trip hop

Lust For Life: Album Review

It’s been a busy two weeks. I worked two festivals and I have another one coming up this weekend. As a result the blog has taken a back seat. Luckily I have a little time to review the second album that came out July 21st from one of my two favorite artists. I haven’t had much time to listen to it because I decided to listen to Foster the People’s (the other July 21st release) latest first. I saw them at Lollapalooza last weekend and I needed some prep time with their new material. Yesterday though, I began listening to Lust For Life, Lana Del Rey’s fourth full length album.

In late February, Lana released the first single from the album, “Love”, claiming that this album was for her fans and those who have supported her throughout the years. In the months following, Lana released two other singles from the album “Lust for Life” ft. The Weeknd and “Coachella – Woodstock on my Mind”. She also announced that the album would feature collaborations with A$AP Rocky, Stevie Nicks, Sean Lennon, and Playboy Carti.

Lana’s newest album offers music with a brighter feel than her sensual darkness heard in previous works. Her hypnotizing vocals are still a staple in Lust For Life though. The lyrics are what gives each song on the new record a more positive vibe. The music also gives a bit of a hip-hop/electronic feel.

As a fan of almost all of Lana Del Rey’s work, I think this album is a great comeback for the pop starlet. I fell in love with her because of Born to Die. I loved her even more after the Paradise EP. Ultraviolence was my go-to album for weeks after its debut, but then Honeymoon happened. I felt like I wasn’t into as many songs and I thought Lana was letting her music go downhill. So for me, Lust For Life is definitely a comeback with a sound that gives a nod to Born to Die as far as the hip-hop beats go.

Even though I’ve just started getting into this album because my listening binge began yesterday, I’m telling you it’s a good one. Is it at the level of Born to Die? I don’t think so, but it’s a damn good album. The amount of collaborations alone is a selling point. There are songs for everyone on it. My personal favorites are “In My Feelings”, “Coachella – Woodstock on my Mind”, and “Beautiful People, Beautiful Problems” ft. Stevie Nicks. It’s worth listening to. Even if you’re hesitant on buying it based on what I just said, listen to it on Spotify first. I’m sure it’ll convince you. Lana has come back with a vengeance and you don’t want to miss out!

Flume

This weekend I’m volunteering at the Sweetlife Music Festival in Columbia, MD, which is right outside of the Baltimore/Washington, D.C. area. The festival is sponsored by the organic health food chain sweetgreen and focuses on both music and food under the belief of combining passion with purpose. I attended the festival 2 years ago when Foster the People and Lana Del Rey headlined. It was a blast despite the constant rain drizzle for most of the day and the monsoon that happened as Foster the People played “Coming of Age”. As a perk of volunteering, I get to attend the festival for free when I’m not working my shift. In my opinion, the lineup isn’t as good as it was in 2014. At the time I applied to volunteer, I only listened to two of the artists on a normal basis. That changed a few weeks ago. After listening to some Spotify playlists, I discovered a new tune by an Australian DJ who also happened to play Coachella this year. So yes, I probably could’ve done a Coachella Band Preview on this guy. I discovered him around the time the festival was happening though, so it was too late by then. Luckily he’s playing Sweetlife this weekend. Hopefully I’ll be able to catch his set because he seems to be all the rage this summer.

Flume, aka Harley Edward Streten, out of Sydney, Australia, first came onto the electronic scene in 2011 after he won a music competition managed by Australian record company, Future Classic. Upon winning, he signed a record deal and released his debut self-titled album on November 9, 2012 in Australia. The album reached the number one spot on the ARIA (Australia Recording Industry Association) Albums Chart. The American release of the album happened in February of 2013. That same year he headlined his first tour in Australia and played SXSW (South by Southwest) in Austin, Texas. He was named one of Fuse TV’s 30 “Must-See Acts” at the annual Texas music and film festival. 2013 also brought the DJ 4 wins at the ARIA Music Awards in the categories of Best Male Artist, Breakthrough Artist – Release, Best Dance Release, and Producer of the Year. In 2014, Flume toured internationally which included some stops on the festival circuit at Coachella and Lollapalooza. This year, after playing Coachella for the second time, Flume has the release of his sophomore album planned for May 27th. He also recently announced a World Tour which kicks off in New Zealand in July. The tour consists of stops in North America, Europe, and Australia. Tickets for the North American leg went on sale today and many dates already seemed to be sold out. It’s a hot ticket this summer for sure.

As an electronic music producer, Flume’s music fits the EDM spectrum. It’s primarily electronica, but it does have a hip hop influence. There’s tons of focus on beats in his songs. It also has this relaxed, chill feel to it so that despite the beats his tracks are much more toned down than upbeat dance/club/house music.

Like I said, I only started listening to a few of his songs a couple weeks ago, which was too late for a preview for Coachella. Apparently though, his Coachella set was incredible. If the ticket sales for this upcoming tour are any indication, he’s a must see artist right now. Hopefully my shift doesn’t overlap with his set so I can catch what might be one of the best sets of the festival. Crossing my fingers right now. If you feel like checking him out, here are a few songs you should listen to:

  1. Sleepless
  2. Holdin’ On
  3. Say It (feat. Tove Lo)
  4. Never Be Like You (feat. Kai)
  5. Drop the Game
  6. Insane
  7. This Song Is Not About A Girl