along the way. You’ll see what I mean. So let’s get to it, here are my 2021 favorites in music:

Torches X -Foster the People

I knew going into 2021 that Torches, one of my all time favorite albums by my favorite band Foster the People, would be turning 10. Last fall, I was hoping they would play a drive-in show in May in honor of the 10th anniversary. Needless to say I never expected I would get to see them play a 10th anniversary show in LA in November nor did I expect a deluxe edition of the album with some of my favorite early Foster the People songs. That’s what I got though and I’m more stoked about it than you know. Plus after years of hoping and wishing, “Broken Jaw” is now on Spotify. It can’t get any better than that.

30 -Adele

After 6 years, Adele finally put out new music in 2021. As I wrote recently, 30 hasn’t been my favorite Adele album, but it was still something I anticipated for quite a while. It deserves recognition for that, especially after the endless amount of Twitter teases over the past 2 years. It’s still one of my favorite albums of 2021 and has several great tracks that I love. I’m stoked Adele is finally back.

Decco

Decco was a huge discovery for me this past spring. I spent a good amount of time listening to their songs after finding them because of a Kygo song on my Release Radar Spotify playlist. I’m actually surprised their song “I Didn’t Know” wasn’t my most listened to song of 2021 because I surely spent a lot of time listening to that track this past spring and summer. I’m hoping there are more solid Decco songs released in the future and maybe even a festival set or two. They’re great and I’m glad I found them.

“Chapstick” -COIN

I added this song to my work out playlist in mid-October after returning home from ACL and it’s been a song that I haven’t been able to get enough of since. I’ve been listening to COIN here and there for the last few years, but this song just hits different for me. It’s got such a great edgy, rock feel. I’ve kept it on repeat for the past 2 months and I’ll likely be keeping it that way into the new year.

“Dissolve” -Absofacto

My friend Hailey told me about this song during Lollapalooza because Absofacto played the festival. She said the song was a big hit, but I hadn’t heard it. She played it for me and I was hooked. I added it to my summer work out playlist and much like “Chapstick” it was a song I kept playing on repeat. In fact, I even extended the listening period by putting it on my fall work out playlist too. It’s been a song I’ve loved since the summer and one of my favorites of 2021.

“Low Rider” -War

This 1975 classic has been the official/unofficial song of the year for me. What started as a joke over the radio at Peach just carried on for the rest of the year. I kept hearing this song at random times after that and it’s always a jam. I even bought the single on vinyl 2 weeks ago. Glad this song made a comeback this year for me and the festie pals because it’s truly the best.

Loving in Stereo -Jungle

Jungle’s Loving in Stereo was another one of my favorite albums of the year. It has such a complete track-listing with so many songs I enjoy. I had it playing in my car for months too. I’ve been listening to Jungle since their debut album was released in 2014 and caught them at Coachella in 2015 and Lollapalooza in 2018. This is definitely my favorite album of theirs so far and I’m disappointed I didn’t see them on their tour this fall in support of it. I’m hoping for some festival appearances next year that I’ll be able to catch because this album made me love Jungle even more.

“Sweet Talk” -Fitz Leland

In early 2021, I discovered this jam by independent artist Fitz Leland. It was one of my favorites to listen to last winter, especially during my weekly adventures on the slopes. It was always such a vibe hearing it while on the lift or while lifting (you know it was on the work out playlist too!). This one definitely helped carry me through a winter I tried to make the best of. It’s such a mood.

So I know I usually do a top 10 followed by some runners up, but this year wasn’t about music I listened to. It was about music I saw. Being sidelined for 15 months from shows and work made me want to see music as much as I could as soon as I was able to. I also appreciated seeing live music much more. After thinking about it and looking back on my calendar, I’ve seen 39 full and partial sets this year since June, when I saw my first concert since Dermot Kennedy back in February 2020. So instead of just songs, albums, or artists, here’s something extra that I’ve never done yet. Here are my favorite sets from concerts and festivals (in the order in which I saw them) once live music came back this year:

The Suicide Machines & Less Than Jake

This was my first concert in 15 months. I saw both bands play AC Beer Fest on the first weekend of June at a time when everything was starting to transition into a normal-ish time again. AC Beer Fest was an outdoor festival that we tailgated on a beautiful Saturday. I can’t even express what it felt like in that moment to be together with my friends at a ska punk show again. Tears were had. Songs were sung. We skanked and I got beer accidentally dumped on me on the way out to the parking lot. It was the best day with my pals.

Carrie Underwood at Country Jam

Country Jam was my first big gig/festival that I worked since Mexico in the winter of 2020. I also got to work a role that I wanted to try to get involved in on my next festival season, credentials. The last night of the festival Carrie Underwood headlined. I’m not a country fan but of course I know Carrie Underwood, even if it’s only like 2-3 songs. So I anticipated her set all weekend. After a successful week on the Jam Ranch, I watched her Saturday night set with my co-worker friends. Again, it was an incredible feeling to be back to work and back at a music festival and that realization set in while taking in Carrie Underwood. The set culminated in “Before He Cheats.” We went so hard that we probably could have taken a Louisville slugger to both head lights in that moment that truly felt like live music was back.

Miley Cyrus at Lollapalooza

Lollapalooza has always been one of my favorite festivals. Unlike other festivals, I didn’t get to work Lolla in 2019 so it made the return to Lollapalooza this year even more special for me. I actually felt an excitement coming into work the first show day that I hadn’t felt at all yet despite working 2 festivals at that point. It was a different feeling that comes with working my favorite festivals though so that’s probably why. Miley Cyrus headlined the first day of Lollapalooza this year and I figured once I closed up my ticket help I would catch the end of her set. I met up with a girl on my team who I had met 2 days prior and that I clicked with instantly along with my VIP one-off turned festival worker homie Finnerty. Two of our other friends popped out of the VIP area that we were standing next to when Miley went into “7 Things.” We all went so hard. I kind of forgot the song existed until that moment. After that, she just kept playing all the hits. I couldn’t believe how many Miley songs I actually knew. She killed it too. I loved watching everyone get emotional during “The Climb.” The production during “Can’t Be Tamed” was fantastic. Then she closed with “Party in the USA” a half hour after her set was supposed to end which felt like a true party with people being together, dancing, and singing in the heart of downtown Chicago at the first major music festival since the panny d began. It was a special moment, granted some news about new variants and such changed everything the next day. That first night was a true celebration though and I was grateful to take it in from the crowd.

