VIrgin Records

Music’s Got Me Feeling So Free

Couchella Weekend 1 was a huge success. The documentary was fantastic and a great reminder of happier times both in the past and to come. I learned a lot about Coachella from it. I watched it each day of what would have been Coachella 2020 Weekend 1 including a special Friday premiere viewing party with a few of my Coachella coworkers. I decorated the room a bit to feel like Coachella and trust me it kind of did. It helped me separate from the outside world much like actually working a festival does. It also introduced me to new music, which is what I need to write about today. I mean new as in the sense of I wasn’t really into the music before last weekend because this group has been around since the 90’s. Their set in 2006 was very notable in the history of Coachella and that group is Daft Punk.

The French electronic music duo Daft Punk was formed in 1993. After their lack of success in the punk band Darlin’ (which also included Laurent Brancowitz of Phoenix), Guy-Manuel de Homem-Christo and Thomas Bangalter created Daft Punk. They went in a different direction musically, after being introduced to the rave scene. The name “Daft Punk” came from a negative review of Darlin’ which referred to their music as “a daft punky thrash.” The group got their break at a rave in 1993 when they handed off a demo to Stuart McMillan of the Scottish electronic duo Slam. Slam had their own record label Soma.

The duo hired Pedro Winter to be their manager and signed with Virgin Records in 1996. In 1997 they released their highly anticipated debut album Homework, which included their earlier singles “Alive” and “Da Funk” along with “Around the World.” They released their second album Discovery in 2001. The album had a more of a synth-pop sound than what the group was known for from their debut album, but it lead Daft Punk to commercial success. The album reached the Top 10 in music charts throughout Europe, Australia, New Zealand, Canada, and the U.S. When performing during their earlier days, the duo would cover their faces with different masks. It wasn’t until Discovery came out that they adopted their robot alter egos.

In 2005, Daft Punk released their third album Human After All. Despite reaching high positions on music charts throughout the world, the album didn’t quite have the success that Discovery did. In the early 2000’s Daft Punk also got into the visual entertainment sector and released two films, Interstella 5555: The 5tory of the 5ecret 5tar 5ystem in 2003 and Daft Punk’s Electroma in 2006. As I mentioned before, 2006 also brought Daft Punk to Coachella for their first and only Coachella appearance. They debuted their famous pyramid that they also used on tour that year.

In the years between their third and fourth album, the duo was again busy working on films, specifically the soundtrack for Disney’s Tron: Legacy. Then, they won their first Grammy in 2009 for Best Electronic/Dance Album for their live album Alive 2007. They also won a Grammy for Best Dance Recording for “Harder, Better, Faster, Stronger.”

On May 13, 2013 Daft Punk released their fourth studio album Random Access Memories. The album featured collaborations with Nile Rodgers of Chic, Pharrell Williams, and Julian Casablancas of The Strokes. The album became their most successful album to date with hits like “Get Lucky”, “Instant Crush”, and “Lose Yourself to Dance.” The record earned them peak positions on music charts worldwide as well as numerous accolades and awards including a Grammy for Album of the Year. In many countries the album has reached Platinum status or beyond. Daft Punk were also co-producers on Kanye West’s 2013 album Yeezus.

Since Random Access Memories and the few years that followed, Daft Punk has been relatively quiet. Their most notable project came in the form of collaboration with The Weeknd on his hit singles “Starboy” and “I Feel It Coming” in 2016. They’ve since been working on solo projects.

Daft Punk’s style of electronic music is very much house music. Through the years though, it’s varied album by album. It also incorporates elements of rock and disco. Personally I think Daft Punk’s music is ahead of its time, especially the album Discovery, but again I might not know that much about the history of electronic music since I’ve started listening to it only in the past few years.

I first learned of Daft Punk around the time of Random Access Memories due to the popularity of the album. I wasn’t a fan of their biggest hit song “Get Lucky” though. It was still at a point where I detested main stream music nor did I like EDM. I didn’t understand the hype and in the past few years as I got into electronic music, Daft Punk wasn’t really a name I heard often unless it involved headliner predictions for Coachella.

The Coachella documentary shed some light on Daft Punk for me. After watching the scene about their 2006 set, I thought to myself, “Wow this looked like a lot of fun! Maybe I should see what Daft Punk is about.” So I started listening to some of their stuff on Spotify. I realized I heard plenty of Daft Punk tracks over the years, but it was probably just background music for me. So I went through their discography and listened to tracks from all their albums. I listened to them while I attempted to cook my favorite dish from Coachella catering last weekend. It hit me that I’d been missing out on Daft Punk for a while now. I finally understood the hype. I’ve now become one of those people who hope Daft Punk is on every Coachella lineup. I would love to see them live. I want to see them live and I want to see them at Coachella.