Green Day at Hella Mega

When the Hella Mega Tour was announced in 2019, I knew I wanted to work it. I even got to the point this year thinking I might attend if I didn’t get the chance to work. Fortunately though, I was able to work two dates on the tour and it was the coolest VIP event I worked all year. It was a no stress, low energy type of work day that ended as soon as the headliner, Green Day, took the stage. Green Day is such an iconic band and anyone who has ever listened to alternative/punk music has listened to Green Day. The first date I worked was in Hershey in August. I was entranced when I walked in the venue and I saw Bille Joe Armstrong strumming hard to “Holiday.” Green Day played all their hits on the tour from “Boulevard of Broken Dreams” to “Basket Case” to “21 Guns.” It was all around awesome. They were so entertaining to see live and that was my first time ever seeing them. I, of course, popped in the venue for one or two Fall Out Boy songs earlier and heard their entire set along with Weezer and the Interrupters’ from the VIP check-in spot too. We were set up right near the stage. It was a great day overall and I felt so lucky to have experienced it.

Lizzo at Firefly

Firefly was a rough week and half for me due to some personal feelings and such, but being able to actually be at the festival is always a rarity these days and one I cherished about my time in the Woodlands. After the Lizzo hype of 2019, I was so stoked to see her Sunday night set in one of her first performances back since early 2020. I got to see it from the VIP area with several of my friends who were working in VIP that weekend. It was a nonstop hour and a half dance party filled with endless joy that felt “good as hell!”

Glass Animals

After Firefly ended, I had 2 days before flying out to Austin for ACL. I was home for a total of 26 hours because the night before flying out I saw Glass Animals with my friend Amanda. We bought the tickets when the tour was announced back in May cause I anticipated being able to make the Tuesday night date. I made it happen and it was another night of nonstop dancing. Before I got into Glass Animals, I saw bits and pieces of their July 2017 Panorama set. That following fall I started listening to Glass Animals and felt bummed when I missed the call on them earlier that year. Dreamland was one of my favorite albums of 2020. I spent so much time at home listening to them last year that finally getting to see them perform in late September after all that time felt so satisfying. We had such a good time that we’re even thinking about seeing them again next year at Red Rocks because we don’t wanna talk we just wanna dance to Glass Animals again and again.

Dermot Kennedy at ACL

I made my return to ACL this year after working my first one ever in 2019. It was always a festival that I wanted to work but couldn’t figure out an in for. I was asked at Lolla if I wanted to do it again and I immediately said yes to spending two weeks in Austin. ACL brought a ton of great times and reunions with my ticketing fam and Austin friends, but none was more special than my reunion with my friend Danny, who I lovingly refer to as the Danimal. It had been just over 2 years since we last saw each other and after taking a full time role with a major event company he came to the 2nd weekend of ACL for fun. Thanks to my amazing team I was able to take some time to see all of Dermot Kennedy’s set with Danny. Danny was with me at Coachella 2019 when I first discovered Dermot. I caught Dermot’s set at Lolla, but seeing his ACL set with my favorite festival buddy was more special. We sang along to everything and danced harder than one would expect at a Dermot Kennedy set to the point that we created a mini mosh pit with two strangers during “Giants.” It was one of the most fun live music moments I experienced all year.

Foster the People (Torches X Show)

I already dedicated a whole blog to this show, so please check it out for all the detail. Just to reiterate though, I can’t believe I got to experience this show. It still feels surreal. Favorite band, favorite album, in one of my favorite places. Surreal.

LCD Soundsystem

When I wrote my end of 2020 music recap, I wrote about hoping to hear from LCD Soundsystem again in 2021. Well they came back. They announced a 20 show residency in NYC in November and December in early October and I spent one morning before heading to site at ACL struggling to get tickets. I managed to secure tickets to one of the early December shows with plans to see them again with my friends at their final date of the residency. The residency got cut short due to the unrelenting panny d, but I was still able to go to the show I purchased tickets for in the beginning of December. It became a whole weekend of shows with my friend Hailey who flew in to hang with me and to see James, Nancy, Pat and the rest of the crew. We spent some time hanging in NYC too. LCD Soundsystem always gets me hyped since I never thought I would get to see them after getting into them in 2012 post-break up. This time was no different as I planned to dance myself clean for the third time. We heard, in my opinion, one of the best set lists of the residency too. I danced myself clean with all my friends as daft punk played at my house and New York, which I love brought me down. It was so good that I could do it on repeat.

Streetlight Manifesto

The day after LCD Soundsystem Hailey and I made our way to Philly to attend mine and my friends’ annual Christmas celebration at Streetlight Manifesto. Usually it happens in central Jersey with just me and my two friends Ashley and Noah, but this year with an announced Philly date, we decided to do it there with a bunch of other pals. I convinced Hailey to come even though she wasn’t into Streetlight with the promise that she would get to experience this incredible tradition we started in 2018. Despite not playing “Point/Counterpoint” into “Keasbey Nights” back into “Point/Counterpoint,” we had the best time singing along with our arms around each other to the uptempo ska songs we loved listening to in high school after a year not being able to see Streetlight. It was another one of my favorite concert moments of the year.

Runners-Up:

All Time Low

Thanks to my friend Emily and her homie at the Bottom Lounge in Chicago I was able to attend All Time Low’s Lollapalooza aftershow during Lolla week (the show was Wednesday before the festival started). After Hailey hooked it up with providing a place to stay, we both started talking about attending a show the night before Day 1 of the festival. We both had an interest in All Time Low and it just happened to work out that Emily had connections at the venue when I told her we wanted to attend. The only problem was I worked onsite until 7 PM the day of the show which was when it started. There was an opener though so I figured ATL wouldn’t hit the stage til 8:30 or show and we would be fine. We were not, in fact, fine. All Time Low came on at 8 and we got to the venue around 8:40 by the time I left work, moved my stuff to the place we were staying, quickly changed, and ubered there. We saw the last 4-5 songs though. They were all bangers and it was enjoyable for the brief time we were there. I got to hear “Dear Maria…” their most iconic song, which was really cool because I’ve known that song since high school and I had never seen All Time Low before that night. Overall, it was fun to take in a show with Hailey since we were getting to know each other and realized we had similar music tastes. It really kicked off my return to Lollapalooza too and I knew it would be a great week.

The Killers at Firefly

As I mentioned before, I was able to see a bunch of music at Firefly given my role and hours for the week. I was able to see everything I wanted to see on Friday and Sunday at the festival, which included Friday night’s headliner, The Killers. Both times I saw the Killers previously were with my mom, so this was the first time seeing them without her. I was sure to record her favorite song though and send it to her as I took in the set with some of my festie friends. It was another set of the weekend that included tons of dancing as I sang along to mostly every song. The Killers always put on a good show and this was no different even if they didn’t end with “Mr. Brightside.”

Nelly at Firefly

My inner middle school self was so excited to see Nelly at Firefly. That’s the great thing about festivals, being able to see music you wouldn’t normally buy a concert ticket to. I took advantage of the opportunity and it was such a fun set. Nelly was so big during my middle school and high school years that I knew almost every song he performed. There was a huge crowd for his set and almost everyone was singing/rapping along to hits like “Ride Wit Me”, “Hot in Herre”, “Air Force Ones”, and “Grillz.” As a former fan, it was definitely a highlight to be able to see Nelly this year.

Now that I did a double review for the year that brought live music back into our lives, what’s next? Well there’s still plenty of concerts and events that didn’t get to happen this year so next year the comeback is still on. I’m highly anticipating new Arctic Monkeys next year and a Foster the People tour that they mentioned at their Torches X show. I’m also still hoping for new music from LCD Soundsystem. At least they came back to play shows these past 2 months. I’m also excited for new alt-J and Bastille. Both have new albums dropping in February. I’m still hoping for more Florence and the Machine as I was last year, but it would also be great to add Tegan & Sara to that list too.

If all goes well, in a few days there should be a certain well-known festival that will be dropping a lineup. I have my fingers crossed that all goes accordingly with it this year since it’s been 3 years since the last one. I know so many others are hopeful as well. In any event, once that lineup drops there will be several blog posts coming straight from the marathon month I’ll be spending in Mexico, since those events are back as well. 2021 will definitely go down as a return to live music and I hope it all keeps going smoothly into the next year. Until then, don’t stop listening and buying tickets!

Coachella 2018 Lineup Release

Not 48 hours into the new year and the Coachella 2018 lineup drops. Last night at 4:15 PT Coachella released their lineup on social media and as always people have opinions, me included. Since last year I expected the 2018 lineup to be the best since 2014. If you know me, you know that I believe 2014 had the best lineup to date and every year after has  been incomparable. 2018 had so much potential. There were so many bands who released new music in 2017 that did not play the festival plus a handful of other greats expected to release new music this year. But when rumors spread just before Christmas about the headliners, I knew this year wasn’t going to meet my expectations.

Going into 2018 everyone knew Beyoncé was supposed to headline. She was supposed to headline last year but dropped out shortly after the announcement of her twin pregnancy paving the way for Lady Gaga to take her spot. The biggest question was who would accompany her on top of the poster. On December 20th, Consequence of Sound reported that Eminem and The Weeknd were slated to join Beyoncé as the 2018 headliners, much to my dismay. Here’s why. The Weeknd headlined Coachella in 2015. Was he supposed to be a headliner? No. However he played in the headliner spot. Jack White, the headliner for that night, took an early spot for whatever the case may be leaving The Weeknd to close out the night.

In my opinion Eminem is a pretty cool choice for a headliner. He fits that formerly popular/still popular angle. He’s a rapper and for the past few years Coachella has plugged that genre (or R&B) into one of their headlining spots. Plus he just released a new album. Here’s the issue: Beyoncé already filled that genre spot this year. I mean come on! The entire headlining lineup is rap/R&B. This is the first time in the history of the festival that a rock band isn’t headlining. Disappointing.

In fact, looking at the lineup, rap/hip-hop/R&B has taken over the festival this year. I think Louis Tomlinson’s (of One Direction fame) reaction on Twitter summarizes my feelings exactly. He stated, “Just seen the Coachella lineup …. Where the fuck are all the bands!? It’s a festival!?” Yes Louis, you’re right. Where are all the bands?! All I see are rappers, R&B singers, or electronic DJ’s. As I went through the lineup last night making a list of who I would see for my annual Coachella preview, there were names lacking for each day and more “possible” acts to see than definites. For Friday, I only listed 4 acts. Four. It’s a headshaker, for sure, given that this year had some high expectations. Anyway, let’s get down to this lineup analysis.

The Headliners: The Weeknd, Beyoncé, Eminem

I already summarized my thoughts on all these acts above. So re-read that.