With all the negative outlooks for the relatively near future, no one is sure when live music will be back, especially large-scale events like music festivals. Who knows when the next Coachella will happen, but when it does happen again it will likely be an epic event. In the mean time, I can always remind myself it took me 4 years to get to Coachella from when I first wanted to go. I can also do my best to take in Weekend 2 of what would have been Coachella 2020 as best as I can. I plan on watching the documentary each day of Weekend 2 just like I did during Weekend 1 and I also plan on watching some full Coachella sets from past years that I found online. I watched RÜFÜS DU SOL’s 2019 Weekend 1 set last weekend (I was actually at the set for the end half too!). This Weekend I have Dillon Francis’ 2019 set, Foster the People’s 2011 set, and yes, Daft Punk’s 2006 set because I found it in full on YouTube. I can’t wait to see how fun it actually was and I can’t wait for the day we’re all back at Coachella. Hopefully we’ll be listening to Daft Punk live one more time. It could happen. We could get lucky.

Bastille

It was 2013. I was in California for the first time visiting my cousin and exploring the southern portion of the state. I can’t remember what day it was or if it was night time or the middle of the afternoon, but I sat in her downstairs bathroom catching up on social media. I saw a tweet from someone I followed that hyped up a band named Bastille. The tweet also mentioned several songs. I sat there checking each one out before I left the bathroom. I can’t say I was a fan of any of the songs. I had much more important things to focus on though, mainly being in California. That was the first time I heard of Bastille.

Months later I re-evaluated my opinions on the band. I got into the song Pompeii (like everyone else) and eventually Bad Blood. Pompeii was one of the songs I listened to in my cousin’s bathroom. The song Flaws was another, which I started liking later on too. Sometimes bands or artists have to grow on us. Sometimes we have to hear them in a different context to appreciate them. That’s what happened in this situation for me. Now a little over three years since I first heard Bastille, I fell in love with their sophomore album, Wild World.

Bastille is a British indie pop band formed primarily by lead vocalist Dan Smith, but includes members, Kyle Simmons (keyboard), Will Farquarson (guitar and bass), and Chris Wood (drums). The band was formed in 2010 as a solo project of Smith’s. The band name comes from the French holiday Bastille Day which is celebrated July 14th, Dan Smith’s birthday. The band independently released their debut single and self released their first EP before their debut, Bad Blood, came out under Virgin Records in March of 2013.

Their first album reached the number one position on the UK Albums Chart upon its release. Following the release, Bastille played SXSW and supported Muse on The 2nd Law Tour in May and June. They also played on the UK festival circuit in the summer 2013 including appearances at Glastonbury, Blissfields, and Reading and Leeds (all festivals they played in prior years as well). The band won a BRIT Award in February 2014 for Best Breakthrough Artist. In December 2014, the band released their third mixtape (the first two were released in 2012). The mixtape had all original content compared to the combination of original songs and covers on the first two.

After a somewhat quiet 2015, this past June Bastille announced their second album, Wild World, and released the first single from the album “Good Grief”. The album was released on September 9th. By the album’s second week, it topped the UK and Scottish album charts.

The success of their first album will be difficult to match, but if my opinion says anything, I thought it was excellent the first time I listened to it (Can you tell how much Bastille has grown on me?). It looks as if the band will be touring worldwide to promote their new album through the coming months. They’ll most likely be playing several dates on the festival circuit next year as well. Just by looking at their upcoming tour dates, there’s a pretty good indication that they’ll be a lock for Coachella 2017, their second Coachella.

They are undoubtedly an indie pop band, so much so that I initially questioned if they were indie at all. I think the initial reason why I wasn’t into them was because of how pop their music sounded. Maybe that’s also why I was into their newest album upon first listen. I feel like I’ve been listening to more poppy stuff lately. Too much poppy stuff if you ask me (Feel free to send me indie recommendations!). Anyway, I think their new album has many similarities to their first. Bastille has such a distinct sound that it’s difficult for me to pick out some major differences. I’m sure I could if I really studied both albums, but just take that as it is for now. If anything, there might be a hint more of an electronic influence in Wild World than in Bad Blood.

Surprisingly (or not surprisingly depending on your opinion), I’ve seen Bastille play before. They played the Sweetlife Festival in 2014, which I attended to see Lana Del Rey and Foster the People. I had lawn tickets (because it was all that was available at the time) and wanted to get a good spot for Lana and FTP so my friends and I hung out at the main stage all day. It resulted in missing Capital Cities and St. Lucia, but allowed me to see some great performances from Hozier, Bastille, and Fitz and the Tantrums. Bastille was actually my unintended favorite performance of the day. During the set Dan Smith, walked the entire length of the pavilion to the lawn area and back to the stage, which hyped up the crowd immensely. Pompeii, as their most successful song, also yielded a great crowd reaction.

If you’re into pop music, or indie pop, Bastille is a band you should check out. I also highly recommend seeing them live. I didn’t have any expectations for them at Sweetlife going in, but I thought they absolutely crushed their set. So if you do plan on checking them out or plan to see them live, these are a few songs you need to hear:

  1. Pompeii
  2. Bad Blood
  3. Flaws
  4. Overjoyed
  5. Good Grief
  6. Send Them Off!
  7. Things We Lost in the Fire
  8. Fake It
  9. No Scrubs (TLC Cover) (This cover is so so so so good!)
  10. Warmth