The Other Highly Billed Performers: SZA, Kygo, Jamiroquai, St. Vincent, the War on Drugs, Vince Staples, Haim, Tyler the Creator, David Byrne, alt-J, Post Malone, Fleet Foxes, Odesza, Portugal. The Man, Migos, A Perfect Circle, Cardi B, Miguel, Soulwax, Jean-Michel Jarre, Daniel Caesar, Kali Uchis, Los Ángeles Azueles, Deorro, Chromeo, Chic feat. Nile Rodgers, BØRNS, Louis the Child, Angel Olsen, Jungle, blackbear, MØ, King Krule, Illenium, Kamasi Washington, French Montana, 6lack, Vance Joy, Russ, LANY

As always, there’s a few names in this group that I’m pretty excited about. If I were attending this year, I’d definitely be hitting up Kygo, St. Vincent, Haim, alt-J, Fleet Foxes, Odesza, Portugal. The Man, BØRNS, Illenium, and LANY. There’s a few that I’d definitely check out here too if there were no overlaps like David Byrne, Post Malone, Chromeo, Jungle, MØ, and Vance Joy. I’m mostly excited about Haim and alt-J. Even though I’ve seen both live before, they’re fantastic and two of my favorite bands. Odesza is an incredible electronic act and I can attest from seeing them live last month. I’ve seen BØRNS live before as well and it was so enjoyable. After working St. Vincent in November and listening to her VIP Q&A, I’ve gained a new respect for Annie Clark and her music. I was able to stay for half of her show but would love to see her again. The others I’ve never seen live.

As I said in my 2017 music recap blog post, I would be reviewing Portugal. The Man soon. It might now be even sooner than I thought. I’ve been stoked on their latest album since buying it on vinyl in NYC and I’d love to see them live especially since knowing about them since college. Since getting into electronic music, I’ve always been partial to tropical house, making Kygo an artist I would love to check out. I also got into Illenium’s latest album for a short time two months ago making him another electronic act I’d want to see. I’ve listened to LANY a few times over the past few years so they’re a group I’d love to see too. If you’re looking for the most indie band at Coachella this year, I’d have to say that would be Fleet Foxes. I’ve liked them for a while now and would definitely want to see them live.

As for the others that I’d like to check out, I’ve seen Jungle and Vance Joy before. Both played in 2015 when I attended and I made it to both sets. I even saw Vance Joy at Panorama last summer. They’re always a solid set. I was super hyped about Jungle in 2015, but this time around they’re not a definite for me. They’ve got new music out, which I plan on checking out soon They just didn’t make a huge impact on me last time. I’ve casually listened to Chromeo and MØ so I would casually see them. Post Malone is burning up right now. I’m not into rap, but Post Malone has a song that is more indie than rap that I enjoy. I think I’m solely interested in seeing this dude play live because of the hype surrounding him right now. David Byrne is the most intriguing to me. Honestly I had no idea who he was until I did a little research. After I found out, it felt like I failed at music so excuse me for that one. As the lead singer and guitarist of the Talking Heads, I would love to hear his set. He’s got a solo career going, but you know he’ll be playing some Talking Heads covers. Who knows maybe there’s a reunion in store?! I mean who doesn’t like the Talking Heads?!

The Rest: Maceo Plex, Alan Walker, the Neighbourhood, Alison Wonderland, Kelela, REZZ, Bleachers, Black Coffee, SuperDuperKyle, Justin Martin, Belly, TroyBoi, Dreams, Perfume Genius, PVRIS, Moses Sumney, LÉON, Greta Van Fleet, Tank and the Bangas, Cash Cash, Whethan, Skip Marley, Elohim, Detroit Love (Carl Craig, Kyle Hall, Moodymann), Benjamin Clementine, Carpenter Brat, the Blaze, Knox Fortune, MHD, Slow Magic, Avalon Emerson, Fazerdaze, Moon Boots, HITO, Helado Negro, the Buttertones, the Regrettes, Boogarins, the Marias, Señor Kino, Tash Sultana, BROCKHAMPTON, Marian Hill, Alina Baraz, First Aid Kit, Snakehips, Highly Suspect, Wizkid, Jorja Smith, Alvvays, the Black Madonna, Tom Misch, Django Django, X Japan, Benjamin Booker, Flatbush Zombies, Ekali, Yaeji, Party Favor, Big Thief, Jason Bentley, Oh Sees, Sigrid, Busy P, the Bronx, AC Slater, Sudan Archives, Jackmaster, Otoboke Beaver, Chloe x Halle, Sir Sly, Hundred Waters, Pachanga Boys, Bedouin, Cherry Glazerr, Mild High Club, Priests, Ron Gallo, Declan McKenna, Bane’s World, KITTENS, the Drums, Aminé, Jessie Ware, Jamie Jones, Kamaiyah, San Holo, FIDLAR, DeJ Loaf, Petit Biscuit, Ibeyi, LP, Motor City Drum Ensemble, Princess Nokia, AURORA, Noname, Jacob Banks, Chris Liebing, Jidenna Hayley Kiyoko, Barclay Crenshaw, LION BABE, Giraffage, Talaboman, THEY., Cuco, Joseph Capriati, Hannah Wants, Nothing But Thieves, John Maus, Kölsch, Japanese Breakfast, MAGIC GIANT, Omar-S, Michael Mayer, Westside Gunn + Conway, Buscabulla, Peggy Gou, Snail Mail, Rolling Blackouts Coastal Fever, B Boys, the Delirians

My favorite name that showed up on the Coachella lineup this year is in this group, Hayley Kiyoko. As you know, I saw her last year in what I consider to be one of the most epic nights in music for me, seeing 2 shows in one night. One of those was Hayley Kiyoko and she played in a small venue in Philadelphia. I was beyond excited to see her name on the poster and so stoked that she’s playing Coachella this year in time with releasing her debut album. Another band that’s on my must see list is in this group too, The Neighbourhood. I’ve been digging The Neighbourhood since 2013 and I’ve never seen them live. They’re a must-see for sure. There’s a few on this list that I’d want to catch if I had time too. Bleachers, Tash Sultana, Sir Sly, Declan McKenna, and Marian Hill are the big ones among that bunch.

As a whole I feel like this is the smallest group of bands I’ve been interested in since starting my Coachella previews in 2015. I had such high hopes for this year’s festival and it all came crashing down last night. Some names I would have liked to see on this year’s lineup include Arctic Monkeys (as a headliner or part of that second line of acts), Vampire Weekend, MGMT, Foster the People, Lana Del Rey, Cold War Kids, Halsey, Phoenix, Andrew McMahon in the Wilderness, ARIZONA, the 1975, Sigala, Cigarettes After Sex, Passion Pit, The Kooks, AWOLNATION, and either The Killers, Arcade Fire, or Kings of Leon as a headliner (most likely The Killers though). There’s probably more bands as well, but those are a few off the top of my head.

I started doing a bit of research on this year’s lineup compared to my favored 2014 lineup. I plan on editing this post later today or tomorrow with my findings. Until then, you should start listening to some bands on this lineup. There’s plenty I know nothing about and a few that I do. Maybe you’re stoked on this lineup. Maybe you’re not. The fact is that Coachella is in 3 months and the prep officially began yesterday. One thing is certain though, regardless of who is on the lineup and the amount of complaining done, people are still gonna go to Coachella. It’s the festival to be at. It’s Coachella. You’re bound to have a great time because although I strongly believe music festivals should be about the music, Coachella is more than music. It’s art. It’s atmosphere. It’s good food. It’s being with people you care about and have a good time with. It’s hot days and cool nights. It’s palm trees, and mountains, and desert. It’s fashion. It’s celebrities. It’s social media. It’s sponsors. It’s ferris wheels and hip merch. Mostly it’s the best kind of positivity and vibes you’ll ever experience. So Coachella 2018, I’m ready for you! Here’s to hoping I can be part of the magic again.

(EDIT: I spent the last hour or more doing some research and the numbers I came up with are unreal. I analyzed the 2014 Coachella lineup vs. the 2018 Coachella lineup. I looked at the first 3 lines of each poster plus the headliners and I grouped performers in 4 categories, Rap/R&B, Electronic, Pop, Rock/Indie. In 2014, out of the 165 acts, there were 71 featured on the first 3 lines of the poster including the headliners. Out of those 71, 14% were Rap/R&B, 28% were Electronic, 6% were Pop, and 37% were Rock/Indie. In 2018, out of 165 acts, there are 69 featured on the first 3 lines of the poster including the headliners. Out of those 69, 33% are Rap/R&B, 25% are Electronic, 9% are Pop, and 33% are Rock/Indie. Compared to 2014, the number of Rap/R&B acts have more than doubled. Is Rap/R&B back on the rise and I didn’t know about it? If you asked me, I would tell you no. So what’s the deal this year? What’s even more shocking is that I also compared the number of Bands to Artists for each year. I defined “Band” as a group or single performer with a backing band that plays classic instruments (guitar, drums, bass, keyboards, etc. as opposed to electronic equipment). Artists included rappers, R&B singers, electronic DJ’s, and pop singers. In 2014, out of 71 acts, 55% were Bands and 45% were Artists. In 2018, out of 69 acts, 30% are Bands and 68% are artists. To me those numbers, are staggering. Louis Tomlinson noticed it and he’s right. The bands have decreased this year in favor of the artists. So seriously Coachella, WHERE ARE THE BANDS?! And why are you straying from what made you amazing in the first place? #Coachella2018thefestivalthatcouldhavebeen)

2017: The Best Year in Music Recap

Last year around New Year’s, I wrote about how music saved 2016. It was a pretty shitty year for the country and in the grand scheme of things. Although people would say 2017 might not have been the best for some similar reasons, I would have to argue. 2017 was a great year. Personally, I worked more events than last year, worked new festivals including my all-time favorite, Coachella, had the opportunity to work a few different roles, saw tons of incredible live music, made new friends, got closer to friends I already had, and figured out what my ultimate goal is. Overall yes there were several bad and upsetting events that happened especially in America. There were even a few hiccups in my own life. However, despite the bad, there were plenty of instances of hope. As for music, as much as I thought it was the best part of 2016, it doesn’t hold a candle to this past year.

So many artists released new albums this year. I mean I guess that’s pretty standard for every year but this year was special for me. It was all of my favorites (minus Florence and the Machine) putting out new albums. I also discovered so many more great bands thanks to the incredible people I met and grew closer to this year.

I could do a detailed recap of all the music I loved from this year, but I wrote about it so many times so I’ll give you all the links in a ranking of my favorite albums of 2017.

My 2017 Top 10 Favorite New Albums

10. Zombies on Broadway   -Andrew McMahon in the Wilderness

The follow-up to Andrew McMahon’s debut had a handful of hits. I never reviewed this album and I’m so sorry because it was a good one, making it #10 on my list.

9. Something to Tell You   -Haim

Although Something to Tell You wasn’t quite what Days Are Gone was for me, I was super stoked to hear some new music from the Haim sisters. The new album had a few great jams like “Little of Your Love” and “Want You Back” which helped it earn my #9 spot.

8. Lust For Life   -Lana Del Rey

As advertised, Lust for Life was an album for the fans. In my opinion it wasn’t Lana’s best nor her worst. “Coachella – Woodstock on My Mind” and “Beautiful People, Beautiful Problems” featuring Stevie Nicks were two of my favorites, but it wasn’t quite what I was hoping for by one of my favorite artists, putting Lana at #8.

7. Woodstock   -Portugal. The Man

I owe the love of this album to our self-planned Hipster Day in NYC when we went to Brooklyn, checked out cool street art, and spent time in a record store where I purchased the album on vinyl. Who would have thought 2017 would have re-introduced me to Portugal. The Man? After a banger like “Feel It Still” it, it happened though. I never reviewed this album or this band on my blog yet, but don’t worry it’s coming soon. My recent hype and appreciation for Portugal. The Man’s hit album helped it reach the #7 spot on my list.

6. American Dream   -LCD Soundsystem

American Dream was the highly anticipated comeback album from LCD Soundsystem. It might not be Sound of Silver, but it’s got plenty of great tracks that will be played at LCD’s show until they decide to break up for good this time.

5. A Moment Apart   -Odesza

Odesza was a new discovery for me this year. When this album was released, I had never listened to them so I wasn’t anticipating the release nor planning an album review (I linked my general blog post from a few weeks ago instead). It took a special trip that included an Odesza concert to force me to listen to the album, but it was definitely worth it as it comes in as my #5.

4. Ultralife   -Oh Wonder

2017 became the year that I really fell for Oh Wonder. I owe it to Coachella, Denise, and a shitty work schedule, yet I’m so grateful it worked out that way. Their new album picked up where their self-titled debut album left off and added a few new hits to their repertoire making Ultralife my #4 top album this year.

3. GALLERY   -A R I Z O N A

After discovering A R I Z O N A last year, listening to almost every new single they released, and loving each and every one, their debut album had to be high on my list. The album is basically a compilation of each single plus a few new tracks. I don’t even own the album, but I’ve spent a lot of time listening to their songs. Again, I linked up my general blog post from this year about the band.

2. Melodrama   -Lorde

If I wasn’t biased, this would hands down be the best album of the year. Every song on Melodrama is fantastic. The album was the kind of sophomore album bands and artists dream of, but not many can achieve. Lorde crushed it with this one giving her second full length my #2 spot.

1. Sacred Hearts Club   –Foster the People

Like I said, I’m biased on this. I’ve always said Foster the People was one of my favorite bands, but this album made me fall in love with them all over again. It’s not quite Torches, but it’s close. “Sit Next To Me” became my favorite song of the year. Seeing them live twice and up close was everything I needed. They’re always my #1.

Honorable Mentions: I See You -the xx, Relaxer -alt-J, Wonderful Wonderful -The Killers, Everything Now -Arcade Fire, L.A. Divine -Cold War Kids, Masseduction -St. Vincent

So there you have it My Top 10 Favorite Albums of 2017…the Best Year in Music, at least in my opinion. 2018 has a lot to live up to. There’s sure to be plenty of good music this year, but it’ll be hard to beat all the new stuff from my favorites. Still we have a few to look forward to. I heard some rumors about upcoming albums from Arctic Monkeys, Vampire Weekend, and MGMT. Hayley Kiyoko will be releasing her debut album this spring and the 1975 is supposed to drop their third full length album. Chrvches and Bastille are also on radar for some new albums. As you can see there’s still good things to come. Plus the Coachella lineup drops this week and you know what that means. So thanks 2017 for being so special. 2018…”just come over here and sit next to me” because I’m ready for you and all the music you have to offer.

I Got Soul But I’m Not A Solider

As stoked as I was about all of my favorites releasing new music this year, there’s so many other great bands and artists releasing new music too. One of them is kind of an old favorite for me, but because of finally getting the chance to see them at Lollapalooza, they’ve become a new favorite as well.

The Killers, a rock band from, Las Vegas, Nevada first formed in 2001. After getting fired from his first band, Brandon Flowers (lead vocals, keyboards, bass) began searching for like-minded musicians to join his musical pursuit. He recruited Dave Keuning (guitar, backing vocals) to work with him after seeing an ad the musician posted in a Las Vegas newspaper. The two bonded immediately and began writing together. They recorded a demo later that year, which included the first song the pair wrote together, (and The Killers’ biggest hit) “Mr. Brightside”.

By 2002, after a few lineup changes, The Killers became solidified with the additions of Ronnie Vannucci Jr. (drums) and Mark Stoermer (bass, guitar, backing vocals). They put together their first album, Hot Fuss, in the band room at UNLV (where Vannucci was studying classical percussion) coming up with future hits like “Somebody Told Me” and “Smile Like You Mean It”. By playing small venues in the Las Vegas area, they eventually caught the attention of a few A&R reps, which lead to signing with the British label Lizard King in 2003.

The deal with Lizard King gave The Killers, whose name was derived from a logo on a bass drum of the band in the music video for New Order’s song “Crystal”, some airplay with the song “Mr. Brightside”. They were eventually noticed by American labels and signed with Island Def Jam.

The group released their debut album, Hot Fuss, in June of 2004. The album was received well worldwide going 7x Platinum in the UK and Ireland, triple Platinum in the United States, Australia, and Canada, Platinum in New Zealand, and Gold in Argentina, Belgium, Germany, and France. The Killers and their debut album received 4 Grammy nominations including Best Rock Album.

After completing the touring for Hot Fuss, The Killers began working on their second album, Sam’s Town, which was released in October 2006. The lead single, “When You Were Young”, earned the group two more Grammy nominations and the album was again well received worldwide going 5x Platinum in the UK, 4x Platinum in Ireland, 2x Platinum in Australia, Canada, and New Zealand, Platinum in the United States, and Gold in Argentina, Belgium, Germany, and Russia. By 2007, The Killers began playing in large scale venues and headlined Glastonbury for the first time.

Their third album Day & Age was released two years later in October of 2008. The lead single “Human” became a worldwide hit despite a confusing lyric in its refrain (“are we dancer?”). For the third time, the band had a worldwide successful album and headlined Lollapalooza and Coachella for the first time in 2009. By 2010 though, the band decided to take a short hiatus after 6 years of going nonstop.

The group reconvened in 2011 and began touring again while working on their fourth studio album. They headlined the inaugural Firefly Music Festival in June 2012 in support of their upcoming album. They released Battle Born in September 2012. The tour for Battle Born was their most widespread, which included visits to China and Russia. The tour included their biggest show to date at the 90,000 capacity Wembley Stadium.

In 2013, the band released a greatest hits compilation, Direct Hits, which became a ten year anniversary marker of their existence. The album also featured two new songs, “Shot at the Night” and “Just Another Girl”.

In just a few short weeks, the band will be releasing their fifth album, Wonderful Wonderful. They headlined Lollapalooza three weeks ago and even played a secret set at Glastonbury in promotion of their upcoming fifth album. The first single from the new album, “The Man”, was released in late June.

It’s always a surprise to me knowing that The Killers are from Las Vegas even though I’ve known this for a while now. Every time it comes up, it’s an “Oh….yeah!” moment for me. Due to their success in the UK, they’ve seemed like a British rock band. They’re just the best non-British British rock band there is I guess. Their music style is mostly alternative and indie rock and Flowers vocals sound somewhat signature to their sound. Their style of sound gives that British rock band impression too, even though they’re from the biggest city in Nevada.

I first heard of The Killers some time around the winter of 2004 to early spring of 2005. I don’t remember the exact time and any evidence I had of listening to them around that time doesn’t exist anymore. I do know that by the spring of 2005 “Mr. Brightside” became a staple track to listen to on my way to hockey games and while I first learned how to drive. My mom also fell in love with the song since she was with me in the car when I listened to it so much. I even purchased Hot Fuss at some point and became familiar with a few songs on that record, mainly “Somebody Told Me” and “Smile Like You Mean It”. The band also appeared on one of my favorite TV shows at the time, The OC. Through the years I occasionally listened to other songs by the band, such as “When You Were Young”, which was a Guitar Hero 3 hit and “All These Things That I’ve Done” and “Spaceman”, which I actually listened to most frequently in the past 4-6 years post-college.

It wasn’t until I realized I would get to see The Killers at Lollapalooza that I began listening to them more than I ever had before. It was basically a re-discovery of a band I’ve known for over 12 years. I even learned a few “new” old hits as well. I was definitely well prepared to see them at Lolla and as a result, I thoroughly enjoyed their set. The coolest part was having my mom there, since she purchased a 1-day ticket to see them along with Foster the People and Tegan & Sara among others, and hearing them close with “Mr. Brightside”, a song we used to listen to together many years ago. There were also several other songs I enjoyed hearing live too. Seeing them perform was a long time coming, but now I know I would actually purchase tickets to see them again. They were fantastic.

I’m sure you’ve heard of The Killers at some point in the last two decades, but I suggest you re-discover them, especially if you’re like me and only listened to them in their early days. They’ve already released a few singles from their new album and have announced a world tour in support of it. They’ll be touring in the U.S. in January after playing a few U.S. festivals this fall. I promise it’ll be worth your while to see them, check them out, or just listen to their new album. If you’re already a fan, I’m sure you’re stoked so I don’t have to persuade you much. Whether you last listened to them in “February of last year”, 12 years ago, or yesterday, The Killers are still one of the best non-British British rock bands and they’re sticking around for the time being.

 

Coachella Band Preview: M83

Another week less until Coachella 2016 means another week less to listen to your favorite bands performing in the desert this April. I have plenty of favorites playing the festival this spring, but one I wanted to preview is French/American band M83. They’ve been out of the picture for a few years since their last album came out 5 years ago. With multiple festival appearances and a new album slated for release this year, 2016 looks to be a big year for the band.

M83 was originally a duo formed in 2001 by Anthony Gonzalez and Nicolas Fromageau. The band’s debut self-titled album was released in the spring of 2001. It didn’t receive much acknowledgment outside of Europe. It wasn’t until the band released their second album Dead Cities, Red Seas & Lost Ghosts that their name reached the shores of North America. However, the album was released in Europe in spring 2003, but did not get popular in North America until the following summer. After M83 toured to promote their second album, Fromageau left the band and Gonzalez went on to record the following two albums, Before the Dawn Heals Us (2005) and Digital Shades Vol. 1 (2007), by himself.

M83’s fifth album, Saturdays = Youth, was released in 2008 and was the band’s first album that contained a typical song structure and form. It was at this point that Gonzalez began to receive consistent help from others in the recording process. One person in particular was vocalist and keyboardist, Morgan Kibby. The band then went on to support acts like Kings of Leon, The Killers, and Depeche Mode in 2008 and 2009. In 2009 Gonzalez made a permanent move to Los Angeles, which, in a way, revamped the band. By 2011 Gonzalez began writing songs for the band’s sixth album, which he stated would be a double album. In July 2011 the first single from the new album “Midnight City” was released. It was M83’s breakthrough hit. The album, Hurry Up, We’re Dreaming, was released on October 18, 2011. It became the band’s most successful album to date, debuting at number 15 on Billboard’s 200 and receiving honors from Pitchfork on their list of Top 50 Albums of 2011 . It also received a Grammy nomination in 2013 for Best Alternative Music Album.

Since Hurry Up, We’re Dreaming, M83 has not released an album. However, it was announced via Twitter in mid-December 2015 that the band recently completed a new album. It’s safe to say we can expect a new release sometime this year. In the meantime though, the group re-released some of their older albums in late 2015.

M83 got their name from the galaxy Messier 83, nicknamed M83. Their sound perfectly reflects their name too. Their synthpop, ambient style music has a super trippy, outer space feel to it. When you listen to their music and close your eyes, you can literally imagine yourself floating through the universe. Their early music is especially like that since, as I mentioned, most of their songs didn’t have much form or structure until their fifth album.

I first heard of M83 around late 2011-early 2012. Midnight City was of course the first song I downloaded by the group. I then proceeded to download a few other songs in the following months. M83 was a tough band for me to get into, since their music was pretty different from what I was listening to at the time. However, I really took a liking to the song “Steve McQueen” off Hurry Up, We’re Dreaming. It became my go-to for M83 songs.

This won’t be M83’s first time at Coachella. They last played in 2012 in the wake of their success from their most recent album. They play Friday this year. I’m sure they’ll play many old favorites and a few new songs as well. It’s bound to be a good set whether they’re one of your faves, whether you missed seeing them in 2011-2012, whether you got into them after that time, or whether you’re just hearing about them now. To get you ready for their set though, I recommend these jams:

  1. Midnight City
  2. We Own the Sky
  3. Steve McQueen
  4. Wait
  5. Splendor
  6. Kim & Jessie
  7. Reunion
  8. Intro
  9. Outro
  10. Skin of the Night

California Here We Come

I’ve been such a slacker in the last week and half by not updating this blog. I’ve been busy though. It’s a busy time of the year. You know, Christmas time, when everyone does at least one thousand and one extra things besides all the things they do on a normal basis. Secondly, I haven’t been able to come up with a good subject matter for the next post (obviously I finally have but we’ll get to that).

I guess I could’ve taken the easy way out and wrote about Christmas music or Christmas movies, but I’ve been lacking Christmas spirit for the past 2 years. I’ve had no desire to watch A Christmas Story or listen to Bayside’s cover of Angels We Have Heard On High or anything like that. In fact I haven’t really had any desire to involve myself with anything Christmas-y until last night when I was wrapping gifts (I consider gift wrapping as something you have to do..it’s not really a choice unless you want your loved ones to hate you) and realized it was the first night of Hanukkah. Then I knew exactly what to write about. Christmas episodes. More specifically Chrismukkah. But even more specific than that, The OC.

Like any TV show I have fallen absolutely in love with, I started watching The OC during it’s second season. The first episode of Season 1 aired back in August of 2003, but I started watching it in 2004 and it’s been one of my all time favorite television shows ever since. I just made it sound like it’s still on, but it’s not. It lasted a total of four seasons ending in 2007. In my opinion and I’m sure other viewers can agree, the show really died after Season 3 along with one of its main characters (no spoilers…promise).

The OC was a drama set in Newport Beach, CA and followed the fictional lives of teenagers, Seth Cohen (Adam Brody), Ryan Atwood (Benjamin McKenzie), Marissa Cooper (Mischa Barton), and Summer Roberts (Rachel Bilson), and their affluent families through their interesting and eventful life challenges. That’s kind of a poor description of what the show’s about, but if I told you the show begins when lawyer, Sandy Cohen (Peter Gallagher) decides to help his teenage client who lived a pretty tough life growing up in Chino, CA (Ryan) by taking the boy in to live with him and his family in his huge home in Newport Beach then maybe you’d have a slightly better idea of the show. But maybe not, cause I really didn’t mention much about Seth, Marissa, and Summer.

Seth is Sandy’s nerdy, comic book/indie music loving son and eventually becomes like a brother to Ryan as he helps him adjust to his new school, with girls, and all the other fun that comes along with living with a well-off family in the OC. Marissa aka “Coop” (Summer’s nickname for her) lives next to the Cohens and becomes the love interest of Ryan shortly into the series, but she also has a multitude of issues in her own life which play a factor in their roller coaster of a relationship. Summer is the long-time crush of Seth and also Marissa’s best friend.

Now you’ve got a better idea of the whole thing, but if not you can always watch to find out more (wink wink). In general though the show covered all sorts of teen and life issues in it’s 4 seasons of existence, but it also had a yearly tradition of including what fans would look forward to around the holidays, a Chrismukkah episode. Chrismukkah was a hybrid holiday created by Seth that combined both  Christmas and Hanukkah and involved both sides of his family’s’ holiday traditions (Sandy was Jewish and Kirsten (Kelly Rowan), Seth’s mom, was Christian). To quote Seth’s description Chrismukkah is “eight days of presents followed by one day of many presents,” and it left fans, myself included, wanting to take part in this epic celebration. It was so epic that even though it’s been 8 years since the last Chrismukkah episode aired, I still wished I had another one to watch last night (first glimmer of any Christmas spirit this year for me). In fact, if I have time, I may even try to watch a Chrismukkah episode in the next few days.

Besides Chrismukkah, the OC was incredibly important to the indie music scene of the early 00’s. Along with soundtracks for each season which had indie songs that were featured on the show, it also included episodes where bands like, The Killers, Death Cab for Cutie, Modest Mouse, The Subways, etc. played a few “live” sets at the local hangout/venue, The Bait Shop, which debuted in the second season. Plus, Seth was the coolest, nerdy, indie kid you’d ever want to meet, and I don’t think Phantom Planet ever had a better or more well-known song than “California” (the theme song for The OC). The show really did a lot for those bands and indie music from the exposure it gave. Although this post isn’t really about music, I do recommend checking out the track listing for The OC soundtracks and giving some of those songs a listen, especially “California” if you can’t already hum those all too familiar opening notes.

Along with Laguna Beach, The OC was one of my favorite television shows while in high school. It was actually one of the first shows I would watch religiously as new episodes came out every Thursday on Fox. And like Laguna Beach, it played a role in creating my desire to visit Southern California. It was the show that initially made me want to visit SoCal and then watching Laguna just added to it (naturally I visited Newport Beach on my trip to California last year as well).

It really is unfortunate that The OC ended when it did. To me it feels like something that was gone too soon, but I guess if you saw the 4th season you knew it was inevitable. Luckily I received the 4 seasons of The OC as Christmas gifts every year as they came out from my grandpa and I can watch the old episodes any time. I think they’re available on Netflix as well for anyone wanting to check it out. If not there, then I’m sure you can find them online somewhere. Since it’s one of my all time favorite shows I’m gonna have to say that you should check it out no matter what, but especially if you’re in the mood for some Christmas and Hanukkah themed entertainment in the next week or so (watch one of the Chrismukkah eps!). Captain Oats would want you to (if you don’t know who that is then you better watch the show). Anyway, Merry Chrismukkah from me and the Cohens and I’ll leave you with a wonderful description of the holiday from Season 1 by the man himself, Seth Cohen